Shure PSM700 User manual

Shure PSM700
Personal Stereo Monitor System
Shure Brothers Incorporated
222 Hartrey Avenue
Evanston IL 60202-3696 U.S.A.
27A???? (QJ)
E1998, Shure Brothers Inc. Printed in U.S.A.
PSM 700
Wireless Personal Stereo Monitor System
User Guide
Système de retour stéréo personnel sans fil
Guide de l’utilisateur
Drahtloses individuelles Stereomonitorsystem
Bedienungsanleitung
Sistema inalámbrico de monitor estereofónico personal
Guía del usuario
Sistema di controllo stereo personale senza fili
Guida d’uso
R

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WARNING!
USING THIS SYSTEM AT EXCESSIVE VOLUMES CAN CAUSE PERMANENT HEARING DAMAGE.
USE AS LOW A VOLUME AS POSSIBLE.
Inordertousethissystemsafely,avoidprolongedlisteningatexcessivesoundpressurelevels. Pleaseusethefollowing
guidelines established by the Occupational Safety Health Administration (OSHA) on maximum time exposure to sound
pressure levels before hearing damage occurs. 90 dB SPL at 8 hours
95 dB SPL at 4 hours
100 dB SPL at 2 hours
105 dB SPL at 1 hour
110 dB SPL at 1/2hour
115 dB SPL at 15 minutes
120 dB SPL — avoid or damage may occur
It is difficult to measure the exact Sound Pressure Levels (SPL) present at the eardrum in live applications. In addition
to the volume setting on the PSM, the SPL in the ear is affected by ambient sound from floor wedges or other devices.
The isolation provided by the fit of quality earpieces is also an important factor in determining the SPL in the ear.
Here are some general tips to follow in the use of this product to protect your ears from damage:
1. Turn up the volume control only far enough to hear properly.
2. Ringing in the ears may indicate that the gain levels are too high. Try lowering the gain levels.
3. Have your ears checked by an audiologist on a regular basis. If you experience wax buildup in your ears, stop using
the system until an audiologist has examined your ears.
4. Wipe the ear molds with an antiseptic before and after use to avoid infections. Stop using the ear molds if they are
causing great discomfort or infection.
This symbol indicates that dangerous voltage constituting a risk of electric shock is present within this unit.
This symbol indicates that there are important operating and maintenance instructions in the literature accompanying
this unit.
FCCStatement. TheP7RReceivercomplieswithpart15oftheFCCrules. Operationis
subject to the condition that this device does not cause harmful interference.
Licensing Statement. Changes or modifications not expressly approved by Shure
Brothers Inc. could void your authority to operate the equipment. Licensing of Shure wireless
equipment is the user’s responsibility, and licensability depends on the user’s classification
and application. Shure strongly urges the user to contact the appropriate authority concerning
proper licensing.

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TABLE OF CONTENTS
Getting Started with the PSM700 3. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Introduction 4. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Description 4. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Components 4. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Features 4. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Overview 5. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
P7T Transmitter 5. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Front Panel 5. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Back Panel 5. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
P7R Receiver 6. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Controls and Connectors 6. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
DIP Switches 6. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Installation and Applications 7. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Operating Modes 7. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Stereo Control 7. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
MixMode Control 8. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Mono Control 8. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Monitoring the Performers’ Mixes 8. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Loop Applications 9. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Running Multiple PSM700 Wireless Systems under Stereo Control 9. . . . . . . . . . . . . . . . . . . . . . . . . . . .
Running Floor Monitors through a P7T Transmitter 9. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Running Multiple PSM700 Systems under MixMode Control 10. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Running a Recording Device through a P7T Transmitter 10. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Accessories 11. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Troubleshooting 12. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Appendix A. Specifications 12. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Custom Earpieces 14. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Voltage Selection 14. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Appendix B. Rack Mounting Options 15. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Rack Mounting the P7T Transmitter 15. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Front Mounting the Antenna 16. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

1. 2.
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5.6. 7.8.
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17.
11. & 12.
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English –
GETTING STARTED WITH THE PSM700 SYSTEM
Thank you for purchasing the PSM700 Personal Stereo Monitor System. The PSM700
isarevolutionarynewproductfamilydesignedtomeetthediverseaudiomonitoringneedsof
musicians, engineers, and stage performers.
The following are step-by-step instructions showing how to connect your PSM700
wireless system to an audio source while introducing you to some of its features.
P7T Transmitter Setup
1. Plug the power cord to the power connector.
Connect the other end to a power supply.
2. Attach the antenna to the
ANTENNA OUT BNC connector.
3. Plug the cable(s) from the audio source (mixer,
audio output, CD player) into the LEFT/RIGHT
audio inputs. For a stereo send, use both inputs.
For mono send, use either the LEFT or RIGHT input.
NOTE: All inputs are phantom power
protected up to 60 VDC.
4. Put the PAD switch in the +4 dB position if the
input signal is +4 dB, or the –10 dB position if
the input signal is –10 dB.
5. Turn on the P7T Transmitter.
6. Set the SOURCE switch to match the
audio send (stereo/mono).
7. Set the GROUP switch in the UP position
to frequency GROUP #1.
8. Set the CHANNEL dial to the desired frequency.
IMPORTANT: Never set more than ONE transmitter to the same operating
frequency.
9. Power on the audio source and adjust the level control so the LEDs are in the –3 dB
to +3 dB range.
P7R Receiver Setup
10. Attach the bodypack antenna to the ANTENNA
connector by aligning the red dot and threading the
shell until it is tight.
11. Open the battery door and insert a 9V alkaline battery.
12. Set the DIP switches according to the illustration.
#1: UP – Group #1
#2: DOWN – Stereo control
#3: UP – High frequency boost
#4: UP – Limiter on
13. Set the frequency dial to the desired frequency.
14. Set the balance control to the center detent position.
15. Insert the plug of the earpieces into the headphone
connector on the top panel.
16. Insert the earpieces into your ears.
17. Turn on the receiver by rotating the volume knob clockwise past the click, then slowly
raise the volume to a comfortable listening level.
NowyouknowthebasicsetupforyournewPSM700PersonalStereoMonitorSystem. If
anytroublesoccur,pleaserefertothe
Troubleshooting sectionofthismanual. Therestofthe
manualgoesintogreaterdetailonfeaturesandapplications—includingMixModetcontrol,
which enables you to customize your own mixes. Please read the rest of the manual to help
you make the most of your PSM700 System.

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INTRODUCTION
Description
The Shure PSM700 Personal Stereo Monitor System is a frequency-agile, UHF
wireless, two-channel stereo, monitor system designed for onstage applications. The PSM
has several advantages over onstage loudspeaker monitors: it is less visible, has better
sound, allows freedom of movement, and reduces the chances of feedback. It is a versatile
system, designed for use in many different sound reinforcement applications: public
address, live music, theater, and electronic news gathering (ENG). The wireless system is
frequency compatible with other Shure UHF and VHF wireless systems.
Components
P7T WIRELESS TRANSMITTER
P7R WIRELESS RECEIVER
E-SERIES EARPIECE
PA715 ANTENNA
P7T Wireless Transmitter with rack-mounting hardware and one antenna
P7R Wireless Body-Pack Receiver with antenna
One E1 or E5 Earpiece with foam ear inserts
Features
S UHF operation.
S Stereo or MixMode t control for custom monitor
mixes.
S 32 user-selectable frequencies per system.
S Up to 16 compatible frequencies for 16 separate
mixes.
S Frequency compatible with all Shure Wireless
systems (country dependent).
S MPX Stereo audio transmission.
S Switchable high-frequency boost on P7R.
S +4 dBu/–10 dBV input level select switch on P7T.
S Electronically balanced, combined 1/4-in./XLR
connectors on P7T can be used with balanced or
unbalanced connections.
S Volume and Balance dials on the P7R Receiver for
easy user access.
S Internal linear power supply on P7T, switchable
between 120 VAC and 230 VAC.
S Peak transmitter modulation limiter with fixed
threshold and modulation limit indicators.
S Loop out connectors on P7T for multiple mix
setups and easy installation.
S Tone-Key squelch.
S Half-rack chassis on P7T complete with mounting
hardware.
S All metal construction on P7T and P7R
S Headphone monitor on P7T for local listening.

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OVERVIEW
P7T Transmitter
Front Panel
INPUT Control. This controls the signal level to the
transmittermodulator. Foroptimumsound,theinput
level should be set in the –3 dB to +3 dB range.
Stereo INPUT Meters. Each channel has an eight
LED meter which indicates the modulation level of
the radio signal. Important: When the LIM (limit)
LEDs illuminate, the system is overdriven. Reduce
theinputknobtokeeptheinputlevelLEDsataround
–3 dB to +3 dB.
SOURCE Switch. Set to MONO when only one
input is needed. Set to STEREO/MixMode when
both inputs are needed.
PHONES Volume Control. This controls the signal
level to the headphone output. This does not affect
the input level.
Headphone Connectors — 1/4-in. phone and 3.5
mm (1/8-in) mini. Each connector is configured as
left=tip,right=ring, ground=sleeve. Pleasenote that
only one of these outputs can be used at a time.
CHANNEL Select Control. This dial determines
the frequency which the P7T transmits. There are
two groups of sixteen frequencies available,
corresponding with those on the P7R receiver. To
changethe frequency,use thesupplied screwdriver.
GROUP Switch. This selects the channel group, 1
or 2.
Power Switch. Press this button to turn the unit on.
Rear Panel
Power Connector and Fuse. Connects to a power
supply. The fuse is located in the bottom drawer.
LOOP OUT Connectors — 1/4-in. phone,
balanced. Additional connectors internally wired to
the respective LEFT/RIGHT input connectors.
INPUT PAD Switch. Selects the input signal level
for –10 dBV or +4 dBu operation. See the
specifications for the audio equipment to be
connected for the proper signal level.
LEFT/CH. 1 and RIGHT/CH. 2 Input Connectors
— Combined 1/4-in. phone and XLR (female),
balanced. Electronically balanced inputs can be
used with either balanced or unbalanced outputs.
Either connector can be used for mono control.
Antenna Connector — 50 Ω, BNC type. This
connects to the antenna to transmit UHF signals to
the receiver.

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P7R Receiver
Controls and Connectors
Balance Control. In stereo mixes, this controls the
left/right balance. In MixModet, this controls the
mix level of two transmitter inputs.
Headphone Connector. 3.5 mm (1/8-in.) phone
jack connects to the E1 earpieces. Left=tip,
right=ring, ground=sleeve.
LOW BATT Indicator. This LED illuminates red
when the battery has approximately 45 minutes of
operatingtimeremaining,dependingonthevolume.
Power LED. This green LED illuminates when the
power is ON and the battery is good.
ON/OFF and Volume Control. Full
counter-clockwise turns the P7R OFF. Turn the dial
clockwise past the click to turn the P7R ON. Once
ON, turn the dial clockwise to raise the volume, and
counter-clockwise to lower the volume in the
earpieces.
Antenna and Connector. An easily removable
antenna connects to the P7R to receive RF signals
from the P7T Transmitter.
RF LED. Illuminates when the P7R is receiving a
signal from the transmitter.
Battery Compartment. Accepts one 9-volt battery
(Duracell recommended). Open the door by
pressing the latches on both sides and pulling.
DIP Switches. Using the DIP Switches, you can
customize the operation of the receiver. See
DIP
Switches .
CHANNEL Select Control. This dial determines
the frequency which the P7R receives. There are
two groups of sixteen frequencies available,
correspondingwith thoseonthe P7Ttransmitter. To
changethefrequency,use thesupplied screwdriver.
Use DIP switch 1 to select the frequency group.
Belt Clip.

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DIP Switches
DIP
SWITCH FUNCTION UP DOWN
1GROUP Select Frequency Channel Group 1 Frequency Channel Group 2
2Stereo/MixMode Select MixMode control stereo control
3Equalization (Flat/High Boost) Gives a 6 dB boost at 10 kHz
for a better high-end response normal response
4Limiter defeat Limiter on Limiter off
IMPORTANT: The Limiter is designed to respond to and limit the loudness of unexpectedly
high signals. It is not designed to prevent long term exposure to high SPL levels. It is
designed for use with the E-Series earpieces, so the maximum limited SPL may be
different with other earpieces. We recommend that you always use the built-in limiter
providedwiththis system. However,alimiterdefeat switchhas beenprovided forthosewho
would prefer to use an external limiter product.
Selecting Frequencies
The Shure PSM700 Personal Stereo Monitor System is frequency-agile, with two
groups of 16 channels for a total of 32 different possibe operating frequencies. The P7T
transmitter and the P7R receiver each has a switch for selecting between the two groups,
and a rotary dial for selecting the channel. Use the supplied screwdriver for adjusting the
rotary dial.
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GROUPCHANNEL
1
2
0
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1. Set the GROUP switch on the P7T transmitter to the desired group (group 1 or 2).
Set DIP switch 1 on the P7R receiver to the same group.
2. Set the CHANNEL select control on the P7T transmitter to the desired frequency
channel. Set the CHANNEL select control on the P7R receiver to the same
frequency channel.

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INSTALLATION AND APPLICATIONS
TheflexibledesignofthePSM700PersonalStereoMonitorSystemmakesconfiguringa
monitormixvery simple. Inaddition,theuniqueMixModecircuitryenables youtocustomize
your own individual mix in a multiple mix environment. To help you install the PSM700 into
your sound system, the tables and diagrams in this section describe three distinct modes of
operating the system. Although the examples show only single system setups, you can
configuremultiple wireless systemsin a setup. Somemultiple mix setupsare detailed inthe
LOOP Applications section of this chapter.
Operating Modes
For optimum performance, The P7T requires a LINE level input signal.
Stereo Control Used for conventional Stereo monitor mixes.
Transmitter Stereo/MixMode setting
Receiver Stereo setting
Balance Dial Varies stereo left/right image
MixMode Control Used for creating an individual mix between two distinct moni-
tor sends.
Transmitter Stereo/MixMode setting
Receiver MixMode setting
Balance Dial Varies levels between mixes
Mono Control Used when only one (mono) monitor mix is available.
Transmitter Mono setting
Receiver Stereo setting
Balance Dial Varies the right/left volume control
NOTE: For the best results, the input signal must be a LINE level signal. For
consistency throughout the following diagrams, a mixing console is shown as the source
supplying the audio signal to the P7T transmitter. However, any balanced or unbalanced
send that outputs a LINE level should drive the P7T. Some devices that would work are CD
players, DAT machines, direct injection boxes, and microphone preamplifiers.
Stereo Control
This diagram shows how to connect the PSM700 system with a stereo monitor mix.
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P7T
P7R
MIXER
GROUPCHANNEL
1
2
0
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0GROUP 1
GROUP 2
1. Connect the stereo mixer outputs to the L/CH1. and R/CH2. INPUTs on the P7T
transmitter
2. Set the SOURCE switch on the P7T front panel to STEREO.
3. Set DIP switch 2 of the P7R Receiver to STEREO.
4. Set the P7T transmitter and the P7R receiver to the same frequency.
5. Use the balance control on the P7R Receiver to adjust the balance of the Right and
Left channel volume.

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MixMode Control
This diagram shows how to connect the PSM700 system with two monitor mixes
combinedatthereceiver. Thisallowsyoutovarythelevelbetweenthetwomixestocreatea
custom mix.
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FULL RIGHT
VOICE MIX LOUDER
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FULL LEFT
BAND MIX LOUDER
VOICE MIX
BAND MIX
P7T
P7R
MIXER
CH. 2CH. 1 CH. 2CH. 1
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GROUPCHANNEL
1
2
0
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GROUP 2
1. Connect the monitor mix 1 and monitor mix 2 mixer outputs of the mixer to the L/CH.
1 and R/CH. 2 audio inputs of the P7T transmitter.
2. Set the SOURCE switch on the P7T transmitter to STEREO.
3. Set DIP switch 2 on the P7R receiver to MixModet.
4. Set the P7T transmitter and the P7R receiver to the same frequency.
5. Use the balance control on the P7R to adjust the relative levels between the two
monitor mixes.
Mono Control
This diagram shows how to connect the PSM700 system with a mono monitor mix.
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P7T
P7R
MIXER
GROUPCHANNEL
1
2
0
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0GROUP 1
GROUP 2
1. Connect the mono monitor output of the mixer to either the Left or Right audio inputs
of the P7T.
2. Set the SOURCE switch on the front panel to MONO.
3. Set DIP switch 2 of the P7R to STEREO.
4. Set the P7T transmitter and the P7R receiver to the same frequency.
Monitoring the Performers’ Mixes
With the frequency select controls, you can soundcheck the different mixes in a multiple
transmitter setup. Using one P7R receiver, set that P7R to same frequency as each successive
P7T to make sure the you hear the transmission. If necssary, twist the balance dial to check for
proper left/right stereo balance or MixMode operation.