Trident Hi-Lo 500 Series User manual

DYNAMIC RESONANCE ADAPTIVE TRACKING FILTER
Hi-Lo Dynamic Filtering User Manual

1Trident Audio Developments | Hi-Lo Dynamic Filtering User Manual
Trident
500 Series
Hi-Lo
Dynamic
Filtering
No Ordinary
Filtering
Trident Audio
Developments have
brought to life the
adaptive filtering circuitry
that made the original
a classic, in a modern
500 series format.
—————————————————————————————————————————————————
Branded the Hi-Lo, the Trident 500 series Hi-Lo is an adaptive Hi-Cut /
Lo-Cut frequency filtering module which can respond dynamically to the
program material, providing the user with a high degree of control and
signal enhancement, unavailable in any modern day 500 series package.
—————————————————————————————————————————————————

2Trident Audio Developments | Hi-Lo Dynamic Filtering User Manual
— OVERVIEW —
The Hi-Cut
This is a sweepable low pass filter with unity
gain in the selected pass band and a select-
able (12dB per octave or 24dB per octave)
roll-o outside the pass band. Cut o fre-
quency can be set from 75Hz to 24kHz.
In addition, a RESONANCE control can be
switched into circuit, to introduce a resonant
peak at the selected cut-o frequency. The size
of this peak, which is dependant on the elect-
ed frequency selected on the front panel, can
be varied from zero to approximately +12dB.
At maximum setting, RESONANCE stops just
short of self-oscillation.
A HI-CUT ENABLE switch allows each individual frequency band or filter
to be assessed, whilst a red PEAK warning indicator will illuminate at ap-
proximately +16dBu, approximately 12dBu below clipping. To allow ad-
equate headroom, avoid boosting the signal by more than an amount
which just causes this LED to flash on occasional peaks.
Using the TRACK SIGNAL function enables the Hi-Cut filter to be used
for dynamic noise reduction. This is a technique which relies on the
psychoacoustic eect of ‘masking’, in which a louder signal will cover up
a quieter signal of the same
frequency. In this mode, the cuto frequency
tracks dynamically the high
frequency content of the music, with the FRE-
QUENCY control setting the frequency to which the filter will close down
in the absence of any high frequency content.
With a noisy signal applied (e.g. from analogue tape or other material
with a high background noise content), start with the FREQUENCY con-
trol at maximum (fully clockwise) and back o the control until the noise
just disappears.

3Trident Audio Developments | Hi-Lo Dynamic Filtering User Manual
Hi-Cut Dynamic Tracking continued
Use of higher resonant set-
tings will result in the move-
ment of the filter becoming
audible and indeed, combined
with the lower settings of the
FREQUENCY control, this can
be the basis of some unique
special eects.
Further possibilities —
The sweep range of the Hi-Cut
filter is extremely wide, from
eectively subsonic, right up
to full audible bandwidth. This
suggests the possibility of fad-
ing tracks in and out, not in the amplitude domain as is usual, but in the
frequency domain.
The Lo-Cut
This is a sweepable high pass filter with unity
gain in the selected pass band and selectable
(12dB per octave or 24dB per octave) roll-o
outside of the pass band. Cut o frequency can be
set manually, anywhere from 15Hz to 16kHz.
In addition, a RESONANCE control can be switched
into circuit, to introduce a resonant peak at the
selected cut-o frequency. The size of this peak,
which is dependant on the elected frequency
selected on the front panel, can be varied from
zero to approximately +12dB. At maximum setting,
RESONANCE stops just short of self-oscillation.

4
A LOW-CUT ENABLE switch allows each individual frequency band or
filter to be assessed,
whilst a red PEAK warning indicator will illuminate
at approximately +16dBu, approximately 12dBu below clip-ping. To allow
adequate headroom, avoid boosting the signal by more than an amount
which just causes this LED to flash on occasional peaks.
Lo-Cut Dynamic Tracking
Using the TRACK SIGNAL function, enables the Lo-Cut filter to be used
for dynamic hum or rumble reduction. This is a technique which relies
on the psychoacoustic eect of ‘masking’, in which a louder signal will
cover up a quieter signal of the same frequency. In this mode, the cut-o
fre-quency tracks dynamically the low frequency content of the music,
with the FREQUENCY control setting the frequency to which the filter
will open up in the absence of any low frequency content.
With a noisy signal applied (e.g. from a record deck or other material with
a high background noise content), start with the FREQUENCY control at
min-imum (fully anticlockwise) and advance the control until the hum or
rumble just disappears.
In practice, this technique demands a trade-o between noise reduction and loss
of some low frequency content of
the program material. However,
using the steepest (24dB
per
octave) slope, maximises the
amount of low frequency content
retained. In addition, discreet
use
of the RESONANCE control
to
introduce a small peak of a
few
dB at the cut-o frequency,
can
psycho acoustically enhance
the
apparent bandwidth of the
fil-
tered signal. Use of higher
resonant settings will result
in
the movement of the filter
becoming audible and indeed,
combined with higher settings
of the FREQUENCY control, this can
be the basis of some
unique eects.
Trident Audio Developments | Hi-Lo Dynamic Filtering User Manual

5Trident Audio Developments | Hi-Lo Dynamic Filtering User Manual
Lo-Cut Dynamic Tracking continued
Further possibilities — The sweep range of the Lo-Cut filter is extremely
wide, from eectively ultrasonic to right down to full audio bandwidth.
This sug-gests the possibility of fading tracks in and out, not in the ampli-
tude domain as usual, but in the frequency domain.
Hi-Lo Peak Indicators
The Trident Hi-Lo includes LED peak indicators on the outputs of both
the Hi-Cut filter section and the Lo-Cut filter section. Since the filters are
in series (the Hi-Cut circuitry before the Lo-Cut), the Hi-Cut Peak LED
monitors the Hi-Cut filter stage only, and the Lo-Cut Peak LED monitors
signal thru both stages, and as such, the output of the unit. This gives
the most flexibility for clip monitoring in the unit. The Output of the Hi-Lo
can drive approximately 27.5 dB into a 600 Ohm load. The clip levels are
approximately 12 dB below actual signal Clip (so we have this occur at
+16dBu) and allows for tweaks in resonance which may exceed that but
allow for headroom after the clip indicator has just reached active.
Dynamic Linking Linked Stereo Tracking
Two Trident Hi-Lo modules can be employed for linked stereo tracking, when
used via an external stereo linking system, such as on the Trident Deca Dent.
This is achieved by enabling both Hi-Lo modules TRACK SIGNAL switches
and setting the FREQUENCY controls to identical positions. The track signal
is generated by the sum of the left and right signals, and the automatic tracking
follows both the left and right signal sources.
48dB Per Octave Slope (Stereo Paired Hi-Los)
Up to 48dB per octave slope can be achieved on the Trident Hi-Lo when
stereo paired with a second Hi-Lo module. In fact, because the Hi & Lo
filters are in series, this can be set anywhere between 12 and 48dB by se-
lection of the two SLOPE buttons on the front of the Hi-Lo. For example,
by engaging both Hi-Lo units, Hi-Cut filters and setting them to 24dB
slope, the program material will be subject to a 48db per octave slope.
By adjusting one of the Hi-Cut filters to 12dB slope, the program material
will be subject to 36db per octave slope. The same can be said for the
Lo-Cut filter.

6Trident Audio Developments | Hi-Lo Dynamic Filtering User Manual
— SPECIFICATIONS —
Input Impedance 10 kilohms
Max Input +27dBu
Max Output +27dbu (Into 600ohms)
Distortion (+10dBu Out) 0.0031% (20Hz to 20kHz)
(Hi Enabled Max Freq)
(Lo Enabled Min Freq)
Distortion (+20dBu Out) 0.0069% (20Hz to 20kHz)
Frequency Response 15Hz to 60kHz (-3dB)
Noise (20Hz to 20kHz bandwidth limited)
No Filters in circuit (Residual Noise) -95dBu
High Cut Enabled
Freq Max -83.5dBu
Freq Min -90dBu
Freq Max – 24dB/Oct Slope Enabled -80dBu
Freq Min – 24dB/Oct Slope Enabled -90dBu
Freq Max – Res Enabled, Resonance Min -83.5dBu
Freq Max – Res Enabled, Resonance Max -72dBu
Freq Max – 24dB, Res Enabled, Res Max -71dBu
Freq Min – Res Enabled, Resonance Min -90dBu
Freq Min – Res Enabled, Resonance Max -90dBu
Freq Min – 24dB, Res Enabled, Res Max - 90dBu
Low Cut Enabled
Freq Max -83dBu
Freq Min -86dBu
Freq Max – 24dB/Oct Slope Enabled -83dBu
Freq Min – 24dB/Oct Slope Enabled -90dBu
Freq Max – Res Enabled, Resonance Min -84dBu
Freq Max – Res Enabled, Resonance Max -72dBu
Freq Max – 24dB, Res Enabled, Res Max -73dBu

Safety - This product is intended for professional use only and it is assumed
that the user is familiar with the 500 Series Modular Rack system. Always
switch o the rack power before inserting or removing this (or any other)
module or damage may occur. Do not expose this product to direct heat,
moisture or mechanical shock.
Warranty - This product is warranted free from defects in material or workmanship,
for a period of one year from date of purchase. During this period, Trident Au-
dio Developments will repair or replace this product by prior arrangement free
of charge, providing the product is determined to be defective and has been re-
turned, freight prepaid, in its original or similarly protective packaging, to a Trident
Audio Developments Service Center. Trident Audio Developments is not obligated
to provide the Purchaser with a substitute unit while repairs are carried out.
Governing Laws
If the purchaser acquired a Trident Hi-Lo Dynamic Filtering originating from the
Trident Audio USA oce direct, or through any Authorized US or European Autho-
rized Dealer, then any order or contract to which these terms and conditions apply
and all matters arising there under shall be construed according to and governed
by the Laws of The State of California, United States.
Environmental - This product complies with the RoHS directive and contains no
lead or other banned hazardous materials. In accordance with the WEEE directive,
this product must be disposed of responsibly at its end of life, by means of local
authority approved recycling systems.
For further information, or to register your purchase,
visit: www.tridentaudiodevelopments.com
Pb
Pb
Pb