Two Notes OPUS User manual

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OPUS User's Manual
Multi-Channel Amp Sim, DynIR Engine, Amp DI, IR loader and Silent Stage
Solution.
The complete electronic version of this manual, as well as the Two notes Audio Engineering software
and hardware products, are subject to updates. You can download the most recent versions of the
products on the Two notes Audio Engineering website.
This manual describes the OPUS and provides instructions for its operation. It is highly recommended
that you read this document before using the product. The contents of this manual have been
thoroughly verified and it is believed, unless stated otherwise, to accurately describe the product at
the time of shipment from the factory or download from our website.
Two notes Audio Engineering is a registered trademark of:
OROSYS SAS
76 rue de la Mine
34980 Saint-Gély-du-Fesc
France
Tel: [phone]

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Fax: [phone]
Contact and support: http://support.two-notes.com
Website: http://www.two-notes.com
This document is the exclusive property of OROSYS SAS. In the interest of product development,
OROSYS SAS reserves the right to change technical specifications, modify and/or cease production
without prior notice. OROSYS SAS cannot be held responsible for any damage, accidental or
otherwise, that results from an inappropriate use of OPUS. Please refer to the safety instructions
included in this manual. The reproduction of any part of this document is strictly forbidden without the
written authorization of OROSYS SAS.
All product names and trademarks are the property of their respective owners. Product names and
trademarks found in this document were used during the development of OPUS but are in no way
associated or affiliated with OROSYS SAS.
Foreword
1. Safety instructions
Before using the product, it is necessary to carefully read and to bear in mind the following
information. Keep this document in a safe place as it is important for the protection of both user and
product. Should you suspect any malfunction of the device, always seek the assistance of a qualified
technician, preferably Two notes in the first instance.
1.1 Reader warning
The triangle with an exclamation mark highlights important messages concerning
the correct use of the device.
1.2 Power adapter
Please verify that the voltage required by the mains power adapter matches the voltage in your
country. If not or if unsure, do not connect the unit to the wall outlet. This could result in damage to
the mains power adapter, the unit and injuries to the user. This product must not be used when there
is lightning. In case of severe weather with a risk of lightning, unplug the power adapter to reduce the
risk of electric shock and fire.
The mains power adapter provided with the machine complies with the standards of the country

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where you purchased the product. If replacement is needed, please use a standard compliant mains
power adapter.
1.3 Safety use conditions
OPUS must never be used near a heat source, near a flame, in the rain, in damp areas, near any kinds
of liquids. When transporting the unit, care needs to be taken to avoid any shocks that could cause
damage that would require the assistance of a qualified technician.
1.4 Cleaning
Always use a dry and soft cloth with no alcohol or solvents for cleaning. Please keep the unit clean
and free from dust.
1.5 Maintenance
All maintenance operations must be done by service centers approved by OROSYS SAS or by qualified
technicians. Never try to repair the unit by yourself.
2. Contents of the package
The shipped package contains:
1x OPUS unit in a protecting sleeve
1x mains power adapter
1x USB cable
1x 256 MB memory card
1x MIDI to ⅛” jack cable
1x quickstart guide
The complete electronic version of this manual is subject to updates.
3. Declaration of conformity
Manufacturer: OROSYS SAS
Category of product: digital audio signal processor
Product: OPUS
Test Manager: Guillaume Pille

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OPUS is certified to be compliant to the CE and FCC standards:
EN 55103-1 : 1996 and EN 55103-2 : 1996.
EN 60065 05/2002 + A1 05/2006.
EMC directive 89/336/EEC and Low Voltage Directive 73/23/EEC.
FCC Part 15 : 2008.
ICES-003 : 2004.
AS/NZS 3548 class B for Australia and New Zealand.
IEC : 2008 - CISPR 22 class B.
4. Disposal of Waste Equipment by Users in Private
Household in the European Union
This symbol on the product or on its packaging indicates that this product must
not be disposed of with your other household waste. Instead, it is your
responsibility to dispose of your waste equipment by handing it over to a
designated collection point for the recycling of waste electrical and electronic
equipment. The separate collection and recycling of your waste equipment at the
time of disposal will help to conserve natural resources and ensure that it is
recycled in a manner that protects human health and the environment. For more
information about where you can drop off your waste equipment for recycling,
please contact your local city office, your household waste disposal service or the
shop where you purchased the product.
5. Warranty
OROSYS SAS warrants that this TWO NOTES AUDIO ENGINEERING product shall be free of defects in
parts and workmanship when used under normal operating conditions for a period of two (2) years
from the date of purchase. This warranty shall apply to the original purchaser when purchased from
an Authorized TWO NOTES AUDIO ENGINEERING dealer.
IMPORTANT: PLEASE RETAIN YOUR SALES RECEIPT, AS IT IS YOUR PROOF OF PURCHASE
COVERING YOUR LIMITED WARRANTY. THIS LIMITED WARRANTY IS VOID WITHOUT YOUR
SALES RECEIPT.
Defective products that qualify for coverage under this warranty will be repaired or replaced, (at
OROSYS SAS's sole discretion) with a like or comparable product, without charge. In the case that
warranty service is required, Please contact your authorized TWO NOTES AUDIO ENGINEERING dealer
in order to obtain an RMA to return the complete product to the Authorized TWO NOTES AUDIO
ENGINEERING Service Center closest to you, with proof of purchase, during the applicable warranty
period.

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Transportation costs to the service center ARE NOT INCLUDED in this limited warranty. OROSYS SAS
will cover the cost of standard ground return transportation for repairs performed under this warranty.
This limited warranty becomes void if the serial number on the product is defaced or removed, or the
product has been damaged by alteration, misuse including connection to faulty or unsuitable ancillary
equipment, accident including lightning, water, fire, or neglect; or if repair has been attempted by
persons not authorized by OROSYS SAS. Any implied warranties, including without limitation, any
implied warranties of merchantability or fitness for any particular purpose, imposed under state or
provincial law are limited to the duration of this limited warranty. Some states or provinces do not
allow limitations on how long an implied warranty lasts, so the above limitations may not be
applicable.
OROSYS SAS ASSUMES NO LIABILITY FOR PROPERTY DAMAGE RESULTING FROM ANY
FAILURE OF THIS PRODUCT NOR ANY LOSS OF INCOME, SATISFACTION, OR DAMAGES
ARISING FROM THE LOSS OF USE OF SAME DUE TO DEFECTS OR AVAILABILITY OF SAME
DURING SERVICE.
In case you have to send your TWO NOTES AUDIO ENGINEERING product to any other location, it is of
vital importance to retain the original packing materials. It is very difficult to avoid damage if shipping
the product without these materials. OROSYS SAS is not responsible for damages to the product due
to improper packaging and reserves the right to charge a reboxing fee for any unit returned for
service without the original packing materials. THE FOREGOING CONSTITUTES THE ONLY WARRANTY
MADE BY OROSYS SAS WITH RESPECT TO THE PRODUCTS AND IS MADE EXPRESSLY IN LIEU OF ALL
OTHER WARRANTIES EXPRESSED OR IMPLIED
About OPUS
1. Introducing OPUS
Introducing OPUS, an end-to-end tone shaping Amp Simulator and DynIR™ Engine ushering-in the
next milestone-evolution of the Two notes ecosystem. Building upon the C.A.B. lineage - and our
critically- acclaimed digital cabinet simulation legacy - OPUS adds Pre- & Power-amp Tube-Stage
Modeling™ (TSM™), MIDI integration and a future-proofed USB-C specification, empowering players of
all- walks with apex-level tone in a go-anywhere footprint.
For deft ease-of-use, Torpedo Remote (iOS/Android/MacOS/Windows) serves as the nexus of your tone
shaping experience; simply hookup to your Phone, Tablet or Desktop and experience liberated 1:1
integration with every editable parameter in the OPUS architecture. Tonally, everything you demand
from a state-of-the-art digital Amp Sim is here; whether it’s a thundering high-gain onslaught, a
sublime clean primed to serve as the foundation of a pedalboard rig or a mojo-fuelled brit-inspired
roar, each and every base is covered. OPUS, it’s more than our masterpiece: it’s a back-line in your
gig-bag and a macrocosm of next-level tonal excellence.

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2. OPUS Highlights
The ultimate pedal platform Amp Sim and DynIR™ Engine powered by Tube-Stage Modeling™
(TSM™) technology
5 pristine TSM™ Preamp emulations; 10 total slots for future Preamp models via free Firmware
Updates
Exquisite TSM™ Poweramp simulation with 4 tube amp models (6L6, EL34, EL84 and KT88),
Pentode / Triode, Push-Pull (PP) ‘Class AB’, or Single Ended (SE) ‘Class A’ power amps
On-board DynIR™ Engine for class-leading cabinet simulation with dual-miking facilities, 8
microphones per cabinet and 12 room emulations
Pro-grade suite of essential DSP-powered processors and effects including an EQ, Enhancer,
Noise Gate and Reverb
Pre-loaded with the OPUS-Series DynIR Cabinet Collection featuring 32 Cabinets including
captures from Steve Stevens, Dave Friedman, Pete Thorn, George Lynch and Phil X
99 preset locations and an exclusive collection of 40+ artist-series presets from the likes of Pete
Thorn, Michael Nielsen, Jack Gardiner, Tom Quayle, Adam Steel, John Browne, Jay Leonard J and
more
Wireless Bluetooth® and USB integration with Torpedo Remote (iOS, Android, MacOS, Windows)
for expert-level tone shaping, preset management and real-time auditioning of 500+ DynIR
Cabinets
MIDI input for seamless assimilation into existing set-ups; MIDI breakout cable included
Dual Static IR Loader and Acoustic DI with 40+ premier Acoustic Impulse Responses included
USB-C connectivity for future-proofed rapid data transfer
Compact ultra-portable footprint and rugged, road-ready metal chassis
2.1 Top Panel

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1 - PRESET/PARAM Encoder
2 - VOLUME/VALUE Encoder
3 - OLED screen
2.2 Right Panel

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4 - AMP/INSTRUMENT/LINE input
5 - TO SPEAKER (Warning! When an amp is connected to the AMP input, the related cabinet or a
suitable load box has to be connected to the Speaker Output of the pedal)
6 - IN level selector
7 - USB-C connector
8 - POWER
2.3 Left Panel

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9 - Headphone Input
10 - MIDI IN
11 - AUX Input
12 - Ground Lift Switch
13 - DI OUT
14 - LINE OUT
2.4 Back Panel

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15 - Memory Card Slot
3. Torpedo Remote For OPUS
For ease of use, you can set each and every parameter within OPUS’ DSP architecture with your
computer or your mobile device via the Torpedo Remote application. Download Torpedo Remote for
your specific device from www.two-notes.com/torpedo-remote
3.1 On Your Computer
3.1.1 Registering OPUS with Torpedo Remote On Your Computer
First, connect OPUS to your computer with the provided USB cable.

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Launch Torpedo Remote and sign into your Two notes
account; If you do not have a Two notes account, click
“Sign Up” to create one.
Click on the “Register” button to add OPUS to your Two
notes account.
3.1.2 Managing OPUS with Torpedo Remote
Through Torpedo Remote, you will be able to:
Command each and every parameter within the OPUS architecture directly from the software
application
Create and manage your OPUS presets
Manage OPUS’ internal memory in terms of Presets, static IRs and DynIR™ Virtual Cabinets;
please note, this is only accessible if your unit is registered to your Two notes account
3.1.3 Virtual Cabinet / IR loader Mode Overview

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The main window of Torpedo Remote provides access to all of OPUS' tone shaping tools, as well as
preamp, poweramp, cabinet and mic choice. This is also where you will manage the internal memory
of the unit via the tabs located at the top of the window.
3.1.4 Internal Memory Management
Through a USB connection to the desktop variant of Torpedo Remote, all tools are provided to load
and manage OPUS’ DynIR™s, 3rd Party IRs and Presets using the menu tabs entitled CABINET
MANAGER, IR MANAGER, and PRESET MANAGER respectively.
In each tab, the left panel shows the files available on your computer; the right tab shows the files
loaded into the internal memory of OPUS.
3.2 On Your Mobile Device or Tablet
3.2.1 Pairing Procedure

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Before attempting to pair OPUS with your Mobile Device or Tablet, please ensure you have installed
the Torpedo Wireless Remote application accessible www.two-notes.com/here.
One installed, pair your device with OPUS using the following procedure:
Tap on DEVICES in the bottom bar of Torpedo Remote
Tap on “Pair a new device”
Tap on “Pair an OPUS” and follow the prompt on screen provided by your device’s OS to pair to
a new device
OPUS will be listed on your device’s Bluetooth menu. Tap on OPUS in the list
Input the pin code noted in OPUS’ “BLE pin code” menu item (accessed via OPUS’ OLED screen
following MENU / Global / BLE pin code)
3.2.2 Key Differences With The Desktop Version Of Torpedo Remote
When using either the Desktop or Mobile/Tablet variants of Torpedo Remote, there are some distinct
differences to bear in mind which may impact your use of OPUS:
Through the mobile app, it is not possible to load/unload cabinets and 3rd party static IR from
OPUS. These processes can only be actioned via the Desktop application and a USB connection
once the unit is registered to your Two notes account.
As a result, there are no CABINET MANAGER, IR MANAGER and PRESET MANAGER tabs in the
Mobile/Tablet application.
Please note, when a DynIR™ cabinet is purchased, it is not automatically loaded into OPUS’s
internal memory, and as such it will not be listed in the Mobile/Tablet application. These
cabinets are however visible in the Desktop application variant through the CABINET MANAGER
tab, where they can be loaded to the internal memory of OPUS via a suitable USB connection.
Providing the DynIR™ virtual cabinets have been loaded to OPUS, these will be visible on the
Mobile/Tablet application variant.
OPUS Setup Scenarios
OPUS has been engineered to work in the context of multiple setup scenarios, including but not
limited to:
An acoustic, electric or bass guitar directly connected to the INST./LINE IN/FROM AMP input of
OPUS
A pedal/pedalboard/multieffects unit connected to the INST./LINE IN/FROM AMP input of OPUS
As an amp DI in conjunction with a traditional amp and cabinet rig connected to the INST./LINE
IN/FROM AMP input of OPUS and TO SPEAKER output of OPUS respectively
Top Tip: OPUS can also be used in conjunction with an electro-acoustic guitar. Please follow the
connectivity guideline outlined above but bear in mind setup within Torpedo Remote will differ. For
further information, head over to “Using OPUS As An Acoustic DI”.

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1. Go Direct With Your Guitar
Connect your guitar directly to the INST./LINE IN/FROM AMP input of OPUS
Set the IN LEVEL switch to INST.
Check the input level VU Meter on OPUS OLED display; if the display indicates clipping of the
input signal, navigate to the pedal’s MENU using the Rotary Encoders, and scroll to the GLOBAL
section. Enter the section, and scroll to the INPUT PAD page - Set it to ON to apply a 10dB
reduction of your input signal to negate clipping OPUS’s input stage
Connect the XLR output to an audio interface, mixing desk or active speakers; alternatively all
internal processing in OPUS can be monitored silently using the dedicated Headphone output
Top Tip: OPUS can also be used in conjunction with an electro-acoustic guitar. Please follow the
connectivity guideline outlined above but bear in mind setup within Torpedo Remote will differ.

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2. The Ultimate Fly Rig
Connect your pedals/pedalboard to the input of OPUS using an instrument cable
Set the IN LEVEL switch to INST
Check the input level VU Meter - if the display indicates clipping of the input signal, set the 3-
way IN LEVEL selector to LINE
Connect the XLR output to an audio interface, mixing desk or active speakers; alternatively all
internal processing in OPUS can be monitored silently using the dedicated Headphone output
3. Lose The Mics For Your Amp On Stage & In The Studio

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Connect your amplifier’s speaker output to the input of OPUS using a speaker cable
Set the IN LEVEL switch to AMP
Turn off the PREAMP and POWERAMP processing in OPUS
Check the input level VU Meter on OPUS' OLED display; if the display indicates clipping of the
input signal, navigate to the pedal’s MENU using the Rotary Encoders, and scroll to the GLOBAL
section. Enter the section, and scroll to the INPUT PAD page - Set it to ON to apply a 10dB
reduction of your input signal to negate clipping OPUS’s input stage
Connect the XLR output to an audio interface or mixing desk to send your amp’s signal
complete with OPUS’ DSP processing to your computer or Front Of House respectively. In this
instance, traditional miking of a cabinet is no longer required as OPUS handles all cabinet
simulation and the associated miking process courtesy of the on-board DynIR™ engine.
—-

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Configuring Your Tone With OPUS
Within OPUS, the following signal chain is enacted via the on-board DSP processing
Input ⇒ Preamp ⇒ Noise Gate ⇒ Power Amp ⇒ Cabinet Miking ⇒ EQ ⇒ Enhancer ⇒ Reverb
1. Noise Gate
Top Tip: OPUS’ Noise Gate is listed first in Torpedo Remote and in the pedal’s menu but in-fact takes
place after the preamp, as is common practice for 4-Cable-Method noise gate units.

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The THRESHOLD parameter sets the level at which the
Noise Gate is active: if your signal is over this level, the
Noise Gate is off, when under this level, the Noise Gate
is engaged.
The LEARN button automatically sets the Threshold
level; to smart-learn the Noise Gate’s settings, first set
your guitar volume to maximum, then mute your
strings with your hand and click on the LEARN button.
The Noise Gate will listen to the input sound and set
the threshold level accordingly. Make sure to mute your
strings for at least 3 seconds so the LEARN process can
effectively analyse your input signal.
2. TSM™ Pre & Power Amps

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OPUS’ TSM™ (Tube Stage Modelling) Emulation furnishes you with a suite of pro-grade Preamps and
fully-customisable Power Amps. Within the TSM™ Amplifier pane of the Torpedo Remote window you
will find:
5 pristine TSM™ Preamp emulations; 10 total slots for future Preamp models via free Firmware
Updates
TSM™ Poweramp simulation with 4 tube amp models (6L6, EL34, EL84 and KT88), Pentode /
Triode, Push-Pull (PP) ‘Class AB’, or Single Ended (SE) ‘Class A’ power amps
2.1 The TSM™ PreAmp
Within the TSM™ Preamp pane, the following Preamps are available to shape your tone:
Foundry : Whether it’s a pristine high-headroom clean or a primo foundation for your pedal
collection, Foundry delivers. In short, it’s the epitome of a classic Cali clean, brimming with
warm saturation and engineered to capture every subtle nuance of your delivery.
Peggy : Bass players seeking the pinnacle in low-end theory, look no further than Peggy.
Pushing complex harmonic overtones, a warm midrange and oodles of rafter ratlin’ thump,
Peggy delivers the perfect blend of classic ’60s bass sonics with expertly-tuned tweak-ability to
sit your tone in any pocket!
Albion : For those times when only a legendary Brit-inspired roar will suffice, there’s Albion.
Complete with a rich, vocal mid-range, lashings of punch, boat-loads of power and gain-for-
days, Albion is your secret weapon when diving head-first into Classic- and Hard-Rock territory.
Foxy : Seeking chime, articulation and buttery-smooth presence? Foxy’s a one-stop-shop! With
airy highs, impeccable breakup and sublime mid-range bite when pushing the gain, Foxy is
primed to take on everything from sultry Jazz to rauch-fuelled Rock n’ Roll.
NiftyFifty : Want gain? NiftyFifty’s got it on tap! It’s aggression incarnate. It’s punchy. It’s
super-versatile covering everything from a warm full-throttle onslaught to a searing lead tone
that cuts through any mix. Whether it’s the darker side of metal or a tone that wouldn’t be
amiss in 80’s inspired virtuosity, NiftyFifty is deserving of any contemporary player's sonic
arsenal.
Navigate through the preamp models by clicking on the arrows located on each side of the name of

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the preamp. To further refine your preamp tone, the following controls are provided:
GAIN - this parameter dictates the level of gain applied to the input signal; depending on the
preamp model, the higher this parameter is set, the more driven/distorted/saturated the
preamp tone will be.
BASS - Part of the TSM™ Preamp’s tone stack, this parameter dictates the amount of low-
frequency content applied by the processing of the TSM Preamp Emulation
MIDDLE - Part of the TSM™ Preamp’s tone stack, this parameter dictates the amount of mid-
range frequency content applied by the processing of the TSM Preamp Emulation
TREBLE - Part of the TSM™ Preamp’s tone stack, this parameter dictates the amount of high-
frequency content applied by the processing of the TSM Preamp Emulation
Top Tip: The tone stacks and gain curve within each TSM™ Preamp are unique to the selected
preamp; as such experimentation with these controls is paramount to achieving the desired preamp
tone.
2.2 The TSM™ Poweramp
The TSM™ Poweramp pane provides all options to choose and configure a power-amplifier topology
(Push Pull (PP) or Single Ended (SE)) and the tubes type (6L6, EL34, EL84 or KT88) by simply clicking
on the tube image.
One a topology has been selected, the following controls are provided to further refine your
Poweramp tone:
PENTODE / TRIODE Switch - This parameter allows you to define whether the tube is used in
TRIODE or in PENTODE configurations. As a general rule of thumb, the PENTODE mode features
more headroom and volume than its TRIODE counterpart
VOLUME - Sets the output volume of the TSM™ Poweramp
DEPTH - Sets the tube stage frequency (bandwidth) and defines the range of the CONTOUR’s
impact on the poweramp’s tone
CONTOUR - Sets tone response of the power amp. At 50% the parameter is bypassed.
CONTOUR acts like a loudness EQ; above 50%, it cuts the mid-range of the signal resulting in
more low-end and high-end frequency content in the final tone; below 50% it cuts the low-end
and gently rolls-off the high-end providing a more pronounced mid-range
3. The DynIR™ Engine | Cabinet Miking