low frequencies. Even at 1 watt drive levels, many loudspeakers have 8 to 10% THO at 40 Hz. With the 50 watt
drive levels needed to produce realistic bass intensity, these distortion figures rise to
as
tonishing levels, Second,
the distortion products produced by a nonlinear woofer are much easier to hear than
is
the fundamental
fre
-
quency. Consider a speaker driven at 30
Hz
with 5% 3rd harmonic distortion. If the 30 Hz tone
is
90
dB SPL
(Sound Pressure Level), equating to about 5 walls into a typical woofer, the 3rd harmonic, at 90 Hz. would
be
down 26 dB. or at 64 dB SPL. However, humans are more than 10 times
as
sensitive to sound at
90
Hz
than at 30
Hz. The nonlinear distortion produced by a woofer must
be
weighted by the sensitivity function of the human ear.
Wilen this
is
done,
it
becomes clear that even a small percentage of harmonic distortion
is
unacceptable
in
a bass
driver.
It
is
also clear that high·order (3rd. 4th, 5th, etc.) harmonic distortion products are more serious than are
2nd harmonic distortion products. These studies have led to the conclusion that 0.5%
is
the maximum tolerable
amount of nonlinear distortion for a bass driver. and the less distortion the driver produces. the more capable it
is
of accurately reproducing live sounds.
Since most woofers today have at least 10% THO when 0.5%
is
the maximum tolerated, minor improvements
in
woofer technology are essentially ineffective. Servo Series Subwoofers have about
90
times less nonlinearity
Ihan a lypi
call0
inch bookshelf speaker. They have
aboul3times
less distortion due to their greater size and
power handling capability, and about
30
limes less distortion due to the Servo feedback loop. The improvement
is
even greater if one considers except
io
nally loud and deep tones such as organ pedal notes.
An
interesting result of this reduced distortion
is
that much of the bass, when played over a servo Series
Subwoofer, seems to actually be reduced. The truth, of course,
is
thai the "missing" bass was never really there
on the source material. and was never intended
10
be played by the artist. Distortion products introduced by
conventional woofers actually make the entire bass spectrum sound louder.
Our
Solution
The Velodyne Servo Series Subwoofer System produces sound
in
the same manner as any conventional
loudspeaker: a cone-shaped piston
is
forced to move by means of a linear motor composed of a coil situated
between the poles of a very strong permanent magnet.
In
the Servo Series, however, this linear motor IS a servo-
motor. meaning thai the motor
is
linked to the power amplifier
as
part
of
a control system. The basis for the control
action
is
the signal obtained from an accelerometer which is rigidly fastened to the
vOice
Call. The strategy of
continuously monitoring the cone motion, and using this information
as
the basis for the corrective action, is called
motional feedback. This feedback technique is illustrated
in
the system block diagram, Figure
5.
The signal into the system
is
a time varying voltage which
is
an
exact analog of the desired acoustic output
from the loudspeaker. The accelerometer output contains sufficient information 10 deduce the actual acoustical
output of the woofer. The servo circuitry compares almost instantaneously how well the acoustic output matches
the command signal coming
in
.
If
and wnen there
is
a deviation, the servo circuitry modifies the drive signal to the
amplifier so that the acoustic output from the speaker
is
a true representation of the input.
In
conventional loudspeakers, the drive signal into the speaker
is
virtually free from distorti
on
but the
speaker's acoustical output may be highly distorted.
In
Servo Series Subwoofers, the speaker coil drive signal
is
often highly distorted, or actually pre-distorted,
in
exactly such a way that the acoustical output from the speaker is
free tram distortion. Motional feedback has been used previously
in
an
attempt
10
make small woofers sound like
larger, more powerful ones. At Velodyne, the use of motional feedback
is
applied to make what
is
already a large
and powerful woofer achieve a level of performance that has never before been reached
in
a home entertainment
product.
HGS System
Components
(Refer
to
Figure 5)
High
a
nd
Low
Pa
ss
Cr
oss
ove
rs
receive the incoming audio signals from your system pre-amp or power amp.
Frequencies above 85
Hz
are diverted to your power amplifier while frequencies from the right and left channels
below
40
to 100 Hz (depending
on
lo
w pass crossover setting) are summed to monaural and passed
on
to
subsequent stages
in
the subwoofer.
Loop
/
Control
Stag
e.
Incoming bass signals pass through a variable gain amplification stage designed to protect
the subwoofer from being overdriven (see Supporting Circuits below
).
Wi
th
a bit of added filtering, the bass signal
is
now ready to
be
compared with the feedback signal of the accelerometer. A composite signal
is
created which
compensates
for
erroneous movement of the cone. - R-