Viscount Cadet 21 User manual

Owner's Manual – Viscount Vivace10
EN -

Owner's Manual – Viscount Cadet 21
1 Important Notes.............................................................................................2
1.1 Looking after the products........................................................................ 2
1.2 Notes about the manual........................................................................... 2
2 Front Panel.....................................................................................................4
3 Lower Panel................................................................................................... 8
4 Advanced Functions..................................................................................... 9
4.1 Split and Manuals................................................................................... 9
Setting the Split Point........................................................................................... 9
4.2 Voices..................................................................................................... 9
Selecting orchestral oices................................................................................... 9
Regulating oice olumes.....................................................................................9
Regulating Tremolo speed and depth.................................................................. 10
4.3 Memories................................................................................................................... 10
Sa ing a memory..................................................................................................10
Recalling a memory.............................................................................................. 10
4.4 Sequencer................................................................................................................. 11
Record a track...................................................................................................... 11
Playing back a track............................................................................................. 11
4.5 MIDI............................................................................................................................. 12
A MIDI introduction............................................................................................... 12
Transmission of MIDI messages.......................................................................... 13
Transmission of Program Change........................................................................ 14
4.6 Demo Songs............................................................................................................. 14
4.7 Setting Dynamic Cur e.......................................................................................14
4.8 Firmware Update..................................................................................................... 15
4.9 Factory Settings....................................................................................................... 15
1
INDEX

Owner's Manual – Viscount Cadet 21
1.1 LOOKING AFTER THE PRODUCT
•Do not apply excessive force to the organ’s structures or the controls (kno s, stops,
push uttons,etc.).
•When possi le, do not place the instrument close to units which generate strong
interference, such as radios, TVs, computer videos, etc.
•Do not place the organ close to heat sources, in damp or dusty places or in the vicinity of
strong magnetic fields.
•Do not expose the instrument to direct sunlight.
•Never insert foreign odies inside the instrument or pour liquids of any kind into it.
•For cleaning, use only a soft rush or compressed air; never use detergents, solvents or
alcohol.
•Always use good quality screened ca les for connection to amplification or diffusion
systems.
•When disconnecting ca les from sockets, always take hold of the connector and not the
ca le itself; when winding ca les, do not knot or twist them.
•Before making the connections ensure that the other units (especially amplification and
diffusion systems) you are a out to connect are switched off. This will prevent noisy or even
dangerous signal peaks.
•If the organ is to e out of use for lengthy periods, disconnect the plug from the power
socket.
•Connect the net ca le to an earthed socket.
•Check that the voltage corresponds to the voltage shown on the serial num er plate of the
organ.
1.2 NOTES ABOUT THE MANUAL
•Take good care of this manual.
•This manual is an integral part of the instrument. The descriptions and illustrations in this
2
1.IMPORTANT NOTES

Owner's Manual – Viscount Cadet 21
pu lication are not inding.
•While the instrument’s essential characteristics remain the same, the manufacturer reserves
the right to make any modifications to parts, details or accessories considered appropriate to
improve the product or for requirements of a constructional or commercial nature, at any
time and without undertaking to update this pu lication immediately.
•All rights reserved; the reproduction of any part of this manual, in any form, without the
manufacturer’s specific written permission is for idden.
•All the trademarks referred to in this manual are the property of the respective
manufacturers.
•Please read all the information carefully, so that you o tain the est performance and will
from your instrument.
•The codes or num ers in square rackets [ ] indicate the names of the uttons, sliders,
trimmers and connectors on the instrument. For example, [ RANSPOSER] refers to the
TRANSPOSER utton.
3

Owner's Manual – Viscount Cadet 21
The Front panel of your instrument gives access to all the features and functions. Here are the
utton names.
1.[POWER]: This switch turns on the Cadet 21
2.[MAS ER VOL.]: Controls the master volume.
3.[BALANCE]: Balances the volume of the left part (Bass
and Manual 1) and the right part (Manual 2) of the
key oard.
4.[REVERB VOL.]: Controls the Rever amount.
5.[ RANSPOSER]: sets the instrument’s tuning within a
range of -3/+3 semitones in steps of one semitone.
6.[ EMPERAMEN ]: this parameter provides a selection
of historical temperaments from various ages and different
national origins. To select one, press the utton several
times until you reach the desired temperament (the
respective LED will turn on).
The available temperaments are: Equal, Meantone,
Werckmeister, Kirn erger and Pythagorean.
The equal temperament has three different settings:
[EQUAL]: tunes the pipes with an equal temperament.
[PIPE ENS.1] and [PIPE ENS.2] tune the pipes with an equal temperament and introduce tiny
natural differences in pitch etween one organ pipe and another, in order to simulate the tuning
error that occurs in the organ’s pipes due to wear over time and variations in temperature. In [PIPE
ENS.2] the “Ensem le” effect is stronger than [PIPE ENS.1].
4
.FRONT PANEL

Owner's Manual – Viscount Cadet 21
5
A BRIEF NOTE ON TEMPERAMENTS
In the “natural” tunin system, based on the acoustic phenomenon of harmonic voices, two important musical
intervals, the major third and the perfect fifth, cannot be made to coexist in the “pure” state (i.e. beat-free).
Therefore, over the centuries a variety of compromise solutions known as TEMPERAMENTS have been invented
and realised.
These ive the priority to one interval or the other, and modify them in various ways..
In ancient times and in the Middle A es, until the end of the 15th Century, the “Pytha orean” tunin system, in
which the fifths were kept perfectly pure, was used. The resultin major third interval was particularly unpleasant
and was therefore considered a dissonance. However, the music of the time was mainly monodic and the first
vocal and instrumental polyphonic forms made wide use of the interval of a fifth. With the early Renaissance and
the start of the reat a e of vocal polyphony, the interval of a major third radually came to be heard as a
consonance. The instruments with fixed tunin , such as the or an and harpsichord, were adapted to this situation
by usin a system of temperament known as Meantone, which ave priority to the major third over the fifth. This
temperament is particularly important since it was in normal use in Europe in the 16th and 17th Centuries, until
the be innin of the 18th. Here are the temperaments offered by the Cadet 21, first of all the MEANTONE.
MEANTONE
- 8 pure major thirds: E flat – G / B flat – D / F – A / C – E / G – B / D – F # / A – C# / E – G.
- 4 unusable major thirds (diminished fourths): B – D# / F# - A# / C# - E# / A flat - C.
- 1 fifth known as the “wolf” (very dissonant extended fifth): G# - E flat.
- Hi hly irre ular chromatic scale (meanin that chromatic compositions are iven a very distinctive voice)
- Keys usable with this temperament: C maj. / D maj. / G maj. / A maj. / B flat maj. and the relative minors.
The temperaments which follow allow all the major and minor keys to be used, althou h those with the most
alterations have a hi hly distinctive voice, in contrast with the modern equal temperament.
WERCKMEISTER
This temperament, invented by the or anist and musical theorist Andreas Werckmeister, is recommended for
performin the German musical repertoire of the late 1600s.
KIRNBERGER
This temperament, developed by Johann Philipp Kirnber er, pupil of J.S. Bach, is also suitable for playin the
German baroque composers and the works of Bach.
PYTHAGOREAN
This temperament, in which the fifths were preserved perfectly pure, dates from the Middle A es up to the 15th
century, and can therefore be used for compositions of that period.

Owner's Manual – Viscount Cadet 21
7.[BASS] stops: This section contains the voices of Bass
8.[MANUAL I] stops: This section contains the voices of Manual I
9.[MANUAL II] stops: This section contains the voices of Manual II
Note: Manual I stop LEDs remain lit also if Split is deactivated.
10.[ RACK]: Selects a track to record or play.
11.[REC]: Starts the recording of a track.
12.[S AR /S OP]: Starts the recording or play ack of a track.
Note: for recordin and playback see para raph 4.4
13.[SPLI ]:
Activate/Deactivate
key oard's split. In fact (see
paragraph 4.1) the key oard
can play as if there are two
separate manuals, one using
Manual II voices and the
other using Manual I and
Bass voices. Split point is set
on E4 (left included) y
default. Moreover, the two key oard parts can also play orchestral voices: two for left part, three for
right part.
6

Owner's Manual – Viscount Cadet 21
14.[MAN.I ORCHES RA]: Activate/Deactivate orchestral voices on Manual I. The two voice
uttons can e associated with any one of the eight orchestral voices (see paragraph 4.2).
15.[SOUND S YLE]: The Cadet 21 has three different organ styles (left to right): Baroque,
Romantic and Symphonic, that permit to chose a phonic adequate to the organ literature you are
going to play. There are, however, two variants for Baroque style, corresponding to the first two
LEDs.
16.[MAN.I OC UP]: If Split point is active, the notes of Manual I are transposed up an octave.
17.[MAN.II OC DOWN]: Transposes the notes of Manual II down an octave, independently
from the Split state.
18.[SE ]: Saves memories
19.From [MEM1] to
[MEM6] (memory
buttons): recall saved
register com inations.
20.[BANK]: switches from
memory Bank A to memory
Bank B
Note: see para raph 4.3 for the use of memories.
21.[MAN.II ORCHES RA]: Activate/Deactivate orchestral voices on Manual II. The three voice
uttons can e associated with any one of the eight orchestral voices (see paragraph 4.2).
7

Owner's Manual – Viscount Cadet 21
1.[PHONES]: Jack socket for connection of stereo headphones. Once they are connected, the
organ’s internal loudspeakers switch off.
2.[OU ]: two 6.35mm-Jack socket line outputs for external organ amplification.
3.[IN]: two 6.35mm-Jack socket line inputs to play external signal into internal organ loudspeakers.
4.[PI CH]: Corrects the fine tuning y ±100 cents.
5.[MIDI]: The 5-pin DIN plugs provide connection to other MIDI musical instruments (see section
4.5 for an introduction to Musical Instrument Digital Interface). The [IN] connector receives MIDI
messages from external sources, the [OU ] connector sends MIDI messages generated y the
Cadet 21.
8
3.LOWER PANEL

Owner's Manual – Viscount Cadet 21
4.1 SPLIT AND MANUALS
The Split point etween Manual I and Manual II is E4 (left included) for default.
When Split is Off Manual II voices play on all the key oard range.
When Split is On Manual I and Bass voices play on the left part of the key oard (Split key
included) and Manual II play on the right part of the key oard.
Bass section is monophonic, with left-priority.
If Split Point is set over 32nd key (G4), Bass section won't play a ove this key.
To CHANGE THE SPLIT POINT press and hold down the [SPLI ] utton; when the LED starts
linking, press the key on the key oard that you want as the new Split Point.
It is not possi le to set a Split point higher than C7 or lower than C3. If the chosen Split Point
exceeds the upper or lower limit it will move to C7 or C3 (depending on whether it has exceeded
right or left).
Note: the Split point position isn't modified if Transposer is set to a value different from 0.
4.2 VOICES
There are eight orchestral voices, that can e associated to the five orchestra uttons (two for
manual I, three for manual II). The orchestral voices are: male choir, female choir, strings1,
strings2, harp, celesta, chimes, harpsichord.
To SELECT ANOTHER ORCHESTRAL VOICE to e loaded on an orchestra utton, activate the
desired orchestra utton, press [SE ] together with the orchestra utton. Repeat the procedure to
move etween the eight voices.
It's possi le to REGULATE VOICES VOLUME.
To adjust every single voice volume, follow this procedure:
Turn on the instrument while pressing [MEM1] + [MEM2] + [MEM3]. On startup every voice's
LED will turn on for a while and the Transposer LEDs will show the voice level.
The seven Transposer LEDs indicate seven possi le volume levels in dB (from left to right): -6, -4,
-2, 0dB, +2, +4, +6. When a voice is chosen, the stop LED will start linking.
9
4.ADVANCED FUNCTIONS

Owner's Manual – Viscount Cadet 21
To modify the volume, press [ RANSPOSER] utton, moving etween the seven levels. It's also
possi le to hear the voice playing on the key oard (turn On Split if you want to hear Manual I
voices). Turn on more than one voice to hear the glo al effect.
To REGULATE TREMOLO SPEED AND DEPTH, follow the procedure indicated in previous
paragraph for the regulation of voices volume, ut instead of pressing a voice stop, press the
Tremolo stop. Then pressing repeatedly the [ EMPERAMEN ] utton it's possi le to choose
etween seven possi le speed levels (indicated y Temperament LEDs) and pressing repeatedly
[ RANSPOSER] etween seven possi le modulation depths (indicated y Transposer LEDs).
It's possi le to evaluate the tremolo intensity y turning on a voice on Manual II and then y
pressing the Tremolo stop again. The key oard will play the voice with the Tremolo effect.
Note: Tremolo modulates only Manual II voices.
4.3 MEMORIES
The Cadet 21 has 12 adjusta le General (i.e. They memorize the state of the entire voice set of the
instrument) com inations, to save your register configurations, divided into two anks (Bank A and
Bank B) of 6 memory each.
To SAVE A MEMORY push [SE ] together with a memory utton ( uttons [1] to [6]). If necessary,
first push the [BANK] utton to switch etween Bank A and Bank B.
To RECALL A MEMORY push the relative utton ( uttons [1] to [6]). Push the [BANK] utton to
switch etween memories 1-6 of Bank A and 1-6 of Bank B and viceversa.
To recall a memory placed in the other ank always remem er to press [BANK] and then the
desired memory utton.
When a memory is active it is possi le to turn off all the registers at the same time (this function is
normally called Cancel), y pressing the active memory utton for a few seconds. In this state the
organ will still send MIDI messages, allowing the use of the Cadet 21 as a “mute key oard” (or
Master Key oard), that is capa le of driving another key oard, organ, sequencer, without
generating sounds. For example it can e useful to connect it to another Viscount organ or expander
(as CM100) to let its voices sound.
To let the Cadet 21 sound again just activate registers or memories.
10

Owner's Manual – Viscount Cadet 21
4.4 SEQUENCER
The Cadet 21 has an on- oard sequencer for recording performances (i.e. MIDI tracks with notes
and parameters changes during the execution). There are two recorda le tracks. To choose one press
[ RACK] utton.
In order to RECORD A TRACK you must choose the track to record (indicated y [ RACK]
utton's LED), then press [REC] and then [S AR /S OP] utton to start recording. At the end of
the performance, the recording must e stopped using [S AR /S OP].
Remem er that at the start of a recording (pressing of [S AR /S OP] utton) the actual registers
configuration will e saved in the chosen track. We recommend that you check that the active
registers are really the desired ones. If they're not, then, after pressing [REC] activate the the
desired voices and start recording pressing [S AR /S OP].
Note: it's also possible to start recordin by startin to play the keyboard.
To cancel the recording procedure efore starting just press [REC] another time.
To PLAYBACK A TRACK just choose one track with [ RACK] utton and press
[S AR /S OP]. At the start of the play ack the organ will modify the state of the registers y
activating the ones used during the recording. It is possi le to turn on or switch off registers and
orchestral voices during play ack. These changes are not saved in any mode. At the end of the
play ack the registers used during the execution of the track will remain active. To stop playing a
track press [S AR /S OP].
4.5 MIDI
MIDI BASICS
The MIDI (Musical Instrument Digital Interface) interface allows instruments of different makes and kinds to
communicate with each other, using this very specific protocol of codes. This allows the creation of systems of MIDI
instruments, offering much greater versatility and control than is possi le with single instruments. To make this
communication possi le, all MIDI instruments have two or three 5-pin DIN connectors called:
- MIDI IN: The connector through which the instrument receives the MIDI data transmitted y other units.
- MIDI OUT: The connector through which the instrument sends the MIDI data it has generated to other units.
- MIDI THRU: This connector (not provided on this instrument), is used for connecting several units in
series, since it transmits the MIDI data exactly as they are received y the respective MIDI IN port.
11

Owner's Manual – Viscount Cadet 21
Most instruments equipped with MIDI interface transmit MIDI messages which specify, for example, which note has
een played and with what dynamic, y means of the MIDI OUT connector. If this connector is connected to the MIDI
IN connector of another MIDI instrument, such as an expander, the second instrument will respond exactly to the notes
played on the transmitter instrument. The same type of information transfer is used for recording MIDI sequences. A
computer or a sequencer can e used to record the MIDI data generated y the transmitter instrument. If the recorded
data is sent ack to the instrument, it automatically repeats the recorded performance.
MIDI is a le to transmit a multitude of digital data y means of just one ca le, and thus just one connector. This is
thanks to the MIDI channels. There are 16 MIDI channels, and in a similar way as for radio communications in which
two stations can only communicate if they are tuned to the same frequency (or channel), two MIDI instruments
connected together are only a le to communicate if the transmitter instrument channel is the same as the receiver
instrument channel.
MIDI messages su divide into channel messages and system messages. The following is a short description of these
messages:
CHANNEL MESSAGES
NOTE ON
This message is transmitted when a note is pressed on the key oard. Each Note On message contains the following
information:
Note On: when a key has een struck;
Note Number: the key which has een pressed, and therefore the relative note played;
Velocity: note dynamic (i.e. the force applied when the key was struck).
Note messages are expressed as a num er from 0 to 127, with middle C represented y num er 60.
NOTE OFF
This message is transmitted when a key struck previously is released.
When it is received, the sound of the note relating to the key is switched off. Each Note On message contains the
following information:
Note Off: a key has een released;
Note Number: which key has een released;
Velocity: dynamic (i.e. how fast the note was released).
N.B.:
A Note On messa e with Velocity=0 is considered equivalent to a Note Off messa e.
PROGRAM CHANGE
This message is used to select the programs or sounds of the receiver instrument.
There is also a specific standard called General MIDI which descri es which sound should e recalled for each Program
Change received. This association is usually descri ed y means of a ta le included in the user manual of the
instrument which adopts the standard.
This message contains the following information:
Pro ram Chan e: voice or program change;
Pro ram Chan e Number: the num er of the program or voice to e activated;
CONTROL CHANGE
These are control messages (often associated to trimmers or pedals) used to add expression to the performance,
allowing you to set (and control in real time if necessary) voice parameters such as volume (CC n.7) or the position of
the expression pedals (CC n.11), etc.
This message contains the following information:
Control Chan e: a controller has een adjusted
Controller Number: which controller has een adjusted
12

Owner's Manual – Viscount Cadet 21
Controller Position: the position of the controller
SYSTEM MESSAGES
SYSTEM EXCLUSIVE
These messages can only e interpreted y an instrument made y the same producer as the transmitter device (in some
cases only y the same model). They mainly relate to the instrument’s sound generation and programming parameters.
The Cadet 21 uses these messages to control all the internal parameters and for switching the voices on and off.
REAL TIME
These messages are used for the real-time control of specific modules or functions of a connected instrument.
These messages include the Start, Stop, Pause/Continue and Clock commands. In the Cadet 21 these messages are
transmitted when the internal sequencer is used, as follows:
START: the sequencer has started to record or play ack a MIDI sequence
STOP: the sequencer has een stopped
PAUSE / CONTINUE: the sequencer is in pause (this function isn't mana ed by Cadet 21)
CLOCK: the sequencer speed
The Real Time messages also include the Active Sensing code, sent to keep the dialogue etween two MIDI
instruments alive. When the receiver instrument does not receive any MIDI data or the Active Sensing code in a time
interval of a out 300 milliseconds, it considers the MIDI connection to have een deactivated, so it switches off any
notes still active. Remem er that the transmission and reception of this message is optional, so not all instruments are
equipped to handle it.
TRANSMISSION OF MIDI CODES
MIDI channels for the Cadet 21 are preset for default and cannot e changed. They are:
•Channel 1 for Manual II
•Channel 2 for Manual I
•Channel 4 for Bass section
To toggle the transmission of MIDI codes for each section of the key oard first enter the MIDI
mode y pressing the [ RANSPOSER] utton for a out two seconds. It will start linking. All the
lights will shut down except for the three Bass section stops. To ena le/disa le the transmission of
MIDI messages for the three sections turn on/off the respective stops in ass section (note that the
section names are written under the stops). The MIDI message that will e disa led are note
messages, Program Changes, Control Changes and some SysEx.
To return to Normal mode press another time [ RANSPOSER].
Note: MIDI receive is always active.
13

Owner's Manual – Viscount Cadet 21
TRANSMISSION OF PROGRAM CHANGE
For each of the 12 memories you can associate a Program Change num er and ena le the
transmission of the relative MIDI message each time you recall a memory.
To transmit and ena le the transmission of Program Changes first enter the MIDI mode y pressing
for a out two seconds [ RANSPOSER]. Then enter the Program Change selection modality
turning on the first stop of Manual I (la elled PG). Then, pressing the memory uttons (if necessary
press the [BANK] utton to switch from memories 1-6 of Bank A to memories 1-6 of Bank B), the
stops of manual I and manual II will link in sequence to show the actual Program Change num er
(num ers 0 to 9 are written under the stops of manual I and manual II; for example: if pressing the
memory utton [1], the stop la elled “0” links twice and then the stop with la el “1” once,
indicating that the Program Change num er associated to the memory utton [1] is “001”).
Meanwhile the Program Change num er will e sent via MIDI.
Now you can enter a new Program Change num er for the memory selected: press the stops
corresponding to the num er you want to enter.
Every num er is made of 3 figures (so, for example to input the Program Change num er nine you
have to press, in the order: “0”, “0”, “9”).
To exit from the Program Change mode press [ RANSPOSER].
Note: If MIDI messa es transmission has been disabled in every section, Pro ram Chan es (as other
messa es) won't be sent.
4.6 DEMO SONGS
There are six Demo songs to evaluate and appreciate at est the sound of the instrument. To play
Demo songs press for a out two seconds the [BANK] utton, then choose one of the songs y
pressing one of the memory uttons ( uttons [1] to [6]).
Press again [BANK] to exit from Demo mode.
4.7 SETTING DYNAMIC CURVE
The Cadet 21 key oard is touch sensitive. So it's possi le to choose among 3 dynamic curves and 4
fix velocity values that will influence the sound of orchestral voices and the MIDI messages sent y
the instrument. Organ voices are not influenced y dynamic curve.
14

Owner's Manual – Viscount Cadet 21
To select one of the seven choices turn on the instrument while pressing [MEM2] + [MEM3] +
[MEM4]. One of the Transposer LED will turn on indicating the actual selected curve in this order
(left to right): Soft, Normal, Hard, Fixed at 32, Fixed at 64, Fixed at 96, Fixed at 127. Select one of
them pressing repeatedly [ RANSPOSER].
To exit from this mode turn Off the instrument.
4. FIRMWARE UPDATE
To proceed with firmware upload turn on the instrument while pressing the first five “white” keys
(from C2 to G2). All the LEDs of Transposer will turn on. The instrument will wait the
transmission of new firmware modules to e sent via MIDI. Firmware modules are MIDI files that
must e transmitted with an external sequencer and sent to the MIDI IN port of the Cadet 21. For
example, if using a computer, it is necessary to make an appropriate program playing the MIDI file
that sends it to the PC MIDI OUT port. During the reception of the Firmware the LED [-3] will
link. At the end of the upload the instrument will automatically restart. In case of errors during the
upload all the Transposer LEDs will start linking. In this case restart and try with the procedure
another time.
4.9 FACTORY SETTINGS
Factory settings are initial configuration of the instrument made at the production of the instrument.
Restoring the Factory Settings means replacing all the configurations and memorizations made y
user, with the original ones.
To restore the factory settings on the instrument turn on while pressing [SOUND S YLE] +
[MAN.I OC .UP] + [MAN.II OC .DOWN]: all LEDs will turn on for a out 3 seconds, then the
instrument will restart with the original factory settings.
15

Disposal of old Electrical & Electronic Equipment (Applìcable throughout the European Union
and other European countries with separate collection programs)
Dir. 2002/95/CE, 2002/96/CE e 2003/108/CE
This syrnbol, found on your product or on its packaging, indicates that this product should not be
treated as household waste when you wish to dispose of it. Instead, it should be handed overt to an
applicable collection point for the recycling of electrical and electronic equipment. By ensuring this
product is disposed of correctly, you will help prevent potential negative consequences to the
environment
and human health, which could otherwise be caused by inappropriate disposal of this product. The
recycling of materials will help to conserve natural resources. For more detailed information about the
recycling of this product, please contact your local city offi ce, waste disposal service or the retail store
where you purchased this product.
This product complies with the requirements of EMCD 2004/108/EC and LVD 2006/95/EC.

Handleiding – Viscount Vivace10
Keyboard 61 keys
Organ Styles 4 (Baroque1, Romantic, Baroque2, ymphonic)
Temperaments Equal; Meantone; Werkmeister; Kirnberger; Pythagorean
TAB VOICES
Pedal Prinzipal 16'; Oktave 8'; Gedackt 8'
Manual I Gamba8'; Bourdon 8'; Vox Celeste 8'; Offenflöte 4'; Nasard 2 2/3'; Zimbel 3f.;
Trompete 8'
Manual II Prinzipal 16'; Prinzipal 8'; Rohrflöte 8'; Oktave 4'; pitzflöte 4'; Nasard 2 2/3';
uperoctave 2'; Terz 1 3/5'; Mixture 4f.; Trompete 8'; Oboe 8'; Tremulant
Orchestra Voices trings1, trings2, Choir1, Choir2, Harpsichord, Harp, Celesta, Chimes
E ECTS
Reverberation With lider Depth control
Tremulant Depth & peed adjustable
Transposer -3 to +3 semitones
Pitch Control -100 Cent/ emitone to +100 Cent/ emitone
General Memories 6 buttons, A/B memory bank selection button (12 total)
Slider Controls Master Volume; Bass-Man.I/Man.II Balance; Reverb
Other Panel controls plit (set point) button; Man.I Octave Up & Man.II Octave Down buttons;
Organ style 4 position button, Track 1&2, Rec, tart/stop buttons
Demo Songs Yes
AMPLI ICATION
Amplifiers 2 ways x 22 Watt
Speakers 2 x 8'' woofer speaker, 2 tweeters.
Connections AC Main Input; tereo Line Out; tereo Line In; tereo Headphone; MIDI In &
MIDI Out
NL - 20
TECHNICAL SPECI ICATION