WILSON AUDIO Alexia V Assembly instructions

Ta b l e o f Co n T e n T s 1
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Co n T e n T s
se C T i o n 1 — Wa s P s eTuP������������������������������������������������������� 5
Section 1.1—WASP ............................................................... 6
Zone of Neutrality: Left and Right Channel ................................. 6
Speaker Placement Versus Listening Position ............................... 9
Speaker Orientation ................................................................... 9
se C T i o n 2 — u n C r aT i n g a l e x i a V���������������������������������������� 13
Section 2.1—Uncrating Alexia V .......................................... 14
Initial Check ............................................................................. 14
Uncrating the Woofer Module ................................................... 14
Uncrating the Upper Array ........................................................ 15
se C T i o n 3 — a ssembling a l e x i a V�������������������������������������� 19
Section 3.1—Initial Assembly .............................................. 20
Preparation ............................................................................. 20
Upper Array Assembly ............................................................... 20
Table of Contents

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Section 3.2—Alexia V Propagation Delay Adjustment ........... 21
Listening Position ................................................................... 21
Alignment Procedure .............................................................. 21
Section 3.3—Mounting the Upper Array .............................. 24
Materials Required ................................................................. 24
Install the Upper Array As Follows ......................................... 25
Section 3.4—Tweeter Module Propagation Delay ................ 26
Section 3.5—Umbilical Connections ................................... 27
se C T i o n 4 — f i n a l s eTuP���������������������������������������������������� 29
Section 4.1—Spiking Alexia V ........................................... 30
Wilson Audio Acoustic Diode “Spike” Assembly .......................... 30
Installation Procedure ........................................................... 31
Section 4.2—Leveling Alexia V ........................................... 32
Section 4.3—Removing the Protective Film ......................... 33
Section 4.4—Resistors ...................................................... 33
Midrange and Tweeter Resistors .............................................. 34

Ta b l e o f Co n T e n T s 3
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Woofer Damping Resistor .......................................................... 34
se C T i o n 5 — s P e C i f i C aT i o n s ������������������������������������������������� 37
Section 5.1—Specifications ................................................. 38
Section 5.2—Graphical Dimensions ...................................... 39
Section 5.3 —Alexia V Phase Curve ....................................... 40
Section 5.4—Alexia V Impedance Curve ................................ 41
se C T i o n 6 — T i m e a lignmenT C h a r T s ������������������������������� 43
Section 6.1—Time Alignment Charts .................................... 44
se C T i o n 7 — W a r r a n T y ��������������������������������������������������������� 47
Section 7.1—Warranty Details ............................................ 48
Limited Warranty ..................................................................... 48
Conditions .............................................................................. 48
Remedy .................................................................................... 48
Warranty Limited to Original Purchaser ................................... 49
Demonstration Equipment ......................................................... 49
Miscellaneous ......................................................................... 49

seC T i o n 1—WasP seTuP
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6al e x i a V in s Ta l l aT i o n a n d C a r e gu i d e
Section 1.1—WASP
An instructional video outlining the Wilson Audio Setup Procedure (WASP) can be found here:
www.wilsonaudio.com/wasp.The proper positioning of your new Alexia V within your room is critical
in order to extract its formidable performance envelope. When carefully followed, the WASP has proven
to be the most effective method for setting up Wilson Audio loudspeakers. Your authorized Wilson Audio
Dealer is trained in this process, and is the best resource for you to ensure your loudspeakers are set up
properly.
Viewing the video is the best way to learn how to properly employ WASP, but we have also includ-
ed an outline of it here.
Zone of Neutrality: Left and Right Channel
The “Zone of Neutrality” is an area in your room where the speakers will sound most natural. This
location is where the speakers interact the least with adjacent room boundaries. It is important to have
a clear working space while determining the Zone of Neutrality.
The following is a simple method to locate the Zone of Neutrality within your listening
environment:
1. Stand against the wall BEHIND the location where you intend to position your loud-
speakers. Speaking in a moderately loud voice and at a constant volume, project your
voice out into the room. Your voice will have an overly heavy, “chesty” quality because
of your proximity to the rear wall.
2. While speaking, slowly move out into the room, progressing in a direction parallel to
the sidewall. It is helpful to have another listener seated in the listening position to
assist you during this process. Listen to how your voice “frees up” from the added bass
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WASP Video

seC T i o n 1 �1 —Wa s P 7
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energy imparted by the rear wall boundary. Also notice that your voice is quite spatially diffuse (to
your assistant, your voice will sound spatially large and difficult to localize) as you begin to ease away
from the rear wall.
3. At some point during your progression forward into the room, you will observe a sonic transition in
your voice; it will sound more tonally correct and less spatially diffuse (your assistant can now pre-
cisely localize the exact origin of your voice). When you hear this transition, you have entered the
inner edge of the Zone of Neutrality. Place a piece of tape on the floor to mark this location. Although
it will vary from room to room, in most rooms the zone begins between two and a half to three feet
from the rear wall.
4. Continue to walk slowly away from the rear wall. After some distance, usually one to two feet past the
first piece of tape, you will begin to hear your voice lose focus and appear to reflect (echo) in front of
you. This is caused by the return of the room’s boundary contribution; your voice is now interacting
with the opposite wall. At the point where you begin to hear the reflected sound of your voice, you
have reached the outer edge of the Zone of Neutrality. Place a piece of tape on the floor and mark
this location. The distance between the “inner” and “outer” edge tape marks is usually between eight
inches (for small, interactive rooms) and three feet (for large, more neutral rooms).
5. Now position yourself against the side wall perpendicular to the intended speaker location. Stand
between the two tape marks. Using the same procedure as above, begin moving into the room toward
the opposite sidewall, progressing between the two pieces of tape. As above, listen for the point in
the room where your voice transitions from bass-heavy and diffuse to neutral. Mark this point with
tape. Continue your progression until there is an obvious interaction with the opposite wall in front
of you and mark this point with tape. The four pieces of tape now form a rectangle that establishes
the Zone of Neutrality for the loudspeaker to be installed on that side of the room. Using the four
marks as your guide, tape an outline to define the boundaries of the rectangle.

8a l e x i a V in s Ta l l aT i o n a n d C a r e gu i d e
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When carefully followed, the WASP has proven
to be the most effective method for setting up
Wilson Audio loudspeakers.

seC T i o n 1 �1 —Wa s P 9
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6. Repeat this process for each speaker location individually. These are your Zones of Neutrality, one for
each channel.
Theoretically, the Zone of Neutrality for any room runs like a path, parallel to the walls all around the room.
Adjacent to very large windows and open doors, the outer edge of the Zone of Neutrality moves closer to the wall and
becomes wider. If you were to extend the inner and outer boundaries of the Zone for the sidewalls and the front wall
(behind the speakers), they would intersect.
Speaker Placement Versus Listening Position
The location of your listening position is as important as the careful setup of your Wilson Audio loudspeakers.
The listening position should ideally be no more than 1.1 to 1.25 times the distance between the tweeters on each
speaker. Therefore, in a long, rectangular room of 12’ x 18’, if the speaker tweeters are going to be 9’ apart, you should
be sitting 9’11’’ to 11’3’’ from the speaker. This would be more than halfway down the long axis of the room.
Many people place the speakers on one end and sit at the other end of the room. This approach will not yield
the finest sound. Carefully consider your listening position. Our experience has shown that any listening position that
places your head closer than 14” from a wall will diminish the sonic results of your listening due to the deleterious
effects of boundary interaction.
Speaker Orientation
Speaker placement and orientation are two of the most important considerations in obtaining superior sound.
The first thing you need to do is eliminate the sidewalls as a sonic influence in your system. Speakers placed too
close to the sidewalls will suffer from a strong primary reflection. This can cause out-of-phase cancellations, or comb

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filtering, which will cancel some frequencies and change the tonal balance of the music. Adhering to the
Wilson Audio Setup Procedure outlined in this section is the best method with which to position your
loudspeakers.
A very important aspect of speaker placement is how far from the back wall to place the speakers.
The closer a loudspeaker is to the back wall, the more pronounced the low bass energy and centering of
the image will be. However, this comes at a definite reduction in stage size and bloom as well as a dete-
rioration of upper bass quality. You must find the proper balance of these two factors, but remember, if
you are partial to bass response or air and bloom, do not overcompensate your adjustments to maximize
these effects. Overcompensated systems are sometimes pleasing in the short-term, but long-term satis-
faction is always achieved through proper balance.
To make correct in-home set up of the Alexia V possible without test equipment, Wilson Audio has
measured the correct geometric time domain alignment for different distance/ear height combinations. By
measuring the distance from the speaker to your ear (measured on the floor from the bottom/front of
the woofer to directly below the ear canal) when seated in the listening position, as well as height of
the listener’s ear (the distance from the floor to the center of the ear canal), you will be able to align the
system for your listening position.

seC T i o n 1 �1 —Wa s P 11
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uP P e r ar r ay
Wo o f e r

seC T i o n 2—un C r aT i n g al e x i a V
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14 a l e x i a V i n s Ta l l aT i o n a n d Ca r e g u i d e
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Note: You will have two Upper Array enclosures as well as two Woofer Module enclosures to unpack. The
two modules for each of the channels will need to be separated into right and left channels. Clear out
two spaces in your room, one for your left and one for your right channels. For channel matching, place
the ODD numbered modules in the LEFT channel position and the EVEN numbered modules in the RIGHT
channel position.
Section 2.1—Uncrating Alexia V
Note: To avoid damaging the Alexia V’s painted surface. Please remove any jewelry such as rings, watch-
es, necklaces, and bracelets during this process along with covering belt buckles and zippers.
Initial Check
The Alexia V is shipped in three wooden crates (see page 12 for visual guide). Upon receiving these
crates, please check their condition. If any of the crates are damaged, please report it to the shipping compa-
ny immediately for insurance verification.
The following items are recommended for this procedure:
• Electric Screwdriver
• Phillips Head Bit
• Something to cut the band around crates
Uncrating the Woofer Module
A minimum of two strong adults is required to set up the Alexia V. Locate the two largest crates labeled
“Alexia V Lower.” These contain the woofer enclosures and are the first components of the system to unpack.

seC T i o n 2 �1 — u n C r aT i n g a l e x i a V 15
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1. Cut the band wrapped around the crate. With the crate lid facing up, unscrew the wood
screws securing the lid. Remove the lid.
2. Carefully lift the crate upright so that the Woofer Module is now vertical. With the
Woofer Module’s bottom toward the floor, reach in and gently roll the Woofer Module
out of the crate, carefully, so as not to hit the Woofer Module on the crate and scratch
the paint.
3. Place the Woofer Module with an odd serial number on the left side of the room and
the Woofer Module with an even serial number on the right side of the room.
Note: These two Woofer Modules are very heavy and care should be taken to prevent injury. Roll
the Woofer Module with drivers facing forward for the best stability.
Uncrating the Upper Array
The Upper Arrays are contained in a single crate labeled “Alexia V Uppers.” Unpack the enclosures
using the following procedure:
4. Cut the band wrapped around the crate. With the crate lid facing up, unscrew the wood
screws securing the lid. Remove the lid.
5. The Upper Array crate contains this Installation and Care Guide, the Tool Kit, and the
Spike Kit. Remove these.
6. Make sure the thumb bolt that secures the Tweeter Module is tight before moving.
7. When removing the Upper Arrays, take care so as not to hit the modules on the crate
and scratch the paint. Using the small shelf on the rear of the module, tilt it so there is

16 a l e x i a V i n s Ta l l aT i o n a n d Ca r e g u i d e
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Allen Driver
7/16" Wrench 1/2" Nut Driver
3/4" Wrench
Polishing cloth
Resistors
1/4" Allen Wrench
3/32", 5/32", 1/8" Allen Inserts
2" Caster Wrench
Alexia V Tool Kit
You will be using tools and parts in these kits throughout the installation process. Keep the Alexia V Tool Kit and Spike Kit at hand.
1/2"-13 Thread Set Screws
#2 Spikes
Spike with Nut
Wilson Audio
Acoustic Diodes
Aluminum Spike Pads
"AA" Spikes
Alexia V Spike Kit

seC T i o n 2 �1 — u n C r aT i n g a l e x i a V 17
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access to the bottom side. Slide the other hand under the Upper Array for support, and
carefully lift the enclosure out of the crate.
8. The cloth grilles are attached to the enclosures. Detach the grilles from the enclosure
and remove the protective plastic covering the grille.
9. Place the Upper Array with an odd serial number on the left side of the room and the
Upper Array with an even serial number on the right side of the room with the drivers
facing the wall (to protect the drivers while uncrating).
Note: After the system is set up, keep the shipping crates for future shipping needs.

seC T i o n 3—as s e m b l i n g al e x i a V
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20 al e x i a V in s Ta l l aT i o n a n d C a r e gu i d e
Note: Before setting up Alexia V, please carefully study Section 1 and/or watch the WASP video.
They provide valuable information on determining the ideal room location for your speakers.
Section 3.1—Initial Assembly
Preparation
You will need the following items:
• Supplied Tool & Spike Kits
• Tape Measure
• Time Alignment Charts (see Section 6)
• Known Listening Position
• Masking Tape & Pen
Take a moment to familiarize yourself with the top of the Woofer Module. A complete set of Time
Alignment Charts is located in Section 6.
Upper Array Assembly
The Upper Array uses “AA” spikes on the front of the enclosure (see graphic above) and the built-
in spike/receptical found at the bottom rear of the enclosure. In some installation positions the Time
Alignment Charts will indicate a need to thread the #2 spike into the spike receptical found at the bot-
tom rear of the enclosure. The spikes rotate the Upper Array to a scribed position as a part of the Alexia
V’s propagation delay adjustment and correction. Shorter “AA” spikes are always installed in the front
two positions (the threaded holes located near the bottom front of the enclosure). The spike-type is
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“AA” Spikes