Yamaha Electone B-30AR User manual

Read
the
following
before
playing
In general, treat your Electone with the same care you would any fine musical instrument. The follow-
ing points are suggested for optimum enjoyment,
1. Use only proper line voltage. Consult your 5. Shield the cabinet from direct sunlight, hu-
Yamaha serviceman for changes. midity and heat to protect the finish and
As to British-Standard Modal, its information is in joints.
“Specifications” on page 12.
7. To open or close the fallboard grasp the front
lip with both hands and slide gently. Never
pull directly upwards. Do not place anything
3.
Always
shut
off
the
power
after
playing.
heavy
on
the
fallboard.
4. Clean keys, etc, with a damp cloth only.
Never use solvents such as gasoline; they will
damage the finish,

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This is Your Electone
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Auto
Rhythm
Section
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Percussive
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AY Upper Manual Tone Levers
AS Repeat Speed |
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Lower
Manual
Tone
Levers
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Pedal
Symbal
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4) Tremolo / Chorus
A) Pedal Tone Levers

While reading the manual, keep
this page open for reference.’
E) Upper Manual
Ay) Master Volume
Power Switch
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Wa En OFF An NDR
Power Indicator
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|
O
ower
Manua
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Reverb
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Upper
E”,
4º
Sustain
Knee Lever
Expression Pedal
Foot Switch
Specifications subject to change without notice,

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Kevboards
The B-30AR has three keyboards. The upper two are called “manuals” and the lower one, played with |
the feet, “pedals.” They have keys and octaves as follows:
Upper Manual 44 keys (3% octaves)
Lower Manual 44 keys (3% octaves)
Pedals 13 keys (1 octave)
The B-30AR is designed to permit playing the melody on the upper manual with the right hand, the
chords on the lower manual with the left hand, and bass notes on the pedals with the left foot.
All keys are arranged in the keyboard method layout shown below. Each white key has a name (from C
to B), and the blacks are sharps or flats.
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UPPER MANUAL
MELODY
LOWER MANUAL
CHORD
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Note:
Only one note sounds even if two or more keys are pressed
simultaneously, the higher note. This assures tonal clarity.

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Tone Levers
To the left of the upper and lower manuals are series of
tone levers which control the Electone voices that will
sound when the keys are depressed. They are divided into
groups for upper, lower and pedals, so that different regis-
sua trations can be set for each.
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=
fi
(back)
Upper
Manual
Levers
10
voices
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| Lower
Manual
Levers
6
voices
7
0
Pedal
Levers
3
voices
‘con
2
5
Each
lever
provides
two
methods
of
control.
One
is
by
continuously moving the lever from off to full, to achieve
the exact setting for that tone, and thus balancing the
overall tone setting with perfect precision. Each lever also
has two easy-to-feel click stops, at 1/3 and 2/3 positions.
This lets you refind any setting with mathematical preci-
sion and no guesswork in a matter of seconds.
PITCHES OR FOOTAGES
The B-30AR has four different pitch levels, indicated by
the numbers 16’, 8’, 54”, 4”, 2%' and 2’. These are
standard musical abbreviations showing the tone’s pitch in
relation to the fundamental (written note). An 8’ tone
will sound just as it has been written. As the numbers
increase, the tones lower. A 16’ tone will provide a tone
exactly one octave lower than the written note.
similarly, 2%‘ tones are one octave higher than the written
note, 2’ tones are one octave and a fifth higher than the
4’ fundamental. |
Upper Preset Tones
To the left of the lower manual are eight Upper Preset
Tone selectors (seven tones plus Cancel). These on/off
switches are special tonal blends that most closely re-
semble the instruments they name (Accordion, Piano,
Vibraphone, Banjo) as well as three special preset combi-
nations.
Since these buttons are factory preset, they automatically
cancel all other upper manual tone lever settings. This lets
you switch back and forth, In addition, precedence is to
the right. This means that if two or more buttons are
pressed, the one to the right will take effect. To switch
from one button to another it is not necessary to first
press the cancel button.
Note: Upper Sustain control lever does not work with the Accor-
dion, Piano, Vibraphone and Banjo preset selectors.
(full effect)

AS
Brilliance
With this single, continuously-variable control you can pin-
point the degree of overall softness or clarity desired for
any mood of music.
Vibrato
Vibrato is a wavering of the tone. You will see violin and
cello players use it freely by an oscillating motion of the
left hand. It increases the emotional quality of the violin
tone. This vibrato lever produces the same vibrato effect.
Repeat Speed
Cuts and repeats each note just like the double-strumming
effect of a mandolin. The lever provides continuous speed
adjustment
to
create
a
full
variety
of
different
moods.
Affects upper manual notes only.
Upper Percussive
Changing the beginning of some or all notes can do won-
ders for lively selections. Your Electone's percussive
effects provide subtle but important shading at the moment
each note is heard. The special popping 4º and 223’ per-
cussive drive can be smoothly blended into all upper
manual tones with two variable levers, and a separate lever
regulates the length of decay for this effect.
Note: If Upper Percussive 4° is set at the same time as Upper
Sustain, no sound will be heard.
With percussive, use a staccato fingering. Each note should
be played cleanly; slurred notes will diminish the percussive
impact.
Percussion
LOWER BRUSH, PEDAL CYMBAL
Provide lively brush (hissing snare drum brush) and cymbal
percussion sounds with each lower manual or pedal note.

Reverb
The reverberation effect, which makes your playing sound
full and rich as if you were playing in a large hall, can be
adjusted continuously and smoothly to suit your taste.
Sustain
UPPER, PEDAL SUSTAIN
These controls provide continuous adjustment of the sus-
tain effect on the upper manual and pedals concerned.
For the pedals, this is the only sustain control, and it
N affects all pedal tones with the exception of Bass Guitar,
(¿EN while for the upper manual this control is only a length
= ites. adjustment. Length of upper sustain is controlled by the
upper sustain control knob as explained beside.
9 ld ®
Upper 8’, 4 Sustain
When this is switched on, the sustain effect is evoked. As
the name of the tab implies, only 8’ and 4’ tones are
affected. The length of such sustain is set by the Upper
resta Sustain control.
ONÀA CT Note: When combined with Upper Percussive 4’, all sound is
cancelled.
KNEE LEVER
This lever is operated with the right knee for instantaneous
implementation or stop of the sustain effect preset by the
sustain control and selector, allowing passage-by-passage or
even phrase-by-phrase sustain control precision.
Manual Balance
This control governs the volume strength of the upper and
lower manuals. It is normally left in the center position,
but can be shifted to stress the melody or accompaniment
in a selection or passage. This control can also be used to
compensate for a higher number of total tone lever settings
ge would ordinarily result in higher volume) on one of
_ the two manuals.

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TREMOLO
FLUTE SPLIT
Expression Pedal
Tremolo/Chorus
The Electone’s special tremolo is produced by a rotary
speaker that actually spins just behind the rotary speaker
grille on the side of the cabinet.
The tremolo selector is complemented by a continuous
tremolo speed control knob.
When the speed control is set to its maximum position,
the Tremolo will turn the speaker at normal revolution.
The Chorus will turn it at one revolution. Once either
tablet is switched on, it takes several seconds for the rotary
speaker to attain the standard speed. This is also true
when switching to a slower speed (Tremolo to Chorus),
the speed variation will be heard in the music.
If you wish an instant tremolo or chorus sound, be sure to
switch on that tablet well in advance of the speaker
selector. For special selections you can use this speed
variation by switching the speaker on first, the Tremolo or
Chorus switch later.
Note: Only Tremolo is produced when Tremolo and Chorus are
switched on simultaneously.
UPPER VOICE
Lets you divert upper manual voices from the main to
the rotary speaker.
LOWER VOICE
Does the same for lower manual voices.
FLUTE SPLIT |
This tablet feeds Flute voices of the upper and lower
manuals and preset Combinations to the rotary speaker.
Combined with other manual voices through the main
speaker it creates a rich, singing blend,
Note: Only Flute Split is produced when Flute Split and Upper or
lower Voices are switched on simultaneously.
Expression Pedal
Push
down
the
pedal
to
control
the
volume
of
each
note
or
phrase.
This
pedal
is
extremely
important
for
adding
emo-
tion
to
your
playing.
The
pedal
is
balanced
to
stay
in
any
position
once
set.
Rest
the
entire
right
foot
on
the
pedal
and
relax
it,
pressing
with
the
toe
to
increase
volume,
with
the
heel
to
decrease
it.
Master Volume
This control determines the maximum volume obtainable
by depressing the expression pedal.

I
Auto Rhythm Section
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má
This section provides eight catchy rhythms, each one called forth by a simple button. You can also
create more rhythm variations with the variation button. In addition to a combined volume and
balance knob, tempo control and tempo indicator light, there are two other switches: ordinary Start
and the Yamaha Synchro-Start which begins the rhythm accompaniment on the first beat of a measure
when the first lower manual or pedal note is struck. A foot switch fitted in the expression pedal
housing lets you stop and restart the rhythm at any point during play.
NORMAL START
For instant rhythm at the beginning of a selection. Push the rhythm selector desired, then flick the
Start switch on.
SYNCHRO-START
Select the rhythm, switch on the Synchro-Start and begin to play once you have the tempo estab-
lished. The rhythm will begin as soon as you strike a lower manual or pedal note. This switch permits
you to lead in with a rhythm-free melody at first if so desired.
You can switch off the Auto Rhythm with the foot switch.
When you wish to continue hearing the Auto Rhythm, be sure to switch on with the foot switch.
RHYTHM FOOT SWITCH
Once the rhythm is on, push this switch once to instantly stop it,
once again to restart. It lets you stop and restart the rhythm in the
middle of a selection without using your hand.
ON / OFF
Foot Switch 4
Note: If the foot switch has been used, be sure it is reset to normal after you
finish playing your selection, and then make sure both Start and
Synchro-Start switches are off. Otherwise you may turn on one of the
switches in the middle of a new number only to find the rhythm still
canceled.

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FAST
( LouD)
BASS TREBLE
©
VOLUME-@ BALANCE
TEMPO
The tempo of the Auto Rhythm section can be adjusted by a con-
tinuous control knob. This is best accomplished by turning on the
Synchro-Start switch.
Although no sound will be produced, the indicator lamp will flash
each quarter note, letting you visually check the tempo while you
adjust.
BALANCE
This control lets you balance the low rhythm sounds, such as drums,
and the high sounds (i.e., cymbals) according to your taste and the
selection. It can make a big difference even when using the same
rhythm. Turn the knob to the right to accentuate the higher (treble)
sounds, to the left for lower (bass). If you accentuate the treble
sounds the rhythm becomes brighter.
Check the playing hints for specific settings.
VOLUME
Use it to balance the volume of the rhythm section and the manuals.
This volume is then varied during the selection by the expression
pedal, just like that of the other tones.

AD
To
Fully
Enjoy
Your
B30AR
HEADPHONE
A
Yamaha
headphone
set
(optional)
can
be
plugged
into
the
jack
under
the
keyboard.
With
the
headphone
connected,
the
speaker
is
automatically
shut
off,
allowing
you
to
play
or
practice
at
any
volume
level
without
disturbing
anyone.
MONAURAL
©
e
a
1
>
This jack accepts any sound source and reproduces it through the B-30AR’s speakers.
Note: The volume of the sound source can be controlled by the expression pedal.
AUX OUT
For
recording,
connect
the
AUX
OUT
jack
with
the
tapedeck's
LINE
IN
jack.
Control
the
recording
levels on the tape deck.
LINE OUT
AUX IN
For
playback,
connect
the
AUX
IN
jack
with
the
tape-deck's
LINE
OUT
jack.
Control
the
playback
levels on the tape-deck.
LINE OUT
Merci
120
Mauga" EXP. IN
Note:
These
sound
sources
(Tape
recorder
etcetera}
are
not
affected
by
the
expression
pedal.
TONE CABINET
These sockets are on the rear panel. Use it to connect a Yamaha Tone Cabinet, without any rewiring
required.
SPLIT GENERAL

ir
Electone is not out of order If...
1. .....the set does not go on when the power switch is turned on. Check the following.
Is the AC plug fully inserted into the electric wall outlet? Reinsert it to be sure. Is there power
coming from that outlet?
If there is power in the outlet but the Electone does not play, unplug the cord and contact your
Yamaha dealer. There are NO USER SERVICEABLE PARTS inside.
2. .....a sound should occor the instant you turn on the switch.
This merely indicates normal operation consequent to a surge of electricity in the main amplifier.
3. .....0ccasional unpleasant static occurs.
In the majority of such cases, the cause can be traced to the turning on or off of refrigerators, wash-
ing machines, electric pumps or other household appliances. Electrical faults in a neighboring
outdoor neon sign may also be to blame.
If the cause is a fault in a neon or fluorescent lighting fixture, it should be repaired. When the cause
is unknown, or in case of doubt, contact your Yamaha deaier.
4. ..... the Electone reproduces radio or TV signals. |
If there is a powerful transmitter such as a radio station in the vicinity this can occur. Contact your
Yamaha dealer.
5, .....rattling (sympathetic vibration) occurs.
Ail materials have critical resonance frequencies at which they vibrate. The Electone’s continuous
tones will naturally cause other objects (windows, shelves, etc.) to vibrate.
TON
(
| x
6. .....pedal notes sound too high, upper manual notes too low. This is especially noticeable when
comparing the Electone and piano. Piano tones are combinations of harmonics and must interact
with their surroundings, while Electone harmonics are simpler (multiples of the fundamental tone),
requiring the Electone to be adjusted differently at the assembly stages.

Specifications
KEYBOARDS
Upper Manual 44 keys f~c4
(3% octaves)
Lower Manual 44 keys F ~ c3
(3% octaves}
Pedals 13 keysC1~C
(1 octave)
TONE LEVERS
Upper Manual Flute 16°
Flute 8’
F tute Bá!
Fiute 4
Flute =
Flute 2
Trombone 16’
Oboe 8'
String 8'
String 4'
Lower Manual Flute 8
Flute 4'
Flute 2
Horn 8
Cello 8
Cello 4'
Pedals Bass 16’
Bass 8
Bass Guitar
EFFECT LEVERS
Brilliance (Upper)
Repeat Speed {Upper)
Vibrato {Upper / Lower / Pedal)
Percussive 4’, 2% ' (Upper)
Percussive Length
TREMOLO
Flute Split
Upper Voice
Tremolo
Chorus
PRESET TONES
Upper Preset 1, 2, 3
Accordion, Piano, Vibraphone, Banjo
PERCUSSIONS
Lower Brush
Pedal Cymbal
Special Instructions for British-Standard Model
As the colours of the wires in the mains lead of the
apparatus may not correspond with the coloured
markings identifying the terminals in your plug, pro-
ceed as follows.
The wire which is coloured GREEN-and-YELLOW
must be connected to the terminal in the plug which is
marked by the letter E or by the safety earth symbol
+ or coloured GREEN or GREEN-and-YELLOW.
The wire which is coloured BLUE must be connected
to the terminal which is marked with the letter N or
coloured BLACK.
The wire which is coloured BROWN must be con-
nected to the terminal which is marked with the letter
L or coloured RED.
AUTO RHYTHM SECTION
Rhythm Selectors
March Waltz
Swing Stow Rock
Jazz Rock Rhumba
Bossanova Samba
Variation
RHYTHM CONTROLS
Normal Start
Sunchro-Start
Rhythm Stop {Foot Control)
Tempo
Volume
Tone Balance
Tempo Indicator
OTHER CONTROLS
Expression Pedal
Master Volume
Knee Lever
Tremolo Speed Control
Power Switch
OTHER FITTINGS
Headphone Jack
Exp. In
AUX IN, OUT
Tone Cabinet
Power Indicator
Rolltop Fallboard
Music Rest
Matching Bench
SPEAKER
Main (3): 30cm (127), 20cm (8"'), 5em (2°)
Tremolo(2): 16 x 23cm (6% x 9"), 5em (2”)
CIRCUITRY
Solid State (incl. LSIs and ICs)
Output Power: 15 watts (RMS)
Power Consumption: 80 watts
Power Source: 50 / 60Hz, AC
DIMENSIONS
Width: 118cm (46% *’)
Depth: 62cm (24% "')
Height: 90cm (35%”)
WEIGHT 75 kg (164 lbs.)
FINISH Natural American Wainut Grain
Specifications subject to change without notice.
IMPORTANT
THE WIRES IN THE MAINS LEAD ARE COLOUR-
ED IN ACCORDANCE WITH THE FOLLOWING
CODE.
GREEN-AND-YELLOW: EARTH
BLUE: NEUTRAL
BROWN: LIVE
WARNING:
THIS APPARATUS MUST BE EARTHED.

00 20 $$ Primad in Japan. 7» TAR