Yamaha EMX7 User manual

EMX7/ EMX5/ EMX2/ EMX5016CF/ EMX5014C

1

2
Ever since the launch of the first EM series integrated mixer in 1976, and the
subsequent release of the first EMX console, Yamaha has remained the industry
leader for powered mixers. Each model of the new EMX lineup is an integrated
solution that combines a power amplifier with a versatile mixer in a single,
compact unit with functionality and professional performance features tailored
to the demands of various sound reinforcement environments.
Power. Portability. Performance.
EMX7/ EMX5/ EMX2/ EMX5016CF/ EMX5014C

Complete Range of Input & Output Channels
Both the EMX7 and EMX5 are equipped with four mono input
channels and four mono/stereo input channels, allowing up to
8 microphones, and line-level devices such as keyboards and
portable playback device to be connected to each channel.
In addition, channel 4 can be used with Hi-Z inputs to connect
instruments such as guitars or basses directly. Each model is also
equipped with 2 AUX SEND connections for a monitoring system
or external effect devices, REC OUT unbalanced RCA pin output
jacks to connect an external recorder, and STEREO OUT TRS
phone jacks to output the mixed stereo signal.
The new EMX7 and EMX5 were designed specifically for musicians, performers, or public speakers
who put a premium on sound quality and convenient operation, and are ready to take their sound
reinforcement to the next level. Despite their compact construction, only speakers and a microphone
are required to configure a fully functioning, extremely portable, and reliable sound system with all
the tools you need to mix, process, and deliver your audio just the way you want, anywhere you want.
Get Serious About Your Sound
3
Easy Setup, Easy Operation
With their intuitive, user-friendly architecture,
the EMX7 and EMX5 can be setup and
operated quickly and easily by users with a
fundamental understanding of sound
reinforcement. Their versatile enclosure
design allows users to choose from a variety
of vertical or horizontal placements
depending on the type of application. From a
tabletop, oor, or installation environment no
matter used on a tabletop or from a seated
position with the mixer placed on the oor.
Robust But Extremely
Portable Design
The EMX7 and EMX5 benet from a robust
and portable design with a rugged,
impact-resistant, powder-coated metal
chassis geared towards extended operation
and road usage. Large handles on the front
and back of the enclosure make it
extremely portable, and also help to protect
knobs and terminals on the surface of the
chassis from impact or pressure during
transport.
Powerful & High Efficiency
Class-D Amplifier
The EMX7 and EMX5 models feature a
built-in high-efciency power amplier of
710W and 630W of output power
respectively. Despite their low power
consumption, these amps are capable of
very high volume output, yet still manage
to remain surprisingly lightweight. Both
models also come equipped with an
onboard overload protection function to
improve reliability and prolong component
life and performance quality.

Speaker Processor
and Preset
The speaker processor function allows you
to select an appropriate setting to match
the particular speakers you’re using. It
features presets specically tuned for each
model in Yamaha’s extensive lineup of
passive speakers, including the CBR, Club,
and Installation series. This allows users to
optimize speaker performance and save
even more time during system setup. It also
includes a bass boost function that can be
enabled to signicantly bring out the lower
frequencies.
Comprehensive, Professional
Effects and Signal Processing
EMX7/5 are equipped with a powerful,
comprehensive DSP section that provides
a total of 24 different effects that are in the
same league as our famed SPX effect
processor series used by professionals.
It is possible to add reverb and delay
effects that simulate the sound of different
performance environments, such as concert
halls and small clubs.
Internal Universal Power Supply
EMX7/5 have a highly-efcient internal
universal power supply, then offer worry-free
operation in any region around the globe—
even in environments prone to potentially
damaging power uctuations. An internal
power supply also simplies rack mounting of
the console for installed applications,
eliminating the need for a bulky adapter or
additional connections.
Rack-Mounting
EMX7/5 can be mounted onto a 19-inch rack
by using the RK-EMX7 (rack-mount kit) sold
separately.
■
1REV HALL 1
■
2REV HALL 2
■
3REV ROOM 1
■
4REV ROOM 2
■
5REV STAGE 1
■
6REV STAGE 2
■
7REV PLATE
■
8DRUM AMB
■
9EAR LY REF
■
10 GATE REV
■
11 SINGLE DLY
■
12 DELAY
■
13 VOCAL ECHO
■
14 KARAOKE
■
15 PHASER
■
16 FLANGER
■
17 CHORUS 1
■
18 CHORUS 2
■
19 SYMPHONIC
■
20
TREMOLO
■
21
AUTO WAH
■
22
RADIO VOICE
■
23
DISTORTION
■
24
PITCH CHANGE
Flexible Speaker Connectivity
EMX7/5 are equipped with speaker jacks
which can be used with both TS phone and
speakON plugs.
1-knob COMP
EMX7/5 is equipped with the popular 1-knob
COMP function used in MGP and MG series
models. By simply operating a single control, it
is possible to get optimal compression for
vocals and instruments. As the [COMP] control
is turned to the right, the threshold, ratio, and
output gain are adjusted simultaneously.
4
EMX7 only
1-Knob Master EQ™
EMX5’s 1-Knob Master EQ™ lets you apply
optimized EQ settings with the simple turn of
a knob. The SPEECH setting is geared
towards meetings, seminars, or conferences
with a limited lower end for clear, dened
speech; MUSIC offers a more balanced
sound tailored to acoustic or band
performances; and BASS BOOST is ideal for
DJ performances or audio playback that puts
a priority on emphasizing the base sound.
EMX5 only
3-band Equalizer Control
With individual knobs you can adjust the
[HIGH], [MID], and [LOW] audio frequencies.
You can operate instantly turning the control
to amplify (boost) and attenuate (cut) the
corresponding frequency band.
Onboard Feedback Suppressor
Few things make a live performance or
speaking engagement take a negative turn
like the sudden, uncomfortable, and often
embarrassing howling of unwanted
feedback. EMX7/5 come equipped with a
Feedback Suppressor that utilizes a unique
Yamaha digital technology to instantly
eliminate annoying feedback with the single
switch of a button, which utilizes a
seven-band notch lter.
Flex 9 Graphic Equalizer
EMX7 is equipped with Flex-type graphic
equalizer (Flex9GEQ) that allows you to
select up to nine bands out of a total of 31
for ne tuning ±15 dB.
EMX7 only

The EMX2 is the most compact and portable model in
the EMX lineup, yet despite its diminutive size, users
can set up a fully functioning sound reinforcement
system with the addition of speakers and
microphones. This makes it easy for newcomers with
little or no audio experience to easily configure their
own sound system. The EMX2’s all-in-one design
concept ensures that by just plugging in a single
power cable and making a few simple connections,
anyone can be their own sound engineer.
Premium Portability
Despite being a mixer and an amplier in a single unit, the EMX2’s
dimensions (37.5cm x 22cm x 14.7cm / 14.8" x 5.8" x 8.7") are
surprisingly modest, making it easy to t along with speakers even in
the trunk of a small car.
The lightweight body
also features handles
for a superior level of
portability that will
benet anyone setting
up a PA for applications
where time is a
consideration.
Easy Does It
5
Output Power 1-knob
COMP SPXInputs GEQ
1-Knob
Master
EQ™
Speaker
Preset
Feedback
Suppressor
Dimensions (W x H x D)
1 kHz THD+N
< 10% (CEA2006)
1 kHz THD+N
<1% (CEA2006)
Mono: 8,
Stereo: 4
Mono: 4,
Stereo: 3
710 W + 710 W (4 Ω)
500 W + 500 W (8 Ω)
630 W + 630 W (4 Ω)
460 W + 460 W (8 Ω)
250 W + 250 W (4 Ω)
170 W + 170 W (8 Ω)
600 W + 600 W (4 Ω)
400 W + 400 W (8 Ω)
500 W + 500 W (4 Ω)
370 W + 370 W (8 Ω)
110 W + 110 W (4 Ω)
110 W + 110 W (8 Ω)
24
programs -465 × 308 × 325
mm
(18.3" × 12.1" × 12.8")
(18.3" × 12.1" × 12.8")
24
programs - -
-Reverb 4
programs - - 375 × 147 × 220
mm
(14.8"× 5.8" × 8.7")
Universal
Power
Supply
EMX2
EMX7
EMX5
465 × 308 × 325 mm

400 (15 3/4)
EMX7 EMX2
Dimensions
Optional Accessories (sold separately)
EMX5
465 (18 5/16)
313 (12 5/16) 275 (10 13/16)
275 (10 13/16)
313 (12 5/16)
325 (12 13/16)
Unit: mm (inch)
308 (12 1/8)
308 (12 1/8)
325 (12 13/16)
465 (18 5/16)
400 (15 3/4)
From Speaking Engagements to Live Bands and
DJ Events
The EMX2’s exible connectivity allows you to use up to 4 microphones
for singing along with musical instruments, or speaking/ making
announcements along with BGM or recorded audio from a portable
playback device. The unit also comes equipped with Phantom Power
and high-impedance input capability allowing you to use
high-performance condenser microphones or connect guitars directly
without any external gear. And because the EMX2 is also an amplier,
you can easily connect passive speakers to complete your sound
system, or even add a Yamaha DXS Series Powered sub-woofer via a
single connection, for conguring a PA system for applications that
require a more prominent bass performance, such as a DJ event in a
small club or outdoor venue.
4 Yamaha Reverbs for Additional Atmosphere
For decades, the sound specialists at Yamaha have been
developing high-quality reverb effects to add an atmospheric touch
to our users vocal and instrumental performances. The EMX2
features some of the most commonly used and practical reverb
algorithms, using a single knob to easily select and control the
depth for one of four effects; HALL mimics the sound
characteristics of a large hall, PLATE for a more classic, dened
sound, ROOM adds a
more intimate sound to
performances, and
ECHO gives
instruments or vocal a
more professional
edge, as well as being
an attractive option for
KARAOKE.
A Positive Feedback Feature
Few things make a live performance or speaking engagement take a
negative turn like the sudden, uncomfortable, and often
embarrassing howling of unwanted feedback. Luckily the EMX2
comes equipped with
a Feedback
Suppressor that
utilizes a unique
Yamaha digital
technology to instantly
eliminate annoying
feedback with the
single switch of a
button.
Shape Your Sound
For adding the nal touch to your mix, the EMX2’s 1-Knob Master
EQ™ lets you apply optimized EQ settings with the simple turn of a
knob. The SPEECH setting is geared towards meetings, seminars,
or conferences with a limited
lower end for clear, dened
speech; MUSIC offers a more
balanced sound tailored to
acoustic or band
performances; and BASS
BOOST is ideal for DJ
performances or audio
playback that puts a priority on
emphasizing the base sound.
Flexible Setup for a Diverse Range of Applications
Using an optional rack-mount kit, you can seamlessly add the
EMX2 to a rack conguration or and existing installed application.
You can even mount
the EMX2 on a
microphone stand
using a simple
mic-stand adaptor,
giving you quick,
convenient, manual
control of all the
relevant features.
6
147 (5 13/16)
ACIN
375 (14 3/4)
220 (8 11/16)
Dimensions (W x H x D) Net
Weight
Mic Stand
Adaptor
Rack-
mount kit
Foot
Switch
465 × 308 × 325 mm
(18.3" × 12.1" × 12.8")
(18.3" × 12.1" × 12.8")
9.5 kg
(20.9 lbs) -
RK-EMX7 FC5
9.5 kg
(20.9 lbs) -
RK-EMX7 FC5
375 × 147 × 220 mm
(14.8"× 5.8" × 8.7")
4.2 kg
(9.3 lbs) BMS-10ARK-EMX2 FC5
or
RK-EMX7 RK-EMX2 BMS-10A FC5
98 (3 7/8)
465 × 308 × 325 mm

Versatile 16-Input Configuration Adapts to
Varied Source Requirements
The EMX5016CF has a total of 16 input channels – eight for monaural
microphone or line input plus four stereo pairs which can function
either as monaural microphone inputs or stereo line inputs giving you
more options if your sources are mostly microphones. If you need to
handle more stereo sources the EMX5016CF will comfortably handle
four pairs in addition to eight monaural microphone or line inputs.
Switchable phantom power is provided for all microphone inputs.
Advanced Channel EQ
3-band EQ is available on all input channels, but extra versatility is
provided on the eight mono channels with mid-frequency sweep
controls. The mid EQ center frequency can be continuously swept from
250 Hz through 5 kHz so you can precisely pinpoint frequencies in the
critical midrange that require compensation, providing signicantly
enhanced equalization potential.
Ample I/O for Expansion and Integration
The EMX5016CF features a range of inputs and outputs that allow it to
be expanded with external gear or integrated into larger systems.
Insert patch points on the mono input channels, for example, let you
add outboard signal processing to individual input channels, while
external AUX and EFFECT sends allow you to route the mixer’s signals
to external signal processing and/or monitor systems. Stereo out,
stereo sub-out, and record outputs are also provided.
1-knob COMP on Mono Channels
The EMX5016CF features compressors on all monaural microphone/line
channels that can help to make vocals ride the mix better, give you that
smooth compressed guitar sound, deliver more punchy bass, and
generally rene your mixes in a multitude of ways. These unique 1-knob
COMP are surprisingly simple to use. There are no multiple attack,
threshold, makeup gain, and other controls — just set the COMP control
to the amount of compression you need.
FRC (Frequency Response Correction) System
Setting a live sound system’s output equalizer to optimally match room
response is normally a complicated process but he EMX5016CF
handles the entire process automatically, Simply set up a microphone in
an appropriate location, connect it to channel 1, press
MEASURE/CORRECT once to make the measurement, and then again
to automatically set the graphic equalizer for optimized response. The
EQ setting can then be stored in one of the user memories for later recall.
Automatic Feedback Suppression
The EMX5016CF provides a dedicated Feedback Suppressor function
that detects feedback frequencies on the stereo bus and applies
precise notch lters to eliminate the feedback. It has an AUTO mode
that automatically keeps track of and attenuates feedback frequencies
for you, and a sensitive manual mode that lets you pinpoint and
attenuate individual feedback points.
Multi-band “Maximizer”
The EMX5016CF “Maximizer” is an advanced 3-band compressor that
can be applied to the stereo bus for a more punchy “up-front” overall
sound. Simply press the MAXIMIZE switch to instantly give the
mix more presence and impact without sacricing musical subtlety.
• Flagship EMX model with fader
• 500W + 500W Output Power (4 Ω)
• Up to 12 Mics, 16 Inputs Total (8 Mono/Mic, 4 Stereo)
• Dual SPX Sends
• FRC (Frequency Response Correction) System
• Feedback Suppressor
• 9-band Digital Graphic EQ with Presets & Memory
Serious Live Sound Capability
Plus Innovative Digital Features
7
Dimensions unit: mm (inch)
444 (17 3/8)
(440 (17 5/16) excluding screw heads)
493 (19 3/8)
155 (6 1/8) 444 (17 3/8)
(440 (17 5/16) excluding screw heads)

8
Console Controllability and Versatility
With the many features and control functions provided by the
EMX5014C, console style is the only way to go. It’s still compact
enough to be placed in the stage area and controlled by the
performers, but its console conguration also makes it an ideal choice
for front-of-house type operation by sound engineers. Linear faders are
another advantage of the console layout, providing precise level control
as well as graphic representation of relative channel levels.
Expanded EQ Capability
The EMX5014C features 3-band EQ on all input channels, but goes a
step further on the six mono channels with mid-frequency sweep
controls. The mid EQ center frequency can be continuously swept from
250 Hz through 5 kHz so you can precisely pinpoint frequencies in the
critical midrange that require compensation or enhancement. The
stereo graphic equalizer has also been expanded with 9 bands that
can be used for more effective room voicing or feedback control.
1-knob COMP on Mono Channels
The EMX5014C features compressors on all six monaural mic/line
channels allowing you to make vocals ride the mix better, give you that
smooth compressed guitar sound, deliver more punchy bass, and
generally hone your mixes in a multitude of ways. Yamaha’s unique
1-knob COMP are simple to use, too. There’s no need to juggle
multiple attack, threshold, makeup gain, and other controls —just set
the COMP control to the amount of compression you need.
Feedback Channel Locating (FCL) System
FCL System indicator LEDs at the top of each channel light if the
corresponding channel goes into feedback. So if and when feedback
occurs you’ll be able to locate the channel(s) in which it is occurring
immediately and rectify the problem without delay.
Comprehensive I/O
The EMX5014C features a range of inputs and outputs that allow it to
be integrated into larger systems or add outboard gear. Insert patch
points on the mono input channels, for example, let you add outboard
signal processing to individual input channels, while external AUX and
EFFECT sends allow you to route the mixer’s signals to external signal
processing and/or monitor systems as required. Stereo out, stereo
sub-out, and record outputs are also provided.
• Versatile EMX model with fader
• 500W + 500W Output Power (4 Ω)
• Up to 8 Mics, 14 Inputs Total (6 Mono/Mic, 4 Stereo)
• SPX Digital Effects
• FCL (Feedback Channel Locating) System
• 9-band Stereo Graphic EQ with Presets & Memory
A Console-format Powered
Mixer for Advanced Live
Applications
Dimensions unit: mm (inch)
444 (17 3/8)
(440 (17 5/16) excluding screw heads)
493 (19 3/8)
444 (17 3/8)
(440 (17 5/16) excluding screw heads)
155 (6 1/8)
Rack-Mount kit
RK5014
Foot Switch
FC5
Optional Accessories for EMX5016CF/5014C (sold separately)

9
EMX7 / EMX5 / EMX2 General Specifications
MODEL EMX7 EMX5 EMX2
Output Power
1 kHz THD+N < 10% (CEA2006) 710 W + 710 W (4 Ω)
500 W + 500 W (8 Ω)
630 W + 630 W (4 Ω)
460 W + 460 W (8 Ω)
250 W + 250 W (4 Ω)
170 W + 170 W (8 Ω)
1 kHz THD+N < 1% (CEA2006) 600 W + 600 W (4 Ω)
400 W + 400 W (8 Ω)
500 W + 500 W (4 Ω)
370 W + 370 W (8 Ω)
110 W + 110 W (4 Ω)
110 W + 110 W (8 Ω)
Input to SPEAKERSInput to STEREO OUT,
AUX1 SEND, AUX2 SENDInput to SPEAKERSInput to STEREO OUT, AUX1 SEND, AUX2 SENDInput to SPEAKERSInput to MONITOR OUT
Frequency ResponseRefer to the nominal output level
@ 1 kHz
+1 dB/-3 dB
(40 Hz to 20 kHz)
+0.5 dB/-1 dB
(20 Hz to 20 kHz)
+1 dB/-3 dB
(40 Hz to 20 kHz)
+0.5 dB/-1 dB
(20 Hz to 20 kHz)
1 dB/-4 dB
(40 Hz to 20 kHz)
+0.5 dB/-1.5 dB
(20 Hz to 20 kHz)
Total Harmonic Distortion *1 (THD+N)
MIC/LINE =LINE (CH1–4)
0.1% @ 10 W
(40 Hz to 20 kHz)
0.04% @ 65 W (1 kHz)
MIC/LINE =LINE (CH1–4)
0.02% @ +14 dBu
(20 Hz to 20 kHz)
0.007% @ +20 dBu (1 kHz)
0.1% @ 10 W
(40 Hz to 20 kHz)
0.05% @ 50 W (1 kHz)
0.03% @ +14 dBu
(20 Hz to 20 kHz)
0.007% @ +20 dBu (1 kHz)
0.2% @ 13.8 W
(40 Hz to 20 kHz)
0.4% @ 23.2 W(1 kHz)
0.05% @ +10 dBu
(20 Hz to 20 kHz)
0.009% @ +20 dBu(1 kHz)
Hum & Noise *2
(20 Hz to 20 kHz)
Equivalent Input Noise-117 dBu -115 dBu
Residual Output Noise
-70 dBu
(40 Hz to 20 kHz,
STEREO MASTER LEVEL: min)
-82 dBu
(20 Hz to 20 kHz,
STEREO MASTER LEVEL: min)
-70 dBu
(40 Hz to 20 kHz,
STEREO MASTER LEVEL: min)
-82 dBu
(20 Hz to 20 kHz,
STEREO MASTER LEVEL: min)
-68 dBu
(40 Hz to 20 kHz, MASTER: min)
-99 dBu
(20 Hz to 20 kHz, MONITOR: min)
Crosstalk (1 kHz) *3 -85 dB -80 dB
Input ChannelsTOTAL: 12 channels
Mono (MIC/LINE): 8, Stereo (LINE): 4
TOTAL: 10 channels
Mono (MIC/LINE): 4, Stereo (LINE): 3
Output ChannelsSPEAKERS [A, B], AUX1 SEND, AUX2 SEND, STEREO OUT [L, R], REC OUT [L, R]SPEAKERS [L, R], MONITOR OUT [L,R], SUBWOOFER OUT
BusStereo: 1, AUX: 2 (Including FX) Stereo: 1, Effect: 1
Input Channel Function
MIC/LINE (CH1–4): 30 dB PAD PAD (CH1-4): 26 dB
Hi-Z (CH4): Supported Hi-Z (CH4): Supported
HPF (CH1–3) 80 Hz, -12 dB/oct.
Equalizer (EQ):
HIGH: 8 kHz +15 dB / -15 dB
MID: 2.5 kHz +15 dB / -15 dB
LOW: 100 Hz +15 dB / -15 dB
Equalizer (EQ):
HIGH: 10 kHz +15 dB / -15 dB (Shelving)
MID: 2.5 kHz +15 dB / -15 dB (Peaking)
LOW: 100 Hz +15 dB / -15 dB (Shelving)
COMP (CH1–4): 1-knob COMP
Level Meter 2 × 12 points LED meter
(-30, -25, -20, -15, -10, -6, -3, 0, +3, +6, +10, PEAK) 2 × 7 points LED meter (-20, -10, -6, 0, +6, +10, PEAK) 6 points (-20, -6, 0, +3, +6, LIMITER)
Built-in Effect SPX Algorithm 24 programsReverb 4 programs
Output Channel FunctionFeedback suppressor, Graphic equalizer, Speaker processor Feedback suppressor, Master EQ, Monitor EQFeedback suppressor, Master EQ (SPEECH to MUSIC)
Phantom Power Voltage +48 V CH1, 2: +30 V
Foot Switch Effect mute on/offEffect Mute on/off
Protection
Load Protection: DC-fault
Amplifier Protection: Over heat protection, Over current protection, Integral power protection
Power Supply Protection: Over heat protection, Over current protection
Load Protection: DC-fault
Amplifier Protection: Over heat protection, Over current protection
Power Supply Protection: Over heat protection, Over current protection
Power Requirements AC 100-240 V, 50 Hz/60 Hz
Power Consumption45 W (Idle) / 250 W (1/8 Power)42 W (Idle) / 210 W (1/8 Power)35 W (Idle) / 90 W (1/8 Power)
Dimensions (W × H × D)465 mm × 308 mm × 325 mm (18 5/16" × 12 1/8" × 12 13/16") 375 mm × 147 mm × 220 mm (14 3/4" x 5 13/16" x 8 11/16")
Net Weight9.5 kg (20.9 lbs)4.2 kg (9.3 lbs)
Optional AccessoryRack-mount brackets: RK-EMX7, Foot switch: FC5 Rack-Mount Kit: RK-EMX2, Mic Stand Adaptor: BMS-10A,
Foot Switch: FC5
Operating Temperature 0 to +40°C
*1 THD+N is measured with 22 kHz LPF *2 Noise is measured with A-weighting filter. *3 Crosstalk is measured with 1 kHz band pass filter.
0 dBu = 0.775 Vrms, Output impedance of signal generator (Rs) = 150 Ω All level controls are at their maximum position if not specified.
EMX7 / EMX5 / EMX2 Input Characteristics
EMX7 / EMX5
Input JackMIC/LINEHi-ZActual Load Impedance For Use with Nominal
Input Level
Connector
Sensitivity *1 Nominal Level
(Position) *2
Max.
Before Clip
CH 1–4
XLRMIC—3 kΩ50–600 Ω Mics-60 dBu (0.775 mV) -43 dBu (5.48 mV) -15 dBu (138 mV)
Combo jack *3 (Balanced)
LINE —-30 dBu (24.5 mV) -13 dBu (173 mV) +15 dBu (4.36 V)
PhoneMIC—8 kΩ600 Ω Lines -50 dBu (2.45 mV) -33 dBu (17.3 mV) -5 dBu (436 mV)
LINE —-20 dBu (77.5 mV) -3 dBu (548 mV) +25 dBu (13.8 V)
CH 4 (Hi-Z)Phone MICON 1 MΩ10 kΩ Lines -50 dBu (2.45 mV) -33 dBu (17.3 mV) -5 dBu (436 mV) Phone jack *4 (Unbalanced)
LINE -20 dBu (77.5 mV) -3 dBu (548 mV) +20 dBu (7.75 V)
CH 5/6, 7/8 XLR——
3 kΩ50–600 Ω Mics-60 dBu (0.775 mV) -43 dBu (5.48 mV) -15 dBu (138 mV) XLR-3-31 *5 (Balanced)
Phone10 kΩ600 Ω Lines -20 dBu (77.5 mV) -3 dBu (548 mV) +25 dBu (13.8 V)Phone jack *4 (Unbalanced)
CH 9/10, 11/12 XLR——
3 kΩ50–600 Ω Mics-60 dBu (0.775 mV) -43 dBu (5.48 mV) -15 dBu (138 mV) XLR-3-31 *5 (Balanced)
Pin10 kΩ600 Ω Lines -8 dBu (316 mV) +10 dBu (2.45 V)+25 dBu (13.8 V)RCA pin (Unbalanced)
CH 11/12 Mini jack— —10 kΩ600 Ω Lines -8 dBu (316 mV) +10 dBu (2.45 V)+25 dBu (13.8 V)Stereo mini jack *6 (Unbalanced)
EMX2
Input JackMIC/LINEHi-Z [CH4] Actual Load Impedance For Use with Nominal Input Level Connector
Sensitivity *1Nominal Max. Before Clip
CH1 - 4 [XLR] MIC— 3 kΩ150 Ω Mics-56 dBu (1.228 mV) -35 dBu (13.78 mV) -10 dBu (245.1 mV)
CH1, 2 XLR-3-31 *5 (Balanced)
CH3, 4 Combo jack *3 (Balanced)
LINE -30 dBu (24.51 mV) -9 dBu (275.0 mV) +16 dBu (4.890 V)
CH3, 4 [Phone]
MICOFF 3 kΩ150 Ω Lines -50 dBu (2.451 mV) -29 dBu (27.50 mV) -4 dBu (489.0 mV)
ON 1 MΩ10 kΩ Lines
LINE OFF 3 kΩ150 Ω Lines -24 dBu (48.90 mV) -3 dBu (548.7 mV) +22 dBu (9.757 V)
ON 1 MΩ10 kΩ Lines
CH5/6 - 9/10— —10 kΩ150 Ω Lines -24 dBu (48.90 mV) -3 dBu (548.7 mV) +22 dBu (9.757 V)
CH5/6 Phone jack *4 (Unbalanced)
CH7/8 Phone jack *4 & RCA pin (Unbalanced)
CH9/10 Phone jack *4 & Stereo mini jack (Unbalanced)
*1 Sensitivity is the lowest level that will produce an output of +4 dBu (1.228 V) or the nominal output level when the unit isset to maximum gain. (All level controls are at their maximum position.) *2 Level controls setting : Channel level controls are at their t position. Master level controls are at their maximum position.
*3 1&Sleeve = GND, 2&Tip = HOT, 3&Ring = COLD *4 Tip = Signal, Sleeve = GND *5 1 = GND, 2 = HOT, 3 = COLD *6 Tip = LEFT, Ring = RIGHT, Sleeve = GND
0 dBu = 0.775 Vrms
EMX7 / EMX5 / EMX2 Output Characteristics
EMX7 / EMX5 EMX2
Output JackActual Source
ImpedanceFor Use with Nominal Output level Connector Output JackActual Source
ImpedanceFor Use with Nominal Output Level Connector
NominalMax. Before ClipNominalMax. Before Clip
STEREO OUT L, R 600 Ω 10 kΩ Lines +4 dBu
(1.228 V)
+20 dBu
(7.75 V)
Phone jack *1
(Impedance balanced) MONITOR OUT [L, R]150 Ω 10 kΩ Lines +4 dBu (1.23 V)+20 dBu (7.75 V) Phone jack *1 (Impedance balanced)
AUX SEND 1, 2 600 Ω 10 kΩ Lines +4 dBu
(1.228 V)
+20 dBu
(7.75 V)
Phone jack *1
(Impedance balanced) SUBWOOFER OUT 150 Ω 10 kΩ Lines -3 dBu (0.55 V)+17 dBu (5.49 V) Phone jack *1 (Impedance balanced)
REC OUT L, R 600 Ω 10 kΩ Lines -10 dBV
(0.308 V)
+18 dBV
(7.75 V) RCA pin (Unbalanced)
*1 Tip = HOT, Ring = COLD, Sleeve = GND
0 dBu = 0.775 Vrms 0 dBV = 1.00 Vrms
EMX7 / EMX5 / EMX2 Speaker Output Characteristics
EMX7 / EMX5 EMX2
Output JackActual Source
ImpedanceFor Use with Nominal Output level Connector Output JackActual Source ImpedanceFor Use with Nominal Output Level Connector
1 kHz THD+N < 1% (CEA2006) 1 kHz THD+N < 10% (CEA2006)
1 kHz THD+N < 1%
1 kHz THD+N < 10% (CEA2006)
SPEAKERS A, B < 0.1 Ω 4 Ω Speakers 600 W 710 W
speakON NL4
*1
Phone jack *2 SPEAKERS [L, R] < 0.1 Ω 4 Ω Speakers 110 W 250 W Phone jack *1
8 Ω Speakers 400 W 500 W 8 Ω Speakers 110 W 170 W
*1 1+ = Positive, 1- = Negative *2 Tip = Positive, Sleeve = Negative
0 dBu = 0.775 Vrms
*1 Tip = Positive, Sleeve = Negative

10
EMX5016CF / EMX5014C General Specifications
MODEL EMX5016CF EMX5014C
Output Power 500 W/4 Ω, 350 W/8 Ω (UA) , 320 W/8 Ω (H)
Frequency Response-3, 0, 1 dB
20 Hz-20 kHz, ref to the 1 kHz output level, GAIN=MIN, PAD=OFF
-3, 0, 1 dB, 20 Hz-20 kHz
ref to the nominal output level @ 1 kHz
Total Harmonic DistortionLess than 0.3 % (THD+N)
+14 dBu output into 600 W @ 20 Hz-20 kHz
Less than 0.3 % (THD+N)
+14 dBu output into 600 Ω @ 20 Hz-20 kHz
Hum & NoiseEquivalent Input Noise, -128 dBu, GAIN=MAX, 20 Hz-20 kHz, CH1-8 MIC Equivalent Input Noise, -128 dBu, GAIN=MAX, 20 Hz-20 kHz, ST OUT
Crosstalk (1kHz)-68 dB
Input ConnectorsCH 1-8: XLR and Phone
CH 9/10-15/16: XLR. Phone and Pin
CH 1-6: XLR and Phone
CH 7/8, 9/10: XLR and Phone
CH 11/12, 13/14: XLR and Pin
EQ CH 1-8: HIGH (10 k, Shelving), MID (mono: 250-5 k, st: 2.5 k, Peaking), LOW (100, Shelving)
CH 9/10-15/16: HIGH (10 k, Shelving), MID (st: 2.5 k, Peaking), LOW (100, Shelving) HIGH (10 k, Shelving), MID (mono: 250-5 k, st: 2.5 k, Peaking), LOW (100, Shelving)
Phantom Power Voltage 48 V
Graphic Equalizer 9 Band (63, 125, 250, 500, 1 k, 2 k, 4 k, 8 k, 16 kHz), Preset x 3, User preset x 3 9 Band (63, 125, 250, 500, 1 k, 2 k, 4 k, 8 k, 16 kHz)
Digital Effects SPX Digital Multi Effector (24 bit AD/DA, 32 bit Internal Processing): 16 Programs x 2 SPX Digital Multi Effector (24 bit AD/DA, 32 bit Internal Processing): 16 Programs
Power Amp. ModeL/R, AUX1/MONO, AUX1/2
Foot Switch Effect On/Off
Power Requirement 120V /60 Hz, 220-240 V /50 Hz (Vary by region)
Power Consumption500W 450 W
Dimensions (W x H x D) 444 mm x 155 mm x 493 mm (17 3/8" x 6 1/8" x 19 3/8" )
Net Weight 11 kg (24.2 lbs.) 10.5 kg (23.1 lbs.)
All level controls are nominal, when measured. Output impedance of signal generator: 150 Ω
EMX5016CF / EMX5014C Input Characteristics
EMX5016CF
Input Terminals PADGAINActual Load
ImpedanceFor Use With Nominal Input Level Connector
Sensitivity *2PositionMax. Before Clip
CH INPUT A 1-8
0dB-60 dB
3 kΩ 50-600 Ω Mics
-80 dBu (0.078 mV) -60 dBu (0.775 mV) -40 dBu (7.75 mV)
XLR-3-31 type *3
-16 dB-36 dBu (12.3 mV) -16 dBu (123 mV) +4 dBu (1.23 V)
26dB -34 dB-54 dBu (1.55 mV) -34 dBu (15.5 mV) -14 dBu (155 mV)
+10 dB-10 dBu (245 mV) +10 dBu (2.45 V)+30 dBu (24.5 V)
CH INPUT B 1-8
0dB-60 dB
10 kΩ600 Ω Lines
-80 dBu (0.078 mV) -60 dBu (0.775 mV) -40 dBu (7.75 V)
Phone Jack *4
-16 dB-36 dBu (12.3 mV) -16 dBu (123 mV) +4 dBu (1.23 V)
26dB -34 dB-54 dBu (1.55 mV) -34 dBu (15.5 mV) -14 dBu (155 mV)
+10 dB-10 dBu (245 mV) +10 dBu (2.45 V)+30 dBu (24.5 V)
ST CH MIC INPUT 9/10-15/16— -60 dB 3 kΩ 50-600 Ω Mics-80 dBu (0.078 mV) -60 dBu (0.775 mV) -40 dBu (7.75 mV) XLR-3-31 type *3
-16 dB-36 dBu (12.3 mV) -16 dBu (123 mV) -10 dBu (245 mV)
ST CH LINE INPUT 9/10-15/16— -34 dB 10 kΩ600 Ω Lines -54 dBu (1.55 mV) -34 dBu (15.5 mV) -14 dBu (155 mV) Phone Jack *5
RCA pin Jack
+10 dB-10 dBu (245 mV) +10 dBu (2.45 V)+30 dBu (24.5 V)
CH INSERT IN (1-8) ——10 kΩ600 Ω Lines -20 dBu (77.5 mV) 0 dBu (0.775 V)+20 dBu (7.75 V)Phone Jack *5
EMX5014C
Input Terminals PADGAINActual Load
ImpedanceFor Use With Nominal Input Level Connector
Sensitivity *2PositionMax. Before Clip
CH INPUT A 1-6
0dB-60 dB
3 kΩ 50-600 Ω Mics
-80 dBu (0.078 mV) -60 dBu (0.775 mV) -40 dBu (7.75 mV)
XLR-3-31 type *3
-16 dB-36 dBu (12.3 mV) -16 dBu (123 mV) +4 dBu (1.23 V)
26dB -34 dB-54 dBu (1.55 mV) -34 dBu (15.5 mV) -14 dBu (155 mV)
+10 dB-10 dBu (245 mV) +10 dBu (2.45 V)+30 dBu (24.5 V)
CH INPUT B 1-6
0dB-60 dB
10 kΩ600 Ω Lines
-80 dBu (0.078 mV) -60 dBu (0.775 mV) -40 dBu (7.75 V)
Phone Jack *4
-16 dB-36 dBu (12.3 mV) -16 dBu (123 mV) +4 dBu (1.23 V)
26dB -34 dB-54 dBu (1.55 mV) -34 dBu (15.5 mV) -14 dBu (155 mV)
+10 dB-10 dBu (245 mV) +10 dBu (2.45 V)+30 dBu (24.5 V)
ST CH INPUT 7/8-9/10
—-60 dB 3 kΩ 50-600 Ω Mics-80 dBu (0.078 mV) -60 dBu (0.775 mV) -40 dBu (7.75 mV) XLR-3-31 type *3
-16 dB-36 dBu (12.3 mV) -16 dBu (123 mV) -10 dBu (245 mV)
—-34 dB 10 kΩ600 Ω Lines -54 dBu (1.55 mV) -34 dBu (15.5 mV) -14 dBu (155 mV) Phone Jack *5
+10 dB-10 dBu (245 mV) +10 dBu (2.45 V)+30 dBu (24.5 V)
ST CH INPUT 11/12-13/14 —-34 dB 10 kΩ600 Ω Lines -54 dBu (1.55 mV) -34 dBu (15.5 mV) -14 dBu (155 mV) "Phone Jack *5
RCA pin Jack
+10 dB-10 dBu (245 mV) +10 dBu (2.45 V)+30 dBu (24.5 V)
CH INSERT IN (1-6) ——10 kΩ600 Ω Lines -20 dBu (77.5 mV) 0 dBu (0.775 V)+20 dBu (7.75 V)Phone Jack *5
*1 0 dBu is referenced to 0.775 Vrms. *2 Sensitivity is the lowest level that will produce an output of +4 dBu (1.23 V), or the nominal output level when the unit is set to maximum level. (All level controls are at maximum position.)
*3 XLR-3-31 type connectors are balanced. (1=GND, 2=HOT, 3=COLD) *4 Phone Jacks are balanced. (Tip=HOT, Ring=COLD, Sleeve=GND) *5 Phone Jacks are unbalanced.
EMX5016CF / EMX5014C Output Characteristics
EMX5016CF EMX5014C
Output Terminals Actual Source
Impedance
For Use With
Nominal
Output Level Connector Output Terminals Actual Source
Impedance
For Use With
Nominal
Output Level Connector
NominalMax. Before ClipNominalMax. Before Clip
ST OUT [L, R]150 Ω 600 Ω Lines +4 dBu (1.23 V)+20 dBu (7.75 V)Phone Jack *2ST OUT [L, R]150 Ω 600 Ω Lines +4 dBu (1.23 V)+20 dBu (7.75 V)Phone Jack *2
ST SUB OUT [L, R]
150 Ω 600 Ω Lines +4 dBu (1.23 V)+20 dBu (7.75 V)Phone Jack *2
ST SUB OUT [L, R]
150 Ω 600 Ω Lines +4 dBu (1.23 V)+20 dBu (7.75 V)Phone Jack *2
AUX SEND 1, 2 150 Ω 600 Ω Lines +4 dBu (1.23 V)+20 dBu (7.75 V)Phone Jack *2AUX SEND 1, 2 150 Ω 600 Ω Lines +4 dBu (1.23 V)+20 dBu (7.75 V)Phone Jack *2
EFFECT SEND 1, 2
150 Ω 600 Ω Lines +4 dBu (1.23 V)+20 dBu (7.75 V)Phone Jack *2
EFFECT SEND
150 Ω 600 Ω Lines +4 dBu (1.23 V)+20 dBu (7.75 V)Phone Jack *2
CH INSERT OUT 1-8 600 Ω 10 kΩ Lines 0 dBu (0.775 V)+20 dBu (7.75 V)Phone Jack *2CH INSERT OUT 1-6 600 Ω 10 kΩ Lines 0 dBu (0.775 V)+20 dBu (7.75 V)Phone Jack *2
REC OUT [L, R]600 Ω 10 kΩ Lines -10 dBV (316 mV) +10 dBV (3.16 V)RCA pin JackREC OUT [L, R]600 Ω 10 kΩ Lines -10 dBV (316 mV) +10 dBV (3.16 V)RCA pin Jack
PHONES [L, R]100 Ω 40 Ω Lines 3mW75mWPhone Jack (TRS) PHONES [L, R]100 Ω 8 Ω/40 Ω Lines 1mW/3mW20mW/75mW Phone Jack (TRS)
SPEAKERS 0.1 Ω 4 Ω Speakers 125W 500W speakON
Phone Jack *2 SPEAKER OUT 0.1 Ω 4 Ω Speakers 125W 500W speakON Phone Jack *2
*1 0 dBu is referenced to 0.775 Vrms. 0 dBV is referenced to 1 Vrms. *2 Phone Jacks are unbalanced.
]S
)3
XLR
Plug Types (not included in the EMX)
PhoneRCA pin Stereo mini speakON

11
CBR10
CBR12 48Hz-20kHz
50Hz-20kHz
125dB SPL
123dB SPL
CBR15 46Hz-20kHz
126dB SPL
1.4"
1.4"
Custom Designed Transducers
and Wide-Dispersion Constant
Directivity Horn for Powerful
High-Definition Sound
CBR Series speakers come equipped with
customized transducers that feature a
highly responsive woofer and a precise 2.5"
compression driver (CBR15) or 2"
compression driver (CBR10 and CBR12),
ensuring consistent high-denition sound
even at high output levels. Additionally, a
newly designed wide-dispersion constant
directivity horn minimizes the radiation
pattern deterioration that more conventional
horns are prone to, allowing sound to
expand in a more evenly dispersed
rectangular pattern reaching the outer-most
edges of the coverage area.
Simple Connectivity
CBR Series speakers are equipped with one
speakON jack and one
1/4" Phone jack that
allow for fast and easy
connectivity in both
personal and professional
environments.
Rugged, Highly Portable
Enclosure Design
CBR Series speakers feature a very compact,
durable, and lightweight plastic cabinet
equipped with newly designed, ergonomic
handles that greatly minimize system transport
and setup. In addition, all CBR models feature
a sleek, steel front grille that seamlessly
blends in with installation aesthetics while
protecting the vital inner speaker components
from environmental hazards.
HF Protection and Highly
Responsive LF Unit for Reliable
Performance at Any Output Level
Have you ever blown your speakers by
cranking up the output levels beyond your
speakers capabilities? CBR Series speakers
employ a protection function that limits
excessive input to the HF unit. This valuable
protection circuit affords you worry-free
operation of your speakers when you need
them most. Combined with a highly responsive
LF unit, CBR Series speakers reliably deliver
clear, precise sound at any output level.
Versatility for a Wide Range
of Applications
■
Smart Enclosure Design for Floor Monitoring
The CBR Series speakers feature an
optimized 50° wedge angle for oor
monitoring. In addition, the CBR12 and
CBR15’s symmetrical shape allows for
effortless con guration of a mirror-mode
oor monitoring system for a larger and
more dened sweet spot.
■
Rigging Points for Installation Applications
CBR loudspeakers come equipped with
M8 rigging points, allowing for rigged
applications with optional speaker
brackets or standardized eye-bolts.
POWER TO PLAY
CBR Series passive loudspeakers were developed by adopting the
extensive knowledge of speaker design and acoustic technologies
that Yamaha has accrued over a storied history of making
speakers of every kind. The primary focus was to deliver
high-power, high-definition sound in a durable, portable design
that is equally at home in front-of-house, floor monitoring, or
rigged configurations. CBR speakers are ideally suited for use with
EMX powered mixers to complete a high-performance, yet easily
configured sound solution.
Dimensions
CBR10 CBR12 CBR15
289 (11 3/8)
493 (19 7/16)
601 (23 11/16)
700 (27 9/16)464 (18 1/4)
408 (16 1/16)
336 (13 1/4)
308 (12 1/8)
376 (14 13/16) 348 (13 11/16)
378 (14 7/8)
455 (17 15/16)
Unit: mm (inch)
Optional Speaker Brackets (Sold Separately)
Baton Bracket
BBS251
Ceiling Bracket
BCS251
Wall Bracket
BWS251-300/400

Versatility for a Wide Range
of Applications
■
Smart Enclosure Design for Floor Monitoring
The CBR Series speakers feature an
optimized 50° wedge angle for oor
monitoring. In addition, the CBR12 and
CBR15’s symmetrical shape allows for
effortless con guration of a mirror-mode
oor monitoring system for a larger and
more dened sweet spot.
■
Rigging Points for Installation Applications
CBR loudspeakers come equipped with
M8 rigging points, allowing for rigged
applications with optional speaker
brackets or standardized eye-bolts.
MIC (XLR)
-60dBu (SW:MIC)– -30dBu (SW:LINE)
LINE (PHONE)
-50dBu (SW:MIC)– -20dBu (SW:LINE)
CH1–3
MIC (XLR)
-60dBu (SW:MIC)– -30dBu (SW:LINE)
LINE (PHONE)
-50dBu (SW:MIC)– -20dBu (SW:LINE)
CH4
CH INPUT CH INPUT
CH5/6, 7/8
MIC [-60dBu] LINE L/MONO [-20dBu] LINE R [-20dBu]
ST CH INPUT
CH9/10, 11/12
MIC [-60dBu] LINE L [-8dBu] LINE R [-8dBu]
Only CH11/12 (CH9/10:bypass)
ST CH INPUT
+48V
PHANTOM +48V
FOOT SWITCH
-10dB
Hi-Z Hi-Z
-10dB
HA
COMP
LOW
MID
HIGH
3-Stage EQ
COMP
COMP
LOW
MID
HIGH
3-Stage EQ
COMP
HPF
80Hz
MIC
LINE
HA
MIC
LINE
SUM
HA HA
SUM SUM SUM
HPF
3-Stage EQ
LOW
MID
HIGH
3-Stage EQ 3-Stage EQ
LOW
MID
HIGH
3-Stage EQ
Signal
indicator
LEVEL
Signal
indicator
Signal
indicator
Signal
indicator
Signal
indicator
FX ON
LEVEL LEVEL LEVEL
FX RTN
LEVEL
AUX2/FX
AUX1
AUX2/FX
AUX1
AUX2/FX
AUX1
AUX2/FX
AUX1 AUX1
STEREO L
STEREO R
AUX2/FX
AUX1
STEREO L (non MUTE)
STEREO R (non MUTE)
AUX1 (non MUTE)
Digital EFFECT
PARAMETER
DA
AD
PROGRAM
DA
DSP
L
R
IN
AD AD
STANDBY
DA BA
L
AUX1
R
AUX2
BA BA BA
DA DA DA DA DA
AD AD
Digital Audio Section
FEEDBACK
SUPPRESSOR
GRAPHIC
EQUALIZER
FEEDBACK
SUPPRESSOR
STEREO
LEVEL
AMPLIFIER
MODE
STEREO
LIMIT PROTECTION
CHA CHBCHA CHB
LIMITER
SPEAKER
PROCESSOR
L+R/AUX1
BASS
BOOST
MENU
CONTROL
GEQ ACCESS
STEREO AUX1 AUX2
LCD Display
AUX1
LEVEL
AUX2
LEVEL
FEEDBACK
SUPPRESSOR
GRAPHIC
EQUALIZER
GRAPHIC
EQUALIZER
FEEDBACK
SUPPRESSOR
POWER AMP POWER AMP
PEAK
+10
+6 +3
0
-3 -6
-10 -15 -20 -25 -30
REC OUT L
[-10dBV]
REC OUT R
[-10dBV]
SPEAKERS A
L/L+R
SPEAKERS B
R/AUX1
STEREO OUT L/MONO
[+4dBu]
STEREO OUT R
[+4dBu]
AUX1 SEND
[+4dBu]
AUX2 SEND
[+4dBu]
+30dBu +20dBu +10dBu
0dBu
-10dBu -20dBu -30dBu -40dBu -50dBu -60dBu
+40dBu
CH1–4
CH INPUT
CH5/6–11/12
ST CH INPUT (MIC)
CH5/6, 7/8
ST CH INPUT (LINE)
CH9/10, 11/12
ST CH INPUT (LINE)
+30dBu +20dBu +10dBu
0dBu
-10dBu -20dBu -30dBu -40dBu -50dBu -60dBu
+40dBu
Clipping Level: [+8dBu]
Clipping Level: [+20dBu]
SPEAKERS Maximum Level: [400W@8Ω (+37.3dBu)] [600W@4Ω (+36dBu)] SPEAKERS: [150W@4Ω (+30dBu)]
STEREO OUT: [+4dBu]
AUX1, AUX2 SEND: [+4dBu]
Maximum Input Level: [+25dBu] ST CH INPUT LINE: [-20dBu]
Maximum Input Level:
[+25dBu]
ST CH INPUT LINE: [-8dBu]
Clipping Level: [+20dBu]
Clipping Level: [+20dBu]
Clipping Level: [+3dBu]
Clipping Level: [+18dBV]
REC OUT: [-10dBV]
STEREO L/R
AUX2/FX (CH1–4)
AUX2/FX (CH5/6–11/12)
AUX1 (CH1–4)
AUX1 (CH5/6–11/12)
Maximum Input Level (PHONE): [+25dBu] Maximum Input Level (XLR): [+15dBu]
Maximum Input Level: [+15dBu]
CH INPUT LINE (PHONE): [-20dBu] @MIC/LINE=LINE CH INPUT MIC (XLR) [-30dBu] @MIC/LINE=LINE CH INPUT LINE (PHONE): [-50dBu] @MIC/LINE=MIC CH INPUT MIC (XLR): [-60dBu] @MIC/LINE=MIC
ST CH INPUT MIC: [-60dBu]
EMX7 Block and Level Diagrams
12

13
EMX5 Block and Level Diagrams
CH INPUT
MIC (XLR)
-60dBu (SW:MIC)–
-30dBu (SW:LINE)
CH1–3
LINE (PHONE)
-50dBu (SW:MIC)–
-20dBu (SW:LINE)
CH4
CH INPUT
MIC (XLR)
-60dBu (SW:MIC)–
-30dBu (SW:LINE)
LINE (PHONE)
-50dBu (SW:MIC)–
-20dBu (SW:LINE)
CH5/6, 7/8
ST CH INPUT
MIC [-60dBu]
LINE
L/MONO [-20dBu]
LINE
R [-20dBu]
ST CH INPUT
CH9/10, 11/12
MIC [-60dBu]
LINE
L [-8dBu]
Only CH11/12
(CH9/10:bypass)
LINE
R [-8dBu]
FOOT SWITCH
+48V
PHANTOM +48V
-10dB
MIC
LINE
HA
HPF
HPF
80Hz
COMP
COMP
LOW
MID
3-Stage EQ
HIGH
LEVEL
AUX2/FX
AUX1
STEREO L STEREO R AUX1 AUX2/FX STEREO L (non MUTE) STEREO R (non MUTE) AUX1 (non MUTE)
AUX2/FX
LEVEL
AUX1
LOW
MID
HIGH
AUX2/FX
AUX1
LOW
3-Stage EQ
3-Stage EQ
MID HIGH
COMP
3-Stage EQ
COMP
LEVEL
HA
SUM
SUM
SUM
SUM
HA
AUX2/FX
AUX1
LOW MID HIGH
3-Stage EQ
LEVEL
FX ON
DA
AD
DA
FX RTN
LEVEL
AUX1
3-Stage EQ
DSP
L
R
IN
Digital EFFECT
PARAMETER PROGRAM
MIC
LINE
HA-10dB
Hi-Z
Hi-Z
Digital Audio Section
MASTER
EQ
BASS
BOOST
STEREO
LEVEL
PEAK
+10
+6
0
-6
-10
-20
FEEDBACK
SUPPRESSOR
STEREO
L+R/AUX1
LIMIT
CHA CHB
AMPLIFIER
MODE
PROTECTION
CHA CHB
DA
DA
DA BA
BA
BA
BA
DA
POWER
AMP
POWER
AMP
LIMITER
STEREO OUT L/MONO
[+4dBu]
STEREO OUT R
[+4dBu]
AUX1 SEND
[+4dBu]
AUX2 SEND
[+4dBu]
SPEAKERS A
L/L+R
SPEAKERS B
R/AUX1
REC OUT L
[-10dBV]
REC OUT R
[-10dBV]
AD
AD
AD
FEEDBACK
SUPPRESSOR
MASTER EQ,
BASS BOOST
MONITOR EQ
MONITOR EQ
AUX2
LEVEL
AUX1
LEVEL
MONITOR EQ
MONITOR EQ
STANDBY
+30dBu
+20dBu
+10dBu
0dBu
-10dBu
-20dBu
-30dBu
-40dBu
-50dBu
-60dBu
+40dBu
Maximum Input Level (PHONE):
[+25dBu]
Maximum Input Level (XLR):
[+15dBu]
Maximum Input Level:
[+15dBu]
Maximum Input Level:
[+25dBu]
Maximum Input Level:
[+25dBu] Clipping Level:
[+20dBu]
Clipping Level:
[+20dBu]
Clipping Level:
[+3dBu]
Clipping Level:
[+18dBV]
Clipping Level:
[+20dBu]
Clipping Level:
[+8dBu]
Clipping Level:
[+20dBu]
SPEAKERS Maximum Level:
[370W@8Ω (+36.9dBu)]
[500W@4Ω (+35.2dBu)]
SPEAKERS:
[125W@4Ω (+29.2dBu)]
STEREO OUT: [+4dBu]
+30dBu
+20dBu
+10dBu
0dBu
-10dBu
-20dBu
-30dBu
-40dBu
-50dBu
-60dBu
+40dBu
REC OUT: [-10dBV]
AUX1, AUX2 SEND: [+4dBu]
AUX1 (CH1–4)
STEREO L/R
AUX2/FX (CH1–4)
AUX1 (CH5/6–11/12)
AUX2/FX (CH5/6–11/12)
ST CH INPUT LINE:
[-8dBu]
ST CH INPUT LINE:
[-20dBu]
CH INPUT LINE (PHONE):
[-20dBu] @MIC/LINE=LINE
CH INPUT MIC (XLR)
[-30dBu] @MIC/LINE=LINE
CH INPUT LINE (PHONE):
[-50dBu] @MIC/LINE=MIC
CH INPUT MIC (XLR):
[-60dBu] @MIC/LINE=MIC
CH1–4
CH INPUT
CH5/6–11/12
ST CH INPUT (MIC)
CH5/6, 7/8
ST CH INPUT (LINE)
CH9/10, 11/12
ST CH INPUT (LINE)
ST CH INPUT MIC:
[-60dBu]
-60dBu
-50dBu
-40dBu
-30dBu
-20dBu
-10dBu
0dBu
+10dBu
+20dBu
+30dBu
-40dBu
-30dBu
-20dBu
-10dBu
0dBu
+10dBu
+20dBu
+30dBu
+40dBu
[-26dBu]
MONITOR OUT [+4dBu]
SUBWOOFER OUT [-3dBu]
SPEAKERS Max. (110W @4Ω)
(+16.5dBu)
(+4dBu)
XLR IN (MIC) CH1-4 [-56dBu]
PHONE IN (MIC) CH3-4 [-50dBu]
XLR IN (LINE) CH1-4 [-30dBu]
PHONE IN (LINE) CH3-4
INPUT CH5-10 [-24dBu]
XLR IN (MIC) CH1-4 (-10dBu)
PHONE IN (MIC) CH3-4 (-4dBu)
XLR IN (LINE) CH1-4 (+16dBu)
PHONE IN (LINE) CH3-4
INPUT CH5-10 (+22dBu)
LEVEL
MIC/LINE
LOW
HIGH
INPUT
(CH1-2)
L R REVERB
INPUT
(CH3)
LOW
HIGH
INPUT
(CH7/8)
LEVEL
LEVEL
REVERB
LEVEL
SPEAKERS
R
STEREO/MONO
L
L
R
R
STEREO/MONO
MONITOR OUT
SUBWOOFER OUT
(MONO)
MONITOR OUT
L (MONO)
R
INPUT
(CH4)
LEVEL
MIC/LINE
MIC/LINE
Hi-Z
[-8dBu]
COMBO
COMBO
INPUT
(CH5/6)
LEVEL STEREO/MONO
R
MID
MID
SPEAKERS [50W @4Ω]
[+11dBu]
DSP
LOW
HIGH
MID
LOW
HIGH
MID
LOW
HIGH
MID
LOW
HIGH
MID
INPUT
(CH9/10)
L
REVERB
REVERB
[-24~+22dBu]
[-24~+22dBu]
[-24~+22dBu]
[-56~+16dBu]
XLR [-56~+16dBu]
PHONE [-50~+22dBu]
PHANTOM (+30V)
REVERB ON
REVERB FOOT SW
L
TYPE/TIME
FEEDBACK
SUPPRESSOR
IMPEDANCE
SELECT
MASTER
EQ MASTER
LEVEL
DSP
L
R
XLR [-56~+16dBu]
PHONE [-50~+22dBu]
L/R
[-9.0dBu]
(+20dBu)
AMP
AMP
DA
DA
MASTER EQ
MASTER LEVEL
LIMITER
FEEDBACK
SUPPRESSOR
SUM
SUM AD
AD
SUM AD
REVERB
SUM
DA
DA
BA
BA
BA
BA
BA
BA
BA
BA
BA
BA
BA
HA
+
-
3-Stage EQ
HA
+
-
3-Stage EQ
HA
+
-
3-Stage EQ
BA 3-Stage EQ
BA 3-Stage EQ
3-Stage EQ
BA
3-Stage EQ
BA
BA 3-Stage EQ
BA 3-Stage EQ
Hi-Z
EMX2 Block and Level Diagrams

PAD HA
HPF
LOW
MID
HIGH
3-Stage EQ
Mid f
BA
COMP
(TH)
COMP
HA
BA
HA
HA
LOW MID
HIGH
3-Stage EQ
3-Stage EQ
BA
BA
SUM
SUM
SUM
SUM
SUM
SUM
SUM
SUM
SUM
BA
BA
BA
BA
DR
DR
ABMUS
ABMUS
SUM
SUM
INV
INV
YSP ON
YSP ON
PA
L
AUX1
AUX1
PA
R
MONO
AUX2
LIMITER
CH INPUT
CH1-8
INSERT
ST CH LINE
26dB GAIN
[-60dBu~ -16dBu]
[-34dBu~ +10dBu]
+48V
PHANTOM
PEAK
SIGNAL
80
INPUT A
GAIN
[-34dBu~
+10dBu]
PEAK
SIGNAL
ON
ON
EFF 1 ON
(CH Fader)
(ST CH Fader)
PAN
EFF 1
AUX1
AUX2
PRE
PFL
EFF 1
PRE
PFL
AUX1
AUX2
AUX1
AUX2
PFL
PAN/BAL
EFF1 RTN
PROGRAM
PARAMETER
EFF1 ON/OFF
ST L (MUTE) ST R (MUTE) EFFECT2 (MUTE) AUX 1(MUTE) AUX 2 (MUTE)
ST L (NON-MUTE)
ST R (NON-MUTE)
EFFECT2 (NON-MUTE)
AUX 1 (NON-MUTE) AUX 2 (NON-MUTE) PFL L/AFL L PFL R/AFL R
PFL
AFL
AFL
STAND-BY
ST SUB OUT
[+4dBu]
L/MONO
R
ST OUT
[+4dBu]
L
R
AUX 2
[+4dBu]
EFF 1
[+4dBu]
PHONES
[3mW 40ohms]
L
R
AUX1
AUX2
AUX1
MONO
POWER AMP
500W
500W
200W
200W
75W
75W
LIMITER
LIMITER
SPEAKERS
[500WMAX @ 4ohms]
[0dBu]
[-10dBu] [0dBu]
[0dBu]
[-6dBu]
[-6dBu]
[-6dBu]
[-6dBu]
[-6dBu]
[-6dBu]
[-10dBu]
[-6dBu]
[-6dBu]
[0dBu]
[0dBu]
[0dBu]
[0dBu]
[0dBu]
[0dBu]
[0dBu]
[0dBu]
[-6dBu]
[-10dBu]
[-10dBu]
[-16dBu]
PHONES
PHASE
[0dBu]
[0dBu]
[0dBu]
[0dBu]
[0dBu]
[0dBu]
YS PROCESSING
(AMP SIGNAL SELECT)
ST SUB OUT
ST
AUX1
[0dBu]
[0dBu] [0dBu]
[-10dBu]
[0dBu]
BA
BA
SUM INV
[-30dBu~ +14dBu]
SUM
HPF
80
(METER SELECT)
0dBu
+10dBu
+20dBu
+30dBu
+40dBu
-10dBu
-20dBu
-30dBu
-40dBu
-50dBu
-60dBu
-70dBu
0dB
+10dB
+20dB
+30dB
+40dB
-10dB
-20dB
-30dB
-40dB
-50dB
-60dB
-70dB
CH INPUT (PAD ON)
GAIN Min. [+10dBu]
CH INPUT (PAD OFF)
GAIN Min. [-16dBu]
CH INPUT (PAD ON)
GAIN Max. [-34dBu]
CH INPUT (PAD OFF)
GAIN Max. [-60dBu]
INSERT I/O [0dBu]
CH fader [-10dBu]
CH & ST CH to ST [0dBu] (PAN,BAL Max.)
CH & ST CH to AUX/EFFECT [-6dBu] REC OUT [-10dBV]
ST SUB level control [-6dBu]
ST, AUX fader [-10dBu]
ST OUT, ST SUB OUT [+4dBu]
AUX SEND, EFFECT SEND [+4dBu]
PHONES [-16dBu]
[PHONES 3mW@40ohms]
SPEAKER OUT
MAXIMUM OUTPUT POWER [500W/4ohms]
[125W/4ohms]
(+35.2dBu)
(+29.2dBu)
ST CH MIC
[-60dBu]
ST CH LINE
GAIN Max. [-34dBu]
ST CH MIC
[-16dBu]
ST CH LINE
GAIN Min. [+10dBu]
[-60dBu~ -16dBu]
[-60dBu~ -16dBu]
[-34dBu~ +10dBu]
[0dBu]
LIMITER
EFF IN 1
(LED METER)
RE
RE
YE
RE
YE
RE
GR
RE
GR
YE
YE
RE
Clip level
Clip level
ST CH IN
[-10dBu]
Clip level levelpilClevelpilC
0dBu=0.775V
0dBV=1V
EFF 2 [-6dBu]
EFFECT1 (MUTE) EFFECT1 (NON-MUTE)
MUSMUS BA
[+4dBu]
[0dBu]
[0dBu] [0dBu]
SUM
AUX1
AUX2
PFL
EFF RTN [-10dBu]
[-6dBu]
[-6dBu]
BA
BA
PROGRAM
PARAMETER
YE
EFF2 OUT L
EFF IN 2
EFF 2 [-6dBu]
PRE
PRE
A/D
FOOT1
D/A
D/A
D/A
D/A
A/D
ST
AFL/PFL
ST L
ST R
ST OUT L
ST OUT R
D/A
A/
DD/A
A/D
EFF2 OUT R
EFF1 OUT L
EFF1 OUT R
EFF1 LED
EFF2 LED
EFF1 ON
EFF2 ON
FOOT2
ENC1 [A-D]
ENC2 [A-D]
INSERT[2]
INSERT[1]
EFF2 ON/OFF EFFECT 1
EFFECT 2
EFF 2 ON
INPUT B
[-60dBu~ -16dBu]
ST CH INPUT
MIC
CH9/10,11/12,13/14,15/16
CH9L,11L,13L,15L
CH10R,12R,14R,16R
[-34dBu~ +10dBu]
SEND
EFF 2
ST
AFL/PFL
1
2
LAMP
[12V]
INV
REC OUT
[-10dBV]
L
R
SUM
ABMUSMUS
AFL
AUX 1
[+4dBu]
[0dBu] [-10dBu]
[0dBu]
[0dBu]
AUX1
DSP
INV
INV
L
R
A
B
1
2
Multi
Band
Comp.
FBS
GEQ
+
FRC
PAD HA
HPF
Lo Gain
Mid Gain
Hi Gain
3-Stage EQ
Mid f
BA
TH
COMP
HA
BA
HA
HA
Lo
Mid
Hi
3-Stage EQ
3-Stage EQ
BA
BA
DIGITAL
EFFECT
(DSP)
SUM
SUM
SUM
SUM
SUM
SUM
SUM
SUM
SUM
SUM
SUM
SUM
125Hz 250Hz
500Hz
1kHz 2kHz 4kHz 8kHz
9-Stage GEQ
9-Stage GEQ
63Hz
10kHz
BA
BA
BA
BA
DR
DR
SUM
BA
SUM
BA
SUM
BA
SUMINV
INV
INV
INV
YSPON
EREY
YSPON
PA
PA
A: L/AUX1/AUX1
B: R/MONO/AUX2
LIMITER
LIMITER
CH INPUT
CH1-6
INSERT I/O
[0dBu]
ST CH LINE IN
[-34dBu ~ +10dBu]
ST CH MIC
CH7/8, 9/10
[-60dBu ~ -16dBu]
26dB
RE
GAIN
[-60dBu~ -16dBu]
[-34dBu~ +10dBu]
+48V
PHANTOM
PEAK
SIGNAL
80
80
A
B
L (MONO)
CH7L, 9L
R
CH8R, 10R
GAIN
[-34dBu~
+10dBu]
PEAK
SIGNAL
ON
ON
ON
IN
CH Fader
ST CHFader
PAN
EFFECT
AUX1(PRE)
AUX2
PRE
PFL
EFFECT
PRE
PFL
AUX1(PRE)
AUX2
AUX1
AUX2
PFL
PAN/BAL
EFFECT RTN
PROGRAM (1-16)
PARAMETER
FOOT SW
EFFECT ON/OFF
ST L(MUTE) ST R(MUTE)
EFFECT (MUTE)
AUX 1(MUTE) AUX 2(MUTE)
ST L(NON-MUTE) ST R(NON-MUTE)
EFFECT (NON-MUTE)
AUX 1(NON-MUTE)
AUX 2(NON-MUTE)
PFL L/AFL L PFL R/AFL R
PFL
AFL
AFL
AFL
STANDBY
RE REC OUT
[-10dBV]
ST SUB OUT
L/MONO
R
ST OUT
[+4dBu]
L
R
ST/AFL PFL
LED METER
AUX SEND1
[+4dBu]
AUX SEND2
[+4dBu]
EFFECT SEND
[+4dBu]
PHONES
[3mW 40ohms]
ST L
ST R
AUX1
AUX2
AUX1
MONO
500W
500W
200W
200W
75W
75W
LIMITER
RE
LIMITER
SPEAKERS
[0dBu]
[-10dBu] [0dBu]
[0dBu]
[-6dBu]
[-6dBu]
[-6dBu]
[-6dBu]
[-6dBu]
[-6dBu]
[-10dBu]
[-6dBu]
[-6dBu]
[0dBu]
[0dBu]
[0dBu]
SUM[0dBu]
SUM[0dBu]
[0dBu]
[0dBu]
[-6dBu]
[-10dBu]
[-10dBu]
[-10dBu]
PHONES
[-16dBu]
[0dBu]
[0dBu]
[0dBu]
[0dBu]
[0dBu]
[0dBu]
[0dBu]
[0dBu]
[0dBu]
[0dBu]
SIGNAL SELECTPOWERAMPYS Processing
ST SUB OUT
ST
AUX1
AUX2
[0dBu]
[0dBu] [0dBu]
[-10dBu]
[0dBu]
LO
RO
BA
BA
[-30dBu ~ +14dBu]
HPF
Lo
Mid
Hi
3-Stage EQ
3-Stage EQ
BA
BA
L
CH11L, 13L
R
CH12R,14R
PEAK
SIGNALON ST CHFader
[-10dBu]
]uBd0[]uBd0[
HA
HA
EFFECT
PRE
PFL
AUX1(PRE)
AUX2
BAL
ST CH LINE
[-34dBu ~ +10dBu]
[0dBu][0dBu]
[-6dBu]
[-6dBu]
[-6dBu]
FCL
FCL
0dB
+10dB
+20dB
+30dB
+40dB
0dBu=0.775V
0dBV=1V
-10dB
-20dB
-30dB
-40dB
-50dB
-60dB
-70dB
0dB
+10dB
+20dB
+30dB
+40dB
-10dB
-20dB
-30dB
-40dB
-50dB
-60dB
-70dB
CH INPUT (PAD OFF)
GAIN Min. [-16dBu]
CH INPUT (PAD ON)
GAIN Max. [-34dBu]
CH INPUT (PAD OFF)
GAIN Max. [-60dBu]
INSERT I/O [0dBu]
CH fader [-10dBu]
CH & ST CH to ST [0dBu](PAN,BAL Max.)
CH & ST CH to AUX/EFFECT [-6dBu] REC OUT [-10dBV]
ST SUB level control [-6dBu]
ST, AUX fader [-10dBu]
ST OUT, ST SUB OUT [+4dBu]
AUX SEND, EFFECT SEND [+4dBu]
PHONES [-16dBu]
[PHONES 3mW@40ohms]
SPEAKER OUT
MAXIMUM OUTPUT POWER [500W/4ohms]
[125W/4ohms]
(+35.2dBu)
(+29.2dBu)
ST CH MIC
[-60dBu]
ST CH LINE
GAIN Max. [-34dBu]
ST CH MIC
[-16dBu]
ST CH LINE
GAIN Min. [+10dBu]
GEQ ON
[-60dBu ~ -16dBu]
[-34dBu ~ +10dBu]
GAIN
[-34dBu~ +10dBu]
GAIN:10dB
[+4dBu]
CH INPUT (PAD ON)
GAIN Min. [+10dBu]
YE
YE
YE
YE
YE
YE
levelpilClevelpilC
Clip level
RE
RE
GR
GR
RE
GR
levelpilClevelpilC
2
1
2
1
EMX5016CF Block and Level Diagrams
EMX5014C Block and Level Diagrams
14

*All specifications are subject to change without notice.
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