Yamaha Clavinova CVP-20 User manual
Cla
YAMAHA
Clavinova
CVP-20
Owner's
Guide
Bedienungsanleitung
Manuel
d'instructions
Manual
del
Propietario
777777711
IMPORTANT
Check
your
power
supply
Aake
sare
that
your
local
AC
mains
voltage
matches
the
voltage
specified
on
the
name
plate
on
the
botiom
and.
[n
some
areas
a
voltage
seke
tor
may
be
provided
on
the
rear
panel
of
the
main
keyboard
unit
Make
sure
that
the
voltage
selector
is
set
for
the
vollage
in
your
area
WICHTIG
Überprüfung
der
Stromversorgung
Sicherstetion,
dal
die
Griliche
Netz
spamnung
den
Betriebsspannungs
werten
entspricht,
die
ів
die
Plakette
aul
der
Unterseite
des
Keyboards
cingetragen
sind,
Für
manche
Be
stimmungsslinder
ist
des
Keyboard
mit
einem
Spannungswáhler
auf
der
Rückseite
ausgerüstet.
Darauf
achten,
дай
der
Spannungswhhle
auf
die
Oriliche
Netzspannung
ein
pestellt
ist.
IMPORTANT
Contróler
la
source
d'alimentation
S'assurer
que
la
tensión.
secteur
locale
correspond
à
la
tension
indi-
quée
sur
la
plaque
d'identification
située
sur
le
panneau
inférieur.
Les
modéles
destinés
&
certaines
régions
peuvent
être
équipés
d'un
sélecteur
de
tension
situé
sur
la
plaque
d'iden
tification,
sur
le
panneau
arrière
du
clavier
Verifier
que
le
sélecteur
est
bien
réglé
pour
la
tension
secteur
utilisée
IMPORTANTE
Verifique
la
alimentación
de
corriente
Asegürese
de
que
el
voltaje
local
de
CA
concuerde
con
el
especificado
en
la
placa
de
identificación
del
panel
trasero.
En
algunas
áreas,
la
unidad
vene
provista
de
un
selector
de
voltaje
en
el
panel
inferior
de
la
unidad
de
teclado
principal.
Asegü
rese
de
que
este
selector
esté
en
la
posición
correspondiente
al
voltaje
de
su
área
o
——
——
Ó—
CAUTION
RISK
OF
ELECTRIC
SHOCK
DO
NOT
OPEN
CAUTION:
TO
REDUCE
THE
RISK
OF
ELECTRIC
SHOCK.
DO
NOT
REMOVE
COVER
(OR
BACK).
NO
USER-SERVICEABLE
PARTS
INSIDE.
REFER
SERVICING
TO
QUALIFIED
SERVICE
PERSONNEL.
See
bottom
of
keyboard
enclosure
for
graphic
symbol
markings
Explanation
of
Graphical
Symbols
The
lightning
flash
with
arrowhead
symbol,
within
an
equilateral
triangle,
is
intended
to
alert
the
user
to
the
presence
of
uninsulated
‘‘danger-
ous
voltage"
within
the
product's
enclosure
that
may
be of
sufficient
magnitude
to
constitute
a
risk
of
electric
shock
to
persons.
The
exclamation
point
within
an
equilateral
tri-
angle
is
intended
to
alert
the
user
to
the
presence
of
important
operating
and
maintenance
(servic-
ing)
instructions
in
the
literature
accompanying
the
product.
IMPORTANT
SAFETY
AND
INSTALLATION
INSTRUCTIONS
INFORMATION
RELATING
TO
POSSIBLE
PERSONAL
INJURY,
ELECTRIC
SHOCK,
AND
FIRE
HAZARD
POSSIBILITIES
HAS
BEEN
INCLUDED
IN
THIS
LIST.
WARNING
-
When
using
electronic
products,
basic
precautions
should
always
be
followed,
including
the
following:
Read
all
Safety
and
Installation
Instructions,
Explanation
of
1.
Graphical
Symbols,
and
assembly
instructions
(where
applica-
ble)
BEFORE
using
your
Yamaha
electronic
product.
Check
unit
weight
specifications
before
you
attempt
to
move
this
instrument!
Main
Power
Supply
Verification:
Your
Yamaha
electronic
2.
product
has
been
manufactured
specifically
for
the
main
supply
voltage
used
in
your
area.
If
you
should
move,
or
if
any
doubt
exists,
please
contact
your
dealer
for
instructions.
The
main
supply
voltage
required
by
your
electronic
product
is
printed
on
the
name
plate.
For
name
plate
location,
see
Before
Playing
item.
This
product
may
be
equipped
with
a
polarized
line
plug
(one
3.
blade
wider
than
the
other).
If
you
are
unable
to
insert
the
plug
into
the
outlet,
contact
an
electrician
to
have
your
obsolete
outlet
replaced.
Do
NOT
defeat
the
safety
purpose
of
the
plug.
Yamaha
products
not
having
polarized
plugs
incorporate
construction
methods
and
designs
that
do
not
require
line
plug
polarization.
WARNING
—
Do
NOT
place
objects
on
your
electronic
4.
product's
power
cord
or
place
the
unit
in
a
position
where
anyone
could
trip
over,
walk
over,
or
roll
anything
over
cords
of
any
kind.
Do
NOT
allow
your
electronic
product
or
its
bench
to
rest
on
or
be
in-
stalled
over
cords
of
any
type.
Improper
installations
of
this
type
cre-
ate
the
possibility
of
a
fire
hazard
and/or
personal
injury.
Environment:
Your
electronic
product
should
be
installed
away
5.
from
heat
sources
such
as
a
radiator,
heat
registers
and/or
other
products
that
produce
heat.
Additionally,
the
unit
should
not
be
locat-
ed
in
a
position
that
exposes
the
cabinet
to
direct
sunlight,
or
air
cur-
rents
having
high
humidity
or
heat
levels.
Your
Yamaha
electronic
product
should
be
placed
so
that
its
loca-
6.
tion
or
position
does
not
interfere
with
its
proper
ventilation.
Some
Yamaha
electronic
products
may
have
benches
that
are
7.
either
a
part
of
the
product
or
supplied
as
an
optional
accessory.
Some
of
these
benches
are
designed
to
be
dealer
assembled.
Please
make
sure
that
the
bench
is
stable
before
using
it.
The
bench
supplied
by
Yamaha
was
designed
for
seating
only.
No
other
uses
are
recom-
mended.
Some
Yamaha
electronic
products
can
be
made
to
operate
with
or
8.
without
the
side
panels
or
other
components
that
constitute
a
stand.
These
products
should
be
used
only
with
the
components
sup-
plied
or
a
cart
or
stand
that
is
recommended
by
the
manufacturer.
Do
not
operate
for
a
long
period
of
time
at
a
high
volume
level
or
9.
ata
level
that
is
uncomfortable.
If
you
experience
any
hearing
loss
or
ringing
in
the
ears,
you
should
consult
an
audiologist.
Do
not
use
your
Yamaha
electronic
product
near
water
or
in
10.
wet
environments.
For
example,
near
a
swimming
pool,
spa,
or
in
a
wet
basement.
Care
should
be
taken
so
that
objects
do
not
fall,
and
liquids
are
11.
not
spilled,
into
the
enclosure
through
openings.
Your
Yamaha
electronic
product
should
be
serviced
by
a
quali-
12.
fied
service
person
when:
a.
The
power-supply
cord
or
plug
has
been
damaged:
or
b.
Objects
have
fallen,
or
liquid
has
been
spilled
into
the
product:
or
с.
The
product
has
been
exposed
to
rain:
or
d.
The
product
does
not
operate,
exhibits
a
marked
change
in
perfor-
mance:
or
е.
The
product
has
been
dropped,
or
the
enclosure
of
the
product
has
been
damaged.
When
not
in
use,
always
turn
your
Yamaha
electronic
product
13.
“ОЕР”,
The
power-supply
cord
of
the
product
should
be
un-
plugged
from
the
outlet
when
it
is
to
be
left
unused
for
a
long
period
of
time.
Notes:
In
this
case,
some
units
may
lose
some
user
programmed
data.
Factory
programmed
memories
will
not
be
af-
fected.
Do
not
attempt
to
service
the
product
beyond
that
described
in
14.
the
user-maintenance
instructions.
АП
other
servicing
should
be
referred
to
qualified
service
personnel.
Electromagnetic
Interference
(RFI).
This
series
of
Yamaha
15.
electronic
products
utilizes
digital
(high
frequency
pulse)
tech-
nology
that
may
adversely
affect
Radio/TV
reception
or
the
operation
of
other
devices
that
utilize
digital
technology.
Please
read
FCC
Infor-
mation
(
page
67)
for
additional
information.
PLEASE
KEEP
THIS
MANUAL
FOR
FUTURE
REFERENCE!
Introduction
=
Please
accept
our
thanks
for
purchasing
a
Yamaha
Clavinova
CVP-20.
The
Clavinova
is
a
completely
new
type
of
keyboard
made
possible
by
Yamaha’s
advanced
technology
and
over
a
century
of
experience
in
manufacturing
musical
instruments.
Из
main
features
are
as
follows:
e
76
standard
size
keys
e
An
AE
(Action
Effect)
keyboard
with
weighted
touch
and
dynamic
con-
trol
virtually
identical
to
those
of
an
acoustic
piano.
e
22
realistic
AWM
orchestra
voices
and
32
dynamic
rhythms.
e
A
variety
of
functions
that
enable
a
wide
range
of
performances,
includ-
ing
Solo
Styleplay,
Piano
ABC,
Keyboard
Percussion,
Performance
and
Registration
Memories,
MIDI
compatibility
and
more.
Einleitung
INN
Vielen
Dank
fúr
den
Kauf
eines
Yamaha
Clavinova
CVP-20.
Das
Claviona
ist
eine
völlig
neue
Art
Tasteninstrument,
ermöglicht
durch
die
fortschritt-
liche
Technologie
von
Yamaha
und
úber
einem
Jahrhundert
Erfahrung
in
der
Herstellung
von
Musikinstrumenten.
Es
zeichnet
sich
durch
die
folgen-
den
Merkmale
aus:
e
76
Manualtasten
in
Standardgrófe
e
Ein
AE-(Action
Effect)-Manual
mit
Anschlagdynamik,
praktisch
iden-
tisch
zu
dem
eines
akustischen
Pianos.
e
22
realistische
AWM-Orchesterstimmen
und
32
dynamische
Rhythmen.
e
Eine
Vielzahl
von
Funktionen,
die
einen
grofen
Bereich
an
Darbietun-
gen
gestatten,
darunter
Solo
Styleplay,
Piano
ABC,
Keyboard
Percus-
sion,
Performance-
und
Registrierungs-Speicher,
MIDI-Kompatibilitát
und
mehr.
Introduction
=
Nous
tenons
й
vous
remercier
d'avoir
porté
votre
choix
sur
un
Clavinova
CVP20.
C'est
un
tout
nouveau
type
d'instrument
que
seules
les
techniques
de
pointe
et
l'expérience
centenaire
de
Yamaha
en
matière
d'instruments
de
musique,
ont
rendu
possible.
Voici
ses
principales
caractéristiques.
e
Soixante-seize
touches
de
dimension
standard.
e
Un
clavier
“Action
Effect”
dont
le
toucher
est
pondéré
et
le
contrôle
dynamique,
reproduisant
parfaitement
les
sensations
d'un
piano
acoustique.
e
Vingt-deux
voix
d'orchestre
et
32
rythmes
dynamiques.
e
Un
grand
éventail
de
particularités
telles
que
Solo
Styleplay,
Piano
ABC,
les
percussions
au
clavier,
les
mémoires
d'exécution
et
de
registra-
tion
et
la
compatibilité
MIDI.
Introducción
MI
Permitanos
agradecerle
sinceramente
la
compra
de
este
Clavinova
Yamaha
CVP-20.
El
Clavinova
es
un
tipo
de
teclado
completamente
nuevo,
hecho
realidad
gracias
a
la
avanzada
tecnología
de
Yamaha
y
a
su
larga
experien-
cia
en
la
fabricación
de
instrumentos
musicales,
que
abarca
más
de
un
siglo.
Sus
características
principales
son
las
siguientes:
e
76
teclas
de
tamaño
estándar.
e
Un
teclado
AE
(Efecto
de
acción)
con
toque
ponderado
y
control
diná-
mico,
virtualmente
idénticos
a
los
de
un
piano
tradicional.
e
32
ritmos
dinámicos
y
22
voces
de
orquesta
AWM,
de
gran
realismo.
e
Amplia
variedad
de
funciones
que
le
permite
una
gran
diversidad
de
ejecuciones,
incluyendo
el
estilo
de
ejecución
solista,
el
piano
ABC,
el
teclado
de
percusión,
las
memorias
de
ejecuciones
y
registro,
la
compa-
tibilidad
MIDI
y
mucho
más.
Contents
IM
e
Assembly
Instructions
...
e
Before
Playing
e
Voice
Section...
e
Rhythm
Section
.
e
Keyboard
Percussion
.
e
Piano
ABC....
e
Solo
Styleplay
..
e
Performance
Memory
e
Registration
Memory
....
e
Useful
Information
..
e
How
to
Use
MIDI
e
Specifications
-—
e
MIDI
Implementation
Chart
...........
isses
eene
68
Inhalt
mmm
O
Zusammenbav-Anleitung
...............
esse
e
Vor
dem
Spielen
e
Stimmen-Sektion
e
Rhythmus-Sektion
.
e
Keyboard
Percussion
..
e
Piano
ABC.......
e
Solo
Styleplay
..
e
Performance-Speicher
..
e
Registrierungs-Speicher
...
e
Nútzliche
Information.
e
Verwendung
von
MIDI..
e
Technische
Daten....................
e
MIDI-Implementationstabelle
....
Table
des
matières
amm
Page
e
Instructions
de
montage
.
e
Avant
de
jouer
.....
e
les
voix
......
*
le
rythme
...
e
les
percussions
au
clavier
.
e
Piano
ABC.......
.
42
e
Solo
Styleplay
..
.
43
e
La
mémoire
d'exécution..
.
43
©
La
mémoire
de
registration...
‚45
e
Quelques
renseignements
utiles..
e
l'interface
MIDI
...
e
Caractéristiques
...
e
Tableau
des
fonctions
MIDI..
Indice
MI
PAGINA
e
Instrucciones
de
montaje
...
e
Antes
de
tocar
..........
e
Sección
de
las
voces.
e
Sección
del
ritmo.....
e
Percusión
del
teclado
e
Piano
ABC...
e
Estilo
de
ejecución
solista
e
Memoria
de
ejecuciones.
e
Memoria
de
registro
e
Información
útil
e
Cómo
utilizar
MIDI
..
e
Especificaciones
......
ө
Tabla
de
implementación
de
MIDI...
S'IONLNOO
WHLAHU
3
SOdSNVLL/IGIIN
AV'IdATAIS
OTOS
LYFTAS
ADIOA
NI
ЅТОЧІМОО
OdWAL
NOILV3LSIO2H
9IDIOA
AAMOT
AYOWAW
JONVWAOTAAd
ADIOA
SSV4
JDIOA
(ЧОНО
ОЯУ
ONVId
19017135
луая4
LAJT
LOaTAS
AHLAHA
Keyboard
Keyboard
Clavier
Teclado
А)
®
—
Gold
screws
(4)
Goldfarbene
Schrauben
(4)
Vis
dorées
(4)
Tornillos
dorados
(4)
Black
screws
(4)
Schwarze
Schrauben
(4)
Vis
noires
(4)
Tornillos
negros
(4)
Screws
(2)
Schrauben
(2)
Vis
(2)
Tornillos
(2)
Screws
(6)
Schrauben
(6)
Vis
(6)
Tornillos
(6)
Screws
(4)
Schrauben
(4)
Vis
(4)
Tornillos
(4)
Screws
(2)
Schrauben
(2)
Vis
(2)
Tornillos
(2)
Assembly
Instructions
Zusammenbau-Anleitung
Instructions
de
montage
Instrucciones
de
montaje
Open
the
carton
and
remove
the
various
parts.
When
assembling
the
CVP-20,
be
sure
to
have
someone
help
you.
Remove
all
parts,
including
screws,
connectors
and
caps.
Offnen
Sie
den
Karton
und
entnehmen
Sie
die
verschiedenen
Teile.
Zum
Zusammenbau
des
CVP-20
benótigen
Sie
die
Hilfe
einer
weite-
ren
Person.
Entnehmen
Sie
alle
Teile,
einschlieBlich
Schrauben,
Ver-
bindungsstücke
und
Kappen.
Ouvrez
le
carton
d'emballage
et
retirez
tou-
tes
les
piéces
Assurez-vous
de
n'oublier
aucune
piéce
dans
l'emballage
(veillez
aux
vis,
connecteurs,
cache-vis).
Abra
la
caja
y
saque
todas
las
piezas.
Pida
ayuda
a
otra
persona
para
montar
el
CVP-20.
Quite
todas
las
piezas,
inclusive
los
tornillos,
conectores
y
tapas.
Joint
connectors
(8)
Verbindungsstücke
(8)
Ecrous
de
rappel
(8)
Conectores
de
unión
(8)
©
a
(бй)
(a)
(OD
(E
(б)
(on
Plastic
caps
(4)
Plastikkappen
(4)
Cache-vis
en
plastique
(4)
Tapas
de
plástico
(4)
@@
@@
Insert
the
joint
connectors
in
the
direction
shown
in
the
illustration.
Führen
Sie die
Verbindungsstücke
in
der
abgebildeten
Richtung
cin.
Introduire
les
écrous
de
rappel
dans
la
direction
illustrée
par
la
figure.
Inserte
los
conectores
de
union
en
el
sentido
que
se
muestra
en
la
figura.
Assemble
the
legs.
As
shown
in
fig.
2,
attach
each
part
(C)
to
one
part
(E).
Place
a
joint
connector
into
each
of
the
holes
at
the
lower
portion
of
parts
(E),
and
secure
parts
(С)
with
4
gold
screws
(1).
Cover
each
hole
with
a
plastic
cap.
Bauen
Sie
die
Beine
zusammen.
Wie
in
Abb.
2
gezeigt,
bringen
Sie
jedes
Teil
(C)
an
ein
Teil
(E)
an.
Stecken
Sie
ein
Verbindungsstück
in
jede
der
Locher
unten
an
den
Teilen
(E)
und
sichern
Sie die
Teile
(C)
mit
4
goldfarbenen
Schrau-
ben
(1).
Bedecken
Sie
jedes
Loch
mit
einer
Plastikkappe.
3
Connect
part
(A)
to
parts
(E).
Connect
part
(A)
to
parts
(E),
securing
part
(A)
firmly
with
4
joint
connectors
and
4
black
screws
(2)
as
shown
in
fig.
3.
Verbinden
Sie
Teil
(A)
mit
den
Teilen
(E).
Verbinden
Sie
Teil
(A)
mit
den
Teilen
(E),
sichern
Sie
Teil
(A)
mit
4
Verbindungsstücken
und
4
schwarzen
Schrauben
(2),
siehe
Abb.
3.
Montage
des
pieds
Fixez
une
pièce
(C)
à
une
pièce
(E),
comme
le
montre
la
figure
2.
Placez
un
écrou
de
rappel
dans
chaque
trou
pratiqué
à
la
partie
infé-
rieure
de
la
piéce
(E)
et
fixez
les
piéces
(C)
au
moyen
des
4
vis
dorées
.
Posez
ensuite
un
cache-vis.
Reliez
les
piéces
(A)
et
(E).
Reliez
les
piéces
(A)
et
(E)
à
l'aide
des
4
écrous
de
rappel
et
des
4
vis
noires
(2),
comme
le
montre
la
figure
3.
Arme
las
patas.
Como
se
indica
en
la
fig.
2,
junte
cada
una
de
las
piezas
(C)
con
cada
una
de
las
piezas
(E).
Coloque
un
conector
de
unión
en
cada
uno
de
los
orificios
de
la
parte
inferior
de
las
piezas
(E),
y
fije
las
piezas
(C)
con
4
tornillos
dorados
(1).
Cubra
cada
uno
de
los
orificios
con
una
tapa
de
plástico.
Conecte
la
pieza
(A)
a
las
piezas
(E).
Conecte
la
pieza
(A)
a
las
piezas
(E),
asegurando
firmemente
la
pieza
(A)
con
4
conectores
de
unión
y
4
tornillos
negros
(2)
como
se
muestra
en
la
figura
3.
Connect
part
(В)
to
parts
(E).
Connect
part
(B)
to
parts
(E),
securing
it
firmly
with
2
screws
©
as
shown
in
fig.
4.
Verbinden
Sie
Teil
(B)
mit
den
Teilen
(E).
Verbinden
Sie
Teil
(B)
mit
den
Teilen
(E)
und
sichern
es
mit
2
Schrau-
ben
©,
siehe
Abb.
4.
Do
not
carry
she
keyboard
by
holding
onto
the
area
marked
Danger
Zone
in
the
illustration.
Hold
the
keyboard
as
shown
in
fig.
5
to
avoid
trapping
your
hands
between
the
keyboard
and
parts
(E).
Das
Keyboard
nicht
an
dem
mit
Gefahrenzone
in
der
Abbildung
gekennzeichneten
Teil
tragen.
Das
Keyboard
wie
in
Abb,
5
halten,
um
nicht
die
Hande
zwischen
dem
Keyboard
und
den
Teilen
(E)
einzuklemmen.
Ne
déplacez
pas
le
Clavinova
еп
te
saisissant
à
l'emplacement
indiqué
sur
l'illustration
comme
présentant
un
danger.
Saisissez
le
clavier
comme
le
montre
la
figure
5
de
maniére
que
vos
doigts
ne
puissent
étre
coincés
entre
le
clavier
et
les
piéces
(E).
No
transporte
el
teclado
sosteniéndolo
dc!
área
marcada
Danger
Zone
(Zona
peligrosa)
en
la
ilustración.
Sostenga
el
teclado
como
se
muestra
en
la
fig.
5
para
cvitar
que
su
mano
quede
retenida
entre
el
teclado
y
las
piezas
(E).
Place
the
keyboard
on
parts
(E).
Asshownin
fig.
5,
gently
place
the
keyboard
on
parts
(E)
so
that
the
2
plastic
black
cones
on
the
bottom
of
the
keyboard
fit
into
the
big-
ger
holes
of
the
back
metal
fittings.
Secure
the
keyboard
by
screwing
2
screws
(4)
into
the
back
metal
fittings
and
2
screws
(3)
into
the
front
metal
fittings.
Notes:
1.
When
disassembling
the
Clavinova
unscrew
the
black
cones
with
a
Phillips
screwdriver.
2.
Be
careful
not
to
damage
parts
(E)
when
placing
the
keyboard
on
them.
Legen
Sie
das
Keyboard
auf
die
Teile
(E).
Wie
in
Abb.
5
gezeigt,
legen
Sie
das
Keyboard
vorsichtig
auf
die
Teile
(E),
so
daß
die
2
schwarzen
Plastikkegel
an
der
Unterseite
des
Key-
boards
in
die
größeren
Löcher
der
hinteren
Metallbeschláge
kom-
men.
Sichern
Sie
das
Keyboard,
indem
Sie
2
Schrauben
(4)
in
die
hinteren
Metallbeschláge
und
2
Schrauben
(3)
in
die
vorderen
Me-
tallbeschláge
schrauben.
Hinweise:
1.
Zum
Auseinanderbauen
des
Clavinova
die
schwarzen
Kegel
mit
ei-
nem
Kreuzschlitzschraubendreher
losschrauben.
2.
Sorgfáltig
darauf
achten,
die
Teile
(E)
nicht
zu
beschádigen,
wenn
das
Keyboard
darauf
gelegt
wird.
Reliez
les
piéces
(B)
et
(E)
Reliez
les
pièces
(B)
et
(E)
à
l'aide
des
2
vis
(6),
comme
le
montre
la
figure
4.
Posez
le
clavier
sur
les
piéces
(E).
Posez
le
clavier
sur
les
piéces
(E),
comme
le
montre
la
figure
5,
de
manière
que
les
deux
cônes
en
plastique
noir
situés
à
la
partie
infé-
rieure
du
clavier
entrent
dans
les
trous
pratiqués
dans
les
ferrures
métalliques
noires.
Fixez
le
clavier
à
l'aide
de
deux
vis
(4)
(ferrures
métalliques
noires)
et
des
deux
vis
(3)
(ferrures
métalliques
avant).
Remarques:
1.
Pour
démonter
le
Clavinova,
dévissez
les
cónes
noirs
à
l'aide
d'un
tournevis
cruciforme.
2.
Veillez
à
ne
pas
endommager
les
piéces
(E)
lorsque
vous
posez
le
clavier.
Conecte
la
pieza
(B)
a
las
piezas
(E).
Conecte
la
pieza
(B)
a
las
piezas
(E),
asegurándola
firmemente
con
dos
tornillos
(6)
como
se
muestra
en
la
figura
4.
Coloque
el
teclado
sobre
las
piezas
(E).
Como
se
muestra
en
la
fig.
5,
coloque
suavemente
el
teclado
sobre
las
piezas
(E)
de
forma
que
los
2
conos
de
plástico
negro
situados
en
la
parte
inferior
del
teclado
encajen
en
los
orificios
mayores
de
los
accesorios
de
conexión
metálicos
traseros.
Fije
el
teclado
a
los
acce-
sorios
de
conexión
metálicos
traseros
con
2
tornillos
(4)
y
a
los
acce-
sorios
de
conexión
metálicos
delanteros
con
2
tornillos
(3).
Notas:
1.
Cuando
desmonte
el
Clavinova,
destornille
los
conos
negros
con
un
destornillador
tipo
Phillips.
2.
Tenga
cuidado
para
no
dañar
las
piezas
(E)
al
colocar
sobre
ellas
el
teclado.
The
pedal
connector
сап
be
inserted
in
one
direction
only.
{Insert
in
the
direction
shown
in
the
illustration.)
Der
Pedalstecker
kann
nur
in
einer
Richtung
eingesteckt
werden,
In
die
abgebildete
Richtung
einstecken.
Connect
part
(D).
Connect
part
(D)
to
the
keyboard
as
shown
in
fig.
6.
Insert
the
pedal
connector
into
the
socket
at
the
bottom
of
the
keyboard.
Align
the
holes
in
the
metal
fittings
of
part
(D)
and
the
holes
in
the
middle
of
part
(A)
and
at
the
bottom
of
the
keyboard.
First
insert
and
screw
4
screws
(5)
into
part
(A),
then
insert
and
screw
4
screws
@into
the
keyboard.
It
may
be
necessary
to
lift
part
(D)
a
little
while
securing.
When
inserting,
make
sure
that
the
wire
does
not
get
caught
between
the
keyboard
and
the
pedal
connector.
Push
the
wire
all
the
way
into
part
(D).
Bringen
Sie
das
Teil
(D)
an.
Bringen
Sie
das
Teil
(D)
an
das
Keyboard
an,
siehe
Abb.
6.
Stecken
Sie
den
Pedalstecker
in
die
Buchse
an
der
Unterseite
des
Keyboards.
Richten
Sie die
Locher
in
den
Metallbeschlágen
von
Teil
(D)
und
die
Lócher
in
der
Mitte
von
Teil
(A)
und
an
der
Unterseite
des
Key-
boards
miteinander
aus.
Schrauben
Sie
zuerst
4
Schrauben
Sie
zuer-
st
4
Schrauben
©)
in
Teil
(A)
und
dann
4
Schrauben
@
in
das
Keyboard.
Zum
Sichern
kann
es
erforderlich
sein,
das
Teil
(D)
etwas
anzuheben.
Beim
Einstecken
des
Pedalsteckers
darauf
achten,
daf
der
Draht
nicht
zwischen
dem
Keyboard
und
dem
Pedalstecker
eingeklemmt
wird.
Den
Draht
vollstándig
in
Teil
(D)
einschieben.
le
connecteur
des
pédales
ne
peut
étre
introduit
que
dans
un
seul
sens,
celui
représenté
par
El
conector
de
los
pedales
puede
insertarse
en
un
sentido
solamente
Insertelo
en
el
sentido
que
se
indica
en
la
ilustración
7
Loosen
the
pedal
adjusters
Two
pedal
adjusters
are
provided
at
the
bottom
of
part
(D)
for
sta-
bility
and
pedal
length
adjustment.
Loosen
the
pedal
adjusters
so
that
they
touch
the
floor.
This
will
ensure
that
part
(D)
remains
sta-
ble
when
pushing
down
the
pedals
with
your
feet,
thus
enabling
more
precise
pedal
control.
*
To
make
sure
that
all
connections
have
been
properly
made,
check
each
screw
once
again
for
a
secure
fit.
Lósen
Sie
die
Pedaleinsteller.
An
der
Unterseite
von
Teil
(D)
befinden
sich
zwei
Pedaleinsteller
für
Stabilitáts-
und
Pedallángen-Einstellung.
Lósen
Sie
die
Pedalein-
steller,
so
daß
sie
den
Fußboden
berühren.
Dadurch
wird
gewahrlei-
stet,
daß
Teil
(D)
beim
Betätigen
der
Pedale
mit
dem
Fuß
stabil
bleibt,
so
Чай
eine
prázisere
Pedalbetátigung
móglich
ist.
*
Überprüfen
Sie
alle
Schrauben,
um
sicherzugehen,
daf)
alle
Be-
festigungen
einwandfrei
durchgeführt
wurden.
Fixez
la
piéce
(D).
Fixez
la
pièce
(D)
au
clavier,
comme
le
montre
la
figure
6.
Introdui-
sez
le
connecteur
de
la
pédale
dans
la
prise
située
à
la
partie
infé-
rieure
du
clavier.
Superposez
les
trous
des
ferrures
métalliques
de
la
piéce
(D)
et
les
trous
situés
au
milieu
de
la
piéce
(A),
à
la
partie
infé-
rieure
du
clavier.
Introduisez
et
serrez
tout
d'abord
les
quatre
vis
(5)
dans
la
partie
(A)
puis
les
quatre
vis
(4)
dans
le
clavier.
Le
cas
échéant,
soulevez
légérement
la
partie
(D).
Veillez
à
ce
que
le
cáble
ne
soit
pas
coincé
entre
le
clavier
et
le
connecteur.
Repousser
le
cáble
dans
la
partie
(D).
Dévissez
les
régleurs
des
pédales.
Deux
régleurs
sont
prévus
à
la
partie
inférieure
de
la
piéce
(D)
pour
assurer
sa
stabilité
et
positionner
les
pédales
en
hauteur.
Dévissez
ces
régleurs
afin
qu'ils
viennent
en.contact
avec
le
sol.
De
la
sorte,
la
piéce
(D)
demeure
stable,
méme
lorsque
vous
appuyez
sur
les
pédales.
*
Assurez-vous
une
fois
encore
que
vous
avez
soigneusement
serré
toutes
les
vis.
Conecte
la
pieza
(D).
Conecte
la
pieza
(D)
al
teclado
como
se
muestra
en
la
fig.
6.
Inserte
el
conector
de
los
pedales
en
el
zócalo
situado
en
la
parte
inferior
del
teclado.
Alinee
los
orificios
de
los
accesorios
de
conexión
metálicos
de
la
pieza
(D)
con
los
orificios
de
la
parte
media
de
la
pieza
(A)
y
los
de
la
parte
inferior
del
teclado.
Primero
inserte
y
atornille
4
tor-
nillos
(5)
en
la
pieza
(A),
y
luego
inserte
y
atornille
4
tornillos
(4)
en
el
teclado.
Mientras
se
fija
la
pieza
(D)
puede
ser
necesario
levan-
tarla
un:
poco.
A]
insertarlo,
asegürese
de
que
el
cable
no
quede
rentenido
entre
el
teclado
y
el
conector
de
los
pedales.
Empuje
el
cable
para
que
entre
completamente
en
la
pieza
(D).
Afloje
los
ajustadores
de
los
pedales.
Enla
parte
inferior
de
la
pieza
(D)
se
suministran
dos
ajustadores
de
los
pedales
que
brindan
estabilidad
y
permiten
regular
la
longitud
de
los
pedales.
Afloje
los
ajustadores
de
los
pedales
de
modo
que
to-
quen
el
piso.
De
esta
forma
se
asegurará
que
la
pieza
(D)
se
manten-
ga
estable
cuando
se
presionen
los
pedales
con
el
pie,
permitiendo
un
control
de
los
pedales
más
preciso.
*
Para
asegurarse
de
que
todas
las
conexiones
se
han
realizado
correctamente,
verifique
otra
vez
que
todos
los
tornillos
estén
bien
colocados.
Before
Playing
INSTALLATION
WN
=
.
Refer
to
your
“Assembly
Instructions”?
manual
to
ensure
correct
assembly.
The
Clavinova
leg
assemblies
were
not
designed
to
ac-
commodate
additional
weight.
WARNING:
Do
not
allow
your
Clavinova
or
its
bench
to
rest
on
or
be
installed
over
power
cords
of
any
type.
An
electrical
shock
and/or
fire
hazard
could
possibly
result
from
this
type
of
im-
proper
installation.
WARNING:
Do
not
place
objects
on
your
Clavinova
power
cord
or
place
it
in
a
position
where
anyone
could
trip
over,
walk
on
or
roll
anything
over
it.
An
improper
installation
of
this
type
creates
a
personal
injury/fire
hazard
possibility.
Main
Power
Supply
Verification:
Your
Clavinova
has
been
manufactured
specifically
for
the
main
power
supply
voltages
used
in
your
area.
If
you
should
move,
or
if
any
doubt
should
ex-
ist,
please
consult
your
Yamaha
Clavinova
dealer
for
in-
structions.
The
main
power
supply
voltage
is
printed
on
the
name
plate.
The
name
plate
of
the
CVP-20
is
on
the
bottom
of
the
main
body.
In
some
areas
a
voltage
selector
may
be
provided
on
the
rear
panel
of
the
main
body.
Make
sure
that
the
voltage
selector
is
set
for
the
voltage
in
your
area.
Environment:
Your
Clavinova
should
not
be
installed
in
a
posi-
tion
that
exposes
the
cabinet
to
direct
sunlight
or
air
currents
having
high
humidity
or
heat
levels.
This
type
of
installation
can
cause
contact
oxidation,
case
joint
separation,
and
cabinet
finish
problems.
Vinyl
Products:
Do
not
set
vinyl
items,
(i.e.,
headphones,
vinyl
doilies,
etc.)
on
the
finished
surfaces
of
your
Clavinova
or
use
a
polyvinyl
material
to
cover
the
unit
for
any
extended
period
of
time.
A
chemical
reaction
may
occur
between
the
finish
chemi-
cals
and
those
contained
in
the
polyvinyl
products
resulting
in
a
permanent
marring
of
the
finish.
Electromagnetic
interference
(RFI):
Your
Clavinova
has
been
type
tested
and
found
to
comply
with
all
applicable
regulations.
However,
if
it
is
installed
in
the
immediate
proximity
of
other
electronic
devices,
some
form
of
interference
may
occur.
Name
Plate
Location
The
nameplate
is
located
on
the
bottom
panel.
Your
Clavinova
does
not
require
professional
installation
or
routine
main-
tenance.
However,
it
is
IMPORTANT
to
be
aware
of
the
following.
MAINTENANCE
II
1.
2.
SERVICE:
Your
Clavinova
contains
no
user
serviceable
compo-
nents.
Refer
all
service
to
qualified
service
technicians
only.
BENCH
STRUCTURAL
INTEGRITY
(Bench
optional):
If
any
motion
or
an
““unsteady””
sensation
is
noted
in
the
bench,
please
check
its
structual
integrity
immediately.
Discontinue
use
until
any
and
all
discrepancies
are
resolved.
The
bench
was
designed
for
seating
only.
No
other
applications
are
recom-
mended.
POWER:
When
not
in
use,
always
turn
your
Clavinova
'*OFF",
CLEANING/CARE
A)
GENERAL:
DO
NOT
use
chemically
harsh
(i.e.
alcohol,
paint
thinner,
etc.)
or
abrasive
cleaners
on
any
portion
of
your
Clavinova.
B)
KEYS/CONTROL
PANEL:
When
cleaning
the
keys
and
control
panels
of
your
Clavinova,
please
use
a
soft
absorbent-
type
cloth
that
has
been
dampened
with
a
very
mild
solution
of
liquid
soap
and
lukewarm
water.
C)
CABINET:
Clean
the
cabinet
portions
of
your
Clavinova
with
a
slightly
dampened
cloth
containing
a
neutral
cleaning
agent.
The
cleaning
agent
selected
should
not
contain
a
high
wax
content
or
any
other
substance
that
would
have
a
tendency
to
form
a
'*build-up"
on
the
cabinet
finish.
Voice
Section
First,
firmly
insert
the
Clavinova’s
plug
into
a
wall
power
outlet.
Step
1.
Press
the
POWER
button
to
turn
the
CVP-20
on.
POWER
О
Step
2.
Adjust
the
MASTER
VOLUME
control.
MIN
TETTE
EO
DERG
MAX
MASTER
VOLUME
This
control
determines
the
overall
volume
level
of
your
Clavinova.
Step
3.
Select
any
desired
voice.
О
PIANO
|
PIANO
Э Е
PIANO
|
НАВР
і
VIBES
1
GUITAR
STRINGS
BRASS
WOOD
|
UPRIGHI
[
HICIRIC
!
ORUMS
o o o
o
o o o o o
o
o
o
О
PANO?
PIANO
4
1
PIANO
2
HARPSIp
VIBKS
2
J
GUITAR
S
STRINGS
MUTE
BR
WOOD
7
UPRIGHT
2
ELECTRIC
2
ve
С)
оооооооооо
CLAVINOVA
ТОМЕ
BASS
Each
voice
selector
is
used
to
select
2
different
voices.
When
a
voice
selector
is
repeatedly
pressed,
the
voice
selected
switches
between
the
voice
listed
above
the
voice
selector’s
LED
and
the
voice
listed
below
the
LED.
One
of
the
two
LEDs
at
the
very
left
of
the
voice
selector
section
also
lights
to
indicate
which
of
the
2
voices
has
been
selected.
Piano
1
is
automatically
selected
when
the
power
is
first
turned
on.
Step
4.
Start
playing.
Experiment
with
other
voices
to
discover
the
musical
potential
of
the
CVP-20.
(Lower
Voice
Selection]
The
CVP-20’s
keyboard
can
be
split
into
two
in
order
to
play
differ-
ent
voices
on
the
upper
and
lower
keyboards.
Step
1.
Press
the
LOWER
ON
button.
о
LOWER
ON
О
Step
2.
Adjust
the
CHORD
VOLUME
control.
MIN
fF
1
1
LI
1
MAX
CHORD
VOLUME
In
the
Piano
ABC
mode
(refer
to
“Piano
АВС”),
the
CHORD
VOLUME
control
is
used
to
adjust
the
chord
volume.
The
CVP-20
offers
22
amazingly
realistic
AWM
voices
for
enhanced
musi-
cal
variety
and
potential.
Step
3.
Select
a
voice
while
holding
down
the
LOWER
VOICE
but-
ton.
The
voice
selected
in
this
step
is
played
on
the
lower
keyboard.
uem
f
x
S
/
on
The
lower
keyboard
is
made
up
of
the
keys
to
the
left
of
the
assigned
split
position.
(Refer
to
the
SPLIT
POSITION
section
in
“Piano
АВС”)
!
iia
С
[тїсї
cu
a
Mmmm
lower
keyboard
[DAMPER
PEDAL]
The
DAMPER
PEDAL
allows
you
to
hold
the
sound
when
the
key
is
released,
a
feature
similar
to
the
damper
pedal
of
an
acoustic
piano.
Note:
The
DAMPER
PEDAL
can
also
be
used
to
activate
an
''extra
sustain"
mode
for
notes
played
without
the
DAMPER
PEDAL's
normal
sustain
effect.
Hold
down
the
MIDI/TRANSPOSE
button
and
press/release
the
DAMPER
PEDAL,
then
release
the
MIDI/
TRANSPOSE
button.
Notes
now
have
a
slightly
longer
sustain.
The
‘‘extra
sustain"
can
be
turned
off
by
holding
down
the
MIDI/TRANSPOSE
button
and
pressing/releasing
the
DAMPER
PEDAL
again.
[LEFT
PEDAL]
SOFT
O
SOSTENUTO
O
START/STOP
O
INTRO/ENDING
O
FILL
IN
О
S.STYLEPLAY
С)
LEFT
PEDAL
FUNCTION
The
LEFT
PEDAL
can
control
the
soft
and
sostenuto
effects,
Rhythm
start/stop,
Intro./Ending
and
Fill
In,
and
the
Solo
Styleplay
feature.
The
function
of
the
LEFT
PEDAL
is
chosen
with
the
LEFT
PE-
DAL
function
selector.
When
the
keyboard
is
turned
on,
SOFT
is
selected.
The
LED
next
to
the
selected
function
lights
(SOFT
has
no
|
LED).
e
SOFT
effect
The
sounds
played
from
the
keyboard
is
softened
when
the
LEFT
PEDAL
is
pressed.
e
SOSTENUTO
effect
In
the
Sostenuto
mode,
if
the
LEFT
PEDAL
is
pressed
while
notes
or
chords
are
played
on
the
keyboard,
the
notes
or
chords
played
at
this
time
are
held
as
long
as
the
LEFT
PEDAL
is
held
(as
if
the
DAMPER
PEDAL
had
been
pressed).
All
subsequent-
ly
played
notes
or
chords
are
not
sustained.
This
makes
it
possible
to
sustain
a
chord,
for
example,
while
other
notes
are
played
‘‘staccato’’.
@
Rhythm
START/STOP
functions
The
rhythm
is
started
when
the
LEFT
PEDAL
is
pressed
while
the
rhythm
is
in
the
stop
mode.
The
rhythm
is
stopped
when
the
LEFT
PEDAL
is
pressed
while
the
rhythm
is
being
sounded.
e
Rhythm
INTRO./ENDING
functions
The
rhythm
starts
after
a
2-bar
introduction
pattern
when
the
LEFT
PEDAL
is
pressed
while
the
rhythm
is
in
the
stop
mode.
The
rhythm
stops
after
a
2-bar
ending
pattern
when
the
LEFT
PEDAL
is
pressed
while
the
rhythm
is
being
sounded.
e
Rhythm
FILL
IN
function
A
Fill
In
pattern
accents
your
rhythm
for
one
measure
when
the
LEFT
PEDAL
is
pressed
while
the
rhythm
is
being
sounded.
e
SOLO
STYLEPLAY
function
The
LEFT
PEDAL’s
SOLO
STYLEPLAY
setting
can
not
be
selected
unless
the
Solo
Styleplay
feature
is
turned
on
using
the
SOLO
STYLEPLAY
ON/OFF
button.
If
the
Solo
Styleplay
feature
is
selected
using
the
SOLO
STYLEPLAY
ON/OFF
button
and
if
the
LEFT
PEDAL
func-
tion
selector
is
set
to
SOLO
STYLEPLAY,
the
Solo
Styleplay
feature
is
engaged
when
the
LEFT
PEDAL
is
held
down.
When
the
LEFT
PEDAL
is
released,
Solo
Styleplay
is
turned
off
(the
Piano
ABC
mode
remains
selected).
(Refer
to
“Solo
Styleplay”’
for
further
details.)
e
The
SOSTENUTO
setting
cannot
be
selected
when
Solo
Styleplay
is
selected
using
the
SOLO
STYLEPLAY
ON/OFF
button.
(However,
the
SOSTENUTO
setting’s
LED
will
light.)
[Initial
Touch
Control]
The
CVP-20’s
keyboard
responds
to
the
delicate
changes
of
the
touch
you
use
while
playing.
This
allows
subtle
variations
in
tone
and
timbre
depending
upon
the
strength
of
your
touch.
The
amount
of
variation
differs
from
voice
to
voice.
[Transposition]
O
MIO
TRANSPOSE
The
MIDI/TRANSPOSE
button
allows
you
to
transpose
the
CVP-20's
key
within
a
range
of
+
/
–
600
cents
or
engage
various
MIDI
functions.
(Refer
to
**How
to
Use
MIDI”
for
details
on
per-
forming
MIDI
functions.)
The
Transpose
mode
is
normally
selected
when
the
TRANSPOSE
button
is
pressed.
(MIDI
functions
are
engaged
whenone
of
the
voice
selectors
used
to
select
MIDI
functions
are
pressed
while
holding
down
the
MIDI/TRANSPOSE
button.)
To
raise
the
key:
Hold
down
the
MIDI/TRANSPOSE
button
and
press
the
TEMPO
»
button.
The
key
is
raised
by
a
half
step
(+100
cents)
each
time
this
is
performed.
To
lower
the
key:
Hold
down
the
MIDI/TRANSPOSE
button
and
press
the
TEMPO
«
button.
The
key
is
lowered
by
a
half
step
(
—
100
cents)
each
time
this
is
performed.
To
return
to
normal
keyboard
pitch:
Hold
down
the
MIDI/
TRANSPOSE
button
and
simultaneously
press
the
TEMPO
«
and
»
buttons.
The
key
returns
to
the
normal
keyboard
pitch.
e
The
changes
in
key
are
indicated
on
the
YEMPO/BEAT
indica-
tor
in
the
following
manner:
Change
Display
Change
Display
—
600
cents
—6
+100
cents
1
—
500
cents
=5
+200
cents
2
—
400
cents
-4
|
+300
cents
3
—
300
cents
-3
+
400
cents
4
—
200
cents
T
-2
+
500
cents
5
—
100
cents
=1
+600
cents
|
6
+
/—0
cents
0
[Pitch
Control]
The
feature
allows
you
to
fine
tune
the
pitch
over
the
whole
key-
board
range.
To
raise
the
pitch:
Hold
the
Eo
and
Fo
keys
(the
lowest
two
keys
of
the
keyboard)
down
and
repeatedly
press
any
key
between
C3
and
Bs,
inclusive.
The
pitch
rises
about
3
cents
each
time
one
of
the
keys
is
pressed.
To
lower
the
pitch:
Hold
the
Eo
and
ЕЮ
keys
(the
lowest
white
and
the
lowest
black
keys)
down
and
repeatedly
press
any
key
between
Сз
and
Вз,
inclusive.
The
pitch
will
lower
about
3
cents
each
time
one
of
the
keys
is
pressed.
To
return
to
normal
pitch:
Hold
the
Eo,
Fo
and
ЕЙ
keys
down
to
return
to
normal
pitch
(Аз
=440Hz).
When
the
power
is
turned
on,
the
pitch
is
automatically
set
to
A3
=440Hz.
*
The
pitch
in
Hertz
is
indicated
on
the
TEMPO/BEAT
indicator
each
time
the
pitch
is
changed.
Сз
~
Вз
[Key
Capabilities]
In
the
normal
playing
mode,
a
maximum
of
16
notes
can
be
sound-
ed
simultaneously.
When
using
such
features
as
rhythm,
Piano
ABC,
Solo
Styleplay,
and
Performance
Memory,
however,
the
total
num-
ber
of
notes
which
can
be
sounded
simultaneously
is
reduced.
Rhythm
Step
1.
Select
a
rhythm
pattern.
“=
О
Each
rhythm
selector
is
used
to
select
2
different
rhythms.
When
а
rhythm
selector
is
repeatedly
pressed,
the
rhythm
selected
switches
between
the
rhythm
listed
above
the
selector’s
LED
and
the
rhythm
listed
below
the
selector’s
LED,
One
of
the
two
LEDs
at
the
very
left
of
the
rhythm
selector
section
also
lights
to
indicate
which
of
the
2
rhythms
has
been
selected.
Pops
1
is
automatically
selected
when
the
power
is
first
turned
on.
Step
2.
Adjust
the
RHYTHM
VOLUME
control.
MIND
MAX
RHYTHM
VOLUME
This
controls
the
output
level
of
the
rhythm.
Step
3.
Set
the
TEMPO.
Q*
*O
The
tempo
can
be
adjusted
within
a
range
of
J
—
32
to
J=
280.
Pressing
the
TEMPO
«
control
slows
down
the
tempo,
and
press-
ing
the
TEMPO
»
control
speeds
up
the
tempo.
Pressing
both
4
and
»
controls
at
the
same
time
restores
the
initial
tempo
(J
=
120).
Step
4.
Start
the
rhythm.
OO
GED
Hits
The
rhythm
starts
as
soon
as
the
START
button
is
pressed.
When
in
the
Synchro
Start
mode
(when
the
SYNCHRO
START
button
has
been
pressed),
the
rhythm
starts
after
any
key
is
pressed.
(In
the
Piano
ABC
mode,
a
key
on
the
lower
keyboard
must
be
pressed
to
start
the
rhythm.)
e
The
leftmost
BEAT
LAMP
flashes
when
the
Synchro
Start
mode
is
entered.
10
The
CVP-20
is
equipped
with
32
dynamic
rhythms
patterns
that
accompa-
ny
your
melody
performance
automatically.
Step
5.
Stop
the
rhythm.
The
rhythm
stops
when
the
STOP
button
or
the
INTRO./ENDING
button
is
pressed.
e
The
STOP
button
also
cancels
the
Synchro
Start
mode
and
Fill
In.
[FILL
IN]
A
Fill
In
pattern
that
suits
the
particular
rhythm
being
played
is
ad-
ded,
for
the
rest
of
the
current
measure,
to
the
rhythm
as
soon
as
the
FILL
IN
button
is
pressed.
e
Ifthe
FILL
IN
button
is
pressed
at
the
end
of
the
last
beat
of
a
measure,
the
Fill
In
pattern
begins
at
the
next
measure.
e
Ifthe
FILL
IN
button
is
pressed
when
the
rhythm
is
not
sound-
ing,
the
rhythm
will
start
off
with
a
Fill
In
pattern.
The
second
BEAT
LAMP
from
the
left
lights
to
indicate
that
the
rhythm
is
set
to
start
off
with
a
Fill
In
pattern.
e
If
the
FILL
IN
button
is
pressed
while
in
the
Synchro
Start
mode,
the
rhythm
starts
off
with
a
Fill
In
pattern
once
any
key
is
pressed
(when
in
the
Piano
ABC
and
Synchro
Start
modes,
once
a
key
of
the
lower
keyboard
is
pressed.)
@
The
Fill
In
pattern
will
continue
to
sound
if
the
FILL
IN
button
is
held
down.
[INTRO./ENDING]
ENDING
When
the
INTRO./ENDING
button
is
pressed
while
the
rhythm
is
stopped,
the
rhythm
starts
after
a
2-bar
introduction
pattern.
If
it
is
pressed
while
the
rhythm
is
sounding,
the
rhythm
stops
after
an
end-
ing
pattern.
[TEMPO
/
BEAT
indicator]
oooO
блг
mu
The
TEMPO/
BEAT
indicator
displays
the
following
information:
©
The
tempo
is
indicated
in
quantity
of
beats
per
minute(J=
)
when
the
tempo
is
being
adjusted
with
the
TEMPO
controls.
e
The
current
measure
is
indicated
when
a
rhythm
is
sounding.
*
Changes
in
key
(Transposition)
or
pitch
are
indicated
when
the
Transpose
or
Pitch
control
feature
is
used.
e
The
remaining
Performance
Memory
storage
capacity
is
indicat-
ed
when
one
of
the
RECORD
buttons
is
pressed
(refer
to
“Рег-
formance
Memory””.)
e
The
information
for
the
various
MIDI
functions
is
indicated
when
using
MIDI
(refer
to
“How
to
Use
MIDI”).
[BEAT
lamps]
*
The
BEAT
lamps
light
up
successively
from
left
to
right
to
indi-
cate
the
beat
of
the
measure
and
the
tempo
of
the
selected
rhythm.
The
leftmost
lamp
indicates
the
first
beat,
or
down
beat,
of
a
measure.
*
Whenin
the
Synchro
Start
mode,
the
leftmost
lamp
flashes
and
indicates
the
exact
tempo
(in
quarter
notes)
until
the
rhythm
is
started.
e
The
second
BEAT
lamp
from
the
left
lights
when
the
rhythm
is
set
to
start
off
with
a
Fill
In
pattern.
[Additional
Information]
e
There
is
no
set
Intro./Ending
and
Fill
In
pattern
for
Metronome.
(There
isa
2-bar
blank
if
the
INTRO./ENDING
button
is
pressed
to
start
the
rhythm
when
Metronome
is
selected.
No
change
in
the
rhythm
pattern
occurs
when
the
FILL
IN
button
is
pressed
or
when
the
INTRO./ENDING
buttonis
pressed
to
stop
the
rhythm
while
Metronome
is
selected.)
e
There
is
no
set
Piano
ABC
pattern
for
Metronome.
(If
Metro-
nome
is
being
used
as
the
rhythm
while
in
the
Piano
ABC
mode,
no
sound
can
be
heard
from
the
lower
keyboard.)
Keyboard
Percussion
The
CVP-20’s
Keyboard
Percussion
feature
lets
you
play
22
differ-
ent
drums
and
latin
percussion
instruments
from
the
keyboard.
STEP
1.
Press
the
DRUMS
button
in
the
voice
selector
section.
DRUMS
o
The
DRUMS
LED
lights
up.
STEP
2.
Play
any
of
the
keys
in
the
Keyboard
Percussion
section
(F*4—
Go).
(dr
ee
ee
а
Keyboard
Percussion
Each
key
is
assigned
to
one
percussion
instrument.
Refer
to
the
fol-
lowing
list
and
to
the
illustrations
above
the
keys
to
identify
the
per-
cussion
instrument.
Instrument
Electronic
Tom
High
Cabasa
Conga
Low
7
Cowbell
Conga
High
Timbale
Tambourine
Instrument
Electronic
Snare
Drum
|
Cs
Hi-hat
Open
De
Metronome
Tom
Mid
Dis
Triangle
Closed
Ride
Cymbal
Es
|
Metronome
Tom
High
Ев
Metronome
Electronic
Tom
Mid
FÉ
|
Triangle
Open
Crash
Cymbal
Ge
Metronome
[Additional
Information]
*
When
using
the
Keyboard
Percussion
feature,
the
keys
to
the
left
of
С"
will
not
sound
unless
the
lower
voice
or
the
Piano
ABC
feature
is
used.
*
If
the
Lower
Voice
or
Piano
ABC
feature
is
being
used,
the
keys
of
the
lower
keyboard
will
sound.
The
keys
between
C*4
and
the
highest
note
of
the
lower
keyboard
will
not
sound.
Рїапо
АВС
Step
1.
Press
the
Piano
ABC
button
to
select
either
the
Single
Finger
or
Fingered
mode.
SINGLE
о
FINGER
OFINGERED
PIANO
ABC
Step
2.
Play
a
chord
with
the
left
hand.
In
the
Single
Finger
mode:
Press
a
single
key
of
the
lower
keyboard
(refer
to
the
SPLIT
POSI-
TION
section
of
this
chapter).
The
corresponding
bass
and
full
chord
accompaniments
will
sound.
When
the
rhythm
is
sounding,
the
accompaniments
will
continue
to
sound
even
after
you
take
your
fingers
from
the
keyboard.
e
To
obtain
minor
chords,
press
the
key
corresponding
to
the
desired
chord
along
with
the
next
black
key.
e
To
obtain
seventh
chords,
press
the
key
corresponding
to
the
desired
chord
along
with
the
next
white
key.
e
To
obtain
minor
seventh
chords,
press
the
key
corresponding
to
the
desired
chord
along
with
the
next
black
and
white
keys.
Cm
C7
Cm7
In
the
Fingered
mode:
Play
full
chords
on
the
lower
keyboard
to
get
automatic
bass
and
chord
accompaniments.
When
the
rhythm
is
sounding,
the
accom-
paniments
will
continue
to
sound
even
after
you
take
your
fingers
from
the
keyboard.
G
chord
C
chord
F
chord
e
The
types
of
chords
available
in
the
Piano
ABC
Fingered
Chord
mode
are
as
follows:
major, minor,
major
seventh,
sixth,
minor
seventh,
minor
seventh
flatted
fifth,
seventh,
seventh
suspended
fourth,
augmented,
diminished,
minor
sixth,
and
suspended
fourth.
Step
3.
Adjust
the
BASS
VOLUME
and
CHORD
VOLUME.
MNE
| 1 1
1МАХ
CHORD
VOLUME
MINE
T3
1 1
EMAX
BASS
VOLUME
This
feature
provides,
when
the
rhythm
is
running,
automatic
bass
and
chord
accompaniments
that
match
the
rhythm
you
select.
[Changing
Bass
and
Chord
voices]
It
is
possible
to
change
both
bass
and
chord
voices.
To
change
the
bass
voice:
PIANO
|
PIANO
3 E
PIANO
|
HARPS
1
VIBES
|
GUITAR
STRINGS
BRASS
WOOD
1
UPRIGHT
1
ELECTRIC
1
"
o
o
o
BASS
PIANO
2
тамба
1
PIANO
2
НАНРЫ
2
VIBES
2
JGUHAR
$
STRINGS
MUTE
BR
WOOD
2
UPRIGHT
2
ELECTRIC
?
“*/0000000000O
CLAVINOVA
TONE
BASS
Press
the
voice
selector
corresponding
to
the
desired
voice
while
holding
down
the
BASS
VOICE
button.
To
change
the
chord
voice:
CHORD
VOICE
PIANO
2
PIANO
4 t
PIANO
2
HARPS)
2
VIBES
2
1GUTAR
S
STRINGS
MUTE
BR
WOOD
7
UPRIGHT
2
HLECTRIC
2
ICI
ооооооо
PIANO
|
PIANO
J.
PIANO
I
HARPS!
VIRIS
бий
STRINGS
BRASS
WOOD
L
UPRIGHT
1
LUIGI
1
o o o o o o o
o
шина
чома
pass
Press
the
voice
selector
corresponding
to
the
desired
voice
while
holding
down
the
CHORD
VOICE
button.
To
check
the
bass
or
chord
voice:
Press
the
BASS
VOICE
or
CHORD
VOICE
button.
The
cor-
responding
voice
selector’s
LED
lights.
[SPLIT
POSITION]
о!
Ом
Он
SPLIT
POSITION
The
split
position
(lower
keyboard
indicator)
can
be
assigned
to
one
of
three
position;
low,
middle,
and
high.
Press
the
SPLIT
POSI-
TION
selector
to
select
one
of
the
three
split
positions.
The
keys
to
the
left
of
the
selected
position
make
up
the
lower
keyboard.
The
three
split
positions
are
clearly
marked
by
inverted
triangles
just
above
the
corresponding
keys.
The
middle
split
position
is
selected
when
the
power
is
turned
on.
тоша
С
Пато
eve
we.
-
: > Я
Tower
keyboard
SS
[Additional
Information]
@
Inthe
PIANO
ABC
mode,
the
accompaniment
pattern
changes
when
a
Fill
In
or
Intro./Ending
pattern
is
being
used.
@
The
lower
voice
and
Piano
ABC
feature
can
not
be
used
at
the
same
time.
e
For
some
rhythm
patterns,
the
Piano
ABC
accompaniment
pat-
tern
may
not
vary
when
a
different
chord
is
selected.
(For
exam-
ple,
for
some
rhythm
patterns,
major
and
major
seventh
chords,
and
minor
and
minor
seventh
chords
may
have
the
same
accom-
paniment
pattern.)
Solo
Styleplay
This
feature
selects
the
appropriate
orchestra
voices,
rhythm
and
accom-
panying
voices,
and
adds
harmonizing
instruments
to
match
your
melody
performance.
The
accompaniments
are
selected
according
to
the
musical
style
you
choose.
Step.
1
Press
the
SOLO
STYLEPLAY
ON/OFF
button
to
turn
on
the
feature
(the
ON/OFF
button's
LED
lights
when
the
feature
is
on.)
POP
JAZZ
COCKTAIL
COUNTRY
ROCK
O
омгоғғ
ORCH
QUARTET
PIANO
PIANO
BAND
оооооо
Step.
2
Select
one
of
the
5
different
styles.
POP
JAZZ
COCKTAIL
COUNTRY
ROCK
ORCH
QUARTET
PIANO
PIANO
BAND
O:
O
0-00
Step.
3
Play
a
melody
one
note
at
a
time,
and
play
a
chord
on
the
lower
keyboard.
*
Two
to
four
harmonizing
instruments
accompany
your
melody
performance.
e
The
chords
can
be
played
in
either
the
Single
Finger
or
Fingered
mode.
The
rhythm
and
Piano
ABC
features
are
automatically
started
(і.е.,
the
Synchro
Start
and
Piano
ABC
modes
are
auto-
matically
selected
in
the
Solo
Styleplay
mode).
The
Solo
Styleplay
feature
selects
the
proper
rhythm,
and
chord
and
bass
voices
to
match
the
style
selected.
If
the
LEFT
PEDAL
function
selector
is
set
to
Solo
Styleplay,
the
Solo
Styleplay
mode
is
engaged
only
when
the
LEFT
PE-
DAL
is
held
down.
Solo
Styleplay
is
turned
off
(the
Piano
ABC
mode
is
not
not
turned
off)
when
the
LEFT
PEDAL
is
released.
Step.
4
Changing
rhythm,
and
orchestra,
bass
or
chord
voices.
It
is
possible
to
change
the
rhythm,
and
orchestra,
bass
or
chord
voice
by
following
the
procedure
described
in
‘‘Rhythm
Section"
and
“Piano
ABC”.
e
If
the
orchestra
voice
is
changed,
all
harmonizing
instruments
are
changed
to
the
voice
selected.
Step
5.
Disengage
the
Solo
Styleplay
feature.
O
омоғғ
O
SOLO
STYLEPLAY
Press
the
SOLO
STYLEPLAY
ON/OFF
button.
[Additional
Information]
e
The
Piano
ABC
mode
cannot
be
disengaged
when
in
the
Solo
Styleplay
mode.
e
The
LEFT
PEDAL’
Sostenuto
function
cannot
be
selected
when
Solo
Styleplay
is
used.
e
The
rhythm
cannot
be
turned
off
in
the
Solo
Styleplay
mode.
To
stop
the
rhythm
from
sounding,
turn
the
RHYTHM
VOLUME
control
all
the
way
down.
*
Only
one
key
of
the the
upper
keyboard
can
be
played
at
a
time
when
Solo
Styleplay
is
used.
Performance
Memory
Your
own
performance
can
be
recorded
in
the
three-track
Performance
Memory.
The
three-tracks
can
be
played
back
separately
or
all
at
once
in
“real
time”.
To
enjoy
an
ensemble
performance,
you
can
also
play
different
voices
as
the
recorded
material
is
being
played
back.
Recording
Step
1.
Press
one
of
the
RECORD
buttons.
RECORD
Qo
1
Qo
2
Qo
3
You
can
record
on
only
one
track
at
one
time.
Step
2.
Select
any
desired
voice.
О
PIANO
MANQA
кочам!
MARIS
1
RES)
GUITAR
STRINGS
BRASS
WOOD
1
UPRO
(LICIH
а
DRUMS
o o o
o
o o o
o
o
o
o
O
MANO”
тамда
Е
РАМО
2
ча
GUITAR
SSTRINGS
MUTE
ни
WOOD?
UPRIGHT
рти
+
=O
OOOO
OO OO
ооо
CI
AVINOVA
TONE
VOCE
PHYIHM
SELECT
If
desired,
select
a
lower
voice
also.
Step
3.
Select
a
rhythm,
Piano
ABC,
and
bass
and
chord
voices,
if
desired.
The
CVP-20
automatically
enters
the
Synchro
Start
mode
when
a
RECORD
button
is
pressed.
It
is
necessary
to
turn
the
RHYTHM
VOLUME
all
the
way
down
if
you
do
not
want
the
rhythm
to
be
recorded.
Step
4.
Adjust
the
Tempo.
||
Recording
will
start
as
soon
as
any
key
is
pressed
or
if
the
Rhythm
START
or
INTRO./ENDING
button
is
pressed.
Your
performance
is
recorded,
along
with
any
accompaniments,
just
as
it
is
played.
e
The
following
types
of
data
are
recorded:
Key
On/Off,
Voice
Number,
Rhythm
Number,
Fill
In,
Intro./Ending,
Rhythm
Volume,
Chord
Volume,
Bass
Volume,
Initial
Tempo,
Tempo
Change,
Piano
ABC,
Split
Position,
Bass
and
Chord
Voice
Numbers,
Damper,
Sostenuto,
and
Soft.
13
Step
6.
Stop
recording.
Press
the
Rhythm
STOP
button
to
stop
both
the
rhythm
and
the
recording.
Playback
таша
Step
1.
Press
the
Performance
Memory
PLAY
BACK
button
cor-
responding
to
the
track
you
want
played
back.
PLAY
Back
C
JO
1
Qo:Qo
3
Step
2.
Press
the
Rhythm
START
button.
om
/
cou
Playback
can
also
be
started
by
pressing
the
INTRO./ENDING
button
or
by
pressing
a
key
of
the
lower
keyboard
while
in
the
Syn-
chro
Start
mode.
Step
3.
Adjust
the
volume.
MIN
V
Li
i
MAX
RHYTHM
VOLUME
MIND
EOD
OU
OC
TERED
MAX
MIN
1
to
imax
e——
E
эст
MINA
AO
IA
BASS
VOLUME
Adjust
the
MASTER,
RHYTHM,
and
BASS
and
CHORD
VOLUMES.
Step
4.
Stop
Playback.
Playback
is
stopped
when
any
one
of
the
following
conditions
are
met.
1.
All
recorded
data
has
been
played
back.
2.
The
Rhythm
STOP,
or
INTRO./ENDING
button
is
pressed.
3.
A
RECORD
button
is
pressed
during
playback.
[Priority
of
Playback]
e
During
playback
of
multiple
tracks
recorded
without
Piano
ABC
and
split
position
information,
the
rhythm
information
of
the
lowest
numbered
track
takes
priority.
However,
during
play-
back
of
multiple
tracks
with
one
or
more
of
the
tracks
having
Pi-
ano
ABC
and
split
position
information,
the
rhythm
of
the
lowest
numbered
track
with
Piano
ABC
and
split
position
infor-
mation
takes
priority.
e
Once
playback
is
started,
the
playback
priority
of
the
tracks
does
not
change.
e
If
one
track
is
being
played
back
while
recording
on
another
track
is
taking
place,
the
last
rhythm
selected
sounds
and
is
recorded
onto
the
recording
track
(either
the
rhythm
of
the
play-
back
track
or
the
rhythm
selected
on
the
panel
during
recording).
The
recorded
rhythm
information
of
the
track
being
played
back
is
not
affected
even
though
a
different
rhythm
is
selected
for
recording
on
another
track.
[Additional
Information]
e
When
recording,
voice
changes
may
be
desirable.
These
changes
are
played
back
as
selected,
but
are
not
indicated
on
the
control
panel.
e
When
recording,
changes
in
the
rhythm
pattern
and
tempo
are
memorized.
However,
during
playback
the
rhythm
and
tempo
can
be
manually
changed.
e
If
Intro./Ending
is
used
to
start
playback
of
material
that
was
recorded
with
an
introduction
phrase
(recording
was
started
us-
ing
the
INTRO./ENDING
button),
playback
begins
with
a
2-bar
introduction
phrase
and
not
a
4-bar
introduction
phrase,
e
If
INTRO./ENDING
is
used
to
start
playback
of
material
that
was
recorded
without
an
introduction
phrase,
playback
starts
after
a
2-bar
introduction
phrase.
€
A
combined
total
of
12
notes
can
be
played
back
simultaneously
for
the
3-tracks.
©
During
playback,
voice
changes
made
manually
will
not
affect
the
sounds
being
reproduced.
e
A
total
of
approximately
5000
notes
(31
Kbytes
of
storage
capac-
ity)
can
be
stored
in
the
Clavinova’s
memory.
e
The
remaining
storage
capacity
is
displayed
in
Kbytes
on
the
TEMPO
indicator
when
a
RECORD
button
is
pressed.
(The
number
displayed
will
be
between
r28
and
r00.)
e
Performance
Memory
data
stored
in
the
CVP-20
can
be
kept
for
approximately
one
week
even
with
the
power
off.
To
store
the
data
longer
turn
on
the
power
once
every
week.
e
Recording
and
the
rhythm
stop
when
the
memory
is
exceeded.
e
The
memory
capacity
of
the
Clavinova
is
reduced
if
the
volume
or
tempo
is
changed
or
if
the
DAMPER
PEDAL
is
used
exces-
sively
during
recording.
e
Piano
ABC
and
split
position
cannot
be
turned
off
from
the
panel
during
playback
of
a
track
recorded
with
Piano
ABC
or
split
position
information.
Registration
Memory
The
CVP-20
can
memorize
your
favorite
control
panel
setting
for
easy
recall
later
on.
Memorization
ШЕШЕНИН
Step
1.
Select
your
favorite
panel
setting.
The
CVP-20
can
memorize
the
settings
for
orchestra
voice,
lower
voice,
rhythm,
Keyboard
Percussion,
Piano
ABC,
bass
and
chord
voices,
split
position,
left
pedal
functions,
tempo,
Solo
Styleplay,
rhythm
volume,
chord
volume
(including
lower
volume),
and
bass
volume.
Step
2.
Press
the
MEMORY
button
first.
Then
while
holding
down
the
MEMORY
button
press
the
RECALL
button.
MEMORY
=
RECALL
O
LO
Recall
EER
Step
3.
Press
the
RECALL
button.
RECALL
The
stored
control
panel
setting
is
automatically
selected.
[Additional
Information]
*
Only
one
control
panel
setting
can
be
stored
at
one
time.
*
Once
a
new
control
panel
setting
is
stored,
the
formerly
memo-
rized
control
panel
setting
is
cleared
from
the
memory.
Useful
Information
Accessory
Jacks
*
HEADPHONES
jack
©
This
jack
is
used
to
connect
stereo
headphones
(optional).
When
headphones
are
connected,
no
sound
is
produced
from
the
Clavinova’s
speakers.
This
allows
you
the
freedom
to
play
the
Clavinova
any
time
without
disturbing
others.
@
AUX.
OUT
L/R
jacks
These
jacks
can
be
used
to
connect
the
CVP-20
to
an
amplifier
or
another
speaker
system.
Also,
by
connecting
the
CVP-20
AUX.
OUT
L/R
jacks
to
the
LINE
IN
jacks
of
a
tape
deck,
you
can
record
music
produced
by
the
Clavinova.
ә)
R
L
AUX.OUT
Note:
The
AUX.
OUT
L/R
jack
signal
must
never
be
returned
to
the
OP-
TIONAL
IN
jacks,
either
directly
or
through
external
equipment.
Al-
ways
use
the
OPTIONAL
IN/OUT
jacks
when
connecting
Yamaha
EM-series
expander
modules.
e
OPTIONAL
IN
(L,R)/OUT
(L,R)
These
jacks
are
intended
primarily
for
use
with
the
Yamaha
EM-
series
expander
modules
(EMR-1
Drum
Box,
EMT-1/10
Sound
Box,
EME-1
Reverb
Box,
and
EMQ-1
Memory
Box).
In
the
case
of
the
EME-1
Reverb
Box,
for
example,
the
CVP-20’s
OPTION-
AL
OUT
jacks
connect
to
the
EME-1
LINE
IN
jacks,
and
the
EME-1
LINE
OUT
jacks
connect
back
to
the
CVP-20’s
OP-
TIONAL
IN
jacks.
This
allows
application
of
a
range
of
high-
quality
effects,
including
reverb
and
echo,
to
the
CVP-20's
sound.
Refer
to
the
EM-series
expander
modules
owner's
manu-
al
for
connection
details.
(OO
00
R
OUT
IN
L
L
R
OPTIONAL
*
MIDI
IN/OUT/THRU
The
MIDI
(Musical
Instrument
Digital
Interface)
terminals
con-
form
to
the
world-wide
standard
for
digital
electronic
instru-
ments.
These
jacks
enable
you
to
connect
your
Clavinova
to
a
computer
or
other
MIDI
compatible
electronic
instruments
for
musical
data
communication
(refer
to
“Ном
to
Use
MIDI”).
15
Optional
Accessories
апа
Expander
Modules
Es
[Optional
Accessories]
e
Key
Cover
(KC-761)
e
Bench
(BC-7)
e
Stereo
Headphones
(HPE-5)
Specially
designed
lightweight
dynamic
headphones
with
extra
soft
ear
pads.
e
Connecting
Cord
(PSC-3)
For
connecting
the
CVP-20
to
a
stereo
hi-fi
system
or
other
audio
equipment.
[Expander-Modules]
The
following
expander
modules
have
been
especially
designed
for
the
Yamaha
Clavinovas
to
expand
their
musical
potential.
AWM
Sound
Expander
Sound
Box
(EMT-10)
FM
Sound
Expander
Sound
Box
(EMT
1)
Disk
Recorder
Memory
Вох
(EMQ-1)
Digital
Drummer
Drum
Box
(EMR-1)
Digital
Reverb
Reverb
Box
(EME-1)
Some
optional
items
may
not
be
available
in
some
regions.
Important
Advice
mamm
What
to
do
if...
1.
The
unit
does
not
operate
when
the
power
is
turned
on.
Check
to
see
if
the
AC
plug
is
fully
connected
to
a
wall
power
outlet.
Check
to
see
if
the
outlet
supplying
power
is
live.
If
both
these
conditions
are
met
and
the
Clavinova
does
not
operate,
unplug
the
cord
and
contact
your
Yamaha
Clavinova
dealer.
2.
The
Clavinova
reproduces
radio
or
TV
signals.
This
can
occur
if
there
is
a
powerful
transmitter
such
as
a
radio
sta-
tion
located
in
your
vicinity.
Contact
your
Yamaha
Clavinova
dealer.
3.
Occasional
unpleasant
static
occurs.
In
the
majority
of
such
cases,
the
cause
can
be
traced
to
the
turning
on
or
off
of
some
household
appliance.
4.
The
Clavinova
interferes
with
radio
or
TV
reception.
The
high
frequency
pulses
used
by
the
Clavinova
may
adversely
af-
fect
TV
or
radio
reception.
Read
the
FCC
information
on
page67.
5.
The
sound
of
the
Clavinova
is
distorted
when
it
is
connected
to
an
auxiliary
speaker
system.
When
the
Clavinova
is
connected
to
an
auxiliary
speaker
system
(home
stereo,
guitar,
amplifier,
etc.),
distortion
may
occur
when
the
keys
are
played
forcefully
while
either
the
Clavinova’s
or
auxiliary
system’s
volume
level
is
too
high.
Turn
the
volume
down
to
a
level
where
no
distortion
occurs.
In
addition
to
the
distortion,
damage
to
the
speakers
can
occur
if
the
volume
levels
are
too
high.
How
to
Use
MIDI
A
brief
introduction
to
MIDI
таала
MIDI
(Musical
Instrument
Digital
Interface)
is
a
world-wide
stan-
dard
interface
system
that
allows
MIDI
compatible
musical
instru-
ments
and
equipment
to
communicate
through
the
transmission
of
digital
signals.
For
most
MIDI
compatible
instruments,
informa-
tion
such
as
playing
a
key,
changing
voices
and
even
note
velocity
can
be
transmitted
or
received.
Once
the
information
is
transmitted,
the
receiving
keyboard,
called
the
slave
instrument,
responds
pre-
cisely
to
produce
a
multi-instrument
performance.
In
other
words,
a
variety
of
instruments
can
be
controlled
or
played
from
a
single
in-
strument.
The
controlling
instrument
is
called
the
master
in-
strument.
Example
1.
The
Clavinova
can
be
connected
to
another
MIDI
com-
patible
instrument
such
as
a
PortaTone.
MIDI
OUT
PortaTone
Clavinova
The
MIDI
OUT
jack
of
the
CVP-20
is
connected
to
the
MIDI
IN
jack
of
a
PortaTone
using
a
MIDI
cable.
This
makes
it
possible
to
produce
sound
from
the
PortaTone,
the
slave
instrument
in
this
case,
while
playing
just
the
Clavinova,
the
master
instrument.
It
is
also
possible
to
utilize
different
voices
on
each
instrument.
For
example,
a
piano
voice
can
be
played
on
the
Clavinova
while
a
strings
voice
is
played
on
the
PortaTone,
allowing
a
solo
performer
to
give
an
en-
semble
performance.
The
reverse
connection
where
the
MIDI
OUT
terminal
of
the
PortaTone
is
connected
to
the
MIDI
IN
terminal
of
the
Clavinova
is
also
possible.
Example
2.
The
Clavinova
can
be
played
from
a
musical
computer.
MIDI
IN
ЛИТЕ
АТГ,
PR
Music
Computer
You
can
further
expand
your
musical
potential
by
playing
the
Clavinova
from
a
musical
computer.
Whether
you
use
a
music
soft-
ware
package
or
program
your
own
software,
the
Clavinova
can
be
played
automatically.
In
this
case,
the
voices
can
be
freely
selected
on
the
control
panel
to
match
any
style
of
music.
The
above
examples
are
only
a
small
sample
of
what
MIDI
can
do
—
the
possibilities
are
endless.
Note:
Always
use
a
high-quality
MIDI
cable
to
connect
MIDI
termi-
nals.
Never
use
MIDI
cables
longer
than
15
feet,
since
longer
cables
can
pick
up
noise
which
can
cause
errors
in
transmitting
and
receiving
data.
MIDI
messages
transmitted
and
received
by
the
CVP-20
шашы
The
following
kinds
of
MIDI
information
(messages)
can
be
trans-
mitted
and
received
by
the
CVP-20.
*
Note
and
Velocity
Data
This
information
tells
the
slave
instrument
to
play
a
certain
note
(specified
by
the
MIDI
note
number)
at
a
certain
dynamic
con-
trol
(specified
by
the
MIDI
velocity
value).
The
data
is
transmit-
ted
or
received
by
the
Clavinova
(depending
upon
the
MIDI
connection)
just
as
it
is
played.
*
Program
Change
Numbers
This
information
tells
the
slave
instrument
which
voice
to
play.
The
Clavinova
transmits,
when
it
is
the
master
instrument,
a
MIDI
program
change
number
between
0
and
23
corresponding
to
the
voice
selected.
This
causes
the
corresponding
voice
num-
ber
of
the
slave
instrument
to
be
selected.
The
Clavinova
can
also
receive
program
change
data
when
it
is
the
slave
instrument.
The
transmission
and
reception
of
this
information
can
be
turned
on
or
off,
refer
to
page
18.
Control
Change
numbers
This
is
the
information
for
the
SOFT/SOSTENUTO
and
DAMPER
pedals.
The
information
is
transmitted
when
the
Clavinova's
pedals
are
pressed.
If
the
receiving
equipment
is
a
tone
generator
or
another
keyboard,
it
will
respond
in
the
same
way
as
the
Clavinova's
internal
tone
generator
does
when
the
pe-
dals
are
pressed.
The
CVP-20
can
also
receive
and
respond
to
control
change
data.
The
transmission
and
reception
of
this
in-
formation
can
be
turned
on
or
off,
refer
to
page
18.
MIDI
functions
m
The
CVP-20
is
equipped
with
10
MIDI
functions.
These
functions
are
selected
by
pressing
the
voice
selectors
listed
in
the
table
below
while
pressing
the
MIDI/TRANSPOSE
selector.
MIDI
functions
Voice
Selector
|
1.
Send
Channel
Select
PIANO
1/2
|
2.
Receive
Channel
Select
PIANO
3/4
|
3.
Local
On/Off
E.
PIANO
1/2
4.
Program
Change
On/Off
HARPSICHORD
1/2
5.
Control
Change
On/Off
VIBES
1/2
6.
Multi-timbre
On/Off
|
GUITAR/JAZZ
GUITAR
|__7.
Split
Send
Mode
STRINGS/S.STRINGS
|
8.
MIDI
Clock
Select
BRASS/MUTE
BRASS
9.
Panel
Data Send
WOOD
1/2
10.
Bulk
Dump
UPRIGHT
1/2
e
When
the
power
is
turned
on,
the
send
channel
is
set
to
1,
and
the
Clavinova
is
in
the
OMNI
ON
(all
channel
receive
mode),
Local
On,
Program
Change
On,
Control
Change
On,
Multi-timbre
Off,
Split
Send
Off,
and
Internal
Clock
modes.
Operating
MIDI
functions
шаша
1&2
Selecting
MIDI
Send
and
Receive
Channels
MIDI
allows
data
to
be
transmitted
and
received
on
16
discrete
channels
over
a
single
MIDI
cable.
This
enables
selective
control
of
instruments
and
equipment
that
are
connected
in
series.
Each
instrument
can
be
set
to
a
different
receive
channel
so
that
it
only
responds
to
data
coded
with
the
same
channel
number.
For
example,
a
single
MIDI
compatible
sequence
recorder
can
be
con-
nected
to
two
different
MIDI
compatible
instruments
or
tone
generators.
One
of
the
instruments
or
tone
generators
can
be
set
to
receive
data
only
on
channel
1
while
the
other
is
set
to
receive
data
on
channel
2.
In
this
situation,
the
first
instrument
or
tone
generator
will
only
respond
to
channel
1
data,
while
the
second
instrument
or
tone
generator
will
respond
only
to
channel
2
data.
This
allows
the
sequence
recorder
to
‘‘play’’
two
completely
different
parts
on
the
receiving
instruments
or
tone
generators.
MIDI
IN
EMT-1
FM
Sound
Box
(Set
to
receive
on
MIDI
channel
2)
cvP-20
(Set
to
receive
on
MIDI
channel
1)
An
OMNI
On
receive
mode
is
also
available.
This
allows
an
instru-
ment
to
receive
data
on
all
16
channels.
(In
the
OMNI
On
mode,
data
from
all
channels
are
received
but
the
receive
channel
is
auto-
matically
set
to
1.)
In
the
OMNI
On
mode,
it
is
not
necessary
to
match
the
receive
channel
of
the
slave
instrument
with
the
send
channel
of
the
master
instrument
(except
when
receiving
mode
mes-
sages
which
must
be
received
on
channel
1.)
e
Setting
the
send
channels
Step
1.
Press
PIANO
1/2
while
holding
down
the
MIDI/
TRANSPOSE
button.
Step
2.
Press
the
TEMPO
(«,
»)
controls
to
select
the
channel.
The
selected
channel
is
displayed
on
the
TEMPO/BEAT
in-
dicator.
e
Setting
the
receive
channels
Step
1.
Press
PIANO
3/4
while
holding
down
the
MIDI/
TRANSPOSE
button.
Step
2.
Press
the
TEMPO
(«,
>)
controls
to
select
the
channel.
The
selected
channel
is
displayed
on
the
TEMPO/BEAT
in-
dicator.
When
power
is
turned
on,
the
CVP-20
is
in
the
OMNI
On
mode
and
the
TEMPO/BEAT
indicator
displays
“ALI”
when
Step
1
above
is
performed.
The
OMNI
On
mode
is
released
when
a
receive
channel
is
selected,
but
it
can
be
selected
again
by
performing
the
above
steps
until
the
TEMPO/BEAT
indicator
reads
“ALL”,
3.
Local
On/Off
This
is
used
to
cancel
the
sounds
of
the
CVP-20.
Sound
is
only
heard
when
the
CVP-20
is
played
from
an
external
device
through
MIDI.
In
the
Local
On
mode,
sound
is
heard
from
the
Clavinova
as
notes
are
played
(internal
tone
generator
emits
sound).
In
the
Local
Off
mode,
however,
the
Clavinova
does
not
respond
to
the
keys
being
played
on
its
keyboard.
It
can
still
transmit
informa-
tion
through
the
MIDI
OUT
jack
when
keys
are
played,
and
it
can
respond
to
MIDI
data
received
through
the
MIDI
IN
jack.
In
the
connection
below,
the
tone
generator
responds
to
the
keys
being
played
on
the
Clavinova
while
the
Clavinova
responds
to
the
MIDI
data
being
sent
from
the
EMQ-1
Memory
Box.
EMT-1
FM
Sound
Box
{played
from
Clavinova
keyboard)
MIDI
OUT
CVP-20
(Local
Control
OFF,
played
from
EMQ-1
Memory
Box)
e
Selecting
the
Local
On
or
Off
mode.
Step
1.
Press
E.
PIANO
1/2
while
holding
down
the
MIDI/
TRANSPOSE
button.
The
E.
PIANO
1/2
voice
selector’s
LED
is
lit
when
in
the
Local
Off
mode.
(If
the
LED
is
not
lit,
the
Local
On
mode
has
been
selected.)
Note:
When
the
keyboard
is
split
or
when
Piano
ABC
is
used,
only
the
upper
keyboard
can
assume
the
Local
Off
mode.
4.
Program
Change
On/Off
This
is
used
to
cancel
the
transmission
and
reception
of
voice
select
information
(program
changes).
In
the
Program
Change
On
mode,
the
Clavinova
responds
to
any
program
change
data
(voice
change
data)
from
an
external
key-
board.
It
will
also
transmit
program
change
data
causing
the
cor-
responding
voice
number
to
be
selected
on
the
external
device
if
the
device
is
set
to
receive
program
change
data.
In
the
Program
Change
Off
mode,
program
change
data
is
not
transmitted
or
received.
e
Selecting
Program
Change
On
or
Off
mode
Step
1.
Press
HARPSICHORD
1/2
while
holding
down
the
MIDI/TRANSPOSE
button.
The
HARPSICHORD
1/2
voice
selector’s
LED
is
lit
when
in
the
Program
Change
Off
mode.
(If
the
LED
is
not
lit,
the
Program
Change
On
mode
has
been
selected.)
5.
Control
Change
On/Off
This
is
used
to
cancel
the
transmission
and
reception
of
DAMPER
and
SOFT/SOSTENUTO
pedal
data,
and
the
reception
of
other
control
settings
received
from
an
external
device.
In
the
Control
Change
On
mode,
the
Clavinova
responds
to
any
control
change
data
from
an
external
device
and
transmits
control
change
data
to
external
devices
that
are
set
up
to
receive
Control
Change
data.
e
Selecting
the
Control
Change
On
or
Off
mode
Step
1.
Press
VIBES
1/2
while
holding
down
the
MIDI/
TRANSPOSE
button.
The
VIBES
1/2
voice
selector's
LED
lights
when
in
the
Control
Change
Off
mode.
(if
the
LED
is
not
lit,
the
Control
Change
On
mode
has
been
selected.)
18
6.
Multi-timbre
On/Off
In
the
Multi-timbre
mode,
the
Clavinova's
voices
can
be
indepen-
dently
controlled
on
different
MIDI
channels
from
an
external
device
such
as
the
Yamaha
EMQ-1
Memory
Box.
The
CVP-20
responds
to
these
signals
and
functions
as
a
multi-timbral
voice
module.
The
possible
reception
channels,
and
initially
set
voices
are
listed
below.
Reception
Channel
Initial
Voice
Piano
1
E.
Piano
1
E.
Bass
1
Vibes
1
Guitar
Strings
Brass
8
Wood
1
15
[
Rhythm
Y
Y
(Refer
to
the
section
“Channel
15”
located
below
for
further
details.)
Program
change,
volume,
sustain,
soft
and
all
note
off
data
are
also
received
on
the
channels
listed
above.
SNA)
Mp
Rm)
шә
оре
e
Turning
Multi-timbre
mode
on
or
off
Step.
1
Press
GUITAR/JAZZ
GUITAR
while
holding
down
the
MIDI/TRANSPOSE
button.
The
GUITAR/JAZZ
GUITAR
voice
selector's
LED
lights
when
the
Multi-timbre
mode
is
on.
(If
the
LED
is
not
lit,
the
Multi-timbre
mode
has
been
turned
off.)
e
Example:
Connecting
the
EMQ-1
Memory
Box
to
the
CVP-20
to
record
3
different
parts.
Step
1.
Connect
the
EMQ-1
to
the
CVP-20
as
shown
in
the
illus-
tration
below.
Clavinova
Step
2.
Select
the
first
voice
and
MIDI
send
channel
number.
Record
the
first
part
on
the
EMQ-1.
Step.
3.
Activate
the
CVP-20’s
Multi-timbre
mode,
then
select
a
new
voice
and
MIDI
send
channel.
Record
the
second
part
on
the
EMQ-1
using
its
over-dubbing
feature.
Step
4.
While
still
in
the
Multi-
timbre
mode,
select
a
third
voice
and
MIDI
send
channel.
Record
the
third
part
on
the
EMQ-1
us-
ing
its
over-dubbing
feature.
Step
5.
Play
back
the
EMQ-1
while
still
in
the
Multi-timbre
mode.
The
recorded
parts
are
played
back
using
the
individual
voices
selected
during
recording,
providing
a
full
ensemble
sound.
*
Channel
15
Channel
15
is
used
for
the
transmission/reception
of
rhythm
data
with
set
note
numbers
that
conform
to
the
note
numbers
of
the
Yamaha
EMR-1
Drum
Box
expander
module.
The
CVP-20's
preset
rhythm
numbers
are
also
transmitted
through
channel
15
as
program
change
data.
Channel
15
is
set
to
program
change
number
99
when
the
Multi-
timbre
mode
is
first
entered.
No
rhythm
pattern
sounds
when
this
program
change
number
is
selected.
A
pattern
will
sound
only
af-
ter
a
different
program
change
number
is
received
by
the
CVP-20.
(Program
change
numbers
99
and
98
are
both
non-sounding
pro-
gram
change
numbers.
They
can
be
used
for
4/4
time
and
3/4
time
rests,
respectively.)
The
note
assignments
for
the
percussion
instrument
feature
of
Channel
15
is
shown
in
the
following
illustration.
It
is
different
from
the
note
assignments
illustrated
on
the
CVP-20’s
panel.
Note:
If
the
note
assignments
shown
on
the
CVP-20’s
panel
are
desired
for
drum
parts,
use
Channels
1
through
8.
Other manuals for Clavinova CVP-20
3
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