Yamaha mLAN Driver User manual

1
Table of Contents
What is mLAN Mixer? .......... 2
Starting mLAN Mixer........... 2
Windows98/95 environment. 2
Macintosh environment ........ 2
Top Panel Screen ................. 3
Menu Bar.............................. 4
File menu .............................. 4
View menu............................ 4
Option .................................. 4
Help menu ............................ 5
Basic Controls....................... 6
Control knobs ....................... 6
Numeric field box ................. 6
Input Channel Settings
(Input Section) .................. 7
Master Track Settings
(Output Section) ............... 9
Channel Tab Window.........10
EQ (Equalizer)...................... 11
Dynamics ............................ 11
Delay................................... 12
Effect Tab Screen................13
System Tab Screen .............14
mLAN8P.............................. 14
mLAN8E .............................. 16
Block Diagram (Audio).......17
mLAN8P.............................. 17
mLAN8E .............................. 18
Data List..............................19
Effect Type .......................... 19
Effects Parameters................ 20
Dynamics ............................ 29
Dynamics Library................. 34
EQ Library ........................... 35
• The software and this owner’s manual are exclusive copyrights of Yamaha Corporation.
• Copying of the software or reproduction of this manual in whole or in part by any means is
expressly forbidden without the written consent of the manufacturer.
• Yamaha makes no representations or warranties with regard to the use of the software and documen-
tation and cannot be held responsible for the results of the use of this manual and the software.
• Copying of the commercially available music sequence data and/or digital audio files is strictly
prohibited except for your personal use.
• The company names and product names in this Owner’s Manual are the trademarks or regis-
tered trademarks of their respective companies.
• The screen displays as illustrated in this Owner’s Manual are for instructional purposes, and
may appear somewhat different from the screens which appear on your computer.
This owner’s manual assumes that you are already familiar with basic Windows/Mac-
intosh operation. If you are not, please refer to the owner’s manual which came with
your Windows/Mac OS software before using mLAN Mixer.
For information about hardware requirements, the interconnection of devices and
the installation of the mLAN Mixer software, refer to the separate “Installation
Guide” as well as the owner’s manual for the respective mLAN device.
This owner’s manual is applicable to the mLAN Mixer for both Windows and Macin-
tosh. The screen illustrations are mainly taken from the mLAN Mixer for Macintosh.
©2000Yamaha Corporation

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mLAN Mixer is a software application that enables you to control the mixer functions of the mLAN8P/
mLAN8E from the computer as if you were controlling a normal mixing console. mLAN Mixer offers
independent EQ and dynamics settings for each channel, making it possible to perform detailed mixing
operation.
After installing mLAN Mixer and making the necessary connections, follow the steps below to start the
software.
Use mLAN Patchbay to set up the COM port for Windows.
Windows98/95 environment
In Windows98/95, select [Start | Program (P) | YAMAHA mLAN Mixer], then select “mLAN Mixer.”
Macintosh environment
Open the “YAMAHA mLAN Mixer” folder on the computer and double-click the “mLAN Mixer” icon.
What is mLAN Mixer?
Starting mLAN Mixer

3
The following screen appears when you start mLAN Mixer.
If there are multiple mLAN8P/mLAN8Es connected to the bus (system) of a Macin-
tosh computer, a window appears, prompting you to select the device you wish to
control with the mLAN Mixer. You can select multiple devices to control simulta-
neously from the mLAN Mixer. If you are using a PC that runs Windows98/95, an
mLAN8P/mLAN8E connected serially to the computer will be automatically
selected.
The mLAN8P controlling screen and the mLAN8E controlling screen are slightly dif-
ferent. This manual references the mLAN8P controlling screen. However, functions
that differ are also explained.
Top Panel Screen
parameters
input channels (input section) master track (output section)

4
File menu
New: ......................... Creates a new Mixer file.
Open: ....................... Opens an existing Mixer file.
Save: ......................... Overwrites an existing file with the currently-edited Mixer file.
Save As: .................... Saves the currently-edited Mixer file with a different name.
Quit: ......................... Closes mLAN Mixer.
“Save” and “Save As” do not save the Level, Meter Source, Peak Hold, Fall Time,
and Word Clock settings.
The edited settings for the mLAN mixer will be lost when the power to the
mLAN8P/mLAN8E is turned off. (This does not apply to the parameters accessible
from the control panel of the unit.) Be sure to store the necessary settings using the
File menu.
View menu
Hide/Show Parameter: ............... Displays or hides various parameters in the tab screens.
Option
Init Channel (Initialize Channel): ......Opens the Init Channel dialog that is used to initial-
ize the settings for selected channels or all channels.
Preference (Windows only): ................Opens the Preference dialog that is used to customize
the menu shortcut keys.
Menu Bar

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Preference dialog (Setting the shortcuts) (Windows only)
Shortcuts
1. Select a menu and action from the Menu and Action columns for which you wish to set
a shortcut. In the example above, [New] in the File menu is selected.
2. Click [New Shortcuts] and press the desired shortcut key. In the example above, the [Q]
key is pressed while the [Ctrl] and [Shift] keys are held down. If the shortcut key has
already been assigned to another “Action,” the “Used Action” column displays the name
of the “Action.”
3. Click [Assign]. The “Current Shortcut” column displays the selected shortcut.
4. Press the [OK] button to confirm the selected shortcut setting. If you do not wish to
change the setting, click [Cancel].
Revert Panel: ......... Returns to the previous setting.
Initial setting: ........ The shortcut is set to the [Ctrl] key plus the first letter of the
selected Action.
Clear: ...................... Clears the setting.
Direct Mode: ........... You can temporarily place mLAN Mixer in Direct mode while you are
controlling the mLAN8E. This function is not available with the
mLAN8P.
Refer to the Owner’s manual for the mLAN8E for more information on Direct mode.
Help menu
About mLAN Mixer (A): ............ Displays the version information for the mLAN Mixer
(Windows).

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Control knobs
To rotate a control knob clockwise, click-and-hold the mouse on the knob while dragging upward. Drag
down to rotate the knob counter-clockwise.
Numeric field box
Click-and-hold the mouse and drag upward in a number box to continuously increment the value.
Drag the mouse downward to decrement the value.
You can also enter the value directly by clicking (double-clicking) the box.
Basic Controls
Click-and-hold the mouse
on a control knob.
Move the mouse downward to rotate
the knob counter-clockwise.
Move the mouse upward to rotate
the knob clockwise.
Click-and-hold down the mouse button
in the box.
(The pointer changes to an arrow.)
Drag the mouse downward to con-
tinuously decrement the value.
Drag the mouse upward to con-
tinuously increment the value.

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You can adjust the input signal level and effect on/off for each channel.
A Channel number
Channels 1-8 are used for input signals via mLAN. Channels 9 and 10 are
used for Digital input signals, and channels 11 and 12 are used for A/D
input signals.
B EQ/Dyna (Dynamics)/Dly (Delay) button
These buttons are used to switch EQ, Dynamics, and Delay on and off for
each channel. The settings are linked with the buttons in the Channel tab.
C Aux 1/2 send knobs
These knobs are used to adjust the level of each channel signal sent to
AUX 1/2.
Use these knobs when you are sending signals to an external effect pro-
cessor or when you are monitoring signals with a balance that is different
from the stereo output balance.
If you are using the mLAN8P: Signals sent to AUX2 are also sent to the
internal multi-effect processor.
When AUX Layer is turned on, you can set AUX 3-6
parameters (mLAN8E).
D Pre/Post buttons
These buttons enable you to select a pre-fader (Pre) signal or a post-fader
(Post) signal as the AUX send signal. With the “Pre” setting, a signal is
sent to the AUX bus before it reaches the channel fader; thus the signal is
not affected by the channel fader setting. With the “Post” setting, a signal
is sent to the AUX bus after it passes through the channel fader; thus the
signal is affected by the channel fader.
E M (Mute) button
Press this button to mute the corresponding channel signal.
F S (Solo) button
Press this button to monitor the corresponding channel signal.
Press this button while holding down the Shift key to monitor multiple
channel signals.
G Panpot knob
This knob enables you to set the stereo position of the corresponding
channel. If the channel’s Link switch is set to “ON,” the knob adjusts the
signal balance.
You can set the attenuation and phase independently for each channel, even when
the Link switch is turned on.
When adjacent channels are linked, the panpot knob enables you to adjust the level
balance between the odd and even channels.
Input Channel Settings (Input Section)

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H Channel fader
The channel fader enables you to adjust the channel level. Click and hold
down the mouse button on the fader and slide the mouse up and down,
or click a desired point on the fader to move the fader to that point.
I Channel level meter
The channel level meter is displayed on the right side of the channel
fader. The channel meter source is always the signal just after the gain, so
the channel level meter displays the level of the input signal and is not
affected by the EQ, Dynamics or the fader.
J Link (Link switch)
When this switch is turned on, adjacent channels (1 and 2, 3 and 4, etc.)
are linked to each other for stereo operation.

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In this section, you can set the stereo out fader, AUX master level, and effect return level.
A Mute button (mLAN8P only)
Press this button to mute the return signal from the internal multi-effect
processor.
B Effect RTN (mLAN8P only)
This knob adjusts the amount of signal processed by the effect processor
and routed to Stereo Out.
The mLAN8E features an AUX Layer button instead of this
button. When you turn this button on, you can set AUX 3-6
parameters for both input channels and the master track.
C Link button
Set this button to ON to link the AUX 1 and 2 settings. When they are
linked, the panpot setting of the corresponding input channel is used.
This is useful when you wish to use AUX 1 and 2 as individual stereo
outputs.
D AUX 1/2 Master
These are used to adjust the level of the AUX 1 and 2 return signals.
When AUX Layer is turned on, you can set AUX 3-6 parame-
ters (mLAN8E).
E Mute button
Press this button to mute the stereo mix output.
F Balance
This knob adjusts the left and right balance of the stereo mix output.
G Stereo mix fader
This fader adjusts the level of the stereo mix signal. Click-and-hold the
mouse on the fader and slide the mouse up and down, or click the
desired point on the fader to move the fader to that point.
H Level meter
The level meter is displayed on the right side of the fader. The meter
source signal is specified by the Mix Meter Source parameter.
Master Track Settings (Output Section)

10
mLAN Mixer offers the parameters independently for each channel, making detailed mixing operations
possible.
A Channel (Target Channel)
Select the channel you wish to set here.
Click the desired input channel module
to display the corresponding channel
number here automatically.
B Gain
This parameter enables you to adjust
the input level in steps of 6dB.
Internally, mLAN Mixer performs a Bit
Shift process.
Settings: –12 – +24dB
C Att (Attenuator)
This parameter enables you to set the
input level in steps of 1dB. In this way,
you can fine tune the Gain value.
Settings: –96–+24dB
D Phase Inv (Inverted)
Click the check box to reverse the phase
of the input signal.
Channel Tab Window

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EQ (Equalizer)
E EQ button
This button turns the selected channel EQ on or off. It is linked to each channel’s EQ button.
F EQ Library
This parameter enables you to select a preset EQ type.
G G (dB)
This parameter sets the amount of boost (+) or cut (–) of the signal at the specified frequency (F (Hz)).
Settings: –18–+18dB (in steps of 0.5dB), ON/OFF (only when [HPF] or [LPF] is selected for the
“Type” parameter with the Macintosh version.)
H F (Hz)
This parameter sets the equalizing frequency.
LO: ................... 21 (Hz) – 20.0 k(Hz)
L-MID: ............ 21 (Hz) – 20.0 k(Hz)
H-MID: ........... 21 (Hz) – 20.0 k(Hz)
HI:
.................... 21 (Hz) – 20.0 k(Hz)
I Q
This parameter sets the frequency range for boost and cut. The higher the value is, the smoother the
changes in the specified frequency range. With the Macintosh version, use this parameter to make
the setting for “Type.”
Settings: 10.0–0.10
J Type (Windows only)
This parameter enables you to select a type of EQ.
With the Macintosh version, set the Q value (
9
) to the maximum or minimum to
select a Type.
[LO]
PEAK (peaking): A normal parametric equalizer
LSLV (low-shelving): A shelving-type equalizer that boosts and cuts the signal in the low range.
LPF (low pass filter): A filter that cuts the frequency range above the threshold specified by the “F
(frequency)” parameter.
[HI]
PEAK (peaking): A normal parametric equalizer
HSLV (high-shelving): A shelving-type equalizer that boosts and cuts the signal in the high range.
HPF (high pass filter): A filter that cuts the frequency range below the threshold specified by the “F
(frequency)” parameter.
mLAN Mixer uses a 4-band full parametric equalizer. Basically, a parametric equal-
izer changes a tone by boosting (+) or cutting (–) the signal at the specified fre-
quency. Boosting emphasizes the corresponding frequency range, and cutting
attenuates the range. mLAN Mixer offers many presets suitable for various applica-
tions. Select one that suits your application, and fine tune it for quick operation.
Dynamics
K Dynamics button
This button turns the dynamics processor of the selected channel on or off. This button is linked
with each channel’s Dynamics button.
L Dyna (Dynamics) Library
Select the desired Dynamics type (page 34).

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MType
This field displays the type of dynamics selected in the Dyna Library field.
NDynamics Parameters
These parameters are for the dynamics of the type indicated in the “Type” field (M). For more infor-
mation, refer to Dynamics in the Data List on page 29.
OKey in (Key in Source)
You can set the ducking effect. Ducking is used for voice-over applications in which the background
music level is reduced automatically when the announcer speaks. For dynamics processing, match
the Key in the source parameter of the Target Channel (music channel) with that of the voice chan-
nel.
The input channel processors can be self-triggered (triggered by the signal to be processed), or they
can be triggered by a signal from another channel.
Dynamics processors are generally used to correct or control signal levels (like a
compressor) and psycho-acoustically extend the sustain. mLAN Mixer provides not
only a compressor but gates, limiters, and other types of processors for various
occasions.
mLAN Mixer offers many presets suitable for various applications. Select one that
suits your application, and fine tune it for quick operation.
Delay
This function is not available on the mLAN8E.
PDelay button
This button turns the selected channel Delay on or off. It is liked to each channel’s Dly (Delay) but-
ton.
QDelay/Time (Delay Time)
This parameter sets the delay time.
Settings (sample): 1–9600 samples
Settings (millisecond): 0.023–217.687ms (44.1kHz), 0.021–200.00ms (48kHz)
RMix Level
This parameter sets the mix balance between the dry sound and the delay sound.
With a setting of “0,” the ratio of dry signal to delay signal is 1:0. With a setting of “+50,” the ratio is
1:1. With a setting of “+100,” the ratio is 0:1. If the value is negative, the phase of the delay signal is
reversed.
SFB.Gain/FB. Level
This parameter sets the delay feedback amount.
This level is the amount of the delay signal fed back to the delay effect. With a setting of “0,” there is
no feedback. With a setting of “+99,” the feedback is at maximum. If the value is negative, the phase
of the delay signal is reversed.
TSample
Select this option to display the delay time in sample units.
With 44.1kHz, one sample corresponds to 1/44,100 seconds. With 48kHz, one sample corresponds
to 1/48,000 seconds.
UMS (millisecond)
Select this option to display the delay time in ms (milliseconds).
Both options are based on either 1/44,100 seconds or 1/48,000 seconds, and feature
the same upper limit value. Select the desired option depending on your application.

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You can set the internal effect parameters on this screen. (mLAN8P only)
AEffect Mono Mix (Mono)
This parameter enables you to mix the L/R effect
return signals into a monaural signal.
BEffect Pan (Balance/Return Pan)
This parameter sets the L/R balance of the effect
return signals.
CType
This parameter enables you to select the desired
effect type (page 19).
DUse these parameters to set up the effect speci-
fied by the Type parameter. The displayed
parameters differ depending on the selected
effect (page 20).
mLAN Mixer offers many presets suitable for
various applications. Select one best suits your
application, and fine tune it for quick opera-
tion.
Effect Tab Screen

14
You can make settings related to the mLAN8P/mLAN8E on this screen.
mLAN8P
AMixer Type
You can assign EQ and Dyna for up to eight chan-
nels. The assignments for channels 1-4 are fixed.
You can assign EQ and Dyna for the other four
channels here.
1: EQ and Dyna are assigned to channels 5-8.
2: EQ and Dyna are assigned to channels 5-6 and
Digital in.
3: EQ and Dyna are assigned to channels 5-6 and
A/D in.
4: EQ and Dyna are assigned to Digital in and A/
D in.
BMix Meter Source (Level Meter Source)
This parameter enables you to select a signal to
display on the master track level meter.
Stereo Mix: Displays the stereo output signal.
Effect Return: Displays the effect return signal.
AUX1/2: Displays the AUX1/2 master output sig-
nal.
CMeter Setting
This parameter enables you to select the type of
level meter display.
Peak Hold ON: The meter holds the peak level
until you turn off “Peak Hold.”
Peak Hold OFF: The meter does not hold the peak
level.
Fall Time: This parameter sets the speed of the
meter’s response to the decaying sound.
Normal: Normal response speed
Fast: The meter responds quickly to and reflects
the attenuating sound. This setting clarifies the
attack level on the meter.
OFF: The level meter is not displayed.
DDigital Input
This parameter enables you to select Optical or
Coaxial for the input signal at the Digital In con-
nector on the mLAN8P.
EDigital Output
This parameter specifies the signal routed to the
Digital Out connector on the rear panel of the
mLAN8P.
Settings: Stereo Mix, AUX1/2, Coaxial/Optical In,
A/D In
System Tab Screen

15
FAnalog Output
This parameter specifies the signal routed to the D/A out connector on the rear panel.
Settings: Stereo Mix, AUX1/2, Coaxial/Optical (depending on the Digital Input settings) In, A/D In
GWord Clock
This parameter specifies the word clock for the mLAN8P.
Settings: Internal44.1k, Internal48k, Coaxial/Optical (depending on the Digital Input settings),
mLAN (follows the unit’s or mLAN Patchbay’s setting.)
HDevice Fs
This field displays the actual sampling frequency.
The signal specified by the Analog Output source parameter is also output to con-
nected headphones.

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mLAN8E
AMixer Type
You can assign EQ and Dyna to up to eight chan-
nels.
1: EQ and Dyna are assigned to channels 1-8.
2: EQ and Dyna are assigned to channels 1-6 and
9-10.
3: EQ and Dyna are assigned to channels 1-4 and
9-12.
4: EQ and Dyna are assigned to channels 9-16.
BMix Meter Source (Level Meter Source)
This parameter enables you to select a signal to
display on the master track level meter.
Stereo Mix: Displays the stereo output signal.
AUX1/2: Displays the AUX1/2 signal.
AUX3/4: Displays the AUX1/2 signal.
AUX5/6: Displays the AUX1/2 signal.
CMeter Setting:
This parameter enables you to select the type of
level meter display.
Peak Hold ON: The meter holds the peak level
until you turn off “Peak Hold.”
Peak Hold OFF: The meter does not hold the peak
level.
Fall Time: This parameter sets the speed of the
meter’s response to the decaying sound.
Normal: Normal response speed
Fast: The meter responds quickly to and reflects
the attenuating sound. This setting clarifies the
attack level on the meter.
OFF: The level meter is not displayed.
DWord Clock
This parameter specifies the word clock for the
mLAN8E.
Settings: Internal44.1k, mLAN (follows the unit’s
or mLAN Patchbay’s setting.)
EDevice Fs
This field displays the actual sampling frequency.
The signal specified by the Analog Output source parameter is also output to con-
nected headphones.

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mLAN8P
Block Diagram (Audio)
GAIN PHASE DELAY4 BAND EQ DYNAMICSATT
GAIN PHASE DELAY4 BAND EQ DYNAMICSATT
LEVEL METER KEY IN
KEY IN
ON LEVEL PANPOT
PRE/POST SEND
AUX1 MIX L
AUX2 MIX R
AUX1
AUX2
MIX L
MIX R
DIGITAL OUTPUT
SELECT
AUX1 OUT1
PHONES
L/R
OUT2
AUX2
MIX L
MIX R
ANALOG OUTPUT
SELECT
DAC
DAC
DAC
DAC
9
3
1Input 1
mLAN Plug Name
mLAN Plug Name
2Input 2
8
10
11
12
DIGITAL
INPUT
SELECT
Input 3
INPUT
VOLUME
PHONES
VOLUME
Input 8
mLAN
EFFECT
LEVEL METER
LEVEL METER
AUX1
AUX2
MIX L
MIX R
AUX1
AUX2
St Mix L
Dig In L
Dig In R
A/D In L
A/D In R
St Mix R
SFC
Same as above,
except that the 4-band EQ and Dynamics processor can be assigned to up to eight channels.

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mLAN8E
GAIN PHASE 4 BAND EQ DYNAMICSATT
GAIN PHASE 4 BAND EQ DYNAMICSATT
LEVEL METER KEY IN
KEY IN
ON LEVEL PANPOT
PRE/POST SEND
12 4 63
AUX 5RLMIX
3
1
2
8
9
16
mLAN
本体出力
本体入力
LEVEL METER
AUX1
AUX2
MIX L
mLAN
MIX R
Same as above,
except that the 4-band EQ and Dynamics processor can be assigned to up to eight channels.

19
Effect Type
Reverb-type Effects
Delays
Guitar Effects
Dynamic Effects
Modulation-type Effects
Combined Effects
Data List
# Type Description
01 Reverb Hall Reverb simulating a large space such
as a concert hall.
02 Reverb Room
Reverb simulating the acoustics of a
smaller space (room) than REVERB
HALL.
03 Reverb Stage Reverb designed with vocals in
mind.
04 Reverb Plate
Simulation of a metal-plate reverb
unit, producing a feeling of hard-
edged reverberation.
05 Early Ref.
An effect which isolates only the
early reflection (ER) component
from reverberation. A flashier effect
than reverb is produced.
06 Gate Reverb A type of ER designed for use as
gated reverb.
07 Reverse Gate A reverse-playback type ER.
# Type Description
08 Mono Delay
Mono delay with simple operation.
Use when you don't need to use
complex parameter settings.
09 Stereo Delay Stereo delay with independent left
and right.
10 Mod.delay Mono delay with modulation.
11 Delay LCR Three-tap delay (L, C, R).
12 Echo
Stereo delay with additional param-
eters for more detailed control. The
signal can be fed back from left to
right, and right to left.
# Type Description
23 Distortion Distortion
24 Amp Simulate Guitar Amp Simulator
# Type Description
25 Dyna.Filter Dynamically controlled filter.
26 Dyna.Flange Dynamically controlled flanger.
27 Dyna.Phaser Dynamically controlled phase shifter.
# Type Description
13 Chorus Three-phase stereo chorus.
14 Flange The well-known flanging effect.
15 Symphonic
A Yamaha proprietary effect that
produces a richer and more complex
modulation than chorus.
16 Phaser Stereo phaser with 2–16 stages of
phase shift.
17 Auto Pan An effect which cyclically moves the
sound between left and right.
18 Tremolo Tremolo
19 Dual Pitch Stereo pitch shift with left and right
pitches set independently.
20 Rotary Simulation of a rotary speaker.
21 Ring Mod.
An effect that modifies the pitch by
applying amplitude modulation to
the frequency of the input. Even the
modulation frequency can be con-
trolled by modulation.
22 Mod.Filter An effect which uses an LFO to modu-
late the frequency of the filter.
# Type Description
28 Rev+Chorus Reverb and chorus in parallel
29 Rev->Chorus Reverb and chorus in series
30 Rev+Flange Reverb and flanger in parallel
31 Rev->Flange Reverb and flanger in series
32 Rev+Sympho. Reverb and symphonic in parallel
33 Rev->Sym-
pho. Reverb and symphonic in series
34 Rev->Pan Reverb and auto-pan in parallel
35 Delay+ER. Delay and early reflections in parallel
36 Delay->ER. Delay and early reflections in series
37 Delay+Rev Delay and reverb in parallel
38 Delay->Rev Delay and reverb in series
39 Dist->Delay Distortion and delay in series

20
Effects Parameters
REVERB HALL, REVERB ROOM, REVERB STAGE, REVERB PLATE
EARLY REF.
GATE REVERB, REVERSE GATE
MONO DELAY
Parameter Range Description
REV TIME 0.3–99.9 s Reverb time
INI.DLY 0.0–500.0 ms Initial delay before reverb begins
HI.RATIO 0.1–1.0 High-frequency reverb time ratio
LO.RATIO 0.1–2.4 Low-frequency reverb time ratio
DIFF. 0–10 Reverb diffusion (left–right reverb spread)
DENSITY 0–100% Reverb density
E/R DLY 0.0–100.0 ms Delay between early reflections and reverb
E/R BAL. 0–100% Balance of early reflections and reverb (0% = ER, 100% = reverb)
HPF Thru, 21 Hz–8.0 kHz High-pass filter cutoff frequency
LPF 50 Hz–16.0 kHz, Thru Low-pass filter cutoff frequency
Parameter Range Description
TYPE S-Hall, L-Hall, Random,
Revers, Plate, Spring Type of early reflection simulation
ROOMSIZE 0.1–20.0 Reflection spacing
LIVENESS 0–10 Early reflections decay characteristics (0 = dead, 10 = live)
INI.DLY 0.0–500.0 ms Initial delay before reverb begins
DIFF. 0–10 Reverb diffusion (left–right reverb spread)
DENSITY 0–100% Reverb density
ER NUM. 1–19 Number of early reflections
FB GAIN –99 to +99% Feedback gain
HI.RATIO 0.1–1.0 High-frequency feedback ratio
HPF Thru, 21 Hz–8.0 kHz High-pass filter cutoff frequency
LPF 50 Hz–16.0 kHz, Thru Low-pass filter cutoff frequency
Parameter Range Description
TYPE Type-A, Type-B Type of early reflection simulation
ROOMSIZE 0.1–20.0 Reflection spacing
LIVENESS 0–10 Early reflections decay characteristics (0 = dead, 10 = live)
INI.DLY 0.0–500.0 ms Initial delay before reverb begins
DIFF. 0–10 Reverb diffusion (left–right reverb spread)
DENSITY 0–100% Reverb density
HI.RATIO 0.1–1.0 High-frequency feedback ratio
ER NUM. 1–19 Number of early reflections
FB GAIN –99 to +99% Feedback gain
HPF Thru, 21 Hz–8.0 kHz High-pass filter cutoff frequency
LPF 50 Hz–16.0 kHz, Thru Low-pass filter cutoff frequency
Parameter Range Description
DELAY 0.0–2730.0 ms Delay time
FB.GAIN –99 to +99% Feedback gain (plus values for normal-phase feedback, minus values for
reverse-phase feedback)
HI.RATIO 0.1–1.0 High-frequency feedback ratio
HPF Thru, 21 Hz–8.0 kHz High-pass filter cutoff frequency
LPF 50 Hz–16.0 kHz, Thru Low-pass filter cutoff frequency