Alyseum SELECTOR User manual
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ALYSEUM - SELECTOR & HOLD - User's manual 2.0 (Firmware 1.1)
1. ntroduction
&SELECTOR'&%&()')*
++))(,+),-)'
.)*)/,+0'!)&))'*+)%,
))/)*)&1+!)+&
&&)*)&'&%&2)%'&%&1)(
0'+)'''+)34",+'1+
!)+&34"56/-37"6/-"73
/)3'+0+&')+)0%%
+)/)894"
.(+,(!)+&+))):
&HOLD'/)';
+/!&+&'')&*)))<
= 3'%)''')/),+)00)!%%
>)
= "2/))3%''')/),+)0
0)!
&3'%)'3%)/)(+&?'!)&)&
.@
5',*)'+&%*)&'*(
/'!&)&'''':
These modules can be controlled in 8 different modes of wich 5 exclusive:
" )'0(0))
*)&5A.B..'C'))/)'0C%)
D 2./)!)&)0/**)))%
9 5..E5../)
F 1)!)+&!)&5..G/)
8 1)!)+&!)&G@%%/)
H 1)!)+&!)&G@%%I/)
3 2G@%%./),C
Two unique features increase the power of the different modes and their usabilities:
= AJA/%%)CJ*+)0*)&5'F,8'H'+'%9/))
= AJ)/K'!J*+)0*)&5'D)3'!()*(+&%*)/
0'+))&*(
ALYSEUM
HOLD
T/G 8
OUT 7 T/G 7
T/G 6OUT 6
OUT 5 T/G 5
OUT 8
CV IN
OUT 4 T/G 4
OUT 3 T/G 3
OUT 2 T/G 2
OUT 1 T/G 1
TRIG
GATE
S&H
T&H
ALYSEUM
SELECTOR
MODE
O/T
MIDI
48
RST
7
3
IN
62
COM
1 5
CV
CLK
STEPRESET
OFFSET
WINARP
I/O
1 2 3 4 5 876
N C
COM
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2. Hardware
2.1. Package Content - SELECTOR
= '
= /)+0%+)%<
!5D+!I(!&
"@"8//!00+0
!&)5..+0<L+C@L+C'.EF*@L+C)(/M#
= K)(+++'
2.2. Package Content - HOLD
= '
= /)+0%+)%)!5D+!I(!&
= K)(+++'
2.3. Specifications
= )/!')&<3$*'8$*
= 5'-'/)&<8
= %&)%'&%&1)(+&/)(/<>93
= $!1)* #<I"2NFFA@"2NA
= $!1)*I #<I"2N8A@"2N8A
= $!//(/)+)'%)00+0)
2.4. nstallation - SELECTOR
Choose the installation location of your unit carefully:
= A'/+%)'+)%&)+)+*&)
= A'+)0O+))0),-+'),&),+',)
= 5C)'+&%(0)/))++)+)(*(*'('+0*)+&%++)%
'+))&
nstallation for chaining
'))&+&%*),))&'P")&*)*)')&)&'P)&%&)'
&((/+)')&+&%:
K&)0)&+&,/+!(//II
Procedure:
" (++))&')+C00'/!'0(/+*'A"/!//(
!)+& ''++))&+C+*)&/!//(0(/%%%)*)&!+C):
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D 5C0)(+))&))&00+0&)&%&)))0(++)%)&'+)'')/)&
%)"2)'*(+C+00'
9 *(/+)&'///)(/+'/)(+C'*))*(/+!)&)&
//'+!'(!&/+(+0C%/))&)(')))&'
'+!)&*(
F ++))&+C+/!+00+C))&/!//('!)+&)&+/!
8 .*)'))0!C%-/+)'.))1+#,')('++))&()*
)&/!//(%.)&+,'0+&+C)&++),C%+/)()&))&00
+0)&%&)!('!&)++)))&'')&0
nstallation with the MATR X :
= ')0/!'0()&/!//(,%(/!'E@ )(!)&
)&5A.B..
= &5..)*)&5A.B..')0++)'))&5.../)*)&'
= $*))&*)&5A.B..**)
NB:K(&%&/'/)+/!)&(9Q'(&%)00)++'%0*
'!)&)''%'()&5..)&*MB)'('())(
2.5. nstallation - HOLD
$!'')++)'))&'0(%3+)+)/?'00+0
A!(/+)&'))&*)*)&(+
$%)&3/&'++)&!)&/&)0!
MPORTANT
('!)&01%))&D"---*))'!)&)&++)
.*('(!'!)&0!)&D"---,/')&'+)%)&
&'!/%'C)*('
&C)')+)'+(00)'!)&)&/+&*)&'
&G.+''<A!+)+0'+'%AG(*'0('0()&
'
!)/+)&+'<
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")&F0+C+!*)&*)/!)&)&AG(''
)&*)/'/%)&'0))+'
D'C/)&/+FB#,??DB#'+!FB#,
F0)&0))0'!)&)&!0'
9*))&*)/!)&)&F0+CA+!
&);)
2.6. Cabling - SELECTOR
External control
$,/+))&++)++'%))&5''
.+*+&%,++)2,G'%()&'P"&5)#
MODE 1
SELECTOR #1
MIDI IN MIDI OUT
RST IN
CV IN
CLK IN
MODE 3
SELECTOR #1
MIDI IN MIDI OUT
RST IN
CV IN
CLK IN
CV
MODE 2, 4 & 5
SELECTOR #1
MIDI IN MIDI OUT
MIDI
RST IN
CV IN
CLK IN
MODE 6
SELECTOR #1
RST IN
CV IN
CLK IN
MIDI IN MIDI OUT
CLK
MODE 7
SELECTOR #1
RST IN
CV IN
CLK IN
MIDI IN MIDI OUT
CLK
RST
MODE 8
SELECTOR #1
MIDI IN MIDI OUT
RST IN
CV IN
CLK IN
CV
CLK
/O & COM
R&/0)<
" )&5)/),*(!)))C%*"*)&3./)*%"
)&5./),*(!)))%)"*)&3)/)*%
Figure: 2Figure: 1
NC
COM
1
2
3
4
5
6
7
8
NC
COM
1
2
3
4
5
6
7
8
COM COM
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COM - in case of chaining use
COM
SELECTOR #1
NC
SELECTOR #2
NC
SELECTOR #n+1
NC
COM
M D - with the MATR X
%))&%)*)&MC'$)*)&,)/)))!)&5..&!0!
&/+//,5A.B..)&),
MIDI CABLING with MATRIX II
MATRIX II
MIDI OUT
SELECTOR
or
Q-VCA
MIDI IN MIDI O/T
SELECTOR
or
Q-VCA
MIDI IN MIDI O/T
Q-VCA
or
SELECTOR
MIDI IN MIDI O/T
M D - in case of chaining
&!%+(*///)
MODE 1
SELECTOR #1
(Master)
MIDI IN MIDI OUT
SELECTOR #2
(Salve)
MIDI IN MIDI THRU
SELECTOR #n+1
(Salve)
MIDI IN MIDI THRU
RST IN
CV IN
CLK IN
RST IN
CV IN
CLK IN
RST IN
CV IN
CLK IN
NB:(*)/)+/)&")*))&)&/'*5..#(+++''?
*''!)&)%)%('(,(')')5..MB:
2.7. Good to know
HOLD module - S&H vs T&H?
&'**+0)!+/)'+/))&')*/%)))&')*)&
+))/'<
= /'N)&*)*)&)/'*)&+))/'
= +C'N&%&))&)+))/'
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-/*%0!<
HOLD module - Trigger vs Gate?
&'**+0)!%%'>)'%+))*'%))/)<
= %%N)/)+)*)&*)
= >)N&)/)+)*)&)+))(/'
(,%%(&)>)'>)(%%%☺
SELECTOR + HOLD modules - SYNC switching timing?
'!)''**+)+&/0,)/)))&))&)!!)+&)&)+&%))*
E) ')&)&* )E#(+&?')'0)&0%+'))&)/'
)%)&
&/0+<
" &+&%0)!)&)!!)+&)'))&'&,)&>930()<MC0*
C!)+&%+)
&+&%0)!)&)!!)+&!&+&)&)'')&)&'
D &+&%0)!)&)!!)+&!&+&+&'**)'
*)!+))C)))&>93)&+'D
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3. How to use
3.1. nitialization Sequence
" )&+C+/!E
A%&)/*))&)&*%&))*)'*&%0()&'5
D 5'A''')&$5''')&+/'%%*&%"+'
9 5'')&$5''<
5'"<)&)/)0*&)'!)'
5'<*)&5A.B..
5'D<),%'%)&)%)&2./)
5'9,F,8,H3<E++),!))&*))
F &''(:
.*(!))%'+&%#,(+%'+)())&+&/)DD
3.2. Rules in case of use in chaining.
= ()&0))'2**)*)&'P")&5)#
= +))&-)2,G'%()&'P")&5)#
= &-)')�)),2 ''5//):
= A')$5*)&'P")&5)#
= -+/)5'P",'))+(5..
Assign address # in Chaining:
Assign Address for Chaining
SELECTOR #1
MIDI IN MIDI OUT
SELECTOR #2
MIDI IN MIDI OUT
SELECTOR #n+1
MIDI IN MIDI OUT
RST IN
CV IN
CLK IN
RST IN
CV IN
CLK IN
RST IN
CV IN
CLK IN
&/)'%1+<
= (()
= G//%)()&0))*)&*)'&(!))%)&''P",'%+(
)'))&*)(+#
= E(()')&3%0C),!)&0))
= &,)&*)'!/%'))+()&''P*)&+''!&)&3%
0C))'+))&))&'/%','))&)*)&+&A'))
= A'''')&$5''')&+/'%%*&%"+'
NB<.)/)))&)')&+&)',/!'')&)5..!'/:
NB:)*%)))&)5..+0*)&/*)/%%)&''
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Erase the address:
= (+
= G//)&0))5
= E(+')&3%*&)!+),!)&0))
= &')),'('()!C
3.3. Mode selection
= $)&'0))5+',)&')E
= $))&0))5)0)!&'',)&5'+)')E%
MODE
& LED #
MODE Arpeggiator-like pattern (3.4) Step window (3.5)
" )')**+)(#
!)&)&5A.B.. E
D -)2
9 -)5..E5..+'
E
F -)5..G+'
8 -)G!)&/%0)/0
H -)GI
R
3 -)2IGCM' E
R
= A*)!'<
$+')&0))5)+*(+&+,)&+)'%*&))
+*)&'')&$5
$&)()&0)))++)&+)/%%
A))*"F+'!++)&+)/%%
= '5)
Mode 1 - Standalone
$0))$S$7T%0!#,!)+&/')'
G//0))$S$7"+')%%)&)/),'%)/),!)+&)
/')'
N C
1 2 3 4 5 6 7 8
STEP
N C
1 2 3 4 5 6 7 8
STEP
.<
= K)&%',-)%3)/')&))!&)& *E+)E#
= K)&'+&%,-)%"8)/'))&))!&)& *E+)
E#
=
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= K)&3'+&%,-)%89)/'-)(**)&))!&)& *E+)
E#
NB:G//')&0))')&&')E+)')&)+)*&
Mode 2 - Controlled by MATR X
5'",0)!)&)&/0)()'+H0C*D/))&5A.B..*)/
&+)MC$)0'''''/(')&*)/*)&5A.B..,0))&
'')&'
$,')&5*)&5A.B..)''MC$)
= AA/),+)&))%*)&IC))&MC$)0'/('0()&
5A.B..
= AA2/),)&))%*)&IC))&MC$)0'/('0()&5A.B
..
%A2A/),%'0C)
NB 1:&+)$)P'''''/(')&*)/*)&5A.B..,0))&'
)&$5*)&5)#'
NB 2:G//')&0))')&&')E+)')&)+)*&
5..RB
&+'%)'0()&5A.B..,*+,*(!+))&0((*)!,!+:
Commands SYS EX Header + D Device + Command # + Data + End
'MC$) U" BBRR HBBN)8RRN)" #
MC$) U" "BBRR HBBN)8RRN)" #
Mode 3 – Controlled by an external CV.
&)&0)()+)'0(-)2%)F2)#
)&0/ 'O)*+/)0)(!)&(+'!)F2)
Single module Chaining modules
Module # " D 9 F 8 H 3
Steps # 3 "8 9 D 9 93 F8 89
V/Step H2 DD2 2 "82 "D2 ""2 U2 32
NB 1:&'*+)*)&/))%++)'))&))/!&)&$K.EK+))'
NB 2:G//')&0))')&&')E+)')&)+)*&
Mode 4 - Controlled by an external M D NOTE or M D CC.
.5'9,)!+)%*5..%+0',0)())
" 5..E,!&+&'/)3)?
5..,!&&"3))+(')0)'")/'*+&%
NB:G//')&0))')&&')E+)')&)+)*&
$%%5..+'
(/%0*)&5'+*%'5'9
+)-)5..G(0'+)'+)&5../)
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= $)&0))$S+',)&'50C
= A*)!'<
&*)5..E))&*)5..')+)'0()&'5..&)#&3
%*&))+*
$&)()&0)))++)&+)/%%
A))*"F+'!++)&+)/%%
= &'5)/)0C%
Mode 5 - Controlled by an extrenal M D CLK.
&)&0)()+)'0(5..1+(*)!
*0)5..G()5%#&))/<@@!C/'%@!C@5..V0)V++C
Hex Condition Comments
3 %G )8)/5..0)M$5#
A )) 0%%
M ) )//)
)/ )/%;-+)
) )))&*))/
NB:G//')&0))')&&')E+)')&)+)*&
Mode 6 - Controlled by a single CLK input.
+&G/+))&*)/,!)&)&/%'0*)/,'/)'*)()&
+(+
NB 1:$&)()&0)),/))&1+*)&0%%
NB 2:G/)&0))/',&')&1+*?
Mode 7 – Controlled by the CLK + RST nputs.
58,0)&!-)
R+++)'+)(1+))&'
+&G/+))&'%$')&%))&)/P"
NB 1:$&)()&0)),/))&1+*)&0%%
NB 2:G/)&0))/',&')&1+*?
Mode 8 – Controlled by the CV & CLK nputs – like S&H or STROBE mode
A)+&G/,)&)%))&2/)*?))&-)G/
NB:G//')&0))')&&')E+)')&)+)*&
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3.4. "Arpeggiator-like" patterns
JA/%%)CJ/))0'/%0*)&5'F,8H
.+&%,)&5)'))+(++)++'%))&0*')&+&
&9'**))(<
Arpeggiator-like patterns Pattern # Resulting Example play LED
//# "D9"D9/))# "
!'/# " 9D"9D"
/! "D99D"" D
$' D "D9D" 9
' 9 A(((( F
$%%A/%%)C/))
= $)&0))$S,)&+',*)&F%*)&/%%)(/)E
= $)&0))$S$7,)+))&A/%%)C/))(!)
= A*)!'<
$+')&0))$S)(+&+
$&)()&0)))++)&+)/%%
A))*"F+'!++)&+)/%%
= &%+)')**
NB:5'F,8H+&&)&/))'$5
3.5. Configurable "Steps Window"
J)/K'!J0'/%0*)&5'D)3
&J)/K'!J*+)!()*(+&%*)/0#'+))&*(:
+&%#
$%%)&)/!'!
= $)&0))$7,)&+'!%)E,)&'+))&)W)&)
%&)*)&)/!'!
= $)&0))$S$7,))&))%*)#/)
= $)&0))5)!)+&)')%'%/)*)&)/!'!
= $)&0))$S$7,))&'%%&)#/)
= A*)!'<
$+')&0))5)(+&+
$&)()&0)))++)&+)/%%
A))*"F+'!++)&+)/%%
= &)!%+)')**
NB 1:A)!+)%,(++))))%''%/))%)&
NB 2:5'D)3+&&)&)/K'!'$5
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3.6. Firmware upgrade
SELECTOR'//%'!)&)&0)()+*!/%'*0%*-,-)*),
+)?))+#5../)+(-+'#
$,*)&/% !/%'&))/<@@(+@*!/'))+!*!*(
/'+)
.')*&!*!,/*!)&)+)0!'))#<
" )&+C+/!
5..*)!(+/)
D +))&+/)')&)/%'!)&5..+0
9 !'(-))()&))/<@@!!!C)@//)''!'K.E'B#
F $'&')&M0)),!&)%)&+C+/!0+CE&M0))+)'
0&')&&*)/,'!)&2/)'+0/'%)&,%0O+)C,
*-/,))&/+C
8 &'5*&D),)&M0))
H /)&C)8(-))(*)!,++CLoad,*')&!*!*'++C/
3 +CConfigure,+)5..)/)+/'%)(5..)*+,)9*()&)-)0-,
+)-"*0)*''++CG
U +CSend
" %)&*!/'),)&'50C!(
"" %)&$5/'),)&'50C*)(
" K))'%+/),)&'5'*&D),')&'0))/)%'
!)&!*!
NB 1:$))&)*)&*)!)00)')&5..+'++*(,)&*)!A+)
%%&'0%)&5..'+)(
NB 2:A/))'$)''%!*!*&%
&C)X>)*5)0.))*&/M)'+'<&))/<@@%)&0+@/+&))@'
0)'
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4. Miscellaneous
4.1. Disclaimer
A%&)'/'+)!&/)*)&'+)/&0)'!)&))&-//*
ALYSEUM
""UUALYSEUM.
&*)'/+*+)'+0')&0O+))+&%!)&)/)+
&%&))&,)'C'%&)0'K))&)&)!%)&))&0*)*
)&)'C!,!)&))**%)
4.2. Warranty and repair
ALYSEUM!))(,)&%/+&,)&)+&*)/'+)!0**'*+))'
!C&/*/'*)!(*!%)&')*/+&
&!)(')//()(/'+)!&+&&0/')'0()&)&ALYSEUM,!&+&&
00O+)),),0,++'),//))
ALYSEUM0)(+1+*+&)')&)*)&K)(
$,+)('*'))//)/%&))/<@@!!!(+@//)0*(
+)
4.3. Special Thanks
2(CC)&/%#,$&/&,(0and some users for your positive comments or
feedback
This manual suits for next models
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