Artemide NODO-MASTER PRO User manual

www.artemide.com

NODO-MASTER PRO
Led control interface - Funcons and ulizaon
Interfaccia di controllo per Led - Funzioni e ulizzo
Interface de commande pour Led - Foncons et ulisaon
Steuerschnistelle für Led - Funkonen und Anwendung
Interfaz de control para Led - Funciones y ulización
Y503300172#I=A
IP20 IP67
Dim. 106 x 90 x 70 mm Dim. 310 x 168 x 90 mm
DALI M077200 M077000
DALI / DMX M077300 M077100

2
LANGUAGE INDEX
ENGLISH ϰ
ITALIANO 2ϴ
FRANCAIS 5Ϯ
DEUTSCH 7ϲ
ESPAÑOL 10Ϭ

3

4
TABLE OF CONTENTS
1–INTRODUCTION ϱ
2 – FIXTURES LAYOUT, MANDATORY LIMITS ϲ
3–FUSES 1Ϭ
4–POWERSUPPLY 1Ϭ
5–CABLESCHARACTERISTICS 1Ϭ
6 – SETTING NODO-MASTER TO “DALI” MODE 1Ϯ
6-1-CONNECTIONS 1Ϯ
6.2 - DIP-SWITCHES SETTINGS FOR DALI MODE 1Ϯ
6.3 - COMPLEX PLANTS AND ADDRESSES MANAGEMENT 1ϯ
7 – SETTING NODO-MASTER TO “DMX” MODE 1ϰ
7-1-CONNECTIONS 1ϰ
7.2 - DIP-SWITCHES SETTINGS FOR DMX MODE 1ϰ
8 – SETTING NODO-MASTER TO “SLAVE” MODE 2Ϭ
8-1-CONNECTIONS 2Ϭ
8.2 - DIP-SWITCHES SETTINGS FOR SLAVE MODE 2Ϭ
9 – SETTING NODO-MASTER TO “ROLLING” MODE 2ϭ
9.0-INTRODUCTION 2ϭ
9.1-CONNECTIONS 2ϭ
9.2 - DIP-SWITCHES SETTINGS FOR ROLLING MODE 2ϭ
9.3-FUNCTIONOFTHEPUSH-BUTTON 2ϰ
10 – SETTING NODO-MASTER TO “PUSHDIM” MODE 2ϰ
10.0-INTRODUCTION 2ϰ
10.1-CONNECTIONS 2ϰ
10.2 - DIP-SWITCHES SETTINGS FOR PUSHDIM MODE 2ϰ
10.3-FUNCTIONOFTHEPUSH-BUTTON 2ϲ
11 – TESTING THE SYSTEM, ERROR MESSAGES 2ϲ

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1 – INTRODUCTION
The NODO-MASTER DALI or NODO-MASTER DALI/DMX purpose is to connect a DALI or DMX environment to Artemide fixtures sup-
plying an ADSI (Artemide digital signal interface) controller.
Further to DALI or DMX bus, it is also possible to activate an internal self-rolling engine, or a push button driven interface.
The main characteristic of the 3 wires ADSI bus is to divide the power bus (feeding bus) from the command ones (digital bus).
Between the limits of maximum power given by the power supply unit, and the constraints given by the section of feeding wires, it’s
possible to manage longer sections than using other 4 wires systems. Use of digital commands and particular circuit layouts permit
to maintain a constant brightness between all fixtures belonging to one section, and there is no brightness change between last
fixture of one section and first one of next section.
Another interesting characteristic is the possibility to share on same section different technology and/or function fixtures: RBG
diffusing direct, monochrome power direct… In complex layouts, up to 8 independent channels are available on each section.
Independently from products being available on the catalogue, here are some configuration examples along a section:
- Suspended fixtures, RGB diffusing direct emission (channels n. 1, 2, 3), white indirect emission (channel n. 8)
- Ceiling fixtures, RGB power direct emission (channels n. 1, 2, 3), blue diffusing direct emission (channel n. 4)
- Recessed floor fixtures, white diffusing direct emission (channel n. 4), RGB diffusing emission (channels n. 1, 2, 3)
Each used channel on ADSI bus corresponds to a used address on DALI or DMX bus.
NB: when NODO-MASTER DALI or NODO-MASTER DALI/DMX devices are used in DALI or DMX mode, they cannot self-generate
any ADSI command. So they always need that commands like “on”, “off”, “dimming”, “scenery recall”… be generated by the DALI
or DMX environment. Consequently it’s mandatory to preview on these buses the proper command devices.
NODO-MASTER DALI or NODO-MASTER DALI/DMX devices can self generate ADSI commands only in ROLLING or PUSHDIM mode,
see paragraph 9 and 10.
Here below the term “NODO-MASTER” will be used for both “NODO-MASTER DALI” and “NODO-MASTER DALI/DMX”. Should a func-
tion be present on only one device, it will be specified which one:
- NODO-MASTER DALI: i.e. NODO-MASTER DALI or NODO-MASTER DALI/DMX under DALI mode
- NODO-MASTER DMX: i.e. NODO-MASTER DALI/DMX under DMX mode.
Fig. 1: Nodo-Master interactions

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2 – FIXTURES LAYOUT, MANDATORY LIMITS
Here below some typical layouts, that can be used to connect ADSI fixtures to a NODO-MASTER.
Fig. 2: Typical layouts
- “Stand-alone 1” layout: Power supply unit, NODO-MASTER: this is the simplest layout, the power supply unit and NODO-MASTER
supply only one fixtures section.
- “Stand-alone 2” layout: Power supply unit, NODO-MASTER, two fixtures sections: this layout is used e.g. when NODO-MASTER is
in the middle of a section
- “Master-Slave” layout: Power Supply 1, NODO-MASTER 1 for Section 1; Power Supply 2, NODO-MASTER 2 for Section 2…: in case
of extremely long sections (longer than the NODO-MASTER limits) permits to synchronize each section to the others. NODO-
MASTER 1 is the “master” (the only one recognized by DALI/DMX environment, so occupying addresses on the bus), all others are
set as “slave” (they don’t occupy addresses on DALI/DMX bus).
ͻ DĂdžŝŵƵŵƉŽǁĞƌŐĞŶĞƌĂůůLJŵĂdžŝŵƵŵƉŽǁĞƌŽŶŽŶĞƐĞĐƚŝŽŶŝƐůŝŵŝƚĞĚƚŽϵϬйŽĨƚŚĞƉŽǁĞƌƐƵƉƉůLJƵŶŝƚĨĞĞĚŝŶŐEKKͲD^dZ
and the section. See Table 1 for advised gear power.
ͻ DĂdžŝŵƵŵŶƵŵďĞƌŽĨĨŝdžƚƵƌĞƐŽŶĂƐĞĐƚŝŽŶĐŽŶŶĞĐƚĞĚƚŽĂEKKͲD^dZŝƐϮϱ/ŶƚŚĞŵĂƐƚĞƌƐĞĐƚŝŽŶŽĨĂDĂƐƚĞƌ^ůĂǀĞ
layout, the number of “slave” NODO-MASTER has to be included into the 25 fixtures. So e.g. if there are 3 “slave” NODO-MASTER
connected to the master, in the master section the maximum number of fixtures is limited to 25-3=22. See also Table 1 for limits.
ͻ DĂdžŝŵƵŵƐĞĐƚŝŽŶůĞŶŐƚŚĐŽŶŶĞĐƚĞĚƚŽĂEKKͲD^dZƉƌŽǀŝĚĞĚƚŚĂƚĂůůĨŝdžƚƵƌĞƐĂƌĞĐŽŶƚŝŐƵŽƵƐǁŝƚŚŽƵƚĞŵƉƚLJƐƉĂĐĞƐ
between them, being L is the cable length between NODO-MASTER and 1st fixture of the section (in case Stand-alone 2, L=LA+LB)
and K the total length of modules (in case Stand-alone 2, K=KA+KB ), see Table 1 here below to determine K.

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ͻ ^ĞĐƚŝon length limits, maximum number of fixtures on same section, maximum power are related to the electrical characteristics
of fixtures belonging to the section, and to the wire section-area used for passing through wiring. For these purposes, see also
constraints reported on Artemide catalogue.
Type of
installation
Type of
module
Length of
module
(m)
Section of
power feed
cable (mm²)
L (Length of
power feed
cable) (m)
K max
(Total length of
modules) (m)
N. max
number of
modules
Gear power
(W)
Floor
RGB
0.6 0.75
512 20
24010 8.4 14
15 6.6 11
0.9
0.75
510.8 12
240
10 910
15 7.2 8
1.5 15 10.8 12
2.5 15 12.6 14 320
1.2
1.5
514.4 12
32010 12 10
15 10.8 9
2.5
514.4 12
32010 13.2 11
15 12 10
White
0.6 0.75 15 12 20 100
0.9 0.75
15 9.9 11 100
518 20
24010 16.2 18
15 13.5 15
1.2 0.75
520.4 17
240
10 16.8 14
15 13.2 11
1.5 15 18 15
Suspension
Ceiling
Recessed
RGB
1.2 2.5 10 15.6 13 320
15 14.4 12
2.4 2.5 10 14.4 6320
15 12 5
White 1.2 2.5 20 9.6 8 320
30 7.2 6 240
2.4 2.5 20 9.6 4 320
Table 1: Layout constraints
t See Fig. 3a and 3b for the connections to be performed on NODO-MASTER for each of the above mentioned layouts.

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Fig. 3a: Connections of the Nodo-Master for layout “Stand-alone 1” and “Stand-alone 2”
(See also 6.2, 7.2, 8.2, 9.2 and 10.2 for dip-switches settings)

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Fig. 3b: Connections of the Nodo-Master for layout “Master-Slave”
(See also 6.2, 7.2, 8.2, 9.2 and 10.2 for dip-switches settings)

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3 – FUSES
A 10A retarded (T10) Ø5 x 20 mm fuse is present on front panel of NODO-MASTER, in order to protect the fixtures feeding line.
4 – POWER SUPPLY
Use constant tension power supplies advised by Artemide on its catalogue, under the environment and section power constraints
(VOUT = 48VDC, max 480W). NB: Artemide declines any responsibilities should power supplies be used not certified by Artemide.
5 – CABLES CHARACTERISTICS
Please refer to Fig. 4.
From power supply to NODO-MASTER (M5 terminal block): use wires compatible with the installation environment. Take this
connection as shortest as possible, use minimum 2 x 2.5 mm². Possibly use cables already built-in into the power supply, should they
be present.
From NODO-MASTER (M6 and M7 terminal blocks) to the 1st fixture of the section: if exist, use the code previewed on the catalogue
(e.g. Algoritmo Floor Recessed, 3 x 0.75 mm²).
Otherwise use a 3-poles cable, environmentally compatible with the installation. This cable connection must be taken as shortest as
possible, minimum advised wire section is 3 x 1.5 mm² (better 3 x 2.5 mm²). Respect the polarity “+”, ”-“, “S” shown on the cable and
on terminal blocks.
From DALI bus to NODO-MASTER (M1 terminal block): calculate the maximum distance between the Dali control unit (e.g. Touch
Panel, Group Controller, Scene Controller, …) and the most far actuating device, including NODO-MASTER: use wires sections greater
than 0.5 mm² for distance up to 100 m, greater than 0.75 mm² for distance up to 150 m, greater than 1,5 mm² for longer distances.
Maximum distance cannot exceed 300 m. DALI bus is not polarized.
From DMX bus to NODO-MASTER (M4 terminal block, only for NODO-MASTER DMX): use a twisted pair cable, e.g. a CAT5 cable.
Make connection as shown in one of the two schematics on Fig. 5. Respect the polarity “GND”, “+”, “-“.
Connections for “Master-Slave” layout between M2 and M6 terminal blocks: use minimum 2 x 0.5 mm², connect “–“ and “S” poles
on M6 or M7 of “Master” NODO-MASTER to same poles on M2 o M3 of “Slave” NODO-MASTER, respecting the polarity.
Fig. 4: Terminal block layout of Nodo-Master
(See also 6.2, 7.2, 8.2, 9.2 and 10.2 for dip-switches settings)

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Fig. 5: Connections of bus DMX

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6 – SETTING NODO-MASTER TO “DALI” MODE
6-1 - CONNECTIONS
Use cables as shown in paragraph 5. Refer to Fig. 3a and 3b.
Connect cables from DALI bus to M1 terminal block.
Connect feeding cables from power supply to M5 terminal block, respecting the polarity.
Connect the cable toward the fixtures to M6 terminal block, respecting the polarity.
In case of “Master-Slave” layout, connect “–“ and “S” on M7 of “Master” NODO-MASTER DALI to “–“ and “S” on M2 of “Slave”
NODO-MASTER, respecting the polarity, Fig. 3b.
6.2 - DIP-SWITCHES SETTINGS FOR DALI MODE
Please refer to Fig. 6.
To set the bus type, locate S1 dip-switches. To set DALI bus:
S1-1: OFF
S1-2: ON
S1-3: OFF
S1-4: OFF
To set the reserved addresses number on the bus, locate S2 dip-switches:
- If on the section connected to the NODO-MASTER under setting are present only RGB direct fixtures, NODO-MASTER DALI
occupies 3 addresses. Set S2 dip-switches as below:
S2-1: ON
S2-2: OFF
S2-3: OFF
S2-4: OFF
- If on the section connected to the NODO-MASTER under setting are present only monochrome (only white, only red, only green,
only blue, only amber) direct fixtures, NODO-MASTER DALI occupies 1 address. Set S2 dip-switches as below:
S2-1: OFF
S2-2: ON
S2-3: OFF
S2-4: OFF
- If on the section connected to the NODO-MASTER under setting are present RGB and/or monochrome and/or different typology
(direct and indirect) fixtures, set S2 dip-switches as per actual situation, NODO-MASTER DALI occupies N addresses as per
attached Table 2 (where ON = fixtures are present, OFF = fixtures are NOT present):
Total occupied
Addresses
S2-1
(DIRECT RGB)
S2-2
(DIRECT MONOCHROME)
S2-3
(INDIRECT RGB)
S2-4
(INDIRECT MONOCHROME)
1OFF ON OFF OFF
1OFF OFF OFF ON
2OFF ON OFF ON
3ON OFF OFF OFF
3OFF OFF ON OFF
4ON ON OFF OFF
4OFF OFF ON ON
4ON OFF OFF ON
4OFF ON ON OFF
6ON OFF ON OFF
7ON ON ON OFF
7ON OFF ON ON
8ON ON ON ON
Table 2: settings of dip-switches S2
NB: due to the limited number of addresses (64) managed by DALI protocol, it’s advised to always set the minimum number of
addresses, compatibly with layout requirements.
S3 and S4 are meaningless under NODO-MASTER DALI mode.

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6.3 - COMPLEX PLANTS AND ADDRESSES MANAGEMENT
Suppose to have two sections, each connected to a NODO-MASTER DALI, and that is necessary to synchronize the colours of both
sections. If the two sections are far between them, and so it’s difficult to use a “master-slave” layout, it’s necessary to group DALI
addresses by means of “group controllers” into “groups” (max 16), as previewed by DALI standard.
For example, under the simple case only RGB fixtures, we could have (please note that the address number can be seen only using a
DALI-PC interface or on some DALI Control Panel):
NODO-MASTER DALI N. 1:
R = address n. 1
G = address n. 2
B = address n. 3
NODO-MASTER DALI N. 2:
R = address n. 4
G = address n. 5
B = address n. 6.
Following the specific Group Controller (or Control Panel) procedure, add each address to the proper DALI group:
Group 1 (RED): address n. 1, address n. 4
Group 2 (GREEN): address n. 2, address n. 5
Group 3 (BLUE): address n. 3, address n. 6.
The 3 groups will be managed by means of sceneries (max 16) as per DALI standard, using “sceneries controllers“. Several sceneries
can be recalled from “sequences”, if previewed by used DALI Control Panel.
Due to the fact that DALI protocol assigns addresses in random mode to the devices found along the bus (including NODO-MASTER),
could happen that addresses assigned to a NODO-MASTER are not contiguous and/or in desired order.
In such a case, we could find, having the same previous example:
NODO-MASTER DALI N. 1:
R = address n. 6
G = address n. 2
B = address n. 3
NODO-MASTER DALI N. 2:
R = address n. 1
G = address n. 4
B = address n. 5.
In this case, add DALI addresses to DALI groups as follows:
Group 1 (RED): address n. 6, address n. 1
Group 2 (GREEN): address n. 2, address n. 4
Group 3 (BLUE): address n. 3, address n. 5
Fig. 6: Settings of dip-switches S2 in “Dali” mode,
See also Table 2 in chapter 6.2 for other fixtures combinations

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7 – SETTING NODO-MASTER TO “DMX” MODE
7-1 - CONNECTIONS
Use cables as shown in paragraph 5. Refer to fig. 3a and 3b.
Connect cables from DMX bus to M4 terminal block, respecting the polarity. Use one of the two ways shown in fig. 5.
Connect feeding cables from power supply to M5 terminal block, respecting the polarity.
Connect the cable toward the fixtures to M6 terminal block, respecting the polarity.
In case of “Master-Slave” layout, connect “–“ and “S” on M7 of “Master” NODO-MASTER DMX to “–“ and “S” on M2 of “Slave”
NODO-MASTER, respecting the polarity, fig. 3b.
7.2 - DIP-SWITCHES SETTINGS FOR DMX MODE
Please refer to fig. 7.
To set the bus type, locate S1 dip-switches. To set DMX bus:
S1-1: ON
S1-2: OFF
S1-3: OFF
S1-4: OFF
To set the reserved addresses number on the bus, locate S2 dip-switches:
- If on the section connected to the NODO-MASTER under setting are present only RGB direct fixtures, NODO-MASTER DMX
occupies 3 addresses. Set S2 dip-switches as below:
S2-1: ON
S2-2: OFF
S2-3: OFF
S2-4: OFF.
- If on the section connected to the NODO-MASTER under setting are present only monochrome (only white, only red, only green,
only blue, only amber) direct fixtures, NODO-MASTER DMX occupies 1 address. Set S2 dip-switches as below:
S2-1: OFF
S2-2: ON
S2-3: OFF
S2-4: OFF.
- If on the section connected to the NODO-MASTER under setting are present RGB and/or monochrome and/or different typology
(direct and indirect) fixtures, set S2 dip-switches as per actual situation, NODO-MASTER DMX occupies N addresses as per
attached table n. 2 (where ON = fixtures are present, OFF = fixtures are NOT present).
To activate the internal DMX terminating resistance, locate S3 dip-switches.
ƐƉĞƌDyƐƚĂŶĚĂƌĚůĂƐƚĚĞǀŝĐĞĐŽŶŶĞĐƚĞĚƚŽĂDyďƵƐŵƵƐƚŚĂǀĞĂϭϮϬёƌĞƐŝƐƚĂŶĐĞďĞƚǁĞĞŶŝƚƐнĞʹdŚŝƐƌĞƐŝƐƚĂŶĐĞĐĂŶďĞ
internally activated on a NODO-MASTER DMX by setting S3-1 to ON.
To set DMX address, locate S4 dip-switches.
On a DMX bus, each device must have a unique address ranging between 1 and 511.
Following the addresses number occupied by a NODO-MASTER DMX (see S2 dip-switch value on Table n. 2), choose a free address
for each NODO-MASTER DMX, and assign to it using S4 dip-switches.
Switches from S4-1 to S4-9 are used to select the DMX starting address occupied by NODO-MASTER DMX. See following Table n. 3,
using binary coding, 0 = OFF, 1 = ON.

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DMX
Address
DIP-switch n. DMX
Address
DIP-switch n.
10987654321 10987654321
1OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF 64 OFF OFF OFF ON OFF OFF OFF OFF OFF OFF
1OFF OFF OFF OFF OFF OFF OFF OFF OFF ON 65 OFF OFF OFF ON OFF OFF OFF OFF OFF ON
2OFF OFF OFF OFF OFF OFF OFF OFF ON OFF 66 OFF OFF OFF ON OFF OFF OFF OFF ON OFF
3OFF OFF OFF OFF OFF OFF OFF OFF ON ON 67 OFF OFF OFF ON OFF OFF OFF OFF ON ON
4OFF OFF OFF OFF OFF OFF OFF ON OFF OFF 68 OFF OFF OFF ON OFF OFF OFF ON OFF OFF
5OFF OFF OFF OFF OFF OFF OFF ON OFF ON 69 OFF OFF OFF ON OFF OFF OFF ON OFF ON
6OFF OFF OFF OFF OFF OFF OFF ON ON OFF 70 OFF OFF OFF ON OFF OFF OFF ON ON OFF
7OFF OFF OFF OFF OFF OFF OFF ON ON ON 71 OFF OFF OFF ON OFF OFF OFF ON ON ON
8OFF OFF OFF OFF OFF OFF ON OFF OFF OFF 72 OFFOFFOFFONOFFOFFONOFFOFFOFF
9OFF OFF OFF OFF OFF OFF ON OFF OFF ON 73 OFFOFFOFFONOFFOFFONOFFOFFON
10 OFF OFF OFF OFF OFF OFF ON OFF ON OFF 74 OFF OFF OFF ON OFF OFF ON OFF ON OFF
11 OFF OFF OFF OFF OFF OFF ON OFF ON ON 75 OFF OFF OFF ON OFF OFF ON OFF ON ON
12 OFF OFF OFF OFF OFF OFF ON ON OFF OFF 76 OFFOFFOFFONOFFOFFON ONOFFOFF
13 OFF OFF OFF OFF OFF OFF ON ON OFF ON 77 OFFOFFOFFONOFFOFFON ONOFFON
14 OFF OFF OFF OFF OFF OFF ON ON ON OFF 78 OFFOFFOFFONOFFOFFON ON ONOFF
15 OFF OFF OFF OFF OFF OFF ON ON ON ON 79 OFF OFF OFF ON OFF OFF ON ON ON ON
16 OFF OFF OFF OFF OFF ON OFF OFF OFF OFF 80 OFF OFF OFF ON OFF ON OFF OFF OFF OFF
17 OFF OFF OFF OFF OFF ON OFF OFF OFF ON 81 OFF OFF OFF ON OFF ON OFF OFF OFF ON
18 OFF OFF OFF OFF OFF ON OFF OFF ON OFF 82 OFF OFF OFF ON OFF ON OFF OFF ON OFF
19 OFF OFF OFF OFF OFF ON OFF OFF ON ON 83 OFF OFF OFF ON OFF ON OFF OFF ON ON
20 OFF OFF OFF OFF OFF ON OFF ON OFF OFF 84 OFF OFF OFF ON OFF ON OFF ON OFF OFF
21 OFF OFF OFF OFF OFF ON OFF ON OFF ON 85 OFF OFF OFF ON OFF ON OFF ON OFF ON
22 OFF OFF OFF OFF OFF ON OFF ON ON OFF 86 OFF OFF OFF ON OFF ON OFF ON ON OFF
23 OFF OFF OFF OFF OFF ON OFF ON ON ON 87 OFF OFF OFF ON OFF ON OFF ON ON ON
24 OFF OFF OFF OFF OFF ON ON OFF OFF OFF 88 OFF OFF OFF ON OFF ON ON OFF OFF OFF
25 OFF OFF OFF OFF OFF ON ON OFF OFF ON 89 OFF OFF OFF ON OFF ON ON OFF OFF ON
26 OFF OFF OFF OFF OFF ON ON OFF ON OFF 90 OFF OFF OFF ON OFF ON ON OFF ON OFF
27 OFF OFF OFF OFF OFF ON ON OFF ON ON 91 OFF OFF OFF ON OFF ON ON OFF ON ON
28 OFF OFF OFF OFF OFF ON ON ON OFF OFF 92 OFF OFF OFF ON OFF ON ON ON OFF OFF
29 OFF OFF OFF OFF OFF ON ON ON OFF ON 93 OFF OFF OFF ON OFF ON ON ON OFF ON
30 OFF OFF OFF OFF OFF ON ON ON ON OFF 94 OFF OFF OFF ON OFF ON ON ON ON OFF
31 OFFOFFOFFOFFOFFONONONONON 95 OFF OFF OFF ON OFF ON ON ON ON ON
32 OFF OFF OFF OFF ON OFF OFF OFF OFF OFF 96 OFF OFF OFF ON ON OFF OFF OFF OFF OFF
33 OFF OFF OFF OFF ON OFF OFF OFF OFF ON 97 OFF OFF OFF ON ON OFF OFF OFF OFF ON
34 OFF OFF OFF OFF ON OFF OFF OFF ON OFF 98 OFF OFF OFF ON ON OFF OFF OFF ON OFF
35 OFF OFF OFF OFF ON OFF OFF OFF ON ON 99 OFF OFF OFF ON ON OFF OFF OFF ON ON
36 OFF OFF OFF OFF ON OFF OFF ON OFF OFF 100 OFFOFFOFFON ONOFFOFFONOFFOFF
37 OFF OFF OFF OFF ON OFF OFF ON OFF ON 101 OFFOFFOFFON ONOFFOFFONOFFON
38 OFF OFF OFF OFF ON OFF OFF ON ON OFF 102 OFFOFFOFFON ONOFFOFFON ONOFF
39 OFF OFF OFF OFF ON OFF OFF ON ON ON 103 OFF OFF OFF ON ON OFF OFF ON ON ON
40 OFF OFF OFF OFF ON OFF ON OFF OFF OFF 104 OFF OFF OFF ON ON OFF ON OFF OFF OFF
41 OFF OFF OFF OFF ON OFF ON OFF OFF ON 105 OFF OFF OFF ON ON OFF ON OFF OFF ON
42 OFF OFF OFF OFF ON OFF ON OFF ON OFF 106 OFF OFF OFF ON ON OFF ON OFF ON OFF
43 OFF OFF OFF OFF ON OFF ON OFF ON ON 107 OFF OFF OFF ON ON OFF ON OFF ON ON
44 OFF OFF OFF OFF ON OFF ON ON OFF OFF 108 OFF OFF OFF ON ON OFF ON ON OFF OFF
45 OFF OFF OFF OFF ON OFF ON ON OFF ON 109 OFF OFF OFF ON ON OFF ON ON OFF ON
46 OFF OFF OFF OFF ON OFF ON ON ON OFF 110 OFF OFF OFF ON ON OFF ON ON ON OFF
47 OFF OFF OFF OFF ON OFF ON ON ON ON 111 OFF OFF OFF ON ON OFF ON ON ON ON
48 OFF OFF OFF OFF ON ON OFF OFF OFF OFF 112 OFF OFF OFF ON ON ON OFF OFF OFF OFF
49 OFF OFF OFF OFF ON ON OFF OFF OFF ON 113 OFF OFF OFF ON ON ON OFF OFF OFF ON
50 OFF OFF OFF OFF ON ON OFF OFF ON OFF 114 OFFOFFOFFON ON ONOFFOFFONOFF
51 OFF OFF OFF OFF ON ON OFF OFF ON ON 115 OFF OFF OFF ON ON ON OFF OFF ON ON
52 OFF OFF OFF OFF ON ON OFF ON OFF OFF 116 OFF OFF OFF ON ON ON OFF ON OFF OFF
53 OFF OFF OFF OFF ON ON OFF ON OFF ON 117 OFF OFF OFF ON ON ON OFF ON OFF ON
54 OFF OFF OFF OFF ON ON OFF ON ON OFF 118 OFF OFF OFF ON ON ON OFF ON ON OFF
55 OFF OFF OFF OFF ON ON OFF ON ON ON 119 OFF OFF OFF ON ON ON OFF ON ON ON
56 OFF OFF OFF OFF ON ON ON OFF OFF OFF 120 OFFOFFOFFONONONONOFFOFFOFF
57 OFF OFF OFF OFF ON ON ON OFF OFF ON 121 OFFOFFOFFONONONONOFFOFFON
58 OFF OFF OFF OFF ON ON ON OFF ON OFF 122 OFF OFF OFF ON ON ON ON OFF ON OFF
59 OFF OFF OFF OFF ON ON ON OFF ON ON 123 OFF OFF OFF ON ON ON ON OFF ON ON
60 OFF OFF OFF OFF ON ON ON ON OFF OFF 124 OFFOFFOFFONONONONONOFFOFF
61 OFF OFF OFF OFF ON ON ON ON OFF ON 125 OFFOFFOFFONONONONONOFFON
62 OFF OFF OFF OFF ON ON ON ON ON OFF 126 OFFOFFOFFONONONONONONOFF
63 OFF OFF OFF OFF ON ON ON ON ON ON 127 OFFOFFOFFONONONONONONON
Table 3-1: DMX address setting

16
DMX
Address
DIP-switch n. DMX
Address
DIP-switch n.
10987654321 10987654321
128 OFF OFF ON OFF OFF OFF OFF OFF OFF OFF 192 OFF OFF ON ON OFF OFF OFF OFF OFF OFF
129 OFF OFF ON OFF OFF OFF OFF OFF OFF ON 193 OFF OFF ON ON OFF OFF OFF OFF OFF ON
130 OFF OFF ON OFF OFF OFF OFF OFF ON OFF 194 OFF OFF ON ON OFF OFF OFF OFF ON OFF
131 OFF OFF ON OFF OFF OFF OFF OFF ON ON 195 OFF OFF ON ON OFF OFF OFF OFF ON ON
132 OFF OFF ON OFF OFF OFF OFF ON OFF OFF 196 OFF OFF ON ON OFF OFF OFF ON OFF OFF
133 OFF OFF ON OFF OFF OFF OFF ON OFF ON 197 OFF OFF ON ON OFF OFF OFF ON OFF ON
134 OFF OFF ON OFF OFF OFF OFF ON ON OFF 198 OFF OFF ON ON OFF OFF OFF ON ON OFF
135 OFF OFF ON OFF OFF OFF OFF ON ON ON 199 OFF OFF ON ON OFF OFF OFF ON ON ON
136 OFF OFF ON OFF OFF OFF ON OFF OFF OFF 200 OFF OFF ON ON OFF OFF ON OFF OFF OFF
137 OFF OFF ON OFF OFF OFF ON OFF OFF ON 201 OFF OFF ON ON OFF OFF ON OFF OFF ON
138 OFF OFF ON OFF OFF OFF ON OFF ON OFF 202 OFF OFF ON ON OFF OFF ON OFF ON OFF
139 OFF OFF ON OFF OFF OFF ON OFF ON ON 203 OFF OFF ON ON OFF OFF ON OFF ON ON
140 OFF OFF ON OFF OFF OFF ON ON OFF OFF 204 OFF OFF ON ON OFF OFF ON ON OFF OFF
141 OFF OFF ON OFF OFF OFF ON ON OFF ON 205 OFF OFF ON ON OFF OFF ON ON OFF ON
142 OFF OFF ON OFF OFF OFF ON ON ON OFF 206 OFF OFF ON ON OFF OFF ON ON ON OFF
143 OFF OFF ON OFF OFF OFF ON ON ON ON 207 OFF OFF ON ON OFF OFF ON ON ON ON
144 OFF OFF ON OFF OFF ON OFF OFF OFF OFF 208 OFF OFF ON ON OFF ON OFF OFF OFF OFF
145 OFF OFF ON OFF OFF ON OFF OFF OFF ON 209 OFF OFF ON ON OFF ON OFF OFF OFF ON
146 OFF OFF ON OFF OFF ON OFF OFF ON OFF 210 OFF OFF ON ON OFF ON OFF OFF ON OFF
147 OFF OFF ON OFF OFF ON OFF OFF ON ON 211 OFF OFF ON ON OFF ON OFF OFF ON ON
148 OFF OFF ON OFF OFF ON OFF ON OFF OFF 212 OFF OFF ON ON OFF ON OFF ON OFF OFF
149 OFF OFF ON OFF OFF ON OFF ON OFF ON 213 OFF OFF ON ON OFF ON OFF ON OFF ON
150 OFF OFF ON OFF OFF ON OFF ON ON OFF 214 OFF OFF ON ON OFF ON OFF ON ON OFF
151 OFF OFF ON OFF OFF ON OFF ON ON ON 215 OFF OFF ON ON OFF ON OFF ON ON ON
152 OFF OFF ON OFF OFF ON ON OFF OFF OFF 216 OFF OFF ON ON OFF ON ON OFF OFF OFF
153 OFF OFF ON OFF OFF ON ON OFF OFF ON 217 OFF OFF ON ON OFF ON ON OFF OFF ON
154 OFF OFF ON OFF OFF ON ON OFF ON OFF 218 OFF OFF ON ON OFF ON ON OFF ON OFF
155 OFF OFF ON OFF OFF ON ON OFF ON ON 219 OFF OFF ON ON OFF ON ON OFF ON ON
156 OFF OFF ON OFF OFF ON ON ON OFF OFF 220 OFF OFF ON ON OFF ON ON ON OFF OFF
157 OFF OFF ON OFF OFF ON ON ON OFF ON 221 OFF OFF ON ON OFF ON ON ON OFF ON
158 OFF OFF ON OFF OFF ON ON ON ON OFF 222 OFF OFF ON ON OFF ON ON ON ON OFF
159 OFF OFF ON OFF OFF ON ON ON ON ON 223 OFF OFF ON ON OFF ON ON ON ON ON
160 OFF OFF ON OFF ON OFF OFF OFF OFF OFF 224 OFF OFF ON ON ON OFF OFF OFF OFF OFF
161 OFF OFF ON OFF ON OFF OFF OFF OFF ON 225 OFF OFF ON ON ON OFF OFF OFF OFF ON
162 OFF OFF ON OFF ON OFF OFF OFF ON OFF 226 OFF OFF ON ON ON OFF OFF OFF ON OFF
163 OFF OFF ON OFF ON OFF OFF OFF ON ON 227 OFF OFF ON ON ON OFF OFF OFF ON ON
164 OFF OFF ON OFF ON OFF OFF ON OFF OFF 228 OFF OFF ON ON ON OFF OFF ON OFF OFF
165 OFF OFF ON OFF ON OFF OFF ON OFF ON 229 OFF OFF ON ON ON OFF OFF ON OFF ON
166 OFF OFF ON OFF ON OFF OFF ON ON OFF 230 OFF OFF ON ON ON OFF OFF ON ON OFF
167 OFF OFF ON OFF ON OFF OFF ON ON ON 231 OFF OFF ON ON ON OFF OFF ON ON ON
168 OFF OFF ON OFF ON OFF ON OFF OFF OFF 232 OFF OFF ON ON ON OFF ON OFF OFF OFF
169 OFF OFF ON OFF ON OFF ON OFF OFF ON 233 OFF OFF ON ON ON OFF ON OFF OFF ON
170 OFF OFF ON OFF ON OFF ON OFF ON OFF 234 OFF OFF ON ON ON OFF ON OFF ON OFF
171 OFF OFF ON OFF ON OFF ON OFF ON ON 235 OFF OFF ON ON ON OFF ON OFF ON ON
172 OFF OFF ON OFF ON OFF ON ON OFF OFF 236 OFF OFF ON ON ON OFF ON ON OFF OFF
173 OFF OFF ON OFF ON OFF ON ON OFF ON 237 OFF OFF ON ON ON OFF ON ON OFF ON
174 OFF OFF ON OFF ON OFF ON ON ON OFF 238 OFF OFF ON ON ON OFF ON ON ON OFF
175 OFF OFF ON OFF ON OFF ON ON ON ON 239 OFF OFF ON ON ON OFF ON ON ON ON
176 OFF OFF ON OFF ON ON OFF OFF OFF OFF 240 OFF OFF ON ON ON ON OFF OFF OFF OFF
177 OFF OFF ON OFF ON ON OFF OFF OFF ON 241 OFF OFF ON ON ON ON OFF OFF OFF ON
178 OFF OFF ON OFF ON ON OFF OFF ON OFF 242 OFF OFF ON ON ON ON OFF OFF ON OFF
179 OFF OFF ON OFF ON ON OFF OFF ON ON 243 OFF OFF ON ON ON ON OFF OFF ON ON
180 OFF OFF ON OFF ON ON OFF ON OFF OFF 244 OFF OFF ON ON ON ON OFF ON OFF OFF
181 OFF OFF ON OFF ON ON OFF ON OFF ON 245 OFF OFF ON ON ON ON OFF ON OFF ON
182 OFF OFF ON OFF ON ON OFF ON ON OFF 246 OFF OFF ON ON ON ON OFF ON ON OFF
183 OFF OFF ON OFF ON ON OFF ON ON ON 247 OFF OFF ON ON ON ON OFF ON ON ON
184 OFF OFF ON OFF ON ON ON OFF OFF OFF 248 OFF OFF ON ON ON ON ON OFF OFF OFF
185 OFF OFF ON OFF ON ON ON OFF OFF ON 249 OFF OFF ON ON ON ON ON OFF OFF ON
186 OFF OFF ON OFF ON ON ON OFF ON OFF 250 OFF OFF ON ON ON ON ON OFF ON OFF
187 OFF OFF ON OFF ON ON ON OFF ON ON 251 OFF OFF ON ON ON ON ON OFF ON ON
188 OFF OFF ON OFF ON ON ON ON OFF OFF 252 OFF OFF ON ON ON ON ON ON OFF OFF
189 OFF OFF ON OFF ON ON ON ON OFF ON 253 OFF OFF ON ON ON ON ON ON OFF ON
190 OFFOFFONOFFONONONONONOFF 254 OFF OFF ON ON ON ON ON ON ON OFF
191 OFFOFFONOFFONONONONONON 255 OFF OFF ON ON ON ON ON ON ON ON
Table 3-2: DMX address setting

17
DMX
Address
DIP-switch n. DMX
Address
DIP-switch n.
10987654321 10987654321
256 OFF ON OFF OFF OFF OFF OFF OFF OFF OFF 320 OFF ON OFF ON OFF OFF OFF OFF OFF OFF
257 OFF ON OFF OFF OFF OFF OFF OFF OFF ON 321 OFF ON OFF ON OFF OFF OFF OFF OFF ON
258 OFF ON OFF OFF OFF OFF OFF OFF ON OFF 322 OFF ON OFF ON OFF OFF OFF OFF ON OFF
259 OFF ON OFF OFF OFF OFF OFF OFF ON ON 323 OFF ON OFF ON OFF OFF OFF OFF ON ON
260 OFF ON OFF OFF OFF OFF OFF ON OFF OFF 324 OFF ON OFF ON OFF OFF OFF ON OFF OFF
261 OFF ON OFF OFF OFF OFF OFF ON OFF ON 325 OFF ON OFF ON OFF OFF OFF ON OFF ON
262 OFF ON OFF OFF OFF OFF OFF ON ON OFF 326 OFF ON OFF ON OFF OFF OFF ON ON OFF
263 OFF ON OFF OFF OFF OFF OFF ON ON ON 327 OFF ON OFF ON OFF OFF OFF ON ON ON
264 OFF ON OFF OFF OFF OFF ON OFF OFF OFF 328 OFF ON OFF ON OFF OFF ON OFF OFF OFF
265 OFF ON OFF OFF OFF OFF ON OFF OFF ON 329 OFF ON OFF ON OFF OFF ON OFF OFF ON
266 OFF ON OFF OFF OFF OFF ON OFF ON OFF 330 OFF ON OFF ON OFF OFF ON OFF ON OFF
267 OFF ON OFF OFF OFF OFF ON OFF ON ON 331 OFF ON OFF ON OFF OFF ON OFF ON ON
268 OFF ON OFF OFF OFF OFF ON ON OFF OFF 332 OFF ON OFF ON OFF OFF ON ON OFF OFF
269 OFF ON OFF OFF OFF OFF ON ON OFF ON 333 OFF ON OFF ON OFF OFF ON ON OFF ON
270 OFF ON OFF OFF OFF OFF ON ON ON OFF 334 OFF ON OFF ON OFF OFF ON ON ON OFF
271 OFF ON OFF OFF OFF OFF ON ON ON ON 335 OFF ON OFF ON OFF OFF ON ON ON ON
272 OFF ON OFF OFF OFF ON OFF OFF OFF OFF 336 OFF ON OFF ON OFF ON OFF OFF OFF OFF
273 OFF ON OFF OFF OFF ON OFF OFF OFF ON 337 OFF ON OFF ON OFF ON OFF OFF OFF ON
274 OFF ON OFF OFF OFF ON OFF OFF ON OFF 338 OFFONOFFONOFFONOFFOFFONOFF
275 OFF ON OFF OFF OFF ON OFF OFF ON ON 339 OFFONOFFONOFFONOFFOFFON ON
276 OFF ON OFF OFF OFF ON OFF ON OFF OFF 340 OFF ON OFF ON OFF ON OFF ON OFF OFF
277 OFF ON OFF OFF OFF ON OFF ON OFF ON 341 OFF ON OFF ON OFF ON OFF ON OFF ON
278 OFF ON OFF OFF OFF ON OFF ON ON OFF 342 OFF ON OFF ON OFF ON OFF ON ON OFF
279 OFF ON OFF OFF OFF ON OFF ON ON ON 343 OFF ON OFF ON OFF ON OFF ON ON ON
280 OFF ON OFF OFF OFF ON ON OFF OFF OFF 344 OFFONOFFONOFFON ONOFFOFFOFF
281 OFF ON OFF OFF OFF ON ON OFF OFF ON 345 OFFONOFFONOFFON ONOFFOFFON
282 OFF ON OFF OFF OFF ON ON OFF ON OFF 346 OFF ON OFF ON OFF ON ON OFF ON OFF
283 OFF ON OFF OFF OFF ON ON OFF ON ON 347 OFF ON OFF ON OFF ON ON OFF ON ON
284 OFF ON OFF OFF OFF ON ON ON OFF OFF 348 OFFONOFFONOFFON ON ONOFFOFF
285 OFF ON OFF OFF OFF ON ON ON OFF ON 349 OFFONOFFONOFFON ON ONOFFON
286 OFF ON OFF OFF OFF ON ON ON ON OFF 350 OFFONOFFONOFFON ON ON ONOFF
287 OFF ON OFF OFF OFF ON ON ON ON ON 351 OFFONOFFONOFFONONONONON
288 OFF ON OFF OFF ON OFF OFF OFF OFF OFF 352 OFF ON OFF ON ON OFF OFF OFF OFF OFF
289 OFF ON OFF OFF ON OFF OFF OFF OFF ON 353 OFF ON OFF ON ON OFF OFF OFF OFF ON
290 OFF ON OFF OFF ON OFF OFF OFF ON OFF 354 OFF ON OFF ON ON OFF OFF OFF ON OFF
291 OFF ON OFF OFF ON OFF OFF OFF ON ON 355 OFF ON OFF ON ON OFF OFF OFF ON ON
292 OFF ON OFF OFF ON OFF OFF ON OFF OFF 356 OFF ON OFF ON ON OFF OFF ON OFF OFF
293 OFF ON OFF OFF ON OFF OFF ON OFF ON 357 OFF ON OFF ON ON OFF OFF ON OFF ON
294 OFF ON OFF OFF ON OFF OFF ON ON OFF 358 OFF ON OFF ON ON OFF OFF ON ON OFF
295 OFF ON OFF OFF ON OFF OFF ON ON ON 359 OFF ON OFF ON ON OFF OFF ON ON ON
296 OFF ON OFF OFF ON OFF ON OFF OFF OFF 360 OFF ON OFF ON ON OFF ON OFF OFF OFF
297 OFF ON OFF OFF ON OFF ON OFF OFF ON 361 OFF ON OFF ON ON OFF ON OFF OFF ON
298 OFF ON OFF OFF ON OFF ON OFF ON OFF 362 OFF ON OFF ON ON OFF ON OFF ON OFF
299 OFF ON OFF OFF ON OFF ON OFF ON ON 363 OFF ON OFF ON ON OFF ON OFF ON ON
300 OFF ON OFF OFF ON OFF ON ON OFF OFF 364 OFF ON OFF ON ON OFF ON ON OFF OFF
301 OFF ON OFF OFF ON OFF ON ON OFF ON 365 OFF ON OFF ON ON OFF ON ON OFF ON
302 OFF ON OFF OFF ON OFF ON ON ON OFF 366 OFF ON OFF ON ON OFF ON ON ON OFF
303 OFF ON OFF OFF ON OFF ON ON ON ON 367 OFF ON OFF ON ON OFF ON ON ON ON
304 OFF ON OFF OFF ON ON OFF OFF OFF OFF 368 OFF ON OFF ON ON ON OFF OFF OFF OFF
305 OFF ON OFF OFF ON ON OFF OFF OFF ON 369 OFF ON OFF ON ON ON OFF OFF OFF ON
306 OFF ON OFF OFF ON ON OFF OFF ON OFF 370 OFF ON OFF ON ON ON OFF OFF ON OFF
307 OFF ON OFF OFF ON ON OFF OFF ON ON 371 OFF ON OFF ON ON ON OFF OFF ON ON
308 OFF ON OFF OFF ON ON OFF ON OFF OFF 372 OFF ON OFF ON ON ON OFF ON OFF OFF
309 OFF ON OFF OFF ON ON OFF ON OFF ON 373 OFF ON OFF ON ON ON OFF ON OFF ON
310 OFF ON OFF OFF ON ON OFF ON ON OFF 374 OFF ON OFF ON ON ON OFF ON ON OFF
311 OFF ON OFF OFF ON ON OFF ON ON ON 375 OFF ON OFF ON ON ON OFF ON ON ON
312 OFF ON OFF OFF ON ON ON OFF OFF OFF 376 OFF ON OFF ON ON ON ON OFF OFF OFF
313 OFF ON OFF OFF ON ON ON OFF OFF ON 377 OFF ON OFF ON ON ON ON OFF OFF ON
314 OFF ON OFF OFF ON ON ON OFF ON OFF 378 OFF ON OFF ON ON ON ON OFF ON OFF
315 OFF ON OFF OFF ON ON ON OFF ON ON 379 OFF ON OFF ON ON ON ON OFF ON ON
316 OFFONOFFOFFONONONONOFFOFF 380 OFF ON OFF ON ON ON ON ON OFF OFF
317 OFFONOFFOFFONONONONOFFON 381 OFF ON OFF ON ON ON ON ON OFF ON
318 OFFONOFFOFFONONONONONOFF 382 OFF ON OFF ON ON ON ON ON ON OFF
319 OFFONOFFOFFONONONONONON 383 OFF ON OFF ON ON ON ON ON ON ON
Table 3-3: DMX address setting

18
DMX
Address
DIP-switch n. DMX
Address
DIP-switch n.
10987654321 10987654321
384 OFF ON ON OFF OFF OFF OFF OFF OFF OFF 448 OFF ON ON ON OFF OFF OFF OFF OFF OFF
385 OFF ON ON OFF OFF OFF OFF OFF OFF ON 449 OFF ON ON ON OFF OFF OFF OFF OFF ON
386 OFF ON ON OFF OFF OFF OFF OFF ON OFF 450 OFFON ON ONOFFOFFOFFOFFONOFF
387 OFF ON ON OFF OFF OFF OFF OFF ON ON 451 OFF ON ON ON OFF OFF OFF OFF ON ON
388 OFF ON ON OFF OFF OFF OFF ON OFF OFF 452 OFF ON ON ON OFF OFF OFF ON OFF OFF
389 OFF ON ON OFF OFF OFF OFF ON OFF ON 453 OFF ON ON ON OFF OFF OFF ON OFF ON
390 OFF ON ON OFF OFF OFF OFF ON ON OFF 454 OFF ON ON ON OFF OFF OFF ON ON OFF
391 OFF ON ON OFF OFF OFF OFF ON ON ON 455 OFF ON ON ON OFF OFF OFF ON ON ON
392 OFF ON ON OFF OFF OFF ON OFF OFF OFF 456 OFFON ON ONOFFOFFONOFFOFFOFF
393 OFF ON ON OFF OFF OFF ON OFF OFF ON 457 OFFON ON ONOFFOFFONOFFOFFON
394 OFF ON ON OFF OFF OFF ON OFF ON OFF 458 OFFON ON ONOFFOFFONOFFONOFF
395 OFF ON ON OFF OFF OFF ON OFF ON ON 459 OFFON ON ONOFFOFFONOFFON ON
396 OFF ON ON OFF OFF OFF ON ON OFF OFF 460 OFFON ON ONOFFOFFON ONOFFOFF
397 OFF ON ON OFF OFF OFF ON ON OFF ON 461 OFFON ON ONOFFOFFON ONOFFON
398 OFF ON ON OFF OFF OFF ON ON ON OFF 462 OFFONONONOFFOFFONONONOFF
399 OFF ON ON OFF OFF OFF ON ON ON ON 463 OFFONONONOFFOFFONONONON
400 OFF ON ON OFF OFF ON OFF OFF OFF OFF 464 OFF ON ON ON OFF ON OFF OFF OFF OFF
401 OFF ON ON OFF OFF ON OFF OFF OFF ON 465 OFF ON ON ON OFF ON OFF OFF OFF ON
402 OFF ON ON OFF OFF ON OFF OFF ON OFF 466 OFF ON ON ON OFF ON OFF OFF ON OFF
403 OFF ON ON OFF OFF ON OFF OFF ON ON 467 OFF ON ON ON OFF ON OFF OFF ON ON
404 OFF ON ON OFF OFF ON OFF ON OFF OFF 468 OFFON ON ONOFFONOFFONOFFOFF
405 OFF ON ON OFF OFF ON OFF ON OFF ON 469 OFFON ON ONOFFONOFFONOFFON
406 OFF ON ON OFF OFF ON OFF ON ON OFF 470 OFFON ON ONOFFONOFFON ONOFF
407 OFF ON ON OFF OFF ON OFF ON ON ON 471 OFFONONONOFFONOFFONONON
408 OFF ON ON OFF OFF ON ON OFF OFF OFF 472 OFF ON ON ON OFF ON ON OFF OFF OFF
409 OFF ON ON OFF OFF ON ON OFF OFF ON 473 OFF ON ON ON OFF ON ON OFF OFF ON
410 OFF ON ON OFF OFF ON ON OFF ON OFF 474 OFF ON ON ON OFF ON ON OFF ON OFF
411 OFF ON ON OFF OFF ON ON OFF ON ON 475 OFF ON ON ON OFF ON ON OFF ON ON
412 OFFONONOFFOFFONONONOFFOFF 476 OFF ON ON ON OFF ON ON ON OFF OFF
413 OFFONONOFFOFFONONONOFFON 477 OFF ON ON ON OFF ON ON ON OFF ON
414 OFFONONOFFOFFONONONONOFF 478 OFF ON ON ON OFF ON ON ON ON OFF
415 OFFONONOFFOFFONONONONON 479 OFF ON ON ON OFF ON ON ON ON ON
416 OFF ON ON OFF ON OFF OFF OFF OFF OFF 480 OFFONONONONOFFOFFOFFOFFOFF
417 OFF ON ON OFF ON OFF OFF OFF OFF ON 481 OFFONONONONOFFOFFOFFOFFON
418 OFF ON ON OFF ON OFF OFF OFF ON OFF 482 OFF ON ON ON ON OFF OFF OFF ON OFF
419 OFF ON ON OFF ON OFF OFF OFF ON ON 483 OFF ON ON ON ON OFF OFF OFF ON ON
420 OFF ON ON OFF ON OFF OFF ON OFF OFF 484 OFFON ON ON ONOFFOFFONOFFOFF
421 OFF ON ON OFF ON OFF OFF ON OFF ON 485 OFFON ON ON ONOFFOFFONOFFON
422 OFF ON ON OFF ON OFF OFF ON ON OFF 486 OFFONONONONOFFOFFONONOFF
423 OFF ON ON OFF ON OFF OFF ON ON ON 487 OFFONONONONOFFOFFONONON
424 OFF ON ON OFF ON OFF ON OFF OFF OFF 488 OFF ON ON ON ON OFF ON OFF OFF OFF
425 OFF ON ON OFF ON OFF ON OFF OFF ON 489 OFF ON ON ON ON OFF ON OFF OFF ON
426 OFF ON ON OFF ON OFF ON OFF ON OFF 490 OFFON ON ON ONOFFONOFFONOFF
427 OFF ON ON OFF ON OFF ON OFF ON ON 491 OFFONONONONOFFONOFFONON
428 OFF ON ON OFF ON OFF ON ON OFF OFF 492 OFF ON ON ON ON OFF ON ON OFF OFF
429 OFF ON ON OFF ON OFF ON ON OFF ON 493 OFF ON ON ON ON OFF ON ON OFF ON
430 OFF ON ON OFF ON OFF ON ON ON OFF 494 OFF ON ON ON ON OFF ON ON ON OFF
431 OFFONONOFFONOFFONONONON 495 OFF ON ON ON ON OFF ON ON ON ON
432 OFF ON ON OFF ON ON OFF OFF OFF OFF 496 OFFONONONONONOFFOFFOFFOFF
433 OFF ON ON OFF ON ON OFF OFF OFF ON 497 OFFONONONONONOFFOFFOFFON
434 OFF ON ON OFF ON ON OFF OFF ON OFF 498 OFFONONONONONOFFOFFONOFF
435 OFF ON ON OFF ON ON OFF OFF ON ON 499 OFFONONONONONOFFOFFONON
436 OFF ON ON OFF ON ON OFF ON OFF OFF 500 OFFONONONONONOFFONOFFOFF
437 OFF ON ON OFF ON ON OFF ON OFF ON 501 OFFONONONONONOFFONOFFON
438 OFF ON ON OFF ON ON OFF ON ON OFF 502 OFFONONONONONOFFONONOFF
439 OFF ON ON OFF ON ON OFF ON ON ON 503 OFFONONONONONOFFONONON
440 OFF ON ON OFF ON ON ON OFF OFF OFF 504 OFFONONONONONONOFFOFFOFF
441 OFF ON ON OFF ON ON ON OFF OFF ON 505 OFFONONONONONONOFFOFFON
442 OFF ON ON OFF ON ON ON OFF ON OFF 506 OFFONONONONONONOFFONOFF
443 OFF ON ON OFF ON ON ON OFF ON ON 507 OFFONONONONONONOFFONON
444 OFF ON ON OFF ON ON ON ON OFF OFF 508 OFFONONONONONONONOFFOFF
445 OFF ON ON OFF ON ON ON ON OFF ON 509 OFFONONONONONONONOFFON
446 OFF ON ON OFF ON ON ON ON ON OFF 510 OFFONONONONONONONONOFF
447 OFF ON ON OFF ON ON ON ON ON ON 511 OFFONONONONONONONONON
Table 3-4: DMX address setting