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Behringer MULTIGATE PRO XR4400 User manual

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MULTIGATE® PRO XR4400
www.behringer.com
E
Version 1.1 April 2001
Users Manual
ENGLISH
2
MULTIGATE PRO R4400
This symbol, wherever it appears, alerts
you to important operating and mainte-
nance instructions in the accompanying
literature. Read the manual.
SAFETY INSTRUCTIONS
CAUTION: To reduce the risk of electric shock, do not remove
the cover (or back). No user serviceable parts inside;
refer servicing to qualified personnel.
WARNING: To reduce the risk of fire or electric shock, do not
expose this appliance to rain or moisture.
DETAILED SAFETY INSTRUCTIONS:
All the safety and operation instructions should be read before the appliance is operated.
Retain Instructions:
The safety and operating instructions should be retained for future reference.
Heed Warnings:
All warnings on the appliance and in the operating instructions should be adhered to.
Follo instructions:
All operation and user instructions should be followed.
Water and Moisture:
The appliance should not be used near water (e.g. near a bathtub, washbowl, kitchen sink, laundry tub, in a wet
basement, or near a swimming pool etc.).
Ventilation:
The appliance should be situated so that its location or position does not interfere with its proper ventilation.
For example, the appliance should not be situated on a bed, sofa, rug, or similar surface that may block the
ventilation openings, or placed in a built-in installation, such as a bookcase or cabinet that may impede the
flow of air through the ventilation openings.
Heat:
The appliance should be situated away from heat sources such as radiators, heat registers, stoves, or other
appliances (including amplifiers) that produce heat.
Po er Source:
The appliance should be connected to a power supply only of the type described in the operating instructions
or as marked on the appliance.
Grounding or Polarization:
Precautions should be taken so that the grounding or polarization means of an appliance is not defeated.
Po er-Cord Protection:
Power supply cords should be routed so that they are not likely to be walked on or pinched by items placed
upon or against them, paying particular attention to cords and plugs, convenience receptacles and the point
where they exit from the appliance.
Cleaning:
The appliance should be cleaned only as recommended by the manufacturer.
Non-use Periods:
The power cord of the appliance should be unplugged from the outlet when left unused for a long period of time.
Debris and Liquid Entry:
Care should be taken that debris and/or liquids do not enter the enclosure through openings.
Damage Requiring Service:
The appliance should be serviced by qualified service personnel when:
- The power supply cord or the plug has been damaged; or
- Debris or liquid has entered the appliance; or
- The appliance has been exposed to rain; or
- The appliance does not appear to operate normally or exhibits a marked change in performance; or
- The appliance has been dropped, or the enclosure damaged.
Servicing:
The user should not attempt to service the appliance beyond that which is described in the operating instruc-
tions. All other servicing should be referred to qualified service personnel.
This symbol, wherever it appears,
alerts you to the presence of
uninsulated dangerous voltage inside
the enclosurevoltage that may be
sufficient to constitute a risk of shock.
3
MULTIGATE PRO R4400
FOREWORD
Dear Customer,
Welcome to the team of MULTIGATE PRO users and thank you very much for expressing your confidence in
BEHRINGER products by purchasing this unit.
It is one of my most pleasant tasks to write this letter to you, because it is the culmination of many months of
hard work delivered by our engineering team to reach a very ambitious goal: making an outstanding device
better still. The MULTIGATE has for quite a long time been a standard tool used by numerous studios and
PA rental companies. The task to improve one of our best-selling products certainly meant a great deal of
responsibility, which we assumed by focusing on you, the discerning user and musician. It also meant a lot of
work and night shifts to accomplish this goal. But it was fun, too. Developing a product usually brings a lot of
people together, and what a great feeling it is when everybody who participated in such a project can be proud
of what weve achieved.
It is our philosophy to share our joy with you, because you are the most important member of the BEHRINGER
family. With your highly competent suggestions for new products youve greatly contributed to shaping our
company and making it successful. In return, we guarantee you uncompromising quality (manufactured under
ISO9000 certified management system) as well as excellent technical and audio properties at an extremely
favorable price. All of this will enable you to fully unfold your creativity without being hampered by budget
constraints.
We are often asked how we can make it to produce such high-grade devices at such unbelievably low prices.
The answer is quite simple: its you, our customers! Many satisfied customers means large sales volumes
enabling us to get better conditions of purchase for components, etc. Isnt it only fair to pass this benefit back
to you? Because we know that your success is our success, too!
I would like to thank all people whose help on Project MULTIGATE PRO has made it all possible. Everybody
has made very personal contributions, starting from the designers of the unit via the many staff members in our
company to you, the user of BEHRINGER products.
My friends, its been worth the trouble!
Thank you very much,
Uli Behringer
4
MULTIGATE PRO R4400
XR4400
MULTIGATE® PRO
Audio interactive 4-channel expander/gate of the high-end class
sHigh-precision parametric filter for frequency selective operation
sUTR (Ultra Transient Response) selectable ultra-fast gate
sIRC (Interactive Ratio Control) selectable ultra-smooth expander
sFully adjustable ratio control in expander mode
sFully adjustable attenuation control in gate mode
sIndependent hold/release controls for any envelope shaping
sFlexLink system for flexible master/slave configurations
sFilter monitor facility for monitoring the filter section
sHigh-performance VCAs on all channels
sUltra-low noise 4580 audio operational amplifiers for outstanding sound performance
sPrecise 8-segment metering for gain reduction
sAccurate traffic light display for easy threshold setting
sTrue RMS level detection for inaudible performance
sServo-balanced gold-plated LR and 1/4" TRS inputs and outputs
sHigh-quality detented potentiometers and illuminated switches
sManufactured under ISO9000 certified management system
5
MULTIGATE PRO R4400
TABLE OF CONTENT
1. INTRODUCTION..................................................................................................................... 6
1.1 Technical background ...................................................................................................................... 7
1.1.1 Noise as a physical phenomenon ......................................................................................... 7
1.1.2 What are audio dynamics? ...................................................................................................7
1.1.3 Compressors/limiters ............................................................................................................ 8
1.1.4 Expanders/noise gates ......................................................................................................... 9
2. THE DESIGN CONCEPT ....................................................................................................... 9
2.1 High quality components and design ............................................................................................... 9
2.2 Inputs and outputs ........................................................................................................................ 10
2.2.1 Balanced inputs and outputs ............................................................................................... 10
3. INSTALLATION ..................................................................................................................... 10
3.1 Rack mounting .............................................................................................................................. 10
3.2 Mains voltage ................................................................................................................................10
3.3 Audio connections ........................................................................................................................ 10
4. CONTROLS .......................................................................................................................... 12
4.1 The front panel control elements ................................................................................................... 12
4.2 The rear panel elements ................................................................................................................ 13
5. TECHNICAL BACKGROUND .............................................................................................. 14
5.1 E PANDER mode ......................................................................................................................... 14
5.2 Interactive control functions ........................................................................................................... 14
5.2.1 THRESHOLD control .......................................................................................................... 14
5.2.2 Attack, release and hold times ........................................................................................... 15
5.2.3 IAC circuit (Interactive Attack Control) ................................................................................. 15
5.2.4 RANGE function ................................................................................................................. 15
5.2.5 IRC circuit (Interactive Ratio Control) ................................................................................... 16
5.2.6 RATIO function .................................................................................................................... 16
5.3 FLE LINK function ........................................................................................................................ 16
5.4 The SIDECHAIN filter .................................................................................................................... 17
5.4.1 The MONITOR function ....................................................................................................... 17
6. APPLICATIONS ..................................................................................................................... 17
6.1 Basic setting ................................................................................................................................. 17
6.1.1 The gate function ................................................................................................................ 17
6.1.2 The expander function ......................................................................................................... 19
6.2 Proper positioning of microphones ................................................................................................ 19
6.3 Applications .................................................................................................................................. 19
6.3.1 Suppressing crosstalk in multi-track applications ................................................................ 19
6.3.2 Reducing crosstalk in stage microphones ........................................................................... 20
6.3.3 Reducing feedback in stage microphones ........................................................................... 20
7. SPECIFICATIONS .................................................................................................................. 21
8. WARRANT ........................................................................................................................... 22
6
MULTIGATE PRO R4400
1. INTRODUCTION
With the BEHRINGER MULTIGATE PRO you purchased a dynamics processor of the high-end class
designed to meet highest requirements: professional recording, broadcast and television studios, CD and
digital production facilities, etc. Its complete range of features and innovative circuit topology make the
MULTIGATE PRO an all-purpose device for reducing noise in audio recordings, for automatically muting stage
mics, expanding the dynamic range of compressed recordings, improving the signal-to-noise ratio of noisy
communications systems and for producing special effects, etc.
Future-oriented BEHRINGER technology
Our MULTIGATE range of devices has been a hit ever since we introduced our first model several years ago.
This expander/gate is based on many years of experience and findings in psychoacoustics and is used
throughout the world in renowned studios, sound reinforcement systems as well as in broadcast and television
studios.
It was a real challenge to improve the well-known MULTIGATE even further, and we are proud of our success.
Compared to its predecessor models, the MULTIGATE PRO not only has additional features, but also comes
with dramatically improved functionalities. For example, it now has a parametric filter enabling you to
accurately set the trigger frequencies, while the FlexLink system allows for great flexibility when linking the
devices individual channels in a master/slave configuration.
Basically, quadruple gates are not a new invention. However, packing four simple noise gates into one
enclosures usually means a compromise in terms of ease of operation and functionality. Too many control
elements make such a device impossible to handle, and if you sacrifice crucial functions for the sake of easy
operation, the range of useful applications is restricted considerably.
The BEHRINGER MULTIGATE PRO is a quadruple expander/gate with a maximum of functionalities and can
still be operated conveniently. Interactive functions make it easy and efficient to specifically process any kind
of program material, while the need for adjustment work has been reduced drastically. Each of the MULTIGATE
PROs four sections comprises an ultra-fast gate, a program-dependent expander, a filter section and
high-precision meters indicating both threshold point and gain reduction.
The IAC circuit (Interactive Attack Control)
One of the MULTIGATE PROs most outstanding features is the program-dependent control of attack times.
The new IAC circuit (Interactive Attack Control) analyzes the program material to calculate the attack time by
way of interaction, so that the hold/release process is triggered automatically depending on the program,
which is why the MULTIGATE PRO does not need a dedicated attack control.
S itchable gate/expander function
Another highlight of the MULTIGATE PRO is the switchable operating mode of gate and expander. With the
MODE function off, the MULTIGATE PRO works in gate mode using an extremely fast attack time to gate all
kinds of drum and synthesizer sounds, without cutting their percussive edge.
In expander mode the device analyzes the shape and dynamic contents of the input signal to calculate the
control time parameters. It thus works as an interactive expander that adapts automatically to the program
signal. The result: guitar sounds, vocals and complex mix signals can be cleaned without audible clicks,
breathing or other detrimental effects. Additionally, you can freely expand any type of program material in its
dynamic range.
Side-chain filter section
When several microphones are used, for example to pick up a drum set, crosstalk between microphones can
lead to unwanted triggering of the gate. The built-in parametric sidechain filter of the MULTIGATE PRO
allows the user to accurately select the frequencies causing the trouble, so that the device responds to these
frequencies only. The monitor function can be used to pre-monitor the filter, making it easier to adapt the
circuitry to the acoustic properties of the program material.
FlexLink system
An innovative couple function gives you great flexibility to synchronize the expander/gate sections in a master/
slave configuration.
1. INTRODUCTION
7
MULTIGATE PRO R4400
+The follo ing operational manual ill introduce you to the BEHRINGER MULTIGATE PRO and
its various functions. After reading the manual carefully, make sure it is al ays on hand for
future reference.
1.1 Technical background
By employing current modern analog technology it is possible to manufacture audio equipment with a dynamic
range of up to 130 dB. In contrast to analog techniques, the dynamic range of digital equipment is approxi-
mately 25 dB less. With conventional record and tape recorder technology, as well as broadcasting, this value
is further reduced. Generally, dynamic restrictions are due to noisy storage in transmission media and also the
maximum headroom of these systems.
1.1.1 Noise as a physical phenomenon
All electrical components produce a certain level of inherent noise. Current flowing through a conductor leads
to uncontrolled random electron movements. For statistical reasons, this produces frequencies within the
whole audio spectrum. If these currents are highly amplified, the result will be perceived as noise. Since all
frequencies are equally affected, we term this white noise. It is fairly obvious that electronics cannot function
without components. Even if special low-noise components are used, a certain degree of basic noise cannot
be avoided.
This effect is similar when replaying a tape. The non-directional magnetic particles passing the replay head can
also cause uncontrolled currents and voltages. The resulting sound of the various frequencies is heard as
noise. Even the best possible tape biasing can only provide signal-to-noise ratios of about 70 dB, which is not
acceptable today since the demands of listeners have increased. Due to the laws of physics, improving the
design of the magnetic carrier is impossible using conventional means.
1.1.2 What are audio dynamics?
A remarkable feature of the human ear is that it can detect the most wide ranging amplitude changesfrom the
slightest whisper to the deafening roar of a jet-plane. If one tried to record or reproduce this wide spectrum of
sound with the help of amplifiers, cassette recorders, records or even digital recorders (CD, DAT etc.), one
would immediately be restricted by the physical limitations of electronic and acoustic sound reproduction
technology.
The usable dynamic range of electro-acoustic equipment is limited as much at the low end as at the high end.
The thermal noise of the electrons in the components results in an audible basic noise floor and thus repre-
sents the bottom limit of the transmission range. The upper limit is determined by the levels of the internal
operating voltages; if they are exceeded, audible signal distortion is the result. Although in theory, the usable
dynamic range sits between these two limits, it is considerably smaller in practice, since a certain reserve
must be maintained to avoid distortion of the audio signal if sudden level peaks occur. Technically speaking,
we refer to this reserve as headroomusually this is about 10 - 20 dB. A reduction of the operating level would
allow for greater headroom, i.e. the risk of signal distortion due to level peaks would be reduced. However, at
the same time, the basic noise floor of the program material would be increased considerably.
1. INTRODUCTION
8
MULTIGATE PRO R4400
Ear
Microphone Amplifier
Power Amplifier
Tape Recorder
Radio
Cassette
Recorder
P/dB
140
120
100
80
60
40
Fig. 1.1: The dynamic range capabilities of various devices
It is therefore useful to keep the operating level as high as possible without risking signal distortion in order to
achieve optimum transmission quality.
It is possible to further improve the transmission quality by constantly monitoring the program material with the
aid of a volume fader, which manually levels the material. During low passages the gain is increased, during
loud passages the gain is reduced. Of course it is fairly obvious that this kind of manual control is rather
restrictive; it is difficult to detect signal peaks and it is almost impossible to level them out. Manual control is
simply not fast enough to be satisfactory.
t
P/dB
+20
0
-20
-40
-60
-80
Clipping
Headroom
Operating level
Effective SNR
Noise floor
Fig. 1.2: The interactive relationship between the operating level and the headroom
The need therefore arises for a fast acting automatic gain control system which will constantly monitor the
signals and which will always adjust the gain to maximize the signal-to-noise ratio without incurring signal
distortion. This device is called a compressor or limiter.
1.1.3 Compressors/limiters
By measuring the dynamic range of musical instruments in live recording situations, you will find that extreme
amplitudes occur which often lead to overload in subsequent signal processing equipment. Especially in
broadcasting and record cutting techniques, these signal peaks can lead to heavy distortion. To avoid this kind
1. INTRODUCTION
9
MULTIGATE PRO R4400
of distortion or, for example, to avoid loudspeakers being damaged by overload, Compressors or Limiters are
used.
The principal function used in these devices is dependent on an automatic gain control as mentioned in the
previous section, which reduces the amplitude of loud passages and therefore restricts the original dynamics
to a desired range. This application is particularly useful in microphone recording techniques, to compensate
for level changes which are caused by varying microphone distances. Although compressors and limiters
perform similar tasks, one essential point makes them different: Limiters abruptly limit the signal above a
certain level, while compressors control the signal gently over a wider range. A limiter continuously monitors
the signal and intervenes as soon as the level exceeds a user-adjustable threshold. Any signal exceeding this
threshold will be immediately returned to the adjusted level.
A compressor also monitors the program material continuously and has a certain threshold level. With
compression, in contrast to the action of a limiter, signals are not reduced in level abruptly once the threshold
has been exceeded, but are returned to the threshold gradually. The signal is reduced in gain, relative to the
amount the signal exceeds this point.
Generally, threshold levels for compressors are set below the normal operating level to allow for the upper
dynamics to be musically compressed. For limiters, the threshold point is set above the normal operating level
in order to provide reliable signal limiting, to protect subsequent equipment from signal overload.
1.1.4 Expanders/noise gates
Audio, in general, is only as good as the source from which it was derived. The dynamic range of signals will
often be restricted by noise. Synthesizers, effects devices, guitar pickups, amplifiers etc. generally produce a
high level of noise, hum or other ambient background hiss, which can disturb the quality of the program
material.
Normally these noises are inaudible if the level of the desired signal lies significantly above the level of the
noise. This perception by the ear is based on the masking effect: noise will be masked and thus becomes
inaudible as soon as considerably louder sound signals in the same frequency band are added. Nevertheless,
the further the level that the desired signal decreases, the more the noise floor becomes a disturbing factor.
Expanders or noise gates offer a solution for this problem: these devices attenuate signals when their
amplitudes drop, thereby fading out the background noise. Relying on this method, gain controlling amplifiers,
like expanders, can extend the dynamic range of a signal and are therefore the opposite of a compressor.
In practice, it is shown that an expansion over the entire dynamic range is not desired. With an expansion ratio
of 1:5 and a processed dynamic range of 30 dB, an output dynamic range of 150 dB will be the result,
exceeding all subsequent signal processors, as well as human hearing. Therefore, the amplitude control is
restricted to signals whose levels are below a certain threshold. Signals above this threshold pass through the
unit unchanged. Due to the continuous attenuation of the signals below this threshold, this kind of expansion
is termed downward expansion.
The noise gate is the simplest form of an expander: in contrast to the expander, which continuously attenuates
a signal below the threshold, the noise gate cuts off the signal abruptly. In most applications this method is not
very useful, since the on/off transition is too drastic. The onset of a simple gate function appears very obvious
and unnatural. To achieve inaudible processing of the program material, it is necessary to be able to control the
signals envelope parameters.
2. THE DESIGN CONCEPT
2.1 High quality components and design
The philosophy behind BEHRINGER products guarantees a no-compromise circuit design and employs the
best choice of components. The operational amplifiers NJM4580 which are used in the MULTIGATE PRO, are
exceptional. They boast extreme linearity and very low distortion characteristics. To complement this design
the choice of components includes high tolerance resistors and capacitors, detent potentiometers and several
other stringently selected elements.
2. THE DESIGN CONCEPT
10
MULTIGATE PRO R4400
For the first time, the MULTIGATE PRO R4400 uses SMD technology (Surface Mounted Device). These
sub-miniature components known from aerospace technology allow for an extreme packing density, plus the
units reliability could be improved. Additionally, the unit is manufactured in compliance with a ISO9000 certi-
fied management system.
2.2 Inputs and outputs
2.2.1 Balanced inputs and outputs
As standard, the BEHRINGER MULTIGATE PRO is installed with electronically servo-balanced inputs and
outputs. The new circuit design features automatic hum and noise reduction for balanced signals and thus
allows for trouble-free operation, even at high operating levels. Externally induced mains hum etc. will be
effectively suppressed. The automatic servo-function recognizes the presence of unbalanced connectors and
adjusts the nominal level internally to avoid level differences between the input and output signals (correction
6 dB).
3. INSTALLATION
Your BEHRINGER MULTIGATE PRO was carefully packed in the factory and the packaging was designed to
protect the unit from rough handling. Nevertheless, we recommend that you carefully examine the packaging
and ist contents for any signs of physical damage, which may have occurred in transit.
+If the unit is damaged, please do not return it to us, but notify your dealer and the shipping
company immediately, other ise claims for damage or replacement may not be granted.
Shipping claims must be made by the consignee.
Please take the time to complete and return the warranty card within 14 days of the date of purchase, other-
wise you will lose the right to the extended warranty. Or just use our online-registration (www.behringer.com).
3.1 Rack mounting
The BEHRINGER MULTIGATE PRO fits into one standard 19" rack unit of space (1 ¾"). Please allow at least
an additional 4" depth for the connectors on the back panel. Be sure that there is enough air space around the
unit for cooling and please do not place the MULTIGATE PRO on high temperature devices such as power
amplifiers etc. to avoid overheating.
3.2 Mains voltage
Before you connect your MULTIGATE PRO to the mains, please make sure that your local voltage
matches the voltage required by the unit! The fuse holder on the female mains connector has 3 triangular
markers, with two of these triangles opposing each other. Your MULTIGATE RPO is set to the operating
voltage printed next to these markers, and can be set to another voltage by turning the fuse holder by 180°.
CAUTION: this instruction does not apply to export models exclusively designed, e.g. for 115 V op-
eration!
3.3 udio connections
The audio inputs and outputs on the BEHRINGER MULTIGATE PRO are fully balanced. If possible, connect
the unit to other devices in a balanced configuration to allow for maximum interference immunity.
+Please ensure that only qualified persons install and operate the MULTIGATE PRO. During
installation and operation the user must have sufficient electrical contact to earth.
Electrostatic charges might affect the operation of the MULTIGATE PRO!
3. INSTALLATION