Cary Audio Design Cinema 12 User manual

OWNER’S MANUAL
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Cinema 12
HD Surround Sound Processor
NOTE: Before installing your new component, please read this manual carefully
as it will inform you of the product specications, proper installation and correct
operating procedures for your unit. Also included in this manual are guidelines
on how to service and care for your new Cary Audio Design product.

TABLE OF CONTENTS
1
Important Safety Instructions .................................................... 3
Welcome
Thank You ..................................................................................... 6
Product Features ............................................................................. 7
Unpacking and Installation ............................................................ 8
Warranty Card ................................................................................ 9
Format Descriptions ....................................................................... 9
Specifications
Audio Inputs / Audio Outputs ...................................................... 14
Analog Audio Section .................................................................. 14
Digital Audio .................................................................................15
Main Path.......................................................................................16
Zone 2 Paths...................................................................................17
Control ...........................................................................................17
Power Requirements ......................................................................18
Controls & Displays
Front Panel ................................................................................... 19
Rear Panel ..................................................................................... 21
Remote Control............................................................................. 24
Remote Control Images .......................................................... 26-27
Zone 2 Remote Control................................................................. 28
Installation
Location ....................................................................................... 29
Getting Started .............................................................................. 29
Connecting a Multi Channel Power Amplifier ............................ 30
Second Zone (Zone 2) .................................................................. 31
Power Control Connections ......................................................... 32
Remote Control ............................................................................ 32
Power Connection .........................................................................32
Auto Sound Setup
How to Perform Auto Sound Setup ...............................................34
Speaker Check ............................................................................. 35
Set Distance ................................................................................. 36
Set Balance ................................................................................... 36
Set Room EQ ............................................................................... 37
Set Crossover Points .................................................................... 37
Set Speaker Phase ........................................................................ 38
Manual Sound Setup
Set Speaker Configuration. ............................................................39
Set Distance ...................................................................................40
Set Balance.....................................................................................42
Set Channel Levels Using the Test Tone Function........................43
Set Crossover Points ......................................................................44

TABLE OF CONTENTS
2
Set Acoustic Calibration Room EQ ..............................................46
Setup Menu
Set Speaker Phase ..........................................................................48
Input ...............................................................................................49
Assigned Inputs..............................................................................49
Change Input Names......................................................................50
Set Analog IN Configuration.........................................................52
Set Analog IN Level Settings ........................................................53
Listening to the Radio....................................................................55
Connection Chart ...........................................................................56
Zone 2 ............................................................................................57
Set Zone 2 Input.............................................................................57
Set Zone 2 Volume ........................................................................57
Advanced Settings ........................................................................58
Set Password ..................................................................................59
Zone 1 Master Volume ..................................................................60
Zone 2 Master Volume ..................................................................60
CD Pure Audio...............................................................................60
HDMI Audio Out...........................................................................61
AV Sync Delay ..............................................................................61
Bright .............................................................................................61
Edit Custom Name.........................................................................62
Set Infrared Remote (IR) Controls.................................................63
Set Triggers....................................................................................64
Set Auto Input Seek .......................................................................65
Set Late Mode for Dolby Digital ...................................................65
Set Max Volume Out .....................................................................66
Set Restore Default ........................................................................66
Service and Care
Care and Cleaning ........................................................................ 67
Factory Service ............................................................................ 67
Non-Warranty Repairs ................................................................. 67
United States Limited Warranty .............................................. 68

IMPORTANT SAFETY INSTRUCTIONS
3
WARNING: The triangle with the lightning flash symbol displayed on the unit advises
the user of dangerous uninsulated voltage inside the product’s enclosure.
CAUTION: To reduce the risk of electric shock, do not remove the cover. There are no
user-serviceable parts inside; it is recommended that only qualified personnel service this
component.
ALERT: The triangle with the exclamation point symbol on the component suggests that
the owner refer to important operating and maintenance instructions in the owner’s
manual.
1. OWNER’S MANUAL: Before powering up the equipment, read all safety and
operating instructions and follow them as instructed. Retain the safety and operating
instructions for future reference.
2. ATTACHMENTS: Use only those attachments recommended by the unit
manufacturer, as others may cause hazards.
3. ACCESSORIES: Do not place the unit on an unstable cart, stand, tripod, bracket, or
table. The unit may fall, causing injury to a person or damage to the unit. Mount the
unit according to the manufacturer’s instructions with the suggested mounting
accessory.
4. WALL OR CEILING MOUNTING: Mount the unit to a wall or ceiling only in the
manner recommended by the manufacturer.
5. WATER AND MOISTURE: Do not use the unit near water (for example, near a
swimming pool, bath tub, wash bowl, kitchen sink, or laundry tub) or in a damp
environment (like a basement or outside in the rain).
6. OBJECT AND LIQUID ENTRY: Do not push objects of any kind into the unit
through openings as they could touch dangerous voltage points and short-out parts,
possibly resulting in a fire or electric shock. Avoid spilling liquid of any kind on the
unit. If water or any metal object (such as a paper clip, coin, or staple) accidentally
falls inside the unit, disconnect it from the AC power source immediately and contact
Cary Audio Design for further instructions.
7. HEAT: Position the unit away from heat sources such as radiators, heat registers,
stoves, or other units (including amplifiers) that produce heat.
8. VENTILATION: Slots and openings in the cabinet create ventilation to protect the
component from overheating. These openings on the top and bottom panels must
remain unobstructed. Allow at least 6 inches (16cm) of clearance above the unit and
an opening behind the unit for airflow. Do not place the unit on a bed, sofa, rug, built-
in bookcase, or rack without adequate ventilation.
9. GROUNDING OR POLARIZATION: As a safety feature, the unit may be
equipped with a polarized alternating current line plug in which one blade is wider

IMPORTANT SAFETY INSTRUCTIONS
4
than the other. This plug will fit into the power outlet only one way. If you cannot
insert the plug fully into the outlet, try reversing the plug. If the plug still will not fit,
contact a licensed electrician to update your obsolete outlet. Do not defeat the safety
purpose of the polarized plug.
10. POWER SOURCES: Operate the unit only from the power source indicated on the
marking label. If you are unsure of the type of power supplied to your home, consult
your unit dealer or local power company.
11. POWER CORD PROTECTION: Arrange power supply cords so that they do not
suffer from foot traffic or pinching by items placed on or against them. Pay close
attention to cords where plug enter the AC outlet and where they exit from the unit.
12. LIGHTNING: For added protection during a lightning storm or when the component
is idle for long periods of time, unplug the unit from the wall outlet and disconnect
the antenna or cable system. This will help protect the unit from lightning and power
line surge damage.
13. POWER LINES: Do not locate an outside antenna system in the vicinity of
overhead power lines or other electric light or power circuits. When installing an
outside antenna system, take extreme care to avoid touching the power lines or
circuits; contact with them could be fatal.
14. OVERLOADING: Do not overload wall outlets, extension cords, or integral
convenience receptacles as this increases the risk of fire or electric shock.
15. REPLACEMENT PARTS: When replacement parts are required, be sure the
service technician has used replacement parts specified by the manufacturer or those
having the same characteristics as the original parts. Unauthorized substitutions may
result in fire, electric shock or other hazards.
16. SAFETY CHECK: Upon completion of any service or repairs to the unit, ask the
service technician to perform safety checks to ensure the unit is in proper operating
condition.
17. IMPORTANT SAFETY NOTE:
•Before connecting a new product such as the Cinema 12 to your audio or home
theater system, turn off all other equipment (preferably unplugging them from the
AC power source). Many audio components feature automatic turn-on circuits
that may activate during an installation, potentially causing damage to electronic
components and/or speakers. This type of damage is not covered by product
warranties, and Cary Audio specifically disclaims responsibility for any such
damage.
•Power Cord: The removable power cord provided with your unit was
specifically designed for use with this product, but other AC cords
may be used. Consult your dealer for advice on AC power cords and
high quality wire in your system.
•AC Fuse: The fuse is located inside the chassis and is not user serviceable. If the
unit does not power up, contact an authorized service representative
•Wiring: Cables running inside walls should have the appropriate markings to
indicate compliance and listing by the UL, CSA or other standards required by the
UL, CSA, NEC or your local building code. Questions about cables inside of
walls should be referred to a qualified custom installer, a licensed electrician, or
low-voltage contractor.

IMPORTANT SAFETY INSTRUCTIONS
5
18. RECORDING COPYRIGHT: Recording of copyrighted material for other than
personal use is illegal without permission of the copyright holder.
19. NOTE TO CATV SYSTEM INSTALLER: This reminder is provided to call the
CATV system installer's attention to article 820-40 of the NEC, ANSI/NFPA 70,
which provides guidelines for proper grounding and, in particular, specifies that the
cable ground shall be connected to the grounding system of the building as close to
the point of cable entry as practical.
20. FCC INFORMATION FOR USER:
•CAUTION: Any changes or modifications not expressly
approved by Cary Audio Design could void the user's
authority to operate the equipment.
•NOTE: This equipment has been tested and found to comply with the limits for a
Class B digital device pursuant to Part 15 of the FCC Rules.
•These limits are designed to provide reasonable protection against harmful
interference in a residential installation. This equipment generates and can radiate
radio frequency energy, and if not installed and used in accordance with the
instructions it may cause harmful interference to radio communications. However,
there is no guarantee that interference will not occur in a particular installation. If
this equipment does cause harmful interference to radio or television reception,
which can be determined by turning the equipment off and on, the user is
encouraged to try to correct the interference by one or more of the following
measures:
•Reorient or relocate the receiving antenna.
•Increase the separation between the equipment and receiver.
•Connect the equipment into an outlet on a circuit different from where the
receiver is connected.
21. OUTDOOR ANTENNA INSTALLATION/SAFE ANTENNA AND CABLE
CONNECTION:
•If an outside antenna or cable system is connected
to the equipment, be sure the antenna or cable
system is grounded in order to provide protection
against built-up static charges and voltage surges.
Article 810 of the National Electrical Code,
ANSI/NFPA 70 (in Canada, Part 1 of the Canadian
Electrical Code) provides information regarding
proper grounding of the mast and supporting
structure, grounding of the lead-in wire to an
antenna discharge unit, size of grounding conductors, location of antenna
discharge unit, connection to grounding electrodes and requirements for the
grounding electrode.
•Outside antenna system should be located well away from power lines, electric
light or power circuits and where it will never come into contact with these power
sources if it should happen to fall. When installing an outside antenna, extreme
care should be taken to avoid touching power lines, circuits or other power
sources as this could be fatal. Because of the hazards involved, antenna
installation should be left to a professional.

WELCOME
6
THANK YOU
Congratulations on becoming a Cinema 12 owner!
We, at Cary Audio Design, would like to thank you for purchasing the new Cinema 12
HD Surround Sound Processor. The Cinema 12 is the latest generation in our line of
award-winning surround sound processors.
The Cinema 12 is the ultimate in surround sound processors. Utilizing the Cirrus Logic
CS49700 series chipset and HDMI v1.4a inputs, the Cinema 12 has the ability to properly
decode and playback both the raw bitstream and lossless linear PCM signals from the
latest high resolution formats, including Dolby True HD, Dolby Digital Plus, DTS-HD
Master Audio, and DTS-HD High Resolution Audio. The Cinema 12 has the ability to set
separate Listener Profile speaker settings for playback of Music and Movies. The Cinema
12 uses the absolute highest quality components available within the audio circuit,
resulting in extraordinary sound quality, which is a known trademark of Cary Audio
Design products. The Cinema 12 also contains an HD radio tuner for the highest
resolution signals from FM broadcasts.
The Cinema 12 was designed for ease of use whether in normal home surround sound
systems or in more complex custom installations. It has an independent 2nd zone so you
can experience surround sound in your main home theater room as well as 2nd zone stereo
sound in a different location. A separate 2nd zone remote handset comes standard with the
Cinema 12 so full control of the input source selection in each of the two zones is at your
fingertips.
All Main zone audio output connectors have 32 bit/192 kHz D/A converters operating in
dual differential mode for excellent sound quality and high dynamic range. In addition,
the Cinema 12 includes 7.1 channel XLR balanced audio outputs for the Main zone if you
are using a power amplifier equipped with balanced input connections.
The Cinema 12 was designed to remain viable in a future of rapidly emerging and
changing digital technologies. It has a rear panel RS-232 serial port connector that
provides for home automation serial control, and also allows us to provide flash memory
upgrades.
We firmly believe in high performance products that offer incredible value for the
money. With its leading edge technology, exceptional sound performance and ease of
use, the Cinema 12 is without question, the highest performing surround sound processor
available today.
Thank you for your continued support and enjoy your Music and Movies!
The Cary Audio Design Team

WELCOME
7
PRODUCT FEATURES
The Cinema 12 is designed as an “audio only” surround sound processor. With the
addition of the new Cirrus Logic CS49700 series chipset and HDMI v1.4a, the new
Cinema 12 has the ability to properly decode and playback both the raw bitstream and
lossless linear PCM signals from all of the high resolution audio formats available today
such as Dolby True HD, Dolby Digital Plus, DTS HD High Resolution Audio, and DTS
HD Master Audio. Being that the Cinema 12 is an “audio only” surround processor, the
HDMI inputs are simple pass-though, repeater inputs so there is no video processing
taking place within the unit.
In addition to the ability to properly decode and playback the high resolution audio
formats, the Cinema 12 is also equipped with Dolby Digital Surround EX, Dolby Pro
Logic II, Dolby Pro Logic IIx, dts 96/24, dts NEO:6, and dts-ES decoding.
With dual 32-bit audio digital signal processing (DSP) engines, the Cinema 12 offers
unparalleled processing power. These DSP engines perform custom processing such as an
auto sound setup system, CES 7.1 decoding, bass enhancement, dialog enhancement, bass
management, high-precision digital crossover, and room EQ. This processing is available
at sample rates up to 192 kHz, with 32-bit resolution to retain top performance from all
input sources and listening modes. A DSP engine is dedicated to decoding multi-channel
compressed audio sources.
10 channels of 24-bit/96 kHz A/D converters can be used to convert stereo analog audio
input and 7.1 analog audio input signals to digital signals, allowing the Cinema 12 to
provide the benefits of precise digital signal processing without sacrificing signal
integrity. Alternatively, stereo analog XLR and 7.1 analog signals can bypass the A/D
conversion and internal processing to remain in the analog domain straight to the output
connectors.
The Cinema 12 offers:
•4 HDMI v1.4a inputs and 1 HDMI v1.4a output
•8 inputs; one balanced and seven single ended with RCA connectors; including
S/PDIF coaxial, S/PDIF optical, and analog pairs
•7.1 channel analog audio input connections
•Analog bypass option for stereo and 7.1 channel analog audio input connectors
•32-bit/192 kHz D/A converters for all Main Zone audio channels
•Automatic and manual calibration of speaker distances and output levels
•Dual 32-bit DSP engines
•CES 7.1 decoding (Cirrus Extra Surround 7.1 mode)
•Dolby True HD, Dolby Digital Plus, Dolby Digital Surround EX, Dolby Pro
Logic IIx and Dolby Pro Logic II decoding
•DTS HD Master Audio, DTS HD High Resolution Audio, dts 96/24, dts-NEO:6
and dts-EX (discrete and matrix) decoding

WELCOME
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•RS-232 connector for flash memory software upgrades and configuration tool
downloads
•Optical digital audio output connector for Zone 2 (TOSLINK)
•3 12 volt output connections with 1/8” mini plug connectors
•2 IR input connections
•1/8” mini plug microphone input connector
•7.1 Balanced audio output connectors for Main Zone
•HD Radio Tuner in addition to AM/FM
UNPACKING AND INSTALLATION
This section describes the proper unpacking and installation procedures for your new
component.
Unpacking
All Cary Audio Design shipping cartons have been specially designed to protect their
contents and special care has been taken to prevent damage under normal shipping
conditions. Mishandling should be evident upon inspection of the shipping container. If
shipping damage is found after visual inspection, take care not to destroy the evidence. If
necessary, document the damage with photographs and contact the transport carrier
immediately.
Carefully remove your new component from its packing carton and examine it closely for
signs of shipping damage. We strongly recommend saving all original packing cartons to
protect your component from damage should you wish to store it or ship it at a later date.
In the Box
When unpacking your Cinema 12 processor, make sure the following accessories are
included. You should find the following items within the box:
•Power Cable
•(x2) Remote Controls (batteries already installed)
•Owner’s Manual
•Microphone and cable
•Warranty Card

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9
Warranty Card
If you are the original purchaser of this unit and you have purchased it within North
America, you should fill out the enclosed warranty registration card and return it to Cary
Audio Design within 15 days of your purchase. Cary Audio Design also suggests that you
keep your original packing cartons in case you ever need to ship the unit when moving to
a new home. Warranty restrictions apply. Consult the warranty section of this manual for
details. Please be certain to keep a copy of the original sales receipt from your Authorized
Cary Audio Design dealer to validate the warranty if ever needed.
FORMAT DESCRIPTIONS
dts-HD
DTS-HD Master Audio is capable of delivering audio that is a bit-for-bit identical to the
studio master. DTS-HD Master Audio delivers audio at super high variable bit rates –
24.5 mega-bits per second (Mbps) on Blu-ray discs and 18.0 Mbps on HD-DVD – that
are significantly higher than standard DVDs. This bit stream is so “fast” and the transfer
rate is so “high” that it can deliver the Holy Grail of audio: 7.1 audio channels at 96k
sampling frequency/24 bit depths that are identical to the original. With DTS-HD Master
Audio, you will be able to experience movies and music, exactly as the artist intended:
clear, pure and uncompromised.
Manufactured under license under U.S. Patent #’s: 5,451,942; 5,956,674; 5,974,380;
5,978,762; 6,226,616; 6,487,535 & other U.S. and worldwide patents issued & pending.
DTS is a registered trademark and the DTS logos, symbol, DTS-HD and DTS-HD Master
Audio are trademarks of DTS, Inc. © 1996-2007 DTS, Inc. All Rights Reserved.
dts-HD
DTS-HD High Resolution Audio can deliver up to 7.1 channels of sound that is virtually
indistinguishable from the original. DTS-HD High Resolution Audio delivers audio at
high constant bit rates superior to standard DVDs – 6.0 Mbps on Blu-ray discs and 3.0
Mbps on HD-DVD to produce outstanding sound quality. It is capable of delivering up to
7.1 channels at 96k sampling frequency/24 bit depth resolution. It allows content creators
to deliver rich, high definition audio on movies where disc space may not allow for DTS-
HD Master Audio.
Manufactured under license under U.S. Patent #’s: 5,451,942; 5,956,674; 5,974,380;
5,978,762; 6,226,616; 6,487,535 & other U.S. and worldwide patents issued & pending.
DTS is a registered trademark and the DTS logos, Symbol, DTS-HD, DTS-HD High

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Resolution Audio and DTS-HD High Res Audio are trademarks of DTS, Inc. © 1996-
2007 DTS, Inc. All Rights Reserved.
DTS was introduced in 1994 to provide 5.1 Channels of discrete digital audio into home
theater systems. DTS brings you premium quality discrete multi-channel digital sound to
both movies and music. DTS is a multi-channel sound system designed to create full
range digital sound reproduction. The no compromise DTS digital process sets the
standard of quality for cinema sound by delivering an exact copy of the studio master
recordings to neighborhood and home theaters. Now, every moviegoer can hear the sound
exactly as the moviemaker intended.
DTS can be enjoyed in the home for either movies or music on DVD'S, LD'S, and CD'S.
DTS and DTS Digital Surround are registered trademarks of Digital Theater Systems,
Inc.
The advantages of discrete multi-channel systems over matrix are well known. But even
in homes equipped for discrete multi-channel, there remains a need for high-quality
matrix decoding. This is because of the large library of matrix surround motion pictures
available on disc, VHS Hi-Fi tape, and analog Stereo television broadcasts. The typical
matrix decoder of today derives a center channel and a mono surround channel from two-
channel matrix stereo material. It is better than a simple matrix in that it includes steering
logic to improve separation, but because of its mono, band-limited surround it can be
disappointing to users accustomed to discrete multi-channel sound.
Neo:6 offers several important improvements: Neo:6 provides up to six full-band
channels of matrix decoding from stereo matrix material. Users with 6.1 and 5.1 systems
will derive six and five separate channels, respectively, corresponding to the standard
home-theater speaker layouts. Neo:6 technology allows various sound elements within a
channel or channels to be steered separately, and in a way which follows naturally from
the original presentation.
Neo:6 offers a music mode to expand stereo or matrix recordings into the five or six
channel layout, in a way which does not diminish the subtlety and integrity of the original
stereo recording.
DTS, DTS-ES Extended Surround, and Neo:6 are registered trademarks of Digital
Theater Systems, Inc.

WELCOME
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DTS-ES Extended Surround is a new multi-channel digital signal format developed by
Digital Theater Systems Inc. While offering high compatibility with the conventional
DTS Digital Surround format, DTS-ES Extended Surround greatly improves the 360-
degree surround impression and space expression thanks to further expanded surround
signals. This format has been used professionally in movie theaters since 1999. In
addition to the 5.1 surround channels (FL, FR, C, SL, SR and LFE), DTS-ES Extended
Surround also offers the SB (Surround Back) channel for surround playback with a total
of 6.1 channels. DTS-ES Extended Surround includes two signal formats with different
surround signal recording methods, as DTS-ES Discrete 6.1 and DTS-ES Matrix 6.1.
DTS, DTS-ES Extended Surround, and Neo:6 are registered trademarks of Digital
Theater Systems, Inc.
The stereo CD is a 16-bit medium with sampling at 44.1kHz. Professional audio has been
20- or 24-bit for some time, and there is increasing interest in higher sampling rates both
for recording and for delivery into the home. Greater bit depths provide extended
dynamic range. Higher sampling rates allow wider frequency response and the use of
anti-alias and reconstruction filters with more favorable aural characteristics. DTS 96/24
allows for 5.1channel sound tracks to be encoded at a rate of 96kHz/24bits on DVD-
Video titles. When DVD-video appeared, it became possible to deliver 24-bit, 96 kHz
audio into the home, but only in two channels, and with serious limitations on picture.
This capability has had little use. DVD-audio allows 96/24 in six channels, but a new
player is needed, and only analog outputs are provided, necessitating the use of the D/A
converters and the analog electronics provided in the player.
DTS 96/24 offers the following:
1. Sound quality transparent to the original 96/24 master.
2. Full backward compatibility with all existing decoders. (Existing decoders will
output a 48 kHz signal)
3. No new player required: DTS 96/24 can be carried on DVD-video, or in the video
zone of DVD-audio, accessible to all DVD players.
4. 96/24 5.1 channel sound with full-quality full-motion video, for music programs
and motion picture soundtracks on DVD-video.

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Dolby® TrueHD is Dolby’s next-generation lossless technology developed for high-
definition disc-based media. Dolby TrueHD delivers tantalizing sound that is bit-for-bit
identical to the studio master, unlocking the true high-definition entertainment experience
on next-generation discs. When coupled with high-definition video, Dolby TrueHD offers
an unprecedented home theater experience that lets you enjoy sound as stunning as the
high-definition picture.
Manufactured under license from Dolby Laboratories. Dolby and the double-D symbol
are trademarks of Dolby Laboratories.
Dolby Digital Plus is a highly sophisticated and versatile audio coding based on Dolby
Digital and designed specifically to adapt to the changing demands of future audio, video
delivery, and audio storage systems while simultaneously retaining backwards
compatibility with the existing Dolby Digital 5.1-channel home theater systems in use
today.
Manufactured under license from Dolby Laboratories. Dolby, Pro Logic, Surround EX,
and the double-D symbol are trademarks of Dolby Laboratories.
The Dolby Headphone technology provides a surround sound listening experience over
headphones.
When listening to multi-channel content such as DVD movies over headphones, the
listening experience is fundamentally different than listening to speakers. Since the
headphone speaker drivers are covering the entire ear, the listening experience differs
greatly from traditional speaker playback. Dolby utilizes patented headphone perspective
curves to solve this problem and provides a non-fatiguing, immersive, home theater
listening experience. Dolby Headphone also delivers exceptional 3D audio from stereo
material.
Manufactured under license from Dolby Laboratories. The double-D symbol is a
trademark of Dolby Laboratories.

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Dolby Digital identifies the use of Dolby Digital audio coding for such consumer formats
as DVD and DTV. As with film sound, Dolby Digital can provide up to five full-range
channels for left, center, and right screen channels, independent left and right surround
channels, and a sixth (".1") channel for low-frequency effects.
Dolby Surround Pro Logic II is an improved matrix decoding technology that provides
better spatiality and directionality on Dolby Surround program material. It provides a
convincing three-dimensional sound field on conventional stereo music recordings. While
conventional surround programming is fully compatible with Dolby Surround Pro Logic
II decoders, soundtracks will be able to be encoded specifically to take full advantage of
Pro Logic II playback, including separate left and right surround channels. (Such material
is also compatible with conventional Pro Logic decoders.)
Dolby Digital EX creates six full-bandwidth output channels from 5.1-channel sources.
This is done using a matrix decoder that derives three surround channels from the two in
the original recording. For best results, Dolby Digital EX should be used with movies
soundtracks recorded with Dolby Digital Surround EX.
About Dolby Pro Logic IIx
Dolby Pro Logic IIx is fully compatible with Dolby Surround Pro Logic technology and
can optimally decode the thousands of commercially available Dolby Surround encoded
video cassettes and television programs with enhanced depth and spatiality. It can also
process any high-quality stereo or Advanced Resolution 5.1 channel music content into a
seamless 6.1 or 7.1 channel listening experience.
Dolby Pro Logic IIx technology delivers a natural and immersing 7.1-channel listening
experience to the home theater environment. A product of Dolby's expertise in surround
sound and matrix decoding technologies, Dolby Pro Logic IIx is a complete surround
sound solution that maximizes the entertainment experience from stereo as well as 5.1
channel encoded sources.
Manufactured under license from Dolby Laboratories; Dolby, Pro Logic, and the double-
D symbol are trademarks of Dolby Laboratories.
*All trademarks belong to their original owners.

SPECIFICATIONS
14
The Cinema 12 is designed for long-term stability in virtually any home operating
situation. However, if the unit is operated outside the parameters outlined in this owner's
manual, damage may result. Please read this manual carefully before putting your new
Cinema 12 processor into operation.
The following section describes the Cinema 12’s basic specifications. The specifications
are subject to change without notice or obligation.
AUDIO INPUTS / AUDIO OUTPUTS
................................................................................................................................................
Audio Inputs 7 - Stereo Pairs with RCA connectors
1 - XLR pair
1 - 7.1 channel analog input with RCA connectors
................................................................................................................................................
Digital Audio Inputs 7 - Coaxial (RCA) for the seven single ended inputs
7 - TOSLINK for the seven single ended inputs
1 – XLR for the balanced input
................................................................................................................................................
HDMI Inputs 4 – HDMI v1.4a inputs
................................................................................................................................................
Sample Rates 44.1, 48, 88.2, 96 or 192kHz
................................................................................................................................................
Accepts 16-24 bits PCM audio, DSD audio through HDMI, Dolby
TrueHD, Dolby Digital Plus, Dolby Digital Ex, dts-HD
Master Audio, dts-HD High Resolution Audio, dts and dts-
ES discrete data formats
................................................................................................................................................
Main Audio Outputs 7.1 RCA, L/R, Center, LFE (Subwoofer), Side L/R, Rear
L/R 7.1 XLR, L/R, Center, LFE (Subwoofer), Side L/R,
Rear L/R
................................................................................................................................................
HDMI Output 1 – HDMI V1.4a output
................................................................................................................................................
Zone 2 Audio Outputs 1 - RCA stereo pair
1 - TOSLINK digital
................................................................................................................................................
ANALOG AUDIO SECTION
................................................................................................................................................
Input Impedance 100 k Ohms
................................................................................................................................................
Output Impedance Main - RCA 330 Ohms
Main - XLR 660 Ohms
Zones 2 – 220 Ohms

SPECIFICATIONS
15
................................................................................................................................................
Rated Input 2.0 Vrms
................................................................................................................................................
Maximum Input 6.0 Vrms
................................................................................................................................................
Rated Output (100 k load) 2.0 Vrms
................................................................................................................................................
Minimum Load 5k
................................................................................................................................................
Maximum Output RCA - 8.0 Vrms
XLR - 16.0 Vrms
................................................................................................................................................
Headphone Output 100mW into 32 Ohms at 0.2% THD+N
................................................................................................................................................
Volume Control Range Main - -90.0 dB to +15.0 dB (1.0 dB increments)
Zone 2/Headphone - -90.0 dB to +15.0 dB (1.0 dB
increments)
................................................................................................................................................
Channel Separation 89 dB (1 kHz)
................................................................................................................................................
Total Crosstalk b/t Inputs 89 dB (1 kHz)
................................................................................................................................................
XLR Pin Configuration Pin 1: Ground
Pin 2: Positive
Pin 3: Negative
................................................................................................................................................
DIGITAL AUDIO
All digital audio inputs are to S/PDIF electrical (75 Ohms, 0.5 V p-p), S/PDIF optical
(Toslink), or AES/EBU (110 Ohms, 0.5 V p-p) standards, 44.1kHz to 192kHz regardless
of input.
................................................................................................................................................
Analog to Digital Converters Burr-Brown PCM 1802
................................................................................................................................................
Input Receiver Cirrus CS 8416
................................................................................................................................................
Processor Dual 32 Bit Audio DSP at 516 MIPS
................................................................................................................................................
Digital to Analog Converters Burr-Brown PCM 1795
................................................................................................................................................

SPECIFICATIONS
16
MAIN PATH
RCA and XLR Output, 48 kHz Sampling Rate for all Digital Signal Paths
................................................................................................................................................
Frequency Response and Bandwidth
Analog - Direct Inputs 10 Hz to 20 kHz, 1 Hz to 120 kHz (-3 dB)
Analog - DSP Inputs at 24/96 10 Hz to 20 kHz, 2 Hz to 44 kHz (-3 dB)
Digital Inputs at 24/96 10 Hz to 20 kHz, 1 Hz to 44 kHz (-3 dB)
................................................................................................................................................
THD+N (at Rated Input and Output)
Analog - Direct Inputs 0.005% (90 kHz BW)
Analog - DSP Inputs at 24/96 0.003% (AES17 filter)
Digital Inputs at 24/96 0.003% (AES17 filter)
................................................................................................................................................
IMD (CCIF at 15 kHz)
Analog - Direct Inputs 0.001%
Analog - DSP Inputs at 24/48 0.001%
Digital Inputs at 24/48 0.001%
...........................................................................................................................................................................
S/N Ratio (ref 2.0 Vrms)
Analog - Direct Inputs 108 dB
Analog - DSP Inputs at 24/96 105 dB
Digital Inputs at 24/96 107 dB
................................................................................................................................................
IMD (CCIF at 15 kHz)
Analog - Direct Inputs 0.001%
Analog - DSP Inputs at 24/48 0.001%
Digital Inputs at 24/48 0.001%
................................................................................................................................................
HDAM / AM Tuner
Frequency Range In 10kHz steps: 530kHz to 1,700kHz
Sensitivity (All Digital) -111dBm
S/N Ratio 50 dB typical, 43dB min
Distortion 0.7% typical, 2.0% max
One-Signal Selectivity (10kHz) 24 dB typical, 18dB min
................................................................................................................................................
HDFM / FM Tuner
Frequency Range 87.9MHz to 107.9MHz
Sensitivity Hybrid mode -94dBm
All Digital -112dBm
Signal-to-Noise Ratio Mono 80dB (at 65 dBf)
Stereo 76dB (at 85 dBf)
Distortion Mono 0.08% (100 Hz)
0.08% (1 kHz)

SPECIFICATIONS
17
0.2% (6 kHz)
Stereo 0.2% (100 Hz)
0.15% (1 kHz)
0.3% (6 kHz)
Capture Ratio 1.0 dB
Alternate Channel Selectivity 65 dB (400 kHz)
Stereo Separation 50 dB (1 kHz)
35 dB (30 Hz to 15 kHz)
Frequency Response 30 Hz to 15 kHz
Image Interference Ratio 50 dB
IF Interference Ratio 80 dB
AM Suppression Ratio 55 dB
Spurious Interference Ratio 70 dB
Antenna Input 75 Ohms unbalanced
................................................................................................................................................
ZONE 2 PATHS
................................................................................................................................................
Frequency Response/Bandwidth 20 Hz to 20 kHz, 3 Hz to 140 kHz
(+0, -3 dB)
................................................................................................................................................
THD+N (at Rated Input and Output) 0.06% (90 kHz BW)
................................................................................................................................................
IMD (CCIF at 15 kHz) 0.06%
................................................................................................................................................
S/N Ratio (ref 2.0 Vrms) 97 dB
................................................................................................................................................
CONTROL
................................................................................................................................................
RS-232 Interface
Connection DB-9F, straight-wired
Pinout (Statement DI side) Pin 2: Tx, Pin 3: Rx, Pin 5: Ground
Baud Rate 9600
Configuration 8 data bits, 1 stop bit, no parity bits,
flow control (RTS, CTS, NONE)
................................................................................................................................................
Trigger Outputs
Polarity 3.5 mm mono (tip positive), sleeve negative
Maximum Current at 12 VDC 150 mA (Triggers 1,2), 200 mA (Trigger 3)
Sequential Delay 100 ms
................................................................................................................................................

SPECIFICATIONS
18
POWER REQUIREMENTS
................................................................................................................................................
Power Requirements 117VAC or 220VAC 50-60Hz
................................................................................................................................................
Power Consumption Maximum 50 W
................................................................................................................................................