Edirol M-10E User manual

Owner’s Manual
Bedienungsanleitung
Mode d’emploi
Manuale d’uso
Manual del usuario
202
Copyright © 2003 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in
any form without the written permission of ROLAND CORPORATION.
201a
Before using this unit, carefully read the sections entitled:
“USING THE UNIT SAFELY” and “IMPORTANT NOTES” (p. 2;
p. 4). These sections provide important information
concerning the proper operation of the unit. Additionally, in
order to feel assured that you have gained a good grasp of
every feature provided by your new unit, Owner’s manual
should be read in its entirety. The manual should be saved
and kept on hand as a convenient reference.
M-10E
10 CHANNEL 5 STEREO MIXER

2
USING THE UNIT SAFELY
001
• Before using this unit, make sure to read the
instructions below, and the Owner’s Manual.
................................................................................................
002c
• Do not open (or modify in any way) the unit or its
AC adaptor.
................................................................................................
003
• Do not attempt to repair the unit, or replace parts
within it (except when this manual provides
specific instructions directing you to do so). Refer
all servicing to your retailer, the nearest Roland
Service Center, or an authorized Roland
distributor, as listed on the “Information” page.
................................................................................................
004
• Never use or store the unit in places that are:
•Subject to temperature extremes (e.g., direct sunlight in
an enclosed vehicle, near a heating duct, on top of heat-
generating equipment); or are
• Damp (e.g., baths, washrooms, on wet floors); or are
• Humid; or are
• Exposed to rain; or are
• Dusty; or are
• Subject to high levels of vibration.
................................................................................................
007
• Make sure you always have the unit placed so it is
level and sure to remain stable. Never place it on
stands that could wobble, or on inclined surfaces.
008c
• Be sure to use only the AC adaptor supplied with
the unit. Also, make sure the line voltage at the
installation matches the input voltage specified on
the AC adaptor’s body. Other AC adaptors may
use a different polarity, or be designed for a
different voltage, so their use could result in
damage, malfunction, or electric shock.
................................................................................................
009
• Do not excessively twist or bend the power cord,
nor place heavy objects on it. Doing so can damage
the cord, producing severed elements and short
circuits. Damaged cords are fire and shock
hazards!
................................................................................................
010
• This unit, either alone or in combination with an
amplifier and headphones or speakers, may be
capable of producing sound levels that could cause
permanent hearing loss. Do not operate for a long
period of time at a high volume level, or at a level
that is uncomfortable. If you experience any
hearing loss or ringing in the ears, you should
immediately stop using the unit, and consult an
audiologist.
IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
BLUE:
BROWN:
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying
the terminals in your plug, proceed as follows:
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.
NEUTRAL
LIVE
For the U.K.
Used for instructions intended to alert
the user to the risk of injury or material
damage should the unit be used
improperly.
* Material damage refers to damage or
other adverse effects caused with
respect to the home and all its
furnishings, as well to domestic
animals or pets.
Used for instructions intended to alert
the user to the risk of death or severe
injury should the unit be used
improperly.
The ●symbol alerts the user to things that must be
carried out. The specific thing that must be done is
indicated by the design contained within the circle. In
the case of the symbol at left, it means that the power-
cord plug must be unplugged from the outlet.
The symbol alerts the user to important instructions
or warnings.The specific meaning of the symbol is
determined by the design contained within the
triangle. In the case of the symbol at left, it is used for
general cautions, warnings, or alerts to danger.
The symbol alerts the user to items that must never
be carried out (are forbidden). The specific thing that
must not be done is indicated by the design contained
within the circle. In the case of the symbol at left, it
means that the unit must never be disassembled.

3
011
• Do not allow any objects (e.g., flammable material,
coins, pins); or liquids of any kind (water, soft
drinks, etc.) to penetrate the unit.
................................................................................................
012c
• Immediately turn the power off, remove the AC
adaptor from the outlet, and request servicing by
your retailer, the nearest Roland Service Center, or
an authorized Roland distributor, as listed on the
“Information” page when:
• The AC adaptor or the power-supply cord has been
damaged; or
• If smoke or unusual odor occurs
•Objects have fallen into, or liquid has been spilled onto
the unit; or
• The unit has been exposed to rain (or otherwise has
become wet); or
• The unit does not appear to operate normally or
exhibits a marked change in performance.
................................................................................................
013
•In households with small children, an adult should
provide supervision until the child is capable of
following all the rules essential for the safe
operation of the unit.
................................................................................................
014
• Protect the unit from strong impact.
(Do not drop it!)
................................................................................................
015
• Do not force the unit’s power-supply cord to share
an outlet with an unreasonable number of other
devices. Be especially careful when using extension
cords—the total power used by all devices you
have connected to the extension cord’s outlet must
never exceed the power rating (watts/amperes) for
the extension cord. Excessive loads can cause the
insulation on the cord to heat up and eventually
melt through.
................................................................................................
016
• Before using the unit in a foreign country, consult
with your retailer, the nearest Roland Service
Center, or an authorized Roland distributor, as
listed on the “Information” page.
................................................................................................
019
• Batteries must never be recharged, heated, taken
apart, or thrown into fire or water.
101b
• The unit and the AC adaptor should be located so
their location or position does not interfere with
their proper ventilation.
................................................................................................
102d
• Always grasp only the output plug or the body of
the AC adaptor when plugging into, or
unplugging from, this unit or an outlet.
................................................................................................
103b
•Any accumulation of dust between the AC adaptor
and the power outlet can result in poor insulation
and lead to fire. Periodically wipe away such dust
with a dry cloth. Also, disconnect the power plug
from the power outlet whenever the unit is to
remain unused for an extended period of time.
................................................................................................
104
• Try to prevent cords and cables from becoming
entangled. Also, all cords and cables should be
placed so they are out of the reach of children.
................................................................................................
106
• Never climb on top of, nor place heavy objects on
the unit.
................................................................................................
107d
• Never handle the AC adaptor body, or its output
plugs, with wet hands when plugging into, or
unplugging from, an outlet or this unit.
................................................................................................
108b
•Before moving the unit, disconnect the AC adaptor
and all cords coming from external devices.
................................................................................................
109b
• Before cleaning the unit, turn off the power and
unplug the AC adaptor from the outlet.
................................................................................................
110b
• Whenever you suspect the possibility of lightning
in your area, disconnect the AC adaptor from the
outlet.
................................................................................................
111: Selection
• If used improperly, batteries may explode or leak
and cause damage or injury. In the interest of
safety, please read and observe the following
precautions (p. 21).
3
• Remove the batteries whenever the unit is to remain
unused for an extended period of time.
5
•If a battery has leaked, use a soft piece of cloth or paper
towel to wipe all remnants of the discharge from the
battery compartment. Then install new batteries. To
avoid inflammation of the skin, make sure that none of
the battery discharge gets onto your hands or skin.
Exercise the utmost caution so that none of the
discharge gets near your eyes. Immediately rinse the
affected area with running water if any of the discharge
has entered the eyes.
6
• Never keep batteries together with metallic objects
such as ballpoint pens, necklaces, hairpins, etc.
................................................................................................
112
• Used batteries must be disposed of in compliance
with whatever regulations for their safe disposal
that may be observed in the region in which you
live.

4
IMPORTANT NOTES
291a
In addition to the items listed under “USING THE UNIT SAFELY” on pages 2 and 3, please read and observe
the following:
Power Supply: Use of
Batteries
301
• Do not use this unit on the same power circuit with any
device that will generate line noise (such as an electric
motor or variable lighting system).
302
• The AC adaptor will begin to generate heat after long
hours of consecutive use. This is normal, and is not a
cause for concern.
304a
• When installing or replacing batteries, always turn off the
power on this unit and disconnect any other devices you
may have connected. This way, you can prevent
malfunction and/or damage to speakers or other devices.
307
• Before connecting this unit to other devices, turn off the
power to all units. This will help prevent malfunctions
and/or damage to speakers or other devices.
Placement
351
• Using the unit near power amplifiers (or other equipment
containing large power transformers) may induce hum.
To alleviate the problem, change the orientation of this
unit; or move it farther away from the source of inter-
ference.
352b
• Noise may be produced if wireless communications
devices, such as cell phones, are operated in the vicinity of
this unit. Such noise could occur when receiving or initi-
ating a call, or while conversing. Should you experience
such problems, you should relocate such wireless devices
so they are at a greater distance from this unit, or switch
them off.
354a
• Do not expose the unit to direct sunlight, place it near
devices that radiate heat, leave it inside an enclosed
vehicle, or otherwise subject it to temperature extremes.
Excessive heat can deform or discolor the unit.
355b
• When moved from one location to another where the
temperature and/or humidity is very different, water
droplets (condensation) may form inside the unit. Damage
or malfunction may result if you attempt to use the unit in
this condition. Therefore, before using the unit, you must
allow it to stand for several hours, until the condensation
has completely evaporated.
Maintenance
401a
• For everyday cleaning wipe the unit with a soft, dry cloth
or one that has been slightly dampened with water. To
remove stubborn dirt, use a cloth impregnated with a
mild, non-abrasive detergent. Afterwards, be sure to wipe
the unit thoroughly with a soft, dry cloth.
402
• Never use benzine, thinners, alcohol or solvents of any
kind, to avoid the possibility of discoloration and/or
deformation.
Additional Precautions
553
• Use a reasonable amount of care when using the unit’s
buttons, sliders, or other controls; and when using its jacks
and connectors. Rough handling can lead to malfunctions.
556
• When connecting / disconnecting all cables, grasp the
connector itself—never pull on the cable. This way you
will avoid causing shorts, or damage to the cable’s
internal elements.
558a
• To avoid disturbing your neighbors, try to keep the unit’s
volume at reasonable levels. You may prefer to use
headphones, so you do not need to be concerned about
those around you (especially when it is late at night).
559a
•When you need to transport the unit, package it in the box
(including padding) that it came in, if possible. Otherwise,
you will need to use equivalent packaging materials.
562
• Use a cable from Roland to make the connection. If using
some other make of connection cable, please note the
following precautions.
•Some connection cables contain resistors. Do not use cables that
incorporate resistors for connecting to this unit. The use of such
cables can cause the sound level to be extremely low, or impos-
sible to hear. For information on cable specifications, contact
the manufacturer of the cable.

5
FEATURES
The M-10E is a 10-channel (5 stereo) mixer that features the following functionality.
Designed for the multimedia age, it allows sound from peripherals such as a MIDI sound module
or CD player to be mixed for the ideal playback balance. A maximum of five channels (four stereo
channels + AUX) of stereo sound can be controlled.
In applications such as video editing, it can be used to edit audio by mixing narration,
simultaneous recording, background music, and sound effects.
10 in/2 out Configuration
Five stereo channels (10 in’s) and 2
outputs (stereo) are provided.
Dual Power Supply
Conveniently powered using either
dry-cell batteries on the market (6F22,
S-006P/9V), or an AC adaptor.
Microphone Setup
Since it is equipped with SENS
(sensitivity) knobs, the M-10E can
accommodate a broad variety of
signals, from microphone to line
level.
Overload Indicators
The L/R OVERLOAD LEDs allow
you to set the best signal level for
optimum audio performance.
AUX OUT Jacks
Connection to a recording device
(cassette, DAT or open reel deck, for
example) can be made through these
jacks.
PHONES Jack
Stereo headphones can be connected
to this jack for convenient mix
monitoring.
ACCESSORIES
The M-10E package contains the following items.
Before you begin using the mixer, please check that these items are all present.
fig.8e
• AC ADAPTOR BOSS PSA Series
• Owner’s Manual
M-10E
AC Adaptor Owner's Manual

6
PANEL DESCRIPTIONS
fig.1+2e
8. MASTER Volume Slider
15. AUX IN Jacks13. AC Adaptor Jack
16. INPUT (1/4-inch Phone) Jacks14. AUX OUT Jacks
12. INPUT (RCA Phono) Jacks10. POWER Switch 11. OUTPUT Jacks
4. POWER Indicator2. OVERLOAD L/R Indicators
3. AUX IN Knob 5. PHONES Knob
9. PHONES Jack6. SENS Knobs 7. CHANNEL VOLUME Sliders
1. BALANCE Knobs

7
PANEL DESCRIPTIONS
1. BALANCE Knobs
These knobs adjust the stereo input balance for each
channel. At the center position, the left and right signals
are at the same level. Rotating the knob clockwise or
counterclockwise will shift the sound field to the right or
left respectively.
2. OVERLOAD L/R Indicators
These indicators light when the mixed signal level is too
high. If these LEDs light frequently, lower the input
sensitivity by rotating the SENS knob of each channel
counterclockwise.
* These indicators are not affected by the position of the
MASTER volume slider.
* These indicators light at 6 dB below the clipping level (the
point at which distortion becomes audible).
3. AUX IN Knob
Adjusts the input level of the device connected to the AUX
IN (Auxiliary Input) jacks.
* The AUX IN knob controls the L/R input signals
simultaneously.
4. POWER Indicator
Lights when the M-10E is turned on.
* If you are using a battery and the POWER indicator does
not light (or lights dimly), replace the battery.
5. PHONES Knob
Controls the headphone volume.
* The headphone volume is not affected by the position of the
MASTER Volume slider.
6. SENS Knobs
Adjust the input sensitivity for each channel. They are
used to optimize the signal level to avoid distortion.
Rotating a SENS knob clockwise will increase the
sensitivity (increase the volume), while rotating it
counterclockwise will decrease the sensitivity (decrease
the volume). When a microphone is connected to one of
the 1/4 inch phone jacks, be sure to rotate the
corresponding SENS knob completely clockwise (to the “-
50 dB” position).
* Each SENS knob controls the L/R signals in each channel
simultaneously.
7. Channel VOLUME Sliders
These sliders provide volume control for each channel. Set
these sliders relative to one another to achieve the best
audio mix. (The marked position (“0”) of each channel
indicates the optimum level.)
* Each VOLUME slider controls the L/R signals in each
channel simultaneously.
8. MASTER Volume Slider
Adjusts the overall output of the M-10E.
* The MASTER slider does not affect the output level of the
AUX OUT jacks or the PHONES jack.
9. PHONES Jack (Stereo Mini Type)
Connect stereo headphones to this jack.
10. POWER Switch
Switches the unit on and off.
11. OUTPUT Jacks
(RCA Phono Jacks/
1/4“ Phone Jacks)
These jacks provide output of the final mixed signals.
They can be connected to a PA system, or to the inputs on
another mixer.
12. Input Jacks (RCA Phono Jacks)
Devices (computer music or audio equipment, for
example) with RCA phono plugs should be connected to
these inputs. (To connect a monaural device, use both the
L/R inputs (when possible), or use one of the standard 1/
4 inch phone jacks.)
13. AC Adaptor Jack
Connect an AC adaptor (PSA Series) to this jack. (Be sure
to use the adaptor specified for your country.)
* When an AC adaptor is connected, the batteries in the unit
are not used.
* If you are not going to use the unit on batteries for a long
period of time, remove them from the unit.
14. AUX OUT Jacks (RCA Phono Jacks)
These jacks are convenient for recording direct to a DAT,
cassette, or open reel deck (for example).
(Convenient further still because the output level is not
affected by the MASTER Volume slider.)
15. AUX IN Jacks (RCA Phono Jacks)
These input jacks are ideal for connecting devices that do
not require L/R balance adjustment (audio equipment, for
example).
16. Input Jacks (1/4“ Phone Jacks)
Devices (electronic instruments or mics, for example) with
1/4 inch phone plugs should be connected to these inputs.
If you are connecting a monaural device such as a
microphone, connect it to L (MONO).

8
Bedienfeldbeschreibung (Deutsch)
fig.1+2g
8. MASTER-Lautstärkeschieberegler
15. AUX IN-Buchsen13. Netzteilbuchse
16. Eingangsbuchsen (1/4-Zoll-Klinkenbuchsen)14. AUX OUT-Buchsen
12. Eingangsbuchsen (RCA-Cinchbuchsen)10. POWER-Schalter 11. OUTPUT-Buchsen
4. POWER-Anzeige2. OVERLOAD L/R-Anzeigen
3. AUX IN-Regler 5. PHONES-Regler
9. PHONES-Buchse6. SENS-Regler 7. Kanal-VOLUME-Schieberegler
1. BALANCE-Regler

9
Bedienfeldbeschreibung (Deutsch)
1. BALANCE-Regler
Diese Regler stellen die Stereo-Eingangsbalance für jeden
Kanal ein. In der Mittenstellung sind die linken und
rechten Signale gleich. Durch Drehen des Reglers im
Uhrzeigersinn oder gegen den Uhrzeigersinn wird das
Klangfeld nach links oder rechts verschoben.
2. OVERLOAD L/R-Anzeigen
Diese Anzeigen leuchten auf, wenn der gemischte
Signalpegel zu hoch ist. Wenn diese LEDs häufig
aufleuchten, senken Sie die Eingangsempfindlichkeit
durch Drehen des SENS-Reglers jedes Kanals gegen den
Uhrzeigersinn.
* Diese Anzeigen werden nicht von der Position des
MASTER-Lautstärkeschiebereglers beeinflusst.
* Diese Anzeigen leuchten bei 6 dB unter dem Clipping-Pegel
(der Stelle, bei der Verzerrung hörbar wird) auf.
3. AUX IN-Regler
Stellt den Eingangspegel des Geräts ein, das an die
Eingangsbuchse AUX IN angeschlossen ist.
* Der AUX IN-Regler steuert die L/R-Eingangssignale
simultan.
4. POWER-Anzeige
Leuchtet auf, wenn das M-10E eingeschaltet wird.
* Wenn Sie eine Batterie verwenden und die POWER-
Anzeige nicht aufleuchtet (oder nur schwach leuchtet),
ersetzen Sie die Batterie.
5. PHONES-Regler
Steuert die Kopfhörer-Lautstärke.
* Die Kopfhörer-Lautstärke wird nicht von der Position des
MASTER-Lautstärkeschiebereglers beeinflusst.
6. SENS-Regler
Regelt die Eingangsempfindlichkeit für jeden Kanal. Sie
dienen zur Optimierung des Signalpegels, um Verzerrung
zu vermeiden.
Durch Drehen eines SENS-Reglers im Uhrzeigersinn wird
die Empfindlichkeit erhöht (die Lautstärke gesteigert),
während durch Drehen gegen den Uhrzeigersinn die
Empfindlichkeit gesenkt (die Lautstärke verringert) wird.
Wenn ein Mikrofon an eine der 1/4-Zoll-Klinkenbuchsen
angeschlossen ist, drehen Sie den entsprechenden SENS-
Regler vollständig im Uhrzeigersinn (zur Stellung “-50 dB”).
* Jeder SENS-Regler steuert die L/R-Signale in jedem Kanal
simultan.
7. Kanal-VOLUME-Schieberegler
Diese Schieberegler erlauben Lautstärkeregelung für jeden
Kanal. Stellen Sie diese Schieberegler relativ zueinander
ein, um die beste Audio-Mischung zu erzielen. (Die
markierte Position (“0”) jedes Kanals zeigt den optimalen
Pegel an.)
* Jeder VOLUME-Schieberegler steuert die L/R-Signale in
jedem Kanal simultan.
8. MASTER-Lautstärkeschieberegler
Stellt die Gesamtlautstärke des M-10E ein.
* Der MASTER-Schieberegler beeinflusst nicht den
Ausgangspegel der Buchsen AUX OUT oder der Buchse
PHONES.
9. PHONES-Buchse (Stereo-Minibuchse)
Schließen Sie die Stereo-Kopfhörer an diese Buchse an.
10. POWER-Schalter
Schaltet das Gerät ein und aus.
11. OUTPUT-Buchsen (RCA-Cinchbuchsen/
1/4-Zoll Klinkenbuchsen)
Diese Buchsen bieten den Ausgang der endgültig
abgemischten Signale.
Sie können an ein PA-System angeschlossen werden, oder
an die Eingänge eines anderen Mischpults.
12. Eingangsbuchsen (RCA-Cinchbuchsen)
Geräte (z.B. Computermusik- oder Audio-Geräte) mit
RCA-Cinchsteckern müssen direkt an diese Eingänge
angeschlossen werden. (Zum Anschließen eines Mono-
Geräts verwenden Sie beide L/R-Eingänge (wenn
möglich), oder verwenden Sie einen der standardmäßigen
1/4-Zoll-Klinkenbuchsen.)
13. Netzteilbuchse
Schließen Sie ein Netzteil (PSA-Serie) an diese Buchse an.
(Stellen Sie sicher, dass das für Ihr Land vorgeschriebene
Netzteil verwendet wird.)
*Wenn ein Netzteil angeschlossen wird, werden die Batterien
im Gerät nicht verwendet.
* Wenn Sie das Gerät längere Zeit nicht über Batterien
betreiben wollen, nehmen Sie diese aus dem Gerät.
14. AUX OUT-Buchsen (RCA-Cinchbuchsen)
Diese Buchsen sind praktisch zur direkten Aufnahme auf
DAT-, Kassetten oder Tonbanddeck (zum Beispiel).
(Und noch praktischer, weil der Ausgangspegel nicht
durch die Einstellung des MASTER-Lautstärke-
Schiebereglers beeinflusst wird.)
15. AUX IN-Buchsen (RCA-Cinchbuchsen)
Diese Eingangsbuchsen sind ideal z.B. zum Anschließen
von Geräten, die nicht L/R-Balance-Einstellung erfordern
(z.B. Audiogeräte).
16. Eingangsbuchsen (1/4-Zoll-
Klinkenbuchsen)
Geräte (z.B. elektronische Musikinstrumente oder
Mikrofone) mit 1/4-Zoll-Klinkensteckern sollten direkt an
diese Eingänge angeschlossen werden. Wenn Sie ein
Mono-Gerät wie ein Mikrofon anschließen, schließen Sie
dieses an L (MONO) an.

10
Description (Français)
fig.1+2f
8. Curseur de volume MASTER
15. Prises AUX IN13. Prise pour adaptateur CA
16. Prises d'entrée (Input) (prises pour casque 1/4 po)14. Prises AUX OUT
12. Prises d'entrée (prises RCA Phono)10. Interrupteur d'alimentation (POWER)
11. Prises de sortie (OUTPUT)
4. Indicateur POWER2. Indicateurs OVERLOAD L/R
3. Bouton AUX IN 5. Bouton PHONES
9. Prises pour casque6. Boutons SENS 7. Curseur VOLUME des canaux
1. Boutons BALANCE

11
Description (Français)
1. Boutons BALANCE (d’équilibrage)
Ces boutons ajustent l’entrée stéréo pour chaque canal.
Lorsqu’ils sont au centre, les signaux gauche et droit sont
au même niveau. Tourner les boutons dans le sens des
aiguilles d’une montre ou dans le sens contraire fait passer
le champ sonore à gauche ou à droite.
2. Indicateurs OVERLOAD L/R (indicateurs
de surcharge g/d)
Ces indicateurs s’allument lorsque le niveau du signal
mixte est trop élevé. Si ces voyants s’allument
fréquemment, abaisser la sensibilité d’entrée en tournant
le bouton SENS de chaque canal dans le sens contraire des
aiguilles d’une montre.
* Ces indicateurs ne sont pas affectés par la position du
curseur de volume principal (MASTER).
* Ces indicateurs s’allument à 6 dB sous le niveau d’écrêtage
(point oí?la distorsion devient audible).
3. Bouton AUX IN
Ajuste le niveau d’entrée de l’appareil connecté aux prises
pour casque AUX IN (entrée auxiliaire).
* Le bouton AUX IN contrôle simultanément les signaux
d’entrée g/d.
4. Indicateur POWER (alimentation)
S’allume lorsque le M-10E est mis sous tension.
* Si une pile est utilisée et que l’indicateur POWER ne
s’allume pas (ou s’il est faible), il faut remplacer la pile.
5. Bouton PHONES (casque d’écoute)
Contrôle le volume du casque d’écoute.
*Le volume du casque d’écoute n’est pas affecté par la position
du curseur de volume principal (MASTER).
6. Boutons SENS (sensibilité)
Ajustent la sensibilité de chaque canal. Ils servent à
optimiser le niveau du signal pour éviter la distorsion.
Tourner un bouton SENS dans le sens des aiguilles d’une
montre augmente la sensibilité (augmente le volume), et le
tourner dans le sens contraire décroît la sensibilité
(diminue le volume). Si un microphone est connecté à
l’une des prises pur écouteurs de 1/4 po, s’assurer de
tourner complètement le bouton SENS correspondant
dans le sens des aiguilles d’une montre (jusqu’à la
position « -50 dB »).
*Chaque bouton SENS contrôle simultanément les signaux L/
R (g/d) de chaque canal.
7. Curseur VOLUME des canaux
Ces curseurs permettent de contrêêer le volume de chaque
canal. Les positionner de manière semblable l’un par
rapport à l’autre pour obtenir le meilleur mélange audio.
(La position marquée (« 0 ») pour chaque canal indique le
niveau optimal.)
* Chaque curseur VOLUME contrôle simultanément les
signaux L /R (g/d) de chaque canal. .
8. Curseur de volume MASTER (principal)
Ajuste l’ensemble de la sortie du M-10E.
* Le curseur MASTER n’affecte pas le niveau de sortie des
prises AUX OUT ou des prises pour casque (PHONES).
9. Prises pour casque (type mini stéréo)
Connecter le casque d’écoute stéréophonique à cette prise.
10. Interrupteur d’alimentation (POWER)
Allume ou éteint l’appareil.
11. Prises de sortie (OUTPUT) (prises RCA
Phono / prises pour casque 1/4 po)
Ces prises permettent la sortie des signaux mélangés
finaux.
Elles peuvent être connectées à un système de
sonorisation ou aux entrées d’un autre mélangeur.
12. Prises d’entrée (prises RCA Phono)
Connecter à ces prises les appareils (p. ex., informatique
musicale, équipement audio) ayant des fiches RCA phono.
(Pour connecter un appareil monaural, utiliser les deux
entrées, c.-à-d. les entrées L/R (g/d) si possible; sinon,
utiliser l’une des prises pour casque standard de 1/4 po).
13. Prise pour adaptateur CA (AC
adaptator)
Connecter un adaptateur CA (PSA Série) à cette prise.
(S’assurer d’utiliser l’adaptateur spécifié pour le pays où
l’appareil est utilisé.)
* Si un adaptateur CA est connecté, les piles ne sont pas
utilisées.
* Retirer les piles de l’appareil s’il ne doit pas être utilisé
pendant une longue période.
14. Prises AUX OUT (prises RCA Phono)
Ces prises sont pratiques pour enregistrer directement sur
une bande audionumérique, une cassette ou une
enregistreuse à ruban (par exemple).
(Elles sont encore plus pratiques parce que le niveau de
sortie n’est pas affecté par le curseur de volume MASTER.
15. Prises AUX IN (prises RCA Phono)
Ces prises sont idéales pour connecter des appareils qui
n’ont pas besoin d’ajustement d’équilibre L/R (g/d) (par
exemple, de l’équipement audio).
16. Prises d’entrée (Input) (prises pour
casque 1/4 po)
Connecter les appareils (par exemple des instruments
électroniques ou microphones) munis de prises pour
casque de 1/4 po. Connecter un appareil monaural, par
exemple un microphone, à la prise L (MONO).

12
Descrizione del pannello (Italiano)
fig.1+2i
8. Cursore del Volume PRINCIPALE
15. Prese AUX IN13. Presa Adattatore di Corrente
16. Prese di ingresso (prese 1/4 di pollice)14. Prese AUX OUT
12. Prese d'ingresso (Prese Cuffie RCA)10. INTERRUTTORE di alimentazione
11. Prese OUTPUT
4. Indicatore di ALIMENTAZIONE2. Indicatori di sovraccarico S/D
3. AUX IN Manopola 5. Manopola CUFFIE
9. Presa CUFFIE6. Manopole SENSIBILITÀ 7. Cursori VOLUME canale
1. Manopole BILANCIAMENTO

13
Descrizione del pannello (Italiano)
1. Manopole BILANCIAMENTO
Queste manopole regolano il bilanciamento in ingresso
dello stereo per ogni canale. Nella posizione centrale, i
segnali di sinistra e destra sono allo stesso livello.
Ruotando la manopola in senso orario o antiorario
muoverà il campo sonoro a destra o sinistra
rispettivamente.
2. Indicatori di sovraccarico S/D
Questi indicatori si accendono quando il livello del
segnale misto è troppo alto. Se questi LED si accendono
frequentemente, diminuire la sensibilità d’ingresso
ruotando la manopola SENS di ogni canale in senso
antiorario.
* Questi indicatori non sono influenzati dalla posizione del
cursore del volume PRINCIPALE.
* Questi indicatori si accendono a 6 decibel sotto il livello di
distorsione (il punto in cui la distorsione diventa udibile).
3. AUX IN Manopola
Regola il livello d’ingresso del dispositivo collegato alle
prese AUX IN (Ingresso Ausiliario).
* La manopola AUX IN controlla simultaneamente i segnali
d’ingresso S/D.
4. Indicatore di ALIMENTAZIONE
Si illumina quando M-10E è acceso.
* Se state utilizzando una batteria e l’indicatore di
alimentazione non si accende (o si accende debolmente),
sostituire la batteria.
5. Manopola CUFFIE
Controlla il volume delle cuffie.
* Il volume delle cuffie non è influenzato dalla posizione del
cursore del volume PRINCIPALE.
6. Manopole SENSIBILITÀ
Regola la sensibilità d’ingresso di ogni canale. Vengono
utilizzati per ottimizzare il livello del segnale per evitare
la distorsione.
Ruotando una manopola di SENSIBILITÀ in senso orario
aumenterà la sensibilità (aumenta il volume), mentre
ruotandolo in senso antiorario diminuirà la sensibilità
(diminuisce il volume). Quando un microfono è collegato
a una delle prese delle cuffie da 1/4 pollici, assicurarsi di
ruotare la manopola di SENSIBILITÀ corrispondente in
senso orario (alla posizione “-50 db”).
* Ogni manopola di sensibilità controlla simultaneamente i
segnali S/D in ogni canale.
7. Cursori VOLUME canale
Questi indicatori controllano il volume per ogni canale.
Per ottenere la migliore miscela audio regolare questi
cursori. (La posizione indicata (“0”) di ogni canale indica
il livello ottimale).
* Ogni cursore del VOLUME controlla simultaneamente i
segnali S/D in ogni canale.
8. Cursore del Volume PRINCIPALE
Regola l’output generale del M-10E.
* Il curosre PRINCIPALE non influisce sul livello di output
delle prese AUX OUT o la presa delle CUFFIE.
9. Presa CUFFIE (Stereo Tipo Mini)
Collegare le cuffie dello stereo a questa presa.
10. INTERRUTTORE di alimentazione
Accende e spegne l’unità.
11. Prese OUTPUT (RCA Prese Cuffie/ 1/4
di pollice Prese Cuffie)
Queste prese forniscono l’output per i segnali misti finali.
Possono essere collegati al sistema PA, o agli ingressi su
un altro mixer.
12. Prese d’ingresso (Prese Cuffie RCA)
I dispositivi (apparecchiatura per musica o audio
computer) con spine cuffie RCA dovrebbero essere
collegati a questi ingressi. (Per collegare un dispositivo
monoauricolare, utilizzare entrambe gli ingressi S/D
(quando possibile), o utilizzare una delle prese standard
per cuffie da 1/4 pollici).
13. Presa Adattatore di Corrente
Collega un adattatore di corrente (Serie PSA) a questa
presa. (Assicurarsi di utilizzare l’adattatore indicato per il
vostro paese.)
* Quando un adattatore di corrente è collegato, non vengono
utilizzate le batterie nell’unità .
* Se non alimentare l’unità a batterie per un lungo periodo di
tempo, toglietele dall’unità.
14. Prese AUX OUT (Prese Cuffie RCA)
Queste prese sono convenienti per la registrazione diretta
su una cassetta, o registratore a nastro aperto DAT (per
esempio).
(Conveniente anche perché il livello di output non è
influenzato dal cursore del Volume PRINCIPALE).
15. Prese AUX IN (Prese Cuffie RCA)
Queste prese di ingresso sono ideali per collegare
dispositivi che non richiedono la regolazione del
bilanciamento S/D (apparecchiatura audio, per esempio).
16. Prese di ingresso (prese 1/4 di pollice)
I dispositivi (strumenti elettronici o microfoni, per
esempio) con spine per cuffie di 1/4 di pollici dovrebbero
essere collegati a questi ingressi. Se state collegando un
dispositivo monoauricolare quale un microfono,
collegatelo a S (MONO).

14
Descripción del panel (Español)
fig.1+2s
8. Deslizador de volumen maestro [MASTER]
15. Tomas de entrada auxiliar [AUX IN]
13. Toma adaptadora de corriente alterna
16. Tomas de entrada (Tomas de 1/4 de pulgada)14. Tomas de salida auxiliar [AUX OUT]
12. Tomas de entrada (Tomas tipo RCA)10. Interruptor de alimentación [POWER]
11. Toma de salida [OUTPUT]
4. Indicador de alimentación [POWER]
2. Indicadores izquierdo y derecho [L/R] de sobrecarga [OVERLOAD]
3. Control de entrada auxiliar [AUX IN] 5. Control de audífonos [PHONES]
9. Toma para audífonos [PHONES]
6. Controles de sensibilidad [SENS]
7. Deslizadores de volumen de canal [VOLUME]
1. Controles de balance [BALANCE]

15
Descripción del panel (Español)
1. Controles de balance [BALANCE]
Estos controles ajustan el balance de entrada en estéreo
para cada canal. En la posición central, las señales
derecha e izquierda se encuentran al mismo nivel. Hacer
girar el control a la derecha o a la izquierda cambiará el
campo sonoro a la derecha o a la izquierda
respectivamente.
2. Indicadores izquierdo y derecho [L/R] de
sobrecarga [OVERLOAD]
Estos indicadores se iluminan cuando el nivel de la señal
mezclada es demasiado alto. Si estos LED se iluminan con
frecuencia, reduzca la sensibilidad de entrada al hacer
girar a la izquierda el control de sensibilidad [SENS] de
cada canal.
* Estos indicadores no se ven afectados por la posición del
deslizador de volumen maestro [MASTER].
* Estos indicadores se iluminan a 6 dB por debajo del nivel de
corte de picos (el punto en el cual la distorsión se vuelve
audible).
3. Control de entrada auxiliar [AUX IN]
Ajusta el nivel de entrada del dispositivo conectado a las
tomas de entrada auxiliar [AUX IN].
*El control de entrada auxiliar [AUX IN] controla las señales
de entrada izquierda y derecha [L/R] simultáneamente.
4. Indicador de alimentación [POWER].
Se ilumina cuando se enciende el M-10E.
* Si usa una batería y el indicador de alimentación [POWER]
no se ilumina (o lo hace débilmente), reemplace la batería.
5. Control de audífonos [PHONES]
Controla el volumen de los audífonos.
*El volumen de los audífonos no se ve afectado por la posición
del deslizador de volumen maestro [MASTER].
6. Controles de sensibilidad [SENS]
Ajusta la sensibilidad de entrada para cada canal. Se usan
para optimizar el nivel de la señal y evitar la distorsión.
Hacer girar el control de sensibilidad [SENS] a la derecha
aumentará la sensibilidad (aumentará el volumen),
mientras que hacerlo girar a la izquierda disminuirá la
sensibilidad (disminuirá el volumen). Al conectar un
micrófono a una de las tomas de 1/4 de pulgada,
asegúrese de hacer que el control de sensibilidad [SENS]
gire por completo a la derecha (a la posición “-50 dB”).
* Cada control de sensibilidad [SENS] controla las señales
izquierda y derecha [L/R] en cada canal simultáneamente.
7. Deslizadores de volumen de canal
[VOLUME]
Estos deslizadores proporcionan control de volumen para
cada canal. Ajuste la posición relativa de ambos
deslizadores para lograr la mejor mezcla de audio. (La
posición marcada (“0”) de cada canal indica el nivel
óptimo.)
* Cada deslizador de volumen [VOLUMEN] controla las
señales izquierda y derecha [L/R] en cada canal
simultáneamente.
8. Deslizador de volumen maestro [MASTER]
Ajusta la salida global del M-10E.
*El deslizador maestro [MASTER] no afecta el nivel de salida
de las tomas de salida auxiliar [AUX OUT] o de la toma
para audífonos [PHONES].
9. Toma para audífonos [PHONES] (tipo
estéreo mini)
Conecte los audífonos estéreo a esta toma.
10. Interruptor de alimentación [POWER]
Enciende y apaga la unidad.
11. Toma de salida [OUTPUT] (Tomas tipo
RCA / Tomas de 1/4 “)
Estas tomas proporcionan salida para las señales finales
mezcladas.
Se pueden conectar a un sistema de megafonía o a las
entradas de otro mezclador.
12. Tomas de entrada (Tomas tipo RCA)
Los dispositivos (música de ordenador o equipo de audio,
por ejemplo) con enchufes RCA se deberán conectar a
estas entradas. (Para conectar un dispositivo monaural,
use ambas entradas izquierda y derecha [L/R] (cuando
sea posible), o use una de las tomas estándar de 1/4 de
pulgada.)
13. Toma adaptadora de corriente alterna
Conecte un adaptador de corriente alterna (serie PSA) a
esta toma. (Asegúrese de usar el adaptador que se
especifica para su país.)
* Cuando se conecta un adaptador de corriente alterna, las
baterías en la unidad no se usan.
* Si no va a usar la unidad con baterías durante un periodo
largo, sáquelas de la unidad.
14. Tomas de salida auxiliar [AUX OUT]
(tomas tipo RCA)
Estas tomas son convenientes para grabación directa en
DAT, casete o unidad de carrete abierto (por ejemplo).
(Esto es aún más conveniente porque el nivel de salida no
se ve afectado por el deslizador de volumen maestro
[MASTER].)
15. Tomas de entrada auxiliar [AUX IN]
(tomas tipo RCA)
Estas tomas de entrada son ideales para conectar
dispositivos que no requieren ajuste de balance izquierdo
y derecho [L/R] (equipo de audio, por ejemplo).
16. Tomas de entrada (Tomas de 1/4 de
pulgada)
Los dispositivos (instrumentos electrónicos o micrófonos,
por ejemplo) con enchufes de 1/4 de pulgada se deberán
conectar a estas entradas. Si conecta un dispositivo
monoaural, como un micrófono, conéctelo a la toma
izquierda [L] (MONO).

16
CONNECTIONS
921 * To prevent malfunction and/or damage to speakers or other devices, always turn down the
volume, and turn off the power on all devices before making any connections.
Connecting Headphones
Connect the headphones to the PHONES jack.
fig.5ae
Headphones

17
CONNECTIONS
Example connections for editing audio for video
Here is an example of video post-recording in which you mix sounds from a
variety of audio devices.
fig.5be
* Use a monaural mic, and connect the mic to channel 1 (MIC) or 3 (MIC).
* “Post recording” refers to the process of recording audio material such as music, sound effects, and
narration for a previously-recorded video.
923 *If there are batteries (6F22, S-006P/9V) in the unit while an AC adaptor is being used, normal operation
will continue should the line voltage be interrupted (power blackout or power cord disconnection).
983 * Howling could be produced depending on the location of microphones relative to speakers. This can be
remedied by:
1. Changing the orientation of the microphone(s).
2. Relocating the microphone(s) at a greater distance from speakers.
3. Lowering volume levels.
Microphone
AC Adaptor
(BOSS PSA Series)
CD Player
Video Cassette Recorder
IN
OUT IN
RL RL
RL
RL
Camcorder
IN
MD Player
Images
IN

18
CONNECTIONS
Example connections for mixing or switching between
desktop media production sources or electronic
musical instruments
fig.5e
* Use a monaural mic, and connect the mic to channel 1 (MIC) or 3 (MIC).
* If you are using the M-10E as a sub-mixer for another mixer, connect the MASTER OUTPUT L, R
jacks to the input jacks of the other mixer.
* “Desktop media production” (DTMP) is a new way of enjoying music and visual material using your
computer. A “sound module” is an electronic sound generating device that you connect to your
computer in order to enjoy DTMP.
IN
RL
IN
RL
OUT
L
IN
R
L
IN
R
L
IN
R
L
OUT
R
L
OUT
R
(BOSS PSA Series)
Monitor Speakers Sound Module
Sound Module
CD Player
Cassette Deck
Mixer
AC Adaptor
Keyboard
Microphone

19
OPERATION
941 * Once the connections have been completed (p. 16), turn on power to your various
devices in the order specified. By turning on devices in the wrong order, you risk
causing malfunction and/or damage to speakers and other devices.
1. Switch off the M-10E and all the units to be connected.
2. Make all the necessary connections. Set the BALANCE knob of each channel to
the center position and the SENS knob of each channel to the “+4” position. Set
each Channel VOLUME slider to “0” (the marked position) and the MASTER
Volume slider to the “-∞” position.
943 * Always make sure to have the MASTER volume level turned down before
switching on power. Even with the volume all the way down, you may still hear
some sound when the power is switched on, but this is normal, and does not
indicate a malfunction.
fig.6
3. Switch on all the units connected to the M-10E.
4. Switch on the M-10E.
944a * When operating on battery power only, the unit’s indicator will become dim when
battery power gets too low. Replace the battery as soon as possible.
5. Slowly raise the MASTER Volume slider to an appropriate level.

20
OPERATION
6. Use the SENS knobs to adjust input sensitivity for each channel.
*For minimum noise and/or distortion, set the levels so the OVERLOAD indicators
light only briefly on input peaks.
fig.9e
7. Adjust the L/R input balance of each channel using the BALANCE knobs.
8. Adjust the channel levels relative to one another using the Channel VOLUME
sliders.
9. Set the overall output volume using the MASTER slider.
* Use a monaural mic, and connect the mic to channel 1
(MIC) or 3 (MIC).
On the channel to which the mic is connected, turn the
sensitivity knob all the way to the right.