Genesis 450XS User manual

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Genesis
GenesisGenesis
Genesis
Genesis 450XS System
Owner’s Manual
Description
Standing 56.5 inches tall and only 12 inches wide, the Genesis 450XS is presented in a
bleached American herry wood. The Genesis 450XS is a loudspeaker system capable of
delivering live listening levels across the entire frequency spectrum. By means of active
servo bass, response down to 22 Hz is achieved and the full range and impact of the
symphony orchestra can be reproduced.
The Genesis 450XS has four planar ribbon tweeters, three in front and one in the rear. At
the midrange, the 450XS employs two 6.5 inch, metal cone mid bass couplers that are out
of phase with each other. Also at the midrange is a 24 inch ribbon driver mounted in the
front of the cabinet. The bass frequencies are handled with two 12 inch metal cone active
drivers that are powered by a 1000 watt Genesis GSAT power amplifier that is built into
the unit.
Like all Genesis loudspeakers, the Genesis 450XS’s are a dipole design producing sound
from both the front and the rear, one out of phase with the other. While the advantages of
a dipole design are many, the two main benefits are ease of placement in the room and a
greater degree of spacious natural sound reproduction.
Dipoles achieve their superior performance because they create a radiation pattern such
that the energy radiating to the sides of the speakers plane is nearly zero. So, with very
little acoustical energy reaching the side walls of your living room not only is placement
of the speakers easy but, remarkably, the listener is able to experience the music
unencumbered by the normal room aberrations which plague most other speakers.
The 450XS’s magic is in the drivers
The tweeter used in both the front and the back of the 450XS series has been described,
by many reviewers in both the American and the foreign Audiophile press, as possibly
“the world’s best”. It is a 1 inch planar ribbon design and is hand-crafted from an
extremely thin laminated membrane of aluminum and Kapton and measures a mere
0.0005 inch thick. The advantage of incorporating such an extremely thin membrane is
that of low mass. The result of this design is a driver that has a rapid and uniform
response to high frequency transients and has the speed of the best ribbon/electrostatic
designs without the high distortion and poor dispersion that are typical.

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The midrange driver is truly unique and revolutionary. The 24 inch ribbon midrange has
one of the best transducers ever made with transient response, nearly instantaneous
enabling the 450XS’s to sound lifelike and effortless.
To create a “sound bridge” between the midrange and the servo woofer system, the
450XS series incorporates two 6.5 inch metal cone mid bass couplers. This metal cone is
an extremely light and stiff design capable of handling the huge dynamic range demands
of the system while maintaining low coloration and excellent transient response. The bass
frequencies are handled by two 12 inch active metal cone woofers, that are powered by a
1000 watt GSAT power amplifier built into the back of the unit.
Servo control of the woofers and metal cone technology is key to the phenomenal bass
performance of the Genesis 450XS. In a traditional woofer system “heavy”, “soggy” or
”boomy” bass is present to some degree because the woofer has high mass and therefore
high inertia causing poor control and high distortion. In a servo bass system, complete
control of the woofer is made possible by the addition of a motion sensor (accelerometer)
mounted directly on the woofer itself. Lower distortion, greater frequency extension and
tight control yield musically accurate yet “floor shaking” bass.
The metal cone servo controlled woofer system of the Genesis 450XS is driven with a
built in amplifier of unique design. Known as GSAT, the 450XS utilizes a technology of
amplification first introduced by Genesis founder Arnie Nudell and is known as a
switching amplifier. Acclaimed for their performance by virtue of their perfect linear
response, near perfect efficiency and “slam factor”, switching amplifier technology is
clearly superior to almost any other form of amplification.
Set up the speakers.
A good starting position for the Genesis 450XS’s placement is about 20% into the room
as measured from the wall behind the loudspeakers (you can place them much closer to
the rear wall if you wish). If you have placed the speakers closer to the rear wall, a good
rule of thumb is to try and sit approximately ten to twelve feet from the speaker.
Generally speaking, the speakers should fire into the long dimension of the room.
Measure the distance between the left and right tweeters. Start with approximately six to
eight feet apart (two and three quarter meters) if your room dimensions will allow.
Begin by pointing the speakers toward the listener 5 to 10 degrees (toe in).
When positioning your speakers, make sure each speaker is within 10 feet (three meters)
of a power receptacle so you will be able to plug the GSAT built in power amplifier in.
Connecting the 450XS’s
There are two connections that need to be made to each channel of the 450XS. One is the
output of your power amplifier and the other is the power cord for the GSAT amplifier.

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Using a high quality loudspeaker cable, connect the left and right channel outputs of your
power amplifier to the 450XS’s speaker input binding posts. Make sure that the plus or
positive (red) terminal of your power amplifier is connected to the plus or positive (red)
terminal of the 450XS and repeat the procedure for the minus or negative (black)
terminal.
onnecting your power amplifier up to the 450XS will also automatically provide a
signal to feed the built in GSAT woofer amplifier of the 450XS. This is the recommended
hook up both sonically and for convenience. Make sure the switch labeled “input” is in
the “off” position (down).
If you wish, you may use a long interconnect to connect your preamplifier to the
450XSdirectly, although this method is not recommended for cable lengths longer than
10 feet. We recommend in must instances that you rely on the existing internal
connection provided by connecting the power amplifier to the 450XS as described above.
If you choose to connect your 450XS in this fashion, use a good quality interconnect
cable to connect your preamplifier’s output to the low level input on the back of the
450XS marked “input”. We strongly recommend that you do not use interconnects longer
than 10 feet (3.2 meters) to connect the preamplifier output to your Genesis 450XS. On
many preamplifiers, use of an interconnect that is too long will negatively affect the
performance of your preamplifier because of the high capacitance of the cable across the
output of your preamplifier.
onnect the input of the GSAT woofer amplifier to the output of your preamplifier. If
your preamplifier has only one set of balanced outputs and one set of unbalanced (R A)
type outputs, choose balanced for the connection of the amplifier that is driving your
main speaker. Use the remaining set of R A outputs to feed the GSAT amplifier.
If your preamplifier does not have two outputs, use a “Y” connector to split the signal.
The GSAT amplifier presents a high impedance (very easy) load to your preamplifier and
can easily be used with the “Y” connector with no degradation to your main signal.
Once connected, you must place the switch marked “input” in the “on” position.
Connect the power to the GSAT amp ifier
You have been provided with a long 10 foot power cord to connect power to your
Genesis 450XS’s GSAT amplifier. Use this provided power cord if at all possible. If the
power cord is not long enough and you must use an extension cord, make sure the
extension cord is as short as possible and at least 14 gauge or heavier (the lower the
number, the heavier the wire i.e.. 12 gauge is heavier than 14 gauge).
Be careful not to connect the power cord to a switched outlet (one that can turn off with a
wall switch).

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Before plugging the power cord into a power receptacle, look at the switch on the back of
the GSAT marked “voltage select” and ensure it is set to the proper voltage. Most
countries in North America, plus Taiwan and Japan will require the 115v setting. Most
European countries and other Asian countries will require 230v. heck with your local
power authorities for the correct voltage in your country.
Initia settings
On the back of the Genesis 450XS there are three controls. They are labeled “tweeter”,
“Gain”, and “Low pass”.
Tweeter controls the volume level of the front tweeter. There is about a one dB range.
Initially set this control at the two o’clock position.
Gain controls the volume of the woofer amplifier. Begin with this control at the one
o’clock position.
Low pass controls how high the woofer goes in frequency. At the low extreme of 71 (Hz)
the woofer will go as high as 71 (Hz) and then begin rolling off or reducing its volume.
Recommended beginning position for this control is 95Hz.
Input is a switch marked “on” “off”. This switch selects where the woofer amplifier
receives its input. In the “off” position, the woofer receives its signal from your power
amplifier and is the recommended setting. When the switch is in the “on” position, the
woofer receives its signal from the R A input to the left of the switch marked “input”.
Power is the on/off switch for the power amplifier. We recommend that you leave the
switch in the on position always. The GSAT power amplifier has an auto circuit that will
shut the amplifier off when there is no music being played for approximately 10minutes.
The amplifier will immediately come back on when there is music.
Red ight next to input. You may notice that there is a red light next to the input. When
you first turn the GSAT power amplifier on, this red light will not come on. Only when
you play music will the light come on. The light is the auto off indicator. It indicates
when the amplifier is on and ready to play music. The light will automatically turn off (as
will the amplifier) after a period of approximately 10 minutes of no music being played.
The light (and amplifier) will automatically turn on as soon as you play music.
Roughing the system in
We suggest that you start with a single vocal with instrumental accompaniment because
the sound of the human voice is more easily recognizable than many instruments and is
the least complex sound to deal with (for most people).
Begin with the bass eve

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Turn the volume control of the GSAT amplifier up or down until the voice sounds
correct. oncentrate on the mid bass regions (as opposed to the very low bass in your
recording) to achieve a natural blend. The voice and the music accompaniment should
sound as if it were cut from one cloth, not separate.
Leave the low pass filter alone, for the moment, as it should remain set at approximately
95 Hz. This control will be addressed later.
If your vocal selection is a good recording (like a hesky label or Reference Recording
or Sheffield) the performer should appear to come from behind the loudspeakers and be
at the appropriate height for a standing person. If it is not, there are several remedies,
which this paper will address.
1. If the vocal appears to be larger than life, you should first check the system
volume. Is it a volume that would be appropriate for someone actually singing
in your room? If there is too much volume the artist will appear too big and
the opposite is true for too little volume. If the volume is set correctly and the
image is still too big, toe the speakers in a slight amount or place them closer
together and re-listen. Repeat this process till you have it right.
2. If you are not getting enough front to back depth (not appearing behind the
speaker sufficiently) pull the speakers away from the wall a little bit at a time.
If you do not have them pulled far enough away, you may not have enough
front to back depth. Find the best compromise for your room, your tastes and
your space requirements.
3. If you are not getting proper focus on the voice, you may place the left and
right speakers closer together until you have a properly defined image or toe
them in a bit more (angled toward the listener). If the speakers are too far
apart you will lose the side image and if they are too close together you will
have too small a center stage. We recommend you begin with six to seven feet
apart (two and three quarter meters) as measured from tweeter to tweeter. If
you still do not get enough, turn the midrange control counter clockwise ever
so slightly.
When properly set up very little sound should appear to come directly from the speaker,
instead, the sound stage should extend far beyond the left and right edge of the
loudspeakers and they should have tremendous front to back depth. When the recording
is close miked (when the instrument or performer is very close to the recording
microphone) the music may appear to come directly from the loudspeaker. This is
normal. Typically, however, the sound should appear to be detached from the
loudspeakers.
A simple rule of thumb to follow is that focus will be achieved by placing the speakers
closer together or farther apart, and front to back depth can be adjusted by the distance
from the wall behind the speaker.