Harman Kardon CITATION 7.0 User manual

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CITATION 7.0 SURROUND CONTROLLER
OWNER’S MANUAL
PRELIMINARY DRAFT
9-MAY-95

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TABLE OF CONTENTS
Safety Instructions
Quick Start Guide
Description Of Modes
Front Panel Indicators And Controls
The Two Line Display And Readouts
Rear Panel Inputs And Outputs
The Remote Control
Using the On Screen Menus and Front Panel Display to Operate the 7.0
System Installation, Set-Up And Calibration
System Set-Up Menu Options
System Installation Diagrams
Options Set-Up Menu Options
Record Selection
Source Edit Menu Options
Operation And Controls
Direct Access Functions
Advanced User Operation
Surround Edit Mode Menu Options
New Mode Creation
Trouble Shooting
Appendix:
Factory Presets

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Citation 7.0 Owners’ Manual
Introduction and Safety Information
Congratulations! As the owner of a Citation 7.0 Surround Processor, you have at your command a unique product.
Combining elegant, sculpted metal panels, the latest state of the art circuit design, and Harman Kardon’s forty year
heritage of audio excellence, the Citation 7.0 will bring many years of enjoyable listening to your music or home
theater system.
In order to fully enjoy the performance of your new controller, please take a few minutes to read this owner’s manual. It
contains important information that will help you to make certain that it is properly configured for operation with the rest
of the equipment in your system.
If you have any questions about this product, it’s installation or operation, please contact the retailer or custom installer
who sold you the product. They are your best source of local information. Should you need additional information or
assistance, the toll free number for Citation customer service is 800-787-6766.
IMPORTANT SAFETY INFORMATION
Verify Line Voltage Before Use
Your new Citation 7.0 Controller has been factory preset for a specific line voltage: 110-120 volts for North America or
220-240 volts in most other countries. Connection to a line voltage other than that for which it is intended can create a
safety and fire hazard, and may damage the amplifier.
If you have any questions about the voltage requirements for your specific model, or about the line voltage in your
area, contact your selling dealer before plugging the unit into a wall outlet.
Do Not Use Extension Cords
To avoid safety hazards, use only the power cord supplied with your unit. If a replacement cord is used, make certain
that it is of similar gauge. We do not recommend that extension cords be used with this product. As with all electrical
devices, do not run power cords under rugs or carpets or place heavy objects on them. Damaged power cords should
be replaced immediately with cords meeting factory specifications.
Handle the AC Power Cord Gently
When disconnecting the power cord from an AC outlet, always pull the plug, never pull the cord. If you do not intent to
use the amplifier for any considerable length of time, disconnect the plug form the AC outlet.

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Do Not Open The Cabinet
There are no user serviceable components inside this product. Opening the cabinet may present a shock hazard, and
any modification to the product will void your guarantee. If water or any metal object such as a paper clip, wire or a
staple accidentally falls inside the unit, disconnect it from the AC power source immediately, and consult an authorized
service station.
Installation Location
ÎTo assure proper operation, and to avoid the potential for safety hazards, place the unit on a firm and level surface.
When placing the unit on a shelf, be certain that the shelf and any mounting hardware can support the weight of the
product.
ÎMake certain that proper space is provided both above and below the unit for ventilation. If this product will be
installed in a cabinet or other enclosed area, make certain that there is sufficient air movement within the cabinet.
Under some circumstances a fan may be required. Consult with your dealer or installer for more information.
ÎDo not place the unit directly on a carpeted surface.
ÎAvoid installation extremely hot or cold locations, or an area that is exposed to direct sunlight or heating equipment.
ÎAvoid moist or humid locations.
ÎDo not obstruct the ventilation slots on the top of the unit, or place objects directly over them.
Cleaning
When the unit gets dirty, wipe it with a clean, soft dry cloth. If necessary, wipe it with a soft cloth dampened with mild
soapy water, then a fresh cloth with clean water. Wipe dry immediately with a dry cloth. NEVER use benzene, thinner,
alcohol or any other volatile cleaning agent. DO not use abrasive cleaners, as they may damage the finish of metal
parts. Avoid spraying insecticide near the unit.
Moving The Unit
Before moving the unit, be certain to disconnect any interconnection cords with other components, and make certain
that you disconnect the unit from the AC outlet.
“Caution: TO PREVENT ELECTRIC SHOCK, DO NOT REMOVE THE GROUNDING PLUG ON THE POWER
CORD, OR USE ANY PLUG OR EXTENSION CORD THAT DOES NOT HAVE A GROUNDING PLUG PROVIDED.
MAKE CERTAIN THAT THE AC OUTLET IS PROPERLY GROUNDED. DO NOT USE AN ADAPTER PLUG WITH
THIS PRODUCT.

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Important information for the user
Note: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part
15 of the FCC Rules. The limits are designed to provide reasonable protection against harmful interference in a
residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed
and used in accordance with the instructions, may cause harmful interference to radio communication. However, there
is no guarantee that harmful interference will not occur in a particular installation. If this equipment does cause harmful
interference to radio or television reception, which can be determined by tuning the equipment off and on, the user is
encouraged to try to correct the interference by one or more of the following measures:
zReorient or relocate the receiving antenna.
zIncrease the separation between the equipment and receiver.
zConnect the equipment into an outlet on a circuit different from that to which the receiver is connected.
zConsult the dealer or an experienced radio/TV technician for help.
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) this
device may not cause harmful interference, and (2) this device must accept interference received, including
interference that may cause undesired operation.
Note: Changes or modifications may cause this unit to fail to comply with Part 15 of the FCC Rules and may void the
user’s authority to operate the equipment.

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CITATION MODEL 7.0 SURROUND CONTROLLER
“QUICK START INSTRUCTIONS”
Congratulations on your purchase of a Citation 7.0 Surround Controller. You now own the heart of a home
entertainment system capable of sound reproduction that rivals the finest concert hall or the most modern movie
theater.
In order to get the maximum benefit from your new Controller, we strongly suggest that you take the time to carefully
read the instruction manual that is packed with the unit. It contains a wealth of information that will help you to properly
install, calibrate and operate the Citation 7.0.
We realize, however that you may be anxious to get into action, so the following steps will provide the minimum
instructions needed to get things hooked up and “on the air”. Please follow the directions carefully to avoid any
possibility of damage to any of the other components in your system.
Once you have your controller connected, we urge you to read through the owner’s manual so that your system may
be adjusted for optimal performance. That small investment of your time will yield dividends in the form of many hours
of pleasurable listening enjoyment.
Equipment Required for Quick Start Installation:
Citation 7.0 Controller
Left/right front channel speakers
Center Channel Speaker
Two surround speakers
Five channels of amplification
Source Equipment (VCR, Laser Disc, etc.)
Hook up and speaker Cables
Recommended Optional Equipment:
Subwoofers
Additional Amplification
Video Display (Direct View Monitor/Receiver or Video Projector)
Recommended Equipment for Home THX Audio Installation:
Matched THX Certified Left/Center/Right Front Channel Speakers
Two THX Certified Subwoofers
Two THX Certified Dipole Surround Speakers
At Lest Six Channels of Amplification

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QUICK START CONNECTION AND SET-UP
1. With all equipment unplugged from AC power, connect the left and right channel audio outputs of the source
equipment to a pair of input connectors on the Citation 7.0 Make certain that left and right channel outputs are
connected to the corresponding left and right channel inputs. Color coded cables or connectors may help with this.
2. If you are using a video display, connect a video cable from an unused Video or S-Video input jack on your TV or
projector to the Video or S-Video connector marked Main Out 1 on the rear panel of the Citation 7.0.
3. Using high quality audio interconnect cables, connect each output channel you will use (i.e. “left front, right front,
center, etc.) to an input connector on your amplifier. If you are using Citation or Fosgate*Audionics Dual Drive
Dipole™ speakers, you will need to use both the left and right “side” surround outputs and the left and right “back”
outputs. If you are using other THX dipole surrounds, or conventional surround speakers, connect the Controller to the
amplifier using the “side” surround outputs.
4. Using high quality speaker cable, connect all speakers to the amplifiers. We recommend that you use a minimum of
16 gauge wire; 12 gauge wire or larger is suggested for longer speaker runs. BE CERTAIN TO OBSERVE THE
PROPER POLARITY WHEN CONNECTING SPEAKERS! Connect positive to positive and negative to negative. Be
certain to check for the “+” and “-” symbols on your speakers, as there is no consistency among speaker
manufacturers as to the use of red and black colors to indicate positive and negative. If you are using Dual Drive
dipoles, be certain to connect the “side” and “back” outputs of the processor to the correct input terminals on the
speakers.
5. Connect all devices to AC power, and turn them on. The Citation 7.0 has a both a master power switch on the rear
panel and a power switch on the front panel. First turn on the rear panel switch, so that a red line shows at the top of
the switch. A green LED will illuminate just below the Citation name on the front panel. This confirms that AC power is
present, and that the unit is an a stand-by mode. Next, turn the unit on by pressing the front panel power switch, or the
“Power” button on the remote control. The green LED will be replaced by blue back lighting of the Citation name. The
two line display on the front panel will light up first, followed after a brief pause by the other front panel indicators.
ÎIf you wish to use the on screen menus, make certain that your TV or other video display is turned on, and
that it is switched to the input jack connected to the 7.0.
6. Using the remote control, select the input source number that corresponds to the number above the input jacks on
the rear panel where you have made the connections from your audio/video source. The Sources are grouped in the
middle of the remote, numbered “1” through “8”. You may also select a source by pressing the “Source /\” or “Source
\/” buttons on the front panel.
7. A surround mode will appear at the top right side of the on screen display and the front panel display. If you wish to
use that mode, proceed to the next step. If you wish to select a different mode, press the appropriate button in the
“Surround Modes” section at the top of the remote control, or use the “Surround /\” or “Surround \/” buttons on the front
panel until the mode you desire appears in the display. We recommend that you start with the “Six Axis” mode, as it
will work with almost any program material, whether it is a surround encoded movie, or a conventional stereo
recording.
At this point you may, or may not have to make additional adjustments, depending on the number and type of
speakers you have connected. If your system includes a center channel speaker, THX Certified surround speakers,
Citation or Fosgate*Audionics Dual Drive Dipole surround speakers, and mono subwoofers, you are ready to go. If
your system differs from the one just described, please do not proceed any further without making the system
adjustments described in the Owners Manual. (note: This needs to be verified once the “factory” presets for all
software and hardware conditions are frozen.)
8 Put your source machine into a “play” mode. The systems volume may be adjusted using the “Volume +” or Volume
-” buttons on the front panel, or the “+” and “-” buttons on the “Volume button in the middle of the remote control. The
“Mute” button on the remote cuts the feed to the amplifiers should you wish to quickly quiet the room.
9. Sit back and enjoy...you’re “on the air”.

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Of course, this is only the tip of the iceberg. Although you have successfully completed a minimal installation, we
strongly recommend that you take time to read the enclosed instruction manual. It will show you how to use the many
features, modes and controls that are a vital part of the Citation 7.0. Correct set-up and installation is important to the
sound quality of your new controller, and it will also make it easier to operate. A few minutes spent in reading the
manual and making certain that your new 7.0 is set up to meet the individual characteristics of your system and
listening room will bring you a dividend in many hours of listening pleasure.

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Citation 7.0 Owners Manual
Surround Modes Description
Surround Modes
Surround sound, or multi-channel audio, is the process of reproducing sound through more than two speakers in a
listening environment. In some cases the positioning of the sounds in particular locations is set by the sound mixer
when the recording is made. This is the case with program materials encoded with the Dolby Surround Matrix, such as
most pre-recorded movies, many television programs and a growing number of audio CD.
While many of the programs you listen to through the Citation 7.0 are surround encoded, many, such as the vast
majority of two channel recordings do not have intentional surround cue information. However, most stereo recordings
do capture ambient sound information during the recording process. By careful processing of the two channel
information, it is possible to create a variety of sonic presentation using center and rear channels, in addition to the
front left and right “stereo” speakers. This is called multi channel sound.
In addition to creating surround from encoded sources, the 7.0 is equipped with specialized circuits that use Jim
Fosgate’s exclusive designs to create enveloping, multi channel sound fields from almost any conventional two
channel stereo or monophonic recording. Unlike conventional surround processors, Digital Signal Processing (DSP) is
only used to create delays and timing for the rear channels. While the control over the signals is done by a digital
microprocessor, the front channel audio signals remain in the analog domain for pure signal transmission. This
assures that no unwanted artifacts are added to a recording or sound track.
It is worth noting that over sixty years ago, when the earliest experiments into sound recording and reproduction were
conducted, it was determined by the scientists at Bell Laboratories that the preferred way to listen to prerecorded
sound was to use at least three speakers in the front of a listening room, and at least two in the rear. Unfortunately, the
limitations of recording technology have confined us to two channels for many years. This notion of “stereo” meaning
left and right channels only is a misnomer.
True stereo sound is actually multi channel audio, and that is what the Citation 7.0 has been designed to deliver from
any source material, be it encoded, encoded or even single channel mono. It does not matter if the playback source is
a laser disc, CD, audio cassette, FM tuner, TV or satellite broadcast, cable program or even an old vinyl record. The
key is to be able to accurately place sound information in the correct speaker location so that a pleasing presentation
is created.
If there was a means of placing sounds in specific locations, using separate discrete channels, there would probably
be no need for a variety of surround modes. That is exactly what the new digital multi-channel audio systems such as
Dolby Digital Stereo, also known as AC-3, and the competing system from DTS do. Unfortunately, there is an
extremely limited amount of this type of software available. For the foreseeable future, 99% of the recordings and
movies available will require the use of surround processing to extract the different channels and determine where
they should be placed.
Given the limitations of the surround process, a listener needs to have some control over where the sounds appear in
a room. In addition, individual listener preferences will influence where you want the sounds to appear in your room.
For this reason, the Citation 7.0 offers a wide variety of surround modes. The factory preset modes include Dolby
ProLogic and Home THX, as well as a variety of Jim Fosgate designed modes that are customer tailored to position
sounds in a specific manner. Based on over twenty years of research in surround sound technology and psycho-
acoustic design, they are the most advanced surround modes available.
These surround modes are a combination of the various parameters that are controlled in the 7.0. Since many of these
parameters are also user controllable, the 7.0 is unique in that it allows you to experiment and create your own sound
modes. The 7.0 may hold up to four user configured modes.

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You can’t “hurt” anything by experimenting with the surround modes on the 7.0. Try your favorite movies or musical
selections in each of the modes. You’ll quickly be able to see which mode sounds best to your ears for a given
selection. Once you have become accustomed to the differences between the factory pre-set modes, you may want to
create your own custom mode using the advanced user menus.
Remember, surround sound and multi-channel audio is a matter of taste. The pre-set modes give you a common base
line for audio reproduction, but in the end, the mode that sounds best to you, is indeed the best mode for your listening
enjoyment.
“Movie” Modes vs. “Music” Modes
In general, the surround modes on the 7.0 may be divided into “movie” modes and “music” modes. Movie modes are
those which are designed to offer the best sound presentation when they are used with surround encoded programs.
These are usually movies, but they may also be any of the growing number of television programs, radio broadcasts
(BBC Radio 1 and Radio 4, as well as NPR), audio CDs and video games that are mixed for multichannel audio
playback and recorded with surround information. A list of surround encoded movies and television programs may be
obtained from Dolby Laboratories. In North America, contact them at 415-558-0200. In Europe Dolby Labs may be
contacted at (44) 1-793-842-100. The Citation 7.0’s Movie modes are Dolby ProLogic, Home THX, and 70mm.
“Music” modes utilize special circuitry to create multichannel audio from standard two channel audio recordings. You
will want to use these modes when listing to conventional recordings or to two channel stereo television programs. The
Citation 7.0’s music modes are Classical, Rock, and Jazz.
The exclusive 6-Axis modes is unique in that it is suited equally well to both encoded programs and standard
recordings. In many respects, this is the most universal of all the 7.0’s surround modes.
Finally, the “mono+” mode is designed for use with programs that have only a single channel. These may be either
older monophonic recordings, television programs, or programs that were originally recorded with stereo information,
but which are presented in mono sound due to the limitations of television or cable broadcasters.
Selecting Surround Modes
Surround modes are selected from either the 7.0’s front panel, or via the remote control.
To select a mode using the front panel, press the Surround /\ or Surround \/ buttons to scroll though the list of
modes.
To select a mode using the remote, simply press the button corresponding to the mode you wish to engage.
As you select a mode you will see the choice confirmed in two fashions. On the front panel display, the right side
portion of the top line will display the mode’s name. If you are using the on screen menus and a video monitor, the
mode name will also appear momentarily on the top right hand portion of the screen, along with other status
information.

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Surround Mode Explanations
“Movie Modes”
Dolby ProLogic™
This is the consumer version of the system used in theaters to decode four channels of sound from a movie sound
track into separate left, center, right and surround channels. In Dolby ProLogic, the rear channels are a mono signal,
and they are bandwidth limited. ProLogic is always a good starting point when you are selecting a surround mode to
use when listening to a movie or surround encoded broadcast, CD or video game.
70mm
The 70mm mode is a Jim Fosgate design, using ProLogic as a starting point. To increase the excitement level of
surround encoded materials, the 70mm mode uses Citation’s ultra fast decoding logic to deliver extended bandwidth to
the surround channels. Instead of the 7kHz surround cut-off in ProLogic, the rears extend to 12kHz. Although broader
bandwidth surround channels are technically possible, we have selected this cut off in order to preserve the spectral
balance in your listening room. (Too high a frequency range for the surrounds is not advisable due to the fact that you
are located closer to the speakers than you would be in a movie theater’s auditorium.) The audio delay to the rear
channel may be set as high as ??microseconds, although you will probably not want to exceed 25ms. Finally, there is
some controlled blending of the left/right front channel information into the left and right rear channels. This delivers an
increased sense of spaciousness from most soundtracks.
The 70mm mode is ideally suited to use with any recording or broadcast that contains matrix surround encoding.
Home THX
Developed by Lucasfilm, Ltd., Home THX extends the benchmark of Dolby ProLogic to include specialized circuits that
are designed to deliver consistency of reproduction all along the chain of a movie’s soundtrack. Home THX includes
four separate circuits (Re-Equalization™, De-Correlation, Timbre Matching and BiAmplification) that enable you to
more closely match the sound reproduced in your home theater to the way the sound was heard in the mixing room
where it was created, and in the movie theater where you may have first heard it.
Home THX is best suited for use with playback of theatrical movie soundtracks. The movie may be broadcast over the
air, via satellite or on cable, or it may be played back from a laser disc or videocassette. When listening to television
programs such as dramas, sports or musicals that were NOT originally intended for movie theaters, the Home THX
mode may not sound correct, as it contains circuits specifically designed to compensate for the differences between
movie theaters and home environments.
“Music” Modes
Reproducing conventional two channel (unencoded) recordings or broadcasts in a multi-channel audio system has
always been a tremendous challenge. While encoded movie soundtracks include information to direct the processor
as to the location of specific audio signals, non-encoded recordings provide no such clues. Most surround processors
attempt to imitate surround for music through the use of digital soundfield processing (DSP). While technically
ambitious, the use of DSP often results in an artificial sound. DSP generated reverberation and effects may distort the
clarity of the original recording, and some listeners find that the digitization of signals results in a harsh sound that is
not representative of the original recording.
Using Jim Fosgate’s proprietary surround matrix designs, and the newly developed 6 Axis Steering Logic™
technology, the Citation 7.0 overcomes the limitations typically found in DSP. By carefully delaying signals, and
controlling the amount of front channel information mixed into the rear channels, and through the use of other carefully
tuned, proprietary circuits, the 7.0 is able to produce a pleasing multichannel sound from almost any two channel
stereo recording.

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HINT: As with the “movie” modes, the choice of which surround mode to use for musical selections is
something best determined through experimentation. The names of the modes are meant to as a guide to the type of
music they were designed for, have some fun and try them all. You can’t hurt anything, and your favorite music will
sound better than ever.
Rock
Using ultra fast steering logic, minimum of rear channel delay and stereo rear channels, the Rock mode is a good
choice for use with most popular music.
Jazz
The Jazz mode is perfect for vocal music and new age recordings. It features a wide center front soundstage and a
diffuse, deep rear channel sound.
Classical
The classical mode is designed for use with large orchestral recordings, particularly those made in large concert halls.
IN the classical mode, the center channel speaker is turned off, although you may manually engage it by pressing the
“Center” button on the remote control. The steering logic speed is slowed down in this mode, to accommodate the long
transient times in classical recordings, and the rear delay is increased to mimic the way that sound travels in a concert
hall.
6 Axis
This exclusive mode is the latest breakthrough in surround sound from Jim Fosgate. Although it is well suited to
movies, this is the most universal surround mode ever created, as it operates equally well with encoded programs and
conventional stereo recordings. It includes the decoding and positioning accuracy made famous by
Fosgate*Audionics, with new advances that produce stunning sonics.
In this mode, information from the front left and right channels is selectively fed to the rear channels. Unlike ProLogic
and THX, the feed to the surround channels is in stereo, as with the latest digital cinema systems. The combination of
an accurate and ultra fast surround logic processor and the flexibility of Dual Drive Dipoles™ (or other high quality
surround speakers) creates the effect of a sixth “phantom” rear channel speaker in the center of your listening room or
home theater. Thus, in addition to the actual front left, center and right speakers, and the left rear and right rear
surrounds, there is a “sixth axis”, the creation of a center rear sound, even though there is no sixth speaker present.
Either in it’s factory preset state, or with modifications by adding “Panorama” (see page #xx), “Center Wide” (see page
#xx) or other changes to the sound field, the 6-Axis mode may well be the only surround mode you will need.

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FRONT PANEL DISPLAY AND CONTROLS
Note: This section is meant to be used in conjunction with a photo or line art of the front panel. There should be
callouts to each button or indicator which will correlate to the description.
Front Panel Controls
1. Power Switch: This is an electronic “soft” switch which will take the unit form the ”stand-by” mode to a full “on”
condition. In order for this switch to be operational, the master power switch on the rear panel must be in the “on”
position. Push the bottom once to turn the unit on, push it again to turn the unit off. This function may also be
performed using the “power” button on the remote control.
2. Stand By and Power Indicators: This light is illuminated when the unit is plugged in and turned on at the master
power switch to indicate that it is in the standby mode. When power the unit is turned “on”, the green indicator will go
out, and the word “Citation” will illuminate.
3. Source \/: This button will scroll down through the eight inputs connected to the processor. Use it to select an input
to view and listen to.
4. Source /\: This button will scroll up through the eight inputs connected to the processor. Use it to select an input to
view and listen to.
5. Surround \/: This button will scroll down through the eight factory pre-set surround modes and the four user
configurable surround modes available on the Citation 7.0. Use it to select the mode you wish to apply to the input
sound.
6. Surround /\: This button will scroll up through the eight factory pre-set surround modes and the four user
configurable surround modes available on the Citation 7.0. Use it to select the mode you wish to apply to the input
sound.
7. Mute: Pressing this button will lower the volume level by ?XX? db. A the word “Mute” will replace the volume level
on the unit’s front panel display and the word “mute” will blink on an on screen display to remind you that the mute
function is engaged. Press the mute button a second time to return to your normal volume setting.
8. Volume - : This button will lower the volume in 1 db increments. Keep the button depressed until the volume is at
the desired level. You will see the volume indicator lower in the front panel display. The on screen display will confirm
a lowering in volume by moving the bar graph to the left and a lowering in the absolute volume reading. To quickly
lower the volume, press and hold the “-” button on the remote control.
9. Volume +: This button will raise volume in 1 db increments. Keep the button depressed until the volume is at the
desired level. You will see the volume indicator increase in the front panel display. The on screen display will confirm
the increasing volume by moving the bar graph to the right and an increase in the absolute volume reading. To quickly
raise the volume, press and hold the “-” button on the remote control.
NOTE: When some of the front panel controls are used, there may be a slight delay in completing the selected
action. This is a normal indication that the 7.0’s internal computer is processing the new settings. A
“****PROCESSING*****” or *****BUSY***** indication will show briefly on the bottom line of the unit’s front
panel display to alert you to this.

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Front Panel Display Indicators
Note: When a front panel indicator is illuminated, it normally means that the function is on or engaged.
1. Two Line Display: The two line display is your window on the current status of the Citation 7.0, or it will display
information pertaining to changes to the unit’s operating parameters. In normal operation, when no change is being
made to the unit, the top line will indicate the input number, correlating to the input number on the remote control.
News to the input number is the actual input name, as assigned by you. (see page #xx for more information). The
bottom line will show the word “Volume”, and the actual volume indication on a scale of 0 to +64 db.
2. Remote Sensor: This area contains the sensor that receives command information from the Citation 7.0’s infrared
remote control. Make certain that this area is not blocked by cabinets or other objects to ensure the widest range of
remote operation.
3. Stereo: This indicator illuminates in red to remind you that the unit is in a “bypass” mode. When this light is on,
sound will appear only at the front right and left speakers. The 7.0 will then function as a high quality stereo preamp.
Press the “stereo only” button on the remote to place the unit in this mode, press any other mode to return to surround
processing, or press the button again to return to the previous mode.
4. Panorama: This indicator illuminates in green to remind you that the Panorama Effect has been engaged by
pressing the “Pan.” button on the remote control. See page #xx for more information on this mode.
5. Sib Filer: This indicator illuminates in green to remind you that the sibilance filter has been engaged by pressing the
“sib filter” button on the remote control. See page #xx for more information on this mode.
6. High-Eq: This indicator illuminates in green to remind you that the re-equalization circuit has been engaged by
pressing the “hi-eq” button on the remote control. It is automatically engaged when the unit is in the THX mode, as this
circuit is a manditory part of the THX format. See page #xx for more information on the re-equalization function.
7. Center: This indicator illuminates in green to remind you that the center channel speaker is activated. See page #xx
for more information on center channel settings.
8. Boost: This indicator illuminates in green to remind you that the center channel level will be increased by ??xx?? db
(please supply #) above the volume level set for the other speakers. See page xx for more information on Center
Boost.
9. Wide: This indicator illuminates in green to remind you that the center channel output has been set for a “wide”
sound field. See page xx for more information on center channel settings.
10. Input Level Indicators: This four step scale displays the left and right channel input level to the Citation 7.0. It is
normal for these indicators to flash on and off during operation as they react to the changing level of your program
material. If there is no action on these indicators, it is a sign that the input level needs adjusting, or that there is a fault
with your playback source. If the indicators are constantly registering at the “+10db” and “Clip” indicators, the input
level needs to be reduced. See page #xx for more information on adjusting input levels.
11. Steering Logic Display: This six position indicator gives you a visual display of where the Citation 7.0’s logic
computer is directing sound information. It is normal for these lights to flash during operation as the 7.0 reacts to
changes in the program material. See page xx for more information on the theory behind the steering logic circuitry in
your Citation 7.0.

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REAR PANEL CONNECTIONS
Caution: Never make or remove any connections to the Citation 7.0 with the Master Power Switch in the “ON”
position. It is also good practice to make certain that any power amplifiers connected to the 7.0 are also
turned off when making or removing any connections. This will remove the risk of possible damage to your
speakers or other components in your system.
When making any connections to the Citation 7.0 make certain that the input plug is firmly seated in the input
jack. This will prevent intermittent connections which may interfere with performance.
1. Master Power Switch: The Master Power Switch controls all power to the unit. “ON” is indicated by the
appearance of a red line at the top of the switch. Press the switch down towards the rear panel to turn on, push it up
towards the top of the unit to switch off. In normal use, this switch should be left on, except when making system
connections. Use this switch to turn the unit off if you will be on vacation or not using the unit for a considerable length
of time.
2. AC Power Cord Receptacle: Connect the AC power cord supplied with the unit here. Be certain that the cord is
inserted correctly and that it is firmly seated in the connector.
3. Composite Video Inputs One - Four: These four inputs may be used to connect standard composite video to the
7.0’s input switcher. Make certain that the audio from the input source is connected to the same input number as the
video input connection. Note that they may NOT be used if an input jack with the same number is used for “S” video.
For more information see page #xx.
4. Composite Video Inputs Five - Eight: These four jacks may be also be used to connect composite video sources
to the unit.
5. Main Out (composite video): This video output jack carries the video signal from the selected input source to your
video monitor. Connect this jack to an input on your monitor or projector. If you wish to remove the on screen menus
from this output, see page #x.
6. Aux Out (composite video): This video output jack caries the video signal from the selected input to a second or
auxiliary monitor. The on screen menu displays are always present on this feed.
7. Record Output A (composite video): This video output jack carries the video signal from the source selected for
routing to “Record A”. Connect this jack to the video input of the VCR or display monitor which will be monitoring this
output. See page #x for more information on Recording.
8..Record Output B (composite video): This video output jack carries the video signal from the source selected for
routing to “Record B”. Connect this jack to the video input of the VCR or monitor you wish to receive this signal. See
page #x for more information on Recording. This jack ma also be connected to the input of a multi-room distribution
system see page #x for more information on multi-room connections.
9. “S” Video Inputs 1-4: These four jacks may be used to connect “S” video sources to the 7.0. When handling “S”
video cables, use extra care to make certain the plug and jack are lined up properly. “S” video cables are keyed so
that they may only be inserted one way. The small “key” on the plug should be pointed toward the top of the unit
before insertion. Make certain that the audio from the input source is connected to the same input number as the video
input connection. For more information see page #xx.
NOTE: Jacks numbered One through Four may be used for either standard, composite video or “S” type
video, but not both. Do not plug a video source into an “S jack and composite input jack with the same number.

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10. Record Output A (“S” video): This output jack carries the “S” signal from the source selected for routing to
“Record A” if an “S source is selected. Connect this jack to the “S” input of the VCR or display monitor which will be
monitoring this output. See page #x for more information on Recording.
11. Record Output B (“S” video): This video output jack carries the “S” signal from the source selected for routing to
“Record B” if an “S” video source is selected. Connect this jack to the “S” of the VCR or display monitor which will be
monitoring this output. See page #x for more information on Recording.
12. Main Output 1 (“S video) This video output jack carries the “S” video signal from a selected input “S” type video
source to an “S” video display device or monitor. Connect this jack to an “S” input on your monitor or projector. If you
wish to remove the on screen menus from this output, see page #x.
13. Main Output 2 (“S” video): This video output jack caries the “S” signal from the selected “S” type input to a
second or auxiliary monitor. The on screen menu displays are always present on this feed.
14. Audio Input Connections: These eight pair of audio jacks are used to connect the audio sources to the Citation
7.0. For connections of the audio that accompanies a video source, make certain that the audio and video sources are
connected to a jack with the same number. Note that the top line of audio input jacks have a white insert ring. They are
used to connect the signal for the left channel. The bottom row of jacks have a red insert ring. They are used to
connect the right audio signal.
15. Record Output A: These jacks carry the audio for the source selected for routing to Record A. Connect them to
your audio or video recorder. See page #x for more information on recording.
16. Record Output B: These jacks carry the audio for the source selected for routing to Record B. Connect them to
your audio or video recorder. See page #x fro more information on recording. This jack ma also be connected to the
input of a multi-room distribution system see page #x for more information on multi-room connections.
NOTE: Input sources will remain in their original format at the outputs. A video source will appear only at the
video output, and an “S” source will appear only at the “S” output. If a video source is selected, there will be no signal
at the “S output, or a video output for an “S” source.
17. L/R Front Outputs: These jacks carry the audio output for the left and right front channel speakers. These jacks
should be connected to an input of your audio power amplifier.
18. Center Front Output: This jack carries the audio for the center front channel. Connect it to an input of your audio
power amplifier.
19. Mono Sub Output: This jack carries the audio for the mono Subwoofer. Connect it to an input of your audio power
amplifier or to the input connection of a powered Subwoofer.
20. L/R Surround Side Outputs: These jacks carry the audio for the left and right side surround speakers. If you are
using conventional surround speakers, or Home THX® speakers other than Citation or Fosgate*Audionics Dual Drive
Models, connect these jacks to the audio amplifier used to power your surround channels. If you are using Citation or
Fosgate*Audionics Dual Drive Dipoles, connect these jacks to the amplifier channels that power the front sections of
the appropriate left and right speakers. Make certain that the Surround Speaker menu is properly configured to reflect
the type of speaker used., See page #x for more information.
21. L/R Surround Back Outputs: These jacks carry the audio fro the “back” section of Citation or Fosgate*Audionics
Dual Drive Dipoles. Connect these jacks to the amplifier channels that power the rear sections of the appropriate left
and right speakers. Make certain that the Surround Speaker menu is properly configured to reflect the type of speaker
used., See page #xx for more information.

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22. L/R Stereo Subwoofer Outputs: These jacks carry the audio to stereo subwoofers. Connect them to the amplifier
channels that power your subwoofers, or to the appropriate input connections of powered subwoofers. For proper
operation , the system must be set to direct signals to this output. See page #x for more information on Subwoofer
output selection.
Note: All audio output connections should be made to the matching input jacks on audio power amplifiers. DO
NOT connect any of the outputs of the Citation 7.0 directly to a speaker.
23. Calibration Microphone Jack: Connect the special microphone shipped with your Citation 7.0 to this jack before
starting the “Auto Calibrate” set-up sequence. See page #x for more information on Auto calibrate.
24. Trigger 1: This jack sends a control signal that will typically be used to activate automatic blinds or room light
dimmers. The signal is sent to this jack whenever the “dim” button is pressed on the remote control. See page #xx for
more information.
25. Trigger 2: This jack sends a control signal that activates external control boxes, and it is typically used to control
projection television screens and theater type curtains. It may be programmed to raise or lower the screen based on
the selection of a particular input source. See page #xx for more information on screen control.
26. PWR Trigger: This jack sends a control signal to activate external devices whenever the 7.0 is turned on. In most
applications a Citation audio power amplifier will be connected here, but it may also be used to control blinds, lights,
curtains or other items.
NOTE: Do not connect any of the trigger jacks directly to projection screens, audio amplifiers or blind
controllers without the use of a relay control box. Do not connect these jacks to any audio or video input connections.
Connections involving these jacks should be made by a trained dealer or installer.
27. IR IN: This jack accepts signals from remote IR sensors. Using this jack it is possible to extend the unit’s built in
remote control sensor when it is hidden from direct view of the remote control. See page #xx for more information.
28. RS-485 Citation Control Port: This RS-485 communications jack is an expansion port for future options such as
multi-room controllers and external multi channel digital audio decoders.

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USING THE REMOTE CONTROL
Many of the Citation 7.0’s important functions may be operated from the front panel buttons, but in general use, the
infrared wireless remote will be used to control the operation of your controller. The remote is a powerful tool, and it is
well worth taking a few minutes to familiarize yourself with it.
The remote’s buttons deliver three different levels of control: direct access functions, menu call functions and
navigational controls.
Direct Access Functions, noted on the diagram with a “D”, initiate an immediate action. When you press the button, it
will cause the controller perform a specific function. Examples of this are the volume control, surround mode selection
and input source selection.
Menu Call Functions, noted on the diagram with an “M”, bring up a menu on the front panel LCD display or the on
screen graphics system.
Once you have brought up a menu, you will control the actions of the controller using the Navigational Controls,
indicated on the diagram with an “N”. These controls change the menu levels, move the cursors and on screen
indicators, and they control the action of the controller.
1. Power (D): Pressing this button turns the unit on and off, taking it out of the “Standby” mode, or placing it back in
standby. NOTE: In order to the turn the unit on using the remote, the rear panel Master Power switch must be in the
“on” position. See page #xx for more information.
2. Surround Modes (D): Pressing any one of the 12 buttons in this section will change the surround mode of the
processor. Eight of the modes, indicated by the names printed on the button, will evoke a factory pre-set surround
mode. The four buttons labeled “Custom” will recall one of four surround modes that may be created by you or your
installer. See page #xx for information on the factory preset surround modes. See page #xx for information on Custom
surround modes.
3. Volume - (D): Pressing this button lowers the volume. Press and hold to rapidly decrease the volume. Tap it or hold
it down for a short period to decrease the volume in precise one dB increments. See page #xx for more information.
4. Mute (D): Pressing this button will silence the outputs to your power amplifiers so that you may answer the phone or
momentarily quite the unit. Pressing the button a second time will return the volume to it’s previous level. When the
controller in muted, the word “mute” will replace the volume level on the front panel display, and the word “mute” will
flash on your video screen (if connected). See page #xx for more information.
5 Volume + (D): Pressing this button increases the volume. Press and hold to rapidly increase the volume. Tap it or
hold it down for a short period to increase the volume in precise one dB increments. See page #xx for more
information.
6. Reset (D): Pressing this button returns the unit to the factory preset conditions for the current mode. See page #xx
for more information.
7. Remote Illumination (D): Pressing this button will illuminate the “Surround Modes”, “Volume”, “Mute”, “Panel
Lights”, “Sib. Filter” and “Bass Eq” buttons for a few minutes. Note that excessive use of the illumination system will
shorten the remote control’s battery life.
8. Sources (D): Pressing one of these eight buttons selects an audio or audio/video source for input to the surround
processor. See page #xx for more information.
9. System Setup (M): Pressing this button brings up the current status of the system’s global settings. Once in this
menu, press the “\/” button to select any item on the status report that you wish to change. See page #XX for more
information on the System Setup Menu.

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10. Options Set (M): Pressing this button brings up the current status of the system’s special options settings. Once in
this menu, press the “\/” button to select any item on the status report that you wish to change. See page #XX for more
information on the Options Set Menu.
11. Source Edit Menu (M): Pressing this button brings up the current status of the currently selected source input.
Press the “\/” button to select any item on the status report that you wish to change. See page #XX for more
information on the Source Edit Menu. NOTE: You must first select the source to be edited before calling up the Source
Edit Menu.
12. Surround Mode Edit (M): Pressing this button brings up the current status of the currently selected surround
mode. Press the “\/” button to select any item on the status report that you wish to change. See page #XX for more
information on the Surround Edit Menu. NOTE: You must first select the surround mode to be edited before calling up
the Surround Edit Menu.
13. Surround Balance (D): Pressing this button calls up the menu used to adjust the left to right or front to back
volume balance controls. See page #xx for more information on Surround Balance.
14. Cursor Movement Controls (N): The arrows on these controls indicates the direction of movement they control
for the on screen cursor or the action or readouts on the front panel display. Once you have called up a menu or
parameter control, these keys control the action of the system. See page #xx for more information on the menu control
system.
15. Panel Dim (D): Pressing this button turns the unit’s front panel LCD display and LED indicators on and off. Note
that the “Citation” name will remain illuminated in a soft blue light to serve as a reminder that the unit is turned on,
even when the panel lights have been turned off. Pressing any button on the remote will momentarily illuminate the
display so that you may change a setting. The unit will automatically return to the “off” in a few seconds after you are
finished making the adjustment. See page ## for more information.
16. Cancel (N): Pressing this button while a control menu is displayed cancels the current menu. See page #xx for
more information on the menu control system.
17. Exit/OK (N): Pressing this button while a control menu is displayed confirms a control setting selection, or exits
form the current menu. See page #xx for more information on the menu control system.
18. Select (N): Pressing this button when indicated by an on screen menu records the current system setting in the
unit’s memory. See page #xx for more information on the menu control system.
19. Bass EQ (D): Pressing this button adjusts the Bass EQ boost in 3 dB increments form 0 dB to 12 dB. See page
#xx for more information on Bass EQ.
20. High EQ (D): Pressing this button turns the high frequency equalization circuit on and off. When the 7.0 is in the
THX mode a Re-Equalization circuit is engaged automatically. This button will manually turn that circuit off. See page
#xx for more information.
21. Stereo Only (D): Pressing this button turns the surround processing cirucits on and off. When the button is
pressed, the 7.0 is placed in a “bypass” mode, and will function as an audiophile Preamp. The “stereo” LED will
illuminate on the front panel, and the front panel and on screen displays will show “Surround Off” to remind you that
the unit is in bypass. See page #xx for more information on the Stereo Only bypass mode.
22. Sib Filter (D): Pressing this button controls the Sibilant Filter. Engaging this filter reduces the leakage of center
channel dialog into the surround channel to compensate for the quality of some recordings. See page #xx for more
information on the Sibilant Filter.
23. Center Channel (D): This button controls the audio feed to the center channel speaker. The preset position is
“on”. Pressing the button will turn the center channel off, add a 3db boost to the center channel level, or return the
center channel to it’s normal “on position. See page #xx for more information on the Center Channel.

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24. Venue (D): This button controls the settings for the rear channel Digital Signal Processing (DSP). Pressing the
button selects which mode is chosen: “Night Club”, Cinema”, “Concert Hall”, “Stadium”, or the user configurable mode
“Expert” mode. There is also an “off” position, which disables the rear channel DSP circuits. Each press of the button
will cycle to the next mode. See page #xx for more information on Venue settings.
25. Panorama (D): Pressing this button turns the “Panorama” circuit on and off. When it is engaged, these circuits
widen the soundstage to create stereo sound for the rear surround channels. The Panorama circuits are note operable
in the Dolby ProLogic or Home THX modes. See page #xx for more information on Panorama.