Johannus symphonica 450 User manual

350

User Manual Symphonica 450
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Manufacturer Johannus Orgelbouw B.V.
Address Keplerlaan 2
6716 BS EDE
Country The Netherlands
Telephone [phone]
Fax [phone]
E-mail [email protected]m
Website www.johannus.com
Version 1.0
Date December 2014
© 2014 Johannus Orgelbouw B.V.
All rights reserved. Nothing in this publication may be reproduced, stored in a
data file or made public in any form or in any way either electronically,
mechanically by way of photocopying, recording or in any other way without the
prior written permission of Johannus Orgelbouw B.V.

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CONTENTS
1SAFETY........................................................................................... 5
1.1 Safety instructions ...................................................................................... 5
1.2 Symbols on the organ................................................................................. 5
1.3 Symbols in this manual............................................................................... 5
1.4 Transport and storage ................................................................................ 5
2INSTALLATION ............................................................................... 6
2.1 Installation and connection ........................................................................ 6
2.1.1 Installation organ .........................................................................................6
2.1.2 Installation music desk .................................................................................7
2.2 Switch on .................................................................................................... 7
3DESCRIPTION OF THE ORGAN......................................................... 8
3.1 Overview of the components ..................................................................... 8
3.2 Overview of controls................................................................................... 9
3.3 Connect and switch on the peripherals.................................................... 10
3.4 External connections ................................................................................ 10
4OPERATION ..................................................................................11
4.1 Volume settings ........................................................................................ 11
4.2 Expression pedals ..................................................................................... 11
4.3 Cathedral .................................................................................................. 11
4.4 Adaptive Ambiance System ...................................................................... 12
4.5 Intonations................................................................................................ 12
4.6 Stops ......................................................................................................... 13
4.7 Couplers.................................................................................................... 13
4.8 Accessories ............................................................................................... 14
4.9 Pre-programmed memory locations ........................................................ 15
4.10 Capture memory....................................................................................... 16
4.11 Crescendo pedal ....................................................................................... 16
4.12 Quick Access ............................................................................................. 17
4.12.1 Programming mode crescendo pedal ........................................................17
4.12.2 Keyboard assignment orchestrals ..............................................................17
5JOHANNUS MENU.........................................................................18
5.1 Ambiance.................................................................................................. 18
5.2 Crescendo ................................................................................................. 18
5.3 Datadump ................................................................................................. 19
5.4 Demo Songs .............................................................................................. 20
5.5 Expression Pedals ..................................................................................... 20
5.6 Keyboard Config ....................................................................................... 21
5.7 Key Volumes ............................................................................................. 21
5.8 MIDI Config ............................................................................................... 23
5.9 Orchestrals................................................................................................ 24
5.10 Reset Procedures...................................................................................... 24
5.11 Reverb Settings......................................................................................... 25

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5.12 Startup Settings ........................................................................................ 25
5.13 Temperaments.......................................................................................... 28
5.14 Tracker Action........................................................................................... 29
5.15 Tuning ....................................................................................................... 29
5.16 Tweeter Settings....................................................................................... 30
5.17 Version...................................................................................................... 30
6OPTIONAL VOICE PACKAGES .........................................................31
6.1 Premium Voice Package ........................................................................... 31
6.2 Platinum Voice Package............................................................................ 31
6.3 Characteristics per voice........................................................................... 31
6.4 Exclusions.................................................................................................. 37
7MAINTENANCE, TROUBLESHOOTING AND WARRANTY..................38
7.1 Maintenance............................................................................................. 38
7.1.1 Maintenance of the cabinet .......................................................................38
7.1.2 Maintenance of the manuals .....................................................................38
7.2 Problems................................................................................................... 38
7.3 Warranty................................................................................................... 38
8MIDI IMPLEMENTATIONS..............................................................39
8.1 MIDI implementation chart ...................................................................... 39
8.2 MIDI specifications ................................................................................... 40

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1SAFETY
1.1 Safety instructions
1.2 Symbols on the organ
Warning
Warning for electric shock
Warning for static-sensitive components
1.3 Symbols in this manual
Warning or important information
Note
1.4 Transport and storage
Pay attention to the following during transport and storage:
1. Remove the music desk and the pedal board from the organ.
2. Relative humidity within the storage area: 40 to 60%.
Position the organ on a stable, horizontal surface.
Connect the organ to a grounded power socket.
Turn off the organ when it is not in use.
Do not place the organ in a damp area.
Do not expose the organ to liquids.
Follow the instructions and precautionary measures in this user manual.
Keep this user manual with the organ.
The organ may only be opened by a technician authorized by Johannus
Orgelbouw B.V. The organ contains static-sensitive components. The warranty
is void if the organ is opened by a non-authorized person.

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2INSTALLATION
2.1 Installation and connection
2.1.1 Installation organ
1. Position the organ on a stable, horizontal surface.
2. Lean the organ slightly backward.
3. Slide the pedal board (D) against the organ.
4. Set the organ upright.
5. Install the music desk (A) on top of the organ. See § 2.1.2. Installation music
desk.
6. Place the organ bench (C) over the pedal board (D).
7. Make sure the voltage of the organ matches the voltage of the main. See the
serial plate (B).
8. Connect the organ to a grounded power socket.

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2.1.2 Installation music desk
2.2 Switch on
Switch on the organ with the key switch at the right,
next to the manuals. Wait several seconds. Starting
the control functions and the settings will take some
time.
The lights of the 0-pistons and the as standard set
functions lit up. The settings appear on the display.
The use of an electric screw driver is not recommended.
1. Turn the supplied screws
(A)countersunk in to the music desk
slat(B) by hand till the screw sticks out
2 mm (C).
2. Place the music desk at the right
position, with the screw points into
the pre-drilled holes (D).
3. Firmly tighten the screws with a screw
driver until the music desk is securely
fastened.

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3DESCRIPTION OF THE ORGAN
3.1 Overview of the components
A
Music desk
B
Tweeters
C
Loudspeakers
D
Organ bench
E
Swell pedal
F
Crescendo pedal
G
Pedal board
H
Surround loudspeakers
I
Subwoofer

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3.2 Overview of controls
A
Pedal stops
S
TRANS.: Transposer
B
Choir stops
T
- and + pistons
C
Great stops
U
CR: Crescendo
D
Swell stops
V
MENU
E
Tremulants
W
0: Recall/Cancel
F
Couplers
X
Manual Choir
G
Display
Y
Manual Great
H
VOL.: general volume
Z
Manual Swell
I
REV.: reverb volume
AA
Key switch
J
SET
AB
Solo voices
(Premium/Platinum Voice Package)
K
KT: Keyboard Transfer
L
Capture memory locations
AC
MIDI stops
M
Pre-programmed memory
locations
AD
Orchestral voices
(Platinum Voice Package)
N
0: Recall/Cancel
AE
Intonation styles
O
RO: Reeds Off
AF
Intonation variations
P
CH: Chorus
AG
S/S: All swells to Swell
Q
MB: Manual Bass
AH
SEQ- and SEQ+ buttons
R
CF: Cantus Firmus

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3.3 Connect and switch on the peripherals
You can connect peripherals (for example, a MIDI device) to the organ.
1. Switch off the organ and the peripheral.
2. Connect the peripheral to the organ.
3. Switch on the peripheral.
4. Switch on the organ.
3.4 External connections
The external connections are on the left under the console.
MIDI IN: An input for receiving MIDI codes from other devices.
MIDI MOD: A programmable MIDI output for connecting a sound module or
expander, for example.
MIDI SEQ: A non-programmable MIDI output for connecting a Johannus MIDI
sequencer+ or PC (with the optional Johannus Intonat program), for example.
AUX IN: A stereo audio input for playing the sound of an external device through
the amplifiers of the organ. For example, an expander connected to the organ
through the MIDI MOD can be played through the instrument's loudspeakers.
AUX OUT: A stereo audio output for connecting an external device (amplifier or
recording device, for example).
PHONES: This connection for (stereo) headphones is suited for those headphones
with an impedance of 30 Ω or more (see headphones specifications).
Follow the instructions provided in the documentation for the peripheral.
When the headphones are used, the loudspeakers of the organ are switched off
automatically.

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Adjusting the volume is only possible as long as the VOL.- or REV.-piston is lit.
4OPERATION
4.1 Volume settings
General volume: The volume of the organ can be adjusted with the VOL.-
piston (1-30).
1. Press the VOL.-piston.
2. Use the –and + pistons to set the volume. The settings appear on the
display.
Reverb volume: The reverb volume can be adjusted with the REV.-piston.
1. Press the REV.-piston.
2. Use the –and + pistons to set the reverb volume. The settings appear on
the display.
4.2 Expression pedals
In the standard version the organ has two expression pedals. One is configured as
a swell pedal for the Swell, and one is configured as a crescendo pedal. With use
of the Johannus Menu, the function of the expression pedals can be changed, see
§ 5.5 Expression Pedals.
Using an expression pedal which is set as a swell pedal will next to the volume
also changes the timbre of the stops. By this the effect of the swell box shutters of
a pipe organ is simulated.
Extra expression pedal (optional)
If the organ has the optional Luxury Package an extra expression pedal is
available. This expression pedal is standardly configured as swell pedal for the
Choir, Great and Pedal. This function can be changed using the Johannus Menu,
see § 5.5 Expression Pedals.
4.3 Cathedral
The organ is equipped with the LIVEreverb™system. This system produces a
natural reverb using recordings of the acoustics of existing churches and concert
halls.
Use the REV.-piston and the –and + pistons to adjust the reverb volume. The
settings appear on the display.
In the LIVEreverb™system 12 different churches and concert halls are available
which can be chosen using the Johannus Menu, with the function Reverb
Settings.
In order of length these churches and concert halls are:
St. Salviuskerk, Limbricht 2,5s
Zuidervermaning, Westzaan 2,5s

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Feike Asmazaal, Johannus Ede 3,5s
Frogner Kirke, Oslo 3,5s
St. Jozef, Utrecht 4,5s
Plantagekerk, Zwolle 4,5s
Oude Kerk, Ede 5s
Oude Kerk, Amsterdam 5,5s
St. Peter, Bonn-Vilich 6s
Kruisverheffingskerk, Raalte 6,5s
Bovenkerk, Kampen 7,5s
Église Notre Dame, La Grand-Combe 8s
4.4 Adaptive Ambiance System
Adaptive Ambiance System is a function which works with LIVEreverb™to
position the organ sound in the church. It lets you choose where to sit in the
church to enjoy the sound of the organ. Just as you will search the best seat in
church to hear the sound of the organ when visiting an organ concert. For some
this will be in the front, to hear every single detail of the sound, for others this will
be in the rear of the church, to enjoy the fusion of the reverb and the organ
sound.
There are four locations:
Location Organ Console: you are sitting at the console of the organ.
Location Front: you are sitting in front of the church.
Location Centre: you are sitting in the middle of the church.
Location Rear: you are sitting at the back of the church.
The REV.-piston is, besides adjusting the volume of the reverb, also used to adjust
the balance between the organ sound and the ambiance.
Adaptive Ambiance System can be configured using the Johannus Menu. See §
Fout! Verwijzingsbron niet gevonden. Fout! Verwijzingsbron niet gevonden..
4.5 Intonations
The organ has 12 intonations, divided in four styles and three variations per style.
The four intonation styles:
Romantic (ROM.)
Symphonic (SYM.)
Baroque (BAR.)
Historic (HIS.)
The three variations per style:
Standard
Solo (SOLO)
Trio (TRIO)

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If no variation piston is selected, Standard is selected automatically.
Select an intonation style by pressing the ROM., SYM., BAR. or HIS. piston. Select
an intonation variation by pressing the SOLO or TRIO piston.
4.6 Stops
The stops are activated via draw stops, pre-programmed memory locations or
capture memory locations.
The lamp in the draw stop lights up when the associated stop is active.
The stops are divided into the following groups:
Pedal: Activates the stops associated with the Pedal.
Choir: Activates the stops associated with the Choir.
Great: Activates the stops associated with the Great.
Swell: Activates the stops associated with the Swell.
Solo- and orchestral voices (optional)
If the organ is equipped with the optional Premium or Platinum Voice Package a
number of solo- and orchestral voices are available.
These solo- and orchestral voices are activated by thumb pistons on the piston rail
between the manuals. The lamp in the thumb piston lights when the associated
voice is active.
See chapter 6 OPTIONAL VOICE PACKAGES for more information on solo- and
orchestral voices.
Solo- and orchestral voices are standard playable from a factory defined manual.
This can be changed via Quick Access, see § 4.12.2 Keyboard assignment
orchestrals, and via the Johannus Menu, see § 5.9 Orchestrals.
4.7 Couplers
Manual couplers:
CHOIR –GREAT(CH-GT):
Fully couples all keys of the Choir to the Great.
SWELL –GREAT (SW-GT):
Fully couples all keys of the Swell to the Great.
SWELL –CHOIR (SW-CH):
Fully couples all keys of the Swell to the Choir.
Pedal couplers:
CHOIR –PEDAL (CH-PD):
Fully couples all keys of the Choir to the Pedal.
GREAT –PEDAL(GT-PD):
Fully couples all keys of the Great to the Pedal.
SWELL –PEDAL (SW-PD):
Fully couples all keys of the Swell to the Pedal.

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It is advisable not to use the Manual Bass while playing the pedal board to avoid
double bass tones.
If no expression pedal is configured as a swell pedal for the Swell, the S/S-piston
cannot be activated.
4.8 Accessories
All Swells to Swell (S/S):
All Swells to Swell transforms the expression pedal for the Swell, to a swell pedal
for the whole organ. Activate the All Swells to Swell with the S/S piston.
Sequence - and + (SEQ-, SEQ+)
Sequence is a function for sequential selecting capture memory locations.
1. Select a capture memory location to start (for example level 2, location 2).
2. Use the SEQ- or SEQ+ pistons to select the previous or next capture memory
location.
Keyboard Transfer (KT):
Keyboard Transfer is a function to switch the manuals of the Choir and the Great.
When Keyboard Transfer is active manual 1 is the Great manual and manual 2 is
the Choir manual. Activate the Keyboard Transfer with the KT piston.
Reeds Off (RO):
Reeds Off is a function to switch off all reed stops simultaneously. As long as this
piston is activated, no reed stops can be activated. When this function is switched
off, the reed stops that were on are activated again. Activate the Reeds Off with
the RO piston.
Chorus (CH):
Chorus is a function for lightly detuning the organ stops to give it a broader and
livelier sound. Activate the Chorus with the CH piston.
Manual Bass (MB):
Couples the Pedal monophonic to the Great. Only the lowest key that is played on
the Great is coupled from the Pedal to the Great.
If only the lowest key of a chord is released, the pedal key activated by the
Manual Bass function is dropped until a new lowest key is played.
Activate the Manual Bass with the MB piston.
Cantus Firmus (CF):
Cantus firmus: Latin for ‘fixed voice’ or in organs ‘solo voice’ or ‘melody coupler’.
Couples the Swell monophonic to the Great. Only the highest key that is played on
the Great is coupled from the Swell to the Great.
With use of a solo registration on the Swell in this way a solo is heard while
playing only on the Great.
If only the highest key of a chord is released, the key activated by the Cantus
Firmus function is dropped until a new highest key is played.
Activate the Cantus Firmus with the CF piston.

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Transposer (TRANS.)
The Transposer function shifts the pitch by half-tone
increments (from -8 to +8). The transposer setting
can be read on the display (Trans: …).
1. Press the TRANS-piston.
2. Use the - and + pistons to set the pitch.
3. When the Transposer change needs to be saved, press the SET piston while
the TRANS. piston is lit.
Crescendo (CR):
Crescendo is a function to activate and de-activate the Crescendo Pedal. See
§4.12 Crescendo Pedal.
Recall / Cancel function (0):
The 0-piston cancels stops in two ways:
1. A short press on the 0-piston: Only the last change is cancelled.
2. A long press on the 0-piston: All stops are cancelled.
4.9 Pre-programmed memory locations
Pre-programmed memory locations are available by operating pistons PP to T.
These six memory locations have factory settings (presets) appropriate for the
quiet pianissimo to the loud tutti.
Calling up a pre-programmed memory location:
Press a pre-programmed memory location (PP-T). The active stops light up.
Programming a pre-programmed memory location:
1. Select the desired stops.
2. Press the SET piston. Hold the piston.
3. Press the desired pre-programmed memory location (PP-T).
4. Release the SET piston.
It is advisable not to use the Cantus Firmus in combination with the coupler
SWELL - GREAT because this overrules the solo function of the Cantus Firmus.
The current setting of the pre-programmed memory location will be lost.
Although it is possible to store any registration under a piston of a pre-
programmed memory location it is advisable to select a registration matching the
text of the piston.

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4.10 Capture memory
Through use of the capture memory, a registration can be activated with just one
piston. The capture memory consists of 75 levels.
These levels can be seen on the display (Mem:…).
Each level has eight memory locations (pistons 1-8).
The 600 capture memory locations are not pre-
programmed and can be programmed by the
musician.
Programming a capture memory location:
1. Select the desired stops.
2. Use the - and + pistons to select a level (1-75) on the display.
3. Press the SET piston. Hold the piston.
4. Press the desired memory location (1-8).
5. Release the SET piston.
Calling up a capture memory location:
1. Use the - and + pistons to select the desired level (1-75) on the display.
2. Press the desired memory location (1-8). The active stops light up.
4.11 Crescendo pedal
The crescendo pedal can be used to activate 20 registrations step-by-step. These
registrations start with very quiet (pianissimo) to very loud (tutti).
The default registrations of the 20 steps can be changed. See § 5.2 Crescendo.
Activating the crescendo pedal
If the crescendo pedal is not activated it is indicated
on the displays with Cresc:Off.
Use the CR piston to activate the crescendo pedal.
The display indicates the actual step.
The current setting of the capture memory location will be lost.
Through use of the SEQ- and SEQ+ pistons previous or next memory locations can
be selected in steps of one. The lighted memory location piston and the memory
level shown in the display indicate the selected location.

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Crescendo pedal as additional swell pedal
The crescendo pedal can also be configured as a swell pedal. See § 5.5 Expression
Pedals.
If the crescendo pedal is set as additional swell pedal, all functions of the original
crescendo pedal are deactivated.
4.12 Quick Access
Quick Access is a function to quickly access certain function of the organ.
4.12.1 Programming mode crescendo pedal
Pressing the SET and CR piston simultaneously enters the programming mode of
the crescendo pedal. See § 5.2 Crescendo, sub 4 for next steps.
4.12.2 Keyboard assignment orchestrals
Through use of Quick Access it is possible to assign a solo- or orchestral voice
directly to a manual or the pedal.
Press the SET piston simultaneously with a piston of a
solo- or orchestral voice, for example Panflute. The
actual assignment appears on the display.
Press a key of the manual or the pedal on which the
solo- or orchestral voice has to be assigned or press
the SET- or MENU-piston to cancel.
This function is not available if no expression pedal is set as
crescendo pedal.
This function is only available if the organ is equipped with the
optional Premium or Platinum Voice Package.

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Step 0 of the crescendo pedal cannot be changed.
5JOHANNUS MENU
In the Johannus Menu several functions of the organ can be set.
Press the MENU piston to activate the Johannus Menu on the display.
Navigating the menu is done with the - and + pistons.
Confirmation of a choice is done with the SET piston.
Cancel or step back in the menu is done with the MENU piston.
The Johannus Menu consists of the following functions:
Function
More information
Ambiance
§ 5.1
Crescendo
§ 5.2
Datadump
§ 5.3
Demo Songs
§ 5.4
Expression Pedals
§ 5.5
Keyboard Config
§ 5.6
Key Volumes
§ 5.7
MIDI Config
§ 5.8
Orchestrals
§ 5.9
Reset Procedures
§ 5.10
Reverb Settings
§ 5.11
Startup Settings
§ 5.12
Temperaments
§ 5.13
Tracker Action
§ 5.14
Tuning
§ 5.15
Tweeter Settings
§ 5.16
Version
§ 5.17
5.1 Ambiance
Adaptive Ambiance System is a function which works with LIVEreverb™to position the organ
sound in the church. There is choice out of four locations: at the console of the organ, in the
front, in the center or in the rear of the church.
1. Press the MENU piston.
2. Use the - and + pistons to select the Ambiance function on the display.
3. Press the SET-piston. The four possible locations appear on the display. The
actual location is indicated by a pointer.
4. Use the - and + pistons to select the desired location.
5. Press the SET-piston to confirm.
6. Press the MENU-piston to exit the Johannus Menu.
5.2 Crescendo
The crescendo pedal contains 20 pre-programmed registrations. These registrations start with
very quiet (pianissimo) to very loud (tutti). These pre-programmed registrations can be
changed.

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1. Press the MENU piston.
2. Use the - and + pistons to select the Crescendo function on the display.
3. Press the SET piston. The first step of the crescendo pedal appears on the
display.
4. Use the - and + pistons to select the step which has to be changed.
5. Change the registration and press the SET piston to save the new registration
in the memory of the organ.
6. Repeat steps 4 and 5 if more crescendo pedal steps has to be changed.
7. Press the MENU piston twice to exit the Johannus Menu.
5.3 Datadump
The Datadump function sends several settings from the organ to a storage medium (the
Johannus MIDI Sequencer+, for example) through the MIDI SEQ output. See § 3.4 External
connections.
The settings to send are: the content of all capture memory locations and all settings which
can be set via the Johannus Menu, except Key Volumes. Key Volume settings are a part of the
intonation data. These data can be received with the optional Johannus Intonat software.
a. Sending data from the organ
1. Press the MENU piston.
2. Use the - and + pistons to select the Datadump function on the display.
3. Press the SET piston. The Press SET to send data text appears on
the display.
4. Make sure the desired storage medium, the Johannus MIDI Sequencer+ for
example, is properly connected.
5. Press the SET piston. When data is being sent, Sending data appears on
the display. Sending data will take some time.
6. If the data dump is complete, the main menu appears on the display.
7. Press the MENU piston to exit the Johannus Menu.
b. Uploading data to the organ
1. Make sure the storage medium, the Johannus MIDI Sequencer+ for example,
with a previous recorded data file is properly connected.
2. Start sending the data file on the sequencer. A message that a data file is
being received appears on the display of the organ.
3. When the upload is completed the main screen of the display appears
automatically.
Do not use the organ when the Sending data… text is on the display.
Receiving a data file has no relation to the Johannus Menu and can be done
on every moment the organ is switched on, except when playing a Demo
Song.
Make sure to upload only data files which are recorded from the
instrument concerned. Uploading a data file from another instrument may
jeopardize the functioning of your instrument.

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5.4 Demo Songs
The Demo Songs function plays twelve different demo songs.
1. Press the MENU piston.
2. Use the - and + pistons to select the Demo Songs function on the display.
3. Press the SET piston. The titles of the demo songs appear on the display.
4. Use the - and + pistons to select one of the twelve demo songs.
5. Press the SET piston to select the demo song.
6. Use the - and + pistons to choose whether to play only the selected demo
song (play one demo) or all demo songs (play all demo’s).
7. Press the SET piston to start playing the selected demo song(s). The title and
composer of the demo song appears on the display.
8. Press the MENU piston twice after having played the demo song(s) to exit the
Johannus Menu.
5.5 Expression Pedals
The Symphonica 450 is equipped with PEPC™ (Programmable Expression Pedal Configuration).
This function makes it possible to configure each expression pedal to one’s own discretion.
We distinguish two types of expression pedals:
Swell pedal: dynamics by increase or decrease of volume. In a pipe organ
this is achieved by closing or opening the swell shutters of a
swell box. See also § 4.2 Expression pedal.
Crescendo pedal: dynamics by increase or decrease of the amount of stops. See
also § 4.111 Crescendo pedal.
1. Press the MENU piston.
2. Use the - and + pistons to select the Expression Pedals function on the
display.
3. Press the SET piston. The available expression pedals appear on the display.
4. Use the - and + pistons to select the expression pedal of which the function
must be changed.
5. Press the SET piston. The available possibilities appear on the display. Behind
the possibilities the current setting is marked with a ‘√’.
6. Use the - and + pistons to select the desired setting.
While playing a demo song, the operating functions of the organ are
disabled except for the following functions:
a. 0-piston: stop playing the demo song(s).
b. VOL.-piston: adjust the volume of the organ.
c. REV.-piston: adjust the volume of the reverb.
a. An expression pedal can be configured as a swell pedal for several
divisions at the same time.
b. A division can only be connected to one expression pedal at the same
time.
c. An expression pedal cannot be configured as a swell pedal and a
crescendo pedal at the same time.