Kilpatrick Audio REDOX User manual

REDOX
Next-generationstereoalgorithmicreverbprocessor.
UserManual-firmwarever.1.11orlater
DownloadaPDFversionofthemanualhere:redox-manual.pdf
NotethatPDFmanualsareautomaticallygeneratedfromwebpages.Linksandembeddedmediawillnotbeaccessible.Forthefullexperiencevisit
ourwebsite:www.kilpatrickaudio.com
ManualSections
Introduction
Precautions
GettingStarted
Controls
UserInterface
SignalPath
MODProcessor
ReverbProcessor
Specifications
ManagingPresets
MIDIProtocol
Introduction
ThankyouforbuyingREDOX,auniqueandpowerfulreverbdesignedfortheelectronicmusician.Thismanualwillhelpyouunderstandthefeatures
andlayoutofREDOXandhowtogetthemostfromit.Keepinmindthatthisisalivingdocumentandwillbeupdatedasnewfeaturesareadded,or
tomakecorrections,clarificationsortoaddmoredetailedinformation.
Precautions
AlthoughREDOXissolidlymade,weaskthatyouhandleitwithcaresoitcanoffermanyyearsofenjoymentinyourstudiooronstage.Pleasedon't
spillyourcoffeeintoitordropitonthefloor.Weofferserviceonallourproductsregardlessofwhethertheyareinsidethewarrantyperiodornot,
soifyouhavetroubleatanytimepleaseaskusandwewillhelpyou.
FortheultimateinconvenienceREDOXispoweredviaitsUSBport.Wehaveincludeda5VUSBpowersupplythathasbeenspeciallyselectedfor
highqualityandlownoise.FeelfreetouseREDOXwithotherUSBpowersourcesbutmakesuretheyarefromatrustedbrandandmeetthe
regulatorysafetyapprovalsforyourcountry.CheapUSBpowersourcesmaybeunsafe,damagetheunitorcauseaudionoise.Pluggingmultiple
USB-powereddevicesintothesamecomputer,huborpowerbankcansavepowersocketsinyourstudio.Howeverinsomesituationsgroundloops
orothernoisemayresult.REDOXhasbeendesignedtoplaynicewithneighbouringUSBdevices.Whenindoubtusingtheincludedpowersupply
withREDOXwillresultinthehighestaudioperformance.
Ifyouhaveanyquestionsorconcernsaboutusingourproductspleasecontactusandwewillhelpyou.

GettingStarted
CombiningbothapowerfulalgorithmicreverbunitwithspecialMODeffects,REDOXgeneratesuniqueeffectsthatareaimedatelectronic
musicians.WithaclearLCDscreenand99internalmemoriesaswellasauto-savingofthecurrentsettings,REDOXisacreativetoolyoucanapply
toanumberofuses.ThesignallevelsusedinREDOXaremoresuitableforsynthesizersandaudiomixersratherthanguitars.Sometypical
scenarioswhereREDOXwillshine:
Warmupthesignalfromananalogsynthoroldsynthwithnobuilt-ineffects.
Processtheoutputfromyourmodularsynth.
Useinaneffectslooponyourmixerinsteadofthelimitedorcrappybuilt-ineffects.
Fattenupdrummachineswithsomedistortionandreverb.
RouteyourDAWsignalthroughREDOXforsomethingabitdifferentandsavethoseCPUcycles.
Tryprocessinginstrumentandvocaltracks...youmightbesurprised!
UseREDOXaspartoftheperformancebymanipulatingthecontrolsorsendingMIDImessagestoadjustparametersinreal-time.
Controls
Controls
REDOXusesasimplepanellayoutthatiseasytounderstandandoffershands-oncontrolofthemajorfunctions.Functionsrequiringthescreenare
minimizedandeasilyaccessedwithouttheneedtoscrollthroughanymenus.
Control Function
POWER(rearpanel) Turnsonandoffthemainpowertotheunit.
MIX Adjuststhewet/drymixofthereverbsignal.
MASTER Adjuststhemasteroutputvolume.
SELECT Selectsafieldtoeditonthescreen.
VALUE Adjuststhevalueofthecurrentlyselectedfield.
Sofkeys(3) Buttonsunderthescreenareusedtoenablemodesorchangescreens.

MODEnable EnablesordisablestheMODeffect.
MODLevel Adjuststhelevel,speed,mix,etc.oftheMODeffect.(dependsoneffect)
FILTER Adjuststhetoneofthereverbeffect.
SIZE Adjuststhesizeofthereverbeffect.
UserInterface
TheLCDscreenshowsthecurrentstatusandoffersaccesstoallmodeswiththepushofabutton.Therearefourscreensthatallowallparameters
tobecontrolled.Allscreenssharethefollowingcommonelements:
InputLevelMeter-Alongtheleftedgeofthescreenistheinputlevelmeter.Eachpixelrepresents1dBandeachmarkrepresents3dB.
Whenastereosignalisinputthemeterwillshowtwosignals.WhenamonosignalisinputtotheL/MONOjack,asinglemonometerwillbe
shown.Adjustyoursourcetosetthedesiredinputleveltobestrongbutnotoverloading.
OutputLevelMeter-Theoutputlevelmeterisshownalongtherightedgeofthescreen.ItisaffectedbytheMASTERcontrol.Ifthe
signalsintheunitbuilduptoomuchandcausetheoutputtoclip,simplyturndowntheMASTERtoadjusttheheadroomoftheunit.
ProgramDisplay-Thecurrentlyloadedprogramisalwaysshownonthetopofthescreen.Anasterisk(*)nexttothenameindicatesthat
theprogramhasbeenmodifiedsincebeingloaded.Thismodifiedprogramisautomaticallysavedwhentheunitispoweredoffandrestored
whenpoweredon.
SoftkeyLabels-Alongthebottomofthescreenthesoftkeylabelsareshown.Theseindicatethefunctionsofthethreesoftkeysunderthe
screen.Normallytheseareusedtochangetodifferentscreens.
NavigatingandEditing
DedicatedcontrolssuchastheMOD,FILTERandSIZEcontrolsedittheparametersonthemainscreenatalltimes.SimilarlytheMIXand
MASTERcontrolsalwaysaffecttheaudiomixandoutputlevelrespectively.
OtherparametersareeditedusingtheSELECTandVALUEknobs,alongwiththesoftkeys.TheSELECTknobisusedtochoosewhichparameterto
edit,andtheVALUEknobchangesthevalue.Thecurrentlyselectedparameterisshowneitherbythevaluebeinghighlightedorbyasmallbox
shownnexttoit.
Screens
Main
Themainscreendisplaysthevaluesofthethreededicatedparameters:MODLevel,FILTERandSIZE.Theseareshownasbargraphswhich
indicatetherelativeamountofeachsetting.
MOD
TheMODscreendisplaystheMODtypeandbothoftheparameters:Param1andParam2.Thenames,valuesandrangesoftheseparameters
dependonthechosenMODeffect.
REVERB
TheREVERBscreendisplaysthecurrentselectedreverbalgorithm,predelayandareverbparameter.Thepredelayiscommontoallreverbsand
canrangefrom0msto200ms.Thereverbparametername,valueandrangedependsonthechosenreverbalgorithm.
SYS

TheSYSscreenofferstheabilitytosaveandrenameprograms,changethereceiveMIDIchannelforcontrollingREDOXfromanotherdevice,and
thedisplaysthecurrentfirmwareversion.
SavingaProgram
Tosavethecurrentsettingstoaprogram,selecttheprogramnumbertosavebyadjustingthevalueontheSaveline.ThenpresstheSAVEsoftkey.
RenamingaProgram
TorenameaprogrampresstheNAMEsoftkeywhichwillhighlighttoindicatethatthenameeditfunctionisactive.UsetheSELECTcontroltomove
thecursorandtheVALUEcontroltoselectthecharacterforthecurrentslot.TofinisheditingpresstheNAMEkeyagain.
ExtraFunctions
AdjustingLCDScreenContrast
TheLCDscreenrarelyshouldrequireanyadjustment.Howeverifyouwishyoucanadjustthecontrasttoimproveviewingfromcertainangles.To
dothis,holddownallthreewhitebuttonsunderthescreenandthenturntheVALUEcontrol.Thenewcontrastsettingwillbesavedwithinaminute
orso.
AdjustingtheLCDBacklightBrightness
TheLCDbacklightcanbesettooneoftwobrightnesslevels.Innormalmodethebrightnessisattherecommendedbrightnesslevel.Ifyouworkin
adarkenvironmentorwishtobetterphotographthedevice,youcanreducethebrightnesssignificantly.Todothis,holddownallthreewhite
buttonsunderthescreenwhileturntheSELECTcontrolupordowntoselectbetweenhighandlowbrightnesslevel.Thenewbrightnesssettingwill
besavedwithinaminuteorso.
SignalPath
REDOXAudioSignalBlockDiagram
REDOXcombinesapowerfulreverbprocessorwiththeuniqueMODeffectsystemwhichcanprocessaudiobeforeand/orafterthereverb.The
chosenMODeffectdetermineswhereandhowaudioisprocessed.Thisarrangementoffersuniqueandunusualpossibilitiesthataresuretofind
creativeuseinyourmusic.
UnlikemosteffectsprocessorstheMIXcontrolonlyaffectsthemixofthereverbsignalwhereastheMODeffectisalwayspresentwhenengaged.
SomeMODeffectsoffertheirownmixcontrolwhichadjuststhebalanceofdrytoeffectedsound.TheMODEnablebuttoncanbeusedtoenable
anddisabletheeffect.WhentheMODEnableLEDisoff,theMODeffectisdisengaged.
Jacks
ToconnectREDOXwithyourotherequipmentuseshielded1/4"patchcables.Youcanuseeitheramonoorstereosource.Whenusingamono
source,plugitintotheL/MONOinput.Notethattheinputlevelmeterwillchangetoshowamonosourceinthiscase.Theoutputisalwaysstereo.
Youcanuseoneorbothoutputs.
REDOXusesUSBpowerformaximumconvenienceandefficiency.ThepowersupplyshippedwithREDOXhasbeenchosenforhighqualityandlow
noise.Werecommendthatyouusethispowersupplyifpossible,howeveranyqualityUSBpowersourcecanbeused.REDOXdrawsapprox.220mA
undernormaluse.Werecommendapowersupplywithatleast500mAofoutputcurrentbeused.
Inadditiontoprovidingpower,theUSBconnectioncanalsobeusedtoinstallfirmwareupdatesandtocontrolREDOXviaMIDI.
Jack Function
USB PowerinputandUSBMIDIcontrol.

MIDIIN DINMIDIinputforcontrolofREDOXfromaMIDIcontrollerorothersource.
MIDITHRU DINMIDIthrusignaltoconnectotherMIDIdevicestothesamesignal.
INL/MONOandRLineinputs.WhenusingamonosourceusetheL/MONOinput.Maxinputlevelisapprox.+8dBVunbalanced.
OUTLandRLineoutputs.Maxoutputlevelisapprox.+8dBVunbalanced.
MODProcessor
TheMODprocessoroffersavarietyofinterestingeffectsthatareplacedeitherbeforeand/orafterthereverbprocessor.Effectsplacedbeforethe
reverbarecalledInput(I)effects,andthoseplacedafterthereverbarecalledOutput(O)effects.
EachMODeffecthasaMODLevelcontrolwhichisadedicatedfront-panelcontroljustfortheMODeffect.Eacheffectalsohastwoeffect-specific
parameters(Param1andParam2)accessibleintheMODscreen.
#MOD
Effect Description Controls I/O
1Gain Againeffectwithoverdrive.Thiscanbeusedbeforethereverborafterthereverb.
InDrv-inputgainwithsaturation
Tone-inputgaintone
OutDrv-outputgainwithsaturation
IO
2VibeI Vibratoeffectontheinput.
Speed-modulationspeed
Depth-depthofeffect
Spread-stereospreadofeffect
I
3VibeO Vibratoeffectontheoutput.
Speed-modulationspeed
Depth-depthofeffect
Spread-stereospreadofeffect
O
4Panner Panningortremoloeffectontheoutput.
Speed-modulationspeed
Depth-depthofeffect
Spread-stereospreadofeffect
O
5RotorI Rotaryspeakereffectontheinput.
Speed-modulationspeed
Depth-depthofeffect
Spread-stereospreadofeffect
I
6RotorO Rotaryspeakereffectontheoutput.
Speed-modulationspeed
Depth-depthofeffect
Spread-stereospreadofeffect
O
7PhaserI1 Phasereffectontheinputwithlighttexture.
Speed-modulationspeed(LFOon)
Phase-fixedphase(LFOoff)
LFO-LFOon/off
Res-resonance(feedback)
I
8PhaserI3 Phasereffectontheinputwithheaviertexture.
Speed-modulationspeed(LFOon)
Phase-fixedphase(LFOoff)
LFO-LFOon/off
Res-resonance(feedback)
I
9PhaserO1 Phasereffectontheoutputwithlighttexture.
Speed-modulationspeed(LFOon)
Phase-fixedphase(LFOoff)
LFO-LFOon/off
Res-resonance(feedback)
O
10 PhaserO3 Phasereffectontheoutputwithheaviertexture.
Speed-modulationspeed(LFOon)
Phase-fixedphase(LFOoff)
LFO-LFOon/off
Res-resonance(feedback)
O
11 PhaserIO Phasereffectontheinputandoutputsimultaenously.
Speed-modulationspeed(LFOon)
Phase-fixedphase(LFOoff)
LFO-LFOon/off
Res-resonance(feedback)
IO
12 FlangerI Flangereffectontheinput.
Speed-modulationspeed(LFOon)
Phase-fixedphase(LFOoff)
LFO-LFOon/off
Res-resonance(feedback)
I
13 FlangerO Flangereffectontheoutput.
Speed-modulationspeed(LFOon)
Phase-fixedphase(LFOoff)
LFO-LFOon/off
Res-resonance(feedback)
O
14 Looper Monolooperforholdinginputsignals.Allowsrecordingofthenextloopwhilepreviousoneis
playing.21.8secondstotalrecordingtime.
Level-looperplaybacklevel
Wet-loopertoreverbsendlevel
Speed-looperplaybackspeed:
Normal,HalforQuarter
I
15 Repool Monoreverselooperforholdinginputsignals.Allowsrecordingofthenextloopwhileprevious
oneisplaying.21.8secondstotalrecordingtime.
Level-looperplaybacklevel.
Wet-loopertoreverbsendlevel.
Speed-looperplaybackspeed:
Normal,HalforQuarter
I
16 LooperST Stereolooperforholdinginputsignals.21.8secondstotalrecordingtime.
Level-looperplaybacklevel
Wet-loopertoreverbsendlevel
Speed-looperplaybackspeed:
Normal,HalforQuarter
I
17 RepoolST Stereoreverselooperforholdinginputsignals.21.8secondstotalrecordingtime.
Level-looperplaybacklevel.
Wet-loopertoreverbsendlevel.
Speed-looperplaybackspeed:
Normal,HalforQuarter
I
Mix-blendofdryandprocessed

18 Bitres Bit-crusherandsample-ratereducerforinputsignals. sound
Bits-sampleresolutioninbits
Rate-sample-ratereductionamount
I
19 Thresh Severedistortioncausedbysignalamplitudethresholding.
Mix-blendofdryandprocessed
sound
High-upperthreshold(positive-going
signals)
Low-lowerthreshold(negative-going
signals)
I
20 Timbre Harmonicovertoneeffectusingwaveformfoldingtechnique.
Mix-blendofdryandprocessed
sound
Gain-sensitivityoftheeffect
Offset-effectpositive/negative
balance
I
ReverbProcessor
TheheartofREDOXisthereverbprocessor.Offeringavarietyofalgorithmsbasedonbothtraditionalandmodernalgorithmicreverbdesigns,
REDOXhasyoucovered.Allreverbalgorithmsshareacommonsetofcontrols:FILTERandSIZEwhichhavededicationfront-panelcontrolsonthe
unit.Eachalgorithmalsohasoneadditionalcustomparameter(Param1)accessibleintheREVERBscreen.
FILTERControl
TheFILTERcontroliscommontoallreverbalgorithmsandadjustthegeneraltonalbalanceofthereverb.Thefiltertypeandbehaviourdependson
thereverbalgorithm.
SIZEControl
TheSIZEcontrolaffectstheoverallsizeofthereverbsound.Eachalgorithmcanhavetheapparentsizeadjustedoverawiderange.
# Reverb Description Controls
1Deekay Multi-tapdelaythatdecays.
Filter-delaytone
Size-delaylength
Taps-numberoftaps(1-8)
2Repeat Multi-tapdelaythatrepeats.
Filter-delaytone
Size-delaylength
Taps-numberoftaps(1-8)
3Build Multi-tapdelaythatbuilds.
Filter-delaytone
Size-delaylength
Taps-numberoftaps(1-8)
4DeekayST Multi-tapping-pongdelaythatdecays.
Filter-delaytone
Size-delaylength
Taps-numberoftaps(1-8)
5RepeatST Multi-tapping-pongdelaythatrepeats.
Filter-delaytone
Size-delaylength
Taps-numberoftaps(1-8)
6BuildST Multi-tapping-pongdelaythatbuilds.
Filter-delaytone
Size-delaylength
Taps-numberoftaps(1-8)
7Classic Atakeontheveryfirstdigitalreverbalgorithm.
Filter-feedbackdamping
Size-feedbackamount
Spread-stereospread
8Mini1 AverysimplereverbsimilartoClassic.
Filter-feedbackdamping
Size-feedbackamount
Spread-stereospread
9Mini2 AverysimplereverbsimilartoClassic.
Filter-feedbackdamping
Size-feedbackamount
Spread-stereospread
10 LushBig ReverbbasedontheLushPuppyreverbpedal.
Filter-low/hightiltfilter
Size-reverbsize
Smear-temporalinputsmearing
11 LushSml ReverbbasedontheLushPuppyreverbpedal.
Filter-low/hightiltfilter
Size-reverbsize
Smear-temporalinputsmearing
12 BlueRoom Asmoothroomreverb.
Filter-low-passfiltertone
Size-reverbsize
Decay-internaldecayamount
13 BlueHall Asmoothhallreverb.
Filter-low-passfiltertone
Size-reverbsize
Decay-internaldecayamount
14 Space Hugeglassyreverb.
Filter-filtercutoff
Size-reverbsize
FType-filtertype
15 Forever Hugereverbwithlongdecay.
Filter-filtercutoff
Size-reverbsize
FType-filtertype
16 Drift Hugereverbwithlefttorightdrift.
Filter-filtercutoff
Size-reverbsize

FType-filtertype
17 Early Densereverbforearlyreflections.
Filter-filtercutoff
Size-reverbsize
FType-filtertype
18 RedRoom Roomreverbwithcentredtone.
Filter-low-passtone
Size-reverbsize
ERMix-early/reverbmix
19 RedHall Hallreverbwithcentredtone. Filter-low-passtone
Size-reverbsize
ERMix-early/reverbmix
Specifications
EffectsSystem
Stereoalgorithmicreverbwithhighdynamicrangeprocessing
MODeffectsworkalongwithreverbstocreateotherkindsofeffects
Adjustablepredelayonallreverbsupto200ms
Audio/DSPSystem
Pristineanalogaudiofront-endwith24bitconvertersand>100dBdynamicrange(ADCtoDAC)
Highdynamic-rangefloatingpointsignalprocessingpreventsinternalclipping
Low-latencysignalprocessingoflessthan1ms
UserInterface
128x64pixel2.1"LCDscreenwithwhitebacklight
Twodedicatedmetal-shaftedpotentiometers(MIXandMASTER)
Fiveruggedmetal-shaftedrotaryencoders(SELECT,VALUE,MOD,FILTER,SIZE)
Low-noisepositive-feelingpushbuttonsenablesuseinquietenvironments
Hardware
1/4"lineaudiojacksusingNeutrikconnectors
Unbalancedaudioinputs-impedance:100Kohms
Maxinputsignalbeforeclipping:+8dBV(2.5Vrms)
Unbalancedaudiooutputs-impedance:1Kohm
Maxoutputsignalbeforeclipping:+8dBV(2.6Vrms)opencircuit
Systemdynamicrange:>100dB(inputtooutput)
MIDIcontrolofallfunctionsviaUSBorDINMIDI
Internalmemoryforstorageofupto99presetspluscurrentlivesettings
Power:5VUSBpower(typeBsocket)-220mAcurrentdraw(1.1W)
Mounting:100mmx100mmVESAmountusing3mmscrews(5mmmaxlengthinsideunit)
Dimensions:7.0"x6.0"x2.5"(withknobs)
Weight:2lbs(0.9kg)
ManagingPresets
Thereare99built-inpresetmemoriesinREDOXthatcanbeusedtosaveyourfavouritesettings.Abouthalfofthesecontainfactorysettings
developedbyKilpatrickAudioandPatrickMcMaster.Youarefreetooverwriteanysettings.Weprovideafreeweb-basedtoolforuploadingand
downloadingthepresetbankssoyoucanrestorethefactorysettings,editpresetsonyourcomputer,orexchangebankswithfriends.
TrytheKAPatchLoaderPresetManagerwebapp.Thisallowsyoutouploadanddownloadentirebanksofpresets.Ifyouwishtomixandmatch
presetsfromdifferentbanks,youcandothisonyourcomputerwithastandardtexteditor.Ifyouwanttomakeyourownpresets,startby
downloadingtheexistingbankfromyourREDOXandedititonyourcomputer.
ThefileformatproducedbythewebtoolusesthecommonJSONformat.Hereisaquickglimpseofhowthepresetslook:
{
"num_ref":1,
"name":"PVocals",
"mod_type":0,
"mod_enable":0,
"mod_level":50,
"rev_algo":17,
"rev_predelay":96,
"rev_filter":40,
"rev_size":38,
"mod_param1":100,
"mod_param2":50,
"rev_param1":50,
"fwver":65538
},
Afewimportantpointstonoteaboutpresetfiles:
Abankcontains99presets-Youneedtoalwayshave99presetsinyourfilewhenuploadingtoREDOX.
Thenum_reffieldisforreferenceonly-Thisnumberistohelpyoukeeptrackofpresetsinthefile,butisnotactuallyusedwhen
uploadingyourownfiles.
Rangesofvalues-Therange/possiblevaluesforthefieldsareasfollows:
name-Thepresetnameupto8characters.
mod_type-0=disabled,1=enabled
mod_typeandrev_algo-Seethelistsofmodandreverbtypesabove.Numberingstartsat0.
rev_predelay-0-100=0-200milliseconds
Levels,sizes,params-Allvaluesare0-100=0-100%.Parameterswithfewerstepsarespreadoutacrossthisrange.
fwver-Theversionofthefirmwareusedtosavethispreset.Keepitthesame.Infuturefirmwarereleasesthisvaluewillbeusedto
automaticallyadjustpresetvaluesfornewfeatures.

PresetBanks
FactoryPresetBank-factorybankforthelatestfirmwareversion(right-clicktodownload)
MIDIProtocol
ManyfunctionsofREDOXcanberemotecontrolledviaMIDI.Thisallowsgreatflexibilityforliveshowsoraspartofalargerstudiosetup.AnyMIDI
INdataisalsoechoedtotheTHRUportsoyoucandaisy-chaindevicesthroughREDOX.WeuseazerolatencyTHRUcircuitwhichdoesnotadd
delaytothesignal.
ReceiveChannel
BesuretosetyourdesiredreceivechannelintheSYSmenubeforeattemptingtosendMIDItoREDOX.Thischannelissavedininternalmemory
ProgramChange
Thecurrentlyloadedpresetcanbechangedbysendingaprogramchangemessage.Programchanges0-98correspondwithpresets1-99
respectively.
CCControl
ControlChangemessagescanbeusedtocontrolmostoftheparametersofREDOXonthefly.Thisisexactlythesameasadjustingthesecontrols
fromthefrontpanel,sothelivepresetyouareusingwillbeeditedbythesemessages.
CCNumber Function ValueRange
1 ReverbFilter 0-127=0-100%
16 ReverbAlgorithm 0-18=reverbtype1-19
17 ReverbPredelay 0-100=0-200ms
18 ModType 0-17=modtype1-18
19 ModEnable 0-63=off,64-127=on
91 ReverbSize 0-127=0-100%
92 ReverbParam1 0-127=0-100%
93 ModLevel 0-127=0-100%
94 ModParam1 0-127=0-100%
95 ModParam2 0-127=0-100%
Note:ReverbParam1,ModParam1andModParam2canhaveadifferentnumbersofstepsdependingonthealgorithmchosen.Possiblevaluesare
alwaysspreadovertheentire0-127rangeofcontrols.Pleaseexperimentwiththecontrolrangeoneacheffecttodeterminethespecificbehaviour.
SYSEX
RawaccesstotheinternalEEPROMmemoryispossibleviaSYSEXwhichcanbeusedforpatcheditors.Pleaseletusknowifyouareworkingona
programlikethisandwewouldbepleasedtosupplyyouwithinformationonhowtoimplementthis.
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