4Introduction
is a super-flexible monophonic syn-
thesizer with classic analogue subtractive synthesis
and powerful digital control - giving huge modula-
tion possibilities.
• Fully analogue audio signal path
• Three analogue oscillators (VCOs) with freely mix-
able waveforms:
–triangle (oscillators 1, 2 and 3)
–sawtooth (oscillators 1, 2 and 3)
–variable width pulse (oscillators 1 and 3)
–square and sub-oscillator (oscillator 2)
• Oscillator hard-syncing (multiple options)
• Analogue phase modulation (oscillators 2 and 3)
• Analogue noise souce (white or pink)
• Internal audio feedback or external audio input
• 4 CV/gate inputs for analogue control
• Three independent analogue filters (VCFs) with
flexible routing:
–Low-pass resonant filter (6-pole with selectable
outputs and resonance character adjustment)
–Second low-pass resonant filter (4-pole)
–High-pass filter (2-pole)
• Multiple output distortion options
• Powerful modulation architecture:
–4 global LFOs (Low Frequency Oscillators)
–4 global EGs (Envelope Generators)
–33 parameter-local LFOs
–33 parameter-local EGs
–Four freely configurable modulation
sources from MIDI and CV/gate inputs
• Quick-access buttons to 5 active patches
• Copy/reset/randomise feature
• Full MIDI control and USB MIDI interface
• Oscilloscope and spectrum analyser
• Flexible arpeggiator
• Built-in pattern sequencer
• Non-volatile internal memory for saving 500 patches,
56 patterns, 16 sequences and user settings
• High-resolution OLED graphic display
• Compact high-quality tabletop case
Analogue oscillators
has three analogue voltage-controlled
oscillators (VCOs) with various hard-sync, pulse-width
and phase-modulation options. These are true ana-
logue oscillators and not DCOs. The oscillators, ana-
logue noise source (with white/pink output option)
and an internal feedback routing or external audio
input all feed into a mixer before the filters.
Analogue filters
has very powerful filtering capabili-
ties. There is a 6-pole voltage-controlled low-pass
filter (VCF) with adjustable resonance to self-oscillation
(with selectable 1, 2, 3, 4, 5 and 6-pole outputs),
a 2-pole high-pass filter and a second 4-pole low-
pass filter with adjustable resonance to self-oscillation
(similar in design to the filter from a certain silver
box from the 1980s. . . )
The filters can be chained in parallel or in series and
the outputs are separately mixable giving huge sound-
creation potential. The final audio output has a va-
riety of clipping distortion options.
Modulation
Each analogue-controlled parameter has its own
dedicated LFO and EG. In addition each parame-
ter has dedicated modulation amount settings from
velocity, pitch, the global modulation sources and
the global LFOs and EGs. Secondary ’modulation
of the modulators’ is also possible, for example, a
global modulation source can control the LFO fre-
quency. This allows very flexible and powerful con-
trol of the analogue sound.
Up to four global modulation sources can be freely
User Guide v1.16 page 5
