
fully independent programs to be played in two different rooms 
simultaneously. We even supply a ZR-2 remote handset to control 
all Zone 2 functions from the local or remote location via IR sensors.
NAD has addressed two of the most common complaints 
with advanced surround sound systems: the inability to make 
adjustments ‘on-the-fl y’ without entering a complex menu system, 
and the inability to have different speaker settings for different 
types of source material. With direct access to channel volumes on 
the HTR-2 remote control, it is easy to make fi ne level adjustments 
to the subwoofer, center channel, and surround channels without 
stopping the movie or music to enter the speaker set-up menu. A/V 
Presets allow you to store up to fi ve unique speaker confi gurations 
for instant recall. Input section, speaker selection and size, 
crossover frequency, level, distance, and surround mode can all be 
adjusted to suit and saved to the non-volatile A/V Preset memory.
Naturally, all the popular surround decoding formats are supported, 
including the latest 6.1 and 7.1 programs from Dolby and DTS. In 
addition to Dolby ProLogic II and DTS Neo:6, NAD has included 
four custom modes for listening to 2 channel stereo music on 
a surround sound speaker system. EARS places the listener in 
the audience, with a solid front stage and a very natural acoustic 
envelopment best enjoyed with acoustic recordings. Matrix 
7.1 uses all 7 channels to place the listener “on stage” with the 
musicians, right in the middle of the action. Stereo Enhanced 
1 simultaneously directs the stereo signal to both front and 
rear speakers for maximum SPL (sound pressure level). Stereo 
Enhanced 2 redirects the front channels to the rear channels for late 
night or background music listening.
The primary reason for choosing Component Hi-Fi is to enjoy 
the highest levels of sonic performance, and for this the T 163 
delivers in spades! Whether decoding Dolby or Digital 5.1, 6.1 
or 7.1 surround formats, creating multi-channel surround from 
two channel sources with EARS or ProLogic II, or simply listening 
to HDCD encoded CD’s in pure Stereo, the T 163 delivers the 
precision, accuracy, and musical integrity that has been an NAD 
hallmark for the last 30 years. Vanishingly low distortion under real 
world conditions means that the promise of the spec sheet is easily 
realized in the listening room, due to the high performance 24 bit/
192kHz DACs and discrete component buffer amps for the preamp 
Special attention has been paid to all aspects of the engineering and 
design of the T 163 to give the highest performance for the money. 
From the wide bandwidth video switching, to the highly accurate 
digital processing and digital to analogue conversion and analogue 
amplifi cation, parts selection and circuit layout has been optimized 
for the best possible sound quality. Even the FM/AM tuner offers a 
high level of sonic performance and signal pulling capability thanks 
to its MOS/FET front end, PLL tuning, and accurate IF stage. This is 
topped off with an easy to program 30 station preset memory and 
Bass Management is comprehensive, offering 4
and 2nd order high pass fi ltering with adjustable frequency from 
40Hz to 200Hz in 20Hz increments. And with NAD’s unique A/V
Preset feature, you can easily set up different bass management 
scenarios for different types of music or movies.
You can pay several times the T 163’s price, but it will be very 
diffi cult to top the performance or fl exibility offered in this 
extraordinary component. The T 163 is really two components 
in one, with its Zone 2 output (with independent AV source 
switching and volume) making the T 163 capable of controlling two 
independent systems at the same time! We even provide a Zone 2 
remote handset with unique IR codes.
Upgradable fi rmware and extensive connection options make 
the T 163 an investment that won’t soon become obsolete. As a 
command center combined with one of NAD’s award winning 
power amplifi ers, the price to performance ratio is nearly 
untouchable by competing systems, and even rivals NAD’s own