Congratulations on your choice of the NADY MM-14FX Mini Microphone Mixer
— you have purchased one of the finest microphone mixers on the market
today. This unit was developed using the expertise of professional sound
engineers and working musicians. You will find that your new NADY MM-14FX
has superior performance and greater flexibility than any other mini mixer in its
price range. Please read this manual carefully to get the most out of your new
unit.
Thanks for selecting NADY AUDIO as your choice in mini microphone mixers.
• 4 Mono 1/4” microphone inputs with individual volume controls
• Built-in Echo Effects DSP with Delay Time and Depth controls emulates room
and hall to stadium decay reverbs
• 1/4” unbalanced output
• Up to 50dB of gain per channel
• Power on/off switch with LED indicator, 9VDC powered with either 9V alkaline
battery or optional PAD-1 AC/DC external adapter
FEATURES
MM-14FX CONTROLS AND CONNECTIONS
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FRONT PANEL
REAR PANEL
1. POWER BUTTON — Use this button to turn the mixer ON and OFF
(Note: Before turning on the unit, turn down the Master Volume of the mini
mixer and the level controls of equipment connected to the outputs).
2. CHANNEL VOLUME CONTROLS — These controls separately adjust the
volume of the each input.
3. DEPTH CONTROL — Adjusts the feedback (number of repeats) of the
internal echo effects. Set lower to emulate room reverbs and adjust towards
max for hall to stadium decay reverbs. Setting to minimum turns the echo
effects off.
4. DELAY TIME CONTROL — Adjusts the reflection delay time of the echo
effects. Set this control lower for shortest echo times to emulate plate and
doubling effects whereas setting it to maximum will enable the longest echo
time for stadium reverbs and delay sounds.
5. DC INPUT — Input socket for the optional PAD-1 9V AC/DC adapter. When
you use external DC power, the built-in battery power will turn off automatically.
6. MASTER OUTPUT — This unbalanced 1/4” jack outputs a line level mix of
the 4 inputs with Echo Effects signal applied (if desired).
7. MICROPHONE INPUTS — These 1/4” unbalanced inputs are designed to
accept mic level signals from dynamic microphones.
The information in this document is subject to change, as the Company may
make changes to product in order to improve reliability, design, or function,
without prior written notice. No part of this manual may be reproduced or
transmitted in any form or by any means without the written permission of the
company.
IN NO EVENT WILL THE COMPANY BE LIABLE FOR SPECIAL
INCIDENTAL OR CONSEQUENTIAL DAMAGES, WHETHER ARISING
DIRECTLY OR INDIRECTLY, SUCH AS LOSS OF PROFIT OR GOOD WILL,
THAT MAY BE SUFFERED IN CONNECTION WITH THE PURCHASE OF
THIS PRODUCT OR FROM THE BREACH OF ANY REPRESENTATION OR
WARRANTY.
NOTICE
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