time, with the FLASH already set to desired watt-seconds. Setting is retained when user returns from
another mode.
3. FULL ON/OFF is exactly what it says. Press the FULL ON/OFF button to turn the modeling lamp
OFF (LED off) or ON (LED on).
All mode settings are retained, even after power has been off.
1250, 1250DR and 2500DR
Test:
The TEST button is pressed to fire the flashtube for test purposes.
Flash Indication:
The flash indication feature will dim the modeling light to its lowest setting, then intensify slowly to full
brightness, and then back to its original state. This will occur after each flash, even though the modeling
light may be off. This feature is turned ON (LED on) or OFF (LED off) with the FLASH INDICATION
button.
Automatic Flash Dump:
This feature will automatically flash the unit when the FLASH setting is lowered; otherwise, the internally
stored power is discharged through a resistor, before the unit is READY. Flash Dump is faster. This feature
can be turned on or off, by the user.
Turn FLASH DUMP on: With unit power off, press and hold the FULL ON/OFF button. While holding
the FULL ON/OFF button, turn the unit power on and wait until the FULL ON/OFF LED blinks. Next,
release the FULL ON/OFF button and the FULL ON/OFF LED will go off.
Turn FLASH DUMP off: With unit power off, press and hold the MANUAL button. While holding the
MANUAL button, turn the unit power on and wait until the MANUAL LED blinks. Next, release the
MANUAL button and the MANUAL LED will go off.
Also, each time the AC line power is disconnected or switched off, the flashtube will flash. This removes
most of the flash capacitor charge to prolong the life of the unit and is a much safer condition for storage,
transporting, and replacement of flash tube or modeling lamp. This is a feature, over which the user has no
control.
Synchronization and Triggering:
Triggering is accomplished by using a built-in photoslave or a trigger cable from the power supply to the
camera shutter contacts of ”X” or “zero” delay. Other units in the system are then triggered by photoslave
operation. It is best to connect the fill light directly to the camera since it will be positioned furthest back
in the studio and will usually provide sufficient illumination to trigger the other units. It is suggested that
all walls and ceiling be painted either in white or light neutral colors for most reliable photoslave operation.
After the trigger cord is properly connected, check the synchronization with the camera. Adjust the
lighting unit to same height as the camera lens and face the lights into the lens. The lens aperture should be
open to its fullest extent and set on “X” or “zero” delay. Remove the camera back. It is best to perform
this test with the modeling lamps turned off.
While looking at the lens through the back of the camera, operate the shutter. A few sheets of white paper
in front of the lens will cut down the brilliance of the flash and aid in making the observation. The flash of
the light should then appear as a circle the same size as the aperture. If the circle is flattened on the sides,