REVELL Concerta B1 User manual

B1 Subwoofer
Owner’s Manual

2B1 Subwoofer
Owner’s Manual
IMPORTANT SAFETY PRECAUTIONS
READ FIRST!
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with a dry cloth.
7. Do not block any ventilation openings. Install in accordance with the manufacturer’s instructions.
8. Do not install near any heat sources such as radiators, heat registers, stoves or other apparatus (including amplifiers) that produce heat.
9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other.
A grounding-type plug has two blades and a third grounding prong. The wide blade or the third prong is provided for your safety. If the
provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.
10. Protect the power cord from being walked on or pinched, particularly at plugs, convenience receptacles and the point where they exit from
the apparatus.
11. Only use attachments/accessories specified by the manufacturer.
12. Use only with the cart, stand, tripod, bracket or table specified by the manufacturer or sold with the apparatus.
When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.
13. Unplug this apparatus during lightning storms or when unused for long periods of time.
14. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power
supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, or the apparatus has been exposed to rain or
moisture, does not operate normally or has been dropped.
15. Do not expose this apparatus to dripping or splashing and ensure that no objects filled with liquids, such as vases, are placed on the apparatus.
16. To completely disconnect this apparatus from the AC Mains, disconnect the power supply cord plug from the AC receptacle.
17. The mains plug of the power supply cord shall remain readily operable.
18. Do not expose batteries to excessive heat such as sunshine, fire or the like.
The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated
“dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to
persons.
The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and
maintenance (servicing) instructions in the literature accompanying the product.
WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.

3
B1 Subwoofer
Owner’s Manual
ABOUT THE REVEL®CONCERTA™
B1 SUBWOOFER
Thank you for purchasing the Revel Concerta B1, a high-performance
powered subwoofer that perfectly augments Revel Concerta Series
loudspeakers in stereo music or home theater entertainment systems.
The B1’s adjustable controls and multiple connection options also
allow you to optimize the subwoofer’s performance in any system and
listening room.
Featuring a 12" (305mm) woofer with 1-1/2" (38.1mm) peak-to-peak
excursion and powered by a 250-watt amplifier, the B1 subwoofer
reproduces deep, realistic bass with very low distortion, even at the
lowest frequencies and high output levels.
Combining superior form and function, the B1’s proprietary woofer is
constructed with an anodized-aluminum diaphragm for great strength at
high output levels. The spider incorporates a superior-strength Nomex®/
cotton blend with optimized geometry for increased linearity. The motor
includes a large ceramic-magnet motor system. A 2" (50.8mm) copper
voice coil is wound on a Kapton®bobbin for impressive power handling
and freedom from compression. The vented center pole facilitates
heat dissipation, allowing more efficient high-power handling and low
compression.
The B1 cabinet consists of medium-density fiberboard (MDF) walls and
extensive internal bracing to reduce cabinet-induced colorations. Rubber
padded feet are attached to the bottom of the cabinet for optimal
stability, accommodating installations on any floor surface.
Since 1996, the Revel brand has been at the forefront of loudspeaker
design. Backed by Harman International’s extensive research and design
facilities, Revel Concerta Series speakers benefit from cutting-edge
development tools, such as:
• A multichannel listening lab allows for double-blind listening tests.
• A laser interferometer enables detailed driver and cabinet analysis.
• Multiple large anechoic chambers provide for precise tests and
measurements.
• Finite-element analysis allows for advanced loudspeaker modeling.
• A stereo lithography apparatus aids in achieving tight tolerances.
Adding to the proud lineage of Revel Ultima™ and Performa™ Series
loudspeakers, the Concerta B1 subwoofer further substantiates the
Revel reputation for high-quality, high-performance loudspeakers and
subwoofers.
B1 HIGHLIGHTS
• High-output capability with low distortion
• Proprietary 12" (305mm) anodized-aluminum diaphragm woofer
• Built-in 250W RMS amplifier
• Line-level RCA inputs
• Advanced woofer motor structure
• Large voice coil for wide dynamic range without compression
• Phase switch
• Low-pass frequency control
• Parametric room equalization controls
• Elegant cabinet design with vinyl finishes
SUBWOOFER PLACEMENT
Below 300Hz, loudspeaker and listener locations have a profound impact
on the way sound is reproduced. All rooms have “standing waves,” by
which certain frequencies are emphasized or diminished. Their complex
patterns can combine to introduce tremendous sound coloration at low
frequencies.
The Concerta B1’s Equalization controls can help to compensate for
these effects, but no electronic system alone can fully compensate for
the dramatic effects of room acoustics. Every room has locations where
“nulls” at specific frequencies occur. These cancellations of the sound
are like “black holes,” which no amount of equalization can fill. The
best results are always achieved through careful placement of both the
loudspeakers and the listening position. Preferable placement can be
determined through the use of computer modeling programs, or by trial-
and-error measurements. For optimal results, find the best loudspeaker
and listener locations first, then use the B1 Equalization controls for
fine-tune adjustments.
To help determine good locations for the subwoofer(s) and the
listener(s), it is recommended that you make high-resolution in-room
response measurements. Your authorized Revel dealer can make the
appropriate measurements, using suitable equipment to ensure optimal
results.
NOTE: Many sound-measurement devices are not accurate
enough to properly measure low-frequency performance in a
listening room, since room boundaries can often cause modes
(standing waves) with very narrow-band peaks and dips.
Check with your authorized Revel dealer to confirm that your
measurement equipment is suitable for accurate, high-resolution
measurements.

4B1 Subwoofer
Owner’s Manual
SUBWOOFER PLACEMENT
CONSIDERATIONS
When using subwoofers within the limited confines of a typical home
theater room, the reflections, standing waves and absorptions generated
within the room will create peaks and dips in the bass response that
can vary greatly depending on where the listeners are located in the
room – a listener seated in one location may hear an overabundance of
bass created by a response peak at that location, while another listener
only a few feet away may hear a considerable lack of bass created by a
response dip at that location.
The subwoofers’ locations within the room (along with the room’s
dimensions) also have a profound effect on the creation of these bass
response peaks and dips. Careful subwoofer placement alone cannot
compensate for all bass response peaks and dips throughout a room, but
careful subwoofer placement can eliminate or significantly reduce the
largest response dips.
It is important to reduce response dips throughout the room as much as
possible via proper subwoofer placement because equalization cannot
be used to compensate for large response dips. For example, using
equalization in an attempt to restore a 13dB response dip requires
that the subwoofer amplifier delivers twenty times the power at that
frequency. This can quickly overdrive the subwoofer amplifier into
clipping, which will significantly degrade audio quality.
In almost any room, placing the subwoofers in corners will produce the
fewest large bass response dips and will also produce the most large
bass response peaks.
We strongly recommend that you install multiple subwoofers regardless
of the room’s size. Installing a single subwoofer will result in the least
consistent bass performance throughout the room. Using multiple
subwoofers can cancel some room modes at the various listening
locations, resulting in much more consistent low frequency sound
quality throughout the listening area. Additionally, it is often impossible
to locate a single subwoofer such that large response dips, which
cannot usually be corrected via equalization, are not present. The use of
two or more properly placed subwoofers can almost always eliminate
such dips in response.
PLACING FOUR SUBWOOFERS
When installing four subwoofers, place each one in a room corner. In
rooms with more than four corners, use the four corners closest to the
listening area.
Video Screen
PLACING TWO SUBWOOFERS
Placement of two subwoofers will be determined by your room’s seating
arrangement.
Rooms with a single row of seating
Placing the subwoofers in the two front corners will produce the most
consistent bass performance throughout a single row of seating.
Video Screen

5
B1 Subwoofer
Owner’s Manual
Rooms with multiple seating rows
Placing one subwoofer in a front corner and the other subwoofer in the
rear corner on the same side will produce the most consistent bass
performance throughout multiple seating rows.
Video Screen
PLACING A SINGLE SUBWOOFER
When installing a single subwoofer, be prepared to experiment with
different locations to find the one that produces the best results
throughout your room’s seating area. As in the previous examples,
placing the subwoofer in a corner will produce the fewest number of
deep response dips, which cannot be corrected with equalization.
Video Screen
Since listening and speaker locations are equally important, the
trial-and-error process can be time-consuming. However, the sonic
rewards are well worth the time spent determining the ideal placement
locations. Remember that peaks (below the subwoofer crossover
frequency) can be minimized or eliminated by the proper adjustment of
the Concerta B1’s Equalization controls, but dips cannot be corrected via
equalization. Therefore, the most important objective is to find locations
that result in the minimum number (and severity) of dips. Contact
your authorized Revel dealer for assistance in determining the proper
placement of your Revel loudspeakers and subwoofers.
After placing the B1 subwoofer(s), begin playback of a familiar music or
film source that has substantial bass content. Listen from the primary
listening position, increasing the overall volume of the system to a
comfortable level. Adjust the Subwoofer Level (volume) control until
you obtain the desired blend of bass. Also, test the subwoofer level by
playing a recording of a deep male voice. Setting the subwoofer level (or
crossover frequency) too high results in unnaturally “thick” or “boomy”
vocal reproduction. Bass response should not overpower the room, and
should be adjusted to achieve a harmonious blend across the entire
audible range.
If you are using a multichannel receiver or processor with a subwoofer
output, it’s preferable to use the Subwoofer Level adjustment on the
processor. Set the B1 Level control to the indicated “Nominal” position.

6B1 Subwoofer
Owner’s Manual
NOTE: Setting the level of the subwoofer in relation to the left
and right front speakers is of critical importance because it is
essential that the subwoofer integrate smoothly with the entire
system. Setting the level too high results in an overpowering bass
response. Setting the level too low negates the benefits of the B1
subwoofer.
MAKING CONNECTIONS
CAUTION: Never make or break connections unless all
system components are powered off.
Figure 8: Rear-panel input connectors
This section provides typical examples of cable connections with
different system configurations and devices. Review the owner’s
manuals for associated audio components to determine their connection
requirements.
The B1 subwoofer input connectors are located on the rear panel. Two
gold-plated RCA connector options are available – Sub In Low-Pass
Disabled (Normal) and L/R Low-Pass Enabled – as shown in Figure 8.
In most cases, you’ll use the Sub In connector, as it’s designed for
multichannel use. This input bypasses the low-pass filter, and is the
appropriate input for most installations. This connector should be used
when there is a dedicated subwoofer output available on the audio
processor or receiver.
Some processors incorrectly label the subwoofer output as LFE; others
offer both an LFE and a Subwoofer output. If there is no labeled
subwoofer output, use the LFE output. If the output has labeled
connections for both LFE and Subwoofer, use the Subwoofer output.
The L (Left) and R (Right) connectors on the rear panel of the B1 are for
use with 2-channel applications, where there is no dedicated subwoofer
output available. These inputs are automatically crossed-over by the
adjustable Low-Pass Crossover control on the rear panel. Having
the low-pass filter enabled helps offset the fact that most 2-channel
systems do not perform any high-pass filtering on the main speakers,
minimizing the advantages of using a subwoofer. These connectors
should be used in 2-channel applications where the receiver or
preamplifier lacks a dedicated subwoofer or LFE output.
NOTE: The Concerta B1 subwoofer has a third connection option
– wireless connection is also available when coupled with the
optional TX1 transmitter. Refer to the “Wireless Connection”
section found later in this manual for additional details regarding
this option.
MULTICHANNEL APPLICATIONS –
TYPICAL CONNECTION
Receiver/Processor
B1 Input Panel
Subwoofer
Output
Figure 9: Typical connection
This configuration is for use with multichannel processors or receivers
that have a single dedicated Subwoofer or LFE output connector.
Connect an RCA patch cable from the Subwoofer or LFE output on the
processor/receiver to the Sub In connector on the B1 rear panel, as
shown in Figure 9.

7
B1 Subwoofer
Owner’s Manual
2-CHANNEL APPLICATIONS –
CONNECTING TO THE MAIN OUTPUTS
Receiver/Preamplifier
B1 Input Panel
Main
Outputs
Main
Outputs
Figure 10: Connection to main outputs
This configuration is for use with 2-channel preamplifier/power amplifier
combinations or 2-channel receivers that have full-range outputs for the
left and right channels. The internal low-pass filter in the B1 is used to
limit frequency range of the subwoofer, preventing undesirable overlap
with the main loudspeakers.
1. Connect an RCA patch cable between the left main output on the
receiver/preamplifier to the L(eft) Low-Pass Enabled connector on the
B1 rear panel, as shown in Figure 10.
2. Connect an RCA patch cable between the right main output on the
receiver/preamplifier to the R(ight) Low-Pass Enabled connector on
the B1 rear panel.
NOTE: This configuration applies to receivers with preamplifier
outputs or to preamplifier/power amplifier configurations in which
there are two sets of Main outputs. If the receiver has jumpers
from the Pre- or Main-Out to the Amp in connectors or if the
preamplifier has only one set of Main-Out connectors, a
Y-adapter should be used to send the same signal to both the
main power amplifier and the subwoofer(s). Tape Out or Record
Out connectors cannot be used.
MULTICHANNEL APPLICATIONS –
MULTIPLE SUBWOOFER CONNECTIONS
Receiver/Processor
B1 Input Panel
Sub 1
B1 Input Panel
Sub 2
Subwoofer
Output
Figure 11: Connection to multiple B1 subwoofers
This configuration is for use with multiple B1 subwoofers and a
multichannel processor or receiver.
NOTE: The supplied single-RCA patch cord can be used in any
of the three connections described below, but you will need to
purchase an RCA Y-adapter and possibly an additional single-
RCA cable.
1. Connect an RCA patch cable from the Subwoofer or LFE output on
the processor/receiver to the single input on the Y-adapter, as shown
in Figure 11.
2. Connect an RCA patch cable from one of the outputs of the Y-adapter
to the Sub In connector on the first B1 rear panel.
3. Connect an RCA patch cable from the second output of the Y-adapter
to the Sub In connector on the second B1 rear panel.

8B1 Subwoofer
Owner’s Manual
MULTICHANNEL APPLICATIONS –
MULTIPLE SUBWOOFER OUTPUTS
WITH A SINGLE SUBWOOFER
Receiver/Preamplifier
B1 Input Panel
Subwoofer
Output
Subwoofer
Output
Figure 12: Typical connection with multiple subwoofer outputs
This configuration is for use with multichannel processors or receivers
that have more than one dedicated Subwoofer or LFE output connector.
1. Set the processor or receiver to “Mono Subwoofer.”
2. Connect the supplied RCA patch cable from one of the Subwoofer or
LFE outputs on the processor/receiver to the Sub In connector on the
B1 rear panel, as shown in Figure 12.
MULTICHANNEL APPLICATIONS –
MULTIPLE SUBWOOFER OUTPUTS
AND MULTIPLE SUBWOOFERS
Receiver/Processor
B1 Input Panel
Sub 1
B1 Input Panel
Sub 2
Subwoofer
Output
Subwoofer
Output
Figure 13: Multiple subwoofer connections
This configuration is for use with multiple B1 subwoofers and a
multichannel processor or receiver that has more than one dedicated
Subwoofer or LFE output connector.
1. Set the processor or receiver to “Mono Subwoofer.”
2. Connect the supplied RCA patch cable from one of the Subwoofer or
LFE outputs on the processor/receiver to the Sub In connector on the
first B1 rear panel, as shown in Figure 13.
3. Connect the RCA patch cable that was supplied with the second B1,
from the second Subwoofer or LFE output on the processor/receiver
to the Sub In connector on the second B1 rear panel.

9
B1 Subwoofer
Owner’s Manual
SUBWOOFER OPERATION
The rear panel of the Concerta B1 subwoofer, shown in Figure 14,
contains all of the available connectors and controls. The Input section
of the rear panel was discussed in the “Making Connections” section,
earlier in this manual. The subwoofer controls are discussed in this
section. For more information on the wireless connection option, refer to
the “Wireless Connection” section found later in this manual.
POWER INDICATOR LED
The Power Indicator LED identifies the current state of the B1 subwoofer.
The subwoofer has three different powered states – each identified by a
different color. The Power Indicator LED reflects the color of the current
power state. The color and the state each color indicates are:
Red: Standby – the B1 automatically enters Standby if no signal is
detected from the system for 10 minutes.
Green: On – as soon as a signal is detected, the B1 powers on.
Figure 14: Rear-panel controls and connectors

10 B1 Subwoofer
Owner’s Manual
SUBWOOFER LEVEL (VOLUME) CONTROL
Provides basic volume adjustment for the subwoofer. Begin with this
control set to the nominal “12 o’clock” position.
LOW-PASS FREQUENCY CONTROL
Figure 15: Rear-panel controls and connectors
Adjusts the variable 50Hz – 150Hz low-pass crossover, which
determines the highest frequency at which the B1 reproduces sounds.
Set the crossover to a lower frequency setting, between 50Hz and
100Hz, when using larger main loudspeakers that can comfortably
reproduce some low-frequency sound.
With a lower frequency setting, the B1 subwoofer concentrates on
reproducing the deep bass required by contemporary music and film
soundtracks. Set the crossover to a higher frequency, between 100Hz
and 150Hz, for smaller bookshelf loudspeakers that do not extend to the
lower bass frequencies.
If the frequency control is set too high, the bass sounds “boomy” and
can overpower the overall sound of the listening room. If the frequency
control is set too low, some low frequency sound may be difficult to
hear, or may be absent altogether.
This control has no effect when using the Sub In input or if the Low-Pass
Switch, shown in Figure 17, is set to Off (Normal) because in both cases
the receiver/processor sets the crossover frequency.
NOTE: This control does not limit the frequency range of the
main speakers in the system. The objective of adjusting the
Low-Pass Frequency control is to ensure that all frequencies
are reproduced while minimizing any overlap between the
subwoofers and the main speakers. Having both the subwoofer
and main speakers reproduce the same frequencies should
be avoided, as it results in very irregular response, since some
frequencies are reinforced when they happen to be in phase
while others are canceled because they are out of phase.
PHASE SWITCH
Figure 16: Phase switch
Compensates for the absolute phase of the subwoofer’s output relative
to the front speakers. Some associated electronics can invert the
absolute phase. Use this switch to correct such occurrences. Proper
phase adjustment can also depend on variables such as subwoofer
placement and listener position. Use this switch, shown in Figure 16, to
maximize bass output at the primary listening position.
• Select the 0° setting to set the B1 acoustic output in phase (0
degrees) with the input.
• Select the 180° setting to invert the B1 acoustic output (180 degrees)
relative to the input.

11
B1 Subwoofer
Owner’s Manual
EQUALIZATION CONTROLS
Figure 18: Equalization controls
Optimizes the subwoofer’s response for your specific listening room.
The parametric equalizer includes variable controls to adjust Frequency,
Bandwidth and Level, as shown in Figure 18.
NOTE: Specific measurement equipment is required to properly
adjust the Equalization controls. Your authorized Revel dealer can
make the appropriate measurements, using suitable equipment to
ensure optimal results.
POWER SWITCH
Connects or disconnects power from the AC input cord. During periods
of intermittent use, the Power Switch can be left on. Turn off the Power
Switch for extended periods of nonuse.
AC INPUT CORD
Provides power to the B1 through the power cord.
ROUTINE CARE & MAINTENANCE
The B1 cabinet’s finish does not require routine maintenance. However,
cabinet surfaces that have been marked with fingerprints, dust or other
dirt can be cleaned using a soft cloth. Do not use any cleaning products
or polishes on the cabinet or grille.
SPECIFICATIONS
B1 SUBWOOFER
Frequency Response +/–0.5dB in the pass-band
Low Frequency –3dB at 36Hz
Extension (Anechoic) –6dB at 32Hz
–10dB at 29Hz
Maximum Amplifier Output 20Hz – 150Hz with no more than
0.1% THD, 250W RMS, 300 dynamic
Low-Pass Crossover
Frequencies
50Hz – 150Hz, 24dB/octave,
continuously variable
Power Requirements 120V – 60Hz, 2AMP
220 – 240V -50/60Hz AMP
Height 17-3/4" (45.0cm), including feet
Width 15-3/4" (40.0cm)
Depth 14" (35.6cm) with grille
Weight 51 lb (23.15kg)
Features, specifications and appearance are subject to change
without notice.
WARRANTY
Revel Series speakers are warranted against defects. The duration of
the speaker’s warranty depends on the laws in the country in which it
was purchased. Your local Revel retailer can help you determine the
length of your warranty.

HARMAN International Industries, Incorporated
8500 Balboa Boulevard, Northridge, CA 91329 USA
© 2014 HARMAN International Industries, Incorporated. All rights reserved.
Revel and the Revel logo are trademarks of HARMAN International Industries, Incorporated,
registered in the United States and/or other countries.
Nomex is a registered trademark of E. I. du Pont de Nemours and Company.
Features, specifications and appearance are subject to change without notice.
For questions, assistance or additional information concerning any of our products,
call us at: (888) 691-4171. For technical support, submit your detailed inquiry to: [email protected].
Part No. 950-0507-001 Rev: A www.revelspeakers.com
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