RODE Microphones NT5 Manual

NT5
Instruction Guide
(EMC, LVD)
✔
STUDIO CONDENSER MICROPHONES
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Peter Freedman
Microphones
This condenser microphone has been proudly
designed and manufactured by
Microphones in Sydney, Australia.
We at thank you for investing in our
product and with the appropriate care, it will serve
you well for many years to come.
Please take the time to read the following
information which will help you to achieve the
best possible performance from your NT5.
Serial Number:..........................................
Checked by:..............................................
Date:..........................................................
NT5
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SPECIFICATIONS:
Capsule: Externally polarised 1/2”
(13mm) pressure-gradient
condenser.
Active Electronics: J-FET Impedance converter
with bipolar output buffer.
Pickup Patter: Cardioid (see graph).
Frequency Response: 20Hz to 20kHz (see graph)
Sensitivity: -38 dB re 1v/Pa +/- 2dB
equivalent to 12mV/Pa where
1 Pa = 94 dB SPL.
Equivalent Noise: <16dB SPL (A-weighted per
IEC268-15)
Maximum Output: +13.9 dBu @ 1% THD into 1k
Dynamic Range: >128 dB
Maximum SPL: 143 dB @ 1% THD into 1k
Signal/Noise Ratio: 78 dB
Power Requirements: P48, P24, P12 phantom or 9V
Battery.
Packed Weight: 1.8kg (Mic only 100g)
Dimensions: Diameter: 20mm
Length: 118mm
FREQUENCY RESPONSE
POLAR PATTERN
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FEATURES:
• Full (externally biased) Condenser
• Gold sputtered 1/2” capsule
• Heavy duty satin-nickel-plated body
• Surface mount technology.
• Low noise
• Full frequency response
• Custom WS5 Wind Shield
• Custom RM5 Stand Mount
• Supplied as a matched pair in Custom Carry Case.
ACCESSORIES INCLUDED:
• RM5 Stand Mount x 2 plus 3/8”x5/8”Thread Adaptor x 2
• WS5 Wind Shield x 2
• Custom Carry Case
1. The NT5 requires a power supply which for
optimum results should be a ‘P48’ standard,
48 Volt DC Supply.
Most professional mixing consoles have an
internal 48V supply; alternatively you can
purchase a separate supply. Ensure that the
power supply you use is a professional unit
that is operating correctly. Damage due to
connection of the NT5 to a faulty power
supply is not covered by guarantee.
2. The NT5’s come complete with a microphone
stand-mount (RM5). This should be used to
attach the microphone to a good quality
stand. The stand-mount includes a thread
adaptor allowing connection to either 3/8” or
5/8” stand thread.
3. When first connecting an NT5 to a mixing
console, we suggest that you have the gain
control adjusted to full attenuation.
4. Please make all cable connections before
applying power to the microphone, and never
remove the microphone cable while the power
is connected. Ensure that the microphone
cable is connected Pin2 +, Pin 3 – and Pin 1
Earth (Ground).
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5. Switch on the Power Supply/Mixer. The
microphone will take about six seconds to
stabilize.
6. Adjust the mixer gain so that the Peak light
flashes on the peaks of the ‘program source’
to be recorded (Instrument or voice).You are
now ready to use the NT5.
7.Microphone technique or‘how’to get the sound
you want, requires experimentation. We
suggest that you start with the channel EQ set
to OFF or FLAT (no boost or cut). Try to get
the sound you want by placing either reflective
or absorbent panels at various angles
adjacent to the source being recorded.
Changing the acoustic properties of the space
the microphone is in is our recommended
initial approach for obtaining the best sound
quality. (Remember, you cannot change a
rooms acoustic properties with EQ).
When you have the best sound quality
achievable with this approach, then
equalization and effects such as reverb, or
indeed any other signal-processing can be
used for enhancement, but should be used
sparingly.
This user manual is not intended as a lesson
in microphone and recording technique; many
excellent publications are available with that
objective, but please note that whether using
NT5’s in mono, or stereo, as overheads, or for
close mic’ing, there is no substitute for
experimentation in achieving optimum
positioning.
Move the NT5’s, adjust the gains, and
ensure that the sound you are monitoring
is the sound you prefer. If it is not, make
adjustments.
The NT5’s frequency response and SPL
handling enable it to respond well to most
musical instruments and with correct use, we
are confident of your satisfaction.
It is important that you listen to the sound
source naturally before you begin mic set up
for recording (ears only). If you don’t like what
you hear, you won’t like what you record!
A bad sounding guitar, voice or drum will
record that way!
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Some tips that may be helpful:
1. Condenser microphones do not like moisture!
The NT5, like all studio microphones, should
be kept dry at all times.
2. This microphone is a precision transducer
and should be cared for as such. Dropping, or
knocking the NT5 could damage it so please
take care. Fix the microphone securely to a
dedicated microphone stand using the Stand
Mount (RM5) supplied.
3. After use, the NT5 should be removed from its
stand, wiped with a dry soft cloth and placed
in its case. Be sure to place the pack of
moisture-absorbent crystals (silica gel) at the
head of the microphone. The crystals will
absorb any moisture present. Eventually this
pack will need to be dried. When the crystals
have turned pink, the pack should be placed
in an oven set to between 100-150 degrees C.
They will be activated when they have turned
blue.
Note: There are no user-serviceable parts inside
this microphone and so there will never be a
reason for you to dismantle it. To protect your
warranty, any service that requires dismantling
must be performed by a qualified service
agent.
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Warranty Service:
All products are warranted for one
year from date of purchase.The warranty card or
on-line registration (www.rodemic.com) should be
used to register your microphone.
The warranty covers parts and labour that may be
required to repair the microphone during the
warranty period. The warranty excludes defects
caused by normal wear, modification, shipping-
damage, or failure to use the microphone as per
the instruction guide.
If you experience any problems, or have any
questions regarding your microphone,
first, contact the Dealer who sold it to you.
International: Tel: [phone]
Fax: [phone]
Email: worldsuppor[email protected]
Australia: Tel: [phone]
Fax: [phone]
Email: ozsuppor[email protected]
U.S.A. Microphones LLC
Tel: [phone]
Fax: [phone]
Email: usasuppor[email protected]
Website: www.rodemic.com
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