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  9. Roland M-160 II User manual

Roland M-160 II User manual

16500
OWNER'S
MANUAL
Roland
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90199097
ATTENTION
:
nisaue
ve
choc
ELECTRIQUE
NE
PAS
OUVRIA
CAUTION:
TO
REDUCE
THE
RISK
OF
ELECTRIC
SHOCK,
DO
NOT
REMOVE
COVER
(OR
BACK).
NO
USER-SERVICEABLE
PARTS
INSIDE.
REFER
SERVICING
TO
QUALIFIED
SERVICE
PERSONNEL.
()
for-Vena
re)
()
RISK
OF
ELECTRIC
SHOCK
BO
NOT
OPEN
The
lightning
flash
with
arrowhead
symbol,
within
an
equilateral
triangle,
is
intended
to
alert
the
user
to
the
presence
of
un-
insulated
“dangerous
voltage”
within
the
product's
enclosure
that
may
be
of
sufficient
magnitude
to
constitute
a
risk
of
electric
shock
to
persons.
The
exclamation
point
within
an
equilateral
triangle
is
intended
to
alert
the
user
to
the
presence
of
important
operating
and
maintenance
(servicing)
instructions
in
the
literature
accom-
panying
the
product.
IMPORTANT
SAFETY
INSTRUCTIONS
WARNING
—
When
using
electric
products,
basic
precautions
should
always
be
followed,
including
the
following:
.
Read
all
the
instructions
before
using
the
product.
2.
Do
not
use
this
product
near
water
—
for
example,
near
a
bathtub,
washbow/l,
kitchen
sink,
in
a
wet
basement,
or
near
a
swimming
pool,
or
the
like.
.
This
product
should
be
used
only
with
a
cart
or
stand
that
is
recommended
by
the
manufacturer.
.
This
product,
either
alone
or
in
combination
with
an
amplifier
and
headphones
or
speakers,
may
be
capable
of
producing
sound
levels
that
could
cause
permanent
hearing
loss.
Do
not
operate
for
a
long
period
of
time
at
a
high
volume
level
or
at
a
level
that
is
uncomfortable.
If
you
experience
any
hearing
loss
or
ringing
in
the
ears,
you
should
consuit
an
audiologist.
.
The
product
should
be
located
so
that
its
location
or
position
does
not
interfere
with
its
proper
ventilation.
.
The
product
should
be
located
away
from
heat
sources
such
as
radiators,
heat
registers,
or
other
products
that
produce
heat.
.
Avoid
using
the
product
where
it
may
be
affected
by
dust.
.
The
product
should
be
connected
to
a
power
supply
only
of
the
type
described
in
the
operating
instructions
or
as
marked
on
the
product.
9.
15.
The
power-supply
cord
of
the
product
should
be
unplugged
from
the
outiet
when
left
unused
for
a
long
period
of
time.
.
Do
not
tread
on
the
power-supply
cord.
.
Do
not
pull
the
cord
but
hold
the
plug
when
unplugging.
.
When
setting
up
with
any
other
instruments,
the
procedure
should
be
followed
in
accordance
with
instruction
manual.
.
Care
should
be
taken
so
that
objects
do
not
fall
and
liquids
are
not
spilled
into
the
enclosure
through
openings.
.
The
product
should
be
serviced
by
qualified
service
per-
sonnel
when:
A.
The
power-supply
cord
or
the
plug
has
been
damaged;
or
Objects
have
fallen,
or
liquid
has
been
spilled
into
the
product;
or
The
product
has
been
exposed
to
rain;
or
The
product
does
not
appear
to
operate
normally
or
exhibits
a
marked
change
in
performance;
or
The
product
has
been
dropped,
or
the
enclosure
dam-
aged.
Do
not
attempt
to
service
the
product
beyond
that
described
in
the
user-maintenance
instructions.
All
other
servicing
should
be
referred
to
qualified
service
personnel.
m
900
®
SAVE
THESE
INSTRUCTIONS
WARNING:
For
the
U.K.
THIS
APPARATUS
MUST
BE
EARTHED
IMPORTANT:
THE
WIRES
IN
THIS
MAINS
LEAD
ARE
COLOURED
IN
ACCORDANCE
WITH
THE
FOLLOWING
CODE.
GREEN-AND-YELLOW:
EARTH,
BLUE:
NEUTRAL,
BROWN:
LIVE
As
the
colours
of
the
wires
in
the
mains
lead
of
this
apparatus
may
not
correspond
with
the
coloured
markings
indentifying
the
terminals
in,
your
piug
proceed
as
follows:
The
wire
which
is
coloured
GREEN-AND-YELLOW
must
be
connected
to
the
terminal
in
the
plug
which
is
marked
by
the
letter
E
or
by
the
safety
earth
symbol
Q
or
coloured
GREEN
or
GREEN-AND-YELLOW.
The
wire
which
is
coloured
BLUE
must
be
connected
to
the
terminal
which
is
marked
with
the
letter
N
or
coloured
BLACK.
The
wire
which
is
coloured
BROWN
must
be
connected
to
the
terminal
which
is
marked
with
the
letter
L
or
coloured
RED.
The
product
which
is
equipped
with
a
THREE
WIRE
GROUNDING
TYPE
AC
PLUG
must
be
grounded.
Thank
you
for
purchasing
the
Roland
M-160II.
The
M-160II
is
a
compact
yet
versatile
and
high-quality
16
channel
line
mixer.
To
get
the
most
out
of
your
M-160II,
please
read
this
owner’s
manual
carefully
and
keep
it
handy
so
you
can
refer
to
it
as
necessary.
mM
FEATURES
@
4U
rack-mount
16-channel
mixer
with
line
inputs.
@
Wide
range
of
input
levels:
channels
1
and
2
are
mic
level
(-50
dBm),
and
the
others
are
adjustable
in
a
range
from
-30dBm
to
professional
line
level
(+4
dBm).
®
Four
independent
SEND
and
stereo
RETURN
jacks,
with
switchable
pre/post
fader
AUX
jacks
that
can
be
used
in
effects
loops
or
for
monitoring.
®
Separate
MONITOR
OUT
and
MASTER
OUT
jacks
allowing
independent
volume
control
of
these
signals.
@
A
MONITOR
IN
jack
lets
you
hear
the
tempo
click
from
a
sequencer
through
the
MONITOR
OUT
jacks
or
headphone
jack
(PHONES).
@
New
signal
routing
design
and
components
for
optimum
sound
quality,
in
the
tradition
of
Roland
M-series
mixers.
@
Balanced
XLR
type
connectors
for
professional
use.
@
Peak
Signal
Indicators
for
each
channel,
and
a
Peak
Meter
and
Pre-Fader
Indicator
in
the
Master
section
for
fast
and
accurate
monitoring
of
levels.
Copyright
©
1992
by
ROLAND
CORPORATION
All
rights
reserved.
No
part
of
this
publication
may
be
reproduced
in
any
form
without
the
permission
of
ROLAND
CORPORATION.
TABLE
OF
CONTENTS
|
TLE}
1)
|
-¢e
3
MIimportant
Notes...
eee
5
Block
Diagram
and
Signal
Flow......
7
1.
Channel
Section...
ccecseeceseeeesees
7
2.
Master
Section
eee
/
[Inputs]
SSRETUC
2.
cessiszeconed
te
tasetesscee
tected
Nake
aeteie
ee
Seeeta
7
b.
Monitor
In
7
[Outputs]
c.
Master
Out
8
d.
Monitor
Out...
8
e.
Effect
Send....
8
f.
AUX
Send......
8
GEPNONES
sas
sseccicceeckid
aa
cdssciar
ices
bavecsdsvotienieneawee
8
Panel
Descriptions
wu...
9
1.
Channel
Section...
cesecesseeeeescees
9
2.
Master
Section
............cccccsesseseeseeseeeeees
10
3.
Rear
Panel
Connections
and
Operation...
MBasic
Procedure
..0....
cee
eeceeeeseeeteeeteeceeees
1.
Basic
Setup
with
a
Microphone,
Electronic
Musical
Instrument,
Audio
Equipment,
ete.
«00.0.0...
eee
14
@
Mixing
a
Microphone,
Electronic
Musical
Instrument,
Audio
Equipment,
etc..........
14
2.
Setup
Example
with
Effects
Device
..........
16
wEffects
processing
with
a
delay,
ROVOlD,
“ORC
sicccesctssecuscsdassvestancdscese
dessus
seccdaecass
16
3.
Monitoring
(Foldback)
with
AUX
output
oe
eeceeeeerrenee
17
4.
Monitoring
using
the
MONITOR
OUT.......
18
Level
Diagram
oc
eeeeeee
19
Input/Output
Standard
0.
20
[6]
Specifications
.......cccccccccccccssssssssecssessseceseen
21
INFOPMATION
v.ccerciccceccsssscatcscaeccnsvcsssonsessrsreevnaressoasenss
22
important
Notes
In
addition
to
the
items
listed
under
Safety
Precautions
on
page
2,
please
read
and
adhere
to
the
following:
[Power
Supply]
[Placement]
[Maintenance]
@
When
making
any
connections
with
other
devices,
always
turn
off
the
power
to
all
equipment
first;
this
will
help
prevent
damage
or
malfunction.
@
Do
not
use
this
unit
on
the
same
power
circuit
with
any
device
that
will
generate
line
noise,
such
as
a
motor
or
variable
lighting
system.
@
Using
the
unit
near
power
amplifiers
(or
other
equipment
containing
large
transformers)
may
induce
hum.
@
This
unit
may
interfere
with
radio
and
television
reception.
Do
not
use
this
unit
in
the
vicinity
of
such
receivers.This
unit
may
interfere
with
radio
and
television
reception.
Do
not
use
this unit
in
the
vicinity
of
such
receivers.
@
Do
not
expose
this
unit
to
temperature
extremes
(eg.
direct
sunlight
in
an
enclosed
vehicle
can
deform
or
discolor
the
unit)
or
install
it
near
devices
that
radiate
heat.
@
For
everyday
cleaning
wipe
the
unit
with
a
soft,
dry
cloth
(or
one
that
has
been
slightly
dampened
with
water).
To
remove
stubborn
dirt,
use
a
mild
neutral
detergent.
Afterwards,
be
sure
to
wipe
the
unit
thoroughly
with
a
soft,
dry
cloth.
@
Never
use
benzene,
thinners,
alcohol
or
solvents
of
any
kind,
to
avoid
the
risk
of
discoloration
and/or
deformation.
[Additional
Precautions]
©
Protect
the
unit
from
strong
impact.
®
Never
strike
or
apply
strong
pressure
to
the
display.
@
A
small
amount
of
heat
will
radiate
from
the
unit,
and
thus
should
be
considered
normal.
®
Before
using
the
unit
in
a
foreign
country,
consult
with
qualified
service
personnel.
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PANEL
DESCRIPTIONS
1.
Channel
Section
)
O-nuammsans
“mr
—
do
a
NwsaamsHos
«lm
——
i
OK
NwWeDTraUSs
«om
@)
Peak
Signal
Indicator
(PEAK/SIGNAL)
These
indicators
will
be
green
when
signals
are
fed
into
the
CHANNEL
INPUT
jacks.
The
indica-
tors
become
red
if
the
signal
level
is
excessive.
In
other
words,
indicators
are
green
when
the
signal
level
is
-24dB
of
nominal
level
after
passing
the
input
sensitivity
circuits,
and
red
at
-6dB
of
the
clipping
level.
(@)
SENS
Knob
Use
this
knob
to
adjust
the
input
sensitivity
according
to
the
level
of
the
incoming
signal.
The
appropriate
position
of
this
knob
is
the
point
at
which
the
PEAK/SIGNAL
Indicator
is
green,
and
red
only
on
the
highest
input
peaks.
If
the
PEAK/SIGNAL
Indicator
does
not
light
at
all
with
a
signal
present,
set
the
SENS
Knob
higher
or
increase
the
input
level.
*Channels
1
and
2
have
rated
inputs
of
-50
to
+4dBm
which
are
approprite
input
sensitivi-
ties
for
microphone
level,
while
Channels
3
to
16
have
-30
to
+4
dBm
rated
input
appropriate
for
line
level.
PEAK
SIGUL
SENS
18
44
~50
EFF
4
i)
10
EFF
2
Oo:
EFF
3
i?)
10
o:
AUX
AUX
|
&
a
Q
10
PAN
PAN
L
107"
10
ALL
10 10
ALL
10
OeVHRAIHVAGS
@)
Effect
Volume
Knobs
(EFF
1-3)
These
knobs
contro!
the
level
of
the
signals
being
sent
to
the
Effect
Send
jacks.
*The
signal
to
be
sent
to
the
Effect
Send
jacks
is
extracted
after
the
Channel
Fader
(Post-
fader).
@
AUX
Volume
Knobs
These
knobs
adjusts
the
level
of
the
signals
to
be
sent
to
AUX
Send.
*You
can
select
the
point
at
which
the
signals
sent
to
AUX
Send
are
extracted
using
the
AUX
Select
Switch.
(6)
Panpot
Knob
(PAN)
This
sets
the
placing
of
the
sound
imaging
in
stereo
sound
field.
At
the
center
position,
the
volumes
of
L
and
R
are
equal.
©
Channel
Fader
These
knobs
contro!
the
overall
level
of
each
channel's
signal
before
being
sent
to
the
Master
section.
*The
nominal
output
of
the
Channel!
Fader
is
obtained
when
it
is
set
to
“10”.
10
2.
Master
Section
MASTEA
Rolanel
MMIBOI
titer
6
os-nruwnamnrwroe
(@)
Master
Peak
Meter
(PEAK
METER)
This
is
a
peak-reading
meter
that
indicates
the
output
level
from
the
MASTER
OUT
jacks.
At
OdB,
the
standard
level
(+4
dBm)
is
output
from
the
MASTER
OUT
jacks.
@)
Pre-fader
Signal
Indicators
(PRE
FADER
SIG)
These
can
be
used
to
observe
the
output
levels
of
the
amplifiers
where
signals
from
Channels
are
mixed.
The
position
where
the
signals
are
read
is
Pre
Master
fader
(before
the
Master
fader),
When
it
is
equal
to
the
rated
level
~20
dB,
the
indicator
lights
in
green,
and
when
it
is
clipping
level
-6dB,
it
lights
in
red.
@)
Master
Faders
These knobs
adjusts
the
overall
output
level
at
the
MASTER
OUT
jacks.
*The
nominal
output
level
is
obtained
when
the
Master
Fader
Knob
is
set
to
“8”.
@)
Return
Volume
Knobs
(RTN
1-4)
These
knobs
adjusts
the
level
of
the
signal
fed
into
the
RETURN
jacks.
()
Monitor
Out
Volume
Knob
(MON
QUT)
This
knob
adjusts
the
output
level
of
the
signal
from
the
MONITOR
OUT
jacks.
This
signal
is
a
mix
of
the
Master
signal
(pre-Master
Faders)
and
the
signal
from
the
MONITOR
IN
jack.
©
Effect
Send
Volume
Knobs
(EFF
1-3)
These knobs
control
the
final
output
level
of
the
effect
signal
of
each
channel.
The
signal
is
extracted
after
the
Channel
Fader
Knob
(Post-
fader).
*
The
nominal
output
of
the
Effect
Send
Volume
is
obtained
when
it
is
set
to
“8”.
@
AUX
Send
Volume
This
knob
controls
the
final
output
level
of
the
AUX
signai
of
each
channel.
The
AUX
Select
Switch
can
be
used
to
switch
between
Pre-fader
or
Post-fader
signals
(i.e.,
the
signal
before
or
after
going
through
the
Channel
Fader).
*
The
nominal
output
level
is
obtained
when
the
AUX
Send
Volume
is
set
to
“8”.
AUX
Select
Switch
This
switch
selects
the
point
at
which
the
signal
to
be
sent
to
the
AUX
Send
is
extracted
from
the
signal
path.
In
the
PRE
(pre-fader)
position,
the
signal
is
extracted
before
the
Channel
Fader.
In
the
POST
(post-fader)
position,
the
signal
is
taken
after
the
Channel
Fader.
(@)
Headphone
Volume
Knob
(PHONES)
This
knob
controls
the
output
level
of
the
signal
sent
to
the
Headphone
jack.
Headphone
Jack
(PHONES)
Connect
stereo
headphones
to
this
jack.
*The
signal
sent
to
the
headphone
jack
is
the
same
as
that
sent
to
the
MONITOR
OUT
jacks.
()
Power
indicator
This
lights
(red)
when
the
mixer
is
switched
on.
(2
Power
Switch
Press
this
switch
to
turn
the
unit
on
and
off.
*
Before
switching
the
mixer
on
or
off,
set
the
Master
Fader
to
“0”.
*
After
the
mixer
is
switched
on,
the
muting
circuits
work
for
approx.
4
seconds
and
there-
fore
no
sound
will
be
heard.
11
3.
Rear
Panel
@)
CHANNEL
INPUT
Jacks
@
Effect
Send
Jacks
(EFF
1-3)
Channels
1
and
2
are
for
connecting
micro-
Signals
to
be
processed
are
sent
to
the
desired
phones,
musical
instruments,
etc.
Channels
3
effects
device
from
these
jacks.
to
16
are
for
devices
with
line
level
and
musical
instruments.
6)
AUX
Send
Jacks
Signals
to
be
sent
to
an
effects
device
or
*This
mixer
uses
an
unbalanced
input
system.
;
:
monitor
are
output
from
these
jacks.
(2)
Return
Level
Switch
(LEVEL)
These
switches
controls
the
input
level
(+4
dBm
©
MONITOR
IN
Jacks
or
-20
dBm)
of
the
return
1,
2
signal
depending
These
are
the
jacks
for
a
signal
(e.g.
click
sound
on
the
unit
or
device
used.
of
a
sequencer)
which
is
to
be
output
only
to
the
MONITOR
OUT
jacks
or
PHONES
jack.
8)
RETURN
Jacks
1-4
There
are
two
MONITOR
IN
jacks
for
stereo
signals;
mono
signals
can
be
input
by
using
These
jacks
receive
the
return
signal
from
an
:
only
the
L
jack.
effects
device.
They
can
also
be
used
as
auxiliary
inputs.
The
RETURN
jacks
consist
of
*The
MONITOR
IN
signal
is
not
sent
to
the
stereo
pairs
but
can
be
used
in
mono
by
using
MASTER
OUT
jacks.
the
L
(MONO)
side
only.
®
MONITOR
OUT
Jacks
These
jacks
output
pre-fader
signals
from
MAS-
TER
OUT
or
the
signals
from
MONITOR
IN.
This
output
consists
of
a
stereo
pair,
but can
be
used
in
mono
by
using
the
L
(MONO)
side
only.
MASTER
OUT
Jacks
These
jacks
are
for
connection
to
a
power
amplifier
which
ultimately
drive
the
house
speaker
systems
(or
stage
monitors,
etc.).
The
jacks
output
the
combined
(mixed)
signal
from
Channel
inputs,
RETURN
jacks.
()
MASTER
OUT
Connector
This
is
an
XLR
type
(balanced
type)
connector
for
connection
to
a
power
amplifier,
etc.
*
The
MASTER
OUT
jacks
(standard
1/4"
phone
jack)
and
MASTER
OUT
connectors
(XLR
type)
can
be
used
simultaneously.
*
There
are
two
types
of
pin
assignments
for
XLR
type
connectors;
American
and
Euro-
pean.
This
mixer
adopts
the
American
system;
1st:
ground,
2nd:
cold,
3rd:
hot.
Before
connecting
the
mixer
to
another
unit,
confirm
compatibility
of
pin
assignments.
13
[3|Connections
and
Operation
m
Basic
Procedure
CG)
Make
sure
that
the
mixer
is
switched
off,
then
connect
the
power
cord
to
an
AC
outlet.
@
Connect
all
of
the
desired
instruments
and
equipment
to
the
M-160II
(Refer
to
connections
diagram).
@
For
each
input
channel
used,
set
the
PAN
knob
to
the
“center”
position,
the
SENS
knob
to
“+4”
and
all
the
other
knobs
to
the “0”
positions.
@
Ensure
that
all
the
connections
are
correctly
and
securely
made.
Switch
on
all
the
connected
equipment
first,
then
the
M-160I],
and
finally
the
power
amplifier.
(Power
down
in
the
reverse
order.)
1.
Basic
Setup
With
a
Microphone,
Electronic
Musical
Instrument,
Audio
Equipment,
etc.
™@
Mixing
a
microphone,
electronic
musical
instrument,
audio
equipment,
etc:
Keyboard,
Piano,
Sound
Module
etc.
Dds
Oa
Audio
Equipment
Microphone
E-30,
E-§
ete
CD
Player,
}
DR-45
.
:
:
\Laser
Disc
Player
etc.
DR-15
etc.
Graphic
Equalizer
E-131,
£231,
a
=
wa
€-215
etc.
Power
Amplifier
[Season
|
SRA-2400
SRA-5000
etc.
Speaker
System
DA-1500
SRS-120
SST-120
etc.
14
@)
While
the
connected
device
is
playing,
set
the
Channel
Fader
to
about
“7.”
@)
Raise
the
Master
Fader
to
an
appropriate
level.
@)
Adjust
the
volume
of
each
connected
device
using
the
SENS
Knob
in
each
channel.
*“Appropriate
level”
means
the
Peak
Signal
Indicator
stays
green
most
of
the
time,
with
occasional
red
flashes
indicating
peaks.
@)
Position
the
sound
of
each
instrument
within
the
stereo
sound
field
by
using
the
PAN
knob
of
each
channel.
(6)
Adjust
the
relative
volume
of
each
instrument
by
using
the
Channel
Fader
knob
of
each
chan-
nel.
©
If
necessary,
readjust
the
overall
volume
with
the
Master
Fader
knob.
*
If
the
Peak
Signal
Indicator
or
Pre-Fader
Signal
Indicator
flashes
red
too
frequently,
lower
the
SENS
Knob
by
rotating
it
counterclockwise.
15
16
2.
Setup
Example
With
Effects
Device
WEffect
Processing
with
a
Delay,
Reverb,
etc.
peeecu™|
Effects
Device
(RSP-550
etc.)
ibs
Sn
=
SSS
ae
oO)
aitintioe
i)
|
@)
Raise
the
Effect
Volume
Knob
(1-3)
of
the
desired
channel
(s)
to
an
appropriate
level.
@
adjust
the
overall
output
level
with
the
Effect
Send
Volume
Knob
in
the
Master
Section.
@)
Adjust
the
level
of
the
signal
returned
from
the
effect
device
using
the
Return
Volume
Knob
(1
-
4).
Ay
ies
AN
<u)
Graphic
Equalizer
E-131, E-231,
E-216
etc.
Power
Amplifier
SRA-1200
SRA-2400
SRA-5000
etc.
Speaker
System
SRS-120
etc.
*
The
direct
sound
is
processed
within
the
mixer,
so
return
only
the
processed
signal
to
the
mixer.
*
The
signal
for
the
Effect
Send
will
be
taken
after
passing
the
Channel
Fader.
*
To
connect
more
effect
units,
set
the
AUX
Select
Switch
to
the
“POST”
position,
making
the
AUX
Send
Volume
work
just
like
an
Effects
Send
Volume.
*
If
you
insert
an
equalizer
between
the
mixer
and
a
power
amplifier,
you
can
control
the
overail
tone
quality
of
the
mixer’s
output.
3.
Monitoring
(Foldback)
with
AUX
outputs
:
e'OF
.
'p'p'O
‘pO
Fe
q
1
QO
®)
ee
€
>
.
‘
Sa.
4
wf
py!
Se
sum
7
sre
16,616,
616,616,6--
Graphic
Equalizer
tee
aot
E-215
etc.
Power
Amplifier
SRA-804
SRA-1200
SRA-2400
etc.
Speaker
System
(
DA-800
@)
Press
the
AUX
Select
Switch
in
the
Master
section
(set
it
to
“PRE”).
@
Rotate
the
AUX
Volume
Knob
of
each
channel
to
adjust
the
volume
of
the
monitor
signal.
@)
Adjust
the
overall
volume
with
the
AUX
Send
Volume
Knob
in
the
Master
section.
SRS-80
oe
*Regardless
of
the
position
of
the
Channel
Fader
and
Master
Fader
Knobs,
you
can
adjust
the
balance
of
the
monitor
signal.
*By
inserting
an
equalizer
or
a
limiter
(etc.)
between
the
mixer
and
power
amplifier,
you
can
obtain
additional
control
over
the
mixer’s
out-
put.
7
18
4.
Monitoring
using
the
MONITOR
OUT
:
a
ss
sis.
oa)
lo
(oO
1S
SS
Se
Se
co
4
‘ee
ceo
cy
D0.00.0'8'a
ost
ao
ae
(a!
B:
“e
eae
ae
.
gE
Se
BE
.
= =
1
Monitor
Amp.
(au
(BOSS)
etc.
Speaker
System
DA-800
SRS-80
etc.,
@)
Adjust
the
volume
of
each
channel,
then
adjust
the
monitor
volume
with
the
Monitor
Out
Volume
Knob
(MON
OUT).
@
To
connect
a
device
(e.g.
the
Metronome
Output
jack
on
a
sequencer)
to
the
MONITOR
IN
jack,
adjust
the
output
level
on
the
connected
device
to
contro!
the
volume
balance
with
the
signals
sent
from
each
channel.
|
Power
Amplifier
SRA-804
SRA-1200
SRA-2400
etc.
*
Signals
fed
through
the
MONITOR
IN
jacks
are
not
sent
to
the
MASTER
OUT
jacks.
*
The
Peak
Meter
does
not
monitor
the
signals
sent
from
the
MONITOR
OUT
jacks.
*
You
can
adjust
the
monitor
volume
regardless
of
the
position
of
the
master
fader.
*
By
inserting
an
equalizer
or
a
limiter
(etc.)
Level
Diagram
Wut
apenas
Bi,
ere
He
foes
RINS~2
TUAN!-2
|]
:
a>
i
[-20/+4d
Be}
(+4/4+250B)
RTNG-4
FETS
ONTTOR
In[
Zi
as>
Od6
TOR
IN
EFF,
AUX
POST
AUX
PRE
x
Be
eS
7)
=
x
SB
:
i
or
PRE
FADER
SIG
MASTER
{-6¢8)
(+4008)
(+4008)
WASTER
GUT
e
WONITOR
OUT
PHONES
od}
EFF
SEN
.
)
AUX
SEND
OdBm=0.775V
19
20
Input/Output
Standard
@
Input
Standard
Input
Jack
Input
Nomina!
Input
Recommended
P
Sensitivity
|
Input
Level
Impedance
Source
Impedance
-56
dBm
-50
dBm
CHANNEL
(1.23
mv)
|
(2.45
mv)
10
kQ
1kQ
or
Less
INPUT
(SENS=MAX)
-36
dBm
-30
dBm
CH3
to
16
(12.3
mv)
|
(24.5
mV)
20
kQ
2kQ
or
Less
RTN
3,
4
-2
dBm
+4dBm
7
kQ
(STEREO)
1kQ
or
Less
(STEREO)
y
(615
mV)
(1.23
V)
3.5kQ
(MONO)
|
1kQ2
or
Less
(MONO)
RTN
1,
2
-26
dBm
-20
dBm
20
KQ
(STEREO)
|
2kQ
or
Less
(STEREO)
(LEVEL=-20
dBm)
|
(38.8mV)
|
{77.5mV)
|
10kQ
(MONO)
1kQ
or
Less
(MONO)
RETURN
-16
dBm
-10
dBm
10
kQ
(STEREO)
|
1kQ
or
Less
(STEREO)
Meee
(123
mV)
(245
mV)
5
kQ
(MONO)
1kQ
or
Less
(MONO)
m@
Output
Standard
MASTER
OUT
|
+4dBm*!
|
+20dBm*?
XLR
Type
(BALANCED)
(1.23V)
(7.75V)
600.2
or
greater
|
¥1.A.3.32
Type)
+4dBm
+20
dBm
(1.23
V)
(7.75
V)
3kQ
or
greater
PHONE
+4dBm
+20
dBm
1kQ
(STEREO)
|
10kQ
or
greater
(STEREO)
(1.23
V)}
(7.75
V)
500
2
(MONO)
5kQ
or
greater
(MONO)
+4dBm
+20
dBm
(1.23
V)
(7.75
V)
300
Q
3kQ
or
greater
STEREO
%2
—_
100
W+100m
W
100
Q
8Q
or
greater
PHONE
@
0
dBm=0.775
Vrms
*t:
60092
Loaded
*2;
Both
Channel
100Q
Loaded

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