
Theory of operation
This transceiver is a single PC-board design measuring
2.8” x 4.0” (7 x 10 cm). It features VFO operation with a
35- kHz tuning range, as well as QSK (full break-in)
operation. Let’s take the 50-cent tour:
The receiver’s RF input is applied to U1 through T1 and
C1, which provide a bandpass filter tuned to 10.1 MHz.
T1’s secondary winding provides roughly unity gain into
U1 to minimize overload (IMD). U1 provides about
13dB of gain in this configuration, and converts the RF
input to the IF frequency of 7.68 MHz. The L-network
(C11 and RFC1) following the mixer serve to step the
mixer output impedance down to the crystal filter’s design
value. Note that C12 and RFC1 appear to be
‘transposed’; this reflects the board’s physical layout.
The crystal filter itself uses 3 crystals. Loss through the
filter is less than 2 dB, and with the component values as
shown, the -6 dB bandwidth is about 700 Hz. Despite the
filter’s low parts count, performance is adequate when
combined with the AF section’s selectivity. The
unwanted sideband image is down about 30 dB at the
audio chain’s 800 Hz peak response frequency.
The filter output is terminated in a 470Ωresistor at the
input to U3, the product detector stage. U3 converts the
7.68 MHz IF signal to audio and contributes another 13
dB of gain. BFO crystal Y4 has been selected to match
the IF filter frequency, so there’s no BFO frequency
trimming needed. The .033uF capacitor across pins 4 and
5 of U3 provides the first measure of audio low-pass
filtering.
The two sections of U4 each provide roughly 30 dB of
amplification. The first section is configured as a
differential amplifier to make use of U3’s differential
output and rolls off the audio response above 1.5 KHz.
Diodes D3 and D4 serve to limit the audio swing during
transmitter key-down to reasonable values. Without these
diodes, this stage saturates and upsets the operation of the
following FET switch section.
The AF mute function is the familiar series FET switch
popularized by W7EL. Despite its relative simplicity, it’s
hard to beat this circuit for click-free audio switching. In
the “key-up” condition the FET is zero-biased and acts
like a resistance of several hundred ohms. In the “key-
down” condition the FET is in cutoff (because the gate is
now 7-8 volts below the source) and acts like an open
circuit, preventing audio from getting to U4B, the audio
final stage. This stage is configured as a bandpass filter
centered at 800 Hz. The high gain of the two AF
amplifier stages (64 dB total) allows a design with no IF
amp stage. The audio output level is adequate to drive
headphones, but it won’t do the job for loudspeaker
applications. The AF output stage internally overcurrent-
limits on loud signals to provide a ready-made ear
protection function. If you’re interested in saving at
least 5 milliamps on receive, U4 may be replaced by an
LMC662 (available from Digikey). This suggestion is
courtesy of Mitch Lee and Dennis Monticelli, from their
excellent article, “Revisiting the 40-40” in the ARRL’s
‘QRP Power’. Use good quality low-impedance
headphones for best results. “Walkman” headphones are
fine, but remember – you get what you pay for. The 3-
dollar bargains are distinctly inferior!
QSK: The T-R switch function is provided by C40 and
RFC3, which form a series-resonant circuit. Diodes D7-
D10 limit during key-down and thereby restrict the signal
levels presented to the receiver front-end during transmit.
The double-diode configuration raises the network’s
intercept point with respect to W7EL’s original
configuration to improve IMD immunity.
The LO uses the Colpitts configuration. The frequency-
determining capacitors are NPO (C0G) monolithic types.
These devices are extremely compact and offer good
temperature stability. C2 and C3 are a voltage divider
providing proper injection to U1. Note: If you want
broader frequency coverage, the value of C8 may be
increased. The useful upper limit for C8 is about 1000pF,
and especially at the larger values, capacitor (and
varicap diode D1) thermal stability will become crucial.
Use NPO/C0G capacitors if possible, if you tinker with
this circuit.
The design also uses a varicap tuning diode for tuning
coverage. While a smooth ball-bearing tuning cap and
vernier reduction drive are the preferred approach, that
choice drives the cost and mechanical complexity of a
transceiver up considerably. The varicap approach
supports quite a compact package! If you’ve just got to
have RIT, an outboard circuit that injects an adjustable
DC offset into the diode bias network on receive does the
trick.
The transmitter chain is a pretty standard affair. The
maximum output power is about 2-2.5 watts, and there’s a
drive control at the emitter follower stage (Q4) to adjust
the output level. The diode at the base of Q6 serves to
‘clamp’ the signal to Q6 above ground and thus improves
drive to the PA by several dB. I don’t feel that the PA
requires a heat sink at the 1.5-2.5W power level and CW
duty cycles. If you like, there’s room for a ‘compact’-
style TO-220 heat sink (Digikey #HS-105 or #HS-106).
D .Benson, K1SWL Small Wonder Labs 2/9/2007 6