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WILSON AUDIO Chronosonic XVX Assembly instructions

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Se c t i o n —
Wilson Audio Specialties
In s t a l l a t I o n a n d C a r e G u I d e
2 Chronosonic XVX Installation Guide
Authentic Excellence™
ta b l e o f C o n t e n t s 3
Wilson Audio Specialties
Contents:
se C t I o n 1 — C o n t e n t s a n d s t a G I n G � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 5
seCtIon 1 � 1 — C h r o n o s o n I C X V X C r a t e C o n t e n t ������������������������������������ 6
seCtIon 1 � 2 — s t a G I n G t h e C h r o n o s o n I C X V X � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 6
or G a n I z e t h e M o d u l e s b y C h a n n e l ������������������������������������������������������ 7
seCtIon 1 � 3 — W a s P � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 8
zo n e o f n e u t r a l I t y ���������������������������������������������������������������������������� 8
sP e a k e r P l a C e M e n t V e r s u s l I s t e n I n G P o s I t I o n � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 1 1
sP e a k e r o r I e n t a t I o n ������������������������������������������������������������������������� 12
se C t I o n 2 — a s s e M b l y ��������������������������������������������������������� 15
seCtIon 2 � 1 — P r e P a r a t I o n ��������������������������������������������������������������������� 16
Ge n e r a l d e s C r I P t I o n ������������������������������������������������������������������������� 16
seCtIon 2 � 2 — C h r o n o s o n I C X V X a n d t h e t I M e d oMaIn � � � � � � � � � � � � � � � � � � � � � � � � � 1 7
oP t I M I z I n G P r o P a G a t I o n d e l a y I n y o u r r o o M � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 1 7
seCtIon 2 � 3 — C o n f I G u r I n G t h e l o W e r s u b M o d u l e � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 1 9
seCtIon 2 � 4 — C o n f I G u r I n G t h e u P P e r s u b M o d u l e � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 2 1
seCtIon 2 � 5 — I n s t a l l I n G t h e G a n t r y o n t o t h e W o o f e r M o d u l e � � � � � � � � � � 2 2
In s t a l l I n G t h e G a n t r y ���������������������������������������������������������������������� 22
seCtIon 2 � 6 — C h r o n o s o n I C X V X s o n o s - 1 l I G h t I n G s y s t e M � � � � � � � � � � � � � � � � � � � 2 3
Wilson Audio® is a registered trademark of Wilson Audio Specialties, Inc.
Sophia®, Sasha W/P®, WAMM Master Chronosonic®, WAMM®, Alexandria®, Alexx®, Sabrina®, Alida®,
Alexia®, XLF®, TuneTot®, and Thor’s Hammer®, are registered trademarks of Wilson Audio Special-
ties, Inc.
WAMM Master Subsonic™, Chronosonic XVX™, Sasha DAW™, WilsonGloss™, Wilson Audio Duette™,
WATCH Center™, WATCH Surround™, and WATCH Dog™, are trademarks of Wilson Audio Specialties, Inc.
This manual was produced by the Wilson Audio Engineering and the Marketing Department. The
information contained herein is subject to change without notice. Current Revision 1.0. If you are
in need of a more recent manual, please contact your dealer or download one at www.wilsonau-
dio.com.
The information in this manual is the sole property of Wilson Audio Specialties, Inc. Any repro-
duction, in whole or in part, without the express written permission of Wilson Audio Special-
ties, Inc., is prohibited. No material contained herein may be transmitted in any form or by any
means, electronic or mechanical, for any purpose, without the express written permission of
Wilson Audio Specialties, Inc.
Copyright © 2019 Wilson Audio Specialties
4 Chronosonic XVX Installation Guide ta b l e o f C o n t e n t s 5
Wilson Audio Specialties
Authentic Excellence™
re s I s t o r f I n e t u n I n G ����������������������������������������������������������������������� 46
seCtIon 4 � 5 — a d j u s t I n G t h e C h r o n o s o n I C X V X ’ sX l f P o r t � � � � � � � � � � � � � � � � � � 4 7
Ch o o s I n G aP o r t C o n f I G u r a t I o n �������������������������������������������������������� 47
re V e r s I n G t h e P o r t P l u G ����������������������������������������������������������������� 48
seCtIon 4�6—th e r e a r t W e e t e r M o d u l e a t t e n u a t o r � � � � � � � � � � � � � � � � � � � � � � � � 4 8
se C t I o n 5 — s P e C I f I C a t I o n s ������������������������������������������������� 51
seCtIon 5 � 1 — s P e C I f I C a t I o n s ������������������������������������������������������������������ 52
seCtIon 5 � 2 — G r a P h I C a l d I M e n s I o n s ������������������������������������������������������ 53
seCtIon 5 � 3 — I M P e d a n C e P hase �������������������������������������������������������������� 54
seCtIon 5 � 4 — I M P e d a n C e M a G n I t u d e ������������������������������������������������������ 55
se C t I o n 6 — t IMe a l I G n M e n t C h a r t s � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 5 7
tI M e a l I G n M e n t C h a r t s ����������������������������������������������������������������������� 58
se C t I o n 7 — W a r r a n t y ������������������������������������������������������� 65
seCtIon 7 � 1 — l I M I t e d W a r r a n t y ���������������������������������������������������������� 66
seCtIon 7 � 2 — C o n d I t I o n s ���������������������������������������������������������������������� 66
seCtIon 7 � 3 — r e M e d y ���������������������������������������������������������������������������� 67
seCtIon 7 � 4 — W a r r a n t y l I M I t e d t o o r I G I n a l P u r C h a s e r � � � � � � � � � � � � � � � � � � � � 6 8
seCtIon 7 � 5 — d e M o n s t r a t I o n e q u I P M e n t � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 6 8
seCtIon 7 � 6 — M I s C e l l a n e o u s ���������������������������������������������������������������� 69
ba t t e r y r eCyClInG o r d I s P o s a l ��������������������������������������������������������� 25
seCtIon 2 � 7 — I n s t a l l I n G t h e u P P e r M o d u l e s I n t o t h e G a n t r y � � � � � � � � � � � � 2 6
In s t a l l I n G t h e l o W e r s u b M o d u l e I n t o t h e G a n t r y � � � � � � � � � � � � � � � � � � � � � � � � � � � 2 6
In s t a l l I n G t h e t W e e t e r M o d u l e I n t o t h e G a n t r y � � � � � � � � � � � � � � � � � � � � � � � � � � � � 2 9
Mo u n t I n G t h e u P P e r M I d r a n G e M o d u l e ������������������������������������������� 30
se C t I o n 3 — C o n n e C t I n G t h e M o d u l e s � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 3 3
seCtIon 3 � 1 — d r e s s I n G t h e C a b l e s �������������������������������������������������������� 34
Co n n e C t I n G t h e l o W e r s u b M o d u l e � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 3 4
Co n n e C t I n G t h e u P P e r s u b M o d u l e ����������������������������������������������������� 36
se C t I o n 4 — f I n a l s e t u P ����������������������������������������������������� 39
seCtIon 4 � 1 — s P I k e I n s t a l l a t I o n ���������������������������������������������������������� 40
sP I k e a s s e M b l y ���������������������������������������������������������������������������������� 40
seCtIon 4 � 2 — u s I n G t h e W I l s o n l I f t t o I n s t a l l s P I k e s � � � � � � � � � � � � � � � � � � � � � � � 4 0
Ma t e r I a l s r e q u I r e d ������������������������������������������������������������������������� 40
In s t a l l a t I o n P r o C e d u r e ��������������������������������������������������������������������� 41
le V e l I n G t h e C h r o n o s o n I C X V X � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 4 2
seCtIon 4 � 3 — r eMoVInG t h e P r o t e C t I V e f IlM� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 4 3
seCtIon 4 � 4 — r e s I s t o r s ������������������������������������������������������������������������ 44
MI d r a n G e a n d t W e e t e r r e s I s t o r s ����������������������������������������������������� 45
Wo o f e r d a M P I n G r e s I s t o r ����������������������������������������������������������������� 45
se C t I o n 1 — C o n t e n t s a n d s t a G I n G
Wilson Audio Specialties
8Chronosonic XVX Installation Guide
Authentic Excellence™
Section 1.1—Chronosonic XVX Crate Content
Please take the time before you attempt to set up your Chronosonic XVX to
review the contents of your Chronosonic XVX tool and spike kit. Set these items
in an accessible area as you will need them during the setup process. See the two
graphics below:
Section 1.2—Staging the Chronosonic XVX
Note: To avoid damaging the XVX’s painted surface. Please remove any jew-
Caster Wrench
Universal Allen Driver
1 1/2" Set Screws
1/4" Allen Elbow
3/4" Combo Wrench
1/2" Nut Driver
5/16" Allen Elbow
3/32" Allen Bit
1/8" Allen Bit
9/64" Allen Bit 5/32" Allen Bit
0.10 ohm
1.0 ohm 1.5 ohm
3.20 ohm
2.1 ohm
Resistors
XVX
Tool Kit
Cool Fall Light
Charging Cable
Spike Pad
QTY - 8
Mechanical Diode
QTY - 8
"A" Spike
QTY - 8
Spike with nut
QTY - 8
#2 Spike
QTY - 4
#3 Spike
QTY - 2
#4 Spike
QTY - 2
"Round Tip" Spike
QTY - 10
XVX Spike Kit
se C t I o n 1 � 2 — s t a G I n G t h e C h ro n o s o n I C X V X 9
elry such as rings, watches, necklaces, and bracelets during this process.
Organize the Modules by Channel
It is extremely important the XVX be assembled with elements assigned to
each channel. Each of the modules are labeled with a serial number. To start the
process of ensuring that each of the modules and the Chronosonic XVX Gantry
is assembled in its appropriate channel, Wilson recommends that the modules
are separated and organized by channel according to serial number. Stage the
Wilson Audio Specialties
10 Chronosonic XVX Installation Guide se C t I o n 1 � 3 —Wa s P 11
Wilson Audio Specialties
Authentic Excellence™
elements for the odd-numbered modules on the left, and the even on the right.
As the modules are removed, stage them as illustrated on the previous
page.
Section 1.3—WASP
An instructional video outlining the Wilson Audio Setup Procedure (WASP)
can be found here: www.wilsonaudio.com/WASP. The proper positioning of your
new Chronosonic XVX within your room is critical in order to extract its formida-
ble performance envelope. When carefully followed, the WASP has proven to be
the most effective method for setting up Wilson loudspeakers. Your authorized
Wilson dealer is trained in this process, and is the best resource for you to en-
sure your loudspeakers are set up properly.
Viewing the video is the best way to learn how to properly employ WASP,
but we have also included an outline of it here.
Zone of Neutrality
It is important that the instructions in the following section are carried out
precisely. The Chronosonic XVX is a precision instrument, capable of ex-
tremely accurate alignment in the time domain if the following process is
meticulously followed.
You will need the following items:
• Supplied hardware kit
• Tape measure
• Known listening position
• Masking Tape
The “Zone of Neutrality” is an area in your room where the speakers will
sound most natural. This location is where the speakers interact the least with
adjacent room boundaries. It is important to have a clear working space while
determining the Zone of Neutrality.
The following is a simple method to locate the Zone of Neutrality within
your listening environment:
1. Stand against the wall BEHIND the location where you intend
to position your loudspeakers. Speaking in a moderately loud
voice and at a constant volume, project your voice out into
the room. Your voice will have an overly heavy, “chesty” quality
because of your proximity to the rear wall.
2. While speaking, slowly move out into the room, progressing in
a direction parallel to the sidewall. It is helpful to have anoth-
er listener seated in the listening position to assist you during
this process. Listen to how your voice “frees up” from the added
bass energy imparted by the rear wall boundary. Also notice
that your voice is quite spatially diffuse (to your assistant, your
voice will sound spatially large and difficult to localize) as you
begin to ease away from the rear wall.
12 Chronosonic XVX Installation Guide se C t I o n 1 � 3 —Wa s P 13
Wilson Audio Specialties
Authentic Excellence™
3. At some point during your progression forward into the room,
you will observe a sonic transition in your voice; it will sound
more tonally correct and less spatially diffuse (your assistant
can now precisely localize the exact origin of your voice). When
you hear this transition, you have entered the inner edge of
the Zone of Neutrality. Place a piece of tape on the floor to
mark this location. Although it will vary from room to room, in
most rooms the zone begins between two and a half to three
feet from the rear wall.
4. Continue to walk slowly away from the rear wall. After some
distance, usually one to two feet past the first piece of tape,
you will begin to hear your voice lose focus and appear to
reflect (echo) in front of you. This is caused by the return of the
room’s boundary contribution; your voice is now interacting
with the opposite wall. At the point where you begin to hear
the reflected sound of your voice, you have reached the outer
edge of the Zone of Neutrality. Place a piece of tape on the
floor and mark this location. The distance between the “inner”
and “outer” edge tape marks is usually between eight inches
(for small, interactive rooms) and three feet (for large, more
neutral rooms).
5. Now position yourself against the side wall perpendicular to
the intended speaker location. Stand between the two tape
marks. Using the same procedure as above, begin moving into
the room toward the opposite sidewall, progressing between
the two pieces of tape. As above, listen for the point in the
room where your voice transitions from bass-heavy and diffuse
to neutral. Mark this point with tape. Continue your progres-
sion until there is an obvious interaction with the opposite
wall in front of you and mark this point with tape. The four
pieces of tape now form a rectangle that establishes the Zone
of Neutrality for the loudspeaker to be installed on that side of
the room. Using the four marks as your guide, tape an outline
to define the boundaries of the rectangle.
6. Repeat this process for each speaker location individually.
These are your Zones of Neutrality, one for each channel.
Theoretically, the Zone of Neutrality for any room runs like a path, paral-
lel to the walls all around the room. Adjacent to very large windows and open
doors, the outer edge of the Zone of Neutrality moves closer to the wall and be-
comes wider. If you were to extend the inner and outer boundaries of the Zone
for the sidewalls and the front wall (behind the speakers), they would intersect.
Speaker Placement Versus Listening Position
The location of your listening position is as important as the careful setup
14 Chronosonic XVX Installation Guide se C t I o n 1 � 3 —Wa s P 15
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of your Wilson Audio loudspeakers. The listening position should ideally be no
more than 1.1 to 1.25 times the distance between the tweeters on each speaker.
Therefore, in a long, rectangular room of 12’ x 18’, if the speaker tweeters are
going to be 9’ apart, you should be sitting 9’11’’ to 11’3’’ from the speaker. This
would be more than halfway down the long axis of the room.
Many people place the speakers on one end and sit at the other end of
the room. This approach will not yield the finest sound. Carefully consider your
listening position. Our experience has shown that any listening position that
places your head closer than 14” from a wall will diminish the sonic results of
your listening due to the deleterious effects of boundary interaction.
Speaker Orientation
Speaker placement and orientation are two of the most important consid-
erations in obtaining superior sound. The first thing you need to do is eliminate
the sidewalls as a sonic influence in your system. Speakers placed too close to
the sidewalls will suffer from a strong primary reflection. This can cause out-
of-phase cancellations, or comb filtering, which will cancel some frequencies
and change the tonal balance of the music. Adhering to the Wilson Audio Setup
Procedure outlined in the previous section is the best method with which to
position your loudspeakers.
A very important aspect of speaker placement is how far from the back
wall to place the speakers. The closer a loudspeaker is to the back wall, the more
pronounced the low bass energy and centering of the image will be. However,
this comes at a definite reduction in stage size and bloom as well as a deteriora-
tion of upper bass quality. You must find the proper balance of these two fac-
tors, but remember, if you are partial to bass response or air and bloom, do not
overcompensate your adjustments to maximize these effects. Overcompensated
systems are sometimes pleasing in the short-term, but long-term satisfaction is
always achieved through proper balance.
To make correct in-home set up of the Chronosonic XVX possible without
test equipment, Wilson Audio has measured the correct geometric time domain
alignment for different distance/ear height combinations. See the next section
for details. By measuring the distance from the bottom-front baffle of your
speaker to your ear when seated in the listening position, as well as height of
the listener’s ear measured from the floor, you will be able to align the system
for your listening position.
se C t I o n 2 — a s s e M b l y
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se C t I o n 2 � 2 — Ch r o n o s o n I C X V X a n d t h e tI M e d o M a I n 19
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18 Chronosonic XVX Installation Guide
Section 2.1—Preparation
General Description
The Chronosonic XVX’s Upper Array uses the combination of captive
spikes, ball posts, and aspherical time-alignment stepped blocks. The spike/
block combination rotate the two upper submodules to a prescribed position as
a part of the Chronosonic XVX’s propagation delay adjustment.
Additionally, the spikes in the modules provide proper coupling of the
upper modules to the Gantry. Some of these spikes are fixed in size. The shorter
“A” spikes are always installed in the front two positions of the bottom of the
4-inch midrange module. In the Tweeter Module, the “A” spikes are installed in
the top surface of the module, pointing upward toward the upper-midrange
module above. Ball posts are installed into the bottom front of the Tweeter
Module, and into the top rear of that module. The ball posts are installed into
the bottom two front receptacles of the Lower Midrange Module.
For the bottom rear of the Tweeter Module as well as the Lower Midrange
Module, a different-length spike is used rotate the two submodules in order to
optimize the dispersion of the array. The spike-type is stamped into the flat sur-
face on the top of each spike. The spikes should be screwed in all the way, until
they are hand tight, then 1/16” further to tighten into place.
The Upper Midrange Module and the Tweeter Module form a submod-
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ule, which is moved in tandem using the XVX Micrometer system. Similarly, the
4-inch Midrange Module and the Lower Midrange Module form a submodule,
which is moved by its corresponding XVX Micrometer system. These two sub-
modules are, in turn, attached to the XVX Micrometer truck mechanism via a
ball-head and captive slot system. The ball-head hardware is attached into the
threaded receptacle located on the bottom front of the Tweeter Module and the
Lower Midrange Module respectively.
Section 2.2—Chronosonic XVX and the Time Domain
Optimizing Propagation Delay in Your Room
The Chronosonic XVX system allows optimization for different listening
distances and listening ear heights. In order to calculate the proper time-do-
main settings for the upper modules, the distances from the listener’s ear to the
front, lower baffle of the XVX (see graphic on the next page), and the distance
from the floor to the listener’s ear must be accurately measured. For each dis-
tance/ear height combination there is a unique alignment geometry.
1. Refer to the Time Alignment Charts in Section 6. Time Align-
ment Tables for all Wilson loudspeakers are also available on
the Wilson Audio’s website.
2. Make sure that you are in your intended listening position.