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  9. Yamaha MC802 User manual

Yamaha MC802 User manual

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Copyright 2025 Manuals.Online. All Rights Reserved.

YAMAHA
.
MC-Series
Mixing
Consoles
~~1,=a
=[:
:)(I
I)~
~¥~i"=
]~D~
~¥~i~
]~D~
Operating
Manual
I . .
MC1602 .
Congratulations!
You
are
the
proud
owner
of
a Yamaha MC-series Mixing Console. Whether
you
chose the
8,
12 or 16-channel model,
your
Yamaha
mixing
console
is
a high-quality
product that will give
you
superior perfonnance in
(l
wide range
of
applications.
In
addition to offering a versatile mixingsystem, the MC-series consoles
offer
electron-
ically balanced inputs and stereo outputs to maintain
optimum
signal quality over
long cable runs, a versatile 3-band equalizer with sweepable mid-frequency EQ on
each
input
channel, three independent A
UX
submix systems for external effects
routing
or
additional power amplifier feeds,
cue
switches
for
independent monitor-
ing
of
all
input
channels and busses, and a built-in talkback system
for
convenient
communication.
Of
course, the MC-series mixing consoles also
offer
(he high standard
of
quality and
great sound that Yamaha
is
famous for.
We
urge
you
to read this operation manual
thoroughly
in
order to
make
the
most
of
the mixer's
many
features
and
controls.
------CONTENTS------
PRECAUTIONS.
_. . . . . . . . . . . . . . . . . . . . . . .
..
2
FRONT
PANEL CONTROLS .
.........
.
..
, . .
..
3
Input Channels. . . . . . . . . . . . . . . . . . . . . . .
..
3
Master Control Section
...................
6
REAR PANEL CONNECTORS
AND
CONTROLS.
.
..
9
APPLICATION EXAMPLE
........
. .
...
....
. .
11
BLOCK
DIAGRAM
........................
12
LEVEL
DIAGRAM
.
........................
13
DIMENSION CHART .
......................
13
SPECIFICATIONS .
........................
14
SERVICE .
......................
.
......
,
15
PRECAUTIONS
1.
AVOID
EXCESSIVE
HEAT,
HUMIDITY,
DUST
AND
VIBRATION
Keep
the
unit
away
from
locations
where
it
is
likely
to
be
exposed
to
high
temperatures
or
humidity-such
as
near
radiators,
stoves,
etc.
Also avoid
locations
which
are
subject
to
excessive
dust
accumulation
or
vibration
which
could
cause
mechanical
damage.
2.
AVOID
PHYSICAL SHOCKS
Strong
physical
shocks
to
the
unit
can
cause
damage.
Handle
it
with
care.
3. DO NOT OPEN
THE
UNIT
OR ATTEMPT REPAIRS OR
MODIFICATIONS
YOURSELF
This
product
contains
no
user·serviceable
parts.
Refer
all
maintenance
to
qualified
Yamaha
service
personnel.
Open.
ing
the
unit
and/or
tampering
with
the
internal
circuitry
will void
the
warranty.
4. MAKE SURE POWER
IS
OFF
BEFORE
MAKING
OR
REMOVING
CONNECTIONS
Always
turn
the
power
OF
F
prior
to
connecting
or
dis·
connecting
cables.
This
is
important
to
prevent
damage
to
the
unit
itself as well as
other
connected
equipment.
5.
HANDLE
CABLES
CAREFULLY
Always
plug
and
unplug
cables-including
the
AC
cord-by
gripping
the
connector,
not
the
cord.
6. CLEAN
WITH
A SOFT
DRY
CLOTH
Never
use
solvents
such
as
benzine
or
thinner
to
clean
the
unit.
Wipe
clean
with
a
soft,
dry
cloth.
7. ALWAYS USE
THE
CORRECT POWER SOURCE
Make
sure
that
the
power
source
voltage
specified
on
the
rear
panel
matches
your
local AC
mains
supply.
U.S. &
Canadian
Models:
120V
AC,
60Hz
General
Model:
110
-
120/220
-
240
V
AC,
50/60Hz
2
RONT PANEL CONTROLS
--:
:.----
I
nput
Channels
---
o
PAD
Switch
This
switch
attenuates
the
signal
applied
to
the
corresponding
rear
-
panel
HI-Z
or
LO-Z
input
by
20
dB
prior
to
the
head
amplifier
and
input
gain
control.
The
PAD
switch
effectively
increases
the
range
of
input
signal levels
that
can
be
handled
by
the
mixer,
preventing
overloading
of
the
input
circuitry
when
receiving high-level signals_
f)
GAIN
Control
This
control
adjusts
the
input
sensitivity
of
each
input
channel
between
-60
dB
(0.775
mV)
and
-20
dB (77.5 mV)
when
the
PAD
switch
is
OFF
(between
-40
dB
and
0
dB
when
the
PAD
switch
is
ON).
Continuously
variable
gain
control
allows
optimum
matching
with
virtually
any
microphone
or
line
source.
~
CLIP
LED
Indicator
The
CLIP
indicator
LED lights
when
the
post
-
EO
signal
of
the
corresponding
channel's
input
reaches
a level 3
dB
below
the
clipping
level
of
the
channel's
circu
i
try.
If
the
CLIP
indicator
lights
more
than
only
briefly
on
high
-level
transients
it
is
necessary
to
decrease
the
input
sensi-
tivity
of
the
channel
using
the
GAIN
control
and
PAD
switch
or,
if
this
does
not
provide
sufficient
attenuation,
to
reduce
the
output
level
of
the
source
connected
to
that
channel's
input.
o
3-band
Equalizer
The
equalizer
section
provided
on
each
input
channel
comprises
shelving
LOW
and
HIGH
con-
trols
,
and
a
peaking
MID
control
with
a MID
FREO
control
that
permits
sweeping
the
midrange
center
frequency
from
350
Hz
to
5
kHz
.
Control
Ma)(imum
Frequenc8
Tvpe
Boost/Cut
HIGH
±15dB
10kHz
Shelving
MID
±l5dB
0.35
- 5
kHz
Peaking
LOW
±l5dB
100Hz
Shelving
l .
FR
Q
~
V
·
'0
"-
'\. ;
-
r
V.
_
\.
IX/
I
~
,
..
-. x:
-_
\.
L
/
'\.
-V \ ,
- 10
'"
-
•
~
10 1
00
1
0.
rAEOUENCY(~11
3
" AUX Controls
(1,2
&
31
The MC-series mixing consoles have three independent AUX busses which are fed by the
corresponding AUX
controls
on the
input
channels_ Each AUX
control
determines
the
level of
the
signal sent from
that
channel to
the
correspondingly numbered AUX mixing buss, which in
tum
feeds the correspondingly
numbered
AUX SEND control and AUX SEND jack on the
console's rear panel.
The
AUX controls can be used
to
determine the
amount
of
signal from the
corresponding input channel sent
to
external effect devices
or
power amps fed by the AUX
SEND
jacks_
• AUX 1
is
factory pre-wired for pre-EO/pre-fader operation, so the AUX 1 signal
is
not
affected by the setting of the channel EO controls
or
fader_ An internal jumper allows the
AUX 1 control
to
be rewired for post-EO/post-fader operation_
* AUX 2 and AUX 3 are factory pre-wired for post-EO/post-fader operation, so the AUX 2
and AUX 3 signals are affected by
the
setting
of
the
channel EO controls and fader_Internal
jumpers aI/ow the AUX 1 control
to
be rewired for pre-EO/pre-fader operation_
• An internal POST EO jumper allows the AUX controls to be' further re-configured for
post-EO/pre-fader operation_
• REFER THE ABOVE-MENTIONED REWIRING JOBS TO OUALIFIED YAMAHA SER-
VICE PERSONNEL!
o PAN Pots
The
PAN
pot
determines the position
in
the stereo sound field
at
which the
sound
from
that
channel
is
heard_
Rotated
fully counterclockwise the channel signal will be delivered from the
left stereo
output
only, and will be heard
at
the far left of the sound
field_
If
the
PAN
pot
is
turned fully clockwise, the sound from
that
channel will appear
at
the far right
of
the stereo
sound field. If the
PAN
pot
is
set
at
its
center
position, the channel signal will be
sent
equally
to
both the left and right channels, causing the sound
to
appear at
the
center
of the sound
field_
Intermediate
PAN
pot
settings cause
the
sound
to
be heard
at
the corresponding position,
8 CUE Switch
When the
CUE
switch
is
pressed, the pre-EO/pre-fader signal from
that
channel
is
fed
to
the
PHONES
output
via
the CUE/PHONES level cOrltrol. The channel cue signal will be added
to
any
other
active cue signal.
If
you
want
to
monitor
only the signal from a single channel, make
sure
all
other
CUE
switches are turned OFF_
4
o Channel
Fader
This
is
the
main
level
control
for
each
input
channe
l.
It
determines
the
level
of
the
signal
sent
from
the
corresponding
input
channel
to
the
master
stereo
buss.
The
settings
of
the
input
channel
faders
determine
the
"mix"
or
balance
of
sound
levels
between
the
instruments
or
other
sources
connected
to
the
inputs.
*
If
a
channel
is
not
being
used,
its
fader
should
be
set
to
the
minimum
position
to
prevent
unwanted
noise
from
being
added
to
the
main
program
signal.
,48V
0
CC
'"
'"
"
::>
>-
r--LO
Z
CH
VI
::>
...lCC
-N",
IN/OUT
(-6dB)
~
20
dB
@ill)
'"
INPUT
CH
INSERT
""
U
Mca
02
INPUT MCI2
02
LCI602
HI Z
LO
lli
MID
HIGH
V
~(_M_ID
__
_
____
~~~~_-
~--~~~~~
FR_E_Q
)
{@
f~f-+-+~
---
Master Control Section
---
~~
I
1
~
J I 0
OP(A
I'I..
-~+
vu
AU
X/C
UE
1
7
!)
3 1 0 0 PE
A.l(,
-~+
~
..
vu
>0
~.
- +
vu
L ST R
a
EJ
a
G
METER
o
10
..
AUX
SEND1
..
10
10
o AUX SEND
(1.2
& 3) Controls & CUE Switches
These adjust the overall
output
level
of
the
auxiliary
"mixes"
set up using the AUX 1, AUX 2 and AUX 3 con-
trols on the
input
channels. AUX SEND 1 sets the overall
level of the AUX 1
mix
signal appearing
at
the AUX
SEND 1 jack, AUX SEND 2 sets the overall level of the
AUX 2 mix signal appearing at the AUX SEND 2 jack,
and AUX SEND 3 sets the overall
level
of the·AUX 3
mix appearing
at
the AUX SEND 3 jack. These controls
should be used
to
optimally match
the
AUX SEND out-
put
level of the mixing console
to
the
input
sensitivity
of
the effect unit, signal processing device or amplifier used.
The
CUE
switches associated with each AUX SEND con-
trol can
be
used
to
send the corresponding AUX SEND
signal to the PHONES jack
via
the CUE/PHONES level
control. The A
UX
cue signal will be added
to
any
other
active cue signal. If you
want
to
monitor only
the
signal
from a single AUX buss, make sure
all
other
CUE switches
are turned 0 F
F.
4m)
AUX RTN 1 & AUX RTN 2 Controls
These controls adjust the level
of
the signal received
at
the
rear-panel AUX
RTN
jacks and mixed into the main
stereo program. Since stereo AUX returns are provided
(AU X
RTN
1 L &
R,
AUX RTN 2 L &
R)
the
AUX RE·
TU RN controls simu Itaneously .adjust the level of the
signals appearing
at
the corresponding
Land
R return
inputs. The returned
Land
R channel signals are
sent
to
the
Land
R stereo buss lines. If only a single-channel
signal
is
returned
(i
.e. a plug
is
inserted into only the L or
R return jack), the signal will be fed
to
both
the
Land
R
channels of the stereo buss.
R
PHONES
L
STERE
O
6
4D
Talkback
ON
Switch
Pressing this swi
tch
activates
the
talkback
microphone
plugged
into
the
talkback
mic
connector,
allowing voice
communication
from
the
console
operator
to
the
STEREO,
AUX 1, AUX 2
or
AUX 3 busses
according
to
the
setting
of
the
talkback
assignment
switches.
4B
TB (Talkback) Level
Control
Adjusts
the
level
of
the
talkback
signal
sent
to
the
selected buss.
~
Talkback
Microphone
Connector
This
female XLR
type
connector
accepts
just
about
any
standard
50
-
600
ohm
microphone
for
talkback
pickup
. A
gooseneck-type
microphone
that
can
be
positioned
for
the
most
com-
fortable
operation
is
an
excellent
choice
.
4D
Talkback
Assignment
Switches
(AUX
1/AUX
2/AUX
31ST)
These
switches
allow
the
talkback
signal
to
be fed
to
the
STEREO,
AUX 1, AUX 2
or
AUX
3
busses.
Any
number
of
switches
may
be ON
at
the
same ti
me,
so
you
can
"talk
back"
to
a
number
of
the
console's
busses
at
once
.
~--~~~--~
••
STOUTL
t------<;-l;,
~
STOUT R
TALKBACK
(
-
~OdB)
~1~'-
~
® (
TO
ON)
t-------<>
...
-----I.~
AUX
OUT
1
~--~:--..,
~
AUX
OUT
2
~----O~
~
AUX
OUT
3
INPUT--
----
------.-
----
------rr1
INPUT-----------4~--------
_+
~
INPUT------------.---
--
------~444
BO>-----+1
r--L
n~.t
~
~
BA
AUX
RTN2
~
:
(t4dB)
~
JI
I
BA>------+-i
'---
R
,
F~
~
1~
~
mi
l
v
-----I.:?-----
-A
UX
"'~02
SEND
(
AU
'
SEND
2)
r--
(t4dB)
(
r.~n'
~
r -
r
~
VU Meters
and
METER Assign Switches (AUX
1/AUX
2/AUX
3/CUE)
The
MC-series mixi
ng
console
feature
three
VU
meters
wi
th
built
-
in
LED peak indicators for
monitoring
signal levels.
The
rightmost
meter
pair (L ST
R)
continuously
monitors
signals
on
the
main
stereo
program buss.
The
AUX/CUE
meter
can
be switched
to
monitor
signals on
the
AUX 1, AUX 2, AUX 3
or
CUE busses by pressing
the
corresponding
METER assign
switch.
'"
::>
u
INPUT
-
-------1
(METER)
AUXSEND1--
-
_---~
AUXSEND2-
--_--
-~
AUXSEND3-
-
-_----~
AUX
I
4D
CUE/PHONES
Control
and
PHONES
Jack
The
CUE/PHONES
control
adjusts
the
level
of
the
cue signal
sent
to
the
PHONES jack so you
can
set
the
most
confortable
headphone
monitoring
level. The stereo
phone
jack
accepts
any
standard
stereo
headphones
.
*
The
STEREO
cue signal appears
in
stereo
at
the
phones
jack, while
the
channel
and
AUX
cue
signals are monaural.
"'
::>
u
'"
::>
u
oJ'"
INPUT
---
....
----1
STOUT_
....
---f-1
AUX
SEND
1-
-
-_
-
---t
AUXSEND2----
--
--t
AUXSEND3--------t
f~
1
!
A~
PHONES
t H '
jl '
....
~
(CUE/PHONES )
4D
STEREO
CUE Switch
Turning
this switch
ON
sends
the
main
stereo
program buss signal,
in
stereo,
to
the
stereo
PHONES jack
~
i
a
the
CUE/PHONES
control.
The
STEREO
CUE switch can normally be
turned
ON
to
permit
headphone
monitoring
of
the
main
stereo
program,
but
it must be
turned
OFF
to
individually
monitor
input
channel
or
AUX buss
cue
signals,
8
4E)
STEREO
Master Faders
The
STEREO master faders independently adjust
the
level of the left and right channel main
stereo program buss signals appearing
at
the
STER
EO
OUT connectors.
'"
~
~
ST
L
V>
-''''
INPUT
Ll
AUX
RTN 1
ST
F1
ST
OUT
AUX
RTN 2
1+4dB)
ST
SUB
IN
RJ
REAR
PANEL CONNECTORS
AND
CONTROLS
U,S
, & Canadian models
9