Yamaha Audiogram 3 User manual

1
AUDIOGRAM 3 Owner’s Manual
AUDIOGRAM 3
Owner’s Manual
C0 (10.11.30)
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Owner’s Manual
Bedienungsanleitung
Mode d’emploi
Manual de instrucciones
Руководство пользователя
取扱説明書
USB AUDIO INTERFACE
Русский
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audiogram3en.book Page 1 Thursday, December 2, 2010 3:38 PM

2
AUDIOGRAM 3 Owner’s Manual
1. IMPORTANT NOTICE: DO NOT MOD-
IFY THIS UNIT!
This product, when installed as indicated in
the instructions contained in this manual,
meets FCC requirements. Modifications not
expressly approved by Yamaha may void your
authority, granted by the FCC, to use the
product.
2. IMPORTANT:
When connecting this prod-
uct to accessories and/or another product use
only high quality shielded cables. Cable/s
supplied with this product MUST be used. Fol-
low all installation instructions. Failure to fol-
low instructions could void your FCC
authorization to use this product in the USA.
3. NOTE:
This product has been tested and
found to comply with the requirements listed
in FCC Regulations, Part 15 for Class “B” digi-
tal devices. Compliance with these require-
ments provides a reasonable level of
assurance that your use of this product in a
residential environment will not result in harm-
ful interference with other electronic devices.
This equipment generates/uses radio fre-
quencies and, if not installed and used
according to the instructions found in the
users manual, may cause interference harm-
ful to the operation of other electronic devices.
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (class B)
Compliance with FCC regulations does not
guarantee that interference will not occur in all
installations. If this product is found to be the
source of interference, which can be deter-
mined by turning the unit “OFF” and “ON”,
please try to eliminate the problem by using
one of the following measures:
Relocate either this product or the device that
is being affected by the interference.
Utilize power outlets that are on different
branch (circuit breaker or fuse) circuits or
install AC line filter/s.
In the case of radio or TV interference, relo-
cate/reorient the antenna. If the antenna lead-
in is 300 ohm ribbon lead, change the lead-in
to co-axial type cable.
If these corrective measures do not produce
satisfactory results, please contact the local
retailer authorized to distribute this type of
product. If you can not locate the appropriate
retailer, please contactYamaha Corporation of
America, Electronic Service Division, 6600
Orangethorpe Ave, Buena Park, CA90620
The above statements apply ONLY to those
products distributed by Yamaha Corporation
of America or its subsidiaries.
FCC INFORMATION (U.S.A.)
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.
COMPLIANCE INFORMATION STATEMENT
(DECLARATION OF CONFORMITY PROCEDURE)
Responsible Party : Yamaha Corporation of America
Address : 6600 Orangethorpe Ave., Buena Park, Calif. 90620
Telephone : 714-522-9011
Type of Equipment : COMPUTER RECORDING SYSTEM
Model Name : AUDIOGRAM 3
This device complies with Part 15 of the FCC Rules.
Operation is subject to the following two conditions:
1) this device may not cause harmful interference, and
2) this device must accept any interference received including interference that may cause undes-
ired operation.
See user manual instructions if interference to radio reception is suspected.
(FCC DoC)
audiogram3en.book Page 2 Thursday, December 2, 2010 3:38 PM

83
AUDIOGRAM 3 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
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* ï‡ÌËÚ ˝ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ‚ ·ÂÁÓÔ‡ÒÌÓÏ ÏÂÒÚÂ. éÌÓ ‚‡Ï ¢ ÔÓ̇‰Ó·ËÚÒfl.
èêÖÑìèêÖÜÑÖçàÖ
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Á‡Ï˚͇ÌËfl, ÔÓ‚ÂʉÂÌËfl Ó·ÓÛ‰Ó‚‡ÌËfl, ÔÓʇ‡ Ë ‰Û„Ëı Ë̈ˉÂÌÚÓ‚ ‚Ò„‰‡ Òӷ≇ÈÚ ÒÎÂ‰Û˛˘ËÂ
ÏÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË:
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ËÎË ÏÓ‰ËÙˈËÓ‚‡Ú¸ Â„Ó ‚ÌÛÚÂÌÌË ÍÓÏÔÓÌÂÌÚ˚. Ç
ÛÒÚÓÈÒÚ‚Â ÌÂÚ ÍÓÏÔÓÌÂÌÚÓ‚, ÍÓÚÓ˚Â ‰ÓÎÊÂÌ
Ó·ÒÎÛÊË‚‡Ú¸ ÔÓθÁÓ‚‡ÚÂθ. èË ÔÓfl‚ÎÂÌËË
ÌÂËÒÔ‡‚ÌÓÒÚË ÌÂωÎÂÌÌÓ ÔÂ͇ÚËÚ ˝ÍÒÔÎÛ‡Ú‡ˆË˛
Ë Ó·‡ÚËÚÂÒ¸ Á‡ ÔÓÏÓ˘¸˛ Í Í‚‡ÎËÙˈËÓ‚‡ÌÌ˚Ï
ÒÔˆˇÎËÒÚ‡Ï ˆÂÌÚ‡ ÚÂıÌ˘ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡ÌËfl
ÍÓÔÓ‡ˆËË Yamaha.
•Å„ËÚ ÛÒÚÓÈÒÚ‚Ó ÓÚ ‰Óʉfl, Ì ËÒÔÓθÁÛÈÚ „Ó
fl‰ÓÏ Ò ‚Ó‰ÓÈ, ‚ ÛÒÎÓ‚Ëflı Ò˚ÓÒÚË Ë ÔÓ‚˚¯ÂÌÌÓÈ
‚·ÊÌÓÒÚË; Ì ÒÚ‡‚¸Ú ̇ ÌÂ„Ó ÂÏÍÓÒÚË Ò ÊˉÍÓÒÚ¸˛,
ÍÓÚÓ‡fl ÏÓÊÂÚ ‡ÁÎËÚ¸Òfl Ë ÔÓÔ‡ÒÚ¸ ‚ÌÛÚ¸. Ç ÒÎÛ˜‡Â
ÔÓÔ‡‰‡ÌËfl ÊˉÍÓÒÚË, ̇ÔËÏÂ, ‚Ó‰˚, ‚ ÛÒÚÓÈÒÚ‚Ó
ÌÂωÎÂÌÌÓ ÓÚÒÓ‰ËÌËÚ USB-͇·Âθ ÓÚ ÛÒÚÓÈÒÚ‚‡.
á‡ÚÂÏ Ó·‡ÚËÚÂÒ¸ Á‡ ÔÓÏÓ˘¸˛ Í ÒÔˆˇÎËÒÚ‡Ï
ˆÂÌÚ‡ ÚÂıÌ˘ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡ÌËfl ÍÓÔÓ‡ˆËË
Yamaha.
•çËÍÓ„‰‡ Ì ÔÓ‰ÒÓ‰ËÌflÈÚÂ Ë Ì ÓÚÒÓ‰ËÌflÈÚ USB-
͇·Âθ ÏÓÍ˚ÏË Û͇ÏË.
ÇçàåÄçàÖ!
ÇÓ ËÁ·ÂʇÌË ̇ÌÂÒÂÌËfl Ò¸ÂÁÌ˚ı Ú‡‚Ï ÒÂ·Â Ë ÓÍÛʇ˛˘ËÏ, ‡ Ú‡ÍÊ ÔÓ‚ÂʉÂÌËfl ËÌÒÚÛÏÂÌÚ‡ Ë
‰Û„Ó„Ó ËÏÛ˘ÂÒÚ‚‡, ÔÓÏËÏÓ ÔÓ˜Ëı ‚Ò„‰‡ Òӷ≇ÈÚ ÒÎÂ‰Û˛˘Ë ÏÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË:
•è‰ ÔÂÂÏ¢ÂÌËÂÏ ÛÒÚÓÈÒÚ‚‡ ÓÚÒÓ‰ËÌËÚ ‚ÒÂ
͇·ÂÎË.
•ç ÛÒڇ̇‚ÎË‚‡ÈÚ ‚Ò „ÛÎflÚÓ˚ ̇ χÍÒËχθÌÛ˛
„ÓÏÍÓÒÚ¸. Ç ÔÓÚË‚ÌÓÏ ÒÎÛ˜‡Â, ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ
ÒÓÒÚÓflÌËfl ÔÓ‰Íβ˜ÂÌÌ˚ı ÛÒÚÓÈÒÚ‚, ÏÓÊÂÚ
‚ÓÁÌËÍÌÛÚ¸ Ó·‡Ú̇fl Ò‚flÁ¸ Ë Ôӂ‰flÚÒfl ‰Ë̇ÏËÍË.
•ÇÓ ËÁ·ÂʇÌË ‰ÂÙÓχˆËË Ô‡ÌÂÎË Ë ÔÓ‚ÂʉÂÌËfl
‚ÌÛÚÂÌÌËı ÍÓÏÔÓ
ÌÂÌÚÓ‚ ·Â„ËÚ ÛÒÚÓÈÒÚ‚Ó ÓÚ
˜ÂÁÏÂÌÓÈ Ô˚ÎË Ë ÒËθÌÓÈ ‚Ë·‡ˆËË Ë ÌÂ
ËÒÔÓθÁÛÈÚÂ Â„Ó ÔË Ó˜Â̸ ‚˚ÒÓÍÓÈ ËÎË ÌËÁÍÓÈ
ÚÂÏÔ‡ÚÛ (̇ÔË
ÏÂ, ̇ ÒÓÎ̈Â, fl‰ÓÏ Ò
̇„‚‡ÚÂÎÂÏ ËÎË ‚ χ¯ËÌ ‚ ‰Ì‚ÌÓ ‚ÂÏfl).
•ç ÓÒÚ‡‚ÎflÈÚ ÛÒÚÓÈÒÚ‚Ó ‚ ÌÂÛÒÚÓȘ˂ÓÏ
ÔÓÎÓÊÂÌËË, ˜ÚÓ·˚ ÓÌÓ ÌÂ ÓÔÓÍËÌÛÎÓÒ¸.
•ç ËÒÔÓθÁÛÈÚ ÛÒÚÓÈÒÚ‚Ó ‚ ÌÂÔÓÒ‰ÒÚ‚ÂÌÌÓÈ
·ÎËÁÓÒÚË ÓÚ ÚÂ΂ËÁÓ‡, ‡‰ËÓÔËÂÏÌË͇,
ÒÚÂÂÓÓ·ÓÛ‰Ó‚‡ÌËfl, ÏÓ·ËθÌÓ„Ó ÚÂÎÂÙÓ̇ Ë ‰Û„Ëı
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ÔÓÏÂı Ë ÔÓÒÚÓÓÌÌÂ„Ó ¯Ûχ Í‡Í ‚ Ò‡ÏÓÏ ÛÒÚÓÈÒÚ‚Â,
Ú‡Í Ë ‚ ‡ÒÔÓÎÓÊÂÌÌÓÏ fl‰ÓÏ ÚÂ΂ËÁÓ ËÎË
‡‰ËÓÔËÂÏÌËÍÂ.
•è‰ ÔÓ‰Íβ˜ÂÌËÂÏ ÛÒÚÓÈÒÚ‚‡ Í ‰Û„ËÏ
ÛÒÚÓÈÒÚ‚‡Ï ÓÚÍβ˜ËÚ Ëı ÔËÚ‡ÌËÂ. è‰
‚Íβ˜ÂÌËÂÏ ËÎË ÓÚÍβ˜ÂÌËÂÏ ÛÒÚÓÈÒÚ‚ ÛÒÚ‡ÌÓ‚ËÚÂ
ÏËÌËχθÌ˚È ÛÓ‚Â̸ „ÓÏÍÓÒÚË.
•ÇÓ ËÁ·ÂʇÌË ÔÓ‚ÂʉÂÌËfl ‰Ë̇ÏËÍÓ‚ ÔË
‚Íβ˜ÂÌËË ÔËÚ‡ÌËfl ‡ÍÛÒÚ˘ÂÒÍÓÈ ÒËÒÚÂÏ˚ ‚Ò„‰‡
‚Íβ˜‡ÈÚ ÏÓÌËÚÓÌ˚ ‰Ë̇ÏËÍË èéëãÖÑçàåà. èÓ
˝ÚÓÈ Ê Ô˘ËÌ ÔË ‚˚Íβ˜ÂÌËË ÔËÚ‡ÌËfl ëçÄóÄãÄ
‚˚Íβ˜‡ÈÚ ÏÓÌËÚÓÌ˚ ‰Ë̇ÏËÍË.
•ç ‚ÒÚ‡‚ÎflÈÚ ԇθˆ˚ ËÎË ÛÍË ‚ ÓÚ‚ÂÒÚËfl ̇
ÛÒÚÓÈÒÚ‚Â.
•àÁ·Â„‡ÈÚ ÔÓÔ‡‰‡ÌËfl ÔÓÒÚÓÓÌÌËı Ô‰ÏÂÚÓ‚
(·Ûχ„Ë, Ô·ÒÚËÍÓ‚˚ı, ÏÂÚ‡Î΢ÂÒÍËı Ô‰ÏÂÚÓ‚ Ë
Ú.‰.) ‚ ÓÚ‚ÂÒÚËfl ̇ ÛÒÚÓÈÒÚ‚Â. Ç ˝ÚÓÏ ÒÎÛ˜‡Â
ÌÂωÎÂÌÌÓ ÓÚÒÓ‰ËÌËÚ USB-͇·Âθ ÓÚ ÛÒÚÓÈÒÚ‚‡.
á‡ÚÂÏ Ó·‡ÚËÚÂÒ¸ Á‡ ÔÓÏÓ˘¸˛ Í ÒÔˆˇÎËÒÚ‡Ï
ˆÂÌÚ‡ ÚÂıÌ˘ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡ÌËfl ÍÓÔÓ‡ˆËË
Yamaha.
• ç ÒΉÛÂÚ ‡·ÓÚ‡Ú¸ Ò ÛÒÚÓÈÒÚ‚ÓÏ ËÎË Ì‡Û¯ÌË͇ÏË Ò
‚˚ÒÓÍËÏ ËÎË ÌÂÍÓÏÙÓÚÌ˚Ï ÛÓ‚ÌÂÏ „ÓÏÍÓÒÚË, Ú‡Í
Í‡Í ˝ÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓÚ ÒÎÛı‡. èË ÛıÛ‰¯ÂÌËË
ÒÎÛı‡ ËÎË Á‚ÓÌ ‚ Û¯‡ı Ó·‡ÚËÚÂÒ¸ Í ‚‡˜Û.
•
ç ӷÎÓ͇˜Ë‚‡ÈÚÂÒ¸ ̇ ÛÒÚÓÈÒÚ‚Ó, Ì ÒÚ‡‚¸Ú ̇ Ì„Ó
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‚˚Íβ˜‡ÚÂÎflÏË Ë ‡Á˙ÂχÏË.
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åÂÒÚÓ ÛÒÚ‡ÌÓ‚ÍË
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(5)-10 1/2

84 AUDIOGRAM 3 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
ÇÒ„‰‡ ÓÚÒÓ‰ËÌflÈÚ USB-͇·Âθ ÓÚ ÍÓÏÔ¸˛Ú‡ ËÎË ‚˚Íβ˜‡ÈÚ ÍÓÏÔ¸˛ÚÂ, ˜ÚÓ·˚ ‚˚Íβ˜ËÚ¸ ÛÒÚÓÈÒÚ‚Ó,
ÍÓ„‰‡ ÓÌÓ Ì ËÒÔÓθÁÛÂÚÒfl.
䇘ÂÒÚ‚Ó ‡·ÓÚ˚ ÔÓ‰‚ËÊÌ˚ı ÍÓÏÔÓÌÂÌÚÓ‚, Ú‡ÍËı Í‡Í ‚˚Íβ˜‡ÚÂÎË, „ÛÎflÚÓ˚ „ÓÏÍÓÒÚË Ë ‡Á˙ÂÏ˚, ÒÓ
‚ÂÏÂÌÂÏ ÛıÛ‰¯‡ÂÚÒfl. èÓÍÓÌÒÛθÚËÛÈÚÂÒ¸ ÒÓ ÒÔˆˇÎËÒÚ‡ÏË ˆÂÌÚ‡ ÚÂıÌ˘ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡ÌËfl ÍÓÔÓ‡ˆËË
Yamaha.
ëèÖñàÄãúçõÖ ìÇÖÑéåãÖçàü
• àÒÍβ˜ËÚÂθÌ˚ ‡‚ÚÓÒÍË ԇ‚‡ ̇ ‰‡ÌÌÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ÔË̇‰ÎÂÊ‡Ú ÍÓÔÓ‡ˆËË Yamaha Corp.
• àÒÍβ˜ËÚÂθÌ˚ ‡‚ÚÓÒÍË ԇ‚‡ ̇ ÔË·„‡ÂÏÓ ÔÓ„‡ÏÏÌÓ ӷÂÒÔ˜ÂÌË ÔË̇‰ÎÂÊ‡Ú ÍÓÏÔ‡ÌËË
Steinberg Media Technologies GmbH.
•äÓÔËÓ‚‡ÌË ÔÓ„‡ÏÏÌÓ„Ó Ó·ÂÒÔ˜ÂÌËfl ËÎË ‚ÓÒÔÓËÁ‚‰ÂÌË ‰‡ÌÌÓ„Ó ÛÍÓ‚Ó‰ÒÚ‚‡ β·˚ÏË ÒÔÓÒÓ·‡ÏË ·ÂÁ
ÔËÒ¸ÏÂÌÌÓ„Ó Òӄ·ÒËfl ÔÓËÁ‚Ó‰ËÚÂÎfl ͇Ú„Ó˘ÂÒÍË Á‡Ô¢ÂÌ˚.
•äÓÔÓ‡ˆËfl Yamaha Ì ‰Â·ÂÚ ÌË͇ÍËı Á‡fl‚ÎÂÌËÈ, Ì ‰‡ÂÚ ÌË͇ÍËı „‡‡ÌÚËÈ ÓÚÌÓÒËÚÂθÌÓ ËÒÔÓθÁÓ‚‡ÌËfl
ÔÓ„‡ÏÏÌÓ„Ó Ó·ÂÒÔ˜ÂÌËfl Ë ÌË ÔË Í‡ÍËı Ó·ÒÚÓflÚÂθÒÚ‚‡ı Ì ÌÂÒÂÚ ÓÚ‚ÂÚÒÚ‚ÂÌÌÓÒÚË Á‡ ÔÓÒΉÒÚ‚Ëfl
ËÒÔÓθÁÓ‚‡ÌËfl ˝ÚÓ„Ó ÛÍÓ‚Ó‰ÒÚ‚‡ Ë ÔÓ„‡ÏÏÌÓ„Ó Ó·ÂÒÔ˜ÂÌËfl.
•чÌÌ˚È ‰ËÒÍ, ÒÓ‰Âʇ˘ËÈ ÔÓ„‡ÏÏÌÓ ӷÂÒÔ˜ÂÌËÂ, Ì Ô‰̇Á̇˜ÂÌ ‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl ‚ ‚ËÁۇθÌÓÈ ËÎË
‡Û‰ËÓÒËÒÚÂÏ (ÔÓË„˚‚‡ÚÂθ ÍÓÏÔ‡ÍÚ-‰ËÒÍÓ‚, ÔÓË„˚‚‡ÚÂθ DVD-‰ËÒÍÓ‚ Ë Ú.‰.). ç Ô˚Ú‡ÈÚÂÒ¸ ËÒÔÓθÁÓ‚‡Ú¸
˝ÚÓÚ ‰ËÒÍ Ì‡ Ó·ÓÛ‰Ó‚‡ÌËË, ÓÚ΢ÌÓÏ ÓÚ ÍÓÏÔ¸˛Ú‡.
•éβ·ÓÏ Ó·ÌÓ‚ÎÂÌËË ÔËÎÓÊÂÌËfl Ë ÒËÒÚÂÏÌÓ„Ó ÔÓ„‡ÏÏÌÓ„Ó Ó·ÂÒÔ˜ÂÌËfl, ‡ Ú‡ÍÊÂ Ó Î˛·˚ı ËÁÏÂÌÂÌËflı ‚
ÚÂıÌ˘ÂÒÍËı ı‡‡ÍÚÂËÒÚË͇ı Ë ÙÛÌ͈Ëflı ·Û‰ÂÚ Ó·˙fl‚ÎÂÌÓ ‰ÓÔÓÎÌËÚÂθÌÓ.
• àÎβÒÚ‡ˆËË Ò ËÁÓ·‡ÊÂÌËflÏË Ì‡ ˝Í‡Ì Ô˂‰ÂÌ˚ ‚ ‰‡ÌÌÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÚÓθÍÓ ‚ ͇˜ÂÒÚ‚Â ÔËÏÂÓ‚, ̇
‚‡¯ÂÏ ÍÓÏÔ¸˛Ú ‚Ò ÏÓÊÂÚ ‚˚„Îfl‰ÂÚ¸ ÌÂÒÍÓθÍÓ Ë̇˜Â.
àÎβÒÚ‡ˆËË Ë ÒÌËÏÍË Üä-‰ËÒÔ΂ Ô˂‰ÂÌ˚ ‚ ‰‡ÌÌÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÚÓθÍÓ ‚ ͇˜ÂÒÚ‚Â ÔËÏÂÓ‚. Ç
‰ÂÈÒÚ‚ËÚÂθÌÓÒÚË ‚Ò ÏÓÊÂÚ ‚˚„Îfl‰ÂÚ¸ ÌÂÒÍÓθÍÓ Ë̇˜Â.
ùÚÓÚ ÔÓ‰ÛÍÚ ‚Íβ˜‡ÂÚ ÍÓÏÔ¸˛ÚÂÌ˚ ÔÓ„‡ÏÏ˚ Ë ÒÓ‰ÂÊËÏÓÂ, ‡‚ÚÓÒÍË ԇ‚‡ ̇ ÍÓÚÓ˚ ÔË̇‰ÎÂʇÚ
ÍÓÔÓ‡ˆËË Yamaha ËÎË Ô‡‚Ó Ì‡ ËÒÔÓθÁÓ‚‡ÌË ÍÓÚÓ˚ı ÔÓÎÛ˜ÂÌÓ ÔÓ ÎˈÂÌÁËË ÓÚ ‰Û„Ëı ÙËÏ. ä χÚ¡·Ï,
Á‡˘Ë˘ÂÌÌ˚Ï ‡‚ÚÓÒÍËÏË Ô‡‚‡ÏË, ÓÚÌÓÒflÚÒfl ‚Ò ·ÂÁ ËÒÍβ˜ÂÌËfl ÍÓÏÔ¸˛ÚÂÌ˚ ÔÓ„‡ÏÏ˚, ÏÛÁ˚͇θÌ˚Â
Á‚ÛÍÓÁ‡ÔËÒË Ë Ú.‰. ã˛·Ó ÌÂÒ‡Ì͈ËÓÌËÓ‚‡ÌÌÓ ËÒÔÓθÁÓ‚‡ÌË ڇÍËı ÔÓ„‡ÏÏ Ë ÒÓ‰ÂÊËÏÓ„Ó, ‚˚ıÓ‰fl˘Â Á‡
‡ÏÍË Î˘ÌÓ„Ó ÔÓθÁÓ‚‡ÌËfl, Á‡Ô¢ÂÌÓ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏË Á‡ÍÓ̇ÏË. ã˛·Ó ̇ۯÂÌË ‡‚ÚÓÒÍËı Ô‡‚
ÔÂÒΉÛÂÚÒfl ÔÓ Á‡ÍÓÌÛ. çÖ ëéáÑÄÇÄâíÖ, çÖ êÄëèêéëíêÄçüâíÖ à çÖ àëèéãúáìâíÖ çÖáÄäéççõÖ äéèàà.
• Windows fl‚ÎflÂÚÒfl ÚÓ‚‡Ì˚Ï Á̇ÍÓÏ ÍÓÔÓ‡ˆËË Microsoft®, Á‡Â„ËÒÚËÓ‚‡ÌÌ˚Ï ‚ ëòÄ Ë ‰Û„Ëı Òڇ̇ı.
• Apple, Mac Ë Macintosh fl‚Îfl˛ÚÒfl ÚÓ‚‡Ì˚ÏË Á͇̇ÏË ÍÓÔÓ‡ˆËË Apple Inc., Á‡Â„ËÒÚËÓ‚‡ÌÌ˚ÏË ‚ ëòÄ Ë
‰Û„Ëı Òڇ̇ı.
• ç‡Á‚‡ÌËfl ÙËÏ Ë ÔÓ‰ÛÍÚÓ‚, ËÒÔÓθÁÛÂÏ˚ ‚ ‰‡ÌÌÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â, fl‚Îfl˛ÚÒfl ÚÓ‚‡Ì˚ÏË Á͇̇ÏË ËÎË
Á‡Â„ËÒÚËÓ‚‡ÌÌ˚ÏË ÚÓ‚‡Ì˚ÏË Á͇̇ÏË ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ÍÓÏÔ‡ÌËÈ.
*íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË Ë Ëı ÓÔËÒ‡ÌËfl ‚ ‰‡ÌÌÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl Ô‰̇Á̇˜ÂÌ˚ ÚÓθÍÓ ‰Îfl
Ó·˘Â„Ó Ò‚Â‰ÂÌËfl. äÓÔÓ‡ˆËfl Yamaha ÒÓı‡ÌflÂÚ Á‡ ÒÓ·ÓÈ Ô‡‚Ó ÏÓ‰ËÙˈËÓ‚‡Ú¸ Ò‚ÓË ËÁ‰ÂÎËfl Ë ÏÂÌflÚ¸ Ëı
ÚÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË ·ÂÁ Ô‰‚‡ËÚÂθÌÓ„Ó Û‚Â‰ÓÏÎÂÌËfl. èÓÒÍÓθÍÛ ÚÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË,
Ó·ÓÛ‰Ó‚‡ÌËÂ Ë Ì‡·Ó ‚ÓÁÏÓÊÌÓÒÚÂÈ ÏÓ„ÛÚ Á‡‚ËÒÂÚ¸ ÓÚ Â„ËÓ̇, Ó·‡˘‡ÈÚÂÒ¸ Á‡ ËÌÙÓχˆËÂÈ Í ÏÂÒÚÌÓÏÛ
Ô‰ÒÚ‡‚ËÚÂβ ÍÓÔÓ‡ˆËË Yamaha.
ÉÌÂÁ‰‡ MIC/INST (ÚËÔ XLR) ËÏÂ˛Ú ÒÎÂ‰Û˛˘Û˛ ÒıÂÏÛ (Òڇ̉‡Ú IEC60268): ÍÓÌÚ‡ÍÚ 1: Á‡ÁÂÏÎÂÌËÂ, ÍÓÌÚ‡ÍÚ 2:
ÔÎ˛Ò (+) Ë ÍÓÌÚ‡ÍÚ 3: ÏËÌÛÒ (-).
äÓÔÓ‡ˆËfl Yamaha Ì ÌÂÒÂÚ ÓÚ‚ÂÚÒÚ‚ÂÌÌÓÒÚË Á‡ ÔÓ‚ÂʉÂÌËfl, ‚˚Á‚‡ÌÌ˚ ÌÂÔ‡‚ËθÌÓÈ ˝ÍÒÔÎÛ‡Ú‡ˆËÂÈ
ËÎË ÏÓ‰ËÙË͇ˆËÂÈ ÛÒÚÓÈÒÚ‚‡, ‡ Ú‡ÍÊ Á‡ ÔÓÚÂflÌÌ˚ ËÎË ËÒÔÓ˜ÂÌÌ˚ ‰‡ÌÌ˚Â.
21
3

85
AUDIOGRAM 3 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
ǂ‰ÂÌË .............................................................................................................85
ëÓ‰ÂʇÌËÂ........................................................................................................85
éÒÓ·ÂÌÌÓÒÚË ....................................................................................................... 86
ç‡ÒÚÓÈ͇............................................................................................................87
ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó .......................................................................................88
1. ìÒÚ‡Ìӂ͇ Cubase AI...................................................................................... 88
2. èÓ‰Íβ˜ÂÌËÂ Í ËÌÚÂÙÂÈÒÛ AUDIOGRAM...................................................88
3. ÇÍβ˜ÂÌË ÔËÚ‡ÌËfl ÒËÒÚÂÏ˚........................................................................ 89
4. ç‡ÒÚÓÈ͇ ÛÓ‚Ìfl........................................................................................... 90
5. À‡ÔËÒ¸ Ò ÔÓÏÓ˘¸˛ Cubase AI.......................................................................90
6. åËͯËÓ‚‡ÌËÂ Ò ÔÓÏÓ˘¸˛ Cubase AI..........................................................96
鄇Ì˚ ÛÔ‡‚ÎÂÌËfl Ë ÙÛÌ͈ËË ......................................................................98
ëıÂχ ÔÓıÓʉÂÌËfl ‚ıÓ‰ÌÓ„Ó Ò˄̇·............................................................99
èÓËÒÍ Ë ÛÒÚ‡ÌÂÌË ÌÂËÒÔ‡‚ÌÓÒÚÂÈ ..........................................................100
íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË........................................................................128
鷢ˠı‡‡ÍÚÂËÒÚËÍË....................................................................................128
ëıÂχ ÛÒÚÓÈÒÚ‚‡ Ò Û͇Á‡ÌËÂÏ ‡ÁÏÂÓ‚...................................................... 128
ÅÎÓÍ-ÒıÂχ Ë ‰Ë‡„‡Ïχ ÛÓ‚ÌÂÈ...................................................................129
é ‰ÓÔÓÎÌËÚÂθÌÓÏ ‰ËÒÍÂ...............................................................................134
ǂ‰ÂÌËÂ
Å·„Ó‰‡ËÏ ‚‡Ò Á‡ ÔÓÍÛÔÍÛ ÒËÒÚÂÏ˚ Yamaha AUDIOGRAM 3 Computer Recording System. ëËÒÚÂχ
AUDIOGRAM 3 ÒÓÒÚÓËÚ ËÁ ‡Û‰ËÓËÌÚÂÙÂÈÒ‡ USB ‰Îfl Ô‰‡˜Ë ‡Û‰ËÓ‰‡ÌÌ˚ı Ë DAW (ˆËÙÓ‚‡fl
Á‚ÛÍÓ‚‡fl ‡·Ó˜‡fl Òڇ̈Ëfl) ÔËÎÓÊÂÌËfl Cubase AI, ÒÓ‚ÏÂÒÚËÏÓ„Ó Ò ÓÔ‡ˆËÓÌÌ˚ÏË ÒËÒÚÂχÏË
Windows® Ë Macintosh®. èÓ‰Íβ˜Ë‚ AUDIOGRAM 3 Í ÔÂÒÓ̇θÌÓÏÛ ÍÓÏÔ¸˛ÚÂÛ, ‚˚ ÔÓÎÛ˜ËÚÂ
ÓÒÌÓ‚Ì˚ ÙÛÌ͈ËË ‚˚ÒÓÍÓÔÓËÁ‚Ó‰ËÚÂθÌÓÈ ÍÓÏÔ¸˛ÚÂÌÓÈ ÒËÒÚÂÏ˚ Á‡ÔËÒË, ÓÚ΢‡˛˘ÂÈÒfl
ÔÓÒÚÓÚÓÈ Ì‡ÒÚÓÈÍË Ë ÛÔ‡‚ÎÂÌËfl.
ÇÌËχÚÂθÌÓ ÔÓ˜ËÚ‡ÈÚ ‰‡ÌÌÓ ÛÍÓ‚Ó‰ÒÚ‚Ó Ô‰ ËÒÔÓθÁÓ‚‡ÌËÂÏ, ˜ÚÓ·˚ ‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl
‚ÒÂÏË ÔÂËÏÛ˘ÂÒÚ‚‡ÏË Ô‚ÓÒıÓ‰ÌÓÈ ÙÛÌ͈ËÓ̇θÌÓÒÚË ËÌÚÂÙÂÈÒ‡ Ë Ì‡Ò·ʉ‡Ú¸Òfl
·ÂÁÓÚ͇ÁÌÓÈ ‡·ÓÚÓÈ ‚ Ú˜ÂÌË ÏÌÓ„Ëı ÎÂÚ. èÓÒΠÔÓ˜ÚÂÌËfl ÒÓı‡ÌËÚ ÛÍÓ‚Ó‰ÒÚ‚Ó ‚ ̇‰ÂÊÌÓÏ
ÏÂÒÚÂ.
ëÓ‰ÂʇÌËÂ

86 AUDIOGRAM 3 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
èÓ‰Íβ˜ÂÌËÂ Í ÍÓÏÔ¸˛ÚÂÛ Ò ÔÓÏÓ˘¸˛ Ó‰ÌÓ„Ó USB-͇·ÂÎfl (ÒÚ. 88)
àÌÚÂÙÂÈÒ AUDIOGRAM ÏÓÊÌÓ ÔÓ‰Íβ˜ËÚ¸ Í ÍÓÏÔ¸˛ÚÂÛ Ò ÔÓÏÓ˘¸˛ ÔË·„‡ÂÏÓ„Ó USB-͇·ÂÎfl. ëÚÂÂÓ
‡Û‰ËÓ‰‡ÌÌ˚ Ô‰‡˛ÚÒfl ˜ÂÂÁ USB-ÒÓ‰ËÌÂÌË ‚ Ó·ÓËı ̇ԇ‚ÎÂÌËflı: ËÁ ËÌÚÂÙÂÈÒ‡ ‚ ÍÓÏÔ¸˛ÚÂ Ë Ì‡Ó·ÓÓÚ
(˜‡ÒÚÓÚ‡ ‰ËÒÍÂÚËÁ‡ˆËË 44,1 ÍɈ ËÎË 48 ÍɈ).
ç Ú·ÛÂÚÒfl ÛÒÚ‡Ìӂ͇ ‰‡È‚ÂÓ‚ (ÒÚ. 88)
ëËÒÚÂχ AUDIOGRAM ËÒÔÓθÁÛÂÚ Òڇ̉‡ÚÌ˚ ‰‡È‚Â˚, Ëϲ˘ËÂÒfl ‚ ÓÔ‡ˆËÓÌÌÓÈ ÒËÒÚÂÏ ÍÓÏÔ¸˛Ú‡,
ÔÓ˝ÚÓÏÛ Ì ÌÛÊÌÓ ÛÒڇ̇‚ÎË‚‡Ú¸ ÌË͇ÍË ‰ÓÔÓÎÌËÚÂθÌ˚ ‰‡È‚Â˚.
èË·„‡ÂÚÒfl DAW ÔËÎÓÊÂÌË Cubase AI (ÒÚ. 88)
èÓ„‡Ïχ Cubase AI, ÔË·„‡Âχfl Í AUDIOGRAM, Ô‰ÓÒÚ‡‚ÎflÂÚ ÛÌË‚Â҇θÌ˚Â Ë ‚˚ÒÓÍÓ˝ÙÙÂÍÚË‚Ì˚Â
‚ÓÁÏÓÊÌÓÒÚË Á‡ÔËÒË Ì‡ ÊÂÒÚÍËÈ ‰ËÒÍ.
î‡ÌÚÓÏÌÓ ÔËÚ‡ÌË 48 Ç (ÒÚ. 98)
Ç˚Íβ˜‡ÚÂθ PHANTOM Ó·ÂÒÔ˜˂‡ÂÚ ÔÓ‰‡˜Û Ù‡ÌÚÓÏÌÓ„Ó ÔËÚ‡ÌËfl +48 Ç Ì‡ ÏËÍÓÙÓÌÌ˚È ‚ıÓ‰ ͇̇· 1,
˜ÚÓ·˚ ÏÓÊÌÓ ·˚ÎÓ ËÒÔÓθÁÓ‚‡Ú¸ ‚˚ÒÓÍÓ͇˜ÂÒÚ‚ÂÌÌ˚ ÍÓ̉ÂÌÒ‡ÚÓÌ˚ ÏËÍÓÙÓÌ˚ Ò Ù‡ÌÚÓÏÌ˚Ï ÔËÚ‡ÌËÂÏ ‰Îfl
ÓÔÚËχθÌÓ„Ó Í‡˜ÂÒÚ‚‡ Á‡ÔËÒË.
éÒÓ·ÂÌÌÓÒÚË
èË̇‰ÎÂÊÌÓÒÚË
•DVD-‰ËÒÍ Cubase AI
•USB-͇·Âθ
•êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl (‰‡Ì̇fl ÍÌË„‡)
fl…

87
AUDIOGRAM 3 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
ç‡ÒÚÓÈ͇
é·flÁ‡ÚÂθÌÓ ‚Íβ˜‡ÈÚÂ
‚˚Íβ˜‡ÚÂθ PHANTOM +48V (
★
)
ÔË ËÒÔÓθÁÓ‚‡ÌËË ÍÓ̉ÂÌÒ‡ÚÓÌÓ„Ó
ÏËÍÓÙÓ̇ Ò Ù‡ÌÚÓÏÌ˚Ï ÔËÚ‡ÌËÂÏ.
åËÍÓÙÓÌ
ä·‚˯Ì˚È ÏÛÁ˚͇θÌ˚È ËÌÒÚÛÏÂÌÚ Ë Ú.‰.
äÓÏÔ¸˛ÚÂ
ç‡Û¯ÌËÍË
ÄÛ‰ËÓÒËÒÚÂχ
ÑÎfl ÔÓ‰Íβ˜ÂÌËfl ÛÒÚÓÈÒÚ‚‡,
̇ÔËÏÂ, ÏËÍÓÙÓ̇:
ÑÎfl ÔÓ‰Íβ˜ÂÌËfl ËÌÒÚÛÏÂÌÚ‡,
̇ÔËÏÂ, ˝ÎÂÍÚÓ„ËÚ‡˚ ËÎË
·‡Ò-„ËÚ‡˚:
USB-͇·Âθ Cubase AI

88 AUDIOGRAM 3 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó
Ç ‰‡ÌÌÓÏ Í‡ÚÍÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓ Ì‡ÒÚÓÈÍÂ Ë ËÒÔÓθÁÓ‚‡Ì˲ ÓÔËÒ˚‚‡˛ÚÒfl ‚Ò Ôӈ‰Û˚, ̇˜Ë̇fl Ò
ÛÒÚ‡ÌÓ‚ÍË èé Cubase AI Ë Á‡Í‡Ì˜Ë‚‡fl Á‡ÔËÒ¸˛ Ë ÓÍÓ̘‡ÚÂθÌ˚Ï Ò‚Â‰ÂÌËÂÏ ‚ÒÂı ‰ÓÓÊÂÍ ‚ Ó‰ËÌ Ù‡ÈÎ Ò
ÔÓÏÓ˘¸˛ Cubase AI. ÇÓ ‚ÂÏfl ÔÓ˜ÚÂÌËfl ‰‡ÌÌÓ„Ó ‡Á‰Â·, ‚ÓÁÏÓÊÌÓ, Ô˄ӉËÚÒfl ËÌÙÓχˆËfl ‚
‡Á‰ÂΠ«é„‡Ì˚ ÛÔ‡‚ÎÂÌËfl Ë ÙÛÌ͈ËË» ̇ ÒÚ. 98, ‡ Ú‡ÍÊ ÒÓ‰Âʇ˘‡flÒfl ‚ ÛÍÓ‚Ó‰ÒÚ‚Â ‚ ÙÓχÚÂ
PDF, ÍÓÚÓÓ ÔË·„‡ÂÚÒfl Í èé Cubase AI.
1À‡ÔÛÒÚËÚ ÍÓÏÔ¸˛ÚÂ Ë ‚ÓȉËÚ ‚ ÒËÒÚÂÏÛ Ò ÔÓÏÓ˘¸˛ Û˜ÂÚÌÓÈ Á‡ÔËÒË ‡‰ÏËÌËÒÚ‡ÚÓ‡.
2ÇÒÚ‡‚¸Ú ÔË·„‡ÂÏ˚È DVD-‰ËÒÍ ‚ ‰ËÒÍÓ‚Ó‰ DVD-ROM ÍÓÏÔ¸˛Ú‡.
3ëΉÛÈÚ ËÌÒÚÛ͈ËflÏ Ì‡ ˝Í‡Ì ‰Îfl ÛÒÚ‡ÌÓ‚ÍË èé Cubase AI.
•ÑÎfl ‰ÎËÚÂθÌÓ„Ó ËÒÔÓθÁÓ‚‡ÌËfl ÔÓ„‡ÏÏ˚ Cubase AI, ‚ ÚÓÏ ˜ËÒΠ‚ÓÁÏÓÊÌÓÒÚÂÈ ÔÓ ÔÓ‰‰ÂÊÍ Ë
‰Û„Ëı ÔÂËÏÛ˘ÂÒÚ‚, ÌÂÓ·ıÓ‰ËÏÓ ‡ÍÚË‚ËÓ‚‡Ú¸ ÎˈÂÌÁ˲ ̇ ÔÓ„‡ÏÏÌÓ ӷÂÒÔ˜ÂÌË Ë
Á‡Â„ËÒÚËÓ‚‡Ú¸ ÔÓ„‡ÏÏÛ, Á‡ÔÛÒÚË‚  ̇ ÔÓ‰Íβ˜ÂÌÌÓÏ Í àÌÚÂÌÂÚÛ ÍÓÏÔ¸˛ÚÂÂ. ç‡ÊÏËÚ ÍÌÓÔÍÛ
«Register Now» ‚ ÓÍÌ Á‡ÔÛÒ͇ ÔÓ„‡ÏÏÌÓ„Ó Ó·ÂÒÔ˜ÂÌËfl Ë Á‡ÔÓÎÌËÚ ÔÓÎfl, ÌÂÓ·ıÓ‰ËÏ˚ ‰Îfl
„ËÒÚ‡ˆËË. ÖÒÎË Ì Á‡Â„ËÒÚËÓ‚‡Ú¸ ÔÓ‰ÛÍÚ, ˜ÂÂÁ ÌÂÍÓÚÓÓ ‚ÂÏfl ÔËÎÓÊÂÌË ÔÂÂÒÚ‡ÌÂÚ
‡·ÓÚ‡Ú¸.
•óÚÓ·˚ ‚˚ÔÓÎÌËÚ¸ ÛÒÚ‡ÌÓ‚ÍÛ Ì‡ ÍÓÏÔ¸˛Ú‡ı Macintosh, ‰‚‡Ê‰˚ ˘ÂÎÍÌËÚ Á̇˜ÓÍ «Cubase AI*.mpkg» ËÎË
Á̇˜ÓÍ «Cubase AI* Start Center».
«*» ÔÓ͇Á˚‚‡ÂÚ ÏÂÒÚÓ, „‰Â ‚ ‡θÌÓÏ ËÏÂÌË Á̇˜Í‡ ÓÚÓ·‡Ê‡ÂÚÒfl ÌÓÏ ‚ÂÒËË.
• ÑÎfl ÔÓÎÛ˜ÂÌËfl ÔÓÒΉÌÂÈ ËÌÙÓχˆËË ÔÓÒÂÚËÚ ‚·-Ò‡ÈÚ ÔÓ ÒÎÂ‰Û˛˘ÂÏÛ ‡‰ÂÒÛ:
<http://www.yamahasynth.com/>
1Ç˚Íβ˜ËÚ ‚Ò ӷÓÛ‰Ó‚‡ÌËÂ, ÔÓ‰Íβ˜‡ÂÏÓÂ Í AUDIOGRAM, ËÎË Ô‚‰ËÚÂ Â„Ó ‚ ÂÊËÏ
ÓÊˉ‡ÌËfl (ÍÓÏ ÍÓÏÔ¸˛Ú‡), Á‡ÚÂÏ ÛÒÚ‡ÌÓ‚ËÚ „ÛÎflÚÓ˚ LEVEL Ë Â„ÛÎflÚÓ OUT LEVEL ̇
ÏËÌËχθÌÓ Á̇˜ÂÌËÂ.
2èÓ‰ÒÓ‰ËÌËÚ ÏËÍÓÙÓÌ˚ Ë/ËÎË ËÌÒÚÛÏÂÌÚ˚.
èÓ‰Ó·Ì˚ ËÌÒÚÛ͈ËË ÔÓ ÔÓ‰Íβ˜ÂÌ˲ ÒÏ. ‚ ‡Á‰ÂΠ«ç‡ÒÚÓÈ͇» ̇ ÒÚ. 87 Ë ‡Á‰ÂΠ«é„‡Ì˚
ÛÔ‡‚ÎÂÌËfl Ë ÙÛÌ͈ËË» ̇ ÒÚ. 98.
3ìÒÚ‡ÌÓ‚ËÚ ÔÂÂÍβ˜‡ÚÂθ MIC/INST ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÚËÔÓÏ ÛÒÚÓÈÒÚ‚‡, ÔÓ‰Íβ˜ÂÌÌÓ„Ó Í Í‡Ì‡ÎÛ 1.
Ç˚·ÂËÚ MIC ( ), ÂÒÎË ÔÓ‰Íβ˜ÂÌ ÏËÍÓÙÓÌ, ËÎË INST ( ), ÂÒÎË ÔÓ‰Íβ˜Â̇ „ËÚ‡‡ ËÎË ÒıÓÊËÈ
ËÌÒÚÛÏÂÌÚ.
ò‡„ 1ìÒÚ‡Ìӂ͇ Cubase AI
ò‡„ 2èÓ‰Íβ˜ÂÌËÂ Í ËÌÚÂÙÂÈÒÛ AUDIOGRAM
èêàåÖóÄçàÖ
ê„ÛÎflÚÓ OUT LEVELê„ÛÎflÚÓ˚ LEVEL
é·flÁ‡ÚÂθÌÓ ‚Íβ˜‡ÈÚÂ
‚˚Íβ˜‡ÚÂθ PHANTOM +48V
ÔË ËÒÔÓθÁÓ‚‡ÌËË
ÍÓ̉ÂÌÒ‡ÚÓÌÓ„Ó ÏËÍÓÙÓ̇ Ò
Ù‡ÌÚÓÏÌ˚Ï ÔËÚ‡ÌËÂÏ.

ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó
89
AUDIOGRAM 3 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
ÇÓ ËÁ·ÂʇÌË „ÓÏÍËı ıÎÓÔÍÓ‚ Ë ¯ÛÏÓ‚ ‚Íβ˜‡ÈÚ ÔËÚ‡ÌË Á‚ÛÍÓ‚Ó„Ó Ó·ÓÛ‰Ó‚‡ÌËfl, ̇˜Ë̇fl Ò ËÒÚÓ˜ÌËÍÓ‚
(ËÌÒÚÛÏÂÌÚÓ‚, ÔÓË„˚‚‡ÚÂÎÂÈ ÍÓÏÔ‡ÍÚ-‰ËÒÍÓ‚ Ë Ú.‰.) Ë Á‡Í‡Ì˜Ë‚‡fl ‡Û‰ËÓÒËÒÚÂÏÓÈ (ÏÓÌËÚÓÌ˚ÏË
‰Ë̇ÏË͇ÏË).
1ÇÍβ˜ËÚ ËÌÒÚÛÏÂÌÚ˚ Ë ÏËÍÓÙÓÌ˚.
2èË ËÒÔÓθÁÓ‚‡ÌËË ÍÓ̉ÂÌÒ‡ÚÓÌÓ„Ó ÏËÍÓÙÓ̇, ÔÓ‰Íβ˜ÂÌÌÓ„Ó Í Í‡Ì‡ÎÛ 1, ‚Íβ˜ËÚÂ
‚˚Íβ˜‡ÚÂθ PHANTOM +48V.
èË ‚Íβ˜ÂÌËË Ù‡ÌÚÓÏÌÓ„Ó ÔËÚ‡ÌËfl Òӷ≇ÈÚ ÒÎÂ‰Û˛˘ËÏ ÏÂ˚ Ô‰ÓÒÚÓÓÊÌÓÒÚË.
•é·flÁ‡ÚÂθÌÓ ‚˚Íβ˜‡ÈÚ ‚˚Íβ˜‡ÚÂθ PHANTOM +48V, ÂÒÎË Ù‡ÌÚÓÏÌÓ ÔËÚ‡ÌË ÌÂ
Ú·ÛÂÚÒfl.
•èË ‚Íβ˜ÂÌËË ‚˚Íβ˜‡ÚÂÎfl ۷‰ËÚÂÒ¸, ˜ÚÓ Í ‚ıÓ‰ÌÓÏÛ „ÌÂÁ‰Û MIC/INST ÔÓ‰ÒÓ‰ËÌÂÌ ÚÓθÍÓ
ÍÓ̉ÂÌÒ‡ÚÓÌ˚È ÏËÍÓÙÓÌ. èÓ‰‡˜‡ Ù‡ÌÚÓÏÌÓ„Ó ÔËÚ‡ÌËfl ̇ ‰Û„Ë ÛÒÚÓÈÒÚ‚‡ ÏÓÊÂÚ
ÔË‚ÂÒÚË Í Ëı ÔÓ‚ÂʉÂÌ˲. ùÚ‡ χ Ô‰ÓÒÚÓÓÊÌÓÒÚË Ì ÓÚÌÓÒËÚÒfl Í Ò·‡Î‡ÌÒËÓ‚‡ÌÌ˚Ï
˝ÎÂÍÚÓ‰Ë̇Ï˘ÂÒÍËÏ ÏËÍÓÙÓÌ‡Ï Ë ËÌÒÚÛÏÂÌÚ‡Ï Ò „ÌÂÁ‰ÓÏ ‰Îfl ̇ۯÌËÍÓ‚, Ú‡Í Í‡Í
Ù‡ÌÚÓÏÌÓ ÔËÚ‡ÌË Ì ‚ÎËflÂÚ Ì‡ Ú‡ÍË ÛÒÚÓÈÒÚ‚‡.
•ÇÓ ËÁ·ÂʇÌË ÔÓ‚ÂʉÂÌËfl ‰Ë̇ÏËÍÓ‚ Ô‰ ‚Íβ˜ÂÌËÂÏ ËÎË ‚˚Íβ˜ÂÌËÂÏ ˝ÚÓ„Ó
‚˚Íβ˜‡ÚÂÎfl Ó·flÁ‡ÚÂθÌÓ ‚˚Íβ˜‡ÈÚ ‡Û‰ËÓÒËÒÚÂÏÛ (ÏÓÌËÚÓÌ˚ ‰Ë̇ÏËÍË). ÇÓ ËÁ·ÂʇÌËÂ
‚˚‚Ó‰‡ „ÓÏÍÓ„Ó Á‚Û͇, ÍÓÚÓ˚È ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓÚ ÒÎÛı‡ ËÎË ÔÓ‚ÂʉÂÌ˲
ÛÒÚÓÈÒÚ‚‡, Ô‰ ËÒÔÓθÁÓ‚‡ÌËÂÏ ˝ÚÓ„Ó ‚˚Íβ˜‡ÚÂÎfl Ú‡ÍÊ ÂÍÓÏẨÛÂÚÒfl ÛÒڇ̇‚ÎË‚‡Ú¸
„ÛÎflÚÓ OUT LEVEL ̇ ÏËÌËχθÌÓ Á̇˜ÂÌËÂ.
3èÓ‰Íβ˜ËÚ ËÌÚÂÙÂÈÒ AUDIOGRAM Í ÍÓÏÔ¸˛ÚÂÛ Ò ÔÓÏÓ˘¸˛ ÔË·„‡ÂÏÓ„Ó USB-͇·ÂÎfl.
À‡„ÓËÚÒfl Ë̉Ë͇ÚÓ POWER, ÓÁ̇˜‡fl, ˜ÚÓ Ì‡ ËÌÚÂÙÂÈÒ AUDIOGRAM ÔÓ‰‡ÂÚÒfl ÔËÚ‡ÌËÂ.
èË ÔÓ‰ÒÓ‰ËÌÂÌËË ËÎË ÓÚÒÓ‰ËÌÂÌËË USB-͇·ÂÎfl Ó·flÁ‡ÚÂθÌÓ ÛÒڇ̇‚ÎË‚‡ÈÚ „ÛÎflÚÓ OUT
LEVEL ̇ ÏËÌËχθÌÓ Á̇˜ÂÌËÂ.
èË Ô‚ÓÏ ÔÓ‰Íβ˜ÂÌËË Í USB-‡Á˙ÂÏÛ ÍÓÏÔ¸˛Ú‡ ËÎË ÔÓ‰Íβ˜ÂÌËË Í ‰Û„ÓÏÛ USB-
ÔÓÚÛ ÏÓÊÂÚ ÔÓfl‚ËÚ¸Òfl ÓÍÌÓ ÛÒÚ‡ÌÓ‚ÍË ‰‡È‚‡. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÔÓ‰ÓʉËÚÂ, ÔÓ͇
Á‡‚¯ËÚÒfl ÛÒÚ‡Ìӂ͇, Á‡ÚÂÏ ÔÓ‰ÓÎʇÈÚÂ.
4ÇÍβ˜ËÚ ÔËÚ‡ÌË ‡Û‰ËÓÒËÒÚÂÏ˚ (ÏÓÌËÚÓÌ˚ı ‰Ë̇ÏËÍÓ‚).
ò‡„ 3ÇÍβ˜ÂÌË ÔËÚ‡ÌËfl ÒËÒÚÂÏ˚
åÂ˚ Ô‰ÓÒÚÓÓÊÌÓÒÚË ÔË ÔÓ‰Íβ˜ÂÌËË USB
é·flÁ‡ÚÂθÌÓ Òӷ≇ÈÚ ÒÎÂ‰Û˛˘Ë ԇ‚Ë· ÔË ÔÓ‰Íβ˜ÂÌËË Í USB-ËÌÚÂÙÂÈÒÛ ÍÓÏÔ¸˛Ú‡.
çÂÒӷβ‰ÂÌË ˝ÚËı Ô‡‚ËÎ ÏÓÊÂÚ ÔË‚ÂÒÚË Í Á‡‚ËÒ‡Ì˲ ÍÓÏÔ¸˛Ú‡ Ë, ‚ÓÁÏÓÊÌÓ, Í ÔÓÚ ËÎË
ÔÓ‚ÂʉÂÌ˲ ‰‡ÌÌ˚ı. ÖÒÎË ËÌÒÚÛÏÂÌÚ ËÎË ÍÓÏÔ¸˛Ú ‚ÒÂ-Ú‡ÍË Á‡‚ËÒ, ÔÂÂÁ‡ÔÛÒÚËÚ ÔËÎÓÊÂÌË ËÎË
ÍÓÏÔ¸˛ÚÂ.
•é·flÁ‡ÚÂθÌÓ Ô‚‰ËÚ ÍÓÏÔ¸˛Ú ËÁ ÒÔfl˘Â„Ó ÂÊËχ, ÂÊËχ ÔËÓÒÚ‡ÌÓ‚ÍË ËÎË
ÓÊˉ‡ÌËfl ‚ ‡·Ó˜ËÈ ÂÊËÏ, Ô‰ ÚÂÏ Í‡Í ÔÓ‰Íβ˜‡Ú¸Òfl Í USB-‡Á˙ÂÏÛ ÍÓÏÔ¸˛Ú‡.
•ÇÒ„‰‡ Á‡‚¯‡ÈÚ ‡·ÓÚÛ ‚ÒÂı Á‡ÔÛ˘ÂÌÌ˚ı ÔËÎÓÊÂÌËÈ Ô‰ ÔÓ‰ÒÓ‰ËÌÂÌËÂÏ ËÎË
ÓÚÒÓ‰ËÌÂÌËÂÏ USB-͇·ÂÎfl.
•èÓ‰ÓʉËÚ ıÓÚfl ·˚ 6 ÒÂÍÛ̉ ÔÓÒΠÔÓ‰ÒÓ‰ËÌÂÌËfl ËÎË ÓÚÒÓ‰ËÌÂÌËfl USB-͇·ÂÎfl.
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90 AUDIOGRAM 3 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó
1éÚ„ÛÎËÛÈÚ „ÓÏÍÓÒÚ¸ ̇ ‚ÒÂı ËÌÒÚÛÏÂÌÚ‡ı, ÔÓ‰Íβ˜ÂÌÌ˚ı Í ËÌÚÂÙÂÈÒÛ AUDIOGRAM.
ìÒÚ‡ÌÓ‚ËÚ „ÛÎflÚÓ OUT LEVEL ̇ ÏËÌËχθÌÓ Á̇˜ÂÌËÂ. ÖÒÎË ˝ÚÓ„Ó Ì ҉·ڸ, ‚ÓÁÏÓÊÌ˚
ÒËθÌ˚ ‚ÒÔÎÂÒÍË ¯ÛÏÓ‚, ÍÓÚÓ˚ ÏÓ„ÛÚ Ôӂ‰ËÚ¸ Ó·ÓÛ‰Ó‚‡ÌËÂ, ‚‡¯ ÒÎÛı ËÎË Ë ÚÓ, Ë ‰Û„ÓÂ.
2ç‡ÒÚÓÈÚ „ÛÎflÚÓ˚ ͇̇ÎÓ‚ LEVEL Ú‡Í, ˜ÚÓ·˚ Ë̉Ë͇ÚÓ ÛÓ‚Ìfl PEAK ·˚ÒÚÓ ÏË„‡Î ÔË
χÍÒËχθÌ˚ı ÔËÍÓ‚˚ı ÛÓ‚Ìflı.
3ç‡ÒÚÓÈÚ ӷ˘Û˛ „ÓÏÍÓÒÚ¸ Ò ÔÓÏÓ˘¸˛ „ÛÎflÚÓ‡ OUT LEVEL, ÍÓÌÚÓÎËÛfl ÂÂ Ò ÔÓÏÓ˘¸˛
̇ۯÌËÍÓ‚ ËÎË ÏÓÌËÚÓÌ˚ı ‰Ë̇ÏËÍÓ‚.
Ç ˝ÚÓÏ ‡Á‰ÂΠÓÔËÒ˚‚‡ÂÚÒfl ÔÓˆÂÒÒ Á‡ÔËÒË Ò ÔÓÏÓ˘¸˛ ÔÓ„‡ÏÏ˚ Cubase AI, ÛÒÚ‡ÌÓ‚ÎÂÌÌÓÈ ‡Ì ˜ÂÂÁ ËÌÚÂÙÂÈÒ
AUDIOGRAM.
Ç Í‡˜ÂÒÚ‚Â ÔËÏÂÓ‚ ‚ ̇ÒÚÓfl˘ÂÏ ÛÍÓ‚Ó‰ÒÚ‚Â ËÒÔÓθÁÛÂÚÒfl Cubase AI 4. ÑÎfl ÔÓÎÛ˜ÂÌËfl ÔÓ‰Ó·Ì˚ı
҂‰ÂÌËÈ Ó Cubase AI 5 ËÎË Ó·˘Ëı ҂‰ÂÌËÈ Ó· ÛÔ‡‚ÎÂÌËË Cubase AI Ó·‡ÚËÚÂÒ¸ Í ÛÍÓ‚Ó‰ÒÚ‚Û ‚ Ù‡ÈÎÂ
PDF, ÍÓÚÓ˚È ÔË·„‡ÂÚÒfl Í ÔÓ„‡ÏÏÌÓÏÛ Ó·ÂÒÔ˜ÂÌ˲.
ç‡ÒÚÓÈ͇ Cubase AI
1ìÒÚ‡ÌÓ‚ËÚ ‚˚ıÓ‰ÌÓÈ Ò˄̇ΠÍÓÏÔ¸˛Ú‡ ̇ χÍÒËχθÌ˚È ÛÓ‚Â̸.
èÓ‰Ó·Ì˚ ËÌÒÚÛ͈ËË ÔÓ Ì‡ÒÚÓÈÍ ÒÏ. ‚ ÔÓ‰‡Á‰ÂΠ«ëÎ˯ÍÓÏ ÌËÁÍËÈ ÛÓ‚Â̸ Á‡ÔËÒ‡ÌÌÓ„Ó Á‚Û͇»
‡Á‰Â· «èÓËÒÍ Ë ÛÒÚ‡ÌÂÌË ÌÂËÒÔ‡‚ÌÓÒÚÂÈ» ̇ ÒÚ. 100.
2À‡ÔÛÒÚËÚ Cubase AI.
Windows:
ôÂÎÍÌËÚ [èÛÒÍ] →[ÇÒ ÔÓ„‡ÏÏ˚] →[Steinberg Cubase AI *] →[Cubase AI *], ˜ÚÓ·˚ Á‡ÔÛÒÚËÚ¸
ÔÓ„‡ÏÏÛ. («*» ÔÓ͇Á˚‚‡ÂÚ ÏÂÒÚÓ, „‰Â ‚ ‡θÌÓÏ ËÏÂÌË Á̇˜Í‡ ÓÚÓ·‡Ê‡ÂÚÒfl ÌÓÏ ‚ÂÒËË.) ÖÒÎË
ÔÓfl‚ËÚÒfl ‰Ë‡ÎÓ„Ó‚Ó ÓÍÌÓ ASIO Multimedia, ˘ÂÎÍÌËÚ [Yes].
ò‡„ 4ç‡ÒÚÓÈ͇ ÛÓ‚Ìfl
ò‡„ 5À‡ÔËÒ¸ Ò ÔÓÏÓ˘¸˛ Cubase AI
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ê„ÛÎflÚÓ˚ LEVEL
ê„ÛÎflÚÓ OUT LEVEL
à̉Ë͇ÚÓ ÛÓ‚Ìfl
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91
AUDIOGRAM 3 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
Macintosh:
Ñ‚‡Ê‰˚ ˘ÂÎÍÌËÚ [èËÎÓÊÂÌËÂ] →[Cubase AI *]. «*» ÔÓ͇Á˚‚‡ÂÚ ÏÂÒÚÓ, „‰Â ‚ ‡θÌÓÏ ËÏÂÌË Á̇˜Í‡
ÓÚÓ·‡Ê‡ÂÚÒfl ÌÓÏ ‚ÂÒËË.
•ÖÒÎË ÔË ÛÒÚ‡ÌÓ‚Í ÔÓ„‡ÏÏ˚ Cubase AI ·˚Î Û͇Á‡Ì ÔÛÚ¸ Í Ù‡ÈÎÛ, Á‡ÔÛÒÚËÚ ˝ÚÓ ÔËÎÓÊÂÌË ËÁ
˝ÚÓ„Ó ÏÂÒÚ‡.
•ëÓÁ‰‡ÈÚ flÎ˚Í ËÎË ‡Î¸ÚÂ̇ÚË‚ÌÓ ËÏfl Cubase AI ̇ ‡·Ó˜ÂÏ ÒÚÓÎÂ, ˜ÚÓ·˚ ÔË ÌÂÓ·ıÓ‰ËÏÓÒÚË
ÏÓÊÌÓ ·˚ÎÓ ·ÂÁ ÚÛ‰‡ Á‡ÔÛÒ͇ڸ ÔÓ„‡ÏÏÛ.
3Ç˚·ÂËÚ [Device Setup] ‚ ÏÂÌ˛ [Device], ˜ÚÓ·˚ ÓÚÍ˚Ú¸ ÓÍÌÓ Device Setup.
Windows:
Ç˚·ÂËÚ [VST Audio System] ‚ ÔÓΠ[Device] ‚ ΂ÓÈ ˜‡ÒÚË ÓÍ̇. Ç˚·ÂËÚ [ASIO DirectX Full Duplex Driver]
‚ ÔÓΠ[ASIO Driver] ‚ Ô‡‚ÓÈ ˜‡ÒÚË ÓÍ̇. éÚÍÓÂÚÒfl ‰Ë‡ÎÓ„Ó‚Ó ÓÍÌÓ Ò Á‡ÔÓÒÓÏ «Do you want to switch the
ASIO driver?». ôÂÎÍÌËÚÂ [Switch].
Macintosh:
Ç˚·ÂËÚ [VST Audio System] ‚ ÔÓΠ[Device] ‚ ΂ÓÈ ˜‡ÒÚË ÓÍ̇. Ç˚·ÂËÚ [USB Audio CODEC (2)] ‚ ÔÓÎÂ
[ASIO Driver] ‚ Ô‡‚ÓÈ ˜‡ÒÚË ÓÍ̇ Ë Ì‡ÊÏËÚ ÍÌÓÔÍÛ [OK]. èÓÔÛÒÚËÚ ÒÎÂ‰Û˛˘Ë ¯‡„Ë Ë ÔÂÂȉËÚÂ Í ¯‡„Û
7 ÌËÊÂ.
Ç ÒËÒÚÂÏÂ Mac OS X ‚ ÔÓÎÂ [ASIO Driver] ÏÓÊÌÓ ‚˚·‡Ú¸ ËÎË [USB Audio CODEC (1)], ËÎË [USB Audio CODEC
(2)]. é·˚˜ÌÓ ‚˚·Ë‡˛Ú [USB Audio CODEC (2)], Ӊ̇ÍÓ, ÂÒÎË ÔÓÚ·ÛÂÚÒfl ÚÓθÍÓ ‚ÓÒÔÓËÁ‚‰ÂÌË Ë
ÏËͯËÓ‚‡ÌË ÛÊ Á‡ÔËÒ‡ÌÌ˚ı ‰‡ÌÌ˚ı, ÏÓÊÌÓ ‚˚·‡Ú¸ [USB Audio CODEC (1)], ˜ÚÓ·˚ ÒÌËÁËÚ¸ ̇„ÛÁÍÛ Ì‡
ñèì ÍÓÏÔ¸˛Ú‡.
4ç‡ ÍÓÏÔ¸˛ÚÂÂ Ò ÒËÒÚÂÏÓÈ Windows ‚˚·ÂËÚ [ASIO DirectX Full Duplex Driver] ‚ ÔÓΠ[Devices] ‚
΂ÓÈ ˜‡ÒÚË ÓÍ̇ Device Setup, Á‡ÚÂÏ ˘ÂÎÍÌËÚ [Control Panel] ‚ Ô‡‚ÓÈ ˜‡ÒÚË ÓÍ̇.
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92 AUDIOGRAM 3 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó
5éÚÍÓÂÚÒfl ‰Ë‡ÎÓ„Ó‚Ó ÓÍÌÓ ASIO Direct Sound Full Duplex Setup. ìÒÚ‡ÌÓ‚ËÚ ÚÓθÍÓ Ù·ÊÓÍ
‚ıÓ‰ÌÓ„Ó ÔÓÚ‡ Ë ‚˚ıÓ‰ÌÓ„Ó ÔÓÚ‡ [USB Audio CODEC].
6ì·Â‰ËÚÂÒ¸, ˜ÚÓ ‚ ÔÓΠ[Port System Name] ÓÚÓ·‡Ê‡˛ÚÒfl «USB Audio CODEC 1/2», Á‡ÚÂÏ ÓÚÏÂÚ¸ÚÂ
ÒÚÓηˆ [Visible] ‚ ÓÍÌ Device Setup. ç‡ÊÏËÚ ÍÌÓÔÍÛ [OK], ˜ÚÓ·˚ Á‡Í˚Ú¸ ÓÍÌÓ.
•ÖÒÎË Á̇˜ÂÌË ÔÓÎfl [Port System Name] Ì ËÁÏÂÌËÚÒfl, Á‡ÍÓÈÚÂ Ë ÔÂÂÁ‡ÔÛÒÚËÚ Cubase AI, Á‡ÚÂÏ
ÓÚÍÓÈÚÂ ÓÍÌÓ Device Setup.
•ÇıÓ‰Ì˚ ÔÓÚ˚ ÏÓ„ÛÚ Ì ÓÚÓ·‡Ê‡Ú¸Òfl ‚ ÒËÒÚÂÏ Windows Vista. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÒÏ. ÔÓ‰‡Á‰ÂÎ «çÂ
ÓÚÓ·‡Ê‡˛ÚÒfl ‚ıÓ‰Ì˚ ÔÓÚ˚» ‡Á‰Â· «èÓËÒÍ Ë ÛÒÚ‡ÌÂÌË ÌÂËÒÔ‡‚ÌÓÒÚÂÈ» (ÒÚ. 100).
7Ç˚·ÂËÚ [New Project] ‚ ÏÂÌ˛ [File], ˜ÚÓ·˚ ÒÓÁ‰‡Ú¸ ÌÓ‚˚È Ù‡ÈÎ ÔÓÂÍÚ‡.
éÚÍÓÂÚÒfl ‰Ë‡ÎÓ„Ó‚Ó ÓÍÌÓ ÌÓ‚Ó„Ó ÔÓÂÍÚ‡. ÑÎfl ‰‡ÌÌÓ„Ó ÔËχ ‚˚·ÂËÚ [CAI4 - 4 Stereo 8 Mono Audio
Track Recorder] Ë Ì‡ÊÏËÚ ÍÌÓÔÍÛ [OK].
À‡ÔËÒ‡ÌÌ˚ ‰‡ÌÌ˚ Cubase AI ı‡ÌflÚÒfl ‚ ‚ˉ «Ù‡È· ÔÓÂÍÚ‡».
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93
AUDIOGRAM 3 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
8èÓÒΠÓÚÍ˚ÚËfl ‰Ë‡ÎÓ„Ó‚Ó„Ó ÓÍ̇ ‚˚·Ó‡ ͇ڇÎÓ„Ó‚ ‚˚·ÂËÚ ԇÔÍÛ, ‚ ÍÓÚÓÓÈ Ú·ÛÂÚÒfl
ÒÓı‡ÌËÚ¸ ÔÓÂÍÚ Ë ‡Û‰ËÓÙ‡ÈÎ˚ ÔÓÂÍÚ‡, Ë Ì‡ÊÏËÚ ÍÌÓÔÍÛ [OK].
éÚÍÓÂÚÒfl ÔÛÒÚÓ ÓÍÌÓ ÔÓÂÍÚ‡ Ò 4 ‰ÓÓÊ͇ÏË ÒÓ ÒÚÂÂÓÁ‚ÛÍÓÏ Ë 8 ‰ÓÓÊ͇ÏË Ò ÏÓÌÓÁ‚ÛÍÓÏ.
èÓ‰„ÓÚӂ͇ Í Á‡ÔËÒË
1ôÂÎÍÌËÚ ‚ ÒÔËÒÍ ‰ÓÓÊÂÍ (ӷ·ÒÚ¸, ‚ ÍÓÚÓÓÈ ÓÚÓ·‡Ê‡˛ÚÒfl ËÏÂ̇ ‰ÓÓÊÂÍ), ˜ÚÓ·˚ ‚˚·‡Ú¸
‰ÓÓÊÍÛ, ̇ ÍÓÚÓÛ˛ ·Û‰ÂÚ ÔÓËÁ‚‰Â̇ Á‡ÔËÒ¸.
Ç Ó·Î‡ÒÚË Inspector ‚ ΂ÓÈ ˜‡ÒÚË ˝Í‡Ì‡ ‰ÓÒÚÛÔÌ˚ ‡Á΢Ì˚ ԇ‡ÏÂÚ˚ ‚˚·‡ÌÌÓÈ ‰ÓÓÊÍË.
é·˚˜ÌÓ ‰Îfl Á‡ÔËÒË ÏÛÁ˚ÍË Ò ÒËÌÚÂÁ‡ÚÓ‡ ËÒÔÓθÁÛ˛Ú ‰ÓÓÊÍÛ ÒÓ ÒÚÂÂÓÁ‚ÛÍÓÏ, ‡ ‰Îfl Á‡ÔËÒË ‚Ó͇· ËÎË
„ËÚ‡˚ — ‰ÓÓÊÍÛ Ò ÏÓÌÓÁ‚ÛÍÓÏ.
éÍÌÓ ÔÓÂÍÚ‡
Transport panel
éÍÌÓ ÏËͯ‡
Inspector
Input Routine
äÌÓÔ͇ [Record Enable] ëÔËÒÓÍ ‰ÓÓÊÂÍ
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ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó
2ôÂÎÍÌËÚ ÔÓΠInput Routing ‚ ӷ·ÒÚË Inspector, ˜ÚÓ·˚ ‚˚·‡Ú¸ ËÒÚÓ˜ÌËÍ ‚ıÓ‰ÌÓ„Ó Ò˄̇·.
Ç˚·ÂËÚ «Stereo In 1» ‰Îfl ‰ÓÓÊÍË ÒÓ ÒÚÂÂÓÁ‚ÛÍÓÏ ËÎË «Left (Right)-Stereo In 1» ‰Îfl ‰ÓÓÊÍË Ò
ÏÓÌÓÁ‚ÛÍÓÏ.
3ì·Â‰ËÚÂÒ¸, ˜ÚÓ ‚Íβ˜Â̇ ÍÌÓÔ͇ [Record Enable] ‰Îfl ‰ÓÓÊÍË, ̇ ÍÓÚÓÛ˛ ·Û‰ÂÚ ÔÓËÁ‚‰Â̇
Á‡ÔËÒ¸.
ÖÒÎË ÍÌÓÔ͇ [Record Enable] ‚˚Íβ˜Â̇, ̇ÊÏËÚ ÂÂ, ˜ÚÓ·˚ ‚Íβ˜ËÚ¸.
4èÓË„‡ÈÚ ̇ ËÌÒÚÛÏÂÌÚÂ, Ò ÍÓÚÓÓ„Ó Ú·ÛÂÚÒfl ‚˚ÔÓÎÌËÚ¸ Á‡ÔËÒ¸, Ë Ì‡ÒÚÓÈÚ „ÛÎflÚÓ˚
AUDIOGRAM LEVEL Ú‡Í, ˜ÚÓ·˚ Ë̉Ë͇ÚÓ ÓÚÒ˜ÍË ‚ÓÓ·˘Â Ì Á‡„Ó‡ÎÒfl.
5ë ÔÓÏÓ˘¸˛ ÎËÌÂÈÍË ‚ ‚ÂıÌÂÈ ˜‡ÒÚË ÓÍ̇ ÔÓÂÍÚ‡ Û͇ÊËÚ ÏÂÒÚÓ, Ò ÍÓÚÓÓ„Ó Ì‡˜‡Ú¸ Á‡ÔËÒ¸.
ôÂÎÍÌËÚ ‚ ˜ÂÌÓÈ Ó·Î‡ÒÚË ÎËÌÂÈÍË, ˜ÚÓ·˚ ÔÂÂÏÂÒÚËÚ¸ ÍÛÒÓ ÔÓÂÍÚ‡ (‚ÂÚË͇θ̇fl ˜Â̇fl ÎËÌËfl) ‚
ÌÛÊÌÓÂ ÔÓÎÓÊÂÌËÂ.
À‡ÔËÒ¸ Ë ‚ÓÒÔÓËÁ‚‰ÂÌËÂ
1ç‡ÊÏËÚ ÍÌÓÔÍÛ [Record] ̇ Ô‡ÌÂÎË Transport panel, ˜ÚÓ·˚ ̇˜‡Ú¸ Á‡ÔËÒ¸.
äÓ„‰‡ ̇˜ÌÂÚÒfl Á‡ÔËÒ¸, ÍÛÒÓ ÔÓÂÍÚ‡ ÒÚ‡ÌÂÚ ÔÂÂÏ¢‡Ú¸Òfl ‚Ô‡‚Ó, Ë ÓÚÍÓÂÚÒfl ÓÍÌÓ Ò ÂÁÛθڇڇÏË
Á‡ÔËÒË.
2àÒÔÓÎÌËÚ ԇÚ˲ ̇ ËÌÒÚÛÏÂÌÚÂ.
3èÓ Á‡‚¯ÂÌËË Á‡ÔËÒË ‰ÓÓÊÍË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [Stop] ̇ Ô‡ÌÂÎË Transport panel.
<Transport panel> à̉Ë͇ÚÓ ÓÚÒ˜ÍË
ãËÌÂÈ͇
Stop Record
Start
Rewind Forward
<Transport panel>
êÂÁÛθڇÚ˚
Á‡ÔËÒË

ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó
95
AUDIOGRAM 3 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
4óÚÓ·˚ ‚ÓÒÔÓËÁ‚ÂÒÚË Á‡ÔËÒ‡ÌÌÛ˛ ‰ÓÓÊÍÛ, ̇ÊÏËÚ ÍÌÓÔÍÛ [Rewind] ̇ Ô‡ÌÂÎË Transport panel ËÎË
˘ÂÎÍÌËÚ ̇ ÎËÌÂÈÍÂ, ˜ÚÓ·˚ ÔÂÂÏÓÚ‡Ú¸ ̇ ̇˜‡ÎÓ Á‡ÔËÒË, Á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [Start].
é·˘ËÈ ÛÓ‚Â̸ ‚ÓÒÔÓËÁ‚Ó‰ËÏÓ„Ó Ò˄̇· ·Û‰ÂÚ ÓÚÓ·‡Ê‡Ú¸Òfl Ò ÔÓÏÓ˘¸˛ Ë̉Ë͇ÚÓ‡ ÛÓ‚Ìfl ¯ËÌ˚ ‚
„·‚ÌÓÈ Ó·Î‡ÒÚË ‚ Ô‡‚ÓÈ ˜‡ÒÚË ÓÍ̇ ÏËͯ‡, ‡ ÛÓ‚Â̸ ͇̇· ·Û‰ÂÚ ÓÚÓ·‡Ê‡Ú¸Òfl Ò ÔÓÏÓ˘¸˛
Ë̉Ë͇ÚÓ‡ ÛÓ‚Ìfl ͇̇θÌÓÈ ÎËÌÂÈÍË.
•ç‡ÊÏËÚ ÍÌÓÔÍÛ [Narrow/Wide] ‚ ‚ÂıÌÂÈ Î‚ÓÈ ˜‡ÒÚË ÓÍ̇ ÏËͯ‡, ˜ÚÓ·˚ ‡Ò¯ËËÚ¸ ͇̇θÌÛ˛
ÎËÌÂÈÍÛ ÏËͯ‡.
•óÚÓ·˚ ÔÓÒÎÛ¯‡Ú¸ Á‡ÔËÒ¸ Ò ÔÓÏÓ˘¸˛ ËÌÚÂÙÂÈÒ‡ AUDIOGRAM, ̇ÒÚÓÈÚ „ÓÏÍÓÒÚ¸
„ÛÎflÚÓÓÏ OUT LEVEL.
èË Ï‡ÍÒËχθÌÓÏ ÛÓ‚Ì ‚˚ıÓ‰ÌÓ„Ó Ò˄̇· ̇ ÍÓÏÔ¸˛Ú ÛÓ‚Â̸ ‚ÓÒÔÓËÁ‚Ó‰ËÏÓ„Ó Ò˄̇·
ÔË·ÎËÁËÚÂθÌÓ ‡‚ÂÌ ÛÓ‚Ì˛ Á‡ÔËÒË.
5óÚÓ·˚ ÒÓı‡ÌËÚ¸ Ù‡ÈÎ ÔÓÂÍÚ‡, ‚˚·ÂËÚ [Save] ‚ ÏÂÌ˛ [File], ‚‚‰ËÚ ËÏfl هȷ, Á‡ÚÂÏ ÒÓı‡ÌËÚÂ
Ù‡ÈÎ.
èÓ˜‡˘Â ÒÓı‡ÌflÈÚ هÈÎ ÔÓÂÍÚ‡, ˜ÚÓ·˚ ËÁ·Âʇڸ ÔÓÚÂË ·Óθ¯Ëı Ó·˙ÂÏÓ‚ ‰‡ÌÌ˚ı ‚ ÒÎÛ˜‡Â Ò·Ófl.
6èÓ‚ÚÓËÚ ¯‡„Ë Ò 1 ÔÓ 5 ‰Îfl Á‡ÔËÒË ‰ÓÔÓÎÌËÚÂθÌÓ„Ó Ï‡Ú¡· ̇ ÚÛ Ê ‰ÓÓÊÍÛ.
7óÚÓ·˚ Á‡ÔËÒ‡Ú¸ ‰ÓÔÓÎÌËÚÂθÌ˚È Ï‡Ú¡Π̇ ‰Û„Û˛ ‰ÓÓÊÍÛ, ‚˚·ÂËÚ ÂÂ Ë ÔÓ‚ÚÓËÚÂ
Ôӈ‰ÛÛ Á‡ÔËÒË.
À‡ÔËÒ¸ Ò Ï‡ÍÒËχθÌ˚Ï Í‡˜ÂÒÚ‚ÓÏ Ë ÏËÌËχθÌ˚Ï ÛÓ‚ÌÂÏ ¯ÛÏÓ‚:
ÑÎfl Ó·ÂÒÔ˜ÂÌËfl ÓÔÚËχθÌÓ„Ó Í‡˜ÂÒÚ‚‡ Á‚Û͇ Ë ÏËÌËχθÌÓ„Ó ÛÓ‚Ìfl ¯ÛÏÓ‚ ÌÂÓ·ıÓ‰ËÏÓ ÛÒÚ‡ÌÓ‚ËÚ¸
χÍÒËχθÌÓ ‚˚ÒÓÍË ÛÓ‚ÌË Ò˄̇· AUDIOGRAM ·ÂÁ ÓÚÒ˜ÍË. ë ÔÓÏÓ˘¸˛ Ë̉Ë͇ÚÓÓ‚ ÛÓ‚Ìfl AUDIOGRAM
Ôӂ¸Ú ÛÓ‚ÌË Ò˄̇ÎÓ‚, ÍÓÚÓ˚ ·Û‰ÛÚ Ô‰‡‚‡Ú¸Òfl ‚ èé Cubase AI. èË ˝ÚÓÏ ÍÌÓÔ͇ ÏÓÌËÚÓËÌ„‡ ( )
ÔËÎÓÊÂÌËfl Cubase ‰ÓÎÊ̇ ·˚Ú¸ ÓÚÍβ˜Â̇. ç‡ÒÚÓÈÚ „ÛÎflÚÓ˚ ͇̇ÎÓ‚ LEVEL Ú‡Í, ˜ÚÓ·˚ Ò‚ÂÚÓ‰ËÓ‰˚
Ë̉Ë͇ÚÓ‡ ÛÓ‚Ìfl PEAK ÏË„‡ÎË Î˯¸ ‚ ÒÎÛ˜‡Â ̇˷Óθ¯Ëı ‚ÒÔÎÂÒÍÓ‚ ‚ıÓ‰Ì˚ı Ò˄̇ÎÓ‚.
èêàåÖóÄçàÖ
à̉Ë͇ÚÓ ÛÓ‚Ìfl
äÌÓÔ͇ [Narrow/Wide]
à̉Ë͇ÚÓ ÛÓ‚Ìfl ¯ËÌ˚
äÌÓÔ͇ [Narrow/Wide]
äÌÓÔ͇ ÏÓÌËÚÓËÌ„‡

96 AUDIOGRAM 3 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó
Ç ˝ÚÓÏ ‡Á‰ÂΠÓÔËÒ‡Ì ÔÓˆÂÒÒ ÓÍÓ̘‡ÚÂθÌÓ„Ó Ò‚Â‰ÂÌËfl ÌÂÒÍÓθÍËı Á‡ÔËÒ‡ÌÌ˚ı Á‚ÛÍÓ‚˚ı ‰ÓÓÊÂÍ ‚ ÒÚÂÂÓÁ‡ÔËÒ¸, ‡
Ú‡ÍÊ ÔÓˆÂÒÒ ÒÓÁ‰‡ÌËfl هȷ WAV. 낉ÂÌÌ˚ Á‡ÔËÒË ÏÓÊÌÓ ÒÓı‡ÌflÚ¸ Í‡Í Ù‡ÈÎ˚ WAV ËÎË AIFF, ÍÓÚÓ˚ ÔÓÒÎÂ
˝ÚÓ„Ó ÏÓÊÌÓ Á‡ÔËÒ˚‚‡Ú¸ ̇ ‡Û‰ËÓ ÍÓÏÔ‡ÍÚ-‰ËÒÍË.
1À‡ÔÛÒÚËÚ Cubase AI Ë ÓÚÍÓÈÚ هÈÎ ÔÓÂÍÚ‡.
2ç‡ÊÏËÚ ÍÌÓÔÍÛ [Start] ̇ Ú‡ÌÒÔÓÚÌÓÈ Ô‡ÌÂÎË.
3ÇÓ ‚ÂÏfl ÔÓÒÎۯ˂‡ÌËfl Á‡ÔËÒË ÔÂÂÏ¢‡ÈÚ „ÛÎflÚÓ˚ ÛÓ‚Ìfl ͇̇θÌÓÈ ÎËÌÂÈÍË ‚‚Âı Ë ‚ÌËÁ
‰Îfl Ó·ÂÒÔ˜ÂÌËfl ÌÛÊÌÓ„Ó ·‡Î‡ÌÒ‡, Á‡ÚÂÏ Ì‡ÒÚÓÈÚ ӷ˘Û˛ „ÓÏÍÓÒÚ¸ Ò ÔÓÏÓ˘¸˛ „ÛÎflÚÓ‡
ÛÓ‚Ìfl „ÓÏÍÓÒÚË ¯ËÌ˚.
4èÂÂÏ¢‡fl „ÛÎflÚÓ˚ Ô‡ÌÓ‡ÏËÓ‚‡ÌËfl ‚ ‚ÂıÌÂÈ ˜‡ÒÚË Í‡Ì‡Î¸Ì˚ı ÎËÌÂÂÍ ‚ÎÂ‚Ó Ë ‚Ô‡‚Ó,
ÛÒÚ‡ÌÓ‚ËÚ ÒÚÂÂÓÔÓÁËˆË˛ ͇ʉÓÈ ‰ÓÓÊÍË.
5èÓÒΠ˝ÚÓ„Ó ÏÓÊÌÓ ÔËÒÚÛÔËÚ¸ Í ÛÎÛ˜¯ÂÌ˲ ҂‰ÂÌÌÓÈ Á‡ÔËÒË Ò ÔÓÏÓ˘¸˛ ˝Í‚‡Î‡ÈÁ‡ Ë Í
‰Ó·‡‚ÎÂÌ˲ ˝ÙÙÂÍÚÓ‚.
Ç Í‡˜ÂÒÚ‚Â ÔËχ ÌËÊ ÓÔËÒ‡Ì ÔÓˆÂÒÒ ‰Ó·‡‚ÎÂÌËfl ˝ı‡. ç‡ÊÏËÚ ÍÌÓÔÍÛ [Edit] ( ) ‚ ΂ÓÈ ˜‡ÒÚË
͇̇θÌÓÈ ÎËÌÂÈÍË, ˜ÚÓ·˚ ÓÚÍ˚Ú¸ ÓÍÌÓ Ò Ì‡ÒÚÓÈ͇ÏË Í‡Ì‡Î‡ VST. ôÂÎÍÌËÚ Insert 1 Ë ‚˚·ÂËÚ Reverb -
RoomWorks SE.
ÑÓÔÓÎÌËÚÂθÌÛ˛ ÔÓ‰Ó·ÌÛ˛ ËÌÙÓχˆË˛ ÒÏ. ‚ ÛÍÓ‚Ó‰ÒÚ‚Â ‚ ÙÓχÚ PDF, ÍÓÚÓÓ ÔË·„‡ÂÚÒfl Í
ÔÓ„‡ÏÏ Cubase AI.
è‰ ‰Ó·‡‚ÎÂÌËÂÏ ÎÛ˜¯Â ÌÂÏÌÓ„Ó ÓÔÛÒÚËÚ¸ „ÛÎflÚÓ ÛÓ‚Ìfl ͇̇·, Ú‡Í Í‡Í ˝ÙÙÂÍÚ ÏÓÊÂÚ
‚˚Á‚‡Ú¸ Û‚Â΢ÂÌË ӷ˘Â„Ó ÛÓ‚Ìfl ͇̇·.
6èÓÒΠ‚ÌÂÒÂÌËfl ÓÍÓ̘‡ÚÂθÌ˚ı ÍÓÂÍÚËÓ‚ÓÍ ‚ ҂‰ÂÌÌÛ˛ Á‡ÔËÒ¸ ‚ ÏÂÌ˛ [File] ‚˚·ÂËÚ [Export]
→[Audio Mixdown].
ò‡„ 6åËͯËÓ‚‡ÌËÂ Ò ÔÓÏÓ˘¸˛ Cubase AI
èêàåÖóÄçàÖ
ÇçàåÄçàÖ

ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó
97
AUDIOGRAM 3 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
7ǂ‰ËÚ ËÏfl هȷ, Á‡ÚÂÏ ‚˚·ÂËÚ ÔÛÚ¸ ‰Îfl ÒÓı‡ÌÂÌËfl هȷ Ë ÚËÔ Ù‡È·.
ÖÒÎË Ù‡ÈÎ Ô·ÌËÛÂÚÒfl Á‡ÔËÒ‡Ú¸ ̇ ‡Û‰ËÓ ÍÓÏÔ‡ÍÚ-‰ËÒÍ, ‚˚·ÂËÚ ÚËÔ Ù‡È· WAV (AIFF ‚ ÒËÒÚÂÏÂ
Macintosh OS X), Stereo Out (Stereo), 44.1 kHz Ë 16 bit.
8ôÂÎÍÌËÚÂ [Export].
ïÓ‰ ‚˚ÔÓÎÌÂÌËfl ÓÔ‡ˆËË ÓÍÓ̘‡ÚÂθÌÓ„Ó Ò‚Â‰ÂÌËfl ·Û‰ÂÚ ÓÚÓ·‡Ê‡Ú¸Òfl Ò ÔÓÏÓ˘¸˛ Ë̉Ë͇ÚÓ‡
‚˚ÔÓÎÌÂÌËfl. éÔ‡ˆËfl Á‡‚¯ËÚÒfl ÔË Á‡Í˚ÚËË Ë̉Ë͇ÚÓ‡ ‚˚ÔÓÎÌÂÌËfl.
î‡ÈÎ˚, ÒÓÁ‰‡ÌÌ˚ ÔÛÚÂÏ Ò‚Â‰ÂÌËfl, ÏÓÊÌÓ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ Ò ÔÓÏÓ˘¸˛ Windows Media Player ËÎË iTunes.
èêàåÖóÄçàÖ

98 AUDIOGRAM 3 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
鄇Ì˚ ÛÔ‡‚ÎÂÌËfl Ë ÙÛÌ͈ËË
1Ç˚Íβ˜‡ÚÂθ/Ë̉Ë͇ÚÓ PHANTOM +48V
ùÚÓÚ ‚˚Íβ˜‡ÚÂθ ‚Íβ˜‡ÂÚ Ë ‚˚Íβ˜‡ÂÚ
Ù‡ÌÚÓÏÌÓ ÔËÚ‡ÌËÂ. èË Â„Ó ‚Íβ˜ÂÌËË ( )
AUDIOGRAM ̇˜ÌÂÚ ÔÓ‰‡‚‡Ú¸ Ù‡ÌÚÓÏÌÓÂ
ÔËÚ‡ÌË ̇ „ÌÂÁ‰Ó MIC/INST (ÚËÔ XLR) 8.
ÇÍβ˜‡ÈÚÂ Â„Ó ÔË ËÒÔÓθÁÓ‚‡ÌËË ÍÓ̉ÂÌÒ‡-
ÚÓÌÓ„Ó ÏËÍÓÙÓ̇ Ò Ù‡ÌÚÓÏÌ˚Ï ÔËÚ‡ÌËÂÏ.
•é·flÁ‡ÚÂθÌÓ ‚˚Íβ˜‡ÈÚ ˝ÚÓÚ
‚˚Íβ˜‡ÚÂθ ( ), ÂÒÎË Ù‡ÌÚÓÏÌÓÂ
ÔËÚ‡ÌË Ì Ú·ÛÂÚÒfl.
•èË ‚Íβ˜ÂÌËË ‚˚Íβ˜‡ÚÂÎfl
۷‰ËÚÂÒ¸, ˜ÚÓ Í ‚ıÓ‰ÌÓÏÛ „ÌÂÁ‰Û
MIC/INST ÔÓ‰ÒÓ‰ËÌÂÌ ÚÓθÍÓ
ÍÓ̉ÂÌÒ‡ÚÓÌ˚È ÏËÍÓÙÓÌ. èÓ‰‡˜‡
Ù‡ÌÚÓÏÌÓ„Ó ÔËÚ‡ÌËfl ̇ ‰Û„ËÂ
ÛÒÚÓÈÒÚ‚‡ ÏÓÊÂÚ ÔË‚ÂÒÚË Í Ëı
ÔÓ‚ÂʉÂÌ˲. ùÚ‡ χ
Ô‰ÓÒÚÓÓÊÌÓÒÚË Ì ÓÚÌÓÒËÚÒfl Í
Ò·‡Î‡ÌÒËÓ‚‡ÌÌ˚Ï
˝ÎÂÍÚÓ‰Ë̇Ï˘ÂÒÍËÏ ÏËÍÓÙÓÌ‡Ï Ë
ËÌÒÚÛÏÂÌÚ‡Ï Ò „ÌÂÁ‰ÓÏ ‰Îfl
̇ۯÌËÍÓ‚, Ú‡Í Í‡Í Ù‡ÌÚÓÏÌÓÂ
ÔËÚ‡ÌË Ì ‚ÎËflÂÚ Ì‡ Ú‡ÍËÂ
ÛÒÚÓÈÒÚ‚‡.
•ÇÓ ËÁ·ÂʇÌË ÔÓ‚ÂʉÂÌËfl
‰Ë̇ÏËÍÓ‚ Ô‰ ‚Íβ˜ÂÌËÂÏ ËÎË
‚˚Íβ˜ÂÌËÂÏ ˝ÚÓ„Ó ‚˚Íβ˜‡ÚÂÎfl
Ó·flÁ‡ÚÂθÌÓ ‚˚Íβ˜‡ÈÚÂ
‡Û‰ËÓÒËÒÚÂÏÛ (ÏÓÌËÚÓÌ˚Â
‰Ë̇ÏËÍË). êÂÍÓÏẨÛÂÚÒfl Ú‡ÍÊÂ
ÛÒÚ‡ÌÓ‚ËÚ¸ „ÛÎflÚÓ OUT LEVEL ̇
ÏËÌËχθÌÓ Á̇˜ÂÌËÂ. ÖÒÎË ˝ÚÓ„Ó
Ì ҉·ڸ, ‚ÓÁÏÓÊÌ˚ ÒËθÌ˚Â
‚ÒÔÎÂÒÍË ¯ÛÏÓ‚, ÍÓÚÓ˚Â ÏÓ„ÛÚ
Ôӂ‰ËÚ¸ Ó·ÓÛ‰Ó‚‡ÌËÂ, ‚‡¯ ÒÎÛı
ËÎË Ë ÚÓ, Ë ‰Û„ÓÂ.
2èÂÂÍβ˜‡ÚÂθ MIC/INST
ìÒÚ‡ÌÓ‚ËÚ ÔÂÂÍβ˜‡ÚÂθ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò
ÚËÔÓÏ ÔÓ‰Íβ˜ÂÌÌÓ„Ó ÛÒÚÓÈÒÚ‚‡. Ç˚·ÂËÚÂ
MIC ( ), ÂÒÎË ÔÓ‰Íβ˜ÂÌ ÏËÍÓÙÓÌ, ËÎË INST
(), ÂÒÎË ÔÓ‰Íβ˜Â̇ ˝ÎÂÍÚÓ„ËÚ‡‡ ËÎË ·‡Ò-
„ËÚ‡‡.
ÖÒÎË Í „ÌÂÁ‰Û MIC/INST ÌÂ
ÔÓ‰Íβ˜ÂÌÓ ÛÒÚÓÈÒÚ‚Ó,
ÛÒÚ‡ÌÓ‚ËÚ ˝ÚÓÚ ÔÂÂÍβ˜‡ÚÂθ
‚ ÔÓÎÓÊÂÌË MIC ( ). à̇˜Â
ÏÓ„ÛÚ ‚ÓÁÌËÍÌÛÚ¸ ¯ÛÏ˚.
3ê„ÛÎflÚÓ˚ LEVEL
ê„ÛÎËÛ˛Ú ÛÓ‚Â̸ Ò˄̇· ͇̇·.
àÒÔÓθÁÛÈÚ ˝ÚË Â„ÛÎflÚÓ˚ ‰Îfl ·‡Î‡ÌÒËÓ‚ÍË
͇̇ÎÓ‚.
4à̉Ë͇ÚÓ POWER
ùÚÓÚ Ë̉Ë͇ÚÓ Á‡„Ó‡ÂÚÒfl ÔË ÔÓ‰‡˜Â ÔËÚ‡ÌËfl
̇ ËÌÚÂÙÂÈÒ AUDIOGRAM ÔÓ USB-͇·Âβ
(ÔË·„‡ÂÚÒfl), Ò ÔÓÏÓ˘¸˛ ÍÓÚÓÓ„Ó ËÌÚÂÙÂÈÒ
ÔÓ‰Íβ˜ÂÌ Í ÍÓÏÔ¸˛ÚÂÛ.
5à̉Ë͇ÚÓ˚ ÛÓ‚Ìfl
ùÚË Ë̉Ë͇ÚÓ˚ ÔÓ͇Á˚‚‡˛Ú ÛÓ‚ÌË Ò˄̇ÎÓ‚ ‰Ó
„ÛÎËÓ‚ÍË Â„ÛÎflÚÓÓÏ OUT LEVEL
6
.
à̉Ë͇ÚÓ SIGNAL Á‡„Ó‡ÂÚÒfl ÔË Ì‡Î˘ËË
Ò˄̇·, ‡ Ë̉Ë͇ÚÓ PEAK Á‡„Ó‡ÂÚÒfl, ÍÓ„‰‡
Ò˄̇Π‰ÓÒÚË„‡ÂÚ ËÎË Ô‚˚¯‡ÂÚ ÛÓ‚Â̸
ÓÚÒ˜ÍË. ç‡ÒÚÓÈÚ „ÛÎflÚÓ˚ ‚ıÓ‰Ì˚ı
͇̇ÎÓ‚ LEVEL
3
Ú‡Í, ˜ÚÓ·˚ Ë̉Ë͇ÚÓ˚ PEAK
ÏË„‡ÎË Î˯¸ ÔË ‚ÓÁÌË͇˛˘Ëı ‚ÂÏfl ÓÚ ‚ÂÏÂÌË
ÔËÍÓ‚˚ı ÛÓ‚Ìflı ËÎË ‚ÓÓ·˘Â Ì ÏË„‡ÎË.
6ê„ÛÎflÚÓ OUT LEVEL
ê„ÛÎËÛÂÚ ÛÓ‚Â̸ Ò˄̇·, Ô‰‡‚‡ÂÏÓ„Ó ‚
„ÌÂÁ‰‡ STEREO OUT 0. ùÚÓ ÔÓÁ‚ÓÎflÂÚ
ÓÚ„ÛÎËÓ‚‡Ú¸ Ó·˘Û˛ „ÓÏÍÓÒÚ¸, Ì ËÁÏÂÌflfl
ÓÚÌÓÒËÚÂθÌ˚È ·‡Î‡ÌÒ „ÓÏÍÓÒÚË ÏÂʉÛ
͇̇·ÏË.
èË ÔÓ‰ÒÓ‰ËÌÂÌËË ËÎË ÓÚÒÓ‰ËÌÂÌËË
USB-͇·ÂÎfl ËÎË ‡Û‰ËÓ͇·ÂÎfl
Ó·flÁ‡ÚÂθÌÓ ÛÒڇ̇‚ÎË‚‡ÈÚ „ÛÎflÚÓ
OUT LEVEL ̇ ÏËÌËχθÌÓ Á̇˜ÂÌËÂ.
7USB-‡Á˙ÂÏ
ëÎÛÊËÚ ‰Îfl ÔÓ‰Íβ˜ÂÌËfl ËÌÚÂÙÂÈÒ‡
AUDIOGRAM Í USB-ÔÓÚÛ ÍÓÏÔ¸˛Ú‡ Ò
ÔÓÏÓ˘¸˛ ÔË·„‡ÂÏÓ„Ó USB-͇·ÂÎfl. äÓÏÂ
Ô‰‡˜Ë ‡Û‰ËÓ‰‡ÌÌ˚ı ÏÂÊ‰Û ËÌÚÂÙÂÈÒÓÏ
AUDIOGRAM Ë ÍÓÏÔ¸˛ÚÂÓÏ, USB-͇·Âθ
ÒÎÛÊËÚ ‰Îfl ÔÓ‰‡˜Ë ÔËÚ‡ÌËfl Ò ÍÓÏÔ¸˛Ú‡ ̇
ËÌÚÂÙÂÈÒ AUDIOGRAM.
äÓÏÔ‡ÌËfl Yamaha ÂÍÓÏẨÛÂÚ
ËÒÔÓθÁÓ‚‡Ú¸ USB-͇·Âθ
‰ÎËÌÓÈ 1,5 ÏÂÚ‡ ËÎË ÍÓÓ˜Â.
u
t yee w rq
è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl
ÇçàåÄçàÖ
èêàåÖóÄçàÖ
ÇçàåÄçàÖ
èêàåÖóÄçàÖ

鄇Ì˚ ÛÔ‡‚ÎÂÌËfl Ë ÙÛÌ͈ËË
99
AUDIOGRAM 3 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
8ÇıÓ‰ÌÓ „ÌÂÁ‰Ó MIC/INST
ä ˝ÚÓÏÛ „ÌÂÁ‰Û ÏÓÊÌÓ ÔÓ‰Íβ˜‡Ú¸ ÏËÍÓÙÓÌ˚ Ë
ËÌÒÚÛÏÂÌÚ˚, ̇ÔËÏÂ, „ËÚ‡˚, Ò ÔÓÏÓ˘¸˛
͇·ÂÎfl Ò ‡Á˙ÂÏÓÏ XLR ËÎË ¯ÌÛ‡ ‰Îfl
̇ۯÌËÍÓ‚. ìÒÚ‡ÌÓ‚ËÚ ÔÂÂÍβ˜‡ÚÂθ MIC/
INST 2̇ MIC ËÎË INST ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÚËÔ‡
ÔÓ‰Íβ˜ÂÌÌÓ„Ó ÛÒÚÓÈÒÚ‚‡.
åÓÊÌÓ Ì‡ÔflÏÛ˛ ÔÓ‰Íβ˜ËÚ¸
˝ÎÂÍÚÓ„ËÚ‡Û ËÎË ·‡Ò-„ËÚ‡Û, Ë
ÔË ˝ÚÓÏ Ì Ú·ÛÂÚÒfl
ÓÚ‰ÂθÌ˚È ‰ËÂÍÚ-·ÓÍÒ ËÎË
ËÏËÚ‡ÚÓ ÛÒËÎËÚÂÎfl.
9ÇıÓ‰Ì˚ „ÌÂÁ‰‡ LINE
Ç ÓÒÌÓ‚ÌÓÏ ˝ÚË ‚ıÓ‰Ì˚ „ÌÂÁ‰‡ Ô‰̇Á̇˜ÂÌ˚
‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl ‚ÏÂÒÚÂ Ò ËÌÒÚÛÏÂÌÚ‡ÏË Ë
Ó·ÓÛ‰Ó‚‡ÌËÂÏ ÒÓ ÒÚÂÂÓ‚˚ıÓ‰‡ÏË, ̇ÔËÏÂ
ÒËÌÚÂÁ‡ÚÓÓÏ ËÎË ÔÓË„˚‚‡ÚÂÎÂÏ ÍÓÏÔ‡ÍÚ-
‰ËÒÍÓ‚.
ÖÒÎË ÛÒÚÓÈÒÚ‚‡ ÔÓ‰Íβ˜ÂÌ˚ Í‡Í Í „ÌÂÁ‰‡Ï ‰Îfl
̇ۯÌËÍÓ‚, Ú‡Í Ë Í ¯Ú˚¸ÍÓ‚˚Ï „ÌÂÁ‰‡Ï,
ËÒÚÓ˜ÌËÍÓÏ Ò˄̇· ·Û‰ÂÚ ÚÓθÍÓ ÛÒÚÓÈÒÚ‚Ó,
ÔÓ‰Íβ˜ÂÌÌÓÂ Í „ÌÂÁ‰‡Ï ‰Îfl ̇ۯÌËÍÓ‚.
0ÉÌÂÁ‰‡ STEREO OUT
óÂÂÁ ÌËı ‚˚‚Ó‰ËÚÒfl Òϯ‡ÌÌ˚È Ò˄̇Î
͇̇ÎÓ‚ 1 Ë 2. ìÓ‚Â̸ Ò˄̇· ÏÓÊÌÓ
„ÛÎËÓ‚‡Ú¸ „ÛÎflÚÓÓÏ OUT LEVEL. ùÚË
„ÌÂÁ‰‡ Ó·˚˜ÌÓ ÔÓ‰Íβ˜‡˛ÚÒfl Í ‡Û‰ËÓÒËÒÚÂÏÂ
(ÏÓÌËÚÓÌ˚Ï ‰Ë̇ÏË͇Ï).
åÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ÎË·Ó „ÌÂÁ‰‡ ‰Îfl
̇ۯÌËÍÓ‚, ÎË·Ó ¯Ú˚¸ÍÓ‚˚ „ÌÂÁ‰‡,
ÌÓ Ì ÚÓ Ë ‰Û„Ó ӉÌÓ‚ÂÏÂÌÌÓ.
ÖÒÎË ËÒÔÓθÁÛ˛ÚÒfl Ó·‡ ‚ˉ‡ „ÌÂÁ‰,
ËÒÚÓ˜ÌËÍÓÏ Ò˄̇· ·Û‰ÛÚ ÚÓθÍÓ
„ÌÂÁ‰‡ ‰Îfl ̇ۯÌËÍÓ‚.
AÉÌÂÁ‰Ó PHONES
ä ˝ÚÓÏÛ „ÌÂÁ‰Û ÔÓ‰Íβ˜‡˛ÚÒfl ̇ۯÌËÍË. óÂÂÁ
„ÌÂÁ‰‡ PHONES ‚˚‚Ó‰ËÚÒfl Ú‡ÍÓÈ Ê Ò˄̇Î, ˜ÚÓ
Ë ˜ÂÂÁ „ÌÂÁ‰‡ STEREO OUT.
■ëıÂχ ÔÓıÓʉÂÌËfl ‚ıÓ‰ÌÓ„Ó Ò˄̇·
i!1 !0 o
À‡‰Ìflfl Ô‡ÌÂθ
ë ‡Á˙ÂÏÓÏ ÚËÔ‡ XLR ÑÎfl ̇ۯÌËÍÓ‚
èêàåÖóÄçàÖ
ÑÎfl ̇ۯÌËÍÓ‚ òÚ˚¸ÍÓ‚Ó„Ó ÚËÔ‡
èêàåÖóÄçàÖ
ÇıÓ‰ Ç˚ıÓ‰
éÚ„ÛÎËÛÈÚ ÛÓ‚Â̸
Á‡ÔËÒË, ‡ Ú‡ÍÊ ·‡Î‡ÌÒ
ÏÂÊ‰Û Í‡Ì‡Î‡ÏË.
ê„ÛÎËÛÂÚ
„ÓÏÍÓÒÚ¸
ÔÓÒÎۯ˂‡ÌËfl.
À‡ÔËÒ¸ ÇÓÒÔÓËÁ-
‚‰ÂÌË 6ê„ÛÎflÚÓ
OUT LEVEL
3ê„ÛÎflÚÓ˚
LEVEL
5à̉Ë͇ÚÓ
ÛÓ‚Ìfl
Cubase AI

100 AUDIOGRAM 3 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
èÓËÒÍ Ë ÛÒÚ‡ÌÂÌË ÌÂËÒÔ‡‚ÌÓÒÚÂÈ
ç ‚Íβ˜‡ÂÚÒfl ËÌÚÂÙÂÈÒ AUDIOGRAM.
❑臂ËθÌÓ ÎË ÔÓ‰Íβ˜ÂÌ ÔË·„‡ÂÏ˚È USB-͇·Âθ Í ËÌÚÂÙÂÈÒÛ Ë ÍÓÏÔ¸˛ÚÂÛ?
ëËÒÚÂχ ‡·ÓÚ‡ÂÚ ÌÂÔ‡‚ËθÌÓ.
❑臂ËθÌÓ ÎË ÔÓ‰Íβ˜ÂÌ˚ USB-͇·Âθ Ë ‚Ò ÌÂÓ·ıÓ‰ËÏ˚ ‡Û‰ËÓ͇·ÂÎË?
❑àÒÔÓθÁÛÂÚÒfl ÎË ÍÓ̈ÂÌÚ‡ÚÓ USB?
äÓ̈ÂÌÚ‡ÚÓ˚ USB ÏÓ„ÛÚ Ï¯‡Ú¸ ÌÓχθÌÓÈ ‡·ÓÚÂ, ÔÓ˝ÚÓÏÛ ÔÓÔÓ·ÛÈÚ ÔÓ‰Íβ˜ËÚ¸ ËÌÚÂÙÂÈÒ
AUDIOGRAM ÌÂÔÓÒ‰ÒÚ‚ÂÌÌÓ Í USB-ÔÓÚÛ ÍÓÏÔ¸˛Ú‡. ÖÒÎË ÍÓÏÔ¸˛Ú ӷÓÛ‰Ó‚‡Ì ÌÂÒÍÓθÍËÏË USB-
ÔÓÚ‡ÏË, ÔÓÔÓ·ÛÈÚ ÔÓ‰Íβ˜ËÚ¸ Í ‰Û„ÓÏÛ USB-ÔÓÚÛ.
❑àÒÔÓθÁÛ˛ÚÒfl ÎË Ó‰ÌÓ‚ÂÏÂÌÌÓ Ë ‰Û„Ë USB-ÛÒÚÓÈÒÚ‚‡?
ÖÒÎË ËÒÔÓθÁÛ˛ÚÒfl, ÔÓÔÓ·ÛÈÚ ÓÚÍβ˜ËÚ¸ ‰Û„Ë ÛÒÚÓÈÒÚ‚‡ Ë ÔÓ‰Íβ˜ËÚ¸ ÚÓθÍÓ USB-ÛÒÚÓÈÒÚ‚Ó Yamaha.
ç ÓÚÓ·‡Ê‡˛ÚÒfl ‚ıÓ‰Ì˚ ÔÓÚ˚ (Windows Vista)
❑臂ËθÌÓ ÎË Û͇Á‡Ì ËÒÚÓ˜ÌËÍ Á‚Û͇ ‚ ÓÔ‡ˆËÓÌÌÓÈ ÒËÒÚÂÏ ÍÓÏÔ¸˛Ú‡?
1. Ç ÏÂÌ˛ [èìëä] ‚˚·ÂËÚ [è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl], Á‡ÚÂÏ ‰‚‡Ê‰˚ ˘ÂÎÍÌËÚ Á̇˜ÓÍ «á‚ÛÍ», ˜ÚÓ·˚ ÓÚÍ˚Ú¸
‰Ë‡ÎÓ„Ó‚Ó ÓÍÌÓ «á‚ÛÍ».
2. èÂÂȉËÚ ̇ ‚Í·‰ÍÛ «á‡ÔËÒ¸», ˘ÂÎÍÌËÚ ԇ‚ÓÈ ÍÌÓÔÍÓÈ Ï˚¯Ë Á̇˜ÓÍ «USB Audio CODEC» Ë ‚˚·ÂËÚÂ
«ë‚ÓÈÒÚ‚‡».
3. èÂÂȉËÚ ̇ ‚Í·‰ÍÛ «ÑÓÔÓÎÌËÚÂθÌÓ», Á‡ÚÂÏ ‚ ÔÓΠ«îÓÏ‡Ú ÔÓ ÛÏÓΘ‡Ì˲» ‚˚·ÂËÚ «2 ͇̇·,
16 ·ËÚ, 44100 Ɉ (͇˜ÂÒÚ‚Ó ÍÓÏÔ‡ÍÚ-‰ËÒ͇)» ËÎË «>2 ͇̇·, 16 ·ËÚ, 48000 Ɉ (͇˜ÂÒÚ‚Ó DVD-‰ËÒ͇)».
çÂÚ Á‚Û͇.
❑臂ËθÌÓ ÎË ÔÓ‰ÒÓ‰ËÌÂÌ˚ ͇·ÂÎË ‰Ë̇ÏËÍÓ‚ Ë Ì Á‡ÍÓÓ˜ÂÌ˚ ÎË ÓÌË?
❑ìÒÚ‡ÌÓ‚ÎÂÌ˚ ÎË Â„ÛÎflÚÓ˚ „ÓÏÍÓÒÚË Ì‡ ËÒÚÓ˜ÌË͇ı, ‡ÍÛÒÚ˘ÂÒÍËı ÛÒÚÓÈÒÚ‚‡ı, ‚ ÔÓ„‡Ïχı,
ÓÔ‡ˆËÓÌÌÓÈ ÒËÒÚÂÏÂ Ë Ú.‰. ̇ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ÛÓ‚ÌË?
❑ç ÓÚÍβ˜ÂÌ ÎË Á‚ÛÍ ‰Îfl ‚˚ıÓ‰ÌÓ„Ó Ò˄̇· ‚ ÓÔ‡ˆËÓÌÌÓÈ ÒËÒÚÂÏ ÍÓÏÔ¸˛Ú‡?
❑ç Á‡ÔÛ˘ÂÌÓ ÎË Ó‰ÌÓ‚ÂÏÂÌÌÓ ÌÂÒÍÓθÍÓ ÔËÎÓÊÂÌËÈ?
é·flÁ‡ÚÂθÌÓ Á‡‚¯ËÚ ‡·ÓÚÛ ‚ÒÂı ÌÂËÒÔÓθÁÛÂÏ˚ı ÔËÎÓÊÂÌËÈ.
❑臂ËθÌÓ ÎË Û͇Á‡ÌÓ ÛÒÚÓÈÒÚ‚Ó Á‚ÛÍÓ‚Ó„Ó ‚˚‚Ó‰‡ ‚ ÓÔ‡ˆËÓÌÌÓÈ ÒËÒÚÂÏ ÍÓÏÔ¸˛Ú‡?
Windows Vista:
1. Ç ÏÂÌ˛ [èìëä] ‚˚·ÂËÚ [è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl], Á‡ÚÂÏ ‰‚‡Ê‰˚ ˘ÂÎÍÌËÚ Á̇˜ÓÍ «á‚ÛÍ», ˜ÚÓ·˚ ÓÚÍ˚Ú¸
‰Ë‡ÎÓ„Ó‚Ó ÓÍÌÓ «á‚ÛÍ».
2. èÂÂȉËÚ ̇ ‚Í·‰ÍÛ «ÇÓÒÔÓËÁ‚‰ÂÌË» Ë Ôӂ¸ÚÂ, ÓÚϘÂÌ ÎË Á̇˜ÓÍ «USB Audio CODEC».
ÖÒÎË ÓÌ Ì ÓÚϘÂÌ, ˘ÂÎÍÌËÚ ԇ‚ÓÈ ÍÌÓÔÍÓÈ Ï˚¯Ë Á̇˜ÓÍ «USB Audio CODEC» Ë ‚˚·ÂËÚÂ
«àÒÔÓθÁÓ‚‡Ú¸ Í‡Í ÛÒÚÓÈÒÚ‚Ó ÔÓ ÛÏÓΘ‡Ì˲».
3. èÂÂȉËÚ ̇ ‚Í·‰ÍÛ [á‡ÔËÒ¸] Ë Ôӂ¸ÚÂ, ÓÚϘÂÌ ÎË Á̇˜ÓÍ «USB Audio CODEC».
ÖÒÎË ÓÌ Ì ÓÚϘÂÌ, ˘ÂÎÍÌËÚ ԇ‚ÓÈ ÍÌÓÔÍÓÈ Ï˚¯Ë Á̇˜ÓÍ «USB Audio CODEC» Ë ‚˚·ÂËÚÂ
«àÒÔÓθÁÓ‚‡Ú¸ Í‡Í ÛÒÚÓÈÒÚ‚Ó ÔÓ ÛÏÓΘ‡Ì˲».
Windows XP:
1. Ç ÏÂÌ˛ [èìëä] ‚˚·ÂËÚ [è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl], Á‡ÚÂÏ ‰‚‡Ê‰˚ ˘ÂÎÍÌËÚ Á̇˜ÓÍ «á‚ÛÍË Ë
‡Û‰ËÓÛÒÚÓÈÒÚ‚‡», ˜ÚÓ·˚ ÓÚÍ˚Ú¸ ‰Ë‡ÎÓ„Ó‚Ó ÓÍÌÓ «ë‚ÓÈÒÚ‚‡: á‚ÛÍË Ë ‡Û‰ËÓÛÒÚÓÈÒÚ‚‡».
2. èÂÂȉËÚ ̇ ‚Í·‰ÍÛ «á‚ÛÍ».
3. Ç˚·ÂËÚ «USB Audio CODEC» ‰Îfl «ÇÓÒÔÓËÁ‚‰ÂÌË Á‚Û͇: àÒÔÓθÁÛÂÏÓ ÔÓ ÛÏÓΘ‡Ì˲ ÛÒÚÓÈÒÚ‚Ó» Ë
«á‡ÔËÒ¸ Á‚Û͇: àÒÔÓθÁÛÂÏÓ ÔÓ ÛÏÓΘ‡Ì˲ ÛÒÚÓÈÒÚ‚Ó».
4. ç‡ÊÏËÚ ÍÌÓÔÍÛ [OK].
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