Yamaha QY 300 Instruction Manual

Music Sequencer
QY300
VOICE LISTS AND MIDI DATA
405CRIP 12.2-01A0 Printed in Japan M.D.G., EMI Division  Yamaha Corporation 1994
VS40920

Voice List
– 2 –
Program
#Instrument Group Name LCD Layer Program #Instrument Group Name LCD Layer
1
Piano
Acoustic Grand Piano GrandPno 1 65
Reed
Soprano Sax SprnoSax 1
2 Bright Acoustic Piano BritePno 1 66 Alto Sax Alto Sax 1
3 Electric Grand Piano E.Grand 2 67 Tenor Sax TenorSax 1
4 Honky-tonk Piano HnkyTonk 2 68 Baritone Sax Bari.Sax 1
5 Electric Piano 1 E.Piano1 2 69 Oboe Oboe 1
6 Electric Piano 2 E.Piano2 2 70 English Horn Eng.Horn 1
7 Harpsichord Harpsi. 1 71 Bassoon Bassoon 1
8 Clavi Clavi. 1 72 Clarinet Clarinet 1
9
Chromatic
Percussion
Celesta Celesta 1 73
Pipe
Piccolo Piccolo 1
10 Glockenspiel Glocken 1 74 Flute Flute 1
11 Music Box MusicBox 2 75 Recorder Recorder 1
12 Vibraphone Vibes 1 76 Pan Flute PanFlute 1
13 Marimba Marimba 1 77 Blown Bottle Bottle 2
14 Xylophone Xylophon 1 78 Shakuhachi Shakhchi 2
15 Tubular Bells TubulBel 1 79 Whistle Whistle 1
16 Dulcimer Dulcimer 2 80 Ocarina Ocarina 1
17
Organ
Drawbar Organ DrawOrgn 1 81
Synth Lead
Lead 1 (square) SquareLd 2
18 Percussive Organ PercOrgn 1 82 Lead 2 (sawtooth) Saw.Lead 2
19 Rock Organ RockOrgn 1 83 Lead 3 (calliope) CaliopLd 2
20 Church Organ ChrchOrg 2 84 Lead 4 (chiff) Chiff Ld 2
21 Reed Organ ReedOrgn 1 85 Lead 5 (charang) CharanLd 2
22 Accordion Acordion 2 86 Lead 6 (voice) Voice Ld 2
23 Hamonica Harmnica 1 87 Lead 7 (fifths) Fifth Ld 2
24 Tango Accordion TangoAcd 2 88 Lead 8 (bass+lead) Bass &Ld 2
25
Guitar
Acoustic Guitar (nylon) NylonGtr 1 89
Synth Pad
Pad 1 (new age) NewAgePd 2
26 Acoustic Guitar (steel) SteelGtr 1 90 Pad 2 (warm) Warm Pad 2
27 Electric Guitar (jazz) Jazz Gtr 1 91 Pad 3 (polysynth) PolySyPd 2
28 Electric Guitar (clean) CleanGtr 2 92 Pad 4 (choir) ChoirPad 2
29 Electric Guitar (muted) Mute.Gtr 1 93 Pad 5 (bowed) BowedPad 2
30 Overdriven Guitar Ovrdrive 1 94 Pad 6 (metallic) MetalPad 2
31 Distortion Guitar Dist.Gtr 1 95 Pad 7 (halo) Halo Pad 2
32 Guitar Harmonics GtrHarmo 1 96 Pad 8 (sweep) SweepPad 2
33
Bass
Acoustic Bass Aco.Bass 1 97
Synth Effects
FX 1 (rain) Rain 2
34 Electric Bass (finger) FngrBass 1 98 FX 2 (soundtrack) SoundTrk 2
35 Electric Bass (pick) PickBass 1 99 FX 3 (crystal) Crystal 2
36 Fretless Bass Fretless 1 100 FX 4 (atmosphere) Atmosphr 2
37 Slap Bass 1 SlapBas1 1 101 FX 5 (brightness) Bright 2
38 Slap Bass 2 SlapBas2 1 102 FX 6 (goblins) Goblins 2
39 Synth Bass 1 SynBass1 1 103 FX 7 (echoes) Echoes 2
40 Synth Bass 2 SynBass2 1 104 FX 8 (sci-fi) SF 2
41
Strings
Violin Violin 1 105
Ethnic
Sitar Sitar 1
42 Viola Viola 1 106 Banjo Banjo 1
43 Cello Cello 1 107 Shamisen Shamisen 1
44 Contrabass ContraBs 1 108 Koto Koto 1
45 Tremolo Strings Trem.Str 1 109 Kalimba Kalimba 1
46 Pizzicato Strings Pizz.Str 2 110 Bagpipe Bagpipe 2
47 Orchestral Harp Harp 1 111 Fiddle Fiddle 1
48 Timpani Timpani 1 112 Shanai Shanai 1
49
Ensemble
String Ensemble 1 Strings1 1 113
Percussive
Tinkle Bell TnklBell 2
50 String Ensemble 2 Strings2 1 114 Agogo Agogo 1
51 Synth Strings 1 Syn.Str1 2 115 Steel Drums SteelDrm 2
52 Synth Strings 2 Syn.Str2 2 116 Woodblock WoodBlok 1
53 Choir Aahs ChoirAah 1 117 Taiko Drum TaikoDrm 1
54 Voice Oohs VoiceOoh 1 118 Melodic Tom MelodTom 1
55 Synth Voice SynVoice 1 119 Synth Drum Syn.Drum 1
56 Orchestra Hit Orch.Hit 1 120 Reverse Cymbal RevCymbl 1
57
Brass
Trumpet Trumpet 1 121
Sound Effects
Guitar Fret Noise FretNoiz 1
58 Trombone Trombone 1 122 Breath Noise BrthNoiz 1
59 Tuba Tuba 1 123 Seashore Seashore 2
60 Muted Trumpet Mute.Trp 1 124 Bird Tweet Tweet 2
61 French Horn Fr.Horn 1 125 Telephone Ring Telphone 1
62 Brass Section BrasSect 1 126 Helicopter Helicptr 2
63 Synth Brass 1 SynBras1 2 127 Applause Applause 2
64 Synth Brass 2 SynBras2 2 128 Gunshot Gunshot 1

Drum List
– 3 –
: Same as Standard Kit
pgm# Key Off Alternate 1 9 17 25 26 33 41 49
Note# Note Standard Kit Room Kit Rock Kit Electro Kit Analog Kit Jazz Kit Brush Kit Classic Kit
23 B Click L
24 C Click H
25 CBrush Tap
26 D O Brush Swirl L
27 DBrush Slap
28 E O Brush Swirl H Reverse Cymbal Reverse Cymbal
29 F O Snare Roll
30 FCastanet Hi Q Hi Q
31 G Snare L SD Power M Snare M SD Power H Brush Slap L
32 GSticks
33 A Bass Drum L Bass Drum M Bass Drum H Bass Drum M
34 AOpen Rim Shot
35 B Bass Drum M Bass Drum H BD Power BD Analog L
36 C 1 Bass Drum H BD Power BD Gate BD Analog H Gran Casa
37 C1 Side Stick Analog Side Stick
38 D 1 Snare M SD Rock SD Power L Analog Snare L Brush Slap
39 D1 Hand Clap
40 E 1 Snare H SD Power Rim SD Power H Analog Snare H Brush Tap
41 F 1 Floor Tom L Room Tom 1 Power Tom 1 E Tom 1 Analog Tom 1 Jazz Tom 1 Brush Tom 1 Jazz Tom 1
42 F1 1 Closed Hi Hat Analog HH Closed 1
43 G 1 Floor Tom H Room Tom 2 Power Tom 2 E Tom 2 Analog Tom 2 Jazz Tom 2 Brush Tom 2 Jazz Tom 2
44 G1 1 Pedal Hi-Hat Analog HH Closed 2
45 A 1 Low Tom Room Tom 3 Power Tom 3 E Tom 3 Analog Tom 3 Jazz Tom 3 Brush Tom 3 Jazz Tom 3
46 A1 1 Hi-Hat Open Analog HH Open
47 B 1 Mid Tom L Room Tom 4 Power Tom 4 E Tom 4 Analog Tom 4 Jazz Tom 4 Brush Tom 4 Jazz Tom 4
48 C 2 Mid Tom H Room Tom 5 Power Tom 5 E Tom 5 Analog Tom 5 Jazz Tom 5 Brush Tom 5 Jazz Tom 5
49 C2 Crash Cymbal 1 Hand Cym.Open L
50 D 2 High Tom Room Tom 6 Power Tom 6 E Tom 6 Analog Tom 6 Jazz Tom 6 Brush Tom 6 Jazz Tom 6
51 D2 Ride Cymbal 1 Hand Cym.Closed L
52 E 2 Chinese Cymbal
53 F 2 Ride Cymbal Cup
54 F2 Tambourine
55 G 2 Splash Cymbal
56 G2 Cowbell
57 A 2 Crash Cymbal 2 Hand Cym.Open H
58 A2 Vibraslap
59 B 2 Ride Cymbal 2 Hand Cym.Closed H
60 C 3 Bongo H
61 C3 Bongo L
62 D 3 Conga H Mute Analog Conga H
63 D3 Conga H Open Analog Conga M
64 E 3 Conga L Analog Conga L
65 F 3 Timbale H
66 F3 Timbale L
67 G 3 High Agogo
68 G3 Low Agogo
69 A 3 Cabassa
70 A3 Maracas
71 B 3 O Samba Whistle H
72 C 4 O Samba Whistle L
73 C4 Guiro Short
74 D 4 O Guiro Long
75 D4 Claves
76 E 4 Wood Block H
77 F 4 Wood Block L
78 F4 Cuica Mute Scratch Push Scratch Push
79 G 4 Cuica Open Scratch Pull Scratch Pull
80 G4 2 Triangle Mute
81 A 4 2 Triangle Open
82 A4 Shaker
83 B 4 Jingle Bell
84 C 5 Bell Tree
85 C5 Hi Q
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#

Phrase List
– 4 –
InstrumentCategory Beat Type Num. Sum of each category
Drums (DR)
8 beat Main 83
865
Fill Loop 87
Fill Cross 89
Intro 42
Ending 43
Specific 20
General 86
16 beat Main 50
Fill Loop 50
Fill Cross 49
Intro 23
Ending 25
Specific 83
General 35
3/4 beat Main 24
Fill Loop 22
Fill Cross 23
Intro 12
Ending 12
Specific –
General 7
Percussion (PC)
8 beat Main 19
290
Fill Loop 21
Fill Cross 22
Intro 8
Ending 12
Specific 7
General 17
16 beat Main 29
Fill Loop 33
Fill Cross 29
Intro 13
Ending 18
Specific 42
General 12
3/4 beat Main 4
Fill Loop 2
Fill Cross 1
Intro 1
Ending –
Specific –
General –
Bass (BA)
8 beat Main 65
582
Fill Loop 67
Fill Cross 75
Intro 26
Ending 36
Specific 3
General 8
16 beat Main 45
Fill Loop 40
Fill Cross 45
Intro 19
Ending 27
Specific 47
General 2
3/4 beat Main 19
Fill Loop 19
Fill Cross 16
Intro 11
Ending 12
Specific –
General –
Guitar chord (GC)
8 beat Main 62
Fill Loop 54
Fill Cross 61
Intro 22
Ending 36
Specific 5
General 7
16 beat Main 30
Fill Loop 30
Fill Cross 29
Intro 10
Guitar chord (GC)
Ending 19
412
Specific 15
General –
3/4 beat Main 11
Fill Loop 7
Fill Cross 7
Intro 3
Ending 4
Specific –
General –
Guitar riff (GR)
8 beat Main 21
117
Fill Loop 14
Fill Cross 16
Intro 6
Ending 10
Specific 11
General –
16 beat Main 9
Fill Loop 6
Fill Cross 4
Intro 2
Ending 2
Specific 14
General –
3/4 beat Main 1
Fill Loop –
Fill Cross –
Intro 1
Ending –
Specific –
General –
Kbd chord (KC)
8 beat Main 82
655
Fill Loop 75
Fill Cross 76
Intro 22
Ending 39
Specific 5
General 68
16 beat Main 49
Fill Loop 47
Fill Cross 35
Intro 11
Ending 26
Specific 25
General –
3/4 beat Main 28
Fill Loop 21
Fill Cross 22
Intro 10
Ending 14
Specific –
General –
Kbd Riff (KR)
8 beat Main 12
172
Fill Loop 12
Fill Cross 16
Intro 2
Ending 9
Specific 6
General –
16 beat Main 19
Fill Loop 17
Fill Cross 18
Intro 5
Ending 7
Specific 31
General –
3/4 beat Main 3
Fill Loop 3
Fill Cross 5
Intro 4
Ending 3
Specific –
General –
Total Phrase 3093
InstrumentCategory Beat Type Num. Sum of each category

ABC Fingering Chart
– 5 –
Chord Type 3-note Chord 4-note Chord 5-note Chord Comments (for C chords)
7( 5) 3+ 5+ 7 1+3+ 5+ 7
7( 5) 1+3+ 5+ 7
7( 9) 3+ 7+ 9 1+3+ 7+ 9
3+5+ 7+ 9 1+3+5+ 7+ 9
7( 9) 1+3+ 7+ 9 1+3+5+ 7+ 9
7( 13) 3+5+ 7+ 13 1+3+5+ 7+ 13
1+3+ 7+ 9+ 13
1+3+ 7+9+ 13
1+3+ 7+ 9+ 13
7(13) 1+3+ 7+13
3+5+ 7+13
3+ 7+9+13 1+3+5+ 7+13
1+3+ 7+ 9+13
1+3+ 7+9+13
7sus4 1+4+ 7 Fsus4 when lowest note is not C.
1+4+5+ 7 Gm7(11) when G or B is the lowest note.
sus4 1+4+5 G7sus4 when G is the lowest note.
m7(11) 1+ 3+ 7+11 F7sus4 when F or B is the lowest note.
1+ 3+5+ 7+11
7( 11) 1+3+ 7+ 11 F 7( 11) when F or E is the lowest note.
1+3+5+ 7+ 11
add9 1+3+5+9
M 1+3+5
M7(9) 1+3+5+7+9
M7 1+3+7 Amadd9 when E is the lowest note.
1+5+7 1+3+5+7
6(9) 1+3+5+6+9
6 3+5+6 1+3+5+6 Am7 when lowest note is not C.
3+5+9 Em7 when E is the lowest note.
7(9) 1+3+5+ 7+9
7 1+3+ 7 1+3+5+ 7
madd9 1+ 3+5+9
3+5+9 E Maj7 when E
or D is the lowest note.
m 1+ 3+5
m7(9) 1+ 3+5+ 7+9
m7 1+ 3+ 7 A add9 when E or B is the lowest note.
1+ 3+5+ 7 E 6 when E is the lowest note.
mM7 1+ 3+7 1+ 3+5+7
m6 1+ 3+5+6 F9 when E is the lowest note, Am7( 5) when G or A is the lowest note.
1+ 3+6
dim 1+ 3+ 5+6 Only C (root) accepted as lowest note.
m7( 5) 1+ 3+ 5+ 7 E m6 when E is the lowest note.A 9 when B is the lowest note.
--- through
aug 1+3+ 5 Only C (root) accepted as lowest note.
##
b
#b
bbb
#b#
b#
b#
b#
bbb
bb
bbb
bb
bbb
bb
b#b
b
b
b
b
bb
b
b
bb
bb b
bb
#b####
b#
b
b
b
b
bbb
b
bb
bb b b b
bb b b
b
b
bbb
b
bb
b bbb b b b b
#
For example: 1: root of the chord
3: 3
rd
note above the root
5: 5
th
note above the root

MIDI Data Format
– 6 –
Tone Generator
(1) TRANSMIT FLOW
NOTE ON/OFF 9nH
ACTIVE SENSING FEH
SW1 MIDI Transmit Channel
Output MIDI CH selects the MIDI Transmit Channel.
(2) RECEIVE FLOW
NOTE OFF 8nH
NOTE ON/OFF 9nH
BANK SEL MSB BnH, 00H
BANK SEL LSB BnH, 20H
MODULATION BnH, 01H
DATA ENTRY MSB BnH, 06H
DATA ENTRY LSB BnH, 26H
MASTER VOLUME BnH, 07H
PANPOT BnH, 0AH
EXPRESSION BnH, 0BH
HOLD 1 BnH, 40H
SOSTENUTO BnH, 42H
PORTAMENT CONTROL BnH, 54H
EFFECT SEND LEVEL 1 BnH, 5BH
DATA ENTRY INC BnH, 60H
DATA ENTRY DEC BnH, 61H
PITCH BEND SENSITIVITY
BnH, 64H, 00H, 65H, 00H, 06H, mmH
FINE TUNING
BnH, 64H, 01H, 65H, 00H, 06H, mmH, 26H, llH
COARSE TUNING
BnH, 64H, 02H, 65H, 00H, 06H, mmH
RPN RESET
BnH, 64H, 7FH, 65H, 7FH
ALL SOUND OFF BnH, 78H, 00H
RESET ALL CONTROLLERS
BnH, 79H, 00H
ALL NOTE OFF BnH, 7BH
OMNI MODE OFF BnH, 7CH
OMNI MODE ON BnH, 7DH
PROGRAM CHANGE CnH
PITCH BEND CHANGE EnH
F0H 7EH 7FH 09H 01H F7H
(GM MODE ON)
F0H 7FH 7FH 04H 01H llH mmH F7H
(MIDI MASTER VOLUME)
F0H 43H 1nH 27H 30H 00H 00H mmH llH ccH F7H
(MIDI MASTER TUNING)
ACTIVE SENSING FEH
(3) TRANSMIT/RECEIVE DATA
(3-1) CHANNELVOICE MESSAGES
(3-1-1) NOTE OFF
STATUS 1000nnnn (8nH) n = 0 ~ 15VOICE CHANNEL NUMBER
NOTE NUMBER 0kkkkkkk k = 0 (C-2) ~ 127 (G8)
VELOCITY 0vvvvvvv v: ignored
Receive-only
(3-1-2) NOTE ON/OFF
STATUS 1001nnnn (9nH) n = 0 ~ 15VOICE CHANNEL NUMBER
NOTE NUMBER 0kkkkkkk k = 0 (C-2) ~ 127 (G8)
VELOCITY 0vvvvvvv (v 0) NOTE ON
00000000 (v=0) NOTE OFF
(3-1-3) CONTROL CHANGE
STATUS 1011nnnn (BnH)n = 0 ~ 15 VOICE CHANNEL NUMBER
CONTROL NUMBER 0ccccccc
CONTROL VALUE 0vvvvvvv
* CONTROL NUMBER’s are not transmitted.
* Received CONTROL NUMBER’s are as follows.
c = 0 BANK SEL MSB: v = 0:GM select, 127:RHYTHM select *2
c = 32 BANK SEL LSB: Always ignored
c = 1 MODULATION: v = 0 - 127 *2
c = 6 DATA ENTRY MSB: v = 0 - 127 *1
c = 38 DATA ENTRY LSB: v = 0 - 127 *1
c = 7 MASTER VOLUME: v = 0 - 127
c = 10 PANPOT: v = 0 - 127
c = 11 EXPRESSION: v = 0 - 127
c = 64 SUSTAIN SWITCH: v = 0 ~ 63 : OFF, 64 ~ 127 : ON *2
c = 66 SOSTENUTO: v = 0 ~ 63 : OFF, 64 ~ 127 : ON *2
c = 84 PORTAMENT CONTROL:v = 0 - 127 *2
c = 91 EFFECT SEND LEVEL 1: v = 0 - 127
c = 96 DATA ENTRY INC: v = 127 *1
c = 97 DATA ENTRY DEC: v = 127 *1
*1 Used only when setting parameter designated by RPN.
*2 Not effective for rhythm voice.
MODULATION controls vibrato depth.
For both melody and rhythm voices, PANPOT change is relative to the voice’s pre-
set value.
PORTAMENT CONTROL portamento time is fixed at 0.
BANK SELECT MSB v=0 selects GM melody voice, v=127 selects GM rhythm
voice. All other bank selections set the voice OFF.
BANK SELECT LSB is always ignored.
Channel 10 is fixed for rhythm voice; bank select is ineffective.
EFFECT SEND LEVEL 1 controls reverb depth.
(3-1-4) PROGRAM CHANGE
STATUS 1100nnnn (CnH)n = 0 ~ 15VOICE CHANNEL NUMBER
PROGRAM NUMBER 0ppppppp p = 0 ~ 127
(Receive)
If receive channel is other than 10, and BANK SELECT MSB = 00, then
GM melody voice is selected.
If receive channel is channel 10 and BANK SELECT MSB = 127, then
GM rhythm voice is selected.
Dr1 (Standard Kit): p = 0
Dr2 (Room Kit): p = 8
Dr3 (Rock Kit): p = 16
Dr4 (Electonic Kit): p = 24
Dr5 (analog Kit): p = 25
Dr6 (Jazz Kit): p = 32
Dr7 (Brush Kit): p = 40
Dr8 (Classic Kit): p = 48
Values other than those listed above are ignored.
(3-1-5) PITCH BEND CHANGE
STATUS 1110nnnn (EnH) n = 0 ~ 15 VOICE CHANNEL NUMBER
LSB 0vvvvvvv PITCH BEND CHANGE LSB
MSB 0vvvvvvv PITCH BEND CHANGE MSB
Resolution: 14 bits
=
/
SW1
MIDI
OUT
MIDI
IN

MIDI Data Format
– 7 –
(3-2) CHANNEL MODE MESSAGES
(3-2-1) ALL SOUND OFF
STATUS 1011nnnn (BnH)n = 0 ~ 15 VOICE CHANNEL NUMBER
CONTROL NUMBER 01111000
CONTROL VALUE 00000000
Immediately shuts off the sound coming in over the designated channel, and deletes
any channel-message conditions (NOTE ON, HOLD ON, etc.).
(3-2-2) RESET ALL CONTROLLERS
STATUS 1011nnnn (BnH)n = 0 ~ 15 VOICE CHANNEL NUMBER
CONTROL NUMBER 01111001
CONTROL VALUE 00000000
Resets controller values as follows.
PITCH BEND CHANGE 0 (center)
MODULATION 0 (off)
EXPRESSION 127 (Max)
SUSTAIN SWITCH 0 (off)
SOSTENUTO SWITCH 0 (off)
RPN Unset condition: internal data does not change
PORTAMENT CONTROL Reset
The following data do not change.
PROGRAM CHANGE, BANK SELECT MSA/LSB, VOLUME,
PAN. EFFECT SEND LEVEL 1, PITCH BEND SENSITIBITY, FINE TUNING,
COARSE TUNING
(3-2-3) ALL NOTE OFF
All ON notes on the relevant channel go OFF. But if HOLD 1 or Sustenuto is ON,
sound continues until the HOLD 1 or Sustenuto switches OFF.
(3-2-4) OMNI MODE OFF
Same processing as for ALL NOTES OFF.
(3-2-5) OMNI MODE ON
Same processing as for ALL NOTES OFF. Note that OMNI does not go ON.
(3-3) REGISTERED PARAMETER NUMBER
(3-3-1) PITCH BEND SENSITIVITY
RPN MSB 00H
RPN LSB 00H
DATA ENTRY MSB mmH mmH = 00H - 18H (0 - 24 semitone)
DATA ENTRY LSB --- don’t care
* Initial value is 2 semitones.
(3-3-2) MASTER FINETUNE
RPN MSB 00H
RPN LSB 01H
DATA ENTRY MSB mmH
DATA ENTRY LSB llH
(mmH, llH) = (00H, 00H) - (40H, 00H) - (7FH, 7FH)
(-8192*100/8192) - 0 - (+8192*100/8192)
(3-3-3) MASTER COARSETUNE
RPN MSB 00H
RPN LSB 02H
DATA ENTRY MS mmH
DATA ENTRY LSB --- don’t care
mmH = 28H - 40H - 58H (-24 - 0 - +24 semitone)
(3-3-4) RPN RESET
RPN MSB 7FH
RPN LSB 7FH
DATA ENTRY MSB --- don’t care
DATA ENTRY LSB --- don’t care
RPN number becomes “unset”.
Internal setting does not change.
MSB
00000000B ( 00H )
01000000B ( 40H )
01111111B ( 7FH )
Minimum value
Middle value
Maximum value
(3-4) SYSTEM REALTIME MESSAGES
(3-4-1) ACTIVE SENSING
STATUS 11111110 (FEH)
Transmitted approximately once every 180ms.
Not transmitted while disk read or disk write is in progress.
Receipt of this code causes the system to begin sensing. If status or data fail to
arrive within about 500msec, the system clears the MIDI Receive buffer, forces off
the current sound and the sustain switch, and resets control values.
(3-5) SYSTEM EXCLUSIVE MESSAGE
(3-5-1) GENERAL MIDI MODE ON
F0H 7EH 7FH 09H 01H F7H
The controller settings are reset to the following values:
VOLUME 100
PAN Center
PROGRAM CHANGE 1 (Grandpno)
BANK SELECT MSB 0
REVERB DEPTH 4
PITCH BEND CHANGE 0 (center)
MODULATION 0 (off)
EXPRESSION 127 (Max)
SUSTAIN SWITCH 0 (off)
SOSTENUTO SWITCH 0 (off)
RPN Unset condition: internal data does not change
PORTAMENT CONTROL Reset
MIDI MASTER VOLUME 127 (Max)
PITCH BEND SENSITIBITY 02 (2 semitones)
FINE TUNING 0
COARSE TUNING 0
(3-5-2) MIDI MASTERVOLUME
F0H 7FH 7FH 04H 01H llH mmH F7H
Changes the MASTER VOLUME value to “mm”. (The “ll”value is ignored.)
(3-5-3) MIDI MASTERTUNING
F0H 43H 1nH 27H 30H 00H 00H mmH llH ccH F7H
Changes the MASTER TUNE value in accordance with “mm” and “ll”. (“n” and
“cc” values are ignored.)
T = M*200/256-100
where
T: Actual tuning value (–99 - +99)
M: Single byte value, formed by “mm” bits 0 -3 followed by “ll” bits 0 -3.

MIDI Data Format
– 8 –
(4) Interrelation of Keyboard Switch,
Sequencer, andTone Generator
The system distinguishes between note data received via MIDI and that generated
by the internal sequencer (which includes data from the local keyboard). Hold 1,
Sustenuto, and other controllers do not make this distinction, however, and affect all
notes from both sources.
ALL SOUND OFF makes no distinction between MIDI and local data; it terminates
all sound over the relevant channel, regardless of source.
AnALL NOTES OFF message received via MIDI terminates only the MIDI-driven
notes on the relevant channel. The sequencer does not record the message.
Receive Channel
TONE GENERATOR
KEYBOARD SWITCH
Selected Track
M
IDI IN
SEQUENCER
REC
PLAY
MIDI OUT
Sequencer
(1) TRANSMIT FLOW
NOTE ON/OFF 9nH
POLYPHONIC KEY PRESSURE AnH
CONTROL CHANGE BnH
PROGRAM CHANGE CnH
CHANNEL PRESSURE DnH
PITCH BEND CHANGE EnH
TIMING CLOCK F8H
START FAH
CONTINUE FBH
STOP FCH
SONG POSITION POINTER F2H
SONG SELECT F3H
ALL SOUND OFF BnH 78H
RESET ALL CONTROLLERS BnH 79H
LOCAL CONTROL BnH 7AH
OMNI MODE OFF BnH 7CH
OMNI MODE ON BnH 7DH
MONO MODE ON BnH 7EH
POLY MODE ON BnH 7FH
SYSTEM EXCLUSIVE MESSAGE F0H ..... F7H
SW 1 MIDI Transmit Channel
Transmit channel settings and transmit ON/OFF can be set for each
track of the channel.
SW 2 MIDI Control
Transmission can be set ON or OFF.
MIDI
SW1
SW2

MIDI Data Format
– 9 –
(2) RECEIVE FLOW
NOTE OFF 8nH
NOTE ON/OFF 9nH
POLYPHONIC KEY PRESSURE AnH
CONTROL CHANGE BnH
PROGRAM CHANGE CnH
CHANNEL PRESSURE DnH
PITCH BEND CHANGE EnH
TIMING CLOCK F8H
START FAH
CONTINUE FBH
STOP FCH
SONG POSITION POINTER F2H
SONG SELECT F3H
ALL SOUND OFF BnH 78H
RESET ALL CONTROLLERS BnH 79H
LOCAL CONTROL BnH 7AH
OMNI MODE OFF BnH 7CH
OMNI MODE ON BnH 7DH
MONO MODE ON BnH 7EH
POLY MODE ON BnH 7FH
SYSTEM EXCLUSIVE MESSAGE F0H ..... F7H
F0H 43H 0nH 0AH 04H 0AH LM__0086QY
( QYSEQ DATA ) sum F7H
F0H 43H 0nH 7EH 04H 32H LM__0086SQ
( SONG DATA ) sum F7H
F0H 43H 0nH 0AH 04H 0AH LM__0018HQ
( HQSEQ DATA ) sum F7H
F0H 43H 0nH 7EH 02H 56H LM__0018SQ
( SONG DATA ) sum F7H
SW 1 Velocity Filter
Sets velocity step recording and edit input ON/OFF.
SW 2 Clock Condition Select
Determines whether the system uses the internal clock or the clock
received over MIDI IN.
SW 3 MIDI Control
Sets reception ON or OFF.
SW 4 INPUT FILTER
INPUT FILTER settings determine whether reception is enabled or
disabled.
(3) TRANSMIT/RECEIVE DATA
(3-1) CHANNELVOICE MESSAGE
Transmission occurs only during recording or playback. Transmit
channel and transmit ON/OFF can be set for each track.
Reception occurs only during recording. The system always receives
over all channels.
For multitrack recording, tracks 0 -15 respectively record MIDI CH 0
-15 data.
* During RECORD MODE, recording is normally set to “omni on.”
During multitrack recording, however, “omni” is set “off” and data
is divided according to MIDI channel (CH 0 -15).
(3-1-1) NOTE OFF
STATUS 1000nnnn (8nH) n = 0~15 TRACK CHANNEL NUMBER
NOTE NUMBER 0kkkkkkk k = 0 (C-2) ~ 127 (G8)
VELOCITY 0vvvvvvv v: ignored
Recording only.
During playback, converted to 9nH kkH 00H.
(3-1-2) NOTE ON/OFF
STATUS 1001nnnn (9nH) n = 0~15 TRACK CHANNEL NUMBER
NOTE NUMBER 0kkkkkkk k = 0 (C-2) ~ 127 (G8)
VELOCITY 0vvvvvvv (v 0) NOTE ON
00000000 (v=0) NOTE OFF
During recording, can set velocity step recording and edit input ON/OFF.
(3-1-3) POLYPHONIC KEY PRESSURE
STATUS 1010nnnn (AnH) n = 0~15 TRACK CHANNEL NUMBER
NOTE NUMBER 0kkkkkkk k = 0 (C-2) ~ 127 (G8)
VALUE 0vvvvvvv v = 0 - 127
(3-1-4) CONTROL CHANGE
STATUS 1011nnnn (BnH)n = 0~15TRACK CHANNEL NUMBER
CONTROL NUMBER 0ccccccc
CONTROL VALUE 0vvvvvvv
All control-change data can be recorded and replayed.
Bank Select MSB and LSB are recorded in combination with received Program
Change data; you cannot record Bank Select data independently. During playback,
the system transmits Bank Select data followed by the corresponding Program
Change data; it is not possible to transmit unaccompanied Bank Select data.
(3-1-5) PROGRAM CHANGE
STATUS 1100nnnn (CnH)n = 0~15TRACK CHANNEL NUMBER
PROGRAM NUMBER 0ppppppp p = 0 ~ 127
When the system receives Program Change data, it records it in combination with
the most recently received Bank Select data. If the system has not received any
Bank Select data, it records the Bank Select value as 0 (MSB=0, LSB=0).
During transmission, the system always includes Bank Select data together with
Program Change data.
It is not possible to transmit unaccompanied Program Change data.
(3-1-6) CHANNEL PRESSURE
STATUS 1101nnnn (DnH) n = 0~15 TRACK CHANNEL NUMBER
VALUE 0vvvvvvv v = 0 ~ 127
(3-1-7) PITCH BEND CHANGE
STATUS 1110nnnn (EnH) n = 0~15 TRACK CHANNEL NUMBER
LSB 0vvvvvvv PITCH BEND LSB 0 ~ 127
MSB 0vvvvvvv PITCH BEND MSB 0 ~ 127
(3-2) CHANNEL MODE MESSAGE
The system can record and replay the following messages.
RESET ALL CONTROLLERS BnH 78H
LOCAL CONTROL BnH 7AH
OMNI MODE OFF BnH 7CH
OMNI MODE ON BnH 7DH
MONO MODE ON BnH 7EH
POLY MODE ON BnH 7FH
=
/
MIDI
IN
SW3
SW4
SW4
SW1 SW4
SW2

MIDI Data Format
– 10 –
(3-3) SYSTEM COMMON MESSAGE
The system supports both transmission and reception of these messages. These mes-
sages provide function control data.
They cannot be recorded as sequencer data.
(3-3-1) SONG POSITION POINTER
STATUS 11110010 (F2H)
LSB 0vvvvvvv SONG POSITION LSB
MSB 0vvvvvvv SONG POSITION MSB
Transmitted when song position is changed during SONG PLAY MODE.
Received in SONG PLAY MODE during standby.
(3-3-2) SONG SELECT
STATUS 11110011 (F3H)
SONG NO 0vvvvvvv v = 0 - 9
Transmitted when a song is selected during SONG PLAY MODE.
Received in SONG PLAY MODE during standby.
(3-4) SYSTEM REALTIME MESSAGE
Cannot be recorded as sequencer data.
(3-4-1)TIMING CLOCK
STATUS 11111000 (F8H)
Determines whether the system uses the internal clock or the clock received over
MIDI IN.
Transmit and Receive can be independently enabled or disabled.
(3-4-2) START
STATUS 11111010 (FAH)
Transmission and reception can be enabled or disabled.
(3-4-3) CONTINUE
STATUS 11111011 (FBH)
Transmission and reception can be enabled or disabled.
(3-4-4) STOP
STATUS 11111100 (FCH)
Transmission and reception can be enabled or disabled.
(3-5) SYSTEM EXCLUSIVE MESSAGE
The system records and replay all system-exclusive messages.
F0 to F7 are recorded using the same timing, regardless of time disparities in data
reception. For replay, interval time is set every 1K bytes.
However, when the initial SONG MODE screen is displayed for the bulk data for 1-
song in the QY20 or QY10, the sequence data is handled locally as bulk data for the
QY300, when in RECORD MODE, it is recorded as data. While replaying, the
sequence data is transmitted via MIDI, but is not handled locally as bulk data for the
QY300.
QY300 receives Tracks 1 to 4 of SEQ data and Chord Tr data from within QY10, 20
1-song bulk data.
If QY300 includes QY10 code track code data, the data are quantized into quarter-
note units for reception.
QY10 11th code is received as 7th Sus4 code.
For information about QY20 and QY10 bulk data. refer to the relevant model's
specifications.

– 11 –
YAMAHA [ Music Sequencer --- voice part ] Date:24-MAR-1994
Model QY300 MIDI Implementation Chart Version : 1.0
+----------------------------------------------------------------------+
: : Transmitted : Recognized : Remarks :
: Function ... : : : :
:-------------------+----------------+----------------+----------------:
:Basic Default : 1 - 16 : 1 - 16 *1 : memorized :
:Channel Changed : 1 - 16 *2 : x : :
:-------------------+----------------+----------------+----------------:
: Default : 3 : 3 : :
:Mode Messages : x : x : :
: Altered : ************** : x : :
:-------------------+----------------+----------------+----------------:
:Note : 0 - 127 : 0 - 127 *3 : :
:Number : True voice: ************** : 0 - 127 : :
:-------------------+----------------+----------------+----------------:
:Velocity Note ON : o 9nH,v=1-127 : o v=1-127 : :
: Note OFF : x 9nH,v=0 : x : :
:-------------------+----------------+----------------+----------------:
:After Key's : x : x : :
:Touch Ch's : x : x : :
:-------------------+----------------+----------------+----------------:
:Pitch Bender : x : o 0-24 semi *3 :12bit resolution:
:-------------------+----------------+----------------+----------------:
: 0,32 : x : o MSB only *3 :Bank Select :
: 1 : x : o *3 :Modulation Wheel:
: 6,38 : x : o *3 :Data Entry :
: 7 : x : o *3 :Volume :
: Control 10 : x : o *3 :Panpot :
: 11 : x : o *3 :Expression :
: Change 64 : x : o *3 :Hold 1 :
: 66 : x : o *3 :Sostenuto :
: 84 : x : o *3 :Portamento Cont.:
: 91 : x : o *3 :Effect Depth :
: 96,97 : x : o *3 :Data INC,DEC :
: 100,101 : x : o *3 :RPN LSB,MSB :
: 120 : x : o *3 :All Sound Off :
: 121 : x : o *3 :Reset All Cont. :
:-------------------+----------------+----------------+----------------:
:Prog : x : o 0 - 127 *3 : :
:Change : True # : ************** : : :
:-------------------+----------------+----------------+----------------:
:System Exclusive : x : o *3 : :
:-------------------+----------------+----------------+----------------:
:System : Song Pos : x : x : :
: : Song Sel : x : x : :
:Common : Tune : x : x : :
:-------------------+----------------+----------------+----------------:
:System :Clock : x : x : :
:Real Time :Commands: x : x : :
:-------------------+----------------+----------------+----------------:
:Aux :Local ON/OFF : x : x : :
: :All Notes OFF: x : o : :
:Mes- :Active Sense : o : o : :
:sages:Reset : x : x : :
+----------------------------------------------------------------------+
:Notes: *1 = if REC mode,receive all channels. :
: *2 = selected by current track. :
: *3 = receive if input filter switch is off. :
: :
+----------------------------------------------------------------------+
Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO o : Yes
Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO x : No

– 12 –
YAMAHA [ Music Sequencer --- sequencer part ] Date:24-MAR-1994
Model QY300 MIDI Implementation Chart Version : 1.0
+----------------------------------------------------------------------+
: : Transmitted : Recognized : Remarks :
: Function ... : : : :
:-------------------+----------------+----------------+----------------:
:Basic Default : 1 - 16 : 1 - 16 : memorized :
:Channel Changed : x : x : :
:-------------------+----------------+----------------+----------------:
: Default : x : x : :
:Mode Messages : x : x : :
: Altered : ************** : x : :
:-------------------+----------------+----------------+----------------:
:Note : 0 - 127 : 0 - 127 *2 : :
:Number : True voice: ************** : 0 - 127 : :
:-------------------+----------------+----------------+----------------:
:Velocity Note ON : o 9nH,v=1-127 : o v=1-127 : :
: Note OFF : x 9nH,v=0 : x : :
:-------------------+----------------+----------------+----------------:
:After Key's : o : o *2 : :
:Touch Ch's : o : o *2 : :
:-------------------+----------------+----------------+----------------:
:Pitch Bender : o : o *2 : :
:-------------------+----------------+----------------+----------------:
: 0-121: o : o *2 : :
: : : : :
: : : : :
: Control : : : :
: : : : :
: Change : : : :
: : : : :
: : : : :
: : : : :
: : : : :
: : : : :
: : : : :
:-------------------+----------------+----------------+----------------:
:Prog : o 0 - 127 : o 0 - 127 *2 : :
:Change : True # : ************** : : :
:-------------------+----------------+----------------+----------------:
:System Exclusive : o : o *2 *5 : :
:-------------------+----------------+----------------+----------------:
:System : Song Pos : o *3 : o *3 : :
: : Song Sel : o *3 : o *3 : :
:Common : Tune : x : x : :
:-------------------+----------------+----------------+----------------:
:System :Clock : o *3 : o *4 : :
:Real Time :Commands: o *3 : o *3 : :
:-------------------+----------------+----------------+----------------:
:Aux :Local ON/OFF : o : o *2 : :
: :All Notes OFF: x : x : :
:Mes- :Active Sense : o : x : :
:sages:Reset : x : x : :
+----------------------------------------------------------------------+
:Notes: *1 = receive if velocity parameter is 'ext' in step REC mode. :
: if parameter is not 'ext',velocity is fixed to 1 - 127. :
: *2 = receive if input filter switch is off. :
: *3 = if MIDI control switch is on. :
: *4 = receive clock at MIDI sync mode. :
: *5 = Record Data in Rec, Receive QY10,20 SONG data in Song Top :
+----------------------------------------------------------------------+
Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO o : Yes
Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO x : No

405CRIP 12.2-01A0 Printed in Japan M.D.G., EMI Division  Yamaha Corporation 1994
VS40920