Yamaha RM1x User manual

FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly
approved byYamaha may void your authority, granted by the FCC, to use the product.
2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with
this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product
in the USA.
3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices.
Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not
result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according
to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC
regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can
be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures:
Relocate either this product or the device that is being affected by the interference.
Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial
type cable.
If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you
can not locate the appropriate retailer, please contactYamaha Corporation ofAmerica, Electronic Service Division, 6600 OrangethorpeAve, Buena
Park, CA90620
* This applies only to products distributed byYAMAHA CORPORATION OF AMERICA.
ADVARSEL!
Lithiumbatteri Eksplosionsfare ved fejlagtig håndtering.
Udskiftning må kun ske med batteri af samme fabrikat og
type. Levér det brugte batteri tilbage til leverandoren.
VARNING
Explosionsfara vid felaktigt batteribyte. Använd samma
batterityp eller en ekvivalent typ som rekommenderas av
apparattillverkaren. Kassera använt batteri enlight
fabrikantens instruktion.
VAROITUS
Paristo voi räjähtää, jos se on virheellisesti asennettu.
Vaihda paristo ainoastaan laitevalmistajan suosittelemaan
tyyppiin. Hävitä käytetty paristo valmistajan ohjeiden
mukaisesti.
NEDERLAND /THE NETHERLANDS
• Dit apparaat bevat een lithium batterij voor geheugen back-up.
• This apparatus contains a lithium battery for memory back-up.
• Raadpleeg uw leverancier over de verwijdering van de batterij op
het moment dat u het apparaat ann het einde van de levensduur
afdankt of de volgendeYamaha Service Afdeiing:
Yamaha Music Nederland Service Afdeiing
Kanaalweg 18-G, 3526 KL UTRECHT
Tel. [phone]
• For the removal of the battery at the moment of the disposal at the
end of the service life please consult your retailer or Yamaha
Service Center as follows:
Yamaha Music Nederland Service Center
Address: Kanaalweg 18-G, 3526 KL UTRECHT
Tel : [phone]
• Gooi de batterij niet weg, maar lever hem in als KCA.
• Do not throw away the battery. Instead, hand it in as small
chemical waste.

3
SPECIAL MESSAGE SECTION
This product utilizes batteries or an external power supply
(adapter). DO NOT connect this product to any power supply or
adapter other than one described in the manual, on the name plate,
or specifically recommended byYamaha.
WARNING: Do not place this product in a position where anyone
could walk on, trip over ,or roll anything over power or connect-
ing cords of any kind. The use of an extension cord is not recom-
mended! IF you must use an extension cord, the minimum wire
size for a 25' cord (or less ) is 18 AWG. NOTE: The smaller the
AWG number ,the larger the current handling capacity. For longer
extension cords, consult a local electrician.
This product should be used only with the components supplied
or; a cart, rack, or stand that is recommended byYamaha. If a cart,
etc., is used, please observe all safety markings and instructions
that accompany the accessory product.
SPECIFICATIONS SUBJECT TO CHANGE:
The information contained in this manual is believed to be correct
at the time of printing. However,Yamaha reserves the right to
change or modify any of the specifications without notice or
obligation to update existing units.
This product, either alone or in combination with an amplifier and
headphones or speaker/s, may be capable of producing sound
levels that could cause permanent hearing loss. DO NOT operate
for long periods of time at a high volume level or at a level that is
uncomfortable. If you experience any hearing loss or ringing in
the ears, you should consult an audiologist.
IMPORTANT: The louder the sound, the shorter the time period
before damage occurs.
SomeYamaha products may have benches and / or accessory
mounting fixtures that are either supplied with the product or as
optional accessories. Some of these items are designed to be
dealer assembled or installed. Please make sure that benches are
stable and any optional fixtures (where applicable) are well
secured BEFORE using.
Benches supplied byYamaha are designed for seating only. No
other uses are recommended.
NOTICE:
Service charges incurred due to a lack of knowledge relating to
how a function or effect works (when the unit is operating as
designed) are not covered by the manufacturer’s warranty, and are
therefore the owners responsibility. Please study this manual
carefully and consult your dealer before requesting service.
ENVIRONMENTAL ISSUES:
Yamaha strives to produce products that are both user safe and
environmentally friendly. We sincerely believe that our products
and the production methods used to produce them, meet these
goals. In keeping with both the letter and the spirit of the law, we
want you to be aware of the following:
Battery Notice:
This product MAY contain a small non-rechargeable battery which
(if applicable) is soldered in place. The average life span of this
type of battery is approximately five years. When replacement
becomes necessary, contact a qualified service representative to
perform the replacement.
This product may also use “household” type batteries. Some of
these may be rechargeable. Make sure that the battery being
charged is a rechargeable type and that the charger is intended for
the battery being charged.
When installing batteries, do not mix batteries with new, or with
batteries of a different type. Batteries MUST be installed correctly.
Mismatches or incorrect installation may result in overheating and
battery case rupture.
Warning:
Do not attempt to disassemble, or incinerate any battery. Keep all
batteries away from children. Dispose of used batteries promptly
and as regulated by the laws in your area. Note: Check with any
retailer of household type batteries in your area for battery
disposal information.
Disposal Notice:
Should this product become damaged beyond repair, or for some
reason its useful life is considered to be at an end, please observe
all local, state, and federal regulations that relate to the disposal of
products that contain lead, batteries, plastics, etc. If your dealer is
unable to assist you, please contactYamaha directly.
NAME PLATE LOCATION:
The name plate is located on the bottom of the product. The model
number, serial number, power requirements, etc., are located on
this plate.You should record the model number, serial number,
and the date of purchase in the spaces provided below and retain
this manual as a permanent record of your purchase.
Model
Serial No.
Purchase Date
PLEASE KEEPTHIS MANUAL
92-BP

PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep these precautions in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical
shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
• Do not open the instrument or attempt to disassemble the internal parts or
modify them in any way. The instrument contains no user-serviceable
parts. If it should appear to be malfunctioning, discontinue use immedi-
ately and have it inspected by qualified Yamaha service personnel.
• Do not expose the instrument to rain, use it near water or in damp or wet
conditions, or place containers on it containing liquids which might spill
into any openings.
• If the AC adaptor cord or plug becomes frayed or damaged, or if there is a
sudden loss of sound during use of the instrument, or if any unusual
smells or smoke should appear to be caused by it, immediately turn off
the power switch, disconnect the adaptor plug from the outlet, and have the
instrument inspected by qualified Yamaha service personnel.
• Use the specified adaptor (PA-5C or an equivalent recommended by
Yamaha) only. Using the wrong adaptor can result in damage to the
instrument or overheating.
• Before cleaning the instrument, always remove the electric plug from the
outlet. Never insert or remove an electric plug with wet hands.
• Check the electric plug periodically and remove any dirt or dust which may
have accumulated on it.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to
the instrument or other property. These precautions include, but are not limited to, the following:
• Do not place the AC adaptor cord near heat sources such as heaters or
radiators, and do not excessively bend or otherwise damage the cord,
place heavy objects on it, or place it in a position where anyone could walk
on, trip over, or roll anything over it.
• When removing the electric plug from the instrument or an outlet, always
hold the plug itself and not the cord.
• Do not connect the instrument to an electrical outlet using a multiple-
connector. Doing so can result in lower sound quality, or possibly cause
overheating in the outlet.
• Unplug the AC power adaptor when not using the instrument, or during
electrical storms.
• Before connecting the instrument to other electronic components, turn off
the power for all components. Before turning the power on or off for all
components, set all volume levels to minimum.
• Do not expose the instrument to excessive dust or vibrations, or extreme
cold or heat (such as in direct sunlight, near a heater, or in a car during the
day) to prevent the possibility of panel disfiguration or damage to the
internal components.
• Do not use the instrument near other electrical products such as
televisions, radios, or speakers, since this might cause interference which
can affect proper operation of the other products.
• Do not place the instrument in an unstable position where it might
accidentally fall over.
• Before moving the instrument, remove all connected adaptor and other
cables.
• When cleaning the instrument, use a soft, dry cloth. Do not use paint
thinners, solvents, cleaning fluids, or chemical-impregnated wiping
cloths. Also, do not place vinyl, plastic or rubber objects on the
instrument, since this might discolor the panel or keyboard.
• Do not rest your weight on, or place heavy objects on the instrument, and
do not use excessive force on the buttons, switches or connectors.
• Do not operate the instrument for a long period of time at a high or
uncomfortable volume level, since this can cause permanent hearing loss.
If you experience any hearing loss or ringing in the ears, consult a
physician.
■REPLACING THE BACKUP BATTERY
• This instrument contains a non rechargeable internal backup battery which
permits internal data to remain stored even when the power is off. When
the backup battery needs replacing, the message "Backup Battery Low"
will display in the display. When this happens, immediately back up your
data, then have qualified Yamaha service personnel replace the backup
battery.
• Do not attempt to replace the backup battery yourself, in order to prevent
the possible serious hazards. Always have qualified Yamaha service
personnel replace the backup battery.
• Never place the backup battery in a location that a child can reach, since a
child might accidentally swallow the battery. If this should happen, consult
a physician immediately.
■SAVING USER DATA
• Always save data to a floppy disk frequently, in order to help prevent the
loss of important data due to a malfunction or user operating error.
Yamaha cannot be held responsible for damage caused by improper
use or modifications to the instrument, or data that is lost or
destroyed.
Always turn the power off when the instrument is not in use.
(3)-3

5
How to use the manuals/Printing conventions in this manual
Owner’s Manual
Introduction
Thank you for choosing aYamaha RM1x Sequence Remixer.
The RM1x is a complete dance-music workstation that can be used both as a real-time performance instrument and a powerful
productiontool.Itsintuitive interface makes real-timeoperationeasyfor artists withaDJbackground, while in-depth sequencing
and editing functions make it possible to create sophisticated original patterns and songs from scratch. In addition to powerful
sequence recording and playback capability, the RM1x also features a great sounding tone generator built in — so you don’t
need any extra equipment.You can even edit the voices to create sounds that are perfectly suited to your music.
Keep this Owner’s Manual handy while familiarizing yourself with the RM1x, and store it in a safe place for later reference.

6 RM1x SEQUENCE REMIXER
Main Features
Main Features
• The sequencer of the RM1x provides 16 sequence tracks and up to 110,000 notes of storage
capacity for professional-level sequencing power. Note timing resolution is 1/480th of a quarter
note. Memory is backed up, so your data will not disappear when the power is turned off.
• Easy operation with the large 64 x 240 dot display.
• Intuitive performance control with 8 assignable real-time control knobs, 4 display knobs, and a
large multi-function keyboard.
• An awesome assortment of preset patterns means you can play right away without having to
program.
• Easy programming via an advanced interface that allows a wide range of parameters to be accessed
and edited — when you need to be in total control of your sound.
• Powerful sequencing capabilities with in-depth editing function make it possible to create even
complex patterns and musical textures.
• Assemble grooves in real time in the Pattern mode: each of the Pattern mode’s “styles” has up to
16 “sections” which can be directly switched in real time during playback via the RM1x key-
board.
• Advanced tone generator technology gives you a extensive arsenal of outstanding sounds built in.
• Edit and refine the RM1x voices to create sounds that most ideally suit your own music.
• A sophisticated multi-effect system can be used to add anything from subtle ambiance to wild
variations.
• Tap BPM entry lets you define tempos the way you feel them rather than with numbers.
• Full MIDI compatibility means that the RM1x can be used as the core of a larger music production
system.

RM1x SEQUENCE REMIXER 7
How to use the manuals
The documentation for the RM1x consists of the following two manuals. Understand the role of each manual, and refer to them
as necessary.
❏Owner's Manual (this manual)
This explains precautions for use, how to make connections, and all parameters and commands. Use this manual like a
dictionary whenever you need to.
Chapter 1. Basic concepts
Chapter 2. Pattern mode
Chapter 3. Pattern Chain mode
Chapter 4. Song mode
Chapter 5. Utility mode
“Pattern mode”, “Pattern chain mode” and “Song mode” have several functions in common.
In this manual, explanations for these common functions are given in greater detail in chapter 2 “Pattern mode”. Some of
the overlapping explanation in chapter 3 “Pattern Chain mode” and chapter 4 “Song mode” is omitted. In such cases, the
appropriate page of chapter 2 “Pattern mode” is indicated so that you can refer to it.
❏List Book
This is a booklet that contains various lists such as the Voice list, Preset Style list, Effect list, MIDI data format, and MIDI
implementation chart.
Printing conventions in this manual
This manual uses the following icons to indicate buttons and to distinguish different types of information.
pThis indicates a panel button. The symbol in the box indicates the symbol printed on the button.
1 2 This indicates the actual procedure for using the function.
nThis indicates supplementary explanations related to the function, examples of use, and hints.
How to use the manuals/Printing conventions in this manual

8 RM1x SEQUENCE REMIXER
Finding the information that you need
Finding the information that you need
In order to find the information that you need, you can make use of the following pages.
Table of contents (page 9)
Locate the desired information within the flow of the entire manual.
Front and rear panels (page 11)
Here you can read about the name and location of each button and control, and read about their function.
Quickstart Guide (page20)
This brief, easy-to-follow section shows you how to use the basic features and functions of your new RM1x.
Function tree (page 32)
This lets you locate the desired information within the structure of the command hierarchy.
Glossary (page 146)
This section contains unfamiliar terms or phrases in alphabetical order with their explanations.
Index (page 150)
This lets you search alphabetically for unfamiliar terms to find pages on which they are discussed and pages on which
related topics appear.

RM1x SEQUENCE REMIXER 9
Table of Contents
SETUP
1. Front and rear panels ..................................................................................................................................................................11
Front Panel..........................................................................................................................................................11
Rear Panel ...........................................................................................................................................................14
Floppy disk drive ................................................................................................................................................15
2. Connections Power supply connections ..................................................................................................................................16
Audio equipment connections ............................................................................................................................17
Connecting a footswitch .....................................................................................................................................18
Connecting external MIDI devices .....................................................................................................................18
Connecting a MTR (multi-track recorder)..........................................................................................................19
3. Quickstart Guide ........................................................................................................................................................................20
4. Using the included disk ..............................................................................................................................................................22
BASIC OPERATION.........................................................................................................................................................23
Chapter 1. BASIC CONCEPTS
1. Function tree...............................................................................................................................................................................32
2. How the RM1x is organized.......................................................................................................................................................34
3. Sequencer block .........................................................................................................................................................................35
4. Tone generator block ..................................................................................................................................................................37
5. Controller block..........................................................................................................................................................................38
6. Effect block ................................................................................................................................................................................39
7. About floppy disks......................................................................................................................................................................42
Chapter 2. PATTERN MODE
1. PATTERN Playback ...................................................................................................................................................................46
2. Recording ...................................................................................................................................................................................49
3. Groove ........................................................................................................................................................................................55
4. Play FX.......................................................................................................................................................................................57
5. MIDI delay .................................................................................................................................................................................60
6. Arpeggio .....................................................................................................................................................................................62
7. Voice ...........................................................................................................................................................................................63
8. Voice Edit ...................................................................................................................................................................................65
9. Effect ..........................................................................................................................................................................................69
10. Setup .........................................................................................................................................................................................73
11. Disk ..........................................................................................................................................................................................76
12. Job ............................................................................................................................................................................................80
13. Edit ...........................................................................................................................................................................................99
14. Split ........................................................................................................................................................................................108
Chapter 3. PATTERN CHAIN MODE
1. Pattern Chain Playback ............................................................................................................................................................110
2. Disk ..........................................................................................................................................................................................111
3. Job ............................................................................................................................................................................................112
Chapter 4. SONG MODE
1. SONG Playback .......................................................................................................................................................................116
2. Recording .................................................................................................................................................................................117
3. Groove ......................................................................................................................................................................................119
4. Play FX.....................................................................................................................................................................................119
5. MIDI delay ...............................................................................................................................................................................119
6. Arpeggio ...................................................................................................................................................................................119
7. Voice .........................................................................................................................................................................................120
8. Voice Edit .................................................................................................................................................................................120

10 RM1x SEQUENCE REMIXER
Table of Contents
9. Effect ........................................................................................................................................................................................120
10. Setup .......................................................................................................................................................................................121
11. Disk ........................................................................................................................................................................................122
12. Job ..........................................................................................................................................................................................123
13. Edit .........................................................................................................................................................................................128
14. Split (Song to Pattern) ............................................................................................................................................................129
Chapter 5. UTILITY MODE
1. System ......................................................................................................................................................................................132
2. MIDI Setup...............................................................................................................................................................................135
3. MIDI Filter ...............................................................................................................................................................................137
Appendix
1. Specifications ...........................................................................................................................................................................140
2. Troubleshooting ........................................................................................................................................................................142
3. Error Messages .........................................................................................................................................................................144
4. Glossary....................................................................................................................................................................................146
5. Index .........................................................................................................................................................................................150
The illustrations and LCD screens as shown in this owner’s manual are for
instructional purposes only, and may be different from the ones on your
RM1x.

RM1x SEQUENCE REMIXER 11
1. Front and rear panels
❏Front Panel
2 3
1
13
16
17
4
16
5
6
15
1914
9
8
18
9
11
7
10
12
1. BPM Display
Normally this 4-digit LED numeric display shows the current BPM (Beats Per Minute) value, right down to a tenth of a
beat. It can be switched to display measure numbers rather than beats per minute via a utility function (page 133). The BPM
display also shows values related to the real time Controller Knobs (page 12), but only while any of the knobs are operated.
2. MIDI Data Monitors
The MIDI IN and OUT indicators above the BPM display light whenever MIDI data is received via the rear-panel MIDI IN
connector (red MIDI IN indicator), or when MIDI data is transmitted by the RM1x via the MIDI OUT connector (green
MIDI OUT indicator).
3. LCD Display
The RM1x's large backlit LCD display panel displays the parameters and values related to the currently selected operation
or mode. The Display Knobs (page 12) and Function Buttons located immediately below the LCD display directly affect
the corresponding parameters or functions on the display. The [DISPLAY] and [CURSOR] buttons are also closely related
to display operation, and details are provided in the “Basic Operation” section beginning on page 23.
A CONTRAST control for the LCD display is provided on the rear panel (page 14).The LCD display can be set for normal
or inverse (white on black) display via a utility mode function (page 133).
SETUP
SETUP

12 RM1x SEQUENCE REMIXER
4. Display Knobs
The four knobs located immediately below the LCD display directly control the corresponding parameters on the display.
For example, in the main PATTERN mode Display Knob 1 can be used to select a style, and Display Knob 4 can be used to
set the BPM. More details are provided in the “Basic Operation” section beginning on page 23.
5. Function Buttons and Indicators
The function buttons - [F1] through [F4] - are similar to the Display Knobs in that they directly control the corresponding
functions on the LCD display, but only when the related indicator is lit. More details are provided in the “Basic Operation”
section beginning on page 23.
6. VOLUME Control
Adjusts the volume of the RM1x audio output via the rear-panel OUTPUT and PHONES jacks.
7. Real Time Controller Knobs & [KNOB] Button
These knobs allow the corresponding parameters to be controlled in real time during pattern or song playback. The param-
eters listed on the panel below the knobs are the default pre-assigned parameters, but other parameters can be assigned as
required via the SETUP submode KNOB ASSIGN function (page 74). The knobs can be switched to control one of two
different parameter groups - “A” and “B” - via the [KNOB] button. The “A” parameter group (the upper default parameters
listed on the panel) are selected when the [KNOB] indicator is lit, and the “B” group (the lower parameters) is selected
when the [KNOB] indicator is out. Different parameters can be assigned to both the “A” and “B” groups via the KNOB
ASSIGN function mentioned above.
8. Cursor Buttons
The cursor buttons move the “cursor” around the LCD display screen, highlighting the various parameters that are available
for editing (the RM1x cursor appears as a dark block with inverse characters).
9. [NO -1] and [YES +1] Buttons
The [NO -1] and [YES +1] buttons are used to edit (change the value of) the parameter at which the cursor is currently
located. The [NO -1] button decrements (decreases stepwise) the value of the selected parameter, while the [YES +1]
button increments (increases stepwise) the parameter. Press either button briefly to decrement or increment the parameter
by one, or hold the button for continuous decrementing of incrementing in the specified direction.
The [NO -1] and [YES +1] button are also used to respond to certain prompts when they appear. Press [YES +1] to go ahead
with the operation, or [NO -1] to cancel.
10. DISPLAY [<-] and [->] Buttons
When the selected mode or submode (page 23) includes more parameters than can fit on the display at one time, arrow
symbols will appear at the left and/or right side of the display to indicate that more parameters are available in the indicated
direction(s). The DISPLAY [<-] and [->] buttons can be used to scroll the display in the corresponding direction when this
occurs.
11. MODE and SUBMODE Buttons
The four MODE buttons select the main RM1x operating modes (PATTERN, PATTERN CHAIN, SONG, and UTILITY),
while the SUBMODE buttons select a range of submodes via which you can access the RM1x's detailed programming
features. Details on mode and submode selection are provided in the “Basic Operation” section beginning on page 23.
SETUP

RM1x SEQUENCE REMIXER 13
Activates the record-ready mode in the RM1x PATTERN and SONG modes.The red REC
button indicator will light, then recording will begin as soon as the pbutton is pressed.
The ebutton can be pressed again to cancel the record-ready mode before recording
is actually started by pressing the pbutton.
Starts playback from the current point in the pattern or song if the record-ready mode is
not active, or recording from the same point if the record-ready mode is active.The green
PLAY indicator flashes at the current BPM during recording and playback.
Stops playback or recording.
Fast reverse and forward. Press the ror fbutton to rapidly move through the pattern
or song in the corresponding direction.
Top. Instantly returns to the first beginning of the current song or pattern (i.e. the first beat
of the first measure).
12. [EXIT] Button
The [EXIT] button takes you out of any function selected by the function buttons, or the edit or job modes (described
below), directly back to the current main mode (e.g. SONG or PATTERN).
13. Sequencer Buttons and Indicators
The sequencer buttons control recording and playback in the PATTERN, PATTERN CHAIN, and SONG modes.
REC
e
PLAY
p
STOP
s
r& f
t
SETUP
14. Keyboard
This 26-note keyboard makes it possible to program the RM1x without having to connect an external MIDI keyboard. It's
even polyphonic, so you can directly enter chords as well as single notes. The only thing it lacks is velocity sensitivity. The
RM1x does, however, accept velocity information from an external MIDI keyboard.
The keyboard also performs a range of functions as specified by the keyboard mode button (below): track selection,
transposition, numeric data entry, track mute/solo, and section selection. The “black keys” also perform a range of other
functions, such as selecting specific track ranges and memorizing a number of track mute setups.
15. Keyboard Mode Buttons
These buttons modify the function of the RM1x keyboard for track selection, transposition, numeric data entry, track mute/
solo, and section selection. Details are provided in the “Basic Operation” section beginning on page 23.
16. [OCT DOWN] and [OCT UP] Buttons
Although the range of the RM1x keyboard is a little over two octaves, the [OCT DOWN] and [OCT UP] buttons allow the
pitch of the keyboard to be shifted down or up in octave steps, over a range of 8 (+/- 4) octaves. Each time the [OCT
DOWN] button is pressed the pitch of the keyboard is shifted down by one octave, until the lower limit is reached. The
[OCT UP] button shifts the pitch of the keyboard up in the same way. The current amount of octave shift is indicated on the
LCD display.
17. [SHIFT] Button
The [SHIFT] button is used to access several secondary or “background” functions that you might only need in special
situations. For example, the [SHIFT] button can be used when you want to “solo” a track instead of muting it via the
[MUTE] keyboard mode button.
The [SHIFT] button can also be used in conjunction with the Display Knobs: hold the [SHIFT] button while rotating a knob
for faster data selection.
18. [ARPEGGIO ON] Button
Turns the RM1x's automatic arpeggio feature on or off (page 62). The [ARPEGGIO ON] button indicator will light when
the ARPEGGIO feature is on.
19. [TAP/ENTER] Button
This dual-purpose button is used both for tap-entry of BPM values (page 20), and to enter numeric values (page 26).

14 RM1x SEQUENCE REMIXER
❏Rear Panel
4 3 7 5 6 2 1
1. STANDBY/ON Switch
Press in to turn the RM1x on, and press again to turn it off. When the power is on one of the mode button indicators will
light and the PATTERN mode display will appear on the LCD (Liquid Crystal Display).
2. DC IN Jack
The DC output cable from theYamaha PA-5C AC Power Adaptor supplied with the RM1x is plugged in here.
3. CONTRAST Control
Use the CONTRAST control to achieve the best LCD display visibility (LCD visibility varies greatly with viewing angle).
4. MIDI IN & OUT Connectors
The RM1x has MIDI IN and MIDI OUT connectors for maximum system flexibility. If you plan to use a MIDI keyboard or
other instrument to play and program the RM1x, it should be connected to the RM1x MIDI IN connector (see “Connecting
external MIDI devices,” page 18). Input “filters” defining what data will and will not be received by the MIDI IN connector
can be set as required via the UTILITY mode (page 137).
The MIDI OUT connector can be connected to an external tone generator or synthesizer if you want to drive external voices
from the RM1x sequencer. Like the MIDI IN connector, MIDI filters can be set for the MIDI OUT connector via the
UTILITY mode.
5. L/MONO & R OUTPUT Jacks
These are the main stereo outputs from the RM1x tone generator system (see “Audio equipment connections,” page 17).
Both are standard 1/4” mono phone plugs. When a plug is inserted into only the L/MONO output, the left- and right-
channels signals are mixed and delivered via that output to allow direct connection to mono sound systems. The output level
is adjusted via the VOLUME control (page 12).
6. PHONES Jack
Any pair of stereo headphones with a 1/4” stereo phone plug can be plugged in here for convenient monitoring. The
PHONES output level is adjusted via the VOLUME control.
7. FOOT SW Jack
An optionalYamaha FC4 or FC5 footswitch connected to this jack can be used for start/stop, section selection, sustain, or
tap BPM entry, as determined by the setting of the UTILITY mode FOOT SWITCH parameter (page 132).
SETUP

RM1x SEQUENCE REMIXER 15
❏Floppy disk drive
1. Floppy disk slot
This is where floppy disks are inserted for loading or saving data. 3.5 inch 2HD (MF2HD) or 2DD (MF2DD) floppy disks
can be used. (page 42)
2. Disk-in-use indicator
This indicator will light while data is being read from or written to the floppy disk. Never attempt to remove the disk while
this indicator is lit.
3. Eject button
Press this button to remove the floppy disk. Disks must be inserted or removed gently and firmly, and only while the access
indicator is dark.
1. Floppy disk slot
2. Disk-in-use
indicator 3. Eject button
nThe back of a floppy disk contains a write protect tab as shown in the following illustration. When this tab is in the downward
position (with the window open), it will not be possible to modify, add, or delete data. When you wish to protect important data, you
should leave the tab in this position.
Write protect tab
Write permit
Write prohibit
CAUTION !
Be aware thatYamaha can make no guarantee regarding data damage that results from improper use.
SETUP

16 RM1x SEQUENCE REMIXER
2. Connections
In order to use the RM1x, the included AC adaptor and an amp system etc. must be connected. If you use external MIDI
devices or controllers, these must also be connected.
This sections explains how to make these connections.
CAUTION!
Be sure to turn off the STANDBY/ON switch before making any connections. If you make connections while the STANDBY/ON
switch is on, you risk damaging external equipment such as the amp or speakers.
❏Power supply connections
1Make sure that the STANDBY/ON switch of the RM1x is set to STANDBY, and connect the included AC adaptor
(PA-5C) to the power supply jack.
Wrap the DC output cable of the adaptor around the cable clip (as shown below) to prevent accidental unplugging of the
cable during operation.
2Plug the AC adaptor into an AC outlet, and turn on the RM1x STANDBY/ON switch.
When turning the power off, simply reverse the procedure.
WARNING!
Use only the included PA-5C AC adaptor (or other adaptor specifically recommended by Yamaha). Using other AC adaptors
will cause malfunctions. Also, be sure to unplug the AC adaptor from the AC outlet if you will not be using the RM1x.
CAUTION!
Even when the switch is in the “STANDBY” position, electricity is still flowing to the instrument at the minimum level. When you
are not using the RM1x for a long time, make sure you unplug theAC power adaptor from the wall AC outlet.
Never interrupt the power supply (e.g. unplug the AC adaptor) during any RM1x record operation! Doing so can result in a loss
of data.
SETUP

RM1x SEQUENCE REMIXER 17
PHANTOM +48V
OFF ON
PHANTOM +48V
INPUT (BAL)
2TR PHONES
L
R
IN
LEVEL LEVELGAIN
13/14 15/16 PHONES
MONITOR
OUT
OUT
MONITOR
2TR IN
15/16
2TR IN
13
14
15
16
26dB
1
26dB
2
26dB
3
26dB
4
26dB
5
26dB
6
26dB
7
26dB
8
26dB
9
26dB
10
26dB
11
26dB
12
PAD
DIGITAL MIXING CONSOLE
L STEREO R
CLIP
–3
–6
–9
–12
–15
–18
–24
–30
–36
–42
–48
EQ
SOLO
1 RETURN 2
PARAMETER
HIGH
SELECTED CHANNEL
1 RETURN 2
FUNCTION
MEMORY
HI-MID
LO-MID
LOW
PAN
F
G
PAN
F
G
UTILITY MIDI SETUP VIEW
EFFECT 1 EFFECT 2 OPTION I/O REMOTE
AUX 1
HOME
AUX 2 AUX 3 AUX4
DYNAMICS EQ/ATT Ø/DELAY PAN/
ROUTING
SELSEL
MASTER
STEREO
STEREO
MASTER
SEL
SOLO SOLO
MEMORY
ON
–1/DEC
ENTER
+1/INC
CURSOR
ON ON
0
–5
–10
–15
–20
–30
–40
–50
–70
–
15/16
15/16
SEL
SOLO
ON
6
0
5
10
20
40
60
13/14
13/14
SEL
SOLO
ON
6
0
5
10
20
40
60
12
12
SEL
SOLO
ON
6
0
5
10
20
40
60
11
11
SEL
SOLO
ON
6
0
5
10
20
40
60
10
10
SEL
SOLO
ON
6
0
5
10
20
40
60
9
9
SEL
SOLO
ON
6
0
5
10
20
40
60
8
8
SEL
SOLO
ON
6
0
5
10
20
40
60
7
7
SEL
SOLO
ON
6
0
5
10
20
40
60
6
6
SEL
SOLO
ON
6
0
5
10
20
40
60
5
5
SEL
SOLO
ON
6
0
5
10
20
40
60
4
4
SEL
SOLO
ON
6
0
5
10
20
40
60
3
3
SEL
SOLO
ON
6
0
5
10
20
40
60
2
2
SEL 232221201918
SOLO
ON
6
0
5
10
20
40
60
1
1
SEL
17
SOLO
ON
6
0
5
10
20
40
60
17 18 19 20 21 22 23 24
+10 –34
–60–16
GAIN
+10 –34
–60–16
GAIN
+10 –34
–60–16
GAIN
+10 –34
–60–16
GAIN
+10 –34
–60–16
GAIN
+10 –34
–60–16
GAIN
+10 –34
–60–16
GAIN
+10 –34
–60–16
GAIN
+10 –34
–60–16
GAIN
+10 –34
–60–16
GAIN
+10 –34
–60–16 –20+10 100 100
GAIN
–20+10
GAIN
+10 –34
–60–16
GAIN
OFF ON
FADER MODE
24
–10dBV (UNBAL)
❏Audio equipment connections
To output the sound of the RM1x, connect an amp or mixer to the output jacks.
Connection to powered speakers
Connect two powered speakers (left and right) to the output jacks (L/MONO, R). If you are connecting only one powered
speaker, use the L/MONO jack.
VOL
Connection to a mixer
Connect the output jacks (L/MONO, R) to two channels of the mixer. The channel connected to the L/MONO jack should
be panned left, and the channel connected to the R jack should be panned right. Make the same type of connections if you
are connecting the RM1x to an MTR or cassette deck.
Using headphones
If you are using headphones, connect them to the rear panel PHONES (headphones) jack.
When using headphones, adjust the volume to an appropriate level that will not harm your hearing.
CAUTION !
Do not connect the output jacks of the RM1x to the mic input jacks of an amp or cassette deck etc.If they are connected to mic
inputs, the sound quality may be impaired, and the device may be damaged. Also, when connecting the RM1x to a mixer or
similar device, set the mixer channels to the Line Input position.
SETUP

18 RM1x SEQUENCE REMIXER
❏Connecting a footswitch
When using a separately sold FC4 or FC5 foot switch, insert the foot switch plug into the FOOT SW jack located on the rear
panel.
FC4 or FC5
❏Connecting external MIDI devices
Connecting a MIDI keyboard
Realtime recording input will be easier if you use a MIDI keyboard.
Use a MIDI cable to connect the MIDI OUT of the external MIDI keyboard to the MIDI IN connector on the rear panel.
MIDI
OUT
Connecting a tone generator module
RM1x song and pattern playback data can be used to play an external tone generator module.
Use a MIDI cable to connect the MIDI OUT connector on the rear panel to the MIDI IN connector of the external MIDI
device.
MIDI IN
SETUP

RM1x SEQUENCE REMIXER 19
❏Connecting a MTR (multi-track recorder)
Since the RM1x implements MTC (MIDI Time Code) and MMC (MIDI Machine Control), you can produce music while
synchronized to a MTC- or MMC-compatible multi-track recorder.
Use MIDI cables to connect the MIDI OUT connector of the RM1x to the MIDI IN connector of the MTR, and the MIDI IN
connector of the RM1x to the MIDI OUT connector of the MTR.
If you use MTC or MMC to control an MTR, set the Utility mode MIDI page MIDI Sync setting to “MTC."
MTR
(MTC,MMC-compatible)
MIDI OUT
MIDI IN
MTR
(MTC,MMC-compatible)
MIDI IN
MIDI OUT
Synchronizing the RM1x by MTC from an external device
Controlling an external device via MMC from the RM1x
SETUP

20 RM1x SEQUENCE REMIXER
3. Quickstart Guide
When your RM1x is properly connected and powered up, try the following to get a feel for how easy it is to remix the preset
patterns to create your own groove.
But remember, this is just the tip- of the iceberg! The RM1x can do much, much more.
SETUP
4. Dial In a New BPM (Beat Per Minute)
Use Display Knob 4 to adjust the BPM to a value that feels
right to you.
5. Tap In a New BPM
Tap on the [TAP] button a few times at the desired BPM. The
RM1x will automatically adjust to the BPM you tap.
6. Transpose
Transpose the pattern to any key by pressing a key on the
RM1x keyboard while holding the [TRANSPOSE] button.
The central E key on the keyboard (labeled “H”
and “8”) corresponds to no transposition.
Higher or lower keys indicate transposition by
the corresponding number of semitones in the
corresponding direction. The amount of trans-
position is also indicated by the TRANS
parameter in the display.
• More on transposition on page 27.
1. Select a Style
Use Display Knob 1 to select a preset style (P01 … P60).
2. Start Playback
Press the PLAY pbutton.The currently selected section of
the selected style will begin playing. This “pattern” will con-
tinue to loop until a different section or style is selected.
3. Switch Sections
Make sure that the [SECTION] button indicator is flashing (if
it isn’t, press the [SECTION] button so that it does), then use
the white keys on the RM1x keyboard to switch sections.
A newly selected section will begin immedi-
ately. The current section is indicated by a
flashing indicator above the corresponding key,
and a letter (“A” … “P”) next to “SEC” in the
display.
• More on section on page 28.