Aiwa NSX-V8000 User manual
ana
COMPACT
DISC
STEREO
SYSTEM
SISTEMA
ESTEREO
CON
REPRODUCTOR
DE
DISCOS
COMPACTOS
CGHAINE
STEREO
AVEC
LECTEUR
DE
DISQUES
COMPACTS
NSX-V8000
En
(English)
E
(Espafiol)
For
Assistance
And
Information
Call
Toll
Free
1-800-BUY-AIWA
(U.S.A.
Only)
COMPACT
3-NF5-904-018
30130AKY-U
DIGITAL
AUDIO
PRECAUTIONS
“=
PREPARATIONS
Read
the
Operating
Instructions
carefully
and
completely
before
operating
the
unit.
Be
sure
to
keep
the
Operating
Instructions
for
future
reference.
All
warnings
and
cautions
in
the
Operating
Instructions
and
on
the
unit
should
be
strictly
followed,
as
well
as
the
safety
suggestions
below.
Installation
1
2
Water
and
moisture
—
Do
not
use
this
unit
near
water,
such
as
near
a
bathtub,
washbowl,
swimming
pool,
or
the
like.
Heat
—
Do
not
use
this
unit
near
sources
of
heat,
including
heating
vents,
stoves,
or
other
appliances
that
generate
heat.
It
also
should
not
be
placed
in
temperatures
less
than
5°C
(41°F)
or
greater
than
35°C
(95°F),
Mounting
surface
—
Place
the
unit
on
a
flat,
even
surface.
Ventilation
—
The
unit
should
be
situated
with
adequate
space
around
it
so
that
proper
heat
ventilation
is
assured.
Allow
10
cm
(4
in.)
clearance
from
the
rear
and
the
top
of
the
unit,
and
5
cm
(2
in.)
from
each
side.
-
Do
not
place
the
unit
on
a
bed,
rug,
or
similar
surface
that
may
block
the
ventilation
openings.
-
Do
not
install
the
unit
in
a
bookcase,
cabinet,
or
airtight
rack
where
ventilation.
may
be
impeded.
Objects
and
liquid
entry
—
Take
care
that
objects
or
liquids
do
not
get
inside
the
unit
through
the
ventilation
openings.
Carts
and
stands
—
When
placed
or
mounted
on
a
stand
or
cart,
the
unit
should
be
moved
with
care.
Quick
stops,
excessive
force,
and
uneven
surfaces
may
cause
the
unit
or
cart
to
overturn
or
fall.
Condensation
—
Moisture
may
form
on
the
CD
pickup
lens
when:
-
The
unit
is
moved
from
a
cold
spot
to
a
warm
spot
-
The
heating
system
has
just
been
turned
on
-
The
unit
is
used
in
a
very
humid
room
-
The
unit
is
cooled
by
an
air
conditioner
When
this
unit
has
condensation
inside,
it
may
not
function
normally.
Should
this
occur,
teave
the
unit
for
a
few
hours,
then
try
to
operate
again.
Wall
or
ceiling
mounting
—
The
unit
should
not
be
mounted
on
a
wall
or
ceiling,
unless
specified
in
the
Operating
Instructions.
Electric
Power
1
Power
sources
—
Connect
this unit
only
to
power
sources
specified
in
the
Operating
Instructions,
and
as
marked
on
the
unit.
Polarization
—
As
a
safety
feature,
some
units
are
equipped
with
polarized
AC
power
plugs
which
can
only
be
inserted
one
way
into
a
power
outlet.
If it
is
difficult
or
impossible
to
insert
the
AC
power
plug
into
an
outlet,
turn
the
plug
over
and
try
again.
If
it
still
does
not
easily
insert
into
the
outlet,
please
call
a
qualified
service
technician
to
service
or
replace
the
outlet.
To
avoid
defeating
the
safety
feature
of
the
polarized
plug,
do
not
force
it
into
a
power
outlet.
1
2
AC
power
cord
-
When
disconnecting
the
AC
power
cord,
pull
it
out
by
the
AC
power
plug.
Do
not
pull
the
cord
itself.
-
Never
handie
the
AC
power
plug
with
wet
hands,
as
this
could
result
in
fire
or
shock.
-
Power
cords
should
be
routed
to
avoid
being
severely
bent,
pinched,
or
walked
upon.
Pay
particular
attention
to
the
cord
from
the
unit
to
the
power
socket.
-
Avoid
overloading
AC
power
plugs
and
extension
cords
beyond
their
capacity,
as
this
could
result
in
fire
or
shock.
Extension
cord
—
To
help
prevent
electric
shock,
do
not
use
a
polarized
AC
power
plug
with
an
extension
cord,
receptacle,
or
other
outlet
unless
the
polarized
plug
can
be
completely
inserted
to
prevent
exposure
of
the
blades
of
the
plug.
When
not
in
use
—
Unplug
the
AC
power
cord
from
the
AC
power
plug
if
the
unit
will
not
be
used
for
several
months
or
more.
When
the
cord
is
plugged
in,
a
small
amount
of
current
continues
to
flow
to
the
unit,
even
when
the
power
is
turned
off.
Qutdoor
Antenna
Power
lines
—
When
connecting
an
outdoor
antenna,
make
sure
it
is
located
away
from
power
lines.
Outdoor
antenna
grounding
—
Be
sure
the
antenna
system
is
properly
grounded
to
provide
protection
against
unexpected
voltage
surges
or
static
electricity
build-up.
Article
810
of
the
National
Electrical
Code,
ANSI/NFPA
70,
provides
information
on
proper
grounding
of
the
mast,
supporting
structure,
and
the
lead-in
wire
to
the
antenna
discharge
unit,
as
well
as
the
size
of
the
grounding
unit,
connection
to
grounding
terminals,
and
requirements
for
grounding
terminals
themselves.
Antenna
Grounding
According
to
the
National
Electrical
Code
GROUND
CLAMP.
ANTENNA
DISCHARGE
UNIT
(NEC
SECTION
810-20)
ELECTRIC
SERVICE
~~
GROUNDING
CONDUCTORS
(NEC
SECTION
810-21)
GROUND
CLAMPS
POWER
SERVICE
GROUNDING
ELECTRODE
SYSTEM
IEC-1
NAL
RICAI
E
NEC-NATIONAL
ELECTRICAL
COD!
(NEC
ART
250
PART
H)
Maintenance
Clean
the
unit
only
as
recommended
in
the
Operating
Instructions.
Damage
Requiring
Service
Have
the
units
serviced
by
a
qualified
service
technician
if:
-
The
AC
power
cord
or
plug
has
been
damaged
Foreign
objects
or
liquid
have
gotten
inside
the
unit
-
The
unit
has
been
exposed
to
rain
or
water
-
The
unit
does
not
seem
to
operate
normally
-
The
unit
exhibits
a
marked
change
in
performance
-
The
unit
has
been
dropped,
or
the
cabinet
has
been
damaged
DO
NOT
ATTEMPT
TO
SERVICE
THE
UNIT
YOURSELF.
ENGLISH
2
3
Connect
the
supplied
antennas.
Connect
the
FM
antenna
to
the
FM
75
Q
terminals
and
the
AM
antenna
to
the
AM
LOOP
terminals.
FM
antenna
AM
LOOP
antenna
4
Connect
the
AC
cord
to
an
AC
outlet.
To
stand
the
AM
antenna
on
a
surface
Fix
the
claw
to
the
slot.
To
position
the
antennas
FM
feeder
antenna:
Extend
this
antenna
horizontally
ina
T-shape
and
fix
its
ends
to
the
wall.
AM
loop
antenna:
Position
to
find
the
best
direction.
*
Be
sure
to
connect
the
speaker
cords
correctly.
Improper
connections
can
cause
short
circuits
in
the
SPEAKERS
terminals.
*
Do
not
leave
objects
generating
magnetism
near
the
speakers.
*
Do
not
bring
the
FM
antenna
near
metal
objects
or
curtain
rails.
*
Do
not
bring
the
AM
antenna
near
other
optional
equipment,
the
stereo
system
itself,
the
AC
cord
or
speaker
cords,
since
noise
will
be
picked
up.
;
*
Do
not
unwind
the
AM
antenna
wire.
CONNECTING
AN
OUTDOOR
ANTENNA
For
better
FM
reception,
use
of
an
outdoor
antenna
is
recommended.
Connect
the
outdoor
antenna
to
the
FM
75
Q
terminals.
To
connect
other
optional
equipment
—
page
20.
REMOTE
CONTROL
Inserting
batteries
Detach
the
battery
cover
on
the
rear
of
the
remote
control
and
insert
two
R6
(size
AA)
batteries.
VI
When
to
replace
the
batteries
The
maximum
operational
distance
between
the
remote
control
and
the
sensor
on
the
main
unit
should
be
approximately
5
meters
(16
feet).
When
this
distance
decreases,
replace
the
batteries
with
new
ones.
*
If
the
unit
is
not
going
to
be
used
for
an
extended
period
of
time,
remove
the
batteries
to
prevent
possible
electrolyte
leakage.
*
The
remote
control
may
not
operate
correctly
when:
-
The
line
of
sight
between
the
remote
control
and
the
remote
sensor
inside
the
display
window
is
exposed
to
intense
light,
such
as
direct
sunlight
-
Other
remote
controls
are
used
nearby
(television,
etc.)
ENGLISH
4
ADJUSTING
THE
SOUND
Your
speakers
feature
the
Front
180°
system
with
uni-directional
speakers
and
built-in
surround
speakers
pointed
inward
at
angles
of
45°.
You
can
get
an
optimal
stereo
effect
not
only
directly
in
front
of
the
speakers
but
also
when
off
the
center
line
between
the
speakers.
BBE
GEQ
T-BASS
VOLUME
VOLUME
CONTROL
Turn
the
VOLUME
control
on
the
main
unit,
or
press
the
VOLUME
buttons
on
the
remote
control.
BBE
SYSTEM
The
BBE
system
enhances
the
clarity
of
high-frequency
sound.
It
also
enriches
the
KARAOKE
function
to
make
your
voice
sound
clear
and
pleasant.
Press
the
BBE
button.
Each
time
it
is
pressed,
the
level
changes.
Select
one
of
the
three
levels,
or
the
off
position
to
suit
your
preference.
in
wtl
ttt
EGsi—
Ea
>
EES;
Ee
(cancel)
SUPER
T-BASS
SYSTEM
The
T-BASS
system
enhances
the
realism
of
low-frequency
sound.
Press
the
T-BASS
button.
Each
time
it
is
pressed,
the
level
changes.
Select
one
of
the
three
levels,
or
the
off
position
to
suit
your
preference.
isi
will
GSS
>
GES
>
G55
>
Ss
(
cancel)
Low
frequency
sound
may
be
distorted
when
the
T-BASS
system
is
used
for
a
disc
or
tape
in
which
low
frequency
sound
is
originally
emphasized.
In
this
case,
cancel
the
T-BASS
system.
GRAPHIC
EQUALIZER
This
unit
provides
the
following
three
different
equalization
curves.
ROCK:
Powerful
sound
emphasizing
treble
and
bass
POP:
More
presence
in
the
vocals
and
midrange
CLASSIC:
Enriched
sound
with
heavy
bass
and
fine
treble
Press
the
GEQ
button
repeatedly
until
the
desired
equalization
curve
is
displayed.
(Rock
—>
POP—>CLASSIC—>
EQoFF4
(cancel)
SOUND
ADJUSTMENT
DURING
RECORDING
The
output
volume
and
tone
(except
BBE)
of
the
speakers
or
headphones
may
be
freely
varied
without
affecting
the
level
of
the
recording.
Recording
with
BBE
The
desired
source
can
be
recorded
with
the
BBE
function
to
enhance
the
clarity
of
high-frequency
sound.
When
playing
back
a
tape
recorded
with
BBE,
it
is
recommended
that
BBE
be
set
to
off.
Using
the
headphones
Connect
headphones
to
the
PHONES
jack
with
a
stereo
standard
plug
(96.3
mm,
1/4
inch).
No
sound
is
output
from
the
speakers
while
the
headphones
are
plugged
in.
ENGLISH
6
PRESETTING
STATIONS
The
unit
can
store
a
total
of
32
preset
stations.
When
a
station
is
stored,
a
preset
number
is
assigned
to
the
station.
Use
the
preset
number
to
tune
in
to
a
preset
station
directly.
1
Press
the
TUNER/BAND
button
to
select
a
band,
and
press
the
I€<@
DOWN
or
>>I
UP
button
to
select
a
station.
2
Press
the
If
SET
button
to
store
the
station.
A
station
is
assigned
a
preset
number,
beginning
from
1
in
consecutive
order
for
each
band.
Frequency
Preset
number
3
Repeat
steps
1
and
2.
The
next
station
will
not
be
stored
if
a
total
of
32
preset
stations
have
already
been
stored
for
all
the
bands.
PRESET
NUMBER
TUNING
Use
the
remote
conirol
to
select
the
preset
number
directly.
1
Press
the
TUNER/BAND
button
to
select
a
band.
2
Press
the
numeric
buttons
to
select
a
preset
|
number.
Example:
To
select
preset
number
25,
press
the
+10,
+10
and
5
buttons.
To
select
preset
number
10,
press
the
+10
and
0
buttons.
Selecting
a
preset
number
on
the
main
unit
Press
the
TUNER/BAND
buiton
to
select
a
band.
Then,
press
the
<4
DIRECTION/PRESET
button
repeatedly.
Each
time
the
button
is
pressed,
the
next
highest
number
is
selected.
To
clear
a
preset
station
Select
the
preset
number
of
the
station
to
be
cleared.
Then,
press
the
Mi
CLEAR
button,
and
press
the
If
SET
button
within
4
seconds.
The
preset
numbers
of
all
other
stations
in
the
band
with
higher
numbers
are
also
decreased
by
one.
ENGLISH
8
RANDOM
PLAY
All
the
tracks
on
the
selected
disc
or
on
all
the
discs
can
be
played
randomly.
Press
the
RANDOM
button
on
the
remote
conirol.
RANDOM
lights
up
on
the
display.
To
cancel
random
play,
press
again.
NOTE,
*
Even
if
the
<4<d
bution
is
pressed,
a
previously
played
track
cannot
be
skipped.
The
unit
returns
to
the
beginning
of
the
current
track
only.
¢
Direct
selection
of
the
tracks
with
the
numeric
buttons
is
not
possible.
REPEAT
PLAY
A
single
disc
or
all
the
discs
can
be
played
repeatedly.
Press
the
REPEAT
button
on
the
remote
control.
C.
lights
up
on
the
display.
To
cancel
repeat
play,
press
again.
PROGRAMMED
PLAY
Up
to
30
tracks
can
be
programmed
from
any
of
the
inserted
discs.
fe
Use
the
remote
control.
1
Press
the
PRGM
button
twice
in
stop
mode.
The
PRGM
indicator
flashes
on
the
display.
q
¢
When
the
PRGM
button
is
pressed
once
in
step
1,
the
unit
enters
the
KARAOKE
PROGRAMS
(page
18).
2
Press
one
of
the
DISC
DIRECT
PLAY
buttons
to
select
a
disc.
The
selected
disc
is
indicated
in
red
on
the
display.
Go
to
the
next
step
when
the
tray
stops
rotating.
3
Press
the
numeric
buttons
and
the
+10
button
to
program
a
track.
Example:
To
select
the
25th
track,
press
the
+10,
+10
and
5
buttons.
To
select
the
10th
track,
press
the
+10
and
0
buttons.
Total
playing
time
of
the
selected
tracks
Program
number
Selected
track
number
Total
number
of
selected
tracks
4
Repeat
steps
2
and
3
to
program
other
tracks.
5
Press
the
<4
button
to
start
play.
To
check
the
program
Each
time
the
<4<4
or
BP
button
is
pressed
in
stop
mode,
a
disc
number,
track
number,
and
program
number
will
be
displayed.
To
clear
the
program
Press
the
Il
CLEAR
button
in
stop
mode.
To
add
tracks
to
the
program
Before
playing,
repeat
steps
2
and
3.
The
track
will
be
programmed
after
the
last
track.
To
change
the
programmed
tracks
Clear
the
program
and
repeat
all
the
steps
again.
During
the
programmed
play,
the
CD
EDIT/CHECK,
DISC
CHANGE,
RANDOM,
DISC
DIRECT
PLAY
and
numeric
buttons
do
not
function.
ENGLISH
10
CONTINUOUS
PLAY
After
playback
on
one
deck
finishes,
the
tape
in
the
other
deck
will
start
to
play
without
interruption.
7
Insert
tapes
into
deck
1
and
deck
2.
2
Press
the
TAPE/DECK1/2
button
to
select
the
_
deck
to
be
played
back
first.
3
Press
the
REV
MODE
button
to
select
=).
4
Press
the
<{>
button
to
start
playback.
Playback
continues
until
the
Il
button
is
pressed.
About
cassette
tapes
*
To
prevent
accidental
erasure,
break
off
the
plastic
tabs
on
the
cassette
tape
after
recording
with
a
screwdriver
or
other
pointed
tool.
Type
II
tape
Tab
for
side
A
detection
slot
To
record
on
the
tape
again,
cover
the
tab
openings
with
adhesive
tape,
etc.
(On
Type
II
tapes,
take
care
not
to
cover
the
Type
II
tape
detection
slot.)
¢
120-minute
or
longer
tapes
are
extremely
thin
and
easily
deformed
or
damaged.
They
are
not
recommended.
¢
Take
up
any
slack
in
the
tape
with
a
pencil
or
similar
tool
before
use.
Slack
tape
may
break
or
jam
in
the
mechanism.
DOLBY
NR
system
The
Dolby
Noise
Reduction
system
reduces
tape
hiss
noise.
For
optimum
performance
when
playing
back
a
tape
recorded
with
the
DOLBY
NR
system,
turn
on
the
DOLBY
NR
system.
ENGLISH
12
DUBBING
A
TAPE
MANUALLY
Preparation
¢
Set
the
tape
to
the
point
where
recording
will
start.
¢
The
reverse
mode
is
automatically
set
to
=.
Note
that
recording
will
be
done
on
one
side
of
the
tape
only.
1
Press
the
TAPE
button.
2
Insert
the
original
tape
into
deck
1
and
the
tape
to
be
recorded
on
into
deck
2.
Insert
the
tapes
with
the
sides
to
be
played
back
or
recorded
on
first
facing
out
from
the
unit.
3
Press
the
DOLBY
NR
button
to
turn
off
the
Dolby
NR.
OO
NR
on
the
display
goes
out.
4
Press
the
TAPE/DECK
1/2
button
to
select
deck
1.
TAPE
1
is
displayed.
5
Press
the
@
REC/REC
MUTE
button
to
start
recording.
Playing
and
recording
start
simultaneously.
To
stop
dubbing
Press
the
i
button.
To
set
the
Dolby
NR
when
playing
back
the
dubbed
tape
Press
the
DOLBY
NR
button
and
turn
Dolby
NR
on
or
off
to
match
the
original
tape.
DUBBING
THE
WHOLE
TAPE
m@NH
Go
This
function
allows
you
to
make
exact
copies
of
both
sides
of
the
original
tape.
The
reverse
side
of
both
tapes
will
start
simultaneously
as
soon
as
the
longer
tape
has
been
reversed.
¢
Dubbing
does
not
start
from
a
point
halfway
in
the
tape.
*
The
reverse
mode
is
automatically
set
to
=).
¢
The
Dolby
NR
does
not
affect
recording.
1
Press
the
TAPE
button.
2
Insert
the
original
tape
into
deck
1
and
the
tape
to
be
recorded
on
into
deck
2.
Insert
each
tape
with
the
side
to
be
played
back
or
recorded
on
first
facing
out
from
the
unit.
3
Press
the
SYNC
DUB
button
once
or
twice
to
start
recording.
©
For
recording
at
normal
speed,
press
it
once
to
display
N-DUB.
@
For
recording
at
high
speed,
press
it
twice
to
display
H-
DUB.
The
tapes
are
rewound
to
the
beginning
of
the
front
sides,
and
recording
starts.
To
stop
dubbing
Press
the
ll
button.
To
set
the
Dolby
NR
when
playing
back
the
dubbed
tape
Press
the
DOLBY
NR
button
and
turn
Dolby
NR
on
or
off
to
match
the
original
tape.
*
Recording
does
not
start
if
the
erasure
prevention
tab
on
either
side
of
the
tape
is
broken
off.
°
If
the
leader
segment
of
the
tape
to
be
recorded
on
is
longer
than
that
of
the
original
tape,
recording
on
the
reverse
side
may
stop
midway
through
the
recording.
In
this
case,
dub
each
side
manually
following
the
procedure
in
“DUBBING
A
TAPE
MANUALLY”.
ENGLISH
14
PROGRAMMED
EDIT
RECORDING
Programmed
edit
function
enables
CD
recording
while
checking
the
remaining
time
on
each
side
of
the
tape
as
the
tracks
are
programmed.
The
programmed
edit
recording
will
not
start
from
a
point
halfway
in
the
tape.
The
tape
must
be
recorded
from
the
beginning
of
either
side.
Use
the
remote
conirol
from
steps
3
to
8.
7
Insert
the
tape
into
deck
2,
and
press
the
DOLBY
NR
button
to
turn
Dolby
NR
on
or
off.
Insert
the
tape
with
the
side
to
be
recorded
on
first
facing
out
from
the
unit.
2
Press
the
CD
button
and
load
the
disc(s).
3
Press
the
EDIT/CHECK
button
twice.
“EDIT”
lights
up
and
“PRGM’
flashes
on
the
display.
:
Sos
4
Press
the
numeric
buttons
to
designate
the
tape
length.
10
to
99
minutes
can
be
specified.
Example:
When
using
a
60-minute
tape,
press
the
6
and
0
buttons.
Maximum
recording
time
for
side
A
Tape
length
Tape
side
A
(front
side)
5
Press
one
of
the
DISC
DIRECT
PLAY
buttons
to
select
a
disc
and
press
the
numeric
buttons
to
program
a
track.
Example:
To
select
the
10th
track
of
disc
2,
press
DISC
DIRECT
PLAY
2
and
the
numeric
buttons
+10
and
0.
6
Repeat
step
5
for
the
rest
of
the
tracks
for
side
A.
A
track
whose
playing
time
is
longer
than
the
remaining
time
cannot
be
programmed.
Remaining
time
of
side
A
Total
number
Programmed
of
programmed
tracks
tracks
7
Press
the
EDIT/CHECK
bution
to
select
side
B
and
program
the
tracks
for
side
B.
After
confirming
B
on
the
display,
repeat
step
5.
Tape
side
B
(reverse
side)
8
Press
the
@/O
REC/REC
MUTE
button
and
then
press
the
<4
button
within
2
seconds
to
start
recording.
The
tape
is
rewound
to
the
beginning
of
the
front
side,
the
lead
segment
is
played
through
for
10
seconds,
and
recording
starts.
When
recording
on
the
front
side
(A)
ends,
recording
on
the
back
side
(B)
starts.
To
stop
recording
Press
the
ll
button.
Recording
and
CD
play
stop
simultaneously.
En
To
check
the
order
of
the
programmed
track
numbers
Before
recording,
press
the
EDIT/CHECK
button
to
select
side
Aor
B,
and
press
the
<4<4
or
BP
button
repeatedly.
Program
number
Track
number
Programmed
track
numbers
To
change
the
program
of
each
side
Press
the
EDIT/CHECK
button
to
select
side
A
or
B,
and
press
the
Il
CLEAR
bution
to
clear
the
program
of
the
selected
side.
Then
program
tracks
again.
To
clear
the
edit
program
Press
the
If
button
twice
so
that
“EDIT”
disappears
on
the
display.
Recording
is
inhibited
if
the
erasure
prevention
tab
on
either
side
of
the
tape
is
broken
off.
ENGLISH
16
KARAOKE
PROGRAMS
Before
or
during
CD
play,
you
can
reserve
up
to
15
tracks
to
be
played
after
the
current
track.
Each
reservation
is
cleared
when
it
finishes
playing.
Use
the
remote
control.
7
Press
the
PRGM
button
once.
%
2
Press
one
of
the
DISC
DIRECT
PLAY
buttons
to
select
a
disc
and
the
numeric
buttons
to
select
a
track.
3
Press
the
KARAOKE
ENTER
button.
Reserved
disc
number
Reserved
track
number
4
Repeat
steps
2
and
3
to
reserve
other
tracks.
5
Press
the
<>
bution
to
start
play.
After
a
track
is
played,
itis
cleared
from
the
program.
Another
track
can
be
reserved
in
place
of
the
cleared
track.
Number
of
remaining
Currently
playing
disc
reserved
tracks
Currently
playing
track
number
flashes
Disc
number
of
the
Track
number
of
last
reservation
the
last
reservation
To
add
a
reservation
during
play
Repeat
steps
2
and
3.
To
check
the
reserved
tracks
Press
the
EDIT/CHECK
button
repeatedly.
Each
time
it
is
pressed,
the
disc
number
and
track
number
are
displayed
in
the
reserved
order.
To
stop
play
Press
the
Ml
button.
Press
the
<4
button
to
start
again.
To
skip
a
track
Press
the
PB
button.
The
skipped
track
is
cleared
from
the
program.
To
clear
all
the
reservations
Press
the
>
button
repeatedly
until
“K
-”
is
displayed.
Press
it
once
more
to
cancel
the
Karaoke
programs.
The
display
returns
to
that
of
CD
play.
¢
If
the
reserved
track
number
does
not
exist
on
the
selected
disc,
the
unit
stops
playing
and
the
display
flashes.
In
this
case,
press
the
>
button
to
skip
the
error
track.
Then
press
the
<4
button
to
start
play
with
the
next
reserved
track.
«
When
the
PRGM
button
is
pressed
repeatedly
in
step
1,
PRGM
is
displayed
and
the
unit
enters
CD
program
play
mode
(page
10).
To
cancel
program
play,
press
the
Il
CLEAR
button.
ENGLISH
18
i
SETTING
THE
SLEEP
TIMER
The
unit
can
be
turned
off
automatically
at
a
specified
time.
Use
the
remote
control.
1
Press
the
SLEEP
button.
si
tote
2
Within
4
seconds,
press
the
<<
or
>
button
to
specify
the
time
until
the
power
is
turned
off.
Each
time
the
button
is
pressed,
the
time
changes
between
10
and
240
minutes
in
10-minute
steps.
Specified
time
To
check
the
time
remaining
until
the
power
is
turned
off
Press
the
SLEEP
button
once.
The
remaining
time
is
displayed
for
4
seconds.
To
cancel
the
sleep
timer
Press
the
SLEEP
button
twice
so
that
“SLEEP”
on
the
display
disappears.
OTHER
CONNECTIONS
CONNECTING
OPTIONAL
|
EQUIPMENT
Refer
to
the
operating
instructions
of
the
connected
equipment
for
details.
¢
The
connecting
cords
are
not
supplied.
Obtain
the
necessary
connecting
cords.
«
Consult
your
local
Aiwa
dealer
for
optional
equipment.
VIDEO/AUX
JACKS
This
unit
can
input
analog
sound
signals
through
these
jacks.
Use
a
cable
with
RCA
phono
plugs
to
connect
audio
equipment
(turntables,
LD
players,
VCRs,
TV,
etc.).
Connect
the red
plug
to
the
R
jack,
and
the
white
plug
to
the
L
jack.
When
connecting
a
turntable
Use
an
Aiwa
turntable
equipped
with
a
built-in
equalizer
amplifier.
CD
DIGITAL
OUT
(OPTICAL)
JACK
This
unit
can
output
CD
digital
sound
signals
through
this
jack.
Use
an
optical
cable
to
connect
digital
audio
equipment
(digital
amplifier,
DAT
deck,
MD
recorder,
etc.).
Remove
the
dust
cap
@
from
the
CD
DIGITAL
OUT
(OPTICAL)
jack.
Then,
connect
an
optical
cable
plug
to
the
CD
DIGITAL
OUT
(OPTICAL)
jack.
When
the
CD
DIGITAL
OUT
(OPTICAL)
jack
is
not
being
used
Attach
the
supplied
dust
cap.
SUPER
WOOFER
«
JACK
Connect
an
optional
powered
sub
woofer
with
a
built-in-amplifier
to
the
jack.
ENGLISH
20
SPECIFICATIONS
Main
unit
CX-NV8000
FM
tuner
section
Tuning
range
Usable
sensitivity
(IHF)
Antenna
terminals
AM
tuner
section
Tuning
range
Usable
sensitivity
Antenna
Amplifier
section
Power
output
Total
harmonic
distortion
Inputs
Outputs
Cassette
deck
section
Track
format
Frequency
response
Signal-to-noise
ratio
Recording
system
Heads
87.5
MHz
to
108
MHz
13.2
dBf
75
ohms
(unbalanced)
530
kHz
to
1710
kHz
(10
kHz
step)
531
kHz
to
1602
kHz
(9
kHz
step)
350
wV/m
Loop
antenna
60
watts
per
channel,
Min.
RMS
at
6
ohms,
from
50
Hz
to
20
kHz,
with
no
more
than
1%
Total
Harmonic
Distortion
0.1
%
(30
W,
1
kHz,
6
ohms,
DIN
AUDIO)
VIDEO/AUX:
150
mV
(adjustable)
MIC
1,
MIC
2:
1
mV
(10
kohms)
SUPER
WOOFER:
1.9
V
SPEAKERS:
accept
speakers
of
6
ohms
or
more
SURROUND
SPEAKERS:
accept
speakers
of
16
ohms
or
more
PHONES
(stereo
jack):
accepts
headphones
of
32
ohms
or
more
4
tracks,
2
channels
stereo
CrOe
tape:
50
Hz
—
16000
Hz
Normal
tape:
50
Hz
—
15000
Hz
60
dB
(Dolby
B
NR
ON,
CrOz
tape
peak
level)
AC
bias
Deck
1:
Playback
head
x
14
Deck
2:
Recording/ptayback/
erase
head
x
1
Compact
disc
player
section
Laser
D-A
converter
Signal-to-noise
ratio
Harmonic
distortion
Wow
and
flutter
Semiconductor
laser
(A
=
780
nm)
1
bit
dual
83
dB
(1
kHz,
0
dB)
0.05
%
(1
kHz,
0
dB)
Unmeasurable
Speaker
system
SX-ANV8000
Cabinet
type
4
way,
bass
reflex
with
surround
speaker
(magnetic
sealed
type)
Woofer:
140
mm
(5%/s
in.)
cone
type
Mid-range:
80
mm
(3'/4
in.}
cone
type
Tweeter:
50
mm
(2
in.)
cone
type
Super
tweeter:
20
mm
(‘%/16
in.)
ceramic
type
Surround
speaker:
80
mm
(37/4
in.)
cone
type
Front
speaker:
6
ohms
Surround
speaker:
16
ohms
Output
sound
pressure
level
87
dB/W/m
Dimensions
(W
x
H
x
D)
235
x
310
x
270
mm
(9%/e
x
12/4
X
10/4
in.)
Speakers
Impedance
Weight
4.3
kg
(9
Ibs
8
02.)
General
Power
requirements
120
V
AC,
60
Hz
Power
consumption
135
W
Dimensions
of
main
unit
260
x
307
x
349
mm
(WxHxD)
(10'/4
x
121s
x
13%
in.)
Weight
of
main
unit
7.8
kg
(17
lbs
3
0z.)
Specifications
and
external
appearance
are
subject
to
change
without
notice.
BBE
SYSTEM
The
word
“BBE”
and
the
“BBE
symbol”
are
trademarks
of
BBE
Sound,
Inc.
Under
license
from
BBE
sound,
Inc.
DOLBY
NR
Dolby
noise
reduction
manufactured
under
license
from
Dolby
Labo-
ratories
Licensing
Corporation.
“DOLBY”
and
the
double-D
symbol
DO
are
trademarks
of
Dolby
Laboratories
Licensing
Corporation.
ENGLISH
22
Principle
of
Aiwa's
Frout
180°
Speaker
System
Aiwa’s
Front
180°
Speaker
System
provides
excellent
sound
balance
for
true
stereo
reproduction
from
any
listening
angle.
In
stereo
sound
reproductions
systems
up
to
now,
the
listening
area
where
the
optimal
stereo
effect
is
obtained
has
been
extremely
narrow.
This
is
due
to
the
following
reasons.
As
shown
in
Figure
2,
a
conventional
stereo
system
has
speakers
on
the
front
panel
of
the
speaker
system,
pointing
forward.
It
is
designed
for
listening
in
a
location
directly
in
front
of
the
front
speaker
panel.
In
this
case,
as
shown
in
Figure
2,
a
listener
at
point
@,
located
on
the
center
line
between
the
right
and
left
speakers,
hears
the
voice
of
a
singer
coming
from
the
center
front.
Instrumental
sounds
are
distributed
evenly
between
both
speakers
for
an
optimal
stereo
effect.
At
point
©,
however,
located
off the
center
line
between
the
speakers,
the
distance
from
the
left
speaker
to
the
listener
is
greater
than
the
distance
from
the
right
speaker.
Sound
from
the
left
speaker
appears
to
be
faint,
and
sound
from
the
right
speaker
appears
to
be
loud.
Sound
is
perceived
as
coming
from
the
speaker
with
the
greater
volume,
so
that
the
singer’s
voice
appears
to
shift
toward
the
right
speaker.
The
normally
balanced
instrumental
sounds
also
appear
to
come
primarily
from
the
right
speaker.
Moreover,
since
the
directivity
of
speakers
increases
with
higher
frequencies,
high-
frequency
sounds
from
the
left
speaker
become
even
harder
to
hear,
increasing
the
impression
of
imbalance.
For
these
reasons,
the
listening
"area
which
provides
even
sound
balance
and
the
optimal
stereo
effect
is
limited
to
the
narrow
area
shown
in
Figure
2-@.
To
solve
this
problem,
Aiwa
has
developed
uni-
directional
speakers
for
this
new
speaker
system
featuring
cardioid
directivity
for
frequencies
of
1
kHz
or
less.
These
speakers
are
pointed
inward
at
angles
of
45°
(see
Figure
1).
Driven
by
left
and
right
stereo
sound
signals,
these
speakers
act
to
increase
the
width
of
the
optimum
listening
area
(see
Figure
3).
Because
of
their
cardioid
directivity
and
the
45°
angle
of
their
main
speaker
axis,
they
provide
enhanced
sound
reproduction
at
point®
in
Figure
3.
The
left
speaker
is
pointed
toward
the
listener,
and
the
right
speaker
is
pointed
away
from
the
listener,
so
that
the
directivity
of
the
speakers
compensates
for
the
differences
in
perceived
volume
caused
by
the
differences
in
distance
to
the
listener.
Therefore,
the
sound
of
a
singer’s
voice
is
perceived
as
coming
from
a
point
midway
between
the
speakers,
and
instrumental
sounds
are
distributed
evenly.
Sound
wave
emission
mouth
for
uni-directional
sound
be
Tweeter
We
=
Cardioid
\
speaker
Surround
Woofer
—
tk:
speaker
(Left
speaker)
Stereo
effect:
with
a
conventional
speaker
system
Main
unit
Right
speaker
@
Center
listening
point:
Balanced
sound
heard
from
left
and
right
speakers
©
Off-center
listening
point:
Right
speaker
sounds
louder
than
left
speaker
~+:
Sound
pressure
level
Stereo
listening
area
Stereo
effect
with
Aiwa
Front
180°
speaker
system
True
stereo
sound
can
be
heard
at
point
©
as
well
as point
Main
unit
Right
speaker
~:
Sound
pressure
level
Siereo
listening
area
of
new
speakers
ENGLISH
24
Table of contents
Other Aiwa Stereo System manuals
