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Akai MPD26 User manual

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CTORY PRESET
DOCUMENTATION
PRESET # PROGRAM
1 Live For use with Ableton Live.
2 Reason
This preset supports the Reason Remote protocol with supplied codec
files. To use Reason with the Remote protocol, you will need to install
the supplied Reason codec files. Each module in Reason will
automatically map itself to the MPD26’s controllers. This is extremely
powerful as it allows you to use a single MPD26 preset to control all of
the modules in Reason. See “Using the MPD26 with Reason” section for
information on installing the Reason Remote codecs and mappings.
3 Cubase For use with Steinberg’s Cubase DAW. See “Using the MPD26 with
Cubase” for information on preset mappings.
4 Sonar For use with Cakewalk Sonar
5 FL Studio For use with FL Studio 8. See “Using the MPD26 with FL Studio” for
more information.
6 ApplidAc For use with Applied Acoustics’ String Studio and Ultra Analog.
7 Arturia For use with Arturia software synth modules, such as Arp2600V, CS80V,
Moog Modular V, and Minimoog V. See “Using the MPD26 with Arturia
Synths” for information on preset mappings.
8 FxPanBFD For use with Fxpansion's BFD software.
9 FxPanGuru For use with FXpansion’s GURU. See “Using the MPD26 with
FXpansion’s GURU” for information on preset mappings.
10 GMedia For use with GMedia Softsynths
11 RobPapen For use with Rob Papen synths, such as ConcreteFX's Blue and Predator.
See “Using the MPD26 with Rob Papen Synths” for information on
preset mappings.
12 Stylus For use with Spectrasonics’ Stylus RMX. See “Using the MPD26 with
Stylus RMX” for information on preset mappings.
13 Virsyn For use with Virsyn synths, such as Tera 3. See “Using the MPD26 with
Virsyn Synths” for information on preset mappings.
14 GM Drums Standard General MIDI drum and controller mapping. Good for general
drum use.
15 ArkaosVJ For use with ArkaosVJ Software
16 Chromatic Standard General MIDI chromatic and controller mapping.
17-30 default A Generic Template for personal customization
The presets included are only intended to be a starting point for your use. All of these software programs allow incredible amounts of
control and by using multiple MIDI channels, controllers, pad modes and program changes, you can easily create some incredible
music.
Enjoy.
USING THE MPD26 WITH REASON
Reason is a software program that allows for vast control of its parameters. The
problem with having a lot of controllable items is the limit of physical space and the
cost of building hardware controllers that can accommodate hundreds or thousands
of controllers. The people at Propellerheads have developed a way to remap a single
control surface to each of the modules in Reason. This protocol is called Reason
Remote.
We have included all the files necessary to enable Reason to find the MPD26 and map its controls to whatever module
you have selected in the sequencer.
To begin using the MPD26 with Reason, you will need to make sure that you have version 3.0.5 or greater for the Mac or
version 3.0.4 or later for the PC. Please note that the MPD26 is also compatible with Reason 4.
1. To install the Reason Remote codecs and remote maps, run the Reason Remote installer for your particular
computer and it will auto-install the folders into the right locations.
2. After you have installed the Reason Remote codecs, select Preset number 2 – “Reason” – on your MPD26.
Press the [VALUE] dial to load the preset.
!
If you have edited MPD26’s presets and are unable to load the Reason preset, use the supplied Vyzex
Editor to load the Factory Preset Bank and “PUT” or download the factory preset bank into the MPD26.
3. Start up Reason and the software will automatically find the MPD26
controller. Within Reason, click on [Preferences] and look under
[Control Surfaces and Keyboards]. You should see the Akai MPD26
icon with a green check mark. If it is not checked, click the “Use with
Reason” button.
The MPD26 preset for Reason makes use of pad banks A, B and C for playing
notes. With these three pad banks you get a 3-octave range of pitch control.
Pad bank D is configured to be used as a control bank. This pad bank allows
you to use the pads as switches for certain features.
The mapped parameters are shown in the graphic above.
EXAMPLES:
When you are controlling Redrum or Matrix, pads D1-D4 correspond to
the Bank A, B, C, D buttons in the pattern section. Pads D9-12 will
allow you to select between patterns 1-4 and pads D5-8 allow you to
select between patterns 5-8.
The next few pages feature a full table of the mapping functions. Please refer
to this table for information on how the MPD26 controls map to each individual module in Reason. You can always
change how controllers are mapped by modifying the “MPD26.remotemap” file. This will allow you to customize how
Reason and your MPD26 work.
AKAI MPD26 PRESET MAPPINGS
USING THE MPD26 WITH FL STUDIO 8
USING THE MPD26 WITH CUBASE
The included .xml file is a generic remote to be used with Steinberg Cubase 4. This
remote contains mappings for the Cubase Mixer and all of the included Steinberg
plugins.
To install this remote, follow these steps:
1. Go to the Devices Menu and Choose Device Setup.
2. The Device Setup window will appear as shown below.
3. Click on the "+" symbol (as indicated by the circle below), and choose "Generic Remote".
4. Next, click on the Import button (as indicated by the red circle below):
5. Choose the file "MPD26.xml" from the \Software Preset Files\Cubase directory.
6. To open the Generic Remote, go to the Device Menu, and choose "Generic Remote."
7. Select MIXER 1-6 from the drop-down menu.
Remember, the MPD26 is configured to work with the Mixer Volumes and Pans, but can be reconfigured to control
whatever parameter you wish.
The FL Studio template has a sampler channel dedicated to each pad:
Pad Bank A will play each channel at its true pitch.
Pad Bank B will mute the corresponding pad.
Pad Bank C will select the corresponding channel, allowing for each channel to be played chromatically with a
keyboard.
Pad bank D will play the sample loaded on the selected track in semitones.
Buttons S1-8 will select additional tracks beyond the first twelve, for easily selecting generators, VST plugin channels, etc.
Set up FL Studio as follows:
1. Copy the MPD26 folder contained on the CD into the following directory:
C:\Program Files\Image-Line\FL Studio 9\Data\Projects\Templates\Hardware
2. Open FL Studio.
3. Press F10, or go to Options / MIDI Settings.
4. For Input and Output, select "USB Audio Device."
Make sure to select "Send Master Sync for Output"
and "Enable" for Input.
5. For Omni preview MIDI channel, choose Channel
16.
6. For Generator muting MIDI channel, choose
Channel 15
7. Select "Record to step sequencer."
The FL Studio preset is configured to take advantage of FL
Studio's Step Sequencer. For working with the Piano Roll,
use one of the MPD26's generic templates.
USING THE MPD26 WITH SPECTRASONICS STYLUS RMX
www.spectrasonics.net
www.ilio.com
1. To use the MPD26 with Stylus RMX you will need to copy the [Akai] folder from the [Spectrasonics-StylusRMX MIDI
Templates] folder on the CD-ROM to the following folder on your computer.
SAGE/Stylus RMX/Patches/MIDI Learn
2. After you have copied the folder, load the Factory Preset on the MPD26 named [Stylus].
3. Open your host software and open an instance of Stylus RMX.
4. Go to the lower right hand corner of the Stylus RMX interface and select the disk icon.
5. In the disk icon menu select [MIDI Learn] and then select [Load Template].
6. Navigate to the [AKAI] folder and choose one of the 4 MIDI template files that we have created for you.
The MIDI Learn Template files are as follows:
Akai_MPD26_Chaos.ctl_rmx
Akai_MPD26_Kit.ctl_rmx
Akai_MPD26_Mixer.ctl_rmx
Akai_MPD26_Part.ctl_rmx
All of the templates map the MPD26’s faders to the parameters in the “EASY” menu.
Fader 1 = Volume
Fader 2 = Pan
Fader 3 = Pitch
Fader 4 = Decay
Fader 5 = Tone
Fader 6 = Emphasis
The MPD26 knob mappings are as follows:
Akai_MPD26_Chaos Akai_MPD26_Kit/Mixer Akai_MPD26_Part
Knob 1 Chaos On/Off Level Part 1 Part Level
Knob 2 Pattern Level Part 2 Part Pan
Knob 3 Repeat Level Part 3 Part Send 1
Knob 4 Reverse Level Part 4 Part Send 2
Knob 5 Pitch Level Part 5 Part Send 3
Knob 6 Buzz Level Part 6 Part Send 4
Pad banks are mapped out to make use of the 3 main modes in Stylus RMX.
Pad Bank A is mapped best for Kits. This is not a chromatic mapping but is mapped so as to lay out the kit samples in the best way for
general playing.
Pad Bank B is mapped to make use of the Groove mode. It is mapped sequentially from pad B1 to B16
Pad Bank C and D are mapped to make use of Slice mode. Due to the note range of “Slice” mode there are some Groove mode pad
mappings in the bank D, specifically pads D9-D16.
These are just some basic MIDI Learn templates and MPD26 presets.
We would suggest playing with having different pads mapped to Toggle mode or mapping pads to different MIDI channels so as to
access different parts.
Stylus RMX is capable of many complex controller and pad mappings and the MPD26 makes a great companion to this product.