Behringer EUROLIVE PROFESSIONAL B1800X PRO User manual

Users manual
ENGLISH

2
EUROLIVE PROFESSIONAL SERIES
IMPORTANT SAFETY INSTRUCTIONS
1) Read these instructions.
2) Keep these instructions.
3) Heed all warnings.
4) Follow all instructions.
5) Do not use this apparatus near water.
6) Clean onl with dr cloth.
7) Before positioning our speakers, ou must alwa s
make sure that the surface underneath them is
completel firm. A surface that easil vibrates is not
sufficientl safe for our speakers, therefore: as a
general rule, onl place our speakers onto even, firm
ground surfaces.
8) Do not install near an heat sources such as radiators,
heat registers, stoves, or other apparatus (including
amplifiers) that produce heat.
9) Onl use attachments/accessories specified b the
manufacturer.
10) Use onl with the cart, stand, tripod, bracket, or table
specified b the manufacturer, or sold with the
apparatus. When a cart is used, use caution when moving
the cart/apparatus combination to avoid injur from
tipping over.
11) Refer all servicing to qualified service personnel.
Servicing is required when the apparatus has been
damaged in an wa , such as power suppl cord or plug
is damaged, liquid has been spilled or objects have fallen
into the apparatus, the apparatus has been exposed to
rain or moisture, does not operate normall , or has been
dropped.
12) Please make sure that no objects or liquids get into
the units interior.

3
EUROLIVE PROFESSIONAL SERIES
TABLE OF CONTENTS
1. INTRODUCTION ......................................................... 4
1.1 Before you get started ................................................... 4
1.1.1 Shipment ............................................................... 4
1.1.2 Initial operation ...................................................... 4
1.1.3 Online registration ................................................ 4
1.2 Users manual ................................................................. 4
2. OPTIMAL OPERATION ............................................... 5
2.1 HF dri ers ....................................................................... 5
2.1.1 Directional pattern of asymmetrical HF dri ers ... 5
2.2 How to pre ent feedback .............................................. 5
2.3 How to a oid feedback when working
with record players (DJ applications) ........................... 5
2.4 Loudspeaker protection by using a low-cut filter ......... 5
3. OPERATING MODES .................................................. 5
3.1 BI-AMPING and PASSIVE operation (B1800X PRO) ..... 5
3.2 Looping through the subwoofer signal (B1800X PRO) 5
3.3 PARALLEL Input (B1220 PRO and B1520 PRO) ............ 6
4. PIN ASSIGNMENT (B1800X PRO) ............................. 6
4.1 Subwoofer (passi e) ..................................................... 6
4.2 Subwoofer (BI-AMPING) ................................................ 6
5. ADDITIONAL CONSIDERATIONS ............................... 6
5.1 Length and diameter of loudspeaker cables ................. 6
5.2 Power amp rating ........................................................... 6
5.3 Fuses .............................................................................. 6
5.3.1 Protecting your equipment ................................... 6
6. APPLICATION EXAMPLES ......................................... 7
6.1 Full-range stereo operation ............................................ 7
6.2 Stereo operation with a subwoofer .............................. 7
6.3 Stereo operation with a parallel stage
monitoring system and a subwoofer ............................. 8
7. TROUBLESHOOTING ................................................. 8
7.1 No signal when loudspeaker is connected ................... 8
7.2 Signal present only on one channel .............................. 8
7.3 Signal distorted ............................................................... 8
7.4 Treble signal too low ...................................................... 8
7.5 Bass signal too low ........................................................ 9
7.6 Poor sound characteristics ............................................ 9
8. SPECI ICATIONS ....................................................... 9
9. WARRANTY .............................................................. 10
WARNING!
+These EUROLIVE PROFESSIONAL SERIES speakers
are capable of producing extreme sound pressure
levels. Please bear in mind that high sound
pressure can not onl tire our hearing, it can also
cause permanent damage. Be sure to alwa s select
an appropriate volume level.
FOREWORD
Dear Customer,
welcome to the team
of EUROLIVE users,
and thank you ery
much for expressing
your confidence in us by
purchasing these PA
loudspeakers.
Writing this foreword
for you gi es me great
pleasure, because it
represents the cul-
mination of many months
of hard work deli ered
by our engineering team
to achie e a ery
ambitious goal: to
de elop an outstanding
PA system that offers a
maximum in flexibility and
performance through its impressi e sound character and
outstanding features. The task of designing our new
EUROLIVE PROFESSIONAL SERIES certainly meant a great deal
of responsibility, which we assumed by focusing on you, the
discerning user and musician. Meeting your expectations also
meant a lot of work and night shifts. But it was fun, too. De eloping
a product usually brings a lot of people together, and what a
great feeling it is when all who participated in such a project can
be proud of what they e achie ed.
It is our philosophy to share our enjoyment with you, because
you are the most important member of the BEHRINGER team.
With your highly competent suggestions for new products you e
made a significant contribution to shaping our company and making
it successful. In return, we guarantee you uncompromising quality
as well as excellent technical and audio properties at an extremely
reasonable price. All of this will enable you to gi e free rein to
your creati ity without being hampered by budget constraints.
We are often asked how we manage to produce such high-
quality de ices at such unbelie ably low prices. The answer is
quite simple: its you, our customers! Many satisfied customers
mean large sales olumes enabling us to get better purchasing
terms for components, etc. Isnt it only fair to pass this benefit on
to you? Because we know that your success is our success
too!
I would like to thank all of you who ha e made the EUROLIVE
PROFESSIONAL SERIES possible. You ha e all made your own
personal contributions, from the de elopers to the many other
employees at this company, and to you, the BEHRINGER user.
My friends, its been worth the effort!
Thank you ery much,
Uli Behringer

4
EUROLIVE PROFESSIONAL SERIES
1. INTRODUCTION
1. INTRODUCTION
By purchasing BEHRINGER EUROLIVE PROFESSIONAL
speakers, you ha e obtained a first-class PA loudspeaker
system. Now, you own (at least) one component of an
expandable system that will reproduce the sound of your musical
material unadulterated and perfectly balanced.
Thanks to its numerous features, the EUROLIVE
PROFESSIONAL SERIES is the ideal PA loudspeaker system: it is
equally well-suited both for small gigs and large stages. We
ha e brought it to life in order to offer you a complete range of
loudspeaker choices. In doing so, we ha e left open all the options
for expanding your PA system. All loudspeakers feature
professional inputs and outputs (compatible to Neutrik® Speakon®),
letting you flexibly expand your setup whene er you need to.
+The following instructions are intended to
familiarize ou with the specialized terminolog
used throughout this users manual, so that ou
can master all the functions. After having thoroughl
read the users manual, store it in a safe place for
future reference.
1.1 Before you get started
1.1.1 Shipment
Your EUROLIVE speakers were carefully packed at the
assembly plant to assure secure transport. Should the condition
of the cardboard box suggest that damage may ha e taken place,
please inspect the unit immediately and look for physical indications
of damage.
+Damaged units should NEVER be sent directl to us.
Please inform the dealer from whom ou acquired
the unit immediatel as well as the transportation
compan from which ou took deliver of the unit.
Otherwise, all claims for replacement/repair ma
be rendered invalid.
+Please alwa s use the original packaging to avoid
damage due to storage or shipping.
+Never let unsupervised children pla with the
EUROLIVE speakers or their packaging.
+Please dispose of all packaging materials in an
environmentall friendl fashion.
1.1.2 Initial operation
Your EUROLIVE speakers are connected to a power amplifier
using the speaker connectors located in the back. Please read
ch. 5, ADDITIONAL CONSIDERATIONS and ch. 6, APPLICATION
EXAMPLES to get important technical information and practical
suggestions about use.
+Alwa s make sure to mute our power amplifier
before connecting the speakers.
Fig. 1.1: B1520 PRO connector panel
(B1220 PROs is similar)
Fig. 1.2: Sub oofer connector panel (B1800X PRO)
The EUROLIVE PROFESSIONAL SERIES features professional
speaker connectors (compatible to Neutrik® Speakon®) that assure
problem-free operation. The Speakon® connector was de eloped
for loudspeakers with high power ratings. If it is connected into
the corresponding plug, it locks into place and cannot accidentally
be disconnected. It protects against electric shock and assures
correct polarity. Each of the plugs only carries the assigned
indi idual signal (see table 4.1/Fig. 1.3 and the insignia on the
back of the unit).

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EUROLIVE PROFESSIONAL SERIES
3. OPERATING MODE
2. OPTIMAL OPERATION
We ha e de eloped the EUROLIVE PROFESSIONAL SERIES
for use in a wide range of possible applications. Of course, the
sound of your loudspeakers depends on the acoustic
characteristics of the room/space in which they are being used.
The following chapters of this manual will gi e you information
about getting the most out of your EUROLIVE speakers.
2.1 HF drivers
High frequencies are the segment of the audio spectrum
responsible for clarity and speech intelligibility. These frequencies
are the easiest ones to locate, but at the same time they are also
the easiest ones to obstruct. Therefore, we recommend
positioning your speakers so that the HF dri ers are located
slightly abo e the height of the audience. This guarantees the
best possible dispersion of high frequencies and a considerably
higher intelligibility.
2.1.1 Directional pattern of asymmetrical H drivers
An outstanding feature of the B1220 PRO and the B1520 PRO
are their asymmetrically formed horns (Asymmetrical Dispersion
Constant Directi ity Horn). By turning the horns 90°, you can
optimize the directional pattern for both ertical and horizontal
speaker positioning. The default horn setting is the front of
house ertical configuration, whereby the wide dispersion side
(100°) is pointed downward and the narrow dispersion side
(50°) is pointed upward. If you want to position your speaker
horizontally (as a floor monitor), you can modify the horn position
to assure optimal dispersion (turning the horn by 90°). Please do
the following:
sRemo e the speaker co er by carefully and uniformly pulling
off the steel grill.
sUnfasten the four screws with which the horn is mounted.
sTurn the horn 90°, so that the wide dispersion side (100°)
points upward when the loudspeaker is lying horizontally
on its side.
sMount the horn back into its place with the four pre iously
unfastened screws.
sSet the grill back into its place and press gently until it
snaps into position.
+No warrant claim is valid for damage caused b
incorrect handling or flawed and/or careless use.
2.2 How to prevent feedback
Always place the front of house speakers ahead of the
microphones (from the audiences perspecti e), and ne er
behind. Use professional floor monitors (e.g. B1220 PRO or B1520
PRO) or an in-ear monitoring system to hear the stage performers.
2.3 How to avoid feedback w en working
wit record players (DJ applications)
In applications with record players, bass feedback can occur.
Bass feedback occurs when low frequencies get back to the
pickup and are re-reproduced on the speakers. The most common
causes for this are: speakers located too closely to the record
player, a room with a wooden floor, or presence of a podium or
a platform. In such cases, it is best to mo e the speakers away
from the record player and banish them from the stage, so that
they are located on firm ground. Another option is to use raised
stands, which pre ent the speakers from ha ing a direct contact
with the ground.
2.4 Loudspeaker protection
by using a low-cut filter
Try to pre ent damage to your speakers caused by extreme
oscillation of the bass membrane due to subsonic noise and
extremely deep frequencies. Use an equalizer to cut off those
frequencies that fall below your speakers frequency range, or
use a low-cut/high-pass filter. Most equalizers and sound-
impro ement systems offer a low-cut function, like the
BEHRINGER ULTRAGRAPH DIGITAL DEQ1024, for example.
Using a low-cut filter in your signal path is particularly
recommended if you use record players or CD players as your
signal source. CD players often produce extremely deep
frequencies, which can lead to extreme excursions of the bass
membrane.
3. OPERATING MODES
3.1 BI-AMPING and PASSIVE operation
(B1800X PRO)
The EUROLIVE PROFESSIONAL SERIES subwoofer can run in
two ways: in PASSIVE and BI-AMPING mode. The B1800X PRO
can be switched from BI-AMPING to PASSIVE by using the switch
located in the back. For all applications, your EUROLIVE speakers
are connected using the speaker inputs.
+Never switch the operating mode if our EUROLIVE
speakers are wired to an active signal source.
The subwoofer features an internal crosso er. Running the
B1800X PRO in passi e mode makes it ideally suited for working
together with the 2-way B1220 PRO and B1520 PRO systems.
This way, you achie e an absolutely balanced sound
characteristic. Howe er, if you select the BI-AMPING mode, your
subwoofer can be combined with other EUROLIVE 2-way
systems. The BI-AMPING operating mode offers se eral primary
ad antages: lower distortion, greater flexibility of signal
transmission as well as an impro ed o erall performance of
your system. The PASSIVE operating mode has the ad antage
of requiring no additional crosso ers in order to keep the
subwoofers frequency range within its limits.
If you are using an external crosso er, e.g. the
BEHRINGER ULTRADRIVE PRO DCX2496, pay attention to
chapter 8, SPECIFICATIONS. There, you will find information
about the recommended crosso er frequency range. We
recommend a slope rate of at least 12 dB, whereby a higher
alue guarantees the best possible performance. A slope rate
of 24 dB is ideal.
Our recommendations are only examples of possible
interactions between different EUROLIVE speakers. Depending
on your own personal sound requirements and the genre of the
music being played, other combinations are of course possible.
3.2 Looping t roug t e subwoofer signal
(B1800X PRO)
The B1800X PRO subwoofer from the EUROLIVE
PROFESSIONAL SERIES features two speaker connectors. In
BI-AMPING mode, the PINS 2-/2+ of the input are connected
directly with the speaker. PINS 1-/1+ of the input are connected
to the PINS 1-/1+ of the output and the signal can be simply
looped through. To this end, please adhere to the specifications
gi en in chapter 4.
+Please keep in mind that when ou switch the
B1800X PRO subwoofer to BI-AMPING mode, the
input signal is routed to PINS 2-/2+. In this case,
PINS 1-/1+ merel serve to loop the signal through!

6
EUROLIVE PROFESSIONAL SERIES
5. ADDITIONAL CON IDERATION
3.3 PARALLEL Input
(B1220 PRO and B1520 PRO)
The EUROLIVE B1220 PRO and B1520 PRO loudspeakers
feature two speaker inputs laid out in parallel. You can
alternati ely connect one of the connectors to the output on
your power amp and tap into the signal from the amp once again
on the second connector, in order to, for example, feed this
signal into an additional loudspeaker. This way, you can create
stacks consisting of speakers with different impedance alues.
+ATTENTION: Never connect the output signals of
different power amps to both parallel inputs at the
same time. This ma permanentl damage our
setup.
4. PIN ASSIGNMENT (B1800X PRO)
PINS 1-/1+ PINS 2-/2+
3$66,9(
INPUT:
Full-range input
OUTPUT: high-pass
output
Signal loop
%,$03,1* Signal loop Subwoofer input
6XEZRRIHU
%;352
Table 4.1: Pin assignment
4.1 Subwoofer (PASSIVE)
sFeed the full-range signal to the input PINS 1-/1+. The high-
pass signal can be tapped into at the output PINS 1-/1+.
PINS 2-/2+ ser e as a signal loop through.
4.2 Subwoofer (BI-AMPING)
sConnect the subwoofer signal to PINS 2-/2+.
sPINS 1-/1+ of the input are connected to PINS 1-/1+ of the
output, and can be used to loop the signal through.
sIn general, when in BI-AMPING mode, PINS 1-/1+ and PINS
2-/2+ are looped through.
. ADDITIONAL CONSIDERATIONS
5.1 Lengt and diameter of loudspeaker cables
Loudspeaker cables whose diameter is too small can limit the
power amp performance considerably. The longer the cable,
the greater the problem. As a result, musicians often simply
turn up the amp, which can lead to loudspeaker damage.
Therefore, dont use cables longer than 15 m (45 ft.). For most
applications, this will not be necessary. Cable diameter should
be at least 2.5 - 4.0 mm2.
5.2 Power amp rating
Selecting the right amp can turn out to be rather difficult.
Therefore, stick to the following rule of thumb: the power rating
of your amp should be roughly twice the speaker load capacity.
A speaker rated at 400 Watts continuous performance can easily
be powered by an amp rated at 800 Watts output power. An
optimal addition to your speaker system would be the BEHRINGER
EUROPOWER EP2500 power amp, for example.
5.3 Fuses
We do not recommend the use of fuses with audio applications.
Damage to loudspeakers can be the result of high peak signals
and high output power. Howe er, fuses can only offer protection
from one of these two factors, and ne er from both. Additionally,
fuse resistors are sometimes nonlinear, leading to distortion and
unpredictable o erdri ing.
5.3.1 Protecting your equipment
sAlways try to find the optimal signal le el. Try to a oid
o erdri ing your amp.
sKeep in mind the physical limitations of your PA system.
sUse a limiter to restrict the output signal le el. Place the
limiter between the mixing console and the power amp. For
this purpose, our pro en AUTOCOM PRO-XL MDX1600,
COMPOSER PRO-XL MDX2600 and MULTICOM PRO-XL
MDX4600 compressors offer an outstanding solution. All
models can be used as a limiter: the audio signal doesnt
o erdri e any more, and unpleasant peaks are effecti ely
a oided.
+Our ULTRADRIVE PRO DCX2496 and SUPER-X CX3400/
CX2310 crossovers are particularl well-suited for
protecting our equipment: for each output, the
have independent limiters.

7
EUROLIVE PROFESSIONAL SERIES
6. APPLICATION EXAMPLES
6.1 Full-range stereo operation
In the following example, the main stereo output signal of a
mixing console is connected to a stereo power amplifier. A B1220
PRO is connected to each of the amp outputs, and these speakers
reproduce the entire frequency range (full range).
Fig. 6.1: Full-range stereo operation
6.2 Stereo operation wit a subwoofer
Using a crosso er, the main stereo output signal of a mixing
console is split into a stereo signal and a mono signal, whereby
the mono signal co ers the lower frequency range and the stereo
signal carries the rest of the frequencies. Then, the stereo signal
is connected to a stereo power amplifier. A B1520 PRO is
connected to each of the amps outputs. The mono subwoofer
signal is connected to one channel of an additional power
amplifier, which is powering one B1800X PRO subwoofer.
Fig. 6.2: Stereo operation ith a sub oofer
6. APPLICATION EXAMPLE

8
EUROLIVE PROFESSIONAL SERIES
7. TROUBLE HOOTING
6.3 Stereo operation wit a parallel stage
monitoring system and a subwoofer
This example shows the use of two B1520 PROs as FOH
loudspeakers and one B1220 PRO used as a floor monitor on
stage. The FOH loudspeakers reproduce the main stereo output
signal from the mixing console, while the stage monitor is fed an
independent monitor mix through a mono monitor send (Aux
Send). A separate subwoofer output feeds a B1800X PRO
subwoofer with the bass signal. Two stereo power amps are
required for this application, whereby one amp reproduces the
main stereo signal, and the other one reproduces both mono
signals (subwoofer and monitor signal).
Fig. 6.3: Stereo operation ith a parallel stage monitoring
system and sub oofer
7. TROUBLESHOOTING
7.1 No signal w en loudspeaker is connected
sMake sure that your mixing console is indeed carrying a
signal (is the master fader raised? Are channels acti e?)
and that the gain control on your amp is turned up.
sWhen using a crosso er, make sure that the rele ant
channels are acti e.
sCheck if the cable connection is interrupted/damaged
somewhere in your setup.
sTo test your configuration, connect another amp. If you
now get a signal, the power amp is the culprit.
sTo test your configuration, connect another speaker. If
you now get a signal, the fault lies within the speaker.
7.2 Signal present only on one c annel
sMake sure that your mixing console is working properly (is
the signal present on both outputs (L/R)?).
sIf using a crosso er, check if the rele ant channel is acti e.
sCheck if the cable connection to the silent channel and to
the corresponding speakers is interrupted/damaged
somewhere along the path.
sConnect the silent loudspeaker onto the amp channel that
works properly. If you now get a signal, it is the amp channel
that is at fault. If you still can not hear anything, the fault lies
either within the loudspeaker or the cables used.
7.3 Signal distorted
sMake sure that all signals on the mixing console ha e been
set to optimal le els in order to a oid distortion.
sIf using a crosso er, check if all signals ha e been set to
correct le els.
sMake sure that the power amp channels are not o erdri ing.
If so, turn the gain control down a little. Howe er, it could
also be the case that your power amp doesnt ha e enough
power headroom, so that the required olume can not be
generated without starting to distort.
sMake sure that the le el of the signal getting into the speakers
is not too high, causing distortion.
sCheck your EQ settings. Excessi ely increasing the
frequencies can result in distortion.
sIf distortion is still occurring despite e erything you ha e
tried to eliminate it, try connecting a different power amp. If
you no longer hear distortion, its cause was with the power
amp.
sAs a test, connect another speaker. If you no longer hear
distortion, its cause was with the loudspeaker (perhaps a
defecti e loudspeaker).
sCheck if the cable connection is interrupted/defecti e
somewhere along the path.
7.4 Treble signal too low
sCheck the EQ settings on your mixing console or on an
external EQ, if applicable.
sMake sure that the tweeters on your loudspeakers are
positioned at the same height as the ears of the people in
the audience. If not, please modify the speaker position.
sThe internal tweeter fuse may ha e opened. In this case,
please contact a BEHRINGER ser ice branch office near
you.

9
EUROLIVE PROFESSIONAL SERIES
8. PECIFICATION
8. SPECIFICATIONS
BEHRINGER is constantly striving to maintain the highest professional standards. As a result of these efforts, modifications may be made from time
to time to e isting products without prior notice. Specifications and appearance may differ from those listed or illustrated.
7.5 Bass signal too low
sCheck the EQ settings on your mixing console or on an
external EQ, if applicable.
sCheck the speaker cable pin assignment (see fig. 1.3).
Incorrect pin assignment can cause phase cancellation
and the frequency incursions related to it.
7.6 Poor sound c aracteristics
sCheck the speaker cable pin assignment (see fig. 1.3).
Incorrect pin assignment can cause phase cancellation
and the frequency incursions related to it.
sCheck if large objects (e.g. effect racks and similar
equipment) are placed in front of the loudspeakers. They
too can negati ely influence sound dispersion.
sCheck the sound quality of the input signal by listening to it
on a set of headphones.
sAlso see the instructions in the chapters 7.3, 7.4 and 7.5.
6<67(0'$7$ %352 %352 %;352
Type 2-way full-range speaker (12" + 1") 2-way full-range speaker (15" + 1") Subwoofer (18")
Frequency response 55 Hz - 18 kHz (-10 dB) 50 Hz - 18 kHz (-10 dB) 40 Hz - 300 Hz (-10 dB)
Power rating1(RMS) 400 W 400 W 800 W
Power rating (Peak Program) 800 W 800 W 1600 W
Impedance 8 Ω8 Ω8 Ω
Sound pressure level2(1 W @ 1 m) 95 dB (Full Space) 96 dB (Full Space) 100 dB (Half Space)
Dispersion 100° (50°) x 50° 100° (50°) x 50° -
Crossover frequency 2.5 kHz 1.8 kHz -
&20321(176
HF driver 25T20A8 25T20A8 -
Woofer 12W400A8 15W400A8 18SW800A8
',0(16,216:(,*+7
(W x H x D) ca. 15 3/5" x 25 1/8" x 16"
(397 mm x 638 mm x 406 mm) ca. 18 3/10" x 27 3/5" x 19" (465 mm x 700 mm x 482 mm) ca. 21 1/2" x 27 3/5" x 21 3/4" (547 mm x 700 mm x 553 mm
)
Weight approx. 52 1/10 lbs (24 kg) approx. 59 1/2 lbs (27 kg) approx. 77 1/5 (35 kg)
%,$0323(5$7,21
Recommended crossover frequency
(external crossover network)3- - 175 Hz
Power rating/impedance woofer 400 W IEC/8 Ω400 W IEC/8 Ω800 W IEC/8 Ω
Power rating/impedance HF driver 60 W IEC/8 Ω
(>2.5 kHz/12 dB/oct) 60 W IEC/8 Ω (>2.5 kHz/12 dB/oct) -
1 Average value over bandwidth of 50 Hz - 5 kHz (multi-way systems) and 40 Hz - 250 Hz (subwoofer) according to IEC 268-5.
2 Average value over bandwidth 100 Hz - 2 kHz (multi-way systems) und 100 Hz - 250 Hz (subwoofer) according to IEC 268-5.
3 Slope: 12 - 24 dB

10
EUROLIVE PROFESSIONAL SERIES
9. WARRANTY
Technical specifications and appearance subject to change without notice. The information contained herein is correct at the time of
printing. The names of companies, institutions or publications pictured or mentioned and their respecti e logos are registered
trademarks of their respecti e owners. Their use neither constitutes a claim of the trademarks by BEHRINGER® nor affiliation of the
trademark owners with BEHRINGER®. BEHRINGER® accepts no liability for any loss which may be suffered by any person who relies
either wholly or in part upon any description, photograph or statement contained herein. Colors and specification may ary slightly
from product. Products are sold through our authorized dealers only. Distributors and dealers are not agents of BEHRINGER® and
ha e absolutely no authority to bind BEHRINGER® by any express or implied undertaking or representation. No part of this manual may
be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording of any
kind, for any purpose, without the express written permission of BEHRINGER Spezielle Studiotechnik GmbH. BEHRINGER® is a
registered trademark.
ALL RIGHTS RESERVED. © 2005 BEHRINGER Spezielle Studiotechnik GmbH,
Hanns-Martin-Schleyer-Str. 36-38, 47877 Willich-Münchheide II, Germany.
Tel. [phone], Fax [phone]
9. WARRANTY
§ 1 OTHER WARRANTY RIGHTS AND NATIONAL LAW
1. This warranty does not exclude or limit the buyers statutory
rights pro ided by national law, in particular, any such rights
against the seller that arise from a legally effecti e purchase
contract.
2. The warranty regulations mentioned herein are applicable
unless they constitute an infringement of national warranty law.
§ 2 ONLINE REGISTRATION
Please do remember to register your new BEHRINGER
equipment right after your purchase by isiting
www.behringer.com (alternati ely www.behringer.de) and
kindly read the terms and conditions of our warranty carefully.
Registering your purchase and equipment with us helps us
process your repair claims quicker and more efficiently.
Thank you for your cooperation!
§ 3 WARRANTY
1. BEHRINGER (BEHRINGER International GmbH including all
BEHRINGER subsidiaries listed on the enclosed page, except
BEHRINGER Japan) warrants the mechanical and electronic
components of this product to be free of defects in material and
workmanship for a period of one (1) year* from the original date
of purchase, in accordance with the warranty regulations
described below. If the product shows any defects within the
specified warranty period that are not excluded from this
warranty as described under § 5, BEHRINGER shall, at its
discretion, either replace or repair the product using suitable
new or reconditioned parts. In the case that other parts are used
which constitute an impro ement, BEHRINGER may, at its
discretion, charge the customer for the additional cost of these
parts.
2. If the warranty claim pro es to be justified, the product will
be returned to the user freight prepaid.
3. Warranty claims other than those indicated abo e are
expressly excluded.
§ 4 RETURN AUTHORIZATION NUMBER
1. To obtain warranty ser ice, the buyer (or his authorized
dealer) must call BEHRINGER (see enclosed list) during normal
business hours BEFORE returning the product. All inquiries must
be accompanied by a description of the problem. BEHRINGER
will then issue a return authorization number.
2. Subsequently, the product must be returned in its original
shipping carton, together with the return authorization number to
the address indicated by BEHRINGER.
3. Shipments without freight prepaid will not be accepted.
§ 5 WARRANTY REGULATIONS
1. Warranty ser ices will be furnished only if the product is
accompanied by a copy of the original retail dealers in oice.
Any product deemed eligible for repair or replacement under the
terms of this warranty will be repaired or replaced.
2. If the product needs to be modified or adapted in order to
comply with applicable technical or safety standards on a national
or local le el, in any country which is not the country for which
the product was originally de eloped and manufactured, this
modification/adaptation shall not be considered a defect in
materials or workmanship. The warranty does not co er any
such modification/adaptation, irrespecti e of whether it was
carried out properly or not. Under the terms of this warranty,
BEHRINGER shall not be held responsible for any cost resulting
from such a modification/adaptation.
3. Free inspections and maintenance/repair work are expressly
excluded from this warranty, in particular, if caused by improper
handling of the product by the user. This also applies to defects
caused by normal wear and tear, in particular, of faders,
crossfaders, potentiometers, keys/buttons, tubes, guitar strings,
illuminants and similar parts.
4. Damages/defects caused by the following conditions are
not co ered by this warranty:
simproper handling, neglect or failure to operate the unit in
compliance with the instructions gi en in BEHRINGER user
or ser ice manuals.
sconnection or operation of the unit in any way that does
not comply with the technical or safety regulations
applicable in the country where the product is used.
sdamages/defects caused by force majeure or any other
condition that is beyond the control of BEHRINGER.
5. Any repair or opening of the unit carried out by unauthorized
personnel (user included) will oid the warranty.
6. If an inspection of the product by BEHRINGER shows that
the defect in question is not co ered by the warranty, the
inspection costs are payable by the customer.
7. Products which do not meet the terms of this warranty will
be repaired exclusi ely at the buyers expense. BEHRINGER will
inform the buyer of any such circumstance. If the buyer fails to
submit a written repair order within 6 weeks after notification,
BEHRINGER will return the unit C.O.D. with a separate in oice
for freight and packing. Such costs will also be in oiced
separately when the buyer has sent in a written repair order.
§ 6 WARRANTY TRANSFERABILITY
This warranty is extended exclusi ely to the original buyer
(customer of retail dealer) and is not transferable to anyone
who may subsequently purchase this product. No other person
(retail dealer, etc.) shall be entitled to gi e any warranty promise
on behalf of BEHRINGER.
§ 7 CLAIM FOR DAMAGES
Failure of BEHRINGER to pro ide proper warranty ser ice shall
not entitle the buyer to claim (consequential) damages. In no
e ent shall the liability of BEHRINGER exceed the in oiced alue
of the product.
* Customers in the European Union please contact BEHRINGER
Germany Support for further details.