Canon EF24-105MM F/4L IS USM User manual

Instructions
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EF24-70mm f/4L IS USM
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Thank you for purchasing a Canon product.
Canon’s EF24-70mm f/4L IS USM is a high-
performance standard zoom lens, for use with
EOS cameras. The lens is installed with an Image
Stabilizer, and allows for close-up shooting up to a
magnication of 0.7x when the zoom ring is set to
macro.
 “IS” stands for Image Stabilizer.
 “USM” stands for Ultrasonic Motor.
Features
1. The Image Stabilizer provides the effect of
having a shutter speed about four stops faster
during normal shooting.*
This function provides optimal image
stabilization depending on shooting conditions
(such as shooting still subjects, following shots,
and close-up shooting).
2. And with the vibration gyro and acceleration
sensor, the image stabilization is highly effective
even for close-up shots. (Equipped with a
Hybrid IS)
3. Use of UD lens elements and two types of
aspherical lens elements giving superior
denition.
4. Setting the zoom ring to macro allows for macro
shooting up to a magnication of 0.7x.
5. Using a uorine coating on the foremost and
rearmost lens surfaces allows adhered dirt to be
removed more easily than before.
6. Ultrasonic motor (USM) for fast, quiet autofocus.
7. Manual focusing is available after the subject
comes into focus in autofocus mode (ONE
SHOT AF).
8. Circular aperture for producing beautiful
softfocus images.
9. Tight seal structure ensures excellent dustproof
and drip-proof performance.
* Based on [1/focal length] second.
Generally, it requires a shutter speed [1/focal length]
second or faster to prevent camera shake.
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Safety Precautions
Safety Precautions
 Do not look at the sun or a bright light source
through the lens or camera. Doing so could result in
loss of vision. Looking at the sun directly through the
lens is especially hazardous.
 Whether it is attached to the camera or not, do not
leave the lens under the sun without the lens cap
attached. This is to prevent the lens from concentrating
the sun’s rays, which could cause a re.
Conventions used in this instruction
Warning to prevent lens or camera malfunction
or damage.
Supplementary notes on using the lens and
taking pictures.
Handling Cautions
 If the lens is taken from a cold environment into a
warm one, condensation may develop on the lens
surface and internal parts. To prevent condensation
in this case, rst put the lens into an airtight plastic bag
before taking it from a cold to warm environment. Then
take out the lens after it has warmed gradually. Do the
same when taking the lens from a warm environment
into a cold one.
 Do not leave the lens in excessive heat such as in a car
in direct sunlight. High temperatures can cause the
lens to malfunction.
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This device complies with Part 15 of the FCC Rules.
Operation is subject to the following two conditions: (1) This
device may not cause harmful interference, and (2) this
device must accept any interference received, including
interference that may cause undesired operation.
Do not make any changes or modications to the equipment
unless otherwise specied in the instructions. If such
changes or modications should be made, you could be
required to stop operation of the equipment.
This equipment has been tested and found to comply with
the limits for a class B digital device, pursuant to part 15
of the FCC Rules. These limits are designed to provide
reasonable protection against harmful interference in a
residential installation. This equipment generates, uses and
can radiate radio frequency energy and, if not installed and
used in accordance with the instructions, may cause harmful
interference to radio communications.
However, there is no guarantee that interference will not
occur in a particular installation. If this equipment does
cause harmful interference to radio or television reception,
which can be determined by turning the equipment off and
on, the user is encouraged to try to correct the interference
by one or more of the following measures:
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and
receiver.
• Consult the dealer or an experienced radio/TV technician
for help.
Safety Precautions
This Class B digital apparatus complies with Canadian ICES-
003.
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Nomenclature
 For detailed information, reference page numbers are provided in parentheses (→ **).
Focus mode switch (→ 6)
Distance scale (→ 12)
Zoom ring (→ 6)
Rubber ring
(→ 5)
Hood mount (→ 17)
Filter Mounting Thread
(→ 18)
Focusing ring (→ 6)
Image stabilizer switch (→ 13) Lens mount index (→ 5)
Contacts (→ 5)
Zoom ring lock lever
(also serves as a
macro switch)
(→ 7, 8)
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1. Mounting and Detaching the Lens
See your camera’s instructions for details on
mounting and detaching the lens. The lens mount has a rubber ring for enhanced
dust- and water-resistance. The rubber ring may
cause slight abrasions around the camera’s lens
mount, but this will not cause any problems. If the
rubber ring becomes worn, it is replaceable by a
Canon Service Center at cost.
 After detaching the lens, place the lens with
the rear end up to prevent the lens surface and
contacts from getting scratched.
 If the contacts get soiled, scratched, or have
ngerprints on them, corrosion or faulty
connections can result. The camera and lens
may not operate properly.
 If the contacts get soiled or have ngerprints on
them, clean them with a soft cloth.
 If you remove the lens, cover it with the dust
cap. To attach it properly, align the lens mount
index and the  index of the dust cap as shown
in the diagram, and turn clockwise. To remove it,
reverse the order.
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2. Setting the Focus Mode 3. Zooming
After autofocusing in ONE SHOT AF mode, focus
manually by pressing the shutter button halfway
and turning the focusing ring. (Full-time manual
focus)
To shoot in autofocus (AF) mode, set the focus
mode switch to AF.
To shoot in manual focus (MF) mode, set the
focus mode switch to MF, and focus by turning
the focusing ring.
The focusing ring always works, regardless of
the focus mode.
To zoom, rotate the zoom ring.
Be sure to nish zooming before focusing. Zooming
after focusing can affect the focus.
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4. Fixing the Zoom Ring
The zoom ring can be xed to keep the lens at the shortest point. This function is convenient for
carrying a camera on a strap because it prevents the lens from extending.
2 Slide the zoom ring lock
lever in the direction
indicated by the arrow.
 To release the zoom ring,
slide the zoom ring lock lever
in the direction opposite to
the arrow.
1 Rotate the zoom ring to the
widest position (24 mm).
The zoom ring can only be locked at maximum wide angle.
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5. Setting for Close-up Shooting
Setting the zoom ring to macro allows for close-up shooting.
 After the zoom ring has been set to macro, the zoom ring can only be operated within the macro
range (indicated by the yellow line).
 To set the zoom ring back to the normal zoom range, slide the macro switch (zoom ring lock lever)
to MACRO (just as in step 1). While keeping your nger on the lever, rotate the zoom ring toward
the wide end. Release the lever once the zoom ring is set to the normal zoom range.
 Magnication refers to the comparison of the size of a subject to the size of its image in the imaging area.
 Setting the zoom ring to the macro range allows for close-up shooting (minimum focusing distance of 20 cm) up to a
maximum magnication of 0.7x. The focusing distance refers to the distance between the subject and imaging area.
In addition, the distance between the end of the lens and the subject (working distance) is approximately 3 cm.
2 Rotate the zoom ring past the
telephoto end (70 mm) into
the macro range indicated by
the yellow line.
3 Release the macro switch.1 Slide the macro switch (zoom
ring lock lever) to MACRO.
Keep your nger on the lever
so that it does not slide back
to its normal position.
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6. Close-up Shooting
The yellow line on the distance scale indicates the range in which image degradation is minimal during
close-up shooting.* The following procedure shows how to focus within the range indicated by the
yellow line in order to capture photos with high denition.
* However, maximum magnication is 0.5x when shooting within the range indicated by the yellow line on the distance scale.
We recommend using a tripod for close-up (macro) shooting.
2 Adjust the zoom ring and
position the camera by
moving it forward or back.
Set the magnication
and obtain a rough focus
by using the zoom ring
to adjust the focusing
distance.
 A rough focus is obtained so
that the user can focus when
shooting within the range
indicated by the yellow line on
the distance scale.
3 Press the shutter button
halfway and focus using AF
or MF before shooting.
 In order to achieve a sharp focus
in manual focus (MF) mode,
please use the magnied view
feature* which is found in cameras
that offer Live View shooting.
* For information about this
feature, see the camera’s
instruction manual.
In addition, please also
read the Live View shooting
cautions section found in the
camera’s instruction manual.
1 After setting the zoom
ring to macro, position the
focusing ring so that the
indicator appears in the
center of the yellow line on
the distance scale.
 Maximum magnication is
0.5x when shooting within the
range indicated by the yellow
line on the distance scale.
When shooting at a higher
magnication, please move
out of the range indicated by
the yellow line to focus.
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 The magnication of this lens is determined by
the combination of the following three factors:
the focusing ring position, zoom ring position,
and focusing distance. Therefore, the number
of combinations for achieving a certain level
of magnication is countless. The method for
close-up shooting described here involves trying
as much as possible to keep the focus position
within the range indicated by the yellow line on
the distance scale. However, please keep in
mind that this is just one method of many.
 To check depth of eld, please use the camera’s
depth of eld function.
 For information on taking hand-held close-ups,
please refer to page 15.
 Please focus carefully since the depth of eld
with close-ups is shallow.
 The focusing ring distance scale is designed to
display distances during normal shooting. As a
result, it does not display distances during close-
up shooting.
 When the zoom ring is set to the macro range,
there are cameras that will record the focal
length information into the image at a value
between the range from above 70 mm to 80 mm
due to system issues.* However, the actually
focal length will never exceed 70 mm.
Close-up Shooting
* Depending on cameras.
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7. Exposure during Close-up Shooting
 The correct exposure for a close-up shot largely
depends on the subject. Therefore, try to bracket
the exposure for the same subject.
 Using aperture-priority AE (Av) or Manual (M)
picture-taking modes are recommended for
macro photography as it is easy to adjust depth
of eld and exposure in these modes.
Setting the Exposure
When taking photographs using TTL metering,
no exposure compensation is necessary to
meter the light coming through the lens.
With TTL metering, AE (autoexposure) is
possible at all focusing distances. Just set the
desired picture-taking mode, then check the
shutter speed and aperture before taking the
picture.
Magnication and Effective
f-number
The aperture displayed by the camera assumes
that the focus is set to innity. The actual
aperture (effective f-number) becomes darker
(effective f-number increases) at closer focusing
distances (magnication increases). This does
not cause exposure problems for normal picture-
taking. However, for closeup photography,
you cannot ignore the change in the effective
f-number.
When you use a handheld exposure meter to
set the exposure, you must take into account the
exposure factor shown in the following table.
Magnification 1 : 5 1 : 3 1 : 2 1 : 1.5
Effective f/No. 4.71 5.06 5.66 5.66
Exposure Factor
(stops)*
+1/3 +2/3 +1 +1
+1/2 +1/2 +1 +1
* Upper values: 1/3 stops. Lower values: 1/2 stops.
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8. Innity Compensation
Mark
For accurate manual focusing of subjects at innity,
look through the viewnder or look at the magnied
image* on the LCD screen while rotating the
focusing ring.
To compensate for shifting of the innity focus
point that results from changes in temperature.
The innity position at normal temperature is the
point at which the vertical line of the distance
scale L mark is aligned with the distance index.
Distance index
Innity compensation mark
* For cameras with Live View shooting capability.
9. Infrared Index
 The infrared index position is based on a
wavelength of 800 nm.
 The compensation amount differs depending on
the focal length. Use the indicated focal length
as a guide when setting the compensation
amount.
 Be sure to observe the manufacturer’s
instructions when using infrared lm.
 Use a red lter when you take the picture.
Some EOS cameras cannot use infrared lm. See
the instructions for your EOS camera.
The infrared index corrects the focus setting
when using monochrome infrared lm. Focus on
the subject manually, then adjust the distance
setting by moving the focusing ring to the
corresponding infrared index mark.
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10. Image Stabilizer
You can use the image stabilizer in AF or MF mode.
This function provides optimal image stabilization depending on
shooting conditions (such as shooting still subjects, following
shots, and close-up shooting).
OFF
ON
The image stabilizer in this lens is
effective for hand-held shots under the
following conditions.
 Close-up shooting.
 In semi-darkened areas such as
indoors or outdoors at night.
 In locations where ash
photography is prohibited, such as
art museums and theater stages.
 In situations where your footing is
uncertain.
 When panning subjects in motion.
 In situations where fast shutter
settings cannot be used.
2 When you press the
shutter button halfway, the
Image Stabilizer will start
operating.
 Make sure the image in the
viewnder is stable, then
press the shutter button the
rest of the way down to take
the picture.
1 Set the STABILIZER
switch to ON.
 The Hybrid IS is activated
during close-up shooting (see
page 8) which provides highly
effective image stabilization.
 If you are not going to use the
image stabilizer function, set
the switch to OFF.
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 When shooting a still subject, it compensates for
camera shake in all directions.
 It compensates for vertical camera shake during
following shots in a horizontal direction, and
compensates for horizontal camera shake during
following shots in a vertical direction.
 When you use a tripod, the Image Stabilizer
should be turned off to save battery power.
 The stabilizer is equally effective for hand-
held photography and photography with a
monopod. The Image Stabilizer effect may be
reduced, however, depending on the shooting
environment.
 The image stabilizer function also operates when
the lens is used with an Extension Tube EF12 ll
or EF25 ll.
 Pictures may look distorted after being taken
depending on the camera, but this doesn’t affect
shooting.
 If you set the camera’s Custom Function to
change the assigned button to operate the AF,
the Image Stabilizer will operate when you press
the newly assigned AF button.
 The shorter the subject distance from the
camera, the lesser the Image Stabilizer effect
will be.
 The Image Stabilizer cannot compensate for a
blurred shot caused by a subject that moved.
 Set the STABILIZER switch to OFF when you
are taking pictures using the Bulb setting (long
exposures). If the STABILIZER switch is set to
ON, the image stabilizer function may introduce
errors.
 The Image Stabilizer may not be fully effective
if you shoot from a violently shaking vehicle or
other transportation.
 The Image Stabilizer consumes more power than
normal shooting, so fewer shots can be taken if
you use the function.
 The image stabilizer operates for about two
seconds even when your nger is off the
shutter button. Do not remove the lens while
the stabilizer is in operation. This will cause a
malfunction.
 With the EOS-1V/HS, 3, ELAN 7E/ELAN
7/30/33, ELAN 7NE/ELAN 7N/30V/33V, ELAN
II/ELAN IIE/50/50E, REBEL 2000/300, IX, and
D30, the Image Stabilizer will not work during
self-timer operation.
Image Stabilizer
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The magnication refers to the ratio between the
subject’s size and the corresponding image size on
the focal plane.
11. Image Stabilization during Close-up Shooting
For normal close-up shooting, the higher the
magnication, the faster the shutter speed must
be to prevent blur caused by camera shake.
Although it depends on the shooting conditions,
usually the shutter speed must be at least one
or two stops faster than normal.
The EF24-70mm f/4L IS USM is installed with
an Image Stabilizer that gives the equivalent
effect of a shutter speed approximately 3 steps
faster when shooting at a magnication of
0.5x, and approximately 2.5 steps faster when
shooting at 0.7x.*
* Depending on shooting conditions.
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12. Taking Hand-held Close-ups
Close-up shots are more prone to be affected by
camera shake than with normal shooting. The
Image Stabilizer’s corrective effect is therefore
less during close-ups than during normal
shooting even with the same degree of camera
shake.
The depth of eld also becomes very shallow
with close-ups, and moving forward or back
even slightly will throw off the focus.
When hand-holding the camera for close-up
shooting, minimize camera shake and blurred
focus with the following techniques:
Hold the camera firmly
As shown on the right, hold the camera rmly so
it does not move while shooting.
Use AI Servo AF
For close-up shots, set the camera’s AF mode to
AI Servo AF. Using autofocus is recommended.
The AI Servo AF mode can minimize blurred
focus during close-up shooting.
For details, see the camera’s instruction manual.
Place both elbows on a steady surface such as a table.
Use your knee to support
an arm holding the
camera.
Lean against a steady
object like a wall.
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13. Hood
●Attaching
To attach the hood, align the hood’s attachment
position mark with the red dot on the front of the
lens, then turn the hood as shown by the arrow
until the lens’ red dot is aligned with the hood’s
stop position mark.
●Removing
To remove the hood, hold down the button on
the side and turn the hood in the direction of the
arrow until the position mark on the hood aligns
with the red dot. The hood can be reverse-
mounted on the lens for storage.
 If the hood is not attached properly, vignetting (darkening of the perimeter of the picture) may occur.
 When attaching or detaching the hood, grasp the base of the hood to turn it. To prevent deformation, do not
grasp the rim of the hood to turn it.
The EW-83L hood cuts out unwanted light and protects the front of the lens from rain, snow, and
dust.
Button
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16. Extension Tubes
(Sold separately)
14. Filters
(Sold separately)
You can attach extension tube EF12 II or EF25
II for magnied shots. The shooting distance
and magnication are shown below.
An extension tube cannot be used when the zoom
ring is set to macro.
MF mode is recommended for accurate focusing.
Focusing Distance Range (mm) Magnication (×)
Close distance Long distance Close distance Long distance
EF12 II 24mm 163 174 0.63 0.50
70mm 258 523 0.44 0.18
EF25 II 24mm Incompatible
70mm 226 332 0.72 0.4
You can attach lters to the lter mounting
thread on the front of the lens.
 If you need a polarizing lter, use the Canon
Circular Polarizing Filter PL-C B (77 mm).
 To adjust the polarizing lter, rst remove the
lens hood.
15. Close-up Lenses
(Sold separately)
Attaching a 500D (77mm) Close-up Lens
enables close-up photography.
Magnication will be 0.05x – 0.29x.
Magnication will be 0.16x – 0.74x within the
macro range.
 Close-up Lens 250D cannot be attached
because there is no size that ts the lens.
 MF mode is recommended for accurate focusing.
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Specications
 The lens length is measured from the mount surface to the front end of the lens. Add 24.2 mm
when including the lens cap and dust cap.
 The size and weight listed are for the lens only, except as indicated.
 Extenders cannot be used with this lens.
 Aperture settings are specied on the camera.
 All data listed is measured according to Canon standards.
 Product specications and appearance are subject to change without notice.
Focal Length/Aperture 24-70mm f/4
Lens Construction 12 groups, 15 elements
Minimum Aperture f/22
Angle of View Diagonal: 84° – 34°, Vertical: 53° – 19° 30′, Horizontal: 74° – 29°
Min. Focusing Distance
0.38 m/1.25 ft. (0.2 m/0.66 ft. in the macro range; working distance of approx. 3 cm/1.18 in.)
Max. Magnification 0.21x (at 70mm); 0.7x in the macro range
Field of View
Approx. 287 x 439 – 115 x 172.5 mm/
11.30 x 17.28
– 4.53 x 6.79 inch (at 0.38 m/1.25 ft.)
Filter Diameter 77 mm/3.03 inch
Max. Diameter and Length 83.4 x 93 mm/3.28 x 3.66 inch
Weight Approx. 600 g/21.2 oz
Hood EW-83L
Lens Cap E-77 II
Case LP1219
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