Casio Casiotone CT-370 User manual

SEE PATA EON: ETRE NET
fs
Tag
&
eee
nae
t
hn,
aa
C
Hoa bey
shea al
ERATE
ats SA Q
~
ce
coer a
HRCI AI
x
50d At
eS HY RPT
*
*y
‘a
POSSE
rene itd
De ac,
a Pi CBE:
2%
cag
Cas
tr"
a
1-370
lotone
=
=
Lt!
=
—_
on
_
Y)
=
com
~
©
Y)
—
=
©
<
O
a.
_
O
LL
wal
LL
O
2
=
O
oe
-
O
Lid
—
Lud
axel
x
©
Y)
_
=
O
fam
=
Lid
=
—
on
-_
Y)
=

o & %
»* uy # ss
Casiotone
CT-370
©
ELECTRONIC
MUSICAL,
INSTRUMENT
Introduction
Your
new
CT-370
keyboard
is
a
State-of-the-art
musical
in-
strument
which
incorporates
the
latest
electronics
tech-
nology
to
make
its
Operation
as
easy
as
possible.
Exceptional
sound
quality
backed
up
by
a
host
of
sophisti-
cated
features
and
functions
makes
this
keyboard
a
joy
to
play
for
everyone.
In
order
to
enjoy
the
features
and
functions
of
this
unit
to
their
fullest,
be
sure
to
carefully
read
this
manual
and
follow
the
instructions
contained
herein.
Contents
1.
General
Guide
3
Nae
ea
eee
ee
a
rr
wd
ae
pe
ROWED
SUDDIY
alist
55t
te
secs
alate
sau
cunie,...
5
3.
General
Operation..........0...0...0.000
0
6
Br
EACSG)
NONCS
descr
iectoe
eaeuasnnégaeraintsen
7
>.
Tone
Bank
Sounds
.............000000
8
G.
AutO-hYthMS
ete
ceseeecececes
ccc.
10
7.
Auto-accompaniment...................00
11
8.
Troubleshooting
.....0.0....
15
9.
Care
of
Your
Keyboard
.............000000
16
10.
Specifications
6...
17
TTT rename meee ne ~
Mee

‘ @ @ @ @
' * @ @ @
'" 4 * @ ®
/ © @ @ @
1.
General
Guide
@ Built-in speaker
@ Power switch
©
Main
volume
slider
@
Accomp
volume
slider
©
Rhythm
volume
slider
©
Casio
Chord
selector
~
@
Synchro/fill-in
button
©
Rhythm
start/stop
button
©
Intro/ending
button
@
Tempo
control
buttons
@
Rhythm
selectors
@
Rhythm
select
button
@® Tone selectors
@
Tone
select
button
@®
Tone
Bank
button
@
Auto
harmonize
button
@
Demo
button
@
Battery
compartment

tS
cee
dee:
ores
a
=
seat
Ba
>
1.
we
icie!
Guide
f
EIRENE
EM
RAE
MERRIE
FBS
DBR
A
GNC
NR
aa
ary
a
a
SSE
ERIE
SVR
EER
EEG
Be
eM
2
NGS
ag
eR
BRIO
EG
ESTHER
Me
SULTS
AE
NED
IIEN
SRG
[Rear panel]
‘
ey
tey
@® Tuning control
Adjust
the
pitch
of
the
entire
keyboard
within.
+30.
cents
and
allows
easy
tuning
with
other
instrument.
@
Output
jack
@
AC
adaptor
jack
.
.
TERA:
ARGO
NOR
A
pg
ait
ge
POETS
I
RES
SOREN
Mon
POEL
ERPS
LN
PEI
BARE.
SSE
ROI
LS
PARE
Be
8:9
ERE
OLIN
0
EP
eas
Pon
al
LOMO
See
2
TTI
OW
TR,
P|
OUTPUT |
Demonstration
Tune
.
This
unit
features
a
preset.demonstra-.
tion
tune
which
has
been
carefully
pro-
grammed
to
showcase
all
the
features
and
_benefits.
of
this
unit.
Simply.
press
the,
,,
Demo
button
@,
and
listen
to
the
CT-370
,
;
Pye
itself!
[
4 N ., Bt
ov,
é
**
The
demonstration
tune
is'
played
in
an
endless
loop
Press
‘the
Demo
button
again
to
stop
the
tune.
--:-
*
The
keyboard
is
inoperable
while
playing
the
deinenstation
tune.
cif vd
¢ Dry
‘This
“mar
resu
eUindi
batt
» On's
tion
Battery
@ Ope
i! thet
@ Load
oo It is'z ac
batter
* Stand;
my
° Car’|
With
AG ASU
lighte

2.
Power
Supply
FWP ALI 97 EAE Ts A Say taht
¢ Dry batteries
This
unit
can
be
powered
by
six
D
size
(SUM-1/R20P)
manganese
dry
cell
batteries.
Weakened
batteries
will
:
result
in
lower
volume
or
poor
tonal
quality.
The
power
indicator
lamp
will
gradually
lose
its
brightness
when
battery
power
weakens.
At
this
time,
change
batteries
or
shift
to
one
of
the
alternate
power
sources
men-
tioned
below.
Battery
replacement:
@)
Open
the
battery
compartment
cover
on
the
front
of
the
unit
and
take
out
used
batteries.
(2)
Load
new
batteries
taking
care
that
polarity
is
correct.
*
It
is
advisable
to
replace
all
six
batteries
at
the
same
time
for
longer
battery
life.
*
Standard
battery
life
is
approximately
6
hours,
* Car battery
With
the
car
battery
adaptor
(CA-5,
optional),
DC
power
is
supplied
from
a
car
battery
through
the
cigarette
lighter
socket.
An
AC
adaptor
(AD-5,
optional)
is
required
when
using
household
current.
Use
only
a
genuine
CASIO
adaptor
with
the
same
voltage
rating
(100,
117,
220,
or
240)
as
the
Power
supply
in
your
area
to
prevent
component
damage.
Plug
the
AC
adaptor
into
the
AC
outlet
and
the
cord
into
the
unit.
This
will
automatically
cut
off
the
battery
power
ae
¥
ee
cle:
3
:
ae
ae
Sy
sk
barges
(GB)
i
ate
?
arette:
lighter:
ix Siar
By
pe ae i Sr SOS a ie Beg
. fe 3 cee i ce ae
re $ 3 ee
2
fe
SS
nas
one
¥
& eh i
fa pe :
we fas!
gad 6 5 o :
als
;
Car
battery
adaptor
C

tn
tt
a
ne
oe
ns
Ne
ene
atte
sere
tae
2.
Power
Supply
‘
*
Auto
power
off
function
Power
is
automatically
cut
off
approximately
6
minutes
after
the
last
operation
of
the
unit.
Power
supply
can
-
be
restored
by
switching
power
OFF
and
then
ON
again.
‘
*
Use
only
genuine
CASIO
adaptors
to
avoid
risk
of
damage.
@
Turn
the
power
switch
ON.”
(2)
Adjust
the
volume
level.
—
(3)
Select
One
of
20
Preset
tones
(see
“Preset
Tones”
Page
7)
or
one
of
210
Tone
Bank
sounds
(see
“Tone
Bank
Sound”,
page
8).
7
|
|
(4)
Now,
start
playing.
|
®
3.
General
Operation
|
~ Power switch
Sener aea eet ReneS eimai ne oe
*
Remove
batteries
from
the
battery
compartment
when
the
unit
is
not
used
for
extended
periods.
(Battery
leak-
age
can
damage
electrical
parts.)
:
*
The
adaptor
may
become
warm
when
left-connected
_
toan
outlet.
This
is
normal,
but
the
adaptor
should
be
..
disconnected
when
not
in
use,
.
.
~*-
THE
FOLLQWING
CONDITION
CAN
CAUSE
BATTERIES
-TO
BURST:
::
!
1.
Use
of
adaptors
other
than
genuine
CASIO
adaptors.
2.
Loading
batteries
with
polarities
reversed.
‘ 4
i;
"Rhythm
volume
—
‘
Slider
BAe bat
MAIN ACCOMP RHYTHM
POWER
VOLUME
VOLUME
VOLUME
“@3]
@1s
-bab
{5
@R
26S
OF e
oe Yd
an
Du
to
ae Uh
orp
site
ape eves
Roo ne
in
SAO

it when
ry leak-
nected
1uld be
TERIES
faptors.
olume
4.
Prese
¢
To
select
a
preset
tone
@)
Specify
either
the
upper
or
lower
row
of
preset
tones
by
pressing
the
tone
select
button,
The
upper
or
lower
select
indicator
lights
to
show
the
active
row.
Press
one
of
the
tone
selectors
to
choose
a
preset
tone.
*
“PIANO”
tone
is
automatically
selected
when
power
is
turned
ON
¢
Dual
bass
sounds
When
BASS
sound
is
selected
by
pressing
the
“BASS”
button
(one
of
the
tone
selector),
two
different
bass
tones
can
be
played
on
the
keyboard
at
the
same
time.
The
WOOD
BASS
tone
sounds
on
the
lower
half
of
the
keyboard
(C2—B3),
while
the
SLAP
BASS
tone
sounds
THE
—§
Wood
bass
(C283)
—+-§
slap
bass
(C4—C6)
—,
*
To
select
percussion
sounds
0
23
©
9
oe
oO
@
oO
9
@
When
PERCUSSION
sound
is
selected
by
the
tone
selector,
the
keyboard
keys
can
be
used
to
play
a
total
of
42
different
built-in
percussion
sounds.
These
sounds
are
assigned
to
respective
keys
as
shown
below:
8
uy)
12 14
16
a Oe ee it
Ta
©
0000
6
@
©
@o
bass
drum
1/2
@
tom
1/2/3/4/mixed
Snare
drum
1/2
@
synth.
tom
1/2/3
gated
snare
drum
®
cow
bell
1/2
rim
shot
®
triangle
open/mute
closed
hihat
1/2
@®
timbales;
high
mute/
open
hihat
1/2
high/low/mixed
crash
cymbal
1/2/3/mixed
@®
computer
game
synth.
cymbal
1/2/3
sound
1/2/3
ride
cymbal
1/2
@
agogo
high/low
gong
1/2

Oa
mere
npc
ent
9
not
oa
eae
tertrereren
serene
TR
a
Se
en
EE
ee
RIES
RES
ee
ech
magne
|
dae
aeetettaaes
>.
Tone
Bank
Sounds
fo
Oi
é
This
keyboard
features
Casio's
innovative
“Tone
Bank”
—@)
Select
any
other
of
the
20
preset
tones,
The
characteris-
|
<Ex
feature,
which
lets
you
choose
from
an
amazing
tics
of
this
“Secondary”
sound
is
automatically
integrat-
:
(1)!
Se
total
of
210
different
sound
combinations.
To
create
these
*
ed
with
those
of
the
“Primary”
sound
already
selected.
|
pr
layered
sounds,
the
Tone
Bank
function
actually
integrates
z
|
to)
the
characteristics
of
the
20:
preset
sounds
which
are
°
To
select
a
different
secondary
sound.
|
Ini
produced
by
the
new
PCM:sound
source
to
create
entirely
_
The
secondary
sound
can
be
changed
at
any
time,
as
|
ple
new
and
distinct
sounds
which
can
be
selected
through
long
as
the
Tone
Bank
function
is
selected.
Simply
|
(2).
Pre
the
following
procedure.
select
a
different
preset
tone—the
primary
sound
re-
aaTh
:
mains
the
same.
|
Oo
|
vo
WH
*
To
select
Tone
Bank
sounds
;
Soe
*
|
_
|
tlnd)
@)
Select
any
of
the
20
preset
tone.
When
selecting
Tone
°
To
select
a
different
primary
sound
|
ead
Bank
sounds,
the
tone
initially
selected
is
used
asa
;
The
primary
sound
can
be
changed
by
first
turning
the
|
NOTE:
base,
or
“Primary”
sound.
a
ee
Tone
Bank
function
OFF
(press
Tone
Bank
button
so
When
*
When
the
Primary
sound
is
selected,
the
keyboard
features
10-note
that
indicator
goes
out),
selecting
any
other
preset
tone
Matica
polyphony
and
finally
turning
the
Tone
Bank
function
back
ON.
proced
(2)
Press
the
Tone
Bank
button.
-
a,
mae
Poe
aly
tone
Poa
oe
nae
nue
oe
erated,
This
activates
the
Tone
Bank
function,
allowing
you
to
tae
Bg
CE
oe?
ie
Sele
choose
a
Secondary
sound
to
integrate
with.
the
oO
a
|
|
"pres
Primary
sound
you
just
selected.
So
te
ae
|
foe
*
After
the
Tone
Bank
button
is
pressed,
the
keyboard
changes
to
5-note
Now
polyphony.
4
mo,
Sp
oe
|
]
Integ
aT
|
playe
|
8

icteris-
itegrat-
lected.
me, as
simply
ind re-
ng the
ton so
{ tone,
k ON.
case.
<Example
of
Tone
Bank
Operation
>
@
Select
the
preset
ORGAN
tone
by
ohh
pressing
the
corresponding
tone
selec-
tor.
(This
is
the
“Primary”
sound.)
|
|
Initially,
the
ORGAN
tone
can
be
ORGAN
played
with
10-note
polyphony.
;
(2)
Press
the
Tone
Bank
button.
7
The
ORGAN
tone
can
now
be
played
with
5-note
polyphony.
*
Indicator
lights
TONE
BANK
NOTE:
Tone
bank
button
When
power
is
turned
ON,
the
PIANO
tone
is
auto-
matically
selected
in
Tone
Bank
memory.
Because
of
this,
procedure
@)
above
causes
the
ORGAN
tone
to
be
inte-
grated
with
the
PIANO
tone.
(3)
Select
the
preset
CHORUS
tone
by
conus
pressing
the
corresponding
tone
selec-
tor.
(This
is
the
“Secondary”
sound.)
|
|
Now,
the
“ORGAN
4+
CHORUS”
METALLIC
integrated
Tone
Bank
sound
can
be
played
with
5-note
polyphony.
(@)
Next,
try
changing
the
Secondary
sound
by
selecting
the
preset
FLUTE
tone.
The
“ORGAN
+
FLUTE”
integrat-
ed
Tone
Bank
sound
can
be
played
with
5-note
polyphony.
Next,
try
changing
the
Primary
sound
by
first
pressing
the
Tone
Bank
button
once
again
to
turn
the
Tone
Bank
func-
tion
OFF
temporarily.
The
preset
ORGAN
tone
can
once
again
be
played
with
10-note
polyphony.
©)
Select
a
new
Primary
sound—the
STRINGS
tone
for
example,
and
turn
the
Tone
Bank
function
back
ON.
As
the
secondary
sound
(FLUTE)
does
not
change
in
this
case,
you
can
now
play
the
“STRINGS
+
FLUTE”
integrated
Tone
Bank
sound
with
5-note
poly-
phony.
210 SOUND
TONE BANK
BRASS
ENS
i
STRINGS
$e
|
210 SOUND
TONE BANK

¢
Playing
an
auto-rhythm
@)
Press
the
rhythm
select
button
to
choose
the
upper
row
or
the
lower
row
of
auto-rhythms.
The
upper
or
lower
.
select
indicator
lights
to
show
the
active
row.
@)
Press
one
of
the
rhythm
selectors.
|
(3)
Press
start/stop
buttor
to
start
the
rhythm.
©
@)
Adjust
the
tempo
of
the
rhythm
by
using
the
‘tempo
control
buttons.
Pressing
the
<A>
button
will
increase
tempo,
while
pressing
the
<W>
button
will
decrease
tempo.
~
oo
|
*
Tempo
of
the
auto-rhythm
can
be
adjusted
between
40
and
256
beats
per
minute.
Pressing
both
tempo
keys
at
the
same
time
resets
the
fempo
to
132
beats
per
minute.
.
;';.
nS
©)
You
can
adjust
the
relative:volume
of
the
rhythm.
by
using
the
rhythm
volume
slider,
.—
.
.
ee
a
©)
Press
start/stop
button
once
again
to
stop
auto-rhythm
play.
a
|
ee
eee
pep
¢
Using
Synchro/fill-in
button
Press
to
enter
synchro
start
standby.
Rhythm
starts
when
an
accompaniment
keyboard
key
(lower
1.5
octave,
C
through
F)
is
pressed.
(See
page
12-13
to
use
synchro
start
in
the
auto-accompaniment_perfor-
mance.)
When
pressed
during
auto-rhythm
and
accom-
®
paniment
performance,
an
appropriate
fill-in
is
inserted
in
the
rhythm
pattern.
If
the
button
is
held.
down,.the
fill-in
pattern
is
repeated
until
the
end
of
the
measure
during
which
the
button
is
released.
:
|
¢
Using
Intro/ending:
button
-
sas
If
you
press
the
intro/ending
button
instead
of
press-
ing
the
start/stop
button
to
start
an
auto-rhythm,
the
selected
auto-rhythm
begins
after
a
one-measure
intro
pattern.
This
can
be
an
effective
way
to
lead
into
auto-
_thythm
performance.
If
pressed
during
auto-rhythm
and
accompaniment
performance,
the
rhythm
stops
af-
*
‘ter
an
appropriate’
ending
pattern.)
“)
*
Se
ee
ee
ree
re
ee
ee
ee
ET
ae
pet
PTE
RE
ed
*
Using
synchro
start
with
an
intro
pattern’)
Press
the
synchro/fill-in
button
to
enter
synchro
start
standby,
and
subsequently
press
the
Intro/ending
but-
ton.
Rhythm
starts
when
an
accompaniment
keyboard
key
is
pressed,
after
a
one-measure
intro
pattern,
cher,
Bors
s
od
‘
2.
OFB
FIN
: f
ON,
gniby
re
© A
AC
ac
ean a ate em, Ae emai.
a as aie bad aes be eek al
OR 4B gay sito x, FY
Fe Se Mags *
a ae , a : ,
+. = tt ce rae

nserted
wn, the
1easure
{ press-
im, the
re intro
lo auto-
rhythm
‘tops af-
iro Start
ing but-
-yboard
tern.
7.
Auto-accompaniment
Cage
Maca
ae
ae
nnnnnnammmraennn
eT
DIC
SEAS
AAT
NTA/
ROE
TC
ROSETTE
Speer
ee
ee
®
Casio
Chord
selector
Casio
Chord
Slide
to
select
one
of
the
Casio
Chord
_
Se/ector
functions.
eT
—OoFF
— FINGERED 1
-~ FINGERED
wente Shoko, LY
On
CHORD
6
|
i
Sane
oe
ee
a
For
normal
play
without
auto-
:
accompaniment.
FINGERED
1
&
2
...For
auto-accompaniment
pressing
chords
as
usual.
ON!
Sactin
dann
Pietetes
For
auto-accompaniment
using
the
Casio
Chord
system.
¢
Accompaniment
volume
control
Accomp
volume
'
lid
Adjust
the
volume
of
the
auto-
%/@°
accompaniment.
#irisy¢
ACCOMP
VOLUME
NOTES:
e
If
the
Chord/MIDI
selector
is
set
to
“FINGERED
(1
or
2)"
or
“ON",
the
lower
1.5
octave
of
the
keyboard
be-
come
accompaniment
keyboard
keys,
and
the
upper
part
of
the
keyboard
becomes
4-note
polyphonic.
|_Accompaniment
ae
ee
Melody
keyboard
Seeaaen
keyboard
:
(4-note
polyphonic)
*
During
auto-accompaniment
performance,
chord
played
on
the
accompaniment
keyboard
will
continue
to
sound
after
releasing
the
keys.
e
Auto-accompaniment
starts
with
rhythm,
the
moment
the
accompaniment
keyboard
key
is
pressed
if
synchro
Start
is
in
standby
status.

OO
LAE
CLONE
SRT
A
Rane
tT
Peta
ir
rts
enero
wo
one
i
7.
Auto-accompaniment
Casio
Chord
system
.
The
Casio
Chord
system
has
been
developed
so
you
can
play
the
four
main
types
of
chords
more
easily,
Playing
of
the
chords
is
simplified
as
shown
below:
°
Pressing
one
of
the
accompaniment
keyboard
keys
Produces
a
major
chord
corresponding
to
that
note.
|
*
Simultaneously
pressing
any
key
to
the
right
(two
keys
at
the
same
time)
results
in
a
minor
chord.
*
Similarly,
pressing
one
more
key
to
the
right
(three
keys
in
all)
produces
a
seventh
chord,
and
press-
ing
the
fourth
key
to
the
right
(four
keys
in
all)
creates
a
minor
seventh
chord.
<
Examples
>
C
(C
major
chord)—Press
@.
Cm
(C
minor
chord)—Press
@,
@
together.
C7
(C
seventh
chord)—Press
0,0,0
together.
Cm7
(C
minor
seventh
chord)—Press
0,060,080
together.
“Not
only
@
©,
and
©,
but
any
black
or
white
keys
can
be
used
as
long
as
they
are
to
the
F
igh
t
of
0.
bis,
Auto-accompani-
....:
ment
keyboard
[1]
Auto-accompaniment
using
the
Casio
Chord
system
(One-finger
method)
@)
Set
the
Casio
Chord
selector
to
“ON”
(2)
Select
one
of
the
auto-rhythms
and
press
the
synchro/fill-in
button.
*
Tempo
indicator
lights,
meaning
that
the
accom-
paniment
keyboard
keys
are
ready
for
play.
(ER tHoAD)
— OFF
— FINGERED 1
FINGERED 2
(FREE CHORD)
—on
CHORD
ri,
FN
SYNCHRO! Vi ART/
FILL-IN = STOP
(3)
Play
on
the
accompaniment
keyboard
keys
according
to
the
Casio
Chord
system.
*
Adjust
the
tempo
and
acco
paniment
volume
using
the
respective
“controls.
|
om
ee ele
[2] A
fii

enka
eNERans,..
AERA
NANN
ARAL
NNR
rele
Na
ERI
PeRe
ete
seme
ten
et
crtem)
he
eanenomten
reccenummynreny
eninneitenee
ies
one
system
(AEE THAD)
Fe
FINGERED 1
FINGERED
(FREE CHO
it
tARTI
sTop
cording
espective
sete emne emt rie
1 eR CT ERE 8 elite ge A aR P RE te A NE PETER
‘
i
hadi
et
atite
atom
aatn
ste
ciesrhenademeietibdennamtimeemninn
diatoms
Fa
MOREE
AT
A
Nama
aera
ana
RS
AUT
BENE
St
FO
Nh
ne
ee
TORRID
TII6
sates
win
20
9
ena
.
[2]
Auto-accompaniment
play
using
standard.
chord
fingering
(1)
Set
the
Casio
Chord
selector
to
“FIN-
GERED
1”
or
“FINGERED
2”
@
Select
one
of
the
auto-rhythms
and
press
the
synchroffill-in
button.
*
Tempo
indicator
lights,
meaning
that
the
accom-
paniment
keyboard
keys
are
ready
for
play.
—OrF
— FINGERED 1
FREE Fiohon
—On
CHORD
SY ART
FRL-AN = OSTOP
(3)
Play
a
chord
on
the
accompaniment
keyboard
keys,
*
Adjust
the
tempo
and
accompaniment
volume
usin
controls.
& the respective
*
This
unit
is
capable
of
recognizing
the
following
chords;
<M,
m,
—5,
+5,
dim,
sus4,
7
MZ
mZ
mM7
m75,
7%us4,
9
m9>
7. Auto-accompaniment
pore Sage oy EB NT ios Rg RQ ts Toe Sree
<About
“Fingered
1”
and
“Fingered
2”
>
This
keyboard
features
two
different
types
of
fingered
accompaniment
patterns.
You
can
select
which
type
you
want
by
selecting
either
the
Fingered
1
mode,
or
the
Fingered
2
mode.
Respective
accompaniment
patterns
and
characteristics
are
as
listed
below.
(Fingered
1
Accompaniment)
Accompaniment
consists
of
a
single
bass
line
and
two
different
backing
chord
patterns.
The
pattern
does
not
change
until
you
play
a
chord
consisting
of
at
least
3
notes.
(Fingered
2
Accompaniment)
Accompaniment
consists
of
a
single
bass
line
and
a
single
backing
chord
pattern.
In
addition,
you
can
add
notes
manually
in
two-note
polyphony
on
the
“accompaniment.
keyboard”
without
affecting
the
accompaniment
pattern.
The
pattern
does
not
change
until
you
play
a
chord
con-
sisting
of
at
least
3
notes,
—
*
Auto-accompaniment
tones
are
preset
in
correspondence
to
each
auto-rhythm
type.
A
list
of
auto-rhythms
and
corresponding
accom-
paniment
tones
is
provided
on
page
14.

7.
Auto-accompaniment
PE
GEER
ERE
96
D8
>
Alig
MERI
Meer
ek
BS
A
me
DP
LOWRIE
SNE
EARLE
OLLI
Nee
fy
OME
ALY
38
GRMN
ORE
AGE
LTES
RRA
AAD:
ig
Bovis
DT
Tag
SAN
Rete
f
<
About
the
tones.used
in
the
auto-accompaniment
>
Each
auto-accompaniment
pattern
consists
of
one
bass
line
and
two
types
of
chord
lines.
(chord
1
and
chord
2).
The
tones
of
these
elements
are
preset
corre
auto-rhythms
as
shown
below;
|
RHYTHMS
ROCK 1 BRASS ENS.
ROCK 2. BRASS
8 BEAT 1 JAZZ ORGAN
8 BEAT 2 METALLIC SOUND
16 BEAT 1 MARIMBA
16 BEAT 2 SYNTH. CLAVI
DISCO 1. SYNTH. CELESTA
DISCO
2
HARP
|
POPS 1 JAZZ ORGAN
POPS 2 FLUTE
SLOW ROCK 1. PIANO
SLOW ROCK 2. PIANO
SWING PIANO
SAMBA
SYNTHE.
CLAVI
BOSSA
NOVA
ELEC.
PIANO
WALTZ
STRINGS
REGGAE
JAZZ
ORGAN
TANGO
ACCORDION
BEGUINE
PIANO
MARCH
BRASS
ENS.
14
CHORD
1
TONES
,
CHORD
2
TONES
sponding to each
BASS TONES
METALLIC SOUND _ SLAP. BASS. °
SYNTH. CLAVI
PIANO
BRASS ENS.
ELEC. PIANO
BRASS ENS.
BRASS ENS.
STRINGS
PIANO
BRASS ENS.
VIBRAPHONE:
HARP:
BRASS ENS.
JAZZ ORGAN
STRINGS
ORGAN
FUNKY CLAVI
PIANO
JAZZ GUITAR
FLUTE
SLAP BASS
SLAP BASS
SLAP BASS
SLAP BASS
SLAP BASS .
SLAP BASS
BRASS ENS.
WOOD BASS
'' SLAP BASS
WOOD BASS
-WOOD BASS -
-WOOD BASS
SLAP BASS
WOOD BASS
~. .WOOD BASS
SLAP BASS
WOOD BASS
WOOD BASS
BRASS ENS.
Sa
REE
RE
ER
EE
NG
PTR BRR
IG
TTENG
SOME
Sh
MP
IER
ERE,
ELIS
SEI
RS
OR,
GT.
PE
Ms
E
EL
I
re
Oe
ee
INTE
Oo
ty
tbl
. ‘
i
if
3
|
Fas
£4
ip
OS
,
i
SHS
©
Using
the
auto
harmonize
function
When
you're
using
the
Casio
Chord
e
°
©
.
function,
you
can
add
automatic
har-
mony
to
your
melodies
by
pressing
the
auto
harmonize
button.
If
you
use
this
HARMOWIZE
function
when
Tone
Bank
button
is
ON,
automatic
harmony
is
added
us-
Milo
hatienize
ing
the
“Secondary”
sound
(see
“Tone
button
Bank
Sounds”,
page
8),
and
“Primary”
sound
performance
becomes
monophonic. |
*The
auto
harmonize
function
is
inoperative
when
Casio
Chord
selector
is
set
to
OFF.
*
When
you
select:
this
function,
melody
keyboard
performance
be-
comes
monophonic
even
if
no
accompaniment
keyboard
keys
are
pressed.
Re Re ae te ee enn cee

0
"MIZE
‘monize
9 Chord
ance be-
keys are
8.
Troubleshooting
DEE
ee
RE
BOE
9
‘TAR
Rawat
Za
“For
any
malfunction,
always
check
battery
conection
first.
Gee
page
5)
'
ra
igh
-
4°
ae
RPO
et
es
@
:
:
SEGER?
roves
1.
Main
volume
turned
down.
2.
Headphones
connected.
3.
Auto
power
off
has
activated.
1.
Turn
up
main
volume.
2.
Disconnect
headphones.
‘3.
Turn
the
power
switch
off
and
then
on
again.
—
Rhythm
volume
turned
down.
Turn
up
rhythm
volume.
Main
and
accompaniment
volume
Turn
up
main
and
accompaniment
turned
down.
|
volume.
Refrigerators,
washing
machines
and
similar
electric
appliances.
Use
outlet
as
far
away
as
possible
from
appliance
thought
to
be
the
cause.
1.
Main
volume
turned
down.
1.
Turn
up
main
volume.
2.
Defective
connection
cord.
Replace
connection
cord.
15

Avoid
heat,
humidity,
and
direct
sunlight.
Do
not
overexpose
the
unit
to
direct
sunlight,
place
it
near
a
heater,
or
in
any
area
subject
to
high
tem»
perature,
|
.
Avoid
severe
impacts
and
do-not
drop.
Severe
impacts
can
result
in
malfunction.
When
Carry-
ing
or
transportion
the
unit,
protect
the
keyboard
and
keys
by
packing
with
soft
cloth.
Keep
the
unit
free
of
liquids,
dust,
particles,
etc.
Do
not
allow
foreign
matter
to
enter
between
the
keys.
Be
especially
careful
of
metallic
objects
such
as
hair-
pins,
sewing
needles
or
coins.
Also,
do
not
allow
the
unit
to
get
wet.
|
Never
attempt
to
modify
any
part
of
the
unit.
Your
keyboard
is
a
precision
musical
instrument
made
up
of
sophisticated
electronic
parts.
Any
modification
of,
or
tampering
with
internal
components
can
cause
trouble
or
malfunction.
Your
Keyboard
Li
isiapiinclitbeeuitio
Schroer
cet
hitidntlbessiethi
ton
casei
soak
cont
dete
eee
OMOTE
TR
ERLE:
SA
RUE
So
biidslidich
health
signed
ahi”
aah
sn
Satacicictat
ce
een
9.
Do
not
use
lacquer
thinner
or
similar
chemicals
for
_
Cleaning.
Clean
the
keyboard
with
a
soft
cloth
dampened
with
a
mild
detergent
solution
and
squeeze
it
until
almost
dry.
it
Remove
batteries
before
extended
storage.
Batteries
left
in
the
unit
for
long
periods
can
leak
and
cause
damage
to
electronic
circuitry.
In
case
of
malfunction...
Check
whether
buttons
and
connections
are
set
cor-
rectly
as
indicated
in
the
troubleshootiong
chart.
If
the
unit
still
does
not
work
properly,
contact
the
original
retailer
or
a
nearby
dealer.
Never
attempt
to
repair
the
unit
yourself.
This
can
result
in
serious
damage
of
the
components.
|
ee
en nee aa
ee By oe
Sn tree a en

tI ae we ene
<A
E,
antitenrantanaesreasr
teins
tet
sn.
PS
Oe
STE
OR
UN
ene
HE
te
ind
ne
ase
Meee
NTC
RRR
BARS
AC
Ne
nteep
UES
Hew
mine
mtr
"S00
ctv
Nee
NO
TINT
Rater
‘6
Get
mm
see
eres
inners
4
eee
er
Cee
Ne
Tne
tt
Ste
we
eernniernemnenantaneinyieraniretiestyeetne-n..
ge
10.
Specifications
Mieke
inicti
tee
ee
oe
Rea
tech
re
oe
eel
RPS
ORE
AL.
ee
ea
Oars
PE
DRIN
An
tec
JAH
el
Rice
ee
eee
ee
Ces
MAE
ie
MTT
YIN
ait
Spee
te
Mick
Deak
cue
ee
ete
SWOPE
Re.
F
gett:
aS
al
Maa
ate,
stings
fi:
eye
Deg
cals
for
Model:
CT-370
|
Number
of
keys:
49
keys
2d with
almost.
|
Polyphonic:
10-note
polyphonic
|
.
|
Preset
tones:
20;
Piano,
Harpsichord,
Vibraphone,
Jazz
Organ,
Pipe
organ,
Brass-ens,
Strings,
Flute,
Chorus,
Jazz
guitar,
Bells,
Funky
clavi,
Metallic
sound,
Synth-ens,
Percussion,
Elec
piano,
Organ,
2ak
and
Accordion,
Synth-reed,
Bass
(Wood
bass/Slap
bass)
Tone
bank
sounds:
210
|
Auto-rhythms:
20;
set
cor-.
Rock
1-2,
8
beat
1-2,
16
beat
1-2,
Disco
1-2,
Pops
1-2,
Slow
rock
1-2,
Swing,
Samba,
Bossa
t.
If
the
nova,
Waltz,
Reggae,
Tango,
Beguine,
March
|
:
4
original
49
PCM
rhythm
sources
ee
air the
Auto-accompaniment
ol
vs
function:
Casio
Chord
on/fingered
Vfingered
2
Effect:
Auto
harmonize
Terminals:
Output
jack
[output
impedance:
100
9,
output
voltage:
2.5
V
(RMS)
MAX],
AC
adaptor
jack
(DC 9V)
__Tuning
controk
Adzaan
i
hap
QE
Tuning
control:
A4=442
Hz
+30
cents
Built-in
speaker:
12cm
dia
Rhythm
source:
a
el
ee
ieee
toe
a

Bie
_>ecifications
|
:
i
Mae
edaeet
ee
oe
gk?
Fa
HS
NG
erm
ae
a,
Pas
ie
ae!
|
|
|
Auto
power
off
function:
A
ag
4
eer,
Pproximately
6
minutes*after
the
last
Operation
3-way
AC/DC
power
source;
;
Power
source:
¢
AC:
100,
117,
220,
240
V
o-
e
Car
battery:
7W_
Power
consumption:
Dimensions:
34 1/8” (
Weight:
867(W)
x
274(D)
x
71H)
mm
|
|
|
a
W)
x
10
13/16
"(D)
x3
116
tH)
|
HOU
(+10
V),
50/60
Hz,
with
optional
A
AD-5
AC
adaptor.
*
DC:
6
D
size
(SUM-1/R20P)
manganese
dry
bat
Battery
life:
Approximately
6
hours
|
oe
|
Requires:
o
tional
CA-5
car
adaptor
ae
teries
ae eo
z & ;
Pigt dee ze
QTM
Per
tats
gota
aa
: fae ed ee
oe “Teeppesgad
| e
we
yt
;
’ fr % ai
*
ig
gt
é
é
*
yg
*
mt
ia
2
|
rue ;
{
: 2. og tog
{ 274 aks,
ane
ee i
!
.
:
=
two dt |
PLoS of
Litto veyed
“Horeypi
ns ete Fe
toa tigi

GUIDELINES
LAID
DOWN
BY
FCC
RULES
FOR
USE
OF
THE
UNIT
IN
THE
U.S.A.
(not
applicable
to
other
areas).
This
equipment
generates
and
uses
radio
frequency
energy
and
if
not
installed
and
used
properly,
that
is,
in
strict
accordance
with
the
manufacturer's
instru¢-
tions,
may
cause
interference
to
radio
and
television
reception.
It
has
been
type
tested
and
found
to
comply
with
the
limits
for
a
Class
B
computing
device
in
accordance
with
the
specifications
in
Subpart
J
of
Part
15
of
FCC
Rules,
which
are
designed
to
provide
reasonable
protection
against
such
interference
in
a
residential
installation.
However,
there
is
no
guarantee
‘that
interference
will
not
occur
in
a
particular
installation.
If
this
equipment
does
cause
interference
to
radio
or
television
reception,
which
can
be
determined
by
turning
the
equipment
off.and
on,
the
user
is
encouraged
to
try
to
correct
the
inter-
ference
by
one
or
more
of
the
following
measures:
sehen
reorient
the
receiving
antenna
7
Skeoheee
relocate
the
computer
with
respect
to
the
receiver
acces
tas
move
the
computer
away
from
the
receiver
“fstasee
plug
the
computer
into
a
different
outlet
so
that
computer
and
receiver
are
on
different
branch circuits. |
If
necessary,
the
user
should
consult
the
dealer
or
an
experienced
radio/television
technician
for
additional
suggestions.
The
user
may
find
the
following
booklet
-
prepared
by
the
Federal
Communications
Commis-
sion
helpful:
‘“How
to
Identify
and:
Resolve
Radio-TV
Interference
Problems.”’
This
booklet
is
available
from
the
US
Government:
Printing
Office,
Washington,
D.C.,
20402,
Stock
No.
004-000-00345-4.
ie
*