Casio CT-640 User manual

Casiotone
CI-640
ELECTRONIC
MUSICAL
INSTRUMENT
INSTRUMENTO
MUSICAL
ELECTRONICO
OPERATION
MANUAL
2
MANUAL
DE
OPERACION
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Casiotone C 1-640
ELECTRONIC MUSICAL INSTRUMENT
Introduction
Your new CT-640 keyboard is a state-of-the-art musical in-
strument which incorporates the latest electronics tech-
nology to make ils operation as easy as possible.
Exceptional sound quality backed up by a host of sophisti-
cated features and functions makes this keyboard a joy to
play for everyone.
In order to enjoy the features and functions of this unit
to their fullest, be sure to carefully read this manual and
follow the instructions contained herein.
Contents
Te General Guide c3058 fecha hore eek doit eaeas 3
2 POWOE SUDINY 6 ciceeawo wea Gi eid des hoes 5
3. General Operation. ...... 0.0... ccc ccc eee eee 6
A. Pres@t TONGS: <i 5.63 32 hire salad esac eee nas 7
5. Tone Bank Sounds ......... 0.00.00 ccc cece ees §
6. Auto-rhythms. 0.00.00... eee eee eee 10
7. Auto-accompaniment.......... 0.000 c eee eee eens 11
§. Registration Function 0.0.0.0... 20... c cee eee 15
9, Performance Memory Function.................- 16
TOS IMO 36 bette Coarse seb Gerab eek eee trae ae 18
11. Troubleshooting .......00. 00.0.0... cece eee 20
12. Care of Your Keyboard ..........0.0. 0.0.0.0 .0000- 21
13. Specifications .......0.0.0.0 0.00. cc eee 22

1.
General
Guide
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®
GOGO
7
©
®
@2@
@
Built-in
speakers
@®
Tone
select
button
@
Intro/ending
button
@
Power
switch
©
Record
button
@®
Tempo
contre!
buttons
©
Main
volume
slider
@
Recording
start/stop
button
@
Rhythm
selectors
@
Accomp
volume
slider
@
Tone
Bank
button
@
Rhythm
select
button
@
Rhythm
volume
slider
@
Auto
harmonize
button
@®
Registration
select
button
@
Chord/MIDI
selector
|
@®
Synchro/fill-in
button
@
Registration
set
button
@
Tone
selectors
@
Rhythm
start/stop
button
@
Demo
button

[Rear panel]
SUSTAIN FOOT VOLUME
{. General Guide
r~ LINE OUT ~4
A L
@ MIDI terminals (IN/OUT/THRU)
@® Tuning control
Adjusts the pitch of the entire keyboard within +30
cents and allows easy tuning with other instruments.
@ Sustain jack
@® Foot volume jack
@ Output jacks (L/R)
* As many preset tones are in stereo, be sure to use both output jacks
when connecting to an external amplifier.
@ AC adaptor jack
@ Headphone jack
Demonstration Tune
This unit features a preset demonstra-
tion tune which has been carefully pro-
grammed to showcase all the features and
benefits of this. unit. Simply press the
Demo button @, and listen to the CT-640 (~_}
plays itself!
DEMO
* The demonstration tune is played in an endless loop. Press
the Demo button again to stop the tune. |
* The keyboard is inoperable while playing the demonstration
tune. |

2. Power Supply
¢ Dry batteries
This unit can be powered by six D size (SUM-I/R20P)
manganese dry cell batteries. Weakened batteries will
result in lower volume or poor tonal quality. The power
indicator lamp will gradually lose its brightness when
battery power weakens. Al this time, change batteries
or shift to one of the allernate power sources men-
tioned below.
Battery replacement:
(1) Open the battery compartment cover on the bottom
of the unit and take out used batteries.
(2) Load new batteries taking care that polarity is correct.
* It is advisable to replace all six batteries at the same time for longer
battery life.
* Standard battery life is approximately 6 hours.
¢ Car battery
With the car battery adaptor (CA55, optional), DC power
is
supplied
from
a
car
battery
through
the
cigarette
lighter socket.
An AC adaptor (AD-5, optional) is required when using
household current. Use only a genuine CASIO adaptor
with the same voltage rating (100, 117, 220, or 240) as the
power supply in your area to prevent component damage.
Plug the AC adaptor into the AC outlet and the cord into
the unit. This will automatically cut off the battery power
supply.
i
i: 1 yj bogr
‘AC adaptor AD-5
eee) fever
% [o). .:
AC outle
Car battery adaptor CA5

2. Power Supply
* Auto power off function
Power is automatically cut off approximately 6 minutes
after the last operation of the unit. Power supply can
be restored by switching power OFF and then ON
again.
CAUTION
_* Use only genuine CASIO adaptors to avoid risk of
damage.
@) Turn the power switch ON.
(2) Adjust the volume level.
(3) Select one of 30 preset tones (see “Preset Tones”,
page 7) or one of 465 Tone Bank sounds (see “Tone Bank
Sound”, page 8).
(4) Now, start playing.
3. General Operation |
* Remove batteries from the battery compartment when
the unit is not used for extended periods. (Battery leak-
age can damage electrical parts.)
* The adaptor may become warm when left connected
to an outlet. This is normal, but the adaptor should be
disconnected when not in use.
* THE FOLLOWING CONDITION CAN CAUSE BATTERIES
TO BURST:
1. Use of adaptors other than genuine CASIO adaptors.
2. Loading batteries with polarities reversed.
Accomp volume slider
Main volume slider
i
= >
x
Power
switch
Rhythm
volume
slider
SILITHT
fq | [| fe
AlN ACCOMP RHYTHM
FPOWER VOLUME VOLUME VOLUME

* To select a preset tone
@) Specify either the upper or lower row of preset tones
by pressing the tone select button, The upper or lower
select indicator lights to show the active row.
(2) Press one of the tone selectors to choose a preset tone.
* “PIANO” tone is automatically selected when power is turned ON.
¢ Dual bass sounds
When BASS sound is selected by pressing the “BASS”
button (one of the tone selector), two different bass
tones can be played on the keyboard at the same time.
The WOOD BASS tone sounds on the lower half of the
keyboard (C2—B3), while the SLAP BASS tone sounds
on the upper half (C4—C7).
b—
Wood
bass
(C2—B3)
pe
|
——————
Slap
bass
(C4A—C7)
4.
Preset
Tones
|
* To select percussion sounds
When PERCUSSION sound is selected by the tone
selector, the keyboard keys can be used to play a total
49 different built-in percussion sounds. These sounds
are assigned to respective keys as shown below.
* Percussion sounds can be output through MIDI, allowing this
keyboard to be used as a MIDI percussion sound source (see page 19).
8990009000008
bass drum 1/2
snare drum 1/2
gated snare drum
rim shol
closed hihat 1/2
open hihat 1/2
crash cymbal /2/3/mixed
synth. cymbal 1/2/3
ride cymbal 1/2
gonp 1/2
tom 1/2/3/4/mixed
@
@
@®
@
@
@
@
@®
®
synth. tom 1/2/3
cow bell 1/2
triangle open/mute
timbales; high mute/
high/low/mixed
computer game sound {/2/3
apogo high/low
conga; high mute/high/
middle/low/mixed
clave high/low

5. Tone Bank Sounds
NN CE SE A A ee NE Se hin a he a Sale: Sect me nian yt Shae pate mine: APO.
3 This keyboard features Casio's innovative “Tone Bank”
" feature, which lets you choose from an amazing
total of 465 different sound combinations. To create these
layered sounds, the Tone Bank function actually integrates
the characteristics of the 30 preset sounds which are
produced by the new PCM sound source to creale entirely
new and distinct sounds which can be selected through
the following procedure.
¢ To select Tone Bank sounds
@) Select any of the 30 preset tone. When selecting Tone
Bank sounds, the tone initially selected is used as a
base, or “Primary” sound.
*
When
the
Primary
sound
is
selected,
the
keyboard
features
10-note
polyphony.
(2) Press the Tone Bank button.
This
activates
the
Tone
Bank
function,
allowing
you
to
choose
a
Secondary
sound
to
integrate
with
the
Primary sound you just selected.
*
After
the
Tone
Bank
button
is
pressed,
the
keyboard
changes
to
5-nole
polyphony.
(3) Select any other of the 30 preset tones. The characteris-
tics of this “Secondary” sound is automatically integrat-
ed with those of the “Primary” sound already selected.
¢ To select a different secondary sound
The secondary sound can be changed at any tite, as
long as the Tone Bank function is selected. Simply
select a different preset tone—the primary sound re-
mains the same.
* To select a different primary sound
The primary sound can be changed by first turning the
Tone Bank function OFF (press Tone Bank button so
that indicator goes out), selecting any other preset tone,
and finally turning the Tone Bank function back ON.
The secondary tone remains the same in this case.

<Example of Tone Bank Operation >
G4)
Select
the
preset
ORGAN
tone
by
oth
pressing
the
corresponding
tone
selec-
tor. (This is the “Primary” sound.) eee
Initially, the ORGAN tone can be
played with 10-note polyphony.
(2) Press the Tone Bank button. san ooune
The ORGAN tone can now be played aa
with 5-note polyphony.
* indicator tights
Tone bank button
NOTE:
When
power
is
turned
ON,
the
PIANO
tone
is
auto-
matically
selected
in
Tone
Bank
memory.
Because
of
this,
procedure
(2)
above
causes
the
ORGAN
tone
to
be
inte-
grated
with
the
PIANO
tone.
(3) Select the preset CHORUS tone by curs
pressing the corresponding tone selec-
for. (This is the “Secondary” sound.)
Now, the “ORGAN + CHORUS”
integrated Tone Bank sound can be
played with 5-note polyphony.
SYNTH
REED
(6)
5. Tone Bank Sounds
Next, try changing the Secondary
sound by selecting the preset FLUTE
tone. The “ORGAN + FLUTE” integrat-
ed Tone Bank sound can be played
with 5-note polyphony.
Next, try changing the Primary sound
by first pressing the Tone Bank button
once again to turn the Tone Bank func-
{ion OFF temporarily. The preset
ORGAN tone can once again be played
with 10-note polyphony.
Select a new Primary sound—the
STRINGS tone for example, and turn
the Tone Bank function back ON. As
the secondary sound (FLUTE) does not
change in this case, you can now play
the “STRINGS + FLUTE” integrated
Tone Bank sound with 5-note poly-
phony.
FUUTE

¢ Playing an auto-rhythm
(1) Press the rhythm select button to choose the upper row
or the lower row of auto-rhythms. The upper or lower
select indicator lights to show the active row.
(2) Press one of the rhythm selectors.
(3) Press start/stop button to start the rhythm.
(4) Adjust the tempo of the rhythm by using the tempo
control buttons. Pressing the <A> button will increase
tempo, while pressing the <V> button will decrease
tempo.
* Tempo of the auto-rhythm can be adjusted between 40 and 256 beats
per minute, Pressing both tempo keys at the same time resets the
tempo to 132 beats per minute.
(5) You can adjust the relative volume of the rhythm by
using the rhythm volume slider.
(6)
Press
start/stop
button
once
again
to
stop
auto-rhythm
play.
¢ Using Synchro/fill-in button
Press to enter synchro start standby. Rhythm starts
when an accompaniment keyboard key (lower 1.5
octave, C through F) is pressed. (See page 12-13 to use
synchro start in the aulto-accompaniment perfor-
mance.) When pressed during auto-rhythm and
6. Auto-rhythms |
accompaniment performance, an appropriate fill-in is
inserted in the rhythm pattern. If the button is held
down, the fill-in pattern is repeated until the end of
the measure during which the button is released.
Using Intro/ending button
If
you
press
the
intro/ending
button
instead
of
press-
ing
the
start/stop
button
to
start
an
auto-rhythm,
the
selected
auto-rhythm
begins
after
a
one-measure
intro
pattern.
This
can
be
an
effective
way
to
lead
into
auto-
rhythm
performance.
If
pressed
during
auto-rhythm
and
accompaniment
performance,
the
rhythm
stops
af-
ter
an
appropriate
ending
pattern.
*
Using
synchro
start
with
an
intro
pattern
Press
the
synchro/fill-in
button
to
enter
synchro
start
standby,
and
subsequently
press
the
Intro/ending
but-
ton.
Rhythm
starts
when
an
accompaniment
keyboard
key
is
pressed,
after
a
one-measure
intro
pattern.

7. Auto-accompaniment
e
Chord/MIDI
selector
Chord/MIDI
NOTES:
Slide
to
select
one
of
the
Casio
Chord
secon
e
If
the
Chord/MIDI
selector
is
set
to
“FINGERED
(1
or
functions
(or
MIDI
function).
ee
2)”
or
“ON”,
the
lower
1.5
octave
of
the
keyboard
be-
ake
come
accompaniment
keyboard
keys,
and
the
upper
on
part
of
the
keyboard
becomes
4-note
polyphonic.
IN ANNCAI
—- — ~~
CHORD
MIDI
Cl) eeerere reer e re For normal play without auto-
accompaniment.
FINGERED 1 & 2 ...For auto-accompaniment pressing
chords as usual. |< Accompaniment | at-— Melody keyboard (4-note polyphonic)
ON
séiiantaeeaeaes
For
auto-accompaniment
using
the
neyonses
Casio
Chord
system.
Sr
Set
to
use
the
MIDI
functions
(refer
*
During
auto-accompaniment
performance,
chord
to
“10.
MIDI”),
played
on
the
accompaniment
keyboard
will
continue
to sound after releasing the keys.
e
Auto-accompaniment
starts
with
rhythm,
the
moment
¢
Accompaniment
volume
control
the
accompaniment
keyboard
key
is
pressed
if
synchro
Adjust
the
volume
of
the
auto-
start
is
in
standby
status.
accompaniment. ,
»
ed
Accomp volume slider
dif |
accompPp
VOLUME

7. Auto-accompaniment
Casio Chord system
The Casio Chord system has been developed so you
can play the four main types of chords more easily.
Playing of the chords is simplified as shown below:
¢ Pressing one of the accompaniment keyboard keys
produces a major chord corresponding to that
note.
¢ Simultaneously pressing any key to the right (two
keys at the same time) results in a minor chord.
¢ Similarly, pressing one more key to the right (three
keys in all) produces a seventh chord, and press-
ing the fourth key to the right (four keys in all)
creates a minor seventh chord.
< Examples >
C (C major chord)—Press @.
Cm (C minor chord)—Press @, @ together.
C7 (C seventh chord)—Press @, @, © together.
Cm7 (C minor seventh chord)—Press @, @, ©, ©
together. clole ir|olaleiciole le
* Not only @ ©, and @, but
any black or white keys can be
used as long as they are to the ST rca
right of @. secs
Auto-accompani-
mont keyboard
[1] Auto-accompaniment using the Casio Chord system
(One-finger method)
(1) Set the Chord/MIDI selector to “ON”.
(2) Select one of the auto-rhythms and ee
press the synchro/fill-in button. we
FILL-IN srop
* Tempo indicator lights, meaning that the accom.
paniment keyboard keys are ready for play.
(3) Play on the accompaniment keyboard keys according
to the Casio Chord system.
* Adjust the tempo and accompaniment volume using the respective
controls.

7. Auto-accompaniment
[2] Auto-accompaniment play using standard chord
fingering
(4) Set the Chord/MIDI selector to “FIN-
GERED 1” or “FINGERED 2”
cHoRnD
MIDt
(2) Select one of the auto-rhythms and
press the synchro/fill-in button.
SYNCHA afARTS
TLL-IN sToP
* Tempo indicator lights, meaning that the accom- FILLS
paniment keyboard keys are ready for play.
|
(3) Play a chord on the accompaniment keyboard keys.
* Adjust the tempo and accompaniment volume using the respective
controls. .
* This unit is capable of recognizing the following chords; <M, m, —5,
45, dim, sus4, 7 MZ mZ mMZ mZ5, usd, 9 m9>
<About “Fingered 1” and ‘Fingered 2’’>
This keyboard features two different types of fingered
accompaniment patterns. You can select which type you
want by selecting either the Fingered 1 mode, or the
Fingered 2 mode. Respective accompaniment patterns and
characteristics are as listed below.
(Fingered 1 Accompaniment)
Accompaniment consists of a single bass line and two
different backing chord patterns. The pattern does not
change until you play a chord consisting of at least 3 notes.
(Fingered 2 Accompaniment)
Accompaniment consists of a single bass line and a single
backing chord pattern. In addition, you can add notes
manually.in (wo-note polyphony on the “accompaniment
keyboard” without affecting the accompaniment pattern.
The pattern does not change until you play a chord con-
sisting of at least 3 notes.
* Auto-accompaniment tones are preset in correspondence to each
aulo-rhythm gpe. A list of auto-rhythms and corresponding accom-
paniment tones is provided on page 14.

7. Auto-accompaniment
< About the tones used in the auto-accompaniment >
Each aulo-accompaniment pattern consists of one bass line
and two types of chord lines (chord 1 and chord 2). The
tones of these elements are preset corresponding to each
auto-rhythms as shown below;
RHYTHMS CHORD 1 TONES
ROCK 1 BRASS ENS.
ROCK 2 BRASS
8 BEAT 1 JAZZ ORGAN
8 BEAT 2 METALLIC SOUND
16 BEAT 1 MARIMBA
16 BEAT 2 SYNTH. CLAVI
DISCO 1 SYNTH. CELESTA
DISCO 2 HARP
POPS 1 JAZZ ORGAN
POPS 2 FLUTE
SLOW ROCK 1 PIANO
SLOW ROCK 2. PIANO
SWING PIANO
SAMBA SYNTHE. CLAVI
BOSSA NOVA ELEC. PIANO
WALTZ STRINGS
REGGAE JAZZ ORGAN
TANGO ACCORDION
BEGUINE PIANO
MARCH BRASS ENS.
14
CHORD 2 TONES
METALLIC SOUND
SYNTH. CLAVI
PIANO
BRASS ENS.
ELEC. PIANO
BRASS ENS.
BRASS ENS.
STRINGS
PIANO
BRASS ENS.
VIBRAPHONE
HARP
BRASS ENS.
JAZZ ORGAN
STRINGS
ORGAN
FUNKY CLAVI
PIANO
JAZZ GUITAR
FLUTE
BASS TONES
SLAP BASS
SLAP BASS
SLAP BASS
SLAP BASS
SLAP BASS
SLAP BASS
SLAP BASS
BRASS ENS.
WOOD BASS
SLAP BASS
WOOD BASS
WOOD BASS
WOOD BASS
SLAP BASS
WOOD BASS
WOOD BASS
SLAP BASS
WOOD BASS
WOOD BASS
BRASS ENS.
¢ Using the auto harmonize function
When you're using the Casio Chord
function, you can add automatic har-
mony to your melodies by pressing the
auto harmonize button. {f you use this
function when Tone Bank button is
ON, automatic harmony is added us-
ing the “Secondary” sound (see “Tone
Bank Sounds”, page 8), and “Primary”
sound performance becomes
monophonic.
is set to OFF.
AUTO
HARMONIZE
So
Auto harmonize
button
* The auto harmonize function is inoperative when Chord/MIDI selecto
* When you select this function, melody keyboard performance be
comes monophonic even if no accompaniment keyboard keys ar
pressed.

8.
Registration
Function
"
This
keyboard
features
4
memory
banks
which
can
(2)
Press
the
registration
set
but-
REQISTHATION
be
used
to
“register”
or
store
oflen-used
tones,
ton
to
register
the
settings
ee
re
rhythms,
Tone
Bank
sounds,
etc.
These
registered
settings
into
the
registration
bank.
mene
—
can
be
called
back
instantly
with
just
the
touch
of
a
button.
The
following
types
of
settings
can
be
held
in
each
regis-
tration
memory
bank.
(3)
Press
the
registration
select
REQISTRATION
®
Preset
tone
or
a
Tone
Bank
sound
selections
button
as
necessary
to
get
7
com
e
Auto-rhythm
settings
out
of
the
registration
mode.
ae
=a
«
Auto
harmonize
button
ON/OFF
setting
*
This
unit
keep
the
last
registration
bank
(bank
4)
settings
when
get-
Registration select button Registration set button ting out of the registration mode.
REGISTRATION
2S
stuect set ¢ To recall the registered bank
3
' i
REGISTRATION
. . Press the registration select mm cl
° To register keyboard settings button as necessary to select (“3 i pase
G@) Select the bank (1-4) via the the bank you desire. me P
repistration select button. Clem cc
—— a gens
*
corresponding
LED
lights
>
i,
cs
SELECT
Now, set up the keyboard with the tone (or the tone
bank), rhythm and effect desired.

9, Performance Memory Function
The performance memory function lels you “record”
notes as you play them on the keyboard. Up to 1250
notes can be stored in memory for subsequent playback.
G) Start an auto-rhythm and adjust the tempo of the
recording.
(2) Press the record button to enter the
recording standby mode.
* LED flashes
Record button
Recording start/stop
button
(3) Set the Chord/MIDI selector to “FINGERED 1%, “FIN-
GERED 2” or “ON” if you want to use auto-
accompaniment in your recording. If not, set this
switch “OFF”
(4) Select one of the auto-rhythms you like.
* if you don’t want an auto-rhythm in your recording (or if you want
to start an auto-rhythm during recording), press chythm start/stop but-
ton here.
* if you want to start an auto-rhythm with intro pattern, press inuo/end-
ing button here.
* If you want to start an auto-rhythm using synchro start, press syn-
chro/fill-in button here.
(5)
Press
the
recording
start/stop
button
to
start
recording.
Recording
starts
after
one
measure
of
beat
count.
(6) Play the keyboard as you like.
MEMORY
RECORD STARTS s >

NOTE:
You can record changes in the following operations as well
as keyboard play during recording.
Changing preset tones
Changing tone banks
Changing auto-rhythms
Starting or stopping a rhythm
Starting a rhythm using intro start
Inserting the fill-in patlerns of rhythms
Setting auto-harmonize on/off
Setting registration select (bank 1-4)
Ending the rhythm with the ending pattern
Q
Press
the
recording
start/stop
button
mamony
co
again to stop recording. oa
RECORD START/STOP
NOTES:
°
Memory
capacity
is
approximately
1250
notes.
Opera-
tions
such
as
changes
in
rhythms,
tones
or
Tone
Bank
sound
selections
are
counted
as
a
half-note.
*
Recording
automatically
ends
when
you
exceed
the
memory
capacity
9. Performance Memory Function
‘back’ memory“contents
(1) Press the recording start/stop button to mamony
es
play back your performance.
LED lights and the playback starts. RECORD —s »
e You can play whole keyboard with the playback if the
recording has been done in Casio Chord “OFF” mode.
lf you recorded in Casio Chord “ON” mode, only the
melody keyboard can be used.
e In this playback status, all switches and buttons except
volume sliders are inoperative.
* Tempo of playback cannot be adjusted.
(2) Press the recording start/stop button
again to stop the playback.
MEMORY
cS
RECORD Ls >

10. MIDI
“MIDI”
stands
for
“Musical
Instrument
Digital
Inter-
face”,
Practically
speaking,
it
lets
you
connect
this
key-
board
to
other
MIDI-equipped
musical
instruments
and
devices,
such
as
synthesizers,
drum
machines,
sequencers,
and
even
personal
computers.
THRU out ———————— IN — MIDI
MIDIIN.........
Receives
MIDI
signal
from
external
device.
MIDI
OUT.......
Sends
MIDI
signal
to
external
device.
MIDI
THRU
.....
Passes
unchanged
signal
received
from
one
device
through
MIDI
IN
to
another
device.
*
Set
Chord/MIDI
selector
to
“MIDI”
to
use
MIDI
func-
tion
of
this
keyboard.
[1]
Transmits/Receives
MIDI
messages
as
a
single
keyboard
(6-note
poly).
<EXAMPLE CONNECTION 1>
ie four YIN fr
Cr640 MIDI keyboard)
ee . t ms
Lal 2 Led
(CHt= 1)
(CH=1)
[2]
Splits
keyboard
into
3
sections,
a
6-note
poly
section,
a
4-nole
poly
section
and
a
2-note
poly
section
for
use
as
a
mulliple
sound
source.
The
tone
of
each
channel
can
be
freely
changed
by
program
change
message
(refer
to
“MIDI
Data
Transmit/Receive”
for
details).
< EXAMPLE CONNECTION 2>
(CH=1~4)
(CLOCK=EXT)
CH=1) freely assigned
CH=2} to one of the.
CH=3) preset tones
CH=4 Auto-rhythm**
(CLOCK=INT)
** Only program change can be received.

e
Use
as
a
MIDI
percussion
sound
source
It
is
possible
to
use
this
keyboard
as
a
MIDI
percus-
sion
sound
source,
as
all
percussion
instrument
sounds
are
assigned
independent
MIDI
note
number,
as
listed
below;
Note Number
Percussion sound
@
36/38
bass
drum
1/2
Q@
40/41
snare
drum
1/2
©
43
gated
snare
drum
e
45
rim
shot
47/48 closed hihat 1/2
@
50/52
open
hihat
1/2
|
@
=
-553/55/57/59
crash
cymbal
1/2/3/niixed
©
54/56/58
synth.
cymbal
1/2/3
©
60/62
ride
cynmbal
1/2
@
61/63
gong
1/2
@
64/65/67/69/71
tom
1/2/3/4/mixed
@ 66/68/70 synth. tom 1/2/3
@®
72174
cow
bell
1/2
@
73/75
triangle
open/mute
@® 76/77179/81 timbales;
high mute/high/low/nixed
@
78/80/82
computer
game
sound
1/2/3
@
83/84
agogo
hightow
@ 86/88/89/91/93 conga;
high mute/high/middle/low/mixed
@
95/96
clave
high/low
10. MIDI
e MIDI Data Transmit/Receive
This
unit
is
capable
of
transmitting/receiving
the
follow-
ing
MIDI
data.
< Receiving >
srpels
+t
MESSAGES
|
is
fou ac i.
qNote
ono
|
oO
LO
[x
|
2
Program
change
0-29
Gi
Sustain on/off
Clock
3
4
< Transmitting >
MESSAGES - o:
1 _ Note on/off
Program change
Sustain on/off
Clock
(*1) changing preset tones.
(*2) changing auto-rhythms.

*For any malfunction, always check battery condition first. (see di 5)
ie ¢ toe
_ No.sound,. even. i{ keys are
pressed.
1. Main volume turned down.
2. Headphones connected.
3. Auto power off has activated.
Chord/MIDI. selector is set to MIDI
position.
~ Tone bank inoperative
~“ Auto harmonize inoperative
~ Registration select button
‘+ inoperative
Record button-inoperative.....
Rhythm volume turned down.
No accompaniment,
7 turned down.
a aa interference.
he
Refrigerators, washing machines and
similar electric appliances.
ee,
1. Main volume turned down.
2. Defective connection cord.
he ee a em aan a eg ee ee
oF a y ofa cant t
No sound when connected —
to ‘external amplifier.
20
Main and accompaniment volume
'Reniedy
1, Turn up main volume.
2. Disconnect headphones.
3. Turn the power switch off and then
on again.
Change setting of Chord/MIDI selector.
Turn up rhythm volume.
Turn up main and accompaniment
volume.
Use outlet as far away as possible from
appliance thought to be the cause.
1. Turn up main volume.
2. Replace connection cord.