Casio Casiotone 1000P User manual

OPERATION MANUAL
MANUAL DE OPERACION

i iw : .
Thank you very much for purchasing the Casiotone
1 000P, we hope it gives you many years of enjoyment.
The Casiotone 1000P is a valuable and exciting intro 
duction to the world of music, assembling myriad
sounds onto an electronic keyboard with under-arm
portability.
It is different from conventional synthesizers in that
it permits sounds to be created simply by combining
numbers using the sound programming function. There
is also an arpeggio programming function so you can
freely combine arpeggio patterns to support your
performance on the keyboard or accompany other
instruments in a group.
CasiotonelOOOP
ELECTRONIC MUSICAL INSTRUMENT
This booklet has been prepared to help you explore the
many
functions of the Casiotone 1000P and become
familiar with its varied abilities.
y:.; 1 ;.' ; •
CONTENTS
1 Unique features of the Casiotone 1 000P
]
2
In and around the Casiotone 1000P
2
3 Power Supply
5
4
Casiotone 1000P — Starting to Play
6
5
Sound Programming Function
9
6
Arpeggio Programming Function
15
7
Preset Arpeggio Function
2 e
8 Tuning (Transposing)
21
9 Troubleshooting Chart
23
10 Care of Your Unit
24
11
Specifications
25

Sound programming allows the
simple creation of 1000 sounds
and storage in 10 memories.
With the selective use of FEET, ENVELOPE and
MODULATION and the combination of numbers
shown on the digital display, as many as 1000
different sounds can be created. The ones you like
best, up to 1 0, can be stored in the memory.
A programmable arpeggio
function freely combines
arpeggio patterns and can also
be used as a sequencer.
Arpeggio patterns can be freely programmed to
match the music.
Since up to 127 steps, 9 note pitches and rests
can be stored, it is possible to use this function
for high class arpeggio or as a sequencer.
A digital frequency display and With a clear digital display of the frequency,
wide range digital pitch control tuning can be perfected visually as well as by
provides transposing function. sou ^- s J, nce tbe varia J ble / a A ng L g ° e 1 ! from 221 Hz
r to 662 Hz, with standard A=442 Hz, transposing
is also possible between minus 1 octave and plus
0.5 octave.
S 10 preset sounds and a 16-Step 10 beautiful preset sounds - the Piano, Jazz
up/down preset arpeggio give Organ, Vibraphone, etc. can be selected with one
big musical scope. touch - Also - since a . 16 - st ^P up/down arpeggio
° r pattern is preset, music with a professional back
ground can be enjoyed.
A* Various sound effects give full
play to musical expressions.
The Casiotone 1000P provides various sound ef 
fects such as Sustain — which produces a beautiful
lingering effect, Vibrato and Delayed Vibrato —
indispensable for delicate, emotional expressions,
and Heavy Vibrato — which creates a modern
musical ambience.
The keyboard split function
allows you to play the melody
and chord separately with
different sounds.
The 61 -key, 5-octave keyboard can be split into
3-octave upper keyboard and a 2-octave lower
keyboard
with one touch. Since different sounds
can be independently set for each section, you
can enjoy a wide variation of the performance
as if using a two-tiered organ keyboard.
Complete, yet compact
keyboard with 61 keys,
5 octaves and
8 -note polyphonic.
The note range accomodates all kinds of music
from classics to pops. And, with 8-note poly 
phonic, chord playing is truly realistic. All this,
in an instrument that is easily portable.
- 1 -

(Rear panel)
® i ® | ' ®
© © ©
(0 Power ON/OFF Switch
(?) TUNE Button
® TUNE/ARPEGGIO TEMPO Control
(4) TONE SET Button
( I> LOWER VOLUME Control Knob
(6) SPLIT Button
@ RECORD Button
(1) MEMORY Button
(9) UP/DOWN Button
© PROGRAM Button
(Q) Digital Display
©Sound Selection Buttons
©Sound Characteristic Data Chart
04) PROGRAM/PRESET Button
© FEET Button
© ©
© ENVELOPE Button
© MODULATION Button
© VIBRATO Button
© DELAYED VIBRATO Button
© HEAVY VIBRATO Button
© SUSTAIN Button
© Main Volume Control Knob
© Built-in Speaker
(Rear panel)
© Headphone jack (PHONES)
© Output Jack (LINE OUT)
© FOOT VOLUME jack
© SUSTAIN jack
© AC Power Socket

■.....■ ....
Each time a button is pressed, it t urns the function on
and off. When on, a red indicator
lamp will light (except for the So und Selection Butte
ns). The UP/DOWN Button and
the PROGRAM Button indicators will blink in time
vith the arpeggio tempo which is
currently established.
® Power ON/OFF Switch
Turns the power on and off.
©TUNE Button
Press on when tuning or transposing.
©TUNE/ARPEGGIO TEMPO Control Knob
Adjusts arpeggio speed or note pitch. Turning the knob to the right increases the tempo
of the arpeggio or raises the pitch of the notes. Turning the knob to the left decreases the
tempo
of the arpeggio or lowers the pitch of the notes. If you continue to turn the knob
in one direction, it will eventually return to the lowest or highest setting as it employs an
endless system control.
©TONE SET Button
Press on to set the sound for the lower keyboard (lower two octaves) when the keyboard
is split.
©LOWER VOLUME Control Knob
Adjusts the volume of the lower keyboard (lower two octaves) when the keyboard is split.
As this is adjusted relative to the main volume, it will not function when the Main Volume
Control Knob is set to MIN.
©SPLIT Button
Press on to split the upper three octaves and the lower two octaves of the keyboard. In
this case, the lower two octaves will become one octave higher.
©RECORD Button
Press on the PROGRAM Button and this button at the same time when programming
arpeggio patterns.
©MEMORY Button
If this button is pressed on, while playing arpeggio, the sounds will continue to be produced
until the next chord is pressed even if the fingers are removed from the keyboard.
©UP/DOWN Button
Press on when you want to play arpeggio using the preset arpeggio pattern (16-step, up/
down pattern).
CO>PROGRAM Button
When programming an arpeggio pattern, press on the RECORD Button and this button
at the same time. Also, press on when playing arpeggio using the programmed arpeggio
pattern.
©Digital Display
Displays the preset sound number, programmed sound memory number, sound character 
istic numbers and note pitch (Hz).
©Sound Selection Buttons
Press to select preset sounds or programmed sounds. Also, these buttons are used when
programming sound characteristics or arpeggio patterns.
©Sound Characteristic Data Chart
Shows the various sound characteristics for sound programming. (10 elements each for
FEET, ENVELOPE and MODULATION).

©PROGRAM/PRESET Button
Each time this is pressed, it selects either the preset sounds or programmed sounds.
©FEET Button
Press on to designate the feet while programming a sound.
©ENVELOPE Button
Press on to designate the envelope while programming a sound.
©MODULATION Button
Press on to designate the modulation while programming a sound.
©VIBRATO Button
Press on to give warmth and strong expression to the sound. It allows full and effective
tonal reverberation.
©DELAYED VIBRATO Button
Press on to'get a delayed vibrato effect. It allows a certain delay of the vibrato after de 
pression of a key.
©HEAVY VIBRATO Button
Press on to give a heavy vibration to the sound. It creates a modern musical ambience.
©SUSTAIN Button
Press on to get a sustain effect. The sound lingers on even after the fingers are removed
from the keyboard.
©Main Volume Control Knob
Adjusts the volume of the entire instrument. Turning the knob to the right increases the
volume.
©Built-in Speaker
Delivers ideal sound for home parties, personal listening or musical lessons.
(Rear panel)
©Headphone Jack (PHONES)
If a headphone (optional) is connected, the speaker sound will be automatically cut off
and playing can be enjoyed privately.
©Output jack (LINE OUT)
If the instrument is connected to audio equipment or a keyboard amplifier, etc. and ex 
ternal speakers, playing can be enjoyed with a more powerful volume. The volume can be
adjusted by using the volume control on this instrument or a foot volume control pedal
(optional).
© FOOT VOLUME Jack
By
connecting a foot volume control pedal (optional) to this jack, free volume change
can be made by foot during play.
©SUSTAIN Jack
If a sustain pedal (optional) is connected, a lingering sustain effect can be obtained while
stepping on the pedal, even after keyboard playing has finished.
©AC Power Socket
Connect the AC power cord (standard accessory).
- 4 -

( Main Power Supply )
AC power socket
The Casiotone 1 000P uses domestic AC for a power
supply. Connect the provided AC power cord to the AC
power
socket on the Casiotone 1000P and plug it into
an AC outlet.
( Memory Protection Power Supply )
v-_ --------- — — ----------- ; — : -------------- — — — A C ou 1 1 e t
Any programmed sound and arpeggio will be protected
even when the main power supply (Power ON/OFF
Switch) is turned OFF. Three AA size manganese dry
batteries
(UM-3) are used as backup power for memory
protection. Battery life is approximately one year, during
which
time the memory contents will be retained.
When batteries become weak, a distorted sound, different
from the one you programmed, may be produced or an
erroneous display appears. It is advisable to replace the
batteries once a year to avoid the above conditions.
[Battery Replacement]
The battery compartment is located on the back panel
of the instrument. Slide open the lid and replace the
batteries making sure the © and 0 terminals are facing
correctly.
Note:
T 3
H
r 1
fOPEN A
i
T
a b r~
’ lit!
i
i
1
1
00 s
1
1
t
SI
m
i
;
j 1
---------- — —
Since the lifespan of UM-3 or SUM-3 batteries is approximately one year, replace all three
batteries
once a year. The original batteries are installed at the factory, so the first replacement
should be made within approximately 8 to 10 months. Also, when the instrument is to be
left unused for a long time, remove the batteries to avoid damage caused by leakage.
Removing the batteries clears the memory contents. So, when the power is switched
ON just after battery replacement, the sound or display may be confused. Press a
Sound Selection Button to return to a normal condition. However, the programmed
sound and arpeggio need to be re-programmed.
.... ■ " '

( Turn the pow er ON . )
When the Power ON/OFF Switch is turned ON, the digital
display
will illuminate to show the Casiotone I000P is operat 
ing. At this time, a number between 0 and 9 will be displayed.
This
is the number of the preset sound set prior to turning the
power
OFF.
OFF
ON
POWER
* If the memory number of the programmed sound was last
set prior to turning the power OFF, that memory number
will be displayed as the number of the preset sound.
f
J
Preset sound number
'
Switching the power OFF and then ON again turns off all of the buttons on the
Casiotone 1000P. This Operation Manual will explain the instrument from this initial
condition. Therefore, switch the power OFF and then ON again to prepare the instru 
ment before starting to play.
* The sound and arpeggio which have been preset or programmed are protected by
a separate power supply.
Let's produce some sounds. )
With the Casiotone 1000P in this initial condition, the preset
sound whose number is shown on the digital display is set in
the entire 5-octave keyboard. Set the Main Volume Control
Knob as illustrated on the right and play the keys. Adjust
the volume while pressing the keys.
VOLUME
( Now, selec t one of 1 0 prese t sound s. )
The Casiotone 1000P has 10 preset sounds such as
Jazz Organ, Piano, Vibraphone . . . and by pressing
the Sound Selection Buttons, any one can easily
be selected. The number of the selected preset
sound will appear on the digital display.
* The CPU ME sound can be used as a sound
effect as it contains various musical intervals.
JAZZ
ORGAN BASSOON
3 4
Preset sound name
Preset sound number
Sound Selection Buttons
(Preset sound display)
3
3
A single-digit number (0 — 9)
shows the preset sound number.
Each time the PROGRAM/PRESET Button is pressed, the two sets of information
shown below will change alternately on the display. When only one digit is displayed,
the preset sound can be selected by using the Sound Selection Buttons.
(Preset sound display)
(Sound programming display)
-
3
3
n _ 3
u
3
- 6 -

( E xperiment with s ome effects. )
There are four effect buttons as shown on the right. Each time
the buttons are pressed they turn on and off. When they are on,
the respective indicators will light up.
• VIBRATO
This is a normal vibrato effect.
VIBRATO
DELAYED HEAVY SUSTAIN
viohmiu V1BRATQ VIBRATO
• DELAYED VIBRATO
This is a delayed vibrato effect.
• HEAVY VIBRATO
This gives a heavy vibration to the sound.
• Only one vibrato effect may be selected at one time.
• SUSTAIN
A lingering sound remains even after the fingers are removed from the keyboard.
( How to split the keyboard, )
If the SPLIT Button is pressed, the 61 -key, 5-octave keyboard
will be split into a 3-octave upper keyboard and a 2-octave
lower keyboard, each one adopting 4-note polyphonic. At
this time, the lower keyboard note range will raise one octave
and become a note range suitable for accompaniment.
A
B
C D E
Lower keyboard (4-note polyphonic) Upper keyboard (4-note polyphonic)
* Since the note range of A and B is raised one octave, B
becomes in the same note range as C.
LOWER
TONE SET - SPLIT
Lower Keyboard Volume Adjustment
The volume of the lower keyboard (lower two octaves) can be
independently adjusted. This is done by using the LOWER
VOLUME Control Knob. Turning the knob to the right in 
creases the volume. However, if the Main Volume Control
Knob is set to MIN, even if the LOWER VOLUME Control
Knob is set to MAX, no sound will be produced.
Lower Keyboard Sound Selection
Different sounds can be independently set for the lower and
upper keyboards.
(1)
Press both the SPLIT Button and the TONE SET Button
on.
• 7 he SPL 11' and TONE SET indicators will light.
TONE SET
- SPLIT
7

wag;;
(2) Press the desired Sound Selection Button. ^
• The number of the selected preset sound will be displayed J
JAZZ
ORGAN
BASSOON
WAH
BRASS
PI.
on the digital display.
3
4
5
(3) Press the TONE SET Button off.
• The TONE SET indicator will go off.
* With the above operation, the desired sound pressed in
Step 2, above, is now set in the lower keyboard.
When the Sound Selection Button is pressed in Step 3 (TONE
SET Button: off, SPLIT Button: on), that sound can be
set only in the upper keyboard.
TONE SET - SPLIT
T:-
• The sound set in the lower keyboard will be deleted and the sound set in the upper
L •• ..till U o i . »■ /*. o «•■ /• •> I U « rot • a U a I a 11 / a »• /n \ i io tU a r a rui'inft cnroc
8

With this instrument, 10 elements each for FEET, ENVELOPE and MODULATION can be
combined to create up to 1000 different sound characteristics and 10 of these can be stored
in the memory.
I EWVE l C** f Mf« '<**
Digital Display —nn
u ~
~ i
AflKGGlO *f<iCnAM MOOt
TO** P«tOCAAM MOOt
ENVELOPE
FEET
Sound Characteristic
Data Chart
Sound
Selection
Buttons
lS-8-5'/,-*-?
(OtiJin II
l#-#*5V,-4-Z
( Ogan 2 >
0 -4-2
<Tit>a1
16-8-5'/,.?
(Full T.b.asl
16-85'/,
IB/asal
16-8-5'/,-*
IReofli
8
2
\ Flute ►
8-4-2
<P'CCC*0>
?»/>-! Vl'/l
' Chime* »
< P'ano i
r~\
/"A
L a
A — .
K.
K
1 \
WAM WAIT
ATTACK
sr
3
ATTACK
4
DELAYED
ATTACK
LONG
SUSTAIN
TREBLE
BASS
METALLIC
SOUND
MOD FREE
. PIPE
ORGAN
BRILLIANT
ORGAN
ORGAN | BASSOON
WAH
BRASS PIANO
VIBRA 
PHONE
CELESTA CHIME FLUTE
t 2 1 3
5
6
7 890
Button -
Button
ENVELOPE
czo
MODULATION
err)
Programming Sequence
PROGRAM/PRESET
MODULATION
ButtonJ
Button —
First, based on the Sound Characteristic Data Chart, select a
three-digit number which corresponds to the elements to be
combined
in producing the desired overall sound characteristic.
The respective digits range from 0 to 9 with the first digit
indicating the FEET, the second digit the ENVELOPE and the
third digit indicating MODULATION.
I 3 D
( L -l
FEET MODULATION
ENVELOPE
The Data Chart indicates the FEET, ENVELOPE, MODULA 
TION and preset sound in sequence from the top. Each of
these corresponds to a number on the Sound Selection Buttons.
When programming the sound characteristics, the preset sound
has no effect.
* See page 13 for the meaning of FEET, ENVELOPE and
MODULATION.
FEET —
ENVELOPE —
For example, the three-digit number '
indicate a sound characteristic with
follows.
FEET = 1 6 ’ -8 ’ -5 1/3 ’ -4’ -2 ’
ENVELOPE = r~\
MODULATION = WAH
‘ 111 ” would
elements as
MODULATION
Sound Selection Buttons — -
16-8-573-4-2'
(Organ 1)
16-8-5'
(Org;
7 \
/■
—
• WAH
WA
H
PIPE
ORGAN
BRILL
ORG
—
1
r
C
After determining the three-digit number, use the PROGRAM/
PRESET Button, the FEET Button, the ENVELOPE Button,
the MODULATION Button and the Sound Selection Buttons
to perform programming.
- 9 -

The basic operating sequence is as follows.
I — ( T Reparation) ........... ..................................... ........... .................
Press the PROGRAM/PRESET Button to set the digital display to
a sound programming display.
n
u
_i
f — (2 Memory Number Designation)-
Press the Sound Selection Button to select the desired memory
number from 0 to 9.
n
u
■ — ( 3 FEE T Designation)---------------------
If the FEET Button is pressed, the number in the feet position
(first digit) will blink. Press the Sound Selection Button which
corresponds to the desired feet.
— (4 ENVELOPE Designation) ^
If the ENVELOPE Button is pressed, the number in the envelope
position (second digit) will blink. Press the Sound Selection Button
which
corresponds to the desired envelope.
(5 MODULATION Designation)-
♦
If the MODULATION Button is pressed, the number in the modula 
tion position (third digit) will blink. Press the Sound Selection
Button which corresponds to the desired modulation.
— ( 6 Prog ramming Completion)-
. .. ....
When the MODULATION Button is pressed, the digital display
will return to a sound programming display and programming is
complete.
1 -It D
m ___ 1
1 n r Zi
J L -I
~ -- — —3027
j oa
_( uzj )
n _ r
u -I
The sequence of Step 3 through 5 above may be changed. In this case, at Step 6, press
the button (FEET, ENVELOPE or MODULATION) corresponding to the position
that is blinking.
EX.) When the number in the middle (envelope) is blinking, if the ENVELOPE
Button is pressed, the digital display will return to the sound programming
display.

( Programming Demonstration )
Example:
To set the FEET to “ 3 ” (8 ’ -4 ’ -2 ’ ), the ENVELOPE to “ 8 ” ( N ) and the MODULATION to
“ 5 ” (DELAYED ATTACK). This will produce a sound like raindrops which can be stored
into the memory number 1 (Sound Selection Button number 1).
* The following operation is based on starting the instrument from an inactive condition
(all buttons off). Press all the buttons off or switch the power OFF and then back ON
prior to starting.
Even during operation, as the keys will produce notes when pressed, programming can be
monitored and the notes confirmed.
(1) Preparation
Press the PROGRAM/PRESET Button and set the digital display
to a sound programming display. (Sound programming display)
• Each time the PROGRAM/PRESET Button is pressed, the digital
display is alternately changed to a sound programming display
or to a preset sound display.
n _ 3
u 3
(2) Memory Number Designation
Press the Sound Selection Button number 1.
• The display is as shown on the right and it indicates that memory
number 1 has been called out.
(3) FEET Designation
Press the FEET Button and press the Sound Selection Button
number
3.
• When the FEET Button is pressed, the sound characteristic
number
previously stored will be displayed (a three-digit number)
and the first digit (FEET) will blink. If the Sound Selection
Button number 3 is pressed, the blinking first digit will become
"3”
n _ i
u <
Memory number
s' 3= n n
3s U I
FEET
(4) ENVELOPE Designation
Press the ENVELOPE Button, the second digit will blink, then
press the Sound Selection Button number 8.
(5) MODULATION Designation
Press the MODULATION Button, the third digit will blink, then
press the Sound Selection Button number 5.
(6) Programming Completion
When the MODULATION Button is pressed again, the display will
return
to a sound programming display and programming is
complete.
Thereafter, whenever the display is “ 0 - I ” , playing can be performed
which has sound characteristic number 385.
3 S 13 n
3 : Us <
- T
ENVELOPE
3 D= C=
3 U ;3
-
MODULATION
n
1
u " 1
-11 -

( Storage and Callout of the Pro gram med Sound
As previously explained in Step 2 of “ Memory Number Designation ” , by pressing one of the
Sound Selection Buttons from 0 to 9, up to 10 kinds of programmed sound can be stored
in the memory.
When the digital display is a sound programming display, the stored programmed sound can
be called out by pressing the Sound Selection Button of that memory number, and you can
play with that programmed sound.
Each time the PROGRAM/PRESET Button is pressed, the preset sound display and
sound programming display will alternately appear in the digital display. The pro 
grammed sound can be called out by pressing the Sound Selection Button when the
digital display shows a sound programming display. Likewise^ the preset sound can be
called out when the digital display shows a preset sound display.
(Sound programming display) (Preset sound display)
iT
------------ 1 — J
Preset sound number . Programmed sound
memory number
( Co nfirmation of the Programmed Sound)
In order to confirm what kind of sound characteristic is stored, perform the following opera
tion.
Example:
To confirm the sound characteristic which is stored in memory number 8 (Sound Selection
Button number 8).
(1) Press the PROGRAM/PRESET Button and set the digital display
to a sound programming display.
(2) Press the Sound Selection Button number 8.
(3) Press either the FEET Button, ENVELOPE Button or MODULA 
TION Button. The number displayed at this time will be the
number of the programmed sound stored in memory number 8.
(4) If the button which was pressed in Step 3 is pressed once more,
the digital display will return to a sound programming display
and the operation is complete. * •
When the FEET Button
is pressed, the first digit
(FEET) will blink.
n _ o
u u
• Even if the power is switched OFF, the programmed sound will be protected by
a separate power supply.
• The programmed sound can also be set in the lower keyboard when the keyboard
has been split.
- 12 -

Casio t one 1000 P Sound Creation System )
The Casiotone I000P sound programming function allows the creation of 1000 different
sound characteristics by combining FEET, ENVELOPE and MODULATION, which are
important sound determining elements. The following is a simple explanation of these three
elements.
FEET
The lengths of pipes in a pipe organ are normally expressed in terms of feet and these are used
as units to express the harmonic numbers which determine sounds. Sounds are varied by
combining feet such as 8 ’ , 4 ’ , 5 I /3 ’ , etc. The Casiotone 1000P has 10 combinations assembled
in advance (such as “ 8 ’ -4 ’ , etc.), and the sound name is shown in parentheses. Since the rela 
tionship between the harmonics and the sounds require a rather specialized theory, all that is
required to be understood here is that feet are elements which determine the sound. Further 
more, among the 10 elements of FEET, since CHIME (2 2/3 '-I 3/5 ’ -1 1/3 ’ ) does not include
whole number harmonics, it cannot be heard as the sound of a musical interval. So please
use it as a sound effect.
[ envelope]
Envelope is normally defined as the “ excess characteristic ” . However, it might be more easily
defined as the variation in the sound intensity from the moment the sound is produced until
it is gone. The envelope differs according to the musical instrument. For example, with a
violin the envelope gradually becomes higher, whereas a guitar sound reches its peak the
moment
the string is plucked and then drops. When the envelope is different, even if the basic
sound is the same, a different effect will be heard. For example, if the envelope of strings
( ) is applied to the Flute sound, it will sound similar to that of a harp.
The Casiotone 1000P has 10 kinds of envelope already set and each has an envelope curve*
as shown on the Sound Characteristic Data Chart.
Envelope Curve:
The volume variation over a specific period of time is
graphically represented as shown in the figure and this
is called the “ envelope curve ” . These graphic representa 
tions are located on the Sound Characteristic Data Chart
on the Casiotone 1000P.
MODULATION
Modulation means a creative sound effect obtained by modulating the frequency or amplitude
like
the Wah or Treble effects. The Casiotone 1 000P has 1 0 kinds of modulation already set as
shown on the Sound Characteristic Data Chart.
-13

WAH
Adds a Wah effect to the sound at the moment it is produced.
WAIT
Modulates the sound to “ 5 1 /3 ’ ” and then to “ 4 ’ -2 ’ ” .
ATTACK 5 1/3 ’
Gives a “ 5 1 /3 ’ ” percussive effect on the sound.
ATTACK 4'
Gives a “ 4 ’ ” percussive effect on the sound.
DELAYED
ATTACK
Modulates the sound to “ 5 1 /3 ’ ” , ” 4 ’ ” and then to ‘ ‘2 ’ ” .
LONG SUSTAIN Gives a long sustain effect.
* Press the SUSTAIN Button on during play.
TREBLE Emphasizes the high note range.
BASS
Emphasizes the low note range.
SOUND LIC
Modulates the sound to a metallic tone.
* Useful for sound effect only.
MOD. FREE
- .
No modulation is applied.
( Sound Programming Examples |
The following are some sound programming examples. Please use these for reference when
creating
sounds.
Programming
Effect
'
Remarks
ATT : ' : vT v ;TY
Sound Name
FEET
m
MODU 
LATION
' !
” v ' 1
delayed
VIBRATO
HEAVY
vibrato
SUSv
TAIN
Xylophone
7
9
7
o
Raindrops 3
8
5
oo
A sound like rain falling
Magic Violin
7
5
7
o
o
A beautiful, high-pitched,
ethereal sound
Chorus
6
4 2
o
Playing chords gives a
human choral effect
Westminster
Bells
9
7 6
o
Most appropriate for sound
effects
Honky-tonk
Piano
3
9
0
~ "
o
i
Space Sound 9
2 6
o
O
Electric Bass
6
0
8
An imposing, low-range bass
sound
Oboe
6 1
1 o
'
Horn
5 1
0
O
An alpine meadow sound
If
Violin
■-
8 1
7
o
O
An impression of the violin,
especially in the higher
note range
-14

The Casiotone 1000P arpeggio programming function allows your favorite arpeggio patterns
to be programmed using the Sound Selection Buttons and il the lower keyboard (lower two
octaves) is played, the note pressed will emerge in accordance with the programmed pattern.
( Progra mming B asic and Playing Method)
Example:
Play three-finger chords (C, Am, etc.) using an arpeggio pattern
as shown on the right.
| Programming]
(1) Number the notes (1 through 9) in sequence beginning with
the
lowest note.
• Assign number 1 to the lowest note and then use numbers
2, 3, etc. in sequence.
• Assign identical numbers to identical notes.
The numbering sequence for this example is "1, 2, 3, 2 ” and
this becomes the program contents.
• These numbers will hereafter be referred to as “ program
number ” .
(2) Press the RECORD Button and the PROGRAM Button
simultaneously.
• This should bring an “ ft ” to the digital display.
(3) Press the Sound Selection Buttons in the sequence deter 
mined in Step 1.
* If you press an incorrect button, re-start from Step 2.
(4) Press the RECORD Button.
This completes programming.
[RECORD PROGRAM
0
1 I
RECORD
Arpeggio Playing
(5) Press the PROGRAM Button on.
• The indicator will blink. (The rate of blinking depends
upon the current ARPEGGIO TEMPO setting.)
(6) If a chord (three-finger chords, C, Am, etc. for this ex 
ample) is played using the lower keyboard (lower two
octaves), arpeggio will be played in accordance with the
programmed pattern.
PROGRAM
• The tempo of the arpeggio is controlled using the TUNE/
ARPEGGIO TEMPO Control Knob. Adjustment can be
made within the range of = 57 ~ 1064 (When an arpeggio
note is J ).
■ ---------- . AP»«l
iTUNEl / TEMPI")
• When the MEMORY Button is pressed on, arpeggio will
continue until the next chord is played, even after your
fingers are removed from the keyboard. This is most con 
venient for playing music which has few tempo adjustments
or chord variations.
MEMORY
- 15 -

Tvv-'-rr: :
• When the SPLIT Button is pressed on, the note range of
arpeggio will be raised one octave. At this time, the arpeggio
sound and volume can be independently set and adjusted.
(See page 7 for the operating method.)
• During arpeggio playing, the PROGRAM Button indicator
will light up at each first beat of the arpeggio pattern.
SPLIT
/ 1 \ -
PROGRAM
MOTS
When you want to stop arpeggio and perform normal playing, press the PROGRAM
Button off. Even if the Power ON/OFF Switch is turned OFF, the program contents
will be protected by a separate power supply. Arpeggio can be performed at any
time
by simply pressing the PROGRAM Button on. Flowever, in the following cases,
the program contents will be deleted.
• When a new arpeggio pattern is programmed. (When the RECORD Button and
PROGRAM Button are simultaneously pressed.)
• When the separate program protection power supply (see page 5) has been de-
pleted.' n m //
• When the PROGRAM Button is pressed in the course of programming. j> N — ^i.
When no arpeggio has been programmed, if the PRO 
GRAM Button is pressed, the UP/DOWN Button indi 
cator will blink and playing can be performed using the
Preset Arpeggio Function. (See page 20.)
’ / I Y V
UP/DOWN
( Programmabl e Note Pitches and Number of Steps^) * *
|9 note pitches + rests
Sound Selection Button numbers 0 through 9 are used for programming. Since 0 is used for
rests, a pattern of up to 9 kinds of note pitch is programmable.
127 steps
A maximum of 127 steps can be programmed. No dividing is possible.
* While programming, one press of a Sound Selection Button is
counted as one step. The previous example is a four-step program.
When 127 steps have been programmed and another step is at 
tempted," End ” will be shown on the digital display.
C _ J
!_ I I U
- 16 -

Example 1
Arpeggio with noi
Arpeggio with notes other than those played on the keyboard can be performed.
• Arpeggio pattern
(In the case of C)
• Program contents
1, 2, 3, 4, 5, 4, 3, 2, 3, 2, 3, 4
• Played keys
* Five kinds of note pitches, numbered I through 5, are used for the program contents and
only three keys are played. In this case, the program numbers correspond to the arpeggio
notes as shown below.
1 = C (Do), 2 = E (Mi), 3 = G (So), 4 = C (Do) (one octave higher), 5 = E (Mi) (one octave
higher)
In other words, program numbers will be set, which climb and octave higher than the
number of played keys (in this example, 4 and 5).
Example 2
Up/Down Arpeggio
This applies to Example 1. This arpeggio pattern is the same as the one preset in the Casiotone
1000P. (See page 20.)
Arpeggio pattern
(In the case of C)
« l / \ ' #
' *
1 23456789876 5432
• Program contents
1, 2, 3, 4 5, 6, 7, 8, 9, 8, 7, 6, 5, 4, 3, 2
• Played keys
II III II III
(In the case of C)
- 17 -
C E G

* In this case, the program numbers correspond to arpeggio notes as shown below.
1 = C (Do), 2 = E (Mi), 3 = G (So), 4 = C (Do), 5 = E (Mi), 6 = G (So),
7 = C (Do), 8= E (Mi), 9 = G (So)
* “ • ” denotes one octave higher and ” denotes two octave higher.
At this time, if the played keys are changed, the arpeggio pattern will become as shown
below.
(Example 2-1)
• Played keys
i
TlWUtlW
In the case of C 7 )
(Example 2-2)
• Played keys
• Arpeggio pattern *
* The maximum note range in arpeggio will be identical notes up to three octaves above
the note of the played key. In Example 2-2, since the note in parentheses is a C (Do),
which is four octaves higher, it is not played. Also, when the keyboard is split and the
upper
octave of the lower keyboard is played, the maximum note range in arpeggio will
be identical notes up to two octaves above the note of the played key. (See page 7.)
- 18 -
Lower keyboard