Casio CTK-650 User manual

CTK-650
ELECTRONIC MUSICAL INSTRUMENT
INSTRUMENTO MUSICAL ELECTRONICO
OPERATION MANUAL
MANUAL DE OPERACION
CASIO.
ye ae
Welcome...
To
the
happy
family
of
satisfied
CASIO
electronic
musical
instrument
owners!
To
get
the
most
out
of
the
many
features
and
functions
of
the
CTK-630,
be
sure
to
carefully
read
this
manual
and
keep
it
on
hand
for
future
reference.
important!
When
using
batteries,
be
sure
to
replace
them
or
shift
to
one
of
the
alternate
power
sources
whenever
you
notice
any
of
the
following
symptoms.
« Dim power supply indicator
Abnormally
low
speaker/headphone
volume
Distortion of sound output
A totally different tone may sound
Abnormal
rhythm
pattern
and
demo
tune
play
;
Continued
sound
output
even
after
you
release
a
button
Occasional
interruption
of
sound
when
playing
at
high
volumes
Sudden
power
failure
when
playing
at
high
volumes
oo ee eo ow
[
GUIDELINES
LAID
DOWN
BY
FCC
RULES
FOR USE
OF
THE
UNIT
IN
a
THE
U.S.A
(not
applicable
to
other
areas).
NOTICE
This
equipment
has
been
tested
and
found
to
comply
with
the
limits
for
a
Class
B
digital
device,
pursuant
to
Part
15
of
the
FCC
Rules.
These
limits
are
designed
to
provide
reasonable
protection
against
harmful
interference
in
a
residential
installation.
This
equipment
gen-
erates,
uses
and
can
radiate
radio
frequency
energy
and,
if
not
installed
and
used
in
accordance
with
the
instructions,
may
cause
harmful
interference
to
radio
communications.
However,
there
is
no
guarantee
that
interference
will
not
occur
in
a
particular
installation.
If
this
equipment
does
cause
harmful
interference
to
radio
or
television
reception,
which
can
be
determined
by
turning
the
equipment
off
and
on,
the
user
is
encouraged
to
try
to
correct
the
interference
by
one
or
more of the following measures:
* Reorient or relocate the receiving antenna.
*
Increase
the
separation
between
the
equipment
and
receiver.
*
Connect
the
equipment
into
an
outlet
on
a
circuit
different
from
that to which the receiver is connected.
*
Consult
the
dealer
or
an
experienced
radio/TV
technician
for
help.
FCC WARNING
Changes
or
modifications
not
expressly
approved
by
the
party
re-
sponsible
for
compliance
could
void
the
user's
authority
to
operate
the
j eaurement,

a
a Control Locations
BE vvicacién de los controles
@
128
RHYTHMS
list
@
NORMAL/FILL-IN
button
@
32
PAD
VARIATIONS
list
@
VARiation/FILL-IN
button
@
START/STOP
button
@
SYNCHRO/ENDING
button
@®
TEMPO
indicator
@
SONG
MEMORY
button
@®
TEMPO
buttons
@
ACCOMP
VOLUME
button
©
TRANSPOSE/TUNING
button
@
10-key/+/~
pads
@
MIDI
button
@
REGISTRATION
button.
i
@®
MULTI
FUNCTION
DISPLAY
@
DIGITAL
EFFECT
button
i
@®
RHYTHM
button
@
DEMO
button
®
TONE
button
@
TOUCH
RESPONCE
button
‘
@
MAGICAL
PRESET
button
—
@
+
MIDI
terminals
:
®
SPLIT
button
For
connection
of
other
MIDI
instru-
{
LAYER
butto
ments
and
devices.
1
{:
utton
i
®
NS
@
ASSIGNABLE
jack
i
@
128
TONES
list
For
connection
of
an
optional
sustain
@
128
MAGICAL
PRESETS
list
pedal
(SP-2/SP-10).
@®
10
DIGITAL
EFFECTS
list
&
PHONES/OUTPUT
jack
[
rare
For
connection
of
commercially
©
POWER
indicator
available
headphones.
Output
from
|
@
POWER
button
the
speakers
is
automatically
cut
|
@
MODE
button
when
headphones
are
connected.
|
®
VOLUME
slider
@
DC9V
jack
;
i
‘
For
connection
of
an
optional
AC
@
SOUND/CONTROL
PAD
adaptor
AD-5
i
@
INTRO
button

Main Features
2) 128 amazingly realistic tones
J Layer and Split Keyboard capabilities for play of fwo tones at
the same time
° Layer Function
two tones at the same time.
Split Function
Split the keyboard between two different tones.
2 Magical Preset for a new dimension in keyboard play
Perform such “magical” functions as changir
key, play of a different chord each time you pr
percussion sounds, and more!
*
Q Sound/Control pads
Pan TT?)
*
Choose from amot
Set up to pl
Set up for subtl
t set-ups
e
1 over tones ed on the keyboard
(1 Enhanced auto-accompaniment function for greater versatility
* 128 built in auto-ac
different
nge Chords allow both
board range.
it patterns.
5 to create your own patterns
rd and melody
W
y across the entire key-
2 Song Memory
* A collection of favorites t
practice.
ay t
yment or use tor
1 Touch Response
¢ Automatic adjustment of output to match keybos
Q Transpose Function
¢ An easy operation instantly changes the key of the keyboard.
Q 10 versatile digital effects
¢ Choose from various rev
} MIDI compatible
* Hook up to other MIDI devices and expand your creative potential.
rb effects or even an rotating speaker effect.
2) Registration Memory
* Store up to four set-ups for instant recall when you need them

Sound control pads:
Digital Effects:
Auto-play tunes:
Other Functions:
Speakers:
VQ Terminals:
Power Supply:
Auto power off:
Power consumption:
Dimensions:
Weight:
Accessory:
CASIO CHORD, FINGERED, FULL RANGE
CHORD), effects, layer on/off, split on/off, pad
function set, assignable jack, MIDI sent channel on/
off; GM on/off; local control on/off; bend range,
auto-accompaniment on/off, rhythm settings for the
INTRO, NORMAL/FILL-IN, VAR/FILL-IN, and
SYNCHRO/ENDING buttons
Phrases 10
Drums : * 10
” SE/PERCUSSION 10
Controller 2
REVERB 1, REVERB 2, REVERB 3, CHORUS,
TREMOLO, PHASE SHIFTER, ORGAN SP,
ENHANCER, FLANGER, EQ LOUNDNESS
3 tunes , aa
Transpose (G~C~F*:half-note)
Tuning Adjustable Ad = 440Hz 100cents increments
Volume control (Main/ Accompaniment)
12cm diameter x 2 (Output: 2W+2W)
9V DC jack
Stereo mini jack
Power Supply
Headphones
loutput impedance: 100 ©, output voltage: 4.5V
(RMS) MAX],
Assignable jack Standard jack
MIDI - IN, OUT
3-way AC/DC power sources;
Batteries Six D-size
Battery life approximately 5 hours
on R20P (SUM-1)
manganese batteries
AC : Required optional AD-5
, AC adaptor
Required optional CA-5
car adaptor
Car battery
Approximately 6 minutes after the last operation #
77W
942 x 367 x 135 mm (31 7/16" x 14 1/2" x 43/8")
5.2 kg (11.7 Ibs) excluding batteries
Score stand’
* Designs and specifications are subject to change without notice.
FLBD
Bienvenido...
.
Re
ee
~~
HA
dog
NaS
OAS
MPT
Ber
ee
SS
MS
ay
tf
iA
la
familia
feliz
de
propietarios
satisfechos
de
los
instrumentos
musicales
olectré-
nicos
CASIO!
Para
obtener
lo
maximo
de
todas
éstas
y
muchas
otras
caracterfsticas
y
funciones
del
CTK-650,
lea
detalladamente
este
manual
v
téngalo
a
mano
para
referencias
futuras.
:
iimportante!
;
‘
:
Ms
:
Cuando
energize
mediante
las
pilas,
asegtirese
de
reemplazarlas
6
cambiar
a
—_
alimentacién
alternativa
siempre
que
observe
cualquiera
d
indicador
de
alimentacion
débil.
Volumen
de
altavoz/auricular
anormalmente
bajo.
Salida de sonido distorsionada.
El
sonido
producido
es
diferente
al
sonido
seleccionado.
:
Ejecucién
anormal
de
melodia
de
demostracién
y
patrén
de
ritmo.
La
salida
de
sonido
contintia
aun
después
de
soltar
un
Botén'!
oe
Interrupcidn
ocasional
de
sonido
cuando
se
ejecuta
en
voltimenes
altos.
,..:,.11
Falla
de
alimentacién
repentina
cuando
se
ejecuta
en
voltimenes
altos.
e los sintomas siguientes,
oo e © wo wow ©
ey

Control Locations
Quick Reference
Contents
To switch power on and Off. eee.
To change tones . , eo taba Lelavachind Re Radar na dee uecoene tee?
To switch Touch Response on ‘and off. a deas are sdgthyuaniete Ath veouianenbupsnpideadve te renesEED.
To play the demo tunes ....c . HOG Bava weiaat en
Using effects.
To select an effect ; rep Gine WF %
To switch effects on and off ate = 6, Gen Bae we EY
To select and play a rhythm . E-7
Using auto-accompaniment . E-8
To play a CASIO CHORD auto- accomponim E-
To play a FINGERED auto- prepatotaiarisy <8 E-8
To start an accompaniment with synchro start . cee wn EB
Adjusting the accompaniment volume .E-9
To adjust the accompaniment volume ..., .E-9
Using the sound/control pads E-9
To Ploy A Pad wen E-9
To change the pad functions £9
Using the Song Memory susj bus bunaeateqaerneeanansdt E-9
To feCOrd 10 SONG MOMOTY «css seeesecseesesseeseentenee E-9
To play back a song frorn Seng Memory .E-9
To tune the keyBodtd veces ois evestay ct Ki vetiameven uaa is 10
To transpose the keyboard . ..E-10
To set the touch sensitivity ... E10
Part 1 Before using the Keyboard «0.0... cece eceeeereeteeereeseneeneeeereeaes E-11
About the power supply... E-7]
installing the bafferies EV
Using AC power en E-12
Using a car's cigarette lighter ... E-12
Auto Power Off Function i kets E-12
To cancel the Auto Power Of function... Seles Soren E13
About settings and memory contents . E13
General overview of CTK-650 operation Res E-14
How the dispiay shows data... Susan acr eas dos 14
About CTK-650 modes «0. £14
Part 2 Basic Operations 00... cece eneeseseneerereerterersere ssucpuatstvonnsnegreganes E-16
To switch power on and off o..c...
To change tones
Digital Sampling
Polyphony
Touch Response .. : re
To switch Touch Response: on nana off.
Playing the demo tunes _.
SUG Uso
B.4
Part 3 Advanced Operations .
To start demo tune play ........
onc E18
To
stop
demo
tune
play
ou.
Sree
sal
tt
Using
effects.
E-18
Types
of
effects
we
EG
To
select
an
effect
.
E19
To
switch
effects
on
and
off
on
B20
PIGHYIIG
ATI
EAIIS
35
c5
224;
sassy
ocauvegeess
ask
cassnivert
scutes
Chusuarlvarelelok
ghana
E20
To
select
and
play
a
rhythm
|
E-20
improvising
with
the
preset
patterns
.
2)
To
play
intro
and
ending
patterns...
22
Using auto-accompaniment oo...
About the accompaniment keyboard
Using the CASIO CHORD system
To play a CASIO CHORD auto-accompani
Using
standard
fingerings
.
fas
is
To
play
a
FINGERED
auto-
accomponiment
iS
Va
ransasiietaieress
E-25
To
start
an
accompaniment
with
synchro
start
improvising
with
the
preset
accompaniment
patterns
Using
FUull-Range
CHOrds
oo.
cccccscceecsecseecesceseeseesenseree
To
play
a
FULL-RANGE
CHORD
auto-accompaniment
Example
-
To
play
the
chord
C
major...
Adjusting the accompaniment volume...
To adjust the accompaniment volume
Using the Split function ..
To split the KEYDOOIC oo. iecteeeccesteseenees
To change the tocation of the split point ..
To unsplit the keyboard 4
Using the Layer function
To layer tones
To untayer the keyboord
Using Split and Layer together...
To split and layer the keyboard ....
Using the sound/control pads
Types of operations available for the pa
To change the pad functions
Assigning
rhythms
to
the
Intro,
Variation,
and
Ending
Buttons
To change the Intro. Fill-in. and Ending button rhythm assignments
Using
Magical
Presets
shri
etcg
BOBO
To change the Magical Preset
To switch Magical Presel off .
About Magical Presets wo...
To start a Free Session progression
Using tone buttons with ets Presets ...
To change fhe tone ou. pig nsictahes
Using the Registration function .
To store a sef-up ..
To recall a setup
To switch the Registration f
Assignable jack ..
To change the assi
gnable jack function

Using the Song Memory... Sneutenattatves
Basic Song Memory operations eetenaish ees
To record to Song Memory ©... 4
To play back a song from Song Memery .
About data recorded in the Song Mernory vaste
How Touch Response is handied by Song Memory .....
Part 4 MIDI
What is MIDI? oo sdetesnege ebuieloa alent
What
the
MIDI
Mode
allows
y
you
to
GO
sicccedeitess
Eyre
hevetiere
.
fe
Send
oy
‘
.
hase
ae
. :
oS
RECEIVE
os
:
sunk
¥ 3
oa
About
the
MIDI
terminals.
apts
LANG
sees
ae
eeestaves
Funan
naeaverds
oe
MIDUIN
Usactandncwia
baer
Suxd
Saidts
: ; é
ae
MIDI
OUT
..
2
What
is
a
MIDI
channel?
jpaperetabagestatens
€-47
To set the basic channel .. otbict oabawPeseosbecetet hres RRR ak
MIQi Send Channel Allocation ...... Z
Volume balance between channels ......... :
Modulation volume, stereo position (pan), effect volum
Song
Memory
and
demo
tune@s
once
; :
on
-
GONeral
MIDI
hein
savestesiteess
et
sgurieieanineeaspeeess
:
ci
Beare
E-
e (effect send)
To
switch
General
MIDI
on
and
off
igi
Local
control
settings
........-.
:
;
Poe
a
acess:
.
ote
To
switch
Local
Contral
on
and
‘off.
:
os
Bend
range
settings
0...
ces
‘
latina
a
To
set
the
bend
range
....
:
sus
:
:
Accompaniment
data
..c
:
‘
vegeta
=
To
switch
accompaniment
data
output
on
hand
of
aren
hi
=
Assignable
jack
data
niece
re
dheradeais
Suneraie
a
Specifying
a
tone
for
each
receive
‘channel
: .
“a
Pe
To
specify
a
tone
for
a
receive
channel
ates
2
-
MIDI
Receive
Channel
Allocation
safeties
.
E
Part
5
Other
SONGS
ccs
cceeneseseenescenereneensersaresseenenessennaaneetaeeetenenens
To tune the keyboard .......
To transpose the keyboard .
To
set
the
touch
sensitivity...
ee
Part 6 Technical Reference
Troubleshooting 0.05.
Precautions .
Specifications 0...
Part 7 Appendix/Apéndice ..
Fingered Chord Charts .
Melodycomp Chord Charts. nee oe
Free
Session
Chord
Progression
Che
srs:
Key
of
C
ay
NGtE
Table
i..cpe
Shdea
bettas
Gostesaant
Se
rf
|
|
Quick
Reference
This
part
of
the
manual
provides
a
brief
overview
of
keyboard
operation.
This
is
meant
for
experienced
users,
so
be
sure
to
read
the
rest
of
the
manual
for
details
before
trying
to
actually
use
the
keyboard.
i
To
switch
power
on
and
off
(page
&-16)
eet Press the POWER button to switch power on and off.
Sa
@ To change tones (rage E-18)
‘\ 1. Press the TONE button.
2.
Use
the
10-key
pad
to
input
the
3-digit
num
ber
that
identifies
the
tone
you
want
to
select
2
@
To
switch
Touch
Response
on
and
off
(page
£-17)
suas"
Press
the
TOUCH
RESPONSE
button
to
switch
Touch
Resprnse
on
and
off.
@
To
play
the
demo
tunes
(Page
E-18)
CJ
Press
the
DEMO
button
to
start
and
stop
demo
tune
play.
@ Using effects (rage E-18)
To select an effect
°
s
1.
Press
the
DIGITAL
EFFECT
button
to
switch
digital
effects
on
2.
Use
the
10-key
pad
to
input
the
number
for
the
effect
you
want
to
use.
To switch effects on and off
ommaewecr
Press
the
DIGITAL
EFFECT
button
to
switch
the
currently
selected
effect
on
and
off.
@
To
select
and
play
a
rhythm
(rage
E-20)
MODE
|
1.
Use
the
MODE
button
to
enter
the
NORMAL
mode
(all
MODE
indicators
udlit).
2. Press the RHYTHM button.

3. Use the 10-key pad to input the 3-digit rhythm number for the rhythm you want
to use.
o
os
cy 4, Press the START/STOP button to start play of the rhythm.
ty
5. To stop rhythm play, press the START/STOP button again.
@ Using auto-accompaniment (page E-22)
To play a CASIO CHORD auto-accompaniment
on ~ 1. Use the MODE button to select CASIO CHORD.
2. Select an auto-rhythm
3. Start play of the rhythm.
4, Press either one or up to four keys on the accompaniment keyboard (page E-
23), and the corresponding accompaniment starts to play automatically
5.
Continue
pressing
different
keys
on
the
accompaniment
keyboard.
we".
To
stop
auto-accompaniment
play,
press
START/STOP
again
To play a FINGERED auto-accompaniment
"CO 1. Use the MODE button to select FINGERED.
2. Select an auto-rhythm
3. Start play of the rhythm.
4.
Play
a
chord
on
the
accompaniment
keyboard
(lower
1.5
octaves}
to
start
play
of
the
auto-accompaniment.
5. Continue pressing keys on the accompaniment keyboard
sranngtoe
6.
To
stop
auto-accompaniment
play,
press
START/STOP
again
To start an accompaniment with synchro start
25
4.
Use
the
MODE
button
to
select
either
CASIO
CHORD
or
FINGERED
=|
2. Select a rhythm
3.
Press
the
SYNCHRO/ENDING
button.
At
this
time,
the
indicator
above
the
button
lights.
ee
4.
Play
a
chord
on
the
accompaniment
keyboard.
#..
_.-
an
<6
F
5.
To
stop
the
accompaniment
pattern,
press
START/STOP
again.
°
&
Adjusting
the
accompaniment
volume
ace
£27)
Use
the
following
procedure
to
set
the
volume
that
the
accompaniment
is
played.
You
can
set
the
volume
to
any
value
in
the
range
of
000
to
127,
6.
o>
To
adjust
the
accompaniment
volume
1.
Press
the
ACCOMP
VOLUME
button.
2.
Use
the
10-key
pad
to
input
a
3-digit
number
and
specify
the
accompaniment
volume
level.
@
Using
the
sound/control
pads
(page
&-32)
To
play
a
pad
.
Simply
press
one
of
the
four
pads
to
play
the
sound
assigned
to
it.
To
change
the
pad
functions
1.
Press
any
one
of
the
four
pads
and
the
number
that
identifies
the
set
of
functions
currently
assigned
to
the
pads
appears
on
the
display.
Pod
2.
While
the
function
set
number
is
on
the
display,
use
the
10-key
pad
to
input
the
number
of
the
set
of
functions
you
want
to
change
to.
i
@
Using
the
Song
Memory
(page
&-43)
To
record
to
Song
Memory
1.
Set
up
the
keyboard
to
play
the
tune
you
want
to
play
sors MEMORY
@
2:
Press
the
SONG
MEMORY
button
until
the
message
[r
Fc]
appears
on
the
display.
PEt
3.
Play
the
song
that
you
want
to
perform.
wanll
4.
After
the
song
is
finished,
press
the
START/STOP
button
to
stop
the
recording
operation.
To
play
back
a
song
from
Song
Memory
G
MEMORY
if t#
TPT!
“AES”
@
1.
Press
the
SONG
MEMORY
button
until
the
message
Poy
[Pp
1
i
appears
on
the
display.
i
L
y
[Sgro
atc
|
srastsroe
‘ai
2.
Press
the
START/STOP
button
to
start
playback.

To tune the keyboard (rage £-57)
1. Press the TRANSPOSE/TUNE button until the message [Fifa] appears on the
display.
TRANSPOSE
TUNE
2. Use the 10-key pad’s [+] and [-] buttons to tune the keyboard.
B To transpose the keyboard (rage E-58)
sevsrose 1 Brags the TRANSPOSE/TUNE button until the message fy” appears on the
display.
2. Use the 10-key paa’s [+] and [-] buttons to select a key
@ To set the touch sensitivity (Page E-59)
Touuuntsronse Preags the TOUCH RESPONSE button
2. Use the 10-key pad to input the number that identifies the touch sensitivity you
want to use.
Before
usingthe
keyboard
si,
a
at
Ahn
Be
sure
to
read
the
contents
of
this
part
of
the
manual
before
using
the
keyboard
for
the
first
time.
&
About
the
power
supply
You
can
power
your
keyboard
with
6
D
batteries,
standard
AC
power
(with
an
optional
AC
adaptor)
or
by
plugging
in
to
the
cigarette
lighter
of
a
car
(with
an
optional
car
adaptor).
:
Installing the batteries
This
keyboard
can
be
powered
by
6
D
size
(SUM-1/R20P)
manganese
dry
cell
batteries.
Make
sure
that
the
unit
is
turned
off
when
installing
batteries.
1.
Open
the
battery
compartment
cover
on
the
bottom
of
the
unit.
2.
Load
new
batteries
as
illustrared,
taking
care
that
the
plus
(+)
and
minus
(-)
poles
are
facing
in
the
correct
directions.
3.
Replace
the
battery
compariment
cover.
*
Standard
battery
life
is
approximately
5
hours
(SUM-1).
Important!
Any
of
the
following
conditions
indicates
that
battery
power
is
low
and
that
you
should
replace
batteries
or
shift
to
one
of
alternate
power
sources
as
soon
as
possible.
.
-
* Dim power supply indicator
*
Abnormally
low
speaker/headphone
volume
* Distortion of sound output
*
A
totally
different
tone
may
sound
*
Abnormal
rhythm
pattern
and
demo
tune
play
*
Continued
sound
output
even
after
you
release
a
button
:
*
Occasional
interruption
of
sound
when
playing
at
high
volume’
*
Sudden
power
failure
when
playing
at
high
volumes
|
Precautions
|
:
Incorrectly
using
batteries
can
cause
them
to
leak
or
burst,
and
may
damage
your
unit.
Note
the
following
precautions:
*
Be
sure
that
the
plus
(+)
and
minus
(-)
poles
are
facing
in
the
correct
directions.
*
Do
not
mix
battery
types.
:
i
*
Do
not
mix
new
batteries
with
old
ones.
*
Never
leave
dead
batteries
in
the
battery
compartment
*
Remove
batteries
when
not
using
the
unit
for
extended
periods.
*
Never
try
to
recharge
the
batteries
that
are
specified
for
the
power
supply
of
this
unit.
:
:
*
Do
not
expose
batteries
to
direct
heat,
let
them
become
shorted
or
try
to
take
them
apart.
.
(fa
battery
leaks,
clean
out
the
battery
compartment
of
the
unit
i
vediately,
taking
care
to
avoid
letting
the
battery
fluid
come
into
direct
contact
with
your
chin}
Aa
scree:

srt
Using AC power
An AC adaptor (AD-5, optional) is required when using household current. Use
only genuine CASIO adaptor with the same voltage rating (100, 117, 220 or 240V) as
the power supply in your area to prevent damage to internal components. Be sure to
turn the power of the unit off before you connect the adaptor to the unit. Plug the
AC adaptor into the AC outlet and the cord into the unit. This will automatically cut
off the battery power supply.
Using a car's cigarette lighter
With the car adaptor (CA-5, optional), DC power is sipplied from a car battery
through the cigarette lighter. Be sure to turn the power of the unit off before you
connect the adaptor to the unit.
p77 AC adaptor AD-5
DC 9V Jack
/ Cigarette lighter socket
Car battery adaptor CA-5
Important!
* The adaptor may become warm when it is being used. This is normal and does
not indicate any problem.
« Be sure to unplug the adaptor from the power source when you are not using the
unit.
* Whenever connecting or disconnecting the adaptor, be sure that the power of
the unit is switched off.
* Be sure to unplug the car adaptor from the cigarette lighter socket when you are
not using the unit. Leaving the car adaptor plugged in can cause damage or can
run down your car's battery.
* Never connect the car adaptor to a 24V DC cigarette lighter (in a bus or truck).
Doing so can damage the unit.
* Certain makers of cars may have non-standard cigarette lighter shapes or sizes.
Be sure to check the size of your car's cigarette lighter before using the car
adaptor. ; :
* Never use a power supply that does not match that specified for the unit. Doing
so can damage the adaptor or your unit.
Auto Power Off Function
The Auto Power Off function automatically switches power off if you do not
perform ony operation for about six minutes. You can also use the following
operation to cancel the Auto Power Off function so that it does not switch power off.
E-12
came met mesic petnte Oe HREM AE
seagrass
Bente Bem,
To
cancel
the
Auto
Power
Off
function
While
holding
down
the
TONE
button,
switch
power
on.
*
The
Auto
Power
Off
function
remains
cancelled
until
you
manually
switch
power
off.
-
About
settings
and
memory
contents
*
Whenever
power
is
switched
off
by
pressing
the
POWER
button
or
by
operation
of
the
Auto
Power
Off
function,
tone
and
rhythm
settings,
Song
Memory
contents
(page
E-43),
and
Registration
Memory
contents
(page
E-39)
are
retained.
All
of
these
settings
and
memory
data
items
are
available
when
you
switch
power
on.
again
.
.
*
The
settings
and
data
described
above
are
retained
while
power
is
switched
off
as
long
as
electrical
power
is
supplied
to
the
unit.
This
means
that
i
f
you
remove
batteries
or
if
batteries
go
dead,
and you
disconnect
the
unit
from
an
external
power
supply
(AC
adaptor
or
car
adaptor),
settings
and
data
stored
in
memory
will
all
be
lost
*
Note
that
the
following
settings
are
not
retained
when
power
is
switched
off,
and
they
are
initialized
whenever
you
switch
power
on.
Setting Initialized Default.
Displayed Number Tone number
_Transpose
0
:
Tuning
00
Split
Point
060
(B2/C3)
Local Control On/Off

mss
&
General
overview
of
CTK-650
operation
This
section
provides
a
general
overview
of
main
CTK-650
operations.
It
mainly
focuses
on
how
the
display
shows
data
and
how
to
change
between
different
modes.
Be
sure
to
read
this
section
before
using
the
keyboard
for
the
first
time.
How the display shows data
The
3-digit
display
is
used
to
show
a
variety
of
numeric
data
and
other
indicators.
An
indicator
on
the
display
also
tells
you
what
kind
of
data
is
currently
displayed.
7
Rhythm number display (for rhythm assigned to INTRO,
NORMAL/FILL-IN,
VAR/FILL-IN,
or
SYNCHRO/ENDING
buttons).
This
display
appears
only
when
you
press
INTRO,
NORMAL/FILL-IN,
VAR/FILL-IN
or
SYNCHRO/ENDING,
—J
to
identify
the
number
of
the
rhythm
assigned
to
the
button.
After a few seconds the display returns to the normal rhythm
display.
Sample
Display
Indicator
Meaning
———
{ '
nn Tone number display
LU UU |
a
add
beeen letennet ed
Rhythm number display (standard)
Magical Preset number display
Seca
aoe
a
ane
2.
sas
7
ch
4
rT
Mm
d
-
Hi
Demo
tune
number
I
p
nn
Pad
function
number
display
(Fe
uu
(appears
for
about
one
second
after
the
pad
is
pressed)
l
i
About CTK-650 modes
With
the
CTK-650,
you
must
enter
various
modes
in
order
to
perform
certain
operations.
This
section
describes
the
main
modes
of
the
CTK-650
Button Mode
Description
MODE
NORMAL
The
keyboard
plays
like
a
standard
piano
or
organ.
This
mode
is
selected
when
all
the
MODE indicators are unlit.
seemeremayie pleat RN
maiceaeaieans,
cman |
Button Mode | .. Description
MODE CASIO CHORD | You can use the auto-accompaniment
functions described on page E-23.
FINGERED You can finger chords as you normally do,
and have the accompaniment pattern
follow along with you (page E-25).
FULL-RANGE You can use the entire range of the
CHORD keyboard for FINGERED play and
melody play (page E-26).
I
MAGICAL PRESET] MAGICAL PRESET | Use this mode to select the Magical Preset
function you want to use (page E-35).
DEMO DEMO Use this mode to play the demo tunes
(page E-18),
SONG MEMORY] SONG MEMORY J Use this mode to record songs to and play
songs back from memory (page E-43).
MIDI MIDI This mode Jets you set up the keyboard to
exchange data with another MIDI device
| (page E-46).
SPLIT SPLIT Use this mode to split the keyboard
between two different tones (page E-28),
LAYER LAYER Use this mode to assign two different tones
to each keyboard key (page E-29).
DIGITAL EFFECT) DIGITAL EFFECT | Use this mode to select the digital effect
you want to use (page E-18).

nee Basic operations _
This part of the manual provides you with the basic information you need to use
your keyboard.
To switch power on and off
1. Press the POWER button to switch power on. The indicator above the button is it while
power is on.
ya
solen
2. Adjust the volume,
you
Y
* Be sure to adjust the volume to a relatively low setting before playing
the keyboard.
3. Press the keyboard keys.
* Adjust the volume to the level you want while playing the keyboard
* Whenever you switch power on, the tone that was selected when you last
switched power off is still selected
4. To switch power off, press the POWER button again
peowent .
Milochange tones’ ”
1. Look at the tone list printed on the keyboard's console and find the one you want
* A total of 128 tones are available.
2. Press the TONE button. .
tone
*
The
number
for
the
fone
that
is
currently
selected
is
shown
on
the
L\ display.
3, Use the 10-key pad to Input the 3-digit number that identifies the tone you want to select.
+, ®* Use the numeric buttons to input a 3-digit number.
adinaraliarsd * You can also use the [+] and [-] buttons. Pressing [+] increases the
OOOO displayed tone number by 1, while [-] decreases it.
Oo Oo ; () * Be sure to always specify a 3-digit number.
* If you specify a number greater than 127, tone number 127 is selected
automatically.
* If you discover a mistake before you input the third digit, press the
LX TONE button to return to the previously set tone number.
® With tone number 031 (GT HARMONICS), the high octave from C'S to
C6 is identical to the high ectave from C*4 to C5.
Ten
E-16
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a
Digital Sampling
Number
of
the
tones
that
are
available
with
this
keyboard
have
been
recorded
and
processed
using
a
technique
called
digital
sampling.
To
ensure
a
high
level
of
tonal
quality,
samples
are
taken
in
the
low,
mid,
and
high
ranges
and
then
combined
to
provide
you
with
sounds
that
are
amazingly
close
to
the
originals.
You
may
notice
very
slight
differences
in
volume
or
sound
quality
for
some
tones
when
you
play
them
at
different
positions
on
the
keyboard.
This
is
an
unavoidable
result
of
multi-
ple
sampling,
and
it
is not
a
sign
of
malfunction.
Polyphony
The
term
polyphony
refers
to
the
maximum
number
of
notes
you
can
play
at
the
same
time.
The
CTK-650
has
32-note
polyphony,
which
includes
the
notes
you
play
as
well
as
the
rhythms
and
auto-accompaniment
patterns
that
are
played
by
the
keyboard.
This
means
that
when
a
rhythm
or
auto-accompaniment
pattern
is
being
played
by
the
keyboard,
the
number
of
notes
(polyphony)
available
for
keyboard
play
is
reduced.
Also
note
that
some
of
the
tones
offer
only
16-note
polyphony.
Touch Response
Touch
Response
makes
it
possible
for
the
keyboard
to
match
the
power
of
the
note
produced
with
the
amount
of
pressure
you
use
to
press
the
keyboard
keys.
Note
that
beginners
or
those
with
insufficient
strength
in
their
fingers
can
use
the
proce-
dure
to
switch
Touch
Response
off.
To switch Touch Response on and off
Press the TOUCH RESPONSE button to switch Touch Response on and off.
*
When
Touch
Response
is
switched
off,
the
notes
produced
by
the
of keyboard are not affected by the keyboard pressure.
7 Touch Response is on when the TOUCH RESPONSE indicator is lit.
* Note that when you switch power on, the Touch Response on/off
setting is the one that was selected when you last switched power off.
* Touch Response is not applied to the accompaniment keyboard when
you are using auto-accompaniment (page E-22). It is, however, ap-
plied to the melody keyboard." nous :
The TOUCH RESPONSE button is automatically deactivated when-
ever a demonstration tune is playing. If Touch Response is switched
on when you start play of the demo tune, it remains on and cannot be
switched off during demo tune play. If it is switched off when you
start play of the demo tune, is remains off. ‘ -
* You can also adjust the Touch Response sensitivity using the proce-
dures described on page E-59.
°
*
EL?

B Playing the demo tunes
This keyboard comes with the following three pre-recorded demo tunes that vou
can use for practice or simply for your listening enjoyment.
Tune Number Name i Composer Play Time
0 | Cosmopolitan X+ Cursion| (CASIO original) | 2:04
1 ° | Lightin’ Up | Edward Alstrom 2:43
: 2 ir Connect The Dots idward Alstrari | 2:32
—
* Note that you cannot start playback of a demo tune while you are recording to
Song Memory (page E-43).
To start demo tune play
1. Switch power on and adjust the volume level.
2, Press the DEMO button.
ak, « Demo tune play continues in a sequential endless loop until you
switch it off.
* The number of the demo tune currently playing is shown on the
display.
* You can play along on the keyboard while a demo tune is playing
back.
3. You can change the demo tune being played by pressing [+] (to advance) or
back) in the 10-key pad.
f] (to move
4
v
To slop deme tune play
Press the DEMO button again to stop Demo tune play.
DEMO,
@ Using effects
A total of 10 digital effects can applied to the keyboard’s tone to create exactly the
mood that you want for your music. Note that only one effect can be selected at a
time.
E-18
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a ac
Types of effects
Effect
[Effect
Number|
Description
fo
een
Ta
ipa
ee
|
REVERBI
|
£-8
_
|
Deep
reverb
REVERB
2
E-
1
|
Medium
reverb
REVERB
3
|
E-2
|
Shallow
reverb
CHORUS
|
|
Adds
depth
and
breadth
to
sound,
i
Recommended
for
electric
piano.
TREMOLO
B-4¥
|
Causes
pulsating
sound.
Recommended
for
i
electric
piano
or
vibraphone.
PHASE
SHIFTER
|
£-§
|
Rotating
effect
a
:
ORGAN
SP
Pah
|
Like
a
rotating
speaker
on
an
electronic
organ.
:
Recommended
for
organ
tones.
iy
ENHANCER
E-%
©
|
Strong
attack
effect
|
sin
|
ais
FLANGER
E-@
Adds
depth
and
sharpness.
Recommended
for
bass
sounds.
—
EQ
LOUDNESS
beg
Enhances
low
range.
*
Digital
effects
are
applied
to
notes
played
on
the
keyboard,
pad
sounds,
rhythins,
and
auto-accom
paniments
*
Effects
£
-
J
through
£
-
8
are
quite
strong,
and
may
cause
problems
for
the
tone
you
are
trying
to
play.
When
this
happens,
try
changing
to
effects
E>
0
t
through
E-2
*
Depending
on
the
tone
and
rhythm
you
are
using,
the
EQ
LOUDNESS
effect,
may
cause
distortion
at
high
volume
settings.
When
this
happens,
try
lowering
the
volume.
;
To
select
an
effect
1.
Press
the
DIGITAL
EFFECT
button
to
switch
digita!
effects
on,
¢
When
you
do,
the
DIGITAL
EFFECT
indicator
lights.
*
The
number
that
appears
on
the
display
indicates
the
currently
selected
rhytlin.
oGrai ferect
ef
2.
Use
the
10-key
pad
to
input
the
1-digit
number
for
the
effect
you
want
to
use.
To
select
HEVERE
1,
for
example,
input
0.
a
7
*
You
canalso
use
the
[+]
and
[-]
buttens.
-QPF-4
8
Es
=
Pressing
[+]
increases
the
displayed
oe
effect
number
by 1,
while
[-]
decreases
ahF
#
&-g-*
.
E.
",
oO
OOo
it
E19

* Preset effects are automatically selected whenever you play a demo tune. These
presets cannot be changed or switched off during demo tune play.
« Ifyou change the effect while a note is still sounding, the keyboard may make an
irregular sound when the effect change is made.
To switch effects on and off
A“
Press
the
DIGITAL
EFFECT
button
to
switch
the
cur-
f
f
cs
eae
rently
selected
effect
on
and
off.
o
@ Playing rhythms
This keyboard features a collection of 128 exciting built-in rhythm patterns. Each
pattern provides percussion back up for all your performances.
To select and play a rhythm
1. Make sure that power is switched on and that volume is adjusted to a comfortabie level.
2. Use t! e MODE button to enter the NORMAL mode (all MODE indicators unlit)
MODE
*
Each
time
you
press
the
MODE
but-
il
co
j
ton,
the
status
of
the
indicators
changes
All
of
I
zt
so
as
illustrated
here.
as
3. Look at the rhythm list printed on the keyboard's console
and find the one you want.
4. Press the RHYTHM button
owen * When you do, the RHYTHM indicator lights
LN * The mimber that appears on the display indicates UL uu
the currently selected rhythm
5. Use the 10-key pad to input the 3-digit rhythm number for the rhythm you want fo use. To
- select "012 8 BEAT 2”, for example, input 0, 1, 2.
2 1, 2, * You can also use the [+} and [-] buttons. Pressing | fJ} ¢
chy
OoOod
Oj
[+]
inereases
the
displayed
rhythm
number
by
|
|
Lf
ff
OO O O while [-| decreases it.
oog [] Be sure to always specify a 3-digit number
-20
nda OAC nt eset er pay te aca Mt
!
}
i
i
¢
If
you
specify
a
number
greater
than
127,
thyihm
number
127
is
selected
automatically.
*
If
you
discover
a
mistake
before
you
input
the
third
digit,
press
the
RHYTHM
button
to
return
to
the
previously
set
rhythm
number.
6. Press the START/STOP button to start play of the rhythm.
|
*
When
you
do,
the
selected
rhythm
starts
to
sound,
with
the
indicator
next to the START/STOP button flashes with each beat.
7.
Use
the
TEMPO
buttons
to
adjust
the
tempo
of
the
rhythm.
:
__TeMPo
+
When
you
press
one
of
the
TEMPO
buttons,
the
tempo
setting
appears
}
on
the
display.
The
value
indicates
the
number
of
beats
per
minute.
The display returns to normal shortly after you release the TEMPO
button.
* Each time you press one of the TEMPO buttons +
while the tempo value is displayed, the tempo set- | {
ting changes one step, within the range of 40 to 255.
* Holding down either of the TEMPO buttons changes
the tempo setting at high speed.
ooo * To reset the tempo to the standard value of each
oooo
rhythm,
press
both
TEMPO
buttons
or
the
10-key
: Sear pad's [+] and [-] buttons at the same time.
C1
+
You
can
also
use
the
[+]
and
[-]
buttons.
Pressing
[+]
increases
the
displayed rhythm number by 1, while [~] decreases it.
Be sure to always specify a 3-digit number.
8. To stop oe play, press the START/STOP button again.
0 ie
& Improvising with the preset patterns
Pressing
the
START/STOP
button
to
start
rhythm
play
causes
the
normal
version
of
the
pattern
to
be
played.
You
can
also
play
a
variation
of
the
rhy
thm
using
the
operation
described
below.
0D
Important!
*
In
addition
to
the
variations
described
below,
you
can
also
a
rhythm
types
to
each
of
INTRO,
NORMAL/FILL-IN,
VAR/I
SYNCHRO/ENDING
buttons.
See
page
E-34
for
details.
specific
LL-IN, and
* Press this button while the normal rhythm pattern is playing in |
et order to switch to the variation pattern.
man
* If vou press this button while the variation pattern is playing, a one-
measure fill-in pattern is played and then play of variation pattern i
continues.
E-2]

* Press this button while the variation rhythm pattern is playing in
| order to switch to the normal pattern.
| ¢ Ifyou press this button while the normal pattern is playing, a one-
| measure fill-in pattern is played and then play of normal pattern |
| continues. “
eee |
* Note that fill-in patterns can logically be inserted at specific locations inside a
chord progression. Because of this, the fill-in pattern may not sound immedi-
ately when you press a fill-in button. Instead, it will sound at the next location
that a fill-in pattern is possible.
* The fill-in patterns for rhythms 017 and 047 are two measures long. All others
are one measure long.
To play intro and ending patterns
i * When no aig thm is playing, press the INTRO button instead of the |
| START/STOP button. When you do, an intro pattern is played to
| start the normal version of the selected rhythm pattern.
| * To start play of the variation pattern, press INTRO and then VAR/
| FILL-IN,
|
|
¢ While a rhythm is playing, pressing SYNCHRO/ENDING instead
of START/STOP plays an ending pattern, after which play of the
| pattern stops.
ByNGHaree
ENON
mM Using auto-accompaniment
This keyboard features 128 accompaniment patterns that Jet you add full accompa-
niments to your performances automatically. With auto-accompaniment, part of the
keyboard is reserved as an accompaniment keyboard. As you play your chords on
the accompaniment keyboard, the accompaniment patterns adjusts automatically to
follow the progression you play.
You get a choice between two different methods for chord play. FINGERED lets you
play chords as you normally do, while CASIO CHORD makes it possible to play
fully formed ¢ hords with one finger. Note that this keyboard also features a FULL
RANGE CHORD system (page E-26) that lets you use the entire keyboard for chord
and melody play.
About the accompaniment keyboard
The lower (left) 1.5 octaves are reserved for use as an accompaniment keyboard
whenever you select CASIO CHORD or FINGERED with the MODE button. The
panel above the accompaniment keyboard keys is marked with the names of the
notes they play. The remainder of the keyboard (the part that is not included in the
accompaniment keyboard) is called the melady keyboard. Please be sure to remem-
ber these terms, because they will be used throughout the rest of this manual.
E22
rhc rir ree opin behest eng vention ite
compar
TUTTI:
UL L
as
i
ee
Oe
7
<
Acsomneaniniaht
—>,
Pee
anesats
Melody
keyboard
Se
keyboard
(
When
all
the
MODE
button
indicators
are
unlit,
the
entire
keyboard
becomes
a
melody
keyboard.
)
Using
the
CASIO
CHORD
system
The
CASIO
CHORD
system
lets
you
easil
y
play
the
four
main
type:
s of chords. Play
of
chords
is
simplified
as
shown
in
the
chart
below.
ao
T
Keys
|
Chord
Type
Example
Pressing
one
|
Major
chord
iC
We
gne
ee
accompaniment}
|
|
(C
Major
Chord)
keys
|
|
| = 6
Snpce
{
z
Pressing
two
|
Minor
chord
'Cm
el
accompaniment!
(C
Minor
Chord)
a
|
keys
|
ready
y
|
|
ee
THIET
Pressing
three
|
Seventh
chord
27
a
CDEFG
ABCD
‘ae
7
accompaniment
|
(CSeventh
Chord)
I]
{ll
|
|
|
keys
|
|
|
|
aete
ON
Pressing
four
|
Minor
seventh
=
|
Cm7
COEFGAB
CODE
F
accompaniment}
chord
|
(C
Minor
Seventh
{|
Ih
Ht
keys
|
|
‘eh 7
tt
Note
,
e
The
bottom
(leftmost)
1
note
that
you
play
determines
the
name
of
the
chord,
if
the
bottom
note
is
a
C
for
example,
the
keyboard
produces
a
C
chord.

To play a CASIO CHORD auto-accompaniment
2) Use the MODE button to select CASIO CHORD.
2.
Select
mn
auto-rhythm
as
described
under
“To
select
and
play
a
rhythm”
on
page
E-20.
3. Start play of the rhythm,
*
If
you
want
start
play
of
the
normal
rhythm
pattern,
press
START
/
STOP.
ae
;
are
*
To
start
play
of
the
variation
rhythm
pattern,
press
VAR/FILL-IN
r
*
You
can
also
use
synchro
start
(page
E-26)
to
start
rhythm
play.
STAND STOP
4,
Press
either
one
or
up
to
four
keys
on
the
accompaniment
keyboard,
and
the
correspond-
ing
accompaniment
starts
to
play
automatically
5.
Continue
pressing
different
keys
on
the
accompaniment
keyboard
to
play
your
chord
progression.
6. To stop aulo-accompaniment play, press START/STOP again
STANTSTOR
Using standard fingerings
The
FINGERED
mode
lets
you
play
a
wider
variety
of
chords.
In
this
mode,
you
can
start
play
of
an
accompaniment
pattern
by
pressing
three
or
four
of
the
accompani-
ment
keyboard
keys.
:
7
This
keyboard
is
capable
of
recognizing
14
different
chords.
The
SUeM
De
One
the
fingerings
of
these
chords
with
a
root
of
C,
Note
that
you
can
omit
the
fifth
notes
(which
are
shown
inside
parentheses
in
the
illustrations
below)
to
produce
7,
m7,
ow add9 and mM? chords.
c
m
Cm7
Caddy
TU
TAN
TE
TM
A
cd
leh
WW
all
|
ol
telson
a)
Jeb)
eee
deh
Crmaj7
Cm7*
Cdim
:
Caug,
s
ccc
it
WE
a
iii
HW
mi | t Tj : Hl l,l |
vl
leideb
de
LETT
is
Teh
ol
th
ET
biel
Csus4 C72 joes ear
; I
Pi
in
tl}
ii
iy
|
ol
|
il
se Ra Cael Laks buat
ae s used as the root.
iy identi fies the root you want to use.
*T With this chords, : lee est note
Make sure that your fingering cor:
RO
inicio
nn
nearer
|
Important!
‘
i
©
Ifyou
play
one
or
two
notes
onl
y
in
the
left
hand,
or
three
notes
that
do
not
make
|
up
a
recognizable
chord
formation
(for
example,
C-D-D"),
no
sound
will
be
:
produced.
FINGERED
MODE
requires
a
conventional
three
or
four-note
chord
|
|
formation
to
produce
an
auto-accompaniment.
Also,
note
that
auto-chords
only
work
in
conjunction
with
rhythm
patterns,
and
not
inc
lependenitly
of
them.
Notes
«
The
above
oe
show
only
one
of
the
possible
fingerings
for
“each
chord.
Note
that
you
can
play
the
notes
that
form
a
chord
in
any
combination.
Each
of
the
following
fingerings
for
example,
produces
the
same
C
chord.
HANA,
WM,
UA
le
TELL
AScaiRnanaaRl SegBead) keyboard
*
See
the
“List
of
fingered
chords”
on
page
A-1
for
information
on
the
fingerings
of
chords
for
all
roots.
To
play
a
FINGERED
auto-accompaniment
singe
1,
Use
the
MODE
button
to
select
FINGERED.
¢
:
bree
toay
FAL AME
ee
rovocren @
cas OC}
S38 O
yoee
2.
Select
an
auto-rhythm
as
described
under
"To
select
and
play
a
rhythm”
on
page
E-20.
w
Start play of the rhythm.
ue
*
If
you
want
start
play
of
the
normal
rhythm
pene:
press
START/
STOP.
wn,
*
To
start
play
of
the
variation
rhythm
pattern,
press
VAR/FILL-IN.
()
*
You
can
‘also
use
synchro
start
(page
£-26}
to
start
rhythm
play.
4.
Play
a
chord
on
the
accompaniment
keyboard
to
start
play
of
the
auto-accompaniment.
5.
Continue
pressing
keys
on
the
accompaniment
keyboard
to
play
your
chord
progression,
6.
To
stop
auto-accompaniment
play,
press
START/STOP
again.
eae ee.

To start an accompaniment with synchro start
1. Use the MODE button to select either CASIO CHORD or FINGERED.
a
z
2. Select a rhythm using the procedure described under “To select and play a rhythm” on
page E-20
Mi
3. Press the SYNCHRO/ENDING button. At this time the indicator above the button lights.
«Tf you want to start out with the variation pattern of the selected
rhythm, press VAR/FILL-IN here.
4. Play a chord on the accompaniment keyboard and the accompaniment pattern starts to
play.
5. To stop the accompaniment pattern, press START/STOP again
Improvising with the preset accompaniment patterns
You can use intro, fill-in, variation, and ending operations (see “Improvising with
the preset patterns” on page E-21) with auto-accompaniment. Note the following
when using intro and ending patterns.
« When an intro pattern is playing, the final measure of the pattern is indicated by
the tempo indicator speed slowing down. This signals you to get ready to start
playing. ; ee
* Intro patterns are available in major chord and minor chord versions. The
i } priate versic rR accor 2 with the
keyboard automatically selects the appropriate version in accordance with the
chord you play to start the accompaniment pattern -
¢ Ending patterns are also available in major chord and minor chord versions. The
i 2 fot i ce Wi 5 tae
keyboard automatically selects the correct version in accordance with the last
chord you play at the end of the accompaniment.
Using Full-Range Chords
This function lets you use the entire range of the keyboard for play of accompani-
ment and melody. Unlike the FINGERED mode, the melody can be played in the
accompaniment keyboard range, and chords can be played in the range of the
melody keyboard,
To play a FULL-RANGE CHORD auto-accompaniment
1. Use the MODE button to select FULL-RANGE CHORD.
2. Select an auto-rhythm as described under “To select and play a rhythm” on page E-20.
oR
AeA er eemeaapen let
Sanna
3.
Start
play
of
the
rhythm.
sare
¢
If
you
want
start
play
of
the
normal
rhythm
pattern,
press
START/
(}3%
stor.
we
-*
To
start
play
of
the
variation
rhythm
pattern,
press
VAR/FILL-IN.
a
*
You
can
also
use
synchro
start
(page
E-26)
to
start
rhythm
play.
4.
Play
the
song
on
the
keyboard.
*
Anythit.g
you
play
using
one
or
two
keys
al
the
same
time
is
considered
to
be
part
of
the
melody,
and
so
the
corresponding
notes
sound
as
you
play
them.
*
Anything
you
play
using
three
or
more
keys
at
the
same
time
is
considered
to
be
part
of
the
accompaniment,
and
so
the
matching
chord
(using
the
same
fingerings
as
FINGERED)
is
played.
Example
-
To
play
the
chord
C
major
Any
of
the
fingerings
shown
in
the
illustration
below
will
produce
C
major.
i
*
It
makes
no
difference
how
far
apart
the
keys
you
play
are.
*
Aswith
the
Fingered
Mode
(page
E-24),
you
can
play
the
notes
that
form
a
chord
in
any
combination.
It
makes
no
difference
if
your
fingering
includes
two
or
more
of
the
same
note.
#
Adjusting
the
accompaniment
volume
Use
the
following
procedure
to
set
the
volume
that
the
accompaniment
is
played
You
can
set
the
volume
to
any
value
in
the
range
of
000
to
127.
To
adjust
the
accompaniment
volume
1.
Press
the
ACCOMP
VOLUME
button.
2.
Use
the
10-key
pad
to
input
a
3-digit
number
and
specify
the
accompaniment
volume
level,
*
Youcan
also
use
the
[+]
and
[-]
buttons.
Pressing
|+]
increases
the
volume
by
1,
while
[-]
decreases
it.
*
Holding
down
either
of
the
key
transpose
buttons
changes
the
displayed
value
at
high
speed.
*
Be
sure
to
specify
a
3-digit
number.
*
Ifyou
specify
a
number
greater
than
127,
an
accompaniment
volume
of
127
is
set
automatically.
*
Remember
that
you
have
about
five
seconds
after
pressing
the
ACCOMP
VOL-
UME
button
to
input
the
first
digit.
Otherwise,
the
accom
paniment
number
will
disappear
from
the
display,
and
you
will
have
to
press
the
ACCOMP
VOLUME
button
again
to
get
it
back.
Pressing
the
[+]
and
[-]
buttons
at
the
same
time
automatically
sets
an
accompa-
niment
volume
of
100.

|
|
:
|
|
|
|
i
|
i
{
|
4
|
This part of the manual describes the more advanced features and functions of the
CTK-650. Using these features effectively helps to add something extra to your
performances.
@ Using the Split function
i S i 2 ions on the keyboard.
Split lets you assign two tones to different locations on the key i
ll
a
Split point
WV UE
| |
{ i
|
|
mB I Ll
|
LJ
°
i = Ow — ~ High end
To split the keyboard
1. Select the tone that you want to assign to the high end of the keyboard
in * Asan example, we will assign FLUTE (tone number
& 073) to the high end.
Lc
OO
2. Press the [SPLIT] button to activate the Split function.
o * When you do, the SPLIT indicator lights
e
Pee
es
eens
al
bss
ae
eaeras
O * The number that appears on the display indicates | nine
the tone currently ass
keyboard.
ned to the low end of the U ul {
i t board.
3. Select the tone that you want to assign to the low end of the keyboa'
TONE.
“\ * Asanexample, we will assign HARP, (tone number | n Y h
= 046) to the low end. | u i
ood aia
OOOO
aood
iti e point shawn in the illustration above.
The
keyboard
is
now
split
in
the
center,
at
the
point
shaw
nin
thei
a
F.28
_——————————
To
change
the
location
of
the
split
point
;
1.
Hold
down
the
SPLIT
button
for
about
two
seconds,
and
then
press
the
keyboard
key
where
you
want
the
far
left
key
of
the
high
end
to
be.
sat
*
When
you
split
the
keyboard,
the
SPLIT
indicator
oO
lights,
fe)
fa!
faa
*
When
you
holding
down
the
SPLIT
button,
the
first
number
that
appears
on
the
display
indicates
the
current
tone
number.
The
next
r
number
that
appears
indicates
the
current
split
point
location.
i
¢
After press
a
keyboard
|
key
to
specify
a
new
Se
it
point,
the
first
number
that
appears
on
the
display
indicates
the
new
split
point.
The
next
number
that
appears
indicates
the
current
tone
number
*
The
61
keys
of
the
keyboard
are
numbered,
left
to
right,
from
036
to
096.
ze
T
c2
ona
om
The
keyboard
is
now
split
to
the
left
of
the
seyhourg
key
you
pressed
in
the
above
procedure,
:
Important!
The
split
button
cannot
be
used
during
play
along
with
demo
tunes
or
with
tunes!
playing
back
from
the
Song
Memory.
To
unsplit
the
keyboard
Simply
press
the
SPLIT
button
so
that
the
SPLIT
indicator
goes
out.
°
spurt
O
@
Using
the
Layer
function
Layer
makes
it
possible
to
play
two
different
tones
at
the
s.
ame
time
by
pressing
a
single
key.
To
layer
tones
oe
2
1.
Select
the
tone
that
you
want
to
assign
as
the
base
tone.
roe
/\
*
As
an
example,
we
will
set
STAGE
PIANO
(tone
AAT)
a
'
number
002)
as
the
base
tone.
Pa
| i
cog
Bue
cgo00
ita

2. Press the LAYER button to activate the Layer function.
® * When you do, the LAYER indicater lights.
LAYER,
¢ The number that appears on the display indicates
the tone currently assigned as the layered tone.
3. Select the tone thal you want to assign as the layered tone
oe * Asan example, we will assign SYNTH STRINGS 2
» TA {
£y (tone number 051) as the layered tone. ulgd
coood
oooo
oooo
Now when you play any keyboard key, both tones that you assigned in the above
procedure sound,
Important!
The layered button cannot be used during play along with demo tunes or with
tunes playing back from the Song Memory. Also note that layering causes a
reduction in polyphony (to 8-, 10- or 16-note polyphony, depending on the tones
that you layer).
To unlayer the keyboard
Simply press the LAYER button so that the LAYER indicator goes out
lo]
LAYER,
O
@ Using Split and Layer together
You can also use Split and Layer in combination, which results in a split keyboard
configuration where the layering for the high end of the keyboard is dif ferent from
the layering at the low end, as shown in the illustration, below.
HU
4
Split peint
WU HN
abt i
PPE RL Eads {|
Low end
'
:
} Base tone 2 + Layered jone 2 | Base tone 1 + Layerad tone 1 |
E30
To
split
and
layer
the
keyboard
1.
First,
check
the
SPLIT
and
LAYER
indicators
to
make
su
re
thal
they
are
off.
If
th
E
Press
the
SPLIT
and
LAYER
buttons
to
switch
§
om
off.
J
oar
2.
Select
the
tone
that
you
want
to
assign
as
the
base
tone
for
the
high
end
of
the
keyboard.
:
*
Asan
example,
we
will
assign
STAGE
PIAN
(fone SRS
LN
number
002)
as
the
high
end
base
tone.
|
Hi
p}
Pa
oooea
;
oOoog oes
ooo
3.
Press
the
LAYER
button
to
activate
the
Layer
function.
e
¢
When
you
do,
the
LAYER
indicator
lights.
tArER
4.
Select
the
tone
that
you
want
to
assign
as
the
layered
tone
for
the
high
end
of
the
keyboard,
Be
*
As
an
example,
we
will
assign
SYNTH
STRINGS
2
r
aN
(tone
number
051)
as
the
high
end
layered
tone.
C
noo
:
‘
:
CL
og
tie
[
og
j ;
5.
Press
the
LAYER
button
to
deactivate
the
Layer
function.
*
When
you
do,
the
LAYER
indicator
goes
out.
cy
6.
Press
the
SPLIT
baie
to
activate
the
Split
function.
fi
*
When
you
do,
the
SPLIT
indicator
lights
fe
O
7.
Select
the
tone
that
you
want
to
assign
as
the
base
tone
for
the
low
end
of
the
keyboard.
bs
*
As
an
example,
we
will
assign
SLAP
BASS
(tone
és
number
036)
as
the
low
end
base
tene.
i}
J
b
|
:
z
=
+
La
awe
OOO0
ooo
boon

( function.
.
Press
the
LAYER
button
to
activate
the
Layer
n /
;
:
e
*
When
you
do,
the
LAYER
indicator
lights.
LAYER i.
fo’,
for the low end of the keyboard.
9.
Select
the
tone
that
you
want
to
assign
as
the
layered
ton:
a
¢
As
an
example,
we
will
assign
GUNSHOT
(tone
1
LN
number
127)
as
the
low
end
layered
tone.
{
ooga
ooog
aooo
eal
.
The
keyboard
is
now
split
and
layered
in
the
configuration
illustrated
below.
:
Split
point
Pit)
THT
TTT
CHAT
TET
TERE
TT
|
Prd
dd]
hd
iI
PEO
LEEPER
|
Low
end
a
High
end
.
STUDIO
PIANO
+
SYNTH
STRINGS
2 i
acer
SLAP BASS 1 + GUNSHOT
@
Using
the
sound/control
pads
The
sound/control
pads
put
a
variety
of
useful
sound
effects
and
eee
fingertips
You
get
a
choice
of
32
sets
of
sound
effects
and
controls
ae
gia
:
a
‘full
list
;
as
to
the
pads.
Once
you
set
the
pads
34
for
a
full
list)
that
you
can
assign
ener
el
ed
fancaans
that
you
want,
they
are
always
on
hand
whenever
you
need
them
Types
of
operations
available
for
the
pads
T
f |
| i Function | Description |
| Function | Numbers | ‘
| . ——— ; Gi
|
Short
musical
phrases.
00
is
the
default
setting
|
Phrases
|
00
to
09
|
for
the
pads.
7
|
a
a
———
|
t
;
|
_
|
Percussion
/
10to029
|
Percussion
and
sound
effects
|
|
Sound
Effects
|
|
.
a
i
L
{
aot
3
Controller
30
to
31
|
Controls
for
pitch,
vibrato,
etc.
i
|
A.
!
*
\
es
To
change
the
pad
functions
.
1.
Look
at
the
pad
function
fist
printed
on
the
keyboard's
console
and
fit
assign
to
the
pads.
:
fa
ao
©
Here
we
will
assign
set
05,
which
is
PHRASE
6
nd the one you want to
2:
Press
any
one
of
the
four
pads
and
the
number
that
ide
assigned
to
the
pads
appears
on
the
display.
—mmowrnecrao-
¢
The
number
remains
on
the
displ
es
the
set
of
functions
currently
ay
for
about
two
I
gc0
|
sso
-seconds.
P
i
ff
2
3.
While
the
function
set
number
is
on
the
display,
i
use
the
10-key
pad
to
input
the
number
of
the
set
of
functions
you
want
to
change
to.
Oo
C1
Cy
*
Remember
that
you
have
two
seconds
after
press-
~
oogeaa
the
pad
to
input
the
first
digit.
Otherwise,
the
p
Hi
5
rs
g
5
:
pad
function
number
will
disappear
from
the
dis-
play,
and
you
will
have
to
Press
a
pad
again
to
get
it
back.
,
The
following
lists
show
each
of
the
sounds
pads.
Note
that
assignment
is
made
in se
individually,
‘
and
controls
that
can
be
assigned
to
the
ts
of
4.
You
cannot
assign
to
each
pad
Phrases
(00
to
09)
The
numbers
in
parentheses
are
the
tone
numbers
used
for
each
pad.
00
A
TIMPANY
(047)
B
HARP
(046)
C BRASS (061)
D
COUNTRY
FARM
(094)
05
A
FIFTHLEAD
(086)
C
CELESTA
(008)
B
STRINGS
1
(M8)
DD
HONKY-TONK(003)
[Ol
A
ATMOSPHERE
(099)
C
COSMIC
SOUND
(103)
|
06
A
GUNSHOT
(127)
©
DRUM
i
B
BRIGHTNESS
(100)
D
PEARL
DROP
(096)
|
|
B
SYNTH-LEADIO80)
-D
METAL
LEAD
(084)
|
1.
{02
A
PIANO
(oO)
C
STRINGS
(048)
07
A
PIANO
(000)
|
B_
PIANO
(000)
D
TRUMPET
(056)
|
B
PIAN
|
{
03
A
FLUTE
(073)
C
ORCHESTRA
HIT
55)
|
og
A
DRUM
C
DRUM
i
B
PICCOLO
(072)
D
CHOIR
(952)
B
DRUM
D
DRUM
L
|
Ob
A
H
HORN
(069)
C
STEEL
DRUM
(114)
loo
A
DRUM
C
DRUM
H
adoptees
|
3
i
B
SITAR
(104)
D
WOOD
Bass
(032)
|
B
DRUM
D
DRUM
A
Percussion/Sound
Effects
(10
to
29)
i
iQ A KICK1
B SNARET
C HIHAT-CLOSE
|
H
C
HIHAT-CLOSE
D
HIHAT-OPEN
|
DO MHAT-OPEN
A KICK1
t
|
|
yu
Cc
TOMLOW
i.
B
SNARE
I
on
D TOM-HIGH
A RICK 4
B SNARES
¢ TOM-Low
D TOM-HIGH
Paes

A KICKS C HIHAT-CLOSE in A CABASA
B SNARE2 D HIHAT-OPEN
|
C WOODBLOCK-HIGH j
B MARACAS 3B Wena ace tow
A KICK3 C TOM-LOW
B SNARE2 0 TOM-HIGH B CUICA-OPEN —-D- TAMBOURINE
A KICK € HIHAT-CLOSE
j =
3 A CUICA-MUTE — C VIBRASLAP
|
p24 A WHISTLE-SHORT C GUIRO-SHORT
B SNARE D HIHAT-OPE |B WHISTLE-LONG D GUIRO-LONG
: +
A KICK © TOM-LOW 125A TRIANGLE-MUTE C COWBELL
B SNARE D TOM-HIGH |B TRIANGLE.OPE :
=< 2:
A RIDE © SPLASH 126 © SCRATCH2
-_ : i D SCRATCH 3
|B CLASH D CHINA | = -
cme oe
5 IM-HIGH C TATKO-HIGH
19 A KICK1 © SIDE-STICK RUM-HIGH C
j DRUM-LOW D TAIKO-LOW
B SNARE I D HAND-CLAP -DRUM.LOW D v
A TIMPANLLOW 2 TIMPANLMID
B ORCHIT-LOW D ORCHIT-MID
200 A BONG-HIGH
B BONG-LOW
1D CONG-LOW
129 A APPLAUSE ¢ GUNSHOT
B HELICOPTER D TELEPHOD
21 A TIMBALE-HIGH =C AGOGO-HIGH
B TIMBALE-LOW DD AGOGO-LOW
Controller (30 to 31)
; eos
A BEND UP (F/ © MODUL f
B BEND DOWN (FAST) D> MODULATION
{31 A BENDUP
B BEND DOW
DUP AND DOWN,
D BEND TREMOLQ
ee
i
1
t
race ne that is uced by
* Bend Up/Bend Down produces an effect like the one that is Laas by
bending the strings of a guitar. The range is two semitones up and down from
the original note, ; PR ongEc ;
* The cond ‘spnBe for Bend Up/Bend Down is adjustable to either two semitones
or three semitones (“To set the bend range” on page E-53).
' 5 the itude of vibrato.
* Modulation changes the amplitude 9 ; ; *: on
* In 28 and 29 the tones will be different from the tone shown above when
ansposed, sen iat
. Use the ACCOMP VOLUME slider to control the volume for pads 08 and 09.
@ Assigning rhythms fo the Intro, Variation, and Ending
Buttons
rma @ ress an Intr ar ¥ r Ending button, a corresponding Normally when you press a ntro, Variation, o g Dutton, , id
attern is played n xy the main rhythm that re Currenty using. Using the
yt at you are cu t U u
atte s played to match th 2 y &
Bi ocedure described below, however, you can assign any of the 128 r hythms fo each
E-34
of
the
Intro,
Fill-In,
and
Endin
8
buttons.
When
you
do
preset
rhythm
sounds
when
yi
a
pattern
that
matches
the
ou
press
the
button,
To
change
the
Intro,
Fill-In,
and
Ending
button
rhythm
assignments
1.
Press
the
Intro,
Fill-In,
or
Endi
ng
button
whose
rhythm
you
want
to
change
and
the
number
that
identifies
the
rhythm
currently
assigned
to
the
button
appears
on
the
display.
xe
FEY
AT
ES
O J
O
*
The
number
remains
on
the
display
for
about
two
|
(7
FTA
seconds.
|
UU
2.
While
the
rhythm
number
is
on
the
number
of
the
the
display,
use
the
10-key
pad
to
input
rhythm
you
want
to
change
to.
goon
*
Remember
that
you
have
two
seconds
after
press-
Au
‘ing
the
button
to
input
the
first
digit.
Otherwise,
the
—
|
fect
4
=
OOOO
rhythm
number
will
disappear
from
the
display,
}
ff
OOO
and
you
will
have
to
press
the
button
again
to
getit
back.
*
Whenever
you
change
to
a
different
main
rhythm,
all
of
above
buttons
auto-
matically
change
to
the
new
thythm.
.
You
can
also
change
the
rhythm
assigned
to
the
NORMAL/FILL+IN
button.
When
you
do,
however,
the
display
for
the
main
rhythm
continues
to
show
the
main
rhythm
setting,
even
though
the
rhythm
you
assigned
to
the
NORMAL/
FILL-IN
button
is
the
one
that
sounds.
Example:
When
000
is
set
as
the
mai
NORMAL/FILL-IN
button.
In
this
case,
Pressing
the
NORMAL/FILL-IN
button
causes
rl
111
to
sound,
but
the
rhythm
d
isplay
shows
000.
n
rhythms
and
you
assign
111
to
the
syihm
@
Using
Magical
Presets
Magical
Presets
let
you
configure
the
effects,
such
as
playing
key,
change
tones
eact
total
of
128
Magical
P;
keyboard
to
perform
a
variety
of
a
short
accompaniment
phrase
when
you
h
time
you
press
a
keyboard
key,
and
muct
resets
in
memory
for
instant
recall
when
y
special
press
a
keyboard
n
more.
There
are
a
ou
need
them.
To
change
the
Magical
Preset
1.
Look
af
the
magical
preset
list
printed
on
the
keyboard's
consol
€
and
find
the
one
you
want.
*
Here
we
will
assign
Magical
Preset
016,
whic
his
Melodycomp
1.
2.
Press
the
MAGICAL
PRESET
button,
and
the
number
that
ident
Preset
appears
on
the
display.
ifies
the
current
Magical
i U.
| eect Ie
sce
~
*
Note
that
the
“*”
indicator
on
the
display
mov
Ann
the
far
right
to
indicate
the
Magical
Preset
dis