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Contents
1 Introduction 5
Thank you! . . . . . . . . . 5
Development story . . . . . 5
Features . . . . . . . . . . 5
Synthesizer . . . . . . . . 5
Morph . . . . . . . . . . 5
Slots . . . . . . . . . . . 5
Programs . . . . . . . . . 5
Eects . . . . . . . . . . 5
Sample Instruments . . . . 6
NordWave Manager . . . . 6
Controls & connections . . . 6
More samples. . . . . . . . 6
2 Panel Overview 7
The Front Panel . . . . . . . 7
Program & Performance area 7
Synth area. . . . . . . . . 7
Eect area. . . . . . . . . 7
LCD . . . . . . . . . . . . 8
Knobs & dials . . . . . . . . 8
Knobs. . . . . . . . . . . 8
The Rotary dial. . . . . . . 8
Master Level knob . . . . . 8
Buttons . . . . . . . . . . 8
On/O buttons. . . . . . . 8
3 Connections 9
Audio Connections . . . . . 9
Left and right out . . . . . 9
Headphones . . . . . . . . 9
MIDI Connections . . . . . . 9
MIDI OUT . . . . . . . . . 9
MIDI IN . . . . . . . . . . 9
USB Connection. . . . . . . 9
Pedal Connections . . . . . 9
Sustain pedal . . . . . . . 9
Control pedal . . . . . . . 9
4 Getting Started 10
About Programs . . . . . .10
Select a Program . . . . . .10
Edit a Program . . . . . . .10
Saving a Program . . . . .11
New name and/or category 11
Slots. . . . . . . . . . . .11
Switch between two sounds 11
Layering. . . . . . . . . .11
Deactivating Slots . . . . .11
Copying from one Slot . . .11
Focus . . . . . . . . . . .12
Adding an eect . . . . . .12
A quick MIDI Setup . . . . .12
Slot A/B on sep. MIDI CH. . .12
5 The Morph Function 13
About Morphing . . . . . .13
Morph Sources . . . . . . .13
Assign Morph source to dest. 14
Morph Mode. . . . . . . .14
Morph Destinations . . . .14
Morph Examples . . . . . .15
6 Nord Wave Reference 16
Master Level knob . . . . .16
Store Button . . . . . . . .16
Saving a Program . . . . .16
Program UP/DOWN buttons 16
Rotary Dial . . . . . . . . .17
Octave Shift buttons. . . . .17
Global Octave . . . . . . .17
Panic . . . . . . . . . . .17
Mono Mode . . . . . . . .17
Mono Mode button. . . . .17
Sound Init . . . . . . . . .17
Glide knob. . . . . . . . .17
Morph Buttons . . . . . . .17
Assign a Morph source . . .18
Morph Mode. . . . . . . .18
LCD Window . . . . . . . .18
Slot Buttons . . . . . . . .18
System button . . . . . . .18
MIDI button . . . . . . . .18
Chord Button . . . . . . . .19
Sort Mode . . . . . . . . .19
SAMP Init . . . . . . . . .20
Shift Button . . . . . . . .20
LFOs (LFO1 & LFO2) . . . . .20
Rate knob . . . . . . . . .20
Waveform Selector . . . . .20
LFO Destination Selector . .20
Amount knob . . . . . . .21
Poly mode . . . . . . . . .21
Single mode . . . . . . . .21
Modulation Envelope . . . .21
Attack knob . . . . . . . .21
DEC/REL knob . . . . . . .21
AR button . . . . . . . . .21
Amount knob . . . . . . .21
Destination selector . . . .22
Oscillators 1 & 2. . . . . . .22
Waveform selector . . . . .22
Pulse . . . . . . . . . . .22
Sawtooth . . . . . . . . .22
Triangle . . . . . . . . . .22
Wavetable. . . . . . . . .22
Sample Instruments . . . .22
Sampled waves . . . . . .23
FM-Synthesis . . . . . . .23
Sine. . . . . . . . . . . .24
Misc . . . . . . . . . . .25
Shape parameter. . . . . .25
Semi tones knob . . . . . .25
Fine tune knob. . . . . . .25
Oscillator Modulation . . . .25
Amount knob . . . . . . .25
Type button . . . . . . . .25
Oscillator mix. . . . . . . .26
Mix knob . . . . . . . . .26
Oscillator Sync . . . . . . .26
Amplier Envelope . . . . .26
Attack knob . . . . . . . .27
Decay knob . . . . . . . .27
Sustain knob. . . . . . . .27
Release knob . . . . . . .27
Filter. . . . . . . . . . . .28
Type button . . . . . . . .28
Low Pass . . . . . . . . .28
High Pass . . . . . . . . .28
Band Pass . . . . . . . . .28
Comb . . . . . . . . . . .28
Multi . . . . . . . . . . .29
Vocal . . . . . . . . . . .29
Filter Frequency . . . . . .29
Filter Resonance . . . . . .29
KeyboardTracking . . . . .29
Filter Slope . . . . . . . .30
Velocity button . . . . . .30
Filter Envelope . . . . . . .30
Envelope Amount . . . . .31
Attack knob . . . . . . . .31
Decay knob . . . . . . . .31
Sustain knob. . . . . . . .31
Release knob . . . . . . .31