Electro-Voice RE410 User manual

KeyFeatures:
• Versatile Condenser Microphone, Ideal for
Both Vocals and Instruments
• Cardioid Polar Pattern with Excellent
Feedback Rejection and Acoustic Isolation
• Multistage Pop Filter Eliminates Breath Pop
Noises
• MemraflexTM Hardened Grille Screen
• Warm-GripTM Handle for More Comfortable
Feel
GeneralDescription:
The Electro-Voice® RE410 is a professional quality hand-
held condenser microphone that was designed specifically
for vocalists, yet has the versatility, smooth response, and
dynamic range to make it outstanding for virtually any
application. The RE410 is the ideal vocal microphone for
anyone that appreciates the crisp high end and warm
proximity effect that can only come from a top performing
condenser microphone. The response of the RE410 is
tailored to provide just a slight amount of “air” in the 5 to
10kHz area, enhancing the sound without adding stridency.
The RE410 features a cardioid polar pattern that provides
great rear rejection and a smooth off-axis response that’s
perfect for performers who tend to “wander” around the mic.
Technical Specifications:
:tnemelEnoitareneGresnednocdesaiB-fleS
:esnopseRycneuqerF)trahcees(zH000,02otzH05
:nrettaPraloPdioidraC)trahcees(
tiucriCnepO,ytivitisneS :zHk1,egatloV lacsaP/Vm0.4
:)DHT%1(leveLgnippilCLPSBd041>
:esioNfleS02=Bd0(dethgiew”A“LPSBd62 )slacsaporcim
:egnaRcimanyDBd411>
:oitaResioN-ot-langiS)LPSBd49@(Bd86
:zHk1,ecnadepmItuptuOsmho052
:stnemeriuqeRrewoPot42:tnemeriuqeRylppuSmotnahP CDV84
:ytiraloPmgarhpaidnoerusserpevitisoP 2nipnoegatlovevitisopsecudorp 3nipotevitaler
:snoisnemiD)mm281("51.7=htgneL )mm15("0.2=retemaiD )mm82("1.1=knahS
:dehsinruFseirosseccA)kcalB(rotpadAdnatS gaB"giG"dereppiZtfoS
:thgieWteN)smarg062(.zo2.9
RE410
Handheld Condenser
Microphone
ApplicationNotes:
ThelowfrequencyresponseoftheRE410microphonevaries
withthedistancefromthesoundsource.Knownas“proximity
effect,” maximum bass response is produced in “close-up”
use with the microphone 1/4 inch from the sound source.
Normalbassresponseis experiencedwith workingdistances
greater than 24 inches. Working close to the microphone will
produce a more robust sound. Close up positioning of the
microphone will also reduce the potential for feedback from
the sound reinforcement system. When close-talked, the
bass-boostprovidesan increasein overallmicrophoneoutput
level. The mixer gain may be proportionately reduced,
resultingin a reduction of the system’s sensitivity to feedback
caused by sound entering the microphone from the
loudspeakers.

Frequency Response:
12000 Portland Avenue South, Burnsville, MN 55337
Phone:[phone], Fax:[phone]
www.electrovoice.com
© Telex Communications, Inc. 7/2004
PartNumber38110-328 RevB
U.S.A. and Canada only. For customer orders, contact Customer Service at:
800/392-3497 Fax: [phone]
Europe, Africa, and Middle East only. For customer orders, contact Customer Service at:
+ 49 9421-706 0 Fax: + 49 9421-706 265
Other International locations. For customer orders, contact Customer Service at:
+ 1 952 884-4051 Fax: + 1 952 736-4212
For warranty repair or service information, contact the Service Repair department at:
800/553-5992 or 402/467-5321
For technical assistance, contact Technical Support at: 800/392-3497 or 952/736-4656
Specifications subject to change without notice.
Polar Response:
Microphone Use and Placement
Please note that micing techniques are a matter of personal preference. These are merely guidelines to assist in the placement of the
microphone to gain optimal performance.
Usage Optimal Placement
Vocals Zero to six inches from the windscreen, and on axis with the microphone.
Spoken Word Five to ten inches from the windscreen, and on axis with the microphone.
Dimension Drawing:
RE410 Part Number: 301548-000
Standard Placement & Use Guidelines
1. Always point the microphone at the desired source of sound, and away from any unwanted sources.
2.The microphone should be located close to the sound source to minimize interference from other potential sound sources.
3. Use the 3-to-1 rule when using multiple microphones. Place each microphone three times farther from other microphones as from the
desired sound source.
4. Minimize over-handling of the microphone to reduce unwanted mechanical noise.
5.Working close to the microphone will increase the bass tone and also provide increased gain-before-feedback.