ESS MATRIX one Operating instructions

Characteristics & quick guide for use
Electronic Sound Solutions s.r.l., Via Parigi 79, 46042 Castel Goffredo MN Italy
Tel. [phone] Fax [phone] www.essound.com [email protected] [email protected]

Than ing you for the purchase of MatrixOne and confiding that the unit will fully satisfy your needs
giving you also, in the meantime, increasing great satisfactions, ESS invites you to read this quic
guide to the principal characteristics and functions. It will be possible to deepen every issue directly
by consulting the on-line guide on MatrixOne, with relative films, to which you may accede, with
your operative unit, through the pressure of the HELP ey, situated in the bottom right of the frontal
panel.
MatrixOne is a powerful and versatile MIDI/Audio wor station that integrates:
•MIDI Player with non destructive editing functions. Imports min and ar formats and is
compatible with Kar, Tune1000, M-live and Soltron text formats.
•Audio Player/Recorder with editing functions. The formats supported are wav, mpeg 1/2/3,
ogg and mod. Mp3 text file format interpreted is “lyr200 tag”. Available also Time
Stretching/Pitch Shifting of high quality. Possibility to record up to 8 audio traces in
synchrony with a MIDI song.
•Mixer 4 input mono XLR/Jac , with auto gain and singularly regulated SFX.
•Loop audio Player, recordable or imported, always accessible through 9 intuitive pads.
•Expander, for eyboard connected via MIDI, independent with possibility to easily create
layers ( eyboard areas) and assign different instruments to any of the 4 zones available.
•256 voices sound generator. Supports up to 4 sound fonts (SF2) contemporaneously and
individually assignable also on the traces of a single MIDI song.
•Arranger of easy and intuitive use, with support for styles in "sty” format.
We also underline:
Colour 10.4" 640x480 display touch screen. It is recommended to apply the usual norms of
use for touch screen display (i.e. use of plastic object with smooth rounded point or normal
items for this types of display, in alternative to finger pressure, but never use metallic or
pointed objects). Proper and due care must be applied, of course, also to the whole unit.
Presence of available effects for audio entries (Reverb / Chorus / Compressor / Simulator of
guitar amplifier including drive regulation / Delay), with possibility of new implementations in
following SW versions.
Audio reproduction through codec 24 bit 44.1 KHz, internal sound elaboration at 32bit.
Possibility to tilt the unit in 3 positions, in order to optimize the view.
Operative system written on flash card protected from writing.
Wide availability of connecting ports (4 USB 2.0 / Lan Ethernet 10/100 / LPT (to import
songs from Charlie Lab Megabeat Pro) / Serial Port / VGA video output and Composite
Video etc.), due to the use of a Mini ITX motherboard.
"Real time" performance for almost all functions.
CD Audio “IMPORT” function (CDA grabbing).
2

Preliminary operations
At first, connect the cable supplied in the it with the VDE connector, into the corresponding slot
located in the MatrixOne rear panel. Connect the opposite side of the cable to the 220V plug.
The damages caused by the use of other cables, eventually damaged or in any case different from
the one supplied in MatrixOne pac aging, will not be recognized as guarantee.
Connect the audio cables (not included) to the output balanced CANNON signal or unbalanced
Jac , located in the rear panel of the MatrixOne unit, to the input of your audio unit (amplified
spea ers, high-end, input mixer line, AUX or TAPE input of your home HI-FI or other). It is warmly
recommended to hold the levels of the audio system completely lowered before turning on and off,
by means of the button situated in the rear panel of MatrixOne. ESS declines any responsibility for
possible damages derived by the non respect of this important instruction of use.
Rear Panel. In/Out audio connections
2 3 5 6
1
7
11 10 9 8
1) Connections for pedal commands. By using the special ESS pedal command (optional) it
is possible to determine the assignment of the function choosing among SONG + or -
and Play&Stop or patch change for input, or also eyboard performance change. The
various options are selectable in CONSOLE  UTILITY  GLOBAL  PEDAL1/2 MODE.
2) Preamplified headphones output. If “MAST” MON=LR” is highlighted (by default the
bac ground color of the button is red) the signal sent will be equal to the one of
“MASTER R/L”, while if MAST” MON=LR” is not highlighted (white button bac ground), it
will be possible to individually regulate the various sound sources (Song - Samples - In
1/2/3/4 - Keyboard and the reverberation percentage relative to audio input.
3) Principal output Left/Right, unbalanced Jac ¼”.
4) Principal output Left/Right, balanced XLR Neutri  .
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5) L+R independent monitor output. The regulation is the same of headphones output.
6) 4 audio input, mono XLR/Jac Neutri  balanced.
7) MatrixOne ON/OFF button.
8) VDE connector feeding.
9) Cooling fan grate. In order to allow a correct inner ventilation of the unit, it is highly
recommended not to obstruct it with objects or others. The same care should be given
for the air inta e located on the bottom of the unit.
10) 4 hardware filters 12 dB/oct. at 100 Hz, that can be singularly activated for each of the 4
analogical audio inputs. May be used, for instance, as "low-cut" filter when using sound
sources such as voice.
11)RCA output connector, to be connected to a normal TV unit or any other video unit,
compatible with the “Composite Video” signal type.
Right side panel. Connections
1 2 3
9
5 6 7 8
1) PS/2 mouse port, which can be activated by ey combination when starting MatrixOne
2) Parallel Port (LPT1), to import files, via cable from “Charlie Lab Megabeat Pro”
3) 2 RJ45 Ethernet ports.
) Built-in custom audio connections (disabled)
5) PS/2 Pc eyboard port always active
6) Serial connector (COM1)
7) VGA connector, to connect a video monitor
8) 4 USB 2.0 Ports
9) MIDI Ports – In the current SW version, a single channel is activated for both in and out
4

Front panel
12
11
1 2 3 5 6 7 8 9 10
1) MIDI player and Audio volume.
2) Samples' reproduction volume.
3) Independent volumes of 4 audio inputs.
) Keyboard volume connected via MIDI.
5) Main volume. Operates on all volume levels 1/2/3/4.
6) Knob to modify values and to carry out changes according to the selected window.
7) Play/Pause/Stop Keys (by pressing the Stop and successively the Start ey, the selected
song will be repeated from the beginning).
8) Push-button to accede the virtual eyboard and other functions such as Lyrics Editor, to
enter text of MIDI songs or Audio.
9) Help Push-button. By selecting this mode, a function description of the selected window will
be shown, integrated with film shots which may be reproduced by pressing the video
camera icon.
10) Select Push-button, which may be used in alternative to touch screen.
11) Window Push-button to select an available window, may be used in alternative to touch
screen.
5

12) Cursor eys to select parameters according to the selected window and to scroll the list of
songs without using the touch screen. The eys may be also used to enter (Right) or exit
(Left) the various folders available in the "BROWSER" window (up right) and for other
functions.
Main Display Description & quick guide for use
Before starting Matrix One, duly verify that no devices are connected to the USB ports. By pressing
the ON/OFF button in On position, and after a short time (more or less 30 seconds) the touch
screen display will show the main screen of the unit.
1 13
1
12
2
11
3 10
9
8
7
5 6
1) Samples' section, consisting of 9 buttons to which it is possible to assign 9 samples
selectable from the homonymous folder in the BROWSER window. It is also possible to
create sequential sample loops.
2) Section relative to executing song (CURRENT SONG) and to the song which will be played
successively (NEXT SONG). It is possible to select "MUTE" the trace of the melody of a
MIDI song (ch4)
* In an audio song it is possible to choose between the options of Lead Mute “MALE”,
helpful in case of masculine voice, “FEMALE”, in case of feminine voice, or “HYBRID”,
6

generic voice canceller. As always, the result in canceling a voice in an audio song depends
on the characteristics of the song itself.
* Function currently not implemented
For both MIDI song or audio it is possible to change tonality, without altering the movement or,
modify the movement without altering the tonality. For each song it is also possible to modify
and eventually save the GAIN (volume) per single song.
3) Group of buttons, including :”ADJUST” (see specific section downwards), “EQ”, that allows
to apply and save the equalization, even singularly, for each song (SINGLE ey), “SAVE” to
save the modifications carried out, and finally “TRANSP” where it is possible to choose
amongst various presets of tonal transposition in the preloaded song (NEXT SONG).
) Section that, through the pressure on the touch screen allows to alternate the visualization
of level indicators for each of the 8 available sound sources, a frequency spectrum analyser
or a useful and well visible cloc .
5) 8 buttons, to access the parameters of each one of the 8 available sound sources. By
eeping pressed one the "IN 1/2/3/4" eys, a tuner will activate.
6) Group of push-buttons consisting of:
“XFADE”, to select the cross fader type between a song and another: In
"XFADE:OFF" position, the selected song will be instantaneously executed, after
which, 3 different cross fade speeds may be selected:
▪ “SLOW”=6 sec
▪ ”MED”=3 sec.
▪ “FAST”=0.8 sec.
“CUE/CUT” (see short explanation at page 19).
“SYNC”, to equal the current song time (CURRENT SONG, green) to the song in
queue (NEXT SONG, red)
“NOLINK”, button for various loop modes of a song:
▪ “NOLINK“, no connection, after finishing a song MatrixOne remains awaiting for
the next operation.
▪ “LINK”, the songs of a group will follow one after the other and at the end of the
last song MatrixOne will await for the next operation
▪ “LOOPALL”, as LINK, but once reaching the last song , the reproduction will
begin again starting from the first song of the group.
▪ "LOOP1”, repeats the same song of both group and browser
▪ “RANDOM”, plays the songs of a group in random order
7) This windows will be divided into two parallel virtual sliders. The upper one "SONG POS"
indicated the current point of a song's performance (it is possible to freely drag the green
cursor of the slider - bac and forth - during song performance) The bottom slide "XFADE"
allows to view the selected cross fade or to select it manually. The text symbol appearing on
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the right of the title of the song played (green) or on the left of the next song title (red) is
very useful, as it allows to be ac nowledged before hand if the song (current or next) will
contain text information.
8) Group of buttons including: “INFO” that shows song information (current/next) and on
eventual group of songs selected, “NEW GROUP”, to create ex novo a group, “MOVE”, to
move a song within a group, “REMOVE”, to remove a song from a group, and finally
“SAVEGRP”, to save the group shown.
9) Space dedicated to groups' synch information (see next point).
10) Two buttons for synch functions: “SYNC GROUP LIST” assign as common medium bpm to
the songs with compatible time (+/-15% of difference, max 100 songs), “SYNC SAMPLE
LOOPS”, samples synch function, currently not implemented.
11) List of group's songs.
12) “SELECT” to select a song, “ADD SONG” to add the selected song in the group listed
below (11). The number of songs per group is theoretically unlimited, still, in order to avoid
disordered mixes of songs that be can create management confusions, we suggest not to
create groups of +/- 100 songs.
13) List “ALL SONGS” includes all the songs (MIDI/Audio) to be imported in MatrixOne. Right
besides ALL SONGS the numbers of song are listed. It is possible to scroll the list through
lateral scrolling bar or by using the cursor eys “▲▼”. By pressing the icon, the list of
songs will be extended, filling the right half of the display. Press the icon again to return
to standard display. Keys (► to enter and ◄ to exit the various folders) may be used in
alternative to touch screen.
 
Through the “◄” ey it is possible to access the “BROWSER”, in order to further access the
sub-folders:
-ALL SONGS (all songs (MIDI+Audio)
-AUDIO SONGS (only Audio songs)
-MIDI SONGS (only MIDI songs)
GROUPS (saved groups of songs)
INPUT SCENES (4 input saved presets relative to EQ, Rev, and all
parameters of single channel effects of input channel)
LYRICS (.txt files for text digit in MIDI or Audio songs)
MASTER SCENES (saved presets relative to the "MASTER" window
(screen, EQ graphic, etc.))
PERFORMANCES (saved presets relative to “KEYB” window)
SAMPLES (6 folders divided by types of audio sampling)
SOUNDFONTS (sound ban in SF2 format)
STYLES (styles for the built-in arranger, in “.sty” format)
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14) Section dedicated to the view of text eventually included in the songs. By pressing the
icon (below right on the "LYRICS VIEW" window) it will be possible to view the window at
full screen. To return normal view, press the icon again, which is also present in the full
screen view. The small "red" dot (bottom left of window) flashes according to the events
included in the MIDI 4 trace, usually the one dedicated to melody.
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A quic loo to the principal functions and screens:
When pressing the "CONSOLE" ey (below left), the following window will appear, which will
occupy the bottom half of the display.
To exit the CONSOLE, press the same ey again or "EXIT" directly from the console.
The eys are the ones of a computer eyboard, excluding some eys which are described below.
1
5
2
3 4
1) Space reserved for alphabetical search of a song title, lyrics editor and to rename files.
2) “UTILITY” ey. After pressing this ey, the window below will appear:
I H
A G
B F
E
C
D
A) To import all types of compatible files.
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Choose the type of media you would li e to import files from. You may choose from:
Please note that if one of these devices is connected, then it's symbol will be duly defined, while on
the contrary the symbol will be grey coloured.
If a CD/DVD Rom is connected, it will be also possible to import audio traces directly into
MatrixOne.
After choosing the driver to import from , it is
possible to choose the type of files to be
imported.
MatrixOne will analyse the device connected
viewing exclusively, in the next window, the type
of file previously selected.
Select the desired files or select them all through
the "SELECT ALL" ey.
The selected elements will be listed in the "import
List" window on the right side of the window.
Press "IMPORT FILES".
The "PRELISTEN" ey will allow you to listen to
the selected MIDI or Audio song before copying
it.
Once the import is finished, press “EXIT” to return to the "CONSOLE”.
B) To connect directly and exclusively to MatrixOne's website, in order to directly download
and install eventual available updates.
C) For display calibration, please note that display is duly calibrated by the manufacturer. Do
not carry out this operation if not strictly necessary.
D) To update the software if available in one of the devices connected.
E) Screensaver.
F) Perform this operation periodically, remembering that it may engage the unit for a long time.
This operation definitively eliminates the files that have been previously been cancelled,
freeing dis space and successively defragmenting the hard dis .
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USB Drive
(hard dis ,
USB ey or
other device)
Floppy drive USB
Transferring
songs from
Megabeat Pro
CD/DVD Rom

G) To cancel files. The procedure is similar to the import files one (see A).
H) To export files on a device unloc ed in writing and connected to MatrixOne. The procedure
is similar to the import files one (see A).
I) Screen dedicated to pedal command assignment, display brightness regulation, spelling
option (if available in the file text info), and finally by pressing the "NEXT >" ey you access
the option to view the text on a TV device, by means of RCA connector, or VGA screen,
connected to the homonymous connector located in the lateral panel. We recommend to
connect the TV device or the monitors before turning MatrixOne ON.
Bac to “CONSOLE”:
3) To modify or insert text in songs.
) To rename songs. After pressing this button select the song to be renamed. In the console's
space (1) the name of the song to be changed will appear. Apply the needed changes and press
ENTER.
5) To obtain more symbols.
Let us now examine the windows and functions of the 8 button bar available at the bottom left,
which correspond to the 8 sliders that regulate output volume. These buttons allow to select the
sound source on which you may operate.
1 2 3 5
1) These functions have already been explained in Section 2 - Main Display. It is, still, necessary to
deepen the successive functions after pressing the "ADJUST" button:
A
B
C
D E F G
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Global loaded
soundfont

A) MIDI channel number. Under each one, volume value and indicator of activity per single
trace.
B) Volume slider.
C) Access next channel window.
D) Reset values to original default.
E) “SOLO” to exclusively listen to the selected channel; "MUTE" to mute it.
F) After pressing the "EDIT" button, a window will be shown where it will be possible to apply
all the needed changed in the trace selected:
Lower button explanation (from left to right):
“RESTORE”: Restores values to original default.
“SF:GLOB”: To assign to a single MIDI channel an instrument generated by a soundfont
different from the original one.
“MIDIOUT”: To determine if the events of the trace must exit the MIDI OUT port (useful for
the eventual use of an external harmoniser).
“SOLO”: to exclusively listen to the selected channel.
“EXIT”: To exit the window. After pressing the “EXIT” button you will be as ed by the
message , if you want to save the changes (Yes) o not (NO). Press "YES" to
accept the changes or "NO" to return to the previous window WITHOUT saving the
changes. Please note that the changes will remain active until you press the "RESTORE"
button or successively to the performance of another song.
Important notice: it is possible to individually save different settings of the same song, both in list or
group. As a result, the same song may have different characteristics if performed in a group or in
the "ALL SONGS" list.
13
To modify an
assigned
instrument.
Highlight the
instrument's
name and apply
the changes by
means of the
PAGE/VALUE
nob
Panpot R/L
+/- 1 Octave
To change the channel to
operate
Volume and quantity regulation
for Reverb and Chorus

By selecting channel 10 the "MIDIOUT" button becomes "DRMEDIT", where it is possible to modify
velocity and replace single battery sounds within the drum it in use.
Scrolling the channel, after the sixteenth one (the last MIDI) the window shows 8 more slider (from
17 to 24), corresponding to 8 traces, available audio for recording, in synch with a MIDI song
14
Velocity regulation of
single rhythmical
instrument.
To restore
parameters to
original value.
To modify the
rhythmical instrument
assigned. Highlight the
instrument's name and
apply the changes by
means of the
PAGE/VALUE nob
Scroll to select the single
rhythmical instrument in
the MIDI song in use.
To exit the window.
To exclusively listen to the selected channel.
By pressing this button (red
activated) the recording is
paused waiting for the start
of the MIDI song played
(Play)
To select one of
the 4 audio
sources
Balance (panpot)
Audio trace volume. Following to the
right, regulation of reverb quantity and
Monitor level out
To cancel a
recording
segment
To copy the selected
segment (red) in another
trace (the copy within the
same trace will be
available in the future
software versions)
Space reserved to
view the recorded
audio segments
Number of rhythmical
instruments used in the selected
MIDI song

Bac to the 8 button bar available at the bottom left.
2) In this window it is possible to singularly modify volume, sample frequency and panpot, for each
of the 9 loaded samples.
3) This window proposes individual settings for each of the 4 analogical inputs. Y pressing the
button corresponding to the input you want to wor with (i.e. IN1), it is possible to view the 4 band
EQ, parametric on overlapping bands and the reverb volume regulation.
The buttons below allow to:
“RESTORE”, to restore EQ in neutral position and reverber at zero.
“FREQ”, to assign the center frequency of the parametric EQ (active only on medium-low
and medium high frequency bands).
“SAVE”, to save all settings, including those of the successive parameters, in "SCENE" to
which you may assign a name by means of the CONSOLE that will automatically activate
itself by pressing the button.
“FX”, to access the available effects, currently: Compressor, Chorus, Combo (a guitar
amplifier simulator), and Delay. Select the desired effect by means of FX – and FX +
buttons. The "ACTIVE" button is also present to able (red) or enable (grey) the effect.
“EXIT” to exit the window
) The functions activated by pressing this button are relative to a MIDI eyboard (not supplied),
eventually connected to the MIDI IN port of MatrixOne (naturally on opposite side of the MIDI cable
the MIDI OUT port of the eyboard must be connected) and to the available arranger.
The first window regards the MIDI eyboard connected to MatrixOne.
It is possible to assign up to 4 "LAYERS" (that is eyboard zones) 4 different instruments.
The buttons on the bottom part of the window:
15
Highlight the field and, by means of the
Page/Value nob, choose the desired
instrument.
Fields to assign other
instruments.

Button to
activate the
arranger by
means of a
connected
MIDI eyboard
Level regulation of
arranger's singular
instruments (function
currently not
implemented)
Arranger's independent
volume
Arranging
performance
speed
To exit the
arranger window
Layer from which the arranger receives
the input (harmonic information)
Rhythmical
scan
“LAYERS”, to access the window where it is possible to assign the eyboard portion to
which assign a particular instrument.
“EDIT” to access the window where it is possible to regulate volume and balance (panpot),
the effects (Reverb/Chorus), and the soundfont to be used for each single layer.
“SAVE” to save the “PERFORMANCE”. As in similar cases, the CONSOLE will
automatically activate itself to allow to record a name, in this case, to the PERFORMANCE
created.
 “MUTE” to mute the selected layer.
“ARRANG” to access arranger functions, for which we will deeply describe the
characteristics.
In order to use the MatrixOne built-in arranger, it is necessary to,:
first, load a STYLE, then position yourself on the ALL SONGS
window (top left), and successively press the left cursor button
to access the BROWSER window.
Then scroll the various folders and access (by means of right cursor
ey or touch screen) in the "STYLES" folder and load, by pressing the
"LOAD STYLE" button, one of the many preloaded MatrixOne styles.
As already previously mentioned the styles supplied are in the widely
nown Yamaha™ format, ad it is possible to free download them
from internet.
Once a STYLE has been loaded, the arranger can function: please note that according to the style
loaded, more or less variations may be available.
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Bac to the last of the 8 buttons of the bar, below left:
5) In this window it is possible to regulate the monitor and headphones sends of the 7 available
sound sources (the songs MIDI&Audio, the samples, the 4 analogical IN and the eyboard
eventually connected via MIDI), as well as the reverb level, allowing thus to difference and adapt to
your needs the principal output Left/Right, monitor send, eventually connected and headphones.
Other functions bound to this window are audio recording, output global EQ and effects.
The following window will appear after pressing the "MAST" button:
A L
I
B
H
C
D E F G
A. Balance (panpot) individual regulation for each sound source.
B. Buttons that determine if the input 1-2 are to be considered as 1 stereo channel or 2 mono.
The same for inputs 3-4. If the buttons are white, then the channels will be considered
singularly, if the buttons are red then the channels will be "lin ed", becoming 1 stereo
channel.
C. This button heads towards the panel dedicated to the recording of the audio signal on the
principal Left/Right outputs, allowing to record in real time your live performances; this is a
very requested function, which is seldom found on this type of units.
We explain this issue deeply, using the chart below.
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To exit the window
D. The dedicated portion of screen proposes an 8 bands graphical equalizer that intervenes on
the principal Left/Right outputs. The center frequencies are described under the
increase/decrease sliders. Three buttons explanation:
“Restore” To restore original manufacturer's values
“PNOISE” utters a test signal.
IMPORTANT NOTICE: be sure to eep the sliders low, and then, increase them little by
little before pressing this button (PNOISE). ESS declines any responsibility for eventual
damages to audio instrument/device derived by the missed respect of this important
notice.
“EXIT” To exit the window.
E. To save the set mixing in scenes that may be successively loaded, by choosing them in the
"BROWSER" window, in the "INPUT SCENES" folder.
F. By pressing "EFFECTS" you reach the window dedicated to settings of:
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Audio file format of recording.
It is possible to register Mp3 files
reducing the size occupied on hard
dis , or non compressed Wav
(10sec.=~10Mb)
Mp3 compression level (bitrate).
The highest this parameter will be, the
highest the recording quality will be, but
also the size of the resulting file, still, by
opting for bitrate 160/192 Kbps, it will be
possible to obtain more than satisfying
quality recordings.
To choose if recording is
MONO or STEREO.
STEREO recording files, of
course, will result twice
bigger than MONO.
If activated (red) the recording will
begin automatically as soon as an
audio signal will be detected
To restore default values
To begin recording

Filter "Cut Off”
operating area
"Flanger" effect
operating area
To unify the
movements of both
effects
To restore the
default values
To exit the
window
Function currently not
enabled
Cursors to modify in real time
parameters relative to the 2
effects
“AUDIOREV”, where it is possible to regulate parameters relative to reverb, to be
exclusively applied to audio sources.
“MIDREV”, where it is possible to regulate parameters relative to reverb, to be
exclusively applied to MIDI songs.
“MIDCHOR”, includes parameters relative to chorus which should be exclusively applied
to MIDI songs.
G. “FILTER” heads towards the coloured window where it is possible to modify, in real time, the
parameters relative to the 2 effects, a powerful Cut Off filter and a rich Flanger, by simply
moving with a finger (using the touch screen) the relative cursors.
H. If set on “MON=LR” (red), the signal will be the same of the principal outputs Left/Right, else the
parameters set in the window (MASTER - MONITOR/PHONES SEND) will be active.
I. Reverb level in monitor and headphone output
L. Level of the seven sound sources (active if “MON=LR” is grey coloured).
19

How to mar the initial cut:
During the song's performance
press, with slight anticipation, to
create the "START" point.
It may be possible to improve the
cut by means of the horizontal
zoom, selectable by the cursor
eys ▼▲

“CUE/CUT”
We would li e to underline, beforehand, that within this function addressed to "cut" (and not only)
the songs per your needs, the view of both MIDI and Audio songs is represented by a waveform,
which is a very common issue for audio files, but represents a new concept for MIDI files.
A specific point within the MIDI file will not be, therefore, located by means of musical measures,
but graphically, through this model of waveform.
With a selected song (green), by pressing the "CUE/CUT" button, after the short message
"BUILDING WAVEFORM FROM FILE”, the window (usually assigned to group management) is
being replaced by the following window:

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On top, the wave form. We advise, as in Audio
songs, to refer to the signal pea to identify a
specific point.
The signal pea s may be, with due context,
compared to the beginning of the beat, a quart, a
sixteenth, etc..
Function active only for Audio
songs. The song segment will be
automatically saved in the folder
SAMPLES  LOOPS, where it will
be possible to select and load one
of the 9 pads available in the
SAMPLES section.
How to mar the final cut.
The instructions are the same as
the initial cut (START)
By pressing this ey the cursor will
position itself on the selected cutting
point (red), “START” or “END”
See next page