Fostex DV-40 User manual

03H 02M 52S 05F 43SF
Movie Production TV Production Location Recording Live Stage RecordingTheatre Sound Playback
PD-6
DVD Location Recorder
DV824
DVD Multitrack Recorder
DV40
DVD Master Recorder
DVD-RAM Location Recording,
Multitrack and Mastering Solutions
D
™

PD-6
Portable Location Recorder
The Fostex PD-6 is the new standard for
multitrack portable location recording on set or
in the field. Offering 6-channel recording at
24-bit / 96kHz with timecode on 8cm
DVD-RAM or optional internal hard drive, the
PD-6 is the answer to all of the new challenges
for location recording today. In addition, it
features a full-function, high-specification 6-
channel mixer, ‘easy access’ monitoring and
all the connectivity one would expect, and
need, from a thoroughly professional unit.
Removable or Internal Media
Designed from the ground-up for location
recording and to provide vibration stability,
high speed access and most importantly, high
reliability, the PD-6 is already proving itself in
motion pictures, TV productions and outside
broadcast. It can record to 8cm DVD-RAM or an
internal hard disk with DDR (Dual Disk
Recording where data is recorded direct to
both DVD-RAM and hard drive making for
quick handover of the days audio files to the
edit suite), and Auto Copy (immediate and
background modes) functions present. Plus, by
adding the EX12 docking station, even more
media recording choices are available.
Fully Featured On-Board Mixer
The six channel mixer accepts either
microphone level, with both T-Power (12V) and
phantom power (48V) available, or line level.
Phase reverse is provided on the three even
channels while each channel features
adjustable input gain. A generous defeatable
The New Industry
‘On-Cart’ Standard
8cm DVD-RAM NP-1 type battery
40GB INTERNAL HARD
DRIVE - MODEL 9056
Model 9056 is a service-centre
fitted 40GB 1.8" hard drive
partitioned into 1.46GB areas,
providing the equivalent of 27
‘mini’ DVD-RAMs-worth of audio
file/take storage. This makes it
ideal for extended recording
periods away from base and for
having a redundant copy
available within the PD-6 itself.
When recording direct to the
40GB hard drive, the PD-6 can be
set to DDR (Dual Disk Recording),
making for the quick handover of
audio files to the edit suite at the
end of a days shooting. With the
unique Fostex metadata provided
as standard in the BWF files the
whole post production process is
even quicker and more cost-
effective than ever.
DOCKING STATION -
MODEL EX12
The EX12 docking station
provides an additional two media
choices; ‘full-size’ DVD-RAM and
an additional 2.5-inch 40GB hard
drive. The EX12 hard drive sports
8 x 4.7GB partitions to match the
format of a single-sided DVD-
RAM disc and it or the DVD-RAM
can be selected as the primary
recording medium, with
file/exchange, DDR (Dual Disk
Recording) to both hard drive
and DVD-RAM functions
available. With the longer
recording times, the EX12 is
ideally suited for use in sound
mixers carts, on sound stages or
in edit suites. The unit can be
rackmounted, and can provide
power to the docked PD-6.
IEEE1394 and USB1.1 ports are
provided to allow external
computer access to the DVD-
RAM drive.

and variable high pass filter and an individual
defeatable limiter, with software selectable
characteristics and linking, are also provided.
The most ingenious part of the mixer however
is the routing capability: working in conjunction
with each channel’s level controller, the ‘Disc
Feed’ switch allows the recording section of
the machine to derive its audio ‘feed’ from
three different sources.
1. PRE the channel level control, meaning
levels are set once with the earlier trim pot,
leaving the front level controls for bus
mixing
2. POST the channel level control providing for
regular level adjustment on the easily
accessible controls
3. From the Stereo Bus, routed by the PAN
switch
These three modes provide simple stereo
mixing of all six channels and by using a
combination of modes, mono or stereo parallel
mix (guide) tracks can be made.
Rock Solid Timecode
Add to this the ‘easy access’ monitoring,
rock solid timecode functions,
new EX12 docking station for
multi-format recording
and all the
connectivity one
would expect and it’s
easy to see why the
PD-6 is becoming the
new ‘on-cart’ industry
standard.
Future software developments and updates are via DVD-RAM cartridge and downloadable from the dedicated web site: www.fostexdvd.net
Balanced AUX I/O 10 sec (256MB) pre-record 6 channel mixer Flexible monitoring
Main Features
• BWF recording file format (interleave 1 file mode) in
either 2, 4, 5 & 6 track modes along with
simultaneous two file recording modes of 1+5 and
2+4 tracks for guide track audio
• Fostex Verify/Write feature constantly examines data
being recorded to DVD-RAM
• UDF (Universal Disc Format) on DVD-RAM allows
discs to be read by both PC and Mac platforms
• *Dual Disk Recording (Mirroring): records to both HD
and 8cm DVD-RAM simultaneously. Even file edits
performed on either disk after recording will be
reflected (mirrored) to the other one
• *Two Auto Copy modes;
(1) Auto Copy (Immediate). Recording to HD with
immediate copy to 8cm DVD-RAM disk
(2) Auto Copy (Background). Audio recorded to HD is
copied to 8cm DVD-RAM automatically while PD-6 is
idling (i.e. not in record).
• Manual Copy is also available where a file or a whole
partition (disk) can be copied between a partition and
DVD-RAM, or two partitions in the HD at anytime.
• On-board timecode generator with +/-1ppm
accuracy and built-in backup offers all frame rates
including 23.976 and 29.97+ drop and pull-up/down.
Generator can be 24H, Rec Run, Free Run or external
complete with jam. Repro or generator output
• Avid™ compatibility. BWF files recorded on the PD-6
can be imported directly into Avid Film Composer
along with information about Scene, Take, Reel
Number, Event, etc. being transported and read from
the file’s, user-editable Metadata
• Circle Take with dedicated key, to mark files/takes for
easy ID leading to quick imports referenced in the
EDL. Up to 100 cue points per file/take
• EDL management built-in to create & edit multiple
ALE (Avid™ Log Exchange) compatible edit decision
lists per DVD-RAM.
• IEEE1394 (FireWire) interface for fast mirror and
restore. When interfaced to a PC, PD-6 DVD-RAM
discs can be mounted on desktop
• USB port for keyboard connection
• Pre Record enables PD-6 to constantly buffer up to 10
secs of audio (no more missed takes)
• 128 x 64 highly visible, low power consumption back-
lit dot matrix display. Alternative level meter resolution
indication on display
• Auxiliary bus input/output provides for remote camera
working and monitoring (e.g. HD cam) with switchable
output between +4dBu, -10dBu and -60dBu to cater
for most camera manufacturers requirements.
Industry standard 10-pin Hirose connector
• Two auxiliary 12volt outputs on Hirose 4-pin
connectors provide power for radio mic receivers,
etc. to allow for self-contained operation on location
• Slate microphone and tone generator on-board
• Digital I/O software selectable between AES/EBU or
S/PDIF with auto and manual input sensing,
switchable in pairs: 1+2, 3+4 and 5+6
• Flexible monitoring through headphones and/or built
in speaker & amplifier. All track combinations can be
monitored post-disc either individually, in summed
mono or stereo modes. MS monitoring as standard.
Aux return and stereo bus live monitoring is provided
plus individual channel PFL.
• External Word & Video sync inputs (auto selection)
and Word Output plus parallel remote connector
• Optional AATON connector (ASCII & LTC I/O compliant)
for external loggers, timecode synchronisers, etc.
• Automated file/take naming speeds set-up time
between takes complying to US and Euro standards
• Comprehensive selectable UBIT output format
combinations including Scene, Take, Event no., etc.
Paul Brincat - Sound Mixer
From the tropical jungle to the
desert wastelands of Tatooine,
30-year veteran and award-
winning sound recordist Paul
Brincat has enjoyed a career that
has led him to all corners of the
globe. Paul used a Fostex PD-6
on the recent Star Wars III shoot
and his experiences are relayed
to Audio Technology Magazine in
an excellent article which is
available to view online at
www.fostexdvd.net
Movie Production
Brian Laurence - Sound
Designer & Producer
Brian pioneered the 6-channel
full-surround audio format first
seen at the Australian Pavilion at
EXPO in Spain. Recently he was
commissioned to record the
audio for the Lions section at
Werribee Open Range Zoo on the
outskirts of Melbourne, requiring
him to capture sound on location
in Botswana. “It all worked
perfectly, under reasonably
extreme conditions of heat, dust
and bumpy vehicle tracks. The
ability to ‘pre-record’ was great
for nature recording, where you
can wait hours for a single lion
roar.”
“The 6-channel format also fits
easily into the Dolby Digital 5.1
format, providing rich, involving
true-to-life atmospheres, for just
about any scene.”
Soundscape Project
*When 9056 installed or EX12 connected

Main Features
• Up to 8-track simultaneous recording at 24bit/48kHz
• Up to 4-track simultaneous recording at 24bit/96kHz
• Slim line chassis - just 2U high - for easy handling &
installation
• Analog balanced XLR inputs and outputs for all 8
channels
• AES/EBU digital inputs and outputs for connection to
analog and digital audio mixers
• Flexible AC or DC (for location use) power operation.
Supplied with AC adapter (AD-15C) as standard.
• BWF file format and UDF disk format combine for
excellent PC/Mac compatibility
• Playback of disks recorded on both DV40 and PD-6.
• 132x64 dot-matrix LCD display
• Large LED time display and 18-bar level meters.
• High-speed 10/100Base-T Ethernet port for data
transfer via the media network
• Multiple DV824’s can be controlled by a master DV824
through the 9-pin remote connector
• Dedicated front-panel USB keyboard input for easy
file naming and editing.
• Flexible programmable playback function
• Interface expansion via card-frame system with
optional cards
• Optional Timecode/Sync (Model 8348) card allows for
both internally-generated and external timecode with
+/-1ppm accuracy to be integrated into the recording
process. An LTC offset can be set independently for
each file
• Bi-Phase input included on Timecode/Sync card for
synchronization to film projectors
• Optional Hard Drive (Model 9057) allows for Dual Disk
Recording as well as Auto Backup functions
• Optional IEEE1394/USB 2.0 card (Model 8370) will be
available for fast data transfer to/from PC/Mac.
DV824
DVD Multitrack Recorder
EASY ACCESSIBLE
FUNCTIONS:
DV824’s easy to use menu system
and large 135 x 64 dot LCD matrix
display aids usability.
The next generation of standalone multitrack
recorders is here, and provides supreme
quality 8-track recording to standard-size
DVD-RAM discs in a unique package
representing the very forefront of multitrack
recorder design.
But, then again, you would expect nothing less
from Fostex.
Market Leaders
Starting with the 8-track D80 almost 10 years
ago and continuing with today’s acclaimed 24-
track D2424LV, Fostex have been driving the
standalone HD-based multitrack market
forward through innovation and refinement.
Now, with the experienced gained in
implementing state-of-the-art DVD-RAM
recording technology into the revolutionary
DV40 Master Recorder and industry standard
PD-6 DVD Location Recorder, Fostex present
the new D824 DVD-RAM based multitrack.
DVD-RAM Technology
The DVD-RAM format has fast become the
format of choice among audio, video and film
professionals around the world. It has built-in
error correction, (enhanced by ‘Verify/Write’
technology which constantly examines the
recorded data being stored on DVD-RAM), is
8 Track Digital
Recording Direct to DVD-RAM
Standard 12cm DVD-RAM U

durable, and has longevity. It therefore seemed
only natural to use the technology for a brand
new breed of multitrack recorder.
Innovative Modular Approach
Fostex have identified that different
applications require different interfacing
options. For example, TV show recording will
require timecode facilities, whereas live stage
recording will not.
Taking a leaf out of desktop computer design
and to broaden the appeal of the machine
across multiple applications and
environments, the DV824 employs a unique
modular card-frame approach.
Primary recording and playback functions,
along with metering, user interface and disc
management, are all handled by the powerful
mainframe, with additional functionality, (such
as timecode), available via plug-in cards.
This allows the DV824 to be tailored precisely
to accommodate diverse applications with
plug-in options available for Timecode / Bi-
phase facilities, IEEE1394 interface for direct
data transfer to/from PC or Mac, and internal
Hard Disk for dual disk recording with auto
backup. - With the DV824 you only pay for the
features and functionality you actually need.
However, there is a lot more to the DV824 than
its unique card-frame construction.
SB port for PC keyboard Large time display Balanced I/Os
Perfect for today’s surround
sound recording requirements,
the DV824 provides a full 8
channels of 24-bit recording and
Timecode/Sync facilities with
Model 8348 card fitted.
TV Studio Recording
Being able to record 8-tracks
simultaneously, the DV824 is
well suited for recording live
stage audio. Balanced XLR
inputs are present for all 8
recording tracks.
Stage Recording
For large-scale theatre and
‘event’ sound, the 8 track DV824
provides a number of exciting
possibilities including
programmable playback
functions.
Theatre Sound
The DV824 fits right into the
location recording environment
and outside broadcast
acquisition. Full timecode
facilities are available with the
Timecode/Sync card fitted.
On-Cart Location
Predictable Sonic Quality
First there is the excellent audio quality offered
by the high-definition recording engine which
offers multitrack recording in one of six audio
formats up to 24bit / 96kHz.
Then there’s the full compliment of balanced
analog I/O and AES/EBU digital I/O, the
programmable playback feature (ideal for
telecine playback), the comprehensive
headphone monitoring, the smart file
administration and Ethernet networking.
In addition, the DV824 can be powered via AC
or DC current, making it ideal for on-cart
location applications, and it employs the same
BWF file format and UDF disk format as other
Fostex DVD-RAM machines for excellent
PC/Mac compatibility.
Finally, there’s the intuitive operation, thanks to
a user interface which combines a 132 x 64 dot
LCD display, positive-action buttons / switches,
large LED time indicator, 18-bar level metering
and intelligently written software.
Supremely Versatile
Ready for TV show recording, live stage
recording, small event playback, large scale
live theatre SE playback, on-cart location
sound recording, telecine playback and more,
the new Fostex DV824 is probably the most
versatile multitrack ever designed.

The DV40 was, and is, a revelation. Here is a
rackmount unit which can record up to 4 tracks
of digital audio to removable DVD-RAM UDF
discs in either BWF or SDII formats and with
full timecode facilities. And a machine which
elegantly addresses the challenges presented
by today’s ‘random access’ requirements. Post
production facilities, sound mixers, radio
stations and ADR suites have welcomed the
DV40 with its large scale Jog/Shuttle wheel,
ultra-ledgeable LED screen and mutiple front
panel controls which make for fast ‘hands-on’
use. - Most of the DV40 functions are just a
single button push away.
4 Track Master Recording
Able to record four simultaneous non-
destructive audio tracks to DVD-RAM at up to
24 bit / 192kHz resolution and with its elegant
timecode implementation, the DV40 has
quickly become the machine of choice for
many film and tv productions in the US, Europe
and beyond helping to streamline the
production process and hence reduce costs.
Universal Disc Format
Post production houses too have warmed to
the DV40. The handy Universal Disc Format
(UDF), which allows DV40 media to be
mounted and read by Macintosh and PC
workstations, easy media network integration
and ultra-fast, rock solid synchronisation, is
revolutionising many productions from Los
Angeles to London.
Of course what really sets the DV40 apart is its
elegant handling of timecode as it addresses
the challenges presented by today’s ‘random
STANDARD ETHERNET
DV40 is equipped with 10/100Base-T
Ethernet as standard. Once the IP
address is set DV40 files will be
available via your media network.
BALANCED I/O
Each of the four audio channels
feature balanced XLR inputs
individually switchable between
+4dBu and –10dBV and the highest
quality 24bit/192kHz AD converters.
The outputs are provided on both
balanced XLR again with 24bit/192kHz
DA converters as well as 1/4"
unbalanced phone jacks for easy
monitoring hook-up.
24-BIT / 192kHZ RECORDING
The DV40 is capable of recording up to
24bit / 192kHz depending on recording
mode used. In addition, other formats
offered: (see chart on page 8) 16bit /
44.1kHz, 16bit / 48kHz, 24bit / 44.1kHz,
24bit / 48kHz, 24bit / 88.2kHz, 24bit /
96kHz and 24bit / 176.4kHz
AUDIO SCRUBBING
The large high-resolution (200 pulses
per rotate) jog/shuttle dial and clever
digital tracking technology result in
incredible audio scrubbing.
FLEXIBLE MONITORING
Headphone monitoring is provided with
switchable source selection for Track
1+2, Track 3+4, Track 1+3/2+4 and
each track individually.
SYSTEM INTEGRATION
Interoperability and system integration
is taken care of via 9 and 15 pin RS-
422 connectors. Both interfaces comply
to the Sony 9-Pin protocol for standard
VTR emulation and Fostex’s own
extended instruction set.
New Industry Standard
DV-40
DVD Master
Recorder
Main Features
access’ requirements: able to synchronise with
both external word and video signals, the built-
in timecode generator is fully featured and
even includes the new 23.976 frame HD
camera mode.
Continuing Development
Fostex continue to develop the platform; Model
5050 card allows the DV40 to read the 6 track
files on 8cm DVD-RAM created by the PD-6
and adds analog outputs 5 & 6 are on balanced
XLR connectors as well as AES/EBU on XLR;
enhanced ‘take’ (file) naming complying with
US and European clapper board standards and
EDL management tools allowing ALE (Avid Log
Exchange) compatibility.
The perfect production partner to a PD-6 or the
ultimate timecode master recorder. The DV40
is all this.
And more.
• Universal Disc Format on DVD-RAM. Discs can be mounted instantly on both PC and Mac platforms
• Record Mono, Stereo or Multi (4 track) at various frequencies (44.1 / 48 / 88.2 / 96 / 176.4 / 192kHz)
• Two recording modes (Insert and Tape) • Built in I/O options
• Analog audio scrubbing by using high precision/ tracking JOG/Shuttle encoder dial
• On-board timecode generator with +/-1ppm accuracy and built-in backup offers all frame rates
including 23.976 and 29.97+ drop and pull-up/down. Generator can be 24H, Rec Run, Free Run or
external complete with jam, while output can be repro or generator derived
• Avid™ compatibility. BWF files recorded on the DV-40 can be imported directly into Avid Film
Composer along with information about Scene, Take, Reel Number, Event, etc. being transported and
read from the file’s Metadata. The Metadata area is user-editable for future expansion
• PD-6 8cm DVD-RAM discs can be played out on a DV-40 by simply removing them from the caddy
and placing in the DVD-RAM tray

Fostex started a revolution 18 years ago
inventing timecode DAT and portable timecode
DAT and now they’re doing it all over again
with the new revelation in digital recording -
Timecode DVD-RAM.
Removable DVD-RAM
Fostex chose DVD-RAM as the most suitable
successor to DAT after extensive research and
testing. DVD-RAM has excellent reliability and
has already established itself as the film
industry’s preferred media format due to its
built-in error correction and longevity. This
security is enhanced by the Fostex’s proprietory
‘Verify/Write’ technology which constantly
examines the recorded data being stored on
DVD-RAM, in real-time, for error-free recording.
Plus, ensuring compatibility throughout the
industry and maximising the DVD-RAM
technology, the DV40, PD-6 and new DV824 can
record multiple channels of simultaneous audio
(4 with the DV40, 6 with the PD-6 and no less
than 8 with the new DV824), in a vast number of
permutations and in BWF (PD-6, DV40 and
DV824) or SDII (DV40 only) formats.
In a class of their own
With superb audio quality, up to 24-bit /
192kHz
1
available, flexible and comprehensive
timecode facilities and ‘common sense’
usability, Fostex DV40, PD-6 and DV824
Timecode DVD-RAM machines are not just
class leaders, they’re totally in a class all of
their own.
The New Industry Standard
SYNC AT ALL STANDARD REFERENCES
All the standard clock references of word and video are
included with the ability to resolve to incoming timecode.
24-BIT AUDIO QUALITY FOR FLEXIBLE
RECORDING
The DV40, PD-6 and DV824 are capable of recording up to
24bit audio depending on recording mode used.
UDF (UNIVERSAL DISC FORMAT)
VERSATILITY
As the UDF (Universal Disc Format) is utilized, discs can be
read by any computer OS (Windows, Mac, etc.) which
makes for easy transfer of audio files to and from the
recorders for external editing.
TIMECODE DVD RAM
The Removable Media Revelation
D
™
Chris Munro - Sound Mixer
One of the world’s leading
Production Sound Mixers and a
BAFTA and Oscar™ award
winner, Chris used Fostex
Timecode DVD-RAM technology
for audio acquisition on the latest
James Bond hit ‘Die Another
Day’. Chris has pioneered the
‘magless dailies’ process, (see
bottom left), which saved the
production a small fortune.
Always in demand, Chris is
recognised as setting quality
standards in the film industry.
Movie Production
Joe Kenworthy - NYPD Blue
Sound mixer Joe uses Fostex
Timecode DVD-RAM machines
for audio acquisition on the ever-
popular NYPD Blue TV series.
“The big thing for me is that I get
a digital file from the beginning,
and all our digital editing
machines can take those files
and begin to work, with less
transfer time. We are using a
first-generation signal all the way
through the chain, which keeps
quality high, and it’s quicker, with
no conversions involved.”
TV Production
Jay Hartigan - Shooters Post
Jay has been a production sound
mixer for the past 25 years and is
one of three owners of Shooters
Post & Transfer, a Philadelphia
based production facility. “Every
day we transfer 1/4" production
sound to our DV-40 for film
transfer. It turns what was once a
slow, tedious sync session into a
fast easy job. Once the field
sound is on DVD-RAM we no
longer have to wait for the audio
to sync. It’s always right there.”
Post Production
ON SET
Audio acquisition direct to DVD-RAM in
BWF. Scene, slate, take, reel &
timecode automatically stamped to
each file/take.
EDIT SUITE
Fast import of the day's audio files, direct
from DVD-RAM, into Avid Film Composer. All
takes already automatically labelled. After
sync to picture, quick export of the audio track
to the DVD-RAM 'daily disc'.
No real-time batch digitizing of audio into editor - save time
No expensivemaking of mag stock for daily rushes - save money
SCREENING ROOM
'Dailies disc' can be played on a DV40
synced to the screening room's
projector with instant lock and hi-
speed playback features as standard.
D
No need to covert or
batch digitize audio
TIME & BUDGET
SAVING
D
No need to make
mag stock
TIME & BUDGET
SAVING
Sound Mixer Chris Munro pioneered the ‘magless dailies’ concept, originally
with the Fostex PD-4 DAT, and has refined it with the use of Fostex's DVD-
RAM products and was honoured with the Charles Parkhouse Award for his
work in this area. The day’s audio can be loaded into a non-linear editor
complete with all auto-generated scene, take, reel info and more, in just a
couple of minutes for each hour of audio directly from the DVD-RAM disc,
with no additional software! After syncing to picture, an export to another
DVD-RAM disc produces the 'daily disc'. The editor gets all his labelling done
for him by the acquisition machine, along with a guide audio track; the
production team watch rushes in original digital audio; and most importantly,
the production saves tens of thousands of dollars by not having to use (and
store!) expensive mag stock, and wiping off hours from the post process.
‘Magless Dailies’
Fostex Timecode DVD-RAM recorders
are currently being used in major film,
TV and post production applications in
the USA, Europe and beyond. Fostex
actively encourages user feedback and
continually develops the products
incorporating new features and
enhancing usability...
1
192kHz available on
DV40 only
2
Dependent on
version
Ken Mclaughlin
On the set of ‘Meet the
Fockers’, the sequel to
‘Meet the Parents’.
Ken Fuller
TV shows including
Superman, Homefront,
Crossing Jordan and
others.
Art Rochester
Works on most Jack
Nicholson movies
including ‘Somethings
Gotta Give’.
Dave Macmillan
Winner of 3 Oscars:
Including Appolo 13
with Tom Hanks, and
Speed.

Distributor / Authorised Dealer
In accordance with our policy of continuous development, we reserve the right to change specifications without notice. E&OE.
Fostex Company, 3-2-35 Musashino, Akishima, Tokyo, Japan 196-0021
Tel: [phone] Fax: [phone]
www.fostex.co.jp
GENERAL
Recording Medium ATAPI DVD-RAM (8cm)
40GB Internal Hard Drive
Recording Format BWF (SDII™ & AIFF planned future option)
Recording Medium 8cm DVD-RAM
Sampling Frequency 44.1 / 48 / 88.2 / 96kHz
Quantization 16bit (44.1 / 48kHz)
24bit (44.1kHz / 48 / 88.2 / 96kHz)
Recording Tracks See chart below
INPUT / OUTPUT CONNECTORS (0dBu = 0.775Vrms)
ANALOG AUDIO INPUT CH. 1-6 (Line/Mic selectable)
Connector XLR-3-31 type (Pin2:Hot)
Input Level -30 - +4dBu (+/-5dB, Line)
-60 - -26dBu (+/-5dB, Mic)
Maximum Input Level +24dBu (Line) / -40dBu (Mic)
Input Impedance More than 10k ohm
ANALOG AUDIO OUTPUT TR. 1 - 6
Connector XLR-3-32 type (Pin2:Hot)
Reference Output Level +4dBu
Maximum Output Level +24dBu
Output Load Impedance More than 10k ohm
AUX INPUT / OUTPUT
Connector 10pin – male / balanced (Hirose)
Reference Input Level +4dBu
Maximum Input Level +24dBu
Input Impedance More than 10k ohm
Reference Output Level +4dBu / -10dBu / -60dBu (switchable)
Maximum Output Level +24dBu
Output Load Impedance More than 10k ohm
DIGITAL INPUT / OUTPUT CONNECTOR
Connector D-sub 25pin (auto software selection)
Input Format IEC60958 (S/P DIF) or
IEC60958 (AES/EBU)
Output Format IEC60958 (S/P DIF) or
IEC60958 (AES/EBU)
LTC INPUT
Connector XLR-3-31 type (Pin2:Hot), balanced
Format SMPTE/EBU
Reference Input Level 2Vp-p
Minimum Input Level 0.25Vp-p
Input Impedance More than 20k ohm
LTC OUTPUT
Connector XLR-3-32 type (Pin2:Hot), balanced
Format SMPTE/EBU
Reference Output 2Vp-p
Output Impedance Less than 1k ohm
Output Load Impedance More than 600 ohm
VIDEO / WORD INPUT
Connector BNC (auto software selection)
Reference Input Level TTL level (w/ 75ohm termination SW)
WORD OUTPUT
Connector BNC
Output Level TTL level
AATON INPUT / OUTPUT (Option)
Connector LEMO 5pin
Format Complies to ASCII & LTC I/O
IEEE1394 P1394a Draft 2.0 4 pin
USB Serial A Receptable
HEADPHONE OUTPUT SOLO or STEREO/MONO: 1+2, MS,
3/5+4/6, 1/3/5+2/4/6, 3/5+2/4/6,
1/3+2/4, ST. AUX IN, ST. BUS
Connector 6mm dia stereo phone jack
Load Impedance More than 32 ohm
Maximum Output Level 200mW (at 32 ohm)
PARALLEL REMOTE
Connector MINI DIN 8pin female
DC12V - 18V IN
Connector XLR-4-32 type
DC12V OUT
Connector HR10A-7R-4S (Hirose 4pin female) x2
Max. 0.5A (Total combined)
PERFORMANCE
R/P Frequency Response 20Hz to 20kHz +/-1dB (fs : 44.1 / 48kHz)
20Hz to 40kHz +/-1dB (fs : 88.2 / 96kHz)
Signal to Noise Ratio
Line: 100dB (ADC-DAC, 24bit,
ref:-20dB, fs:48kHz) typical
Mic: 87dB (ADC-DAC, 24bit, ref:-20dB, fs:48kHz) typical
Dynamic Range 100dB (ADC-DAC, 24bit, ref:-18dB, fs:48kHz) typical
T.H.D. Less than 0.01% (1kHz, -1dB, ADC-DAC, 24bit,
ref:-18dB, fs:48kHz typical)
Reference Recording Level -18 / -20dB (switchable)
Cue Point Chunk 100
Power Life 2 hours continuous operation estimated,
NP-1 type Li-ion
PHYSICAL
Power Requirement NP-1 type battery
AC Adaptor - option model AD-15C
DC 12V - 18V
Power Consumption 25W
Dimension 329 (W) x 110 (H) x 245 (D)mm
Weight 3.5kg (w/o battery)
OPTIONAL ACCESSORIES
EX-12 Docking Station 40GB Hard Drive, 12cm DVD-RAM Drive, PSU
For full specification see right
ZP-6 Carrying Case
AD-15B/C AC Adaptor
ATC-4 AATON Interface
9056 Optional Hard Disk
GENERAL
Recording Medium ATAPI DVD-RAM
(optional 2.5" hard disk is mountable)
File Format SDII™ / BWF
Sampling Frequency 44.1 / 48 / 88.2 / 96 / 176.4 / 192kHz
Quantization 16bit (44.1/48kHz)
24bit (44.1 / 48 / 88.2 / 96 / 176.4 / 192kHz)
Recording Tracks See chart below
INPUT / OUTPUT - (0dBu=0.775Vrms, 0dBV=1Vrms)
Reference Input Level +4dBu / -10dBV (Balanced)
ANALOG INPUT (TR 1 – 4)
Connector XLR-3-31 type (Balanced) (1:GND / 2:HOT / 3:COLD)
Input Impedance 10k ohm or more
Rated Input Level +4dBu
Max. Input Level +24dBu
ANALOG OUTPUT (TR 1 – 4)
Connector XLR-3-32 type (Balanced) (1:GND / 2:HOT / 3:COLD)
Output Load impedance 600 ohm or more
Rated Output Level +4dBu
Max. Output Level +24dBu
MONITOR OUTPUT (TR 1 – 4)
Connector Ø 6mm phone jack (Unbalanced)
Output Load Impedance 10k ohm or more
Rated Output Level -10dBV
Max. Output Level +10dBV
HEADPHONES OUTPUT
Connector Ø 6mm stereo phone jack
Load Impedance 8 ohm or more
Max. Output Level 100mW (at 32ohm)
DIGITAL INPUT (TR 1 – 2, TR 3 – 4)
Connector XLR-3-31 type (Balanced) (1:GND / 2:HOT / 3:COLD)
Format IEC60958 (S/P DIF) or IEC60958 (AES/EBU)
DIGITAL OUTPUT (TR 1 – 2, TR 3 – 4)
Connector XLR-3-32 type (Balanced) (1:GND / 2:HOT / 3:COLD)
Format IEC60958 (S/P DIF) or IEC60958 (AES/EBU)
GPI IN (ON/OFF SELECTABLE)
Connector DIN 5 pin
GPI OUT (ON/OFF SELECTABLE)
Connector DIN 5 pin
TC INPUT
Connector XLR-3-31 type (Balanced) (1:GND / 2:HOT / 3:COLD)
Format SMPTE / EBU
Rated Input 2Vp-p
Transfer Rate 2.4kbit / sec (SMPTE)
Input Impedance 20k ohm or more
Min. Input Level 0.25Vp-p
TC OUTPUT
Connector XLR-3-32 type (Balanced) (1:GND / 2:HOT / 3:COLD)
Format SMPTE / EBU
Rated Output 2Vp-p
Output Impedance 1k ohm or less
Load Impedance 600 ohm or more
TC THRU (DIRECT OUTPUT OF INPUT TC)
Connector XLR-3-32 type (Balanced) (1:GND / 2:HOT / 3:COLD)
VIDEO INPUT (WITH 75 OHM TERMINATE SW)
Connector BNC
Rated Input Level 1V p-p
VIDEO THRU (DIRECT OUTPUT OF INPUT VIDEO SIGNAL)
Connector BNC
WORD INPUT (WITH 75 OHM TERMINATE SW)
Connector BNC
Rated Input Level TTL level
WORD OUTPUT
Connector BNC
Rated Output Level TTL level
WORD THRU (DIRECT OUTPUT OF INPUT WORD)
Connector BNC
9P-REMOTE (RS-422)
Connector D-sub 9 pin
Protocol Sony 9 pin protocol (Controlled)
15P-REMOTE (RS-422)
Connector D-sub 15 pin
Protocol Sony 9 pin protocol (Controlled)
ETHERNET
Connector RJ-45
Format IEEE802.3 (10BASE-T & 100BASE-TX standard)
PS/2 port x2 Mouse port for PC & Keyboard port
PERFORMANCE
R/P Frequency Response 20Hz to 20kHz +/- 1dB (fs : 44.1/48kHz)
20Hz to 40kHz +/- 2dB (fs : 88.2/96kHz)
20Hz to 80kHz +/- 3dB (fs : 176.4/192kHz)
Signal to Noise Ratio 110dB (typical)
Dynamic Range 110dB (typical)
Pitch Control 0.0% - max. 200.0% (0.1% step)
Reference Record Level -12dB / -18dB / -20dB (switchable on software)
Crossfade 10msec (default)
LOCATE MEMORY
Main Memory 100
Cue Point/File Memory
(per file) 100
PHYSICAL
Power Handling 120VAC / 230VAC
Dimensions 482 (W) x 141 (H) x 381 (D)mm
Weight 7.4kg
OPTIONAL ACCESSORIES
5050 6-track Playback Card
9055 Optional Hard Disk
PD-6 Specifications DV40 Specifications
GENERAL
Recording Medium ATAPI DVD-RAM
(optional 2.5” hard disk is mountable)
File Format BWF
Sampling Frequency 22.05/44.1/48/88.2/96kHz
Quantization 16bit (22.05/44.1/48kHz)
24bit (44.1/48/88.2/96kHz)
Recording Tracks See chart below
INPUT/OUTPUT (0dBu=0.775Vrms, 0dBV=1Vrms)
Reference Input Level +4dBu
ANALOG INPUT (TR 1 – 8)
Connector XLR-3-31 type (balanced) (1:GND/2:HOT/3:COLD)
Input Impedance 10k ohm or more
Rated Input Level +4dBu
Max. Input Level +24dBu
ANALOG OUTPUT (TR 1-8)
Connector XLR-3-32 type (balanced) (1:GND/2:HOT/3:COLD)
Output Load Impedance 10k ohm or more
Rated Output Level +4dBu
Max. Output Level +24dBu
HEADPHONES OUTPUT
Connector 6mm stereo phone jack
Load Impedance 8 ohm or more
Max. Output Level 100mW (at 32ohm)
DIGITAL INPUT (TR 1 – 8)
Connector D-sub 25 pin (balanced)
Format IEC60958 (AES/EBU) or IEC69058 (S/P DIF)
DIGITAL OUTPUT (TR 1 – 8)
Connector D-sub 25 pin (balanced)
Format IEC60958 (AES/EBU) or IEC60958 (S/P DIF)
9P-REMOTE / ES BUSS (RS422)
Connector D-sub 9 pin
Protocol Sony 9 pin protocol / ES BUSS
9P-REMOTE / ES BUSS THRU OUT
Connector D-sub 9 pin
PARALLEL REMOTE
Connector Mini-DIN 8 pin
USB (FOR KEYBOARD ONLY)
Connector USB Series “A” Receptacle
ETHERNET
Connector RJ-45
Format IEEE802.3 (10BASE-T & 100BASE-TX standard)
PERFORMANCE
R/P Frequency Response 20Hz to 20kHz +/- 1dB (fs: 44.1/48kHz)
20Hz to 40kHz +/- 2dB (fs: 88.2/96kHz)
Signal to Noise Ratio 105dB (typical)
Dynamic Range 105dB (typical)
Reference Record Level -12dB / -18dB / -20dB (switchable on software)
PHYSICAL
Power Handling 120VAC / 230VAC
Dimensions 482 (W) x 98.5 (H) x 345 (D) mm
Weight 5.7kg
TC SYNC CARD (Model 8348, optional)
TC INPUT
Connector XLR-3-31 type (balanced) (1:GND/2:HOT/3:COLD)
Format SMPTE/EBU
Rated Input 2Vp-p
Transfer Rate 2.4kbit/sec (SMPTE)
Input Impedance 20k ohm or more
Min. Input Level 0.25Vp-p
TC OUTPUT
Connector XLR-3-32 type (balanced) (1:GND/2:HOT/3:COLD)
Format SMPTE / EBU
Rated Output 2Vp-p
Output Impedance 1k ohm or less
Load Impedance 600 ohm or more
BI-PHASE IN
Connector D-sub 9 pin
Level 5V (470 ohm) or 24V (2k ohm) switchable
WORD/VIDEO INPUT
Connector BNC
Rated Input Level 1Vp-p (with 75 ohm terminator SW
WORD OUTPUT
Connector BNC
Rated Output Level TTL Level
IEEE1394/USB Card (T.B.A.)
IEEE1394 (for PC communication)
Connector FireWire 400 (6 pin)
USB (for PC communication)
Connector USB Series “B” Receptacle
OPTIONAL ACCESSORIES
9057 Optional Hard Disk
DV824 Specifications
GENERAL
Recording Medium 12cm DVD-RAM / 2.5" hard disk
INPUT/OUTPUT
DC12V OUT (for PD-6)
Connector XLR-4-31 type
(1:GND/2:NC/3:NC/4:+12~18V)
IEEE1394 PORT (for PC communication)
Connector 1: FireWire 400 (4pin)
2: Firewire 400 (6pin)
USB PORT (for PC communication)
Connector USB Series "B" Receptacle
PHYSICAL
Power Handling AC100~240V / DC12V
Dimmensions 386 (W) x 94 (H) x 231 (D) mm
Weight: 4.3kgs
EX12 Specifications
DV40 16-BIT 24-BIT
4.7GB 44.1kHz 48kHz 44.1kHz 48kHz 88.2kHz 96kHz 176.4kHz 192kHz
MONO 838 770 558 513 279 256 139 128
2-TRK 419 385 279 256 139 128 *69 *64
4-TRK 209 192 139 128 *69 *64 N/A N/A
* without Verify-Write
PD-6 16-BIT 24-BIT
1.46GB 44.1kHz 48kHz 44.1kHz 48kHz 88.2kHz 96kHz
2-TRK 118 108 78 72 39 36
4-TRK 59 54 39 36 N/A N/A
5-TRK 47 43 31 28 N/A N/A
6-TRK 39 36 26 24 N/A N/A
EX12* 16-BIT 24-BIT
4.7GB 44.1kHz 48kHz 44.1kHz 48kHz 88.2kHz 96kHz
2-TRK 419 385 279 256 139 128
4-TRK 209 192 139 128 N/A N/A
5-TRK 167 154 111 102 N/A N/A
6-TRK 140 128 93 85 N/A N/A
* with PD-6
DV824 16-BIT 24-BIT
4.7GB 44.1kHz 48kHz 44.1kHz 48kHz 88.2kHz 96kHz
MONO 838 770 558 513 279 256
2-TRK 419 385 279 256 139 128
4-TRK 209 192 139 128 69 64
5-TRK 167 154 111 102 N/A N/A
6-TRK 140 128 93 85 N/A N/A
8-TRK 105 96 70 64 N/A N/A
Recording
Times
All times in
minutes
D
™