Hammond XK-5 User manual

Introduction Hook-Up Power On and Play Setting Up Control Panel Set the Parameters MIDI/USB Setup F. A. Q. Appendix
OwnerʼsManual

Model:XK-5
ank you, and congratulations on your choice of the Hammond Draw-
bar Keyboard XK-5.
e XK-5 Drawbar Keyboard is condensed the sound and playability of
the legendary Hammond Tone Wheel organ, “solid state” combo organ,
and pipe organ.
Please take the time to read this manual completely to take full advantage
of the many features of your XK-5; and please retain it for future refer-
ence.
LESLIE
UPPER
SUSTAIN
PEDAL
LOWER
PEDAL TO SPLIT
TRANSPOSE
BYPASS
DOWN UP LOWER
BANK
LOWER
PRESET SELECTOR
RECORD
STOP FAST
OCTAVE
VOLUME
MASTER
VALUE
ENTER
UPPER
BANK KEY PATCH
PEDAL LOWER
C
DRAWBAR MENU/EXIT
CONTROL
OVERDRIVE EFFECT REVERB
UPPER LOWER
V-2 V-1
C-2 C-3
V-3
C-1
BASS FREQUENCY GAIN
SECOND
MID
TREBLE DEPTH AMOUNT DEPTH
PERCUSSION
LOWER BLOWER AUPPER BUPPER A
MASTER EQUALIZER
VIBRATO
ON SOFT FAST THIRD
CDDEF F GGAAB
PLAY

  Owner’s Manual
2IMPORTANT SAFETY INSTRUCTIONS
Read these instructions.
Keep these instructions.
Heed all warnings.
Follow all instructions.
Do not use this apparatus near water.
Clean only with dry cloth.
Do not block any ventilation openings.
Install in accordance with the manufacturer’s instructions.
Do not install near any heat sources such as radiators, heat registers,
stoves or other apparatus (including ampliers) that produce heat.
Do not defeat the safety purpose of the polarized or grounding-type
plug. A polarized plug has two blades with one wider than the other.
A grounding type plug has two blades and a third grounding prong.
The wider blade or third prong is provided for your safety. If the pro-
vided plug does not t into your outlet, consult an electrician for re-
placement of the obsolete outlet.
Protect the power cord from being walked on or pinched, particu-
larly at plugs, convenience receptacles, and the point where they exit
from the apparatus.
Only use attachments/accessories specied by the manufacturer.
Use only with the cart, stand, tripod, bracket,
or table specied by the manufacturer, or sold
with the apparatus. When cart is used: use cau-
tion when moving the cart/apparatus combi-
nation to avoid injury from tip-over.
Unplug this apparatus during lightning storms,
or when unused for long periods of time.
Refer all servicing to qualied service personnel. Servicing is required
when the apparatus has been damaged in any way, such as power-
supply cord or plug is damaged, liquid has been spilled or objects
have fallen into the apparatus, the apparatus has been exposed to
rain or moisture, does not operate normally, or has been dropped.
Apparatus shall not be exposed to dripping or splashing and no ob-
jects lled with liquids, such as vases, shall be placed on the appara-
tus.
WARNING: To reduce the risk of re or electric shock, do not expose
this apparatus to rain or moisture.
ATTENTION: Pour réduire les risques de choc électrique ou
d’incendie, ne pas exposer cet appareil à la pluie ou à l’humidité.
The lightning ash with arrowhead symbol within an equilateral tri-
angle, indicates that dangerous voltage constituting a risk of electric
shock is present within this unit.
The exclamation point within equilateral triangle, indicates that there
are important operating and maintenance instructions in the litera-
ture accompanying this unit.
In case in the future your instrument gets too old to play/use or
malfunctions beyond repair, please observe the instructions of
this mark, or, if any question, be sure to contact your dealer or
your nearest town or municipal oce for its proper disposal.

3
Introduction
FOR UNITED KINGDOM:
FOR YOUR SAFETY, PLEASE READ THE FOLLOWING TEXT CAREFULLY
This appliance is supplied with a molded 3-pin mains plug for your safety and convenience.
The plug contains a 5 amp fuse.
Should the fuse need to be replaced, please ensure that the replacement fuse has a rating of 5
amps and that it is approved by ASTA or BSI to BSI1362.
Check for the ASTA mark or the BSI mark on the body of the fuse.
If the plug contains a removable fuse cover, you must ensure that it is retted when the fuse is
replaced.
If the fuse cover is lost, the plug must not be used until a replacement cover is obtained.
A replacement fuse cover can be obtained from your local Hammond Dealer.
IF THE FITTED MOULDED PLUG IS UNSUITABLE FOR THE SOCKET OUTLET IN YOUR HOME, THEN
THE FUSE SHOULD BE REMOVED AND THE PLUG CUT OFF AND DISPOSED OF SAFELY.
THERE IS A DANGER OF SEVERE ELECTRICAL SHOCK IF THE CUT-OFF PLUG IS INSERTED INTO ANY
13 AMP SOCKET.
If a new plug is to be attached to the cord, please observe the wiring code as shown below.
If in any doubt, please consult a qualied electrician.
IMPORTANT - The wires in this mains lead are coloured in accordance with the following code:
Blue: Neutral
Brown: Live
As the colours of the wires in the mains lead of this unit may not correspond with the coloured
marking identifying the terminals in your plug, proceed as follows.
The wire which is coloured BLUE must be connected to the terminal in the plug which is marked
with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal in the plug which is
marked with the letter L or coloured RED.
Under no circumstances should either of these wires be connected to the earth terminal of the
three-pin plug, marked with the letter E or the Earth Symbol .
To replace the fuse, open the fuse compartment with a screwdriver and replace the fuse and
fuse cover.

  Owner’s Manual
4IMPORTANT - PLEASE READ
Power Supply
Do not use this unit on the same power circuit with any
device that will generate line noise (such as an electric mo-
tor or variable lighting system).
Before connecting this unit to other devices, turn othe
power to all units. is will help prevent malfunctions and/
or damage to speakers or other devices.
Placement
Using the unit near power ampliers (or other equipment
containing large power transformers) may induce hum. To
alleviate the problem, change the orientation of this unit; or
move it farther away from the source of interference.
is device may interfere with radio and television recep-
tion. Do not use this device in the vicinity of such receivers.
Noise may be produced if wireless communications devices,
such as cell phones, are operated in the vicinity of this unit.
Such noise could occur when receiving or initiating a call,
or while conversing. Should you experience such problems,
you should relocate such wireless devices so they are at a
greater distance from this unit, or switch them o.
Do not expose the unit to direct sunlight, place it near de-
vices that radiate heat, leave it inside an enclosed vehicle, or
otherwise subject it to temperature extremes. Also, do not
allow lighting devices that normally are used while their
light source is very close to the unit (such as a piano light),
or powerful spotlights to shine upon the same area of the
unit for extended periods of time. Excessive heat can de-
form or discolor the unit.
When moved from one location to another where the tem-
perature and/or humidity is very dierent, water droplets
(condensation) may form inside the unit. Damage or mal-
function may result if you attempt to use the unit in this
condition. erefore, before using the unit, you must al-
low it to stand for several hours, until the condensation has
completely evaporated.
Do not allow rubber, vinyl, or similar materials to remain
on the unit for long periods of time. Such objects can dis-
color or otherwise harmfully aect the nish.
Do not paste stickers, decals, or the like to this instrument.
Peeling such matter othe instrument may damage the ex-
terior nish.
Maintenance
To clean the unit, use a dry, soft cloth; or one that is slightly
dampened.
To remove stubborn dirt oplastic parts, use a cloth im-
pregnated with a mild, non-abrasive detergent. Afterwards,
be sure to wipe the unit thoroughly with a soft, dry cloth.
Try to wipe the entire surface using an equal amount of
strength, moving the cloth along with the grain of the
wood. Rubbing too hard in the same area can damage the
nish.
Never use benzine, thinners, alcohol or solvents of any
kind, to avoid the possibility of discoloration and/or defor-
mation.
Additional Precautions
Please be aware that the contents of memory can be irre-
trievably lost as a result of a malfunction, or the improper
operation of the unit. To protect yourself against the risk of
losing important data, we recommend that you periodically
save a backup copy of important data you have stored in the
unit’s memory in USB Flash drive.
Unfortunately, it may be impossible to restore the contents
of data that was stored in another MIDI device (e.g., a se-
quencer) once it has been lost. Hammond assumes no li-
ability concerning such loss of data.
Use a reasonable amount of care when using the unit’s but-
tons, sliders, or other controls; and when using its jacks and
connectors. Rough handling can lead to malfunctions.
When connecting / disconnecting all cables, grasp the
connector itself - never pull on the cable. is will avoid
causing short circuits, or damage to the cable’s internal ele-
ments.
To avoid disturbing your neighbors, try to keep the unit's
volume at reasonable levels. You may prefer to use head-
phones, so you do not need to be concerned about those
around you (especially when it is late at night).
When you need to transport the unit, package it in the box
(including padding) that it came in, if possible. Otherwise,
you will need to use equivalent packaging materials.

5
Introduction
INTRODUCTION

  Owner’s Manual
6
TableOfContents
IMPORTANT SAFETY INSTRUCTIONS................................................ 2
IMPORTANT - PLEASE READ................................................................. 4
INTRODUCTION ........................5
MAIN FEATURES ....................................................................................... 9
NAMES AND FUNCTIONS ...................................................................10
TOP PANEL......................................................................................................10
ANGLED RECESS...........................................................................................12
ACCESSORIES.................................................................................................12
REAR PANEL ...................................................................................................13
HOOK-UP .................................15
BASIC HOOK-UP.....................................................................................16
CONNECTING THE CONTROLLERS...................................................17
CONNECTING THE EXPRESSION PEDAL...............................................17
USING EXP-100F...............................................................................................17
USING EXP-50/20 .............................................................................................17
CONNECTING THE LESLIE SWITCH CU-1..............................................17
CONNECTING THE LESLIE SPEAKER ................................................18
CONNECTING THE 3 CHANNEL LESLIE SPEAKER ..............................18
BASIC CONNECTION OF THE LESLIE SPEAKER...................................18
MIDI CONTROL OF THE LESLIE SPEAKER .............................................18
CONNECTING THE 1 CHANNEL LESLIE SPEAKER ..............................19
BASIC CONNECTION OF THE LESLIE SPEAKER...................................19
USING WITH STATIONARY SPEAKERS....................................................19
EXPAND THE KEYBOARD.....................................................................20
3 KEYBOARDS (USING XLK-5 XPK-250ND 20) ....................................20
3 KEYBOARDS (USING MIDI KEYBOARDS)...........................................21
2 MANUALS (WITH XLK-5).........................................................................22
2 MANUALS (WITH MIDI KEYBOARD) ...................................................23
1 MANUAL + PEDALBOARD (WITH MIDI PEDALBOARD)...............24
POWER ON AND PLAY.............25
POWER ON...............................................................................................26
HOW TO POWER ON ...................................................................................26
BACK UP ..........................................................................................................26
AUTO POWER OFF .......................................................................................26
RESET TO THE FACTORY SETTINGS ........................................................26
PLAY WITH THE PATCHES ....................................................................27
WHAT IS“PATCH”? ........................................................................................27
HOW TO RECALL A PATCH.........................................................................27
ex: Recall the U41.............................................................................................27
PLAY WITH PRESET KEYS.....................................................................28
WHAT IS “PRESET KEYS”? ...........................................................................28
RECALL BY PRESET KEYS............................................................................28
ex: Recall C#-G...................................................................................................28
ASSIGN FAVORITE PATCHES (FAVORITES)......................................29
WHAT IS“FAVORITE”? .................................................................................29
ON AND OFF THE FAVORITES...................................................................29
Favorites is“Off”................................................................................................29
Favorites is“On”.................................................................................................29
SWITCHING FAVORITE ON AND OFF .....................................................30
ASSIGN A PATCH TO A PRESET KEY........................................................31
USING CONTROLLERS..........................................................................32
EXPRESSION PEDAL ....................................................................................32
FOOT SWITCH................................................................................................32
LESLIE MODE SWITCH ................................................................................32
TEMPORARY EQUALIZING (MASTER EQUALIZER)......................33
TRY TO MAKE YOUR OWN SOUND...................................................34
SELECT [B] PRESET KEY ..............................................................................34
Column: Initializing Adjust Presets........................................................34
PULL OUT THE “B”DRAWBARS.................................................................35
ADD THE TOUCH-RESPONSE PERCUSSION.........................................35
Column: What is“Part”? .............................................................................35
ADD EFFECTS ................................................................................................36
VIBRATO AND CHORUS..................................................................................36
LESLIE...................................................................................................................36
OVERDRIVE.........................................................................................................36
MULTI EFFECT....................................................................................................36
SPLIT - DIVIDE THE KEYBOARD BY PARTS............................................37
PEDAL TO LOWER - ADD BASS TO PLAYING LOWER........................37
PEDAL SUSTAIN - SMOOTH DECAY WHEN RELEASE........................37
RECORD THE PATCH TO MEMORY ..........................................................38
Example: RECORD TO U32 ............................................................................38
Example: RECORD TO D#-D (U32) ..............................................................38
SETTING UP .............................39
SOUND ENGINE STRUCTURE.............................................................40
ORGAN TYPE ...........................................................................................42
WHAT IS“ORGAN TYPE”?...........................................................................42
TONE WHEELS (BType1, BType2, Mellow) ...............................................42
TRANSISTOR (Vx, Farf)....................................................................................42
PIPE .......................................................................................................................42
Column: SELECTING THE ORGAN TYPES..............................................43
Example: Switching the manual part to “Pipe”......................................43
HARMONIC DRAWBARS™ ...................................................................44
DRAWBARS (ON TONE WHEEL ORGAN)...............................................44
DRAWBARS FOR THE UPPER AND LOWER PARTS.............................45
PRESET KEYS AND DRAWBARS....................................................................45
DRAWBARS FOR PEDAL PART..................................................................45
DRAWBAR REGISTRATION PATTERNS....................................................46
MODERN DRAWBAR REGISTRATIONS...................................................47
DRAWBARS (Vx)............................................................................................48
DRAWBARS (Farf).........................................................................................49
DRAWBARS (PIPE) ........................................................................................50
MATCH THE REGISTRATION TO DRAWBARS........................................51
PERCUSSION............................................................................................52
PERCUSSION DOES NOT SOUND................................................................52
1´ DRAWBAR CANCEL.....................................................................................52
VIBRATO & CHORUS..............................................................................53
OVERDRIVE...............................................................................................54
LESLIE.........................................................................................................55
MULTI EFFECTS, REVERB......................................................................56
TRANSPOSE .............................................................................................57
SPLIT, OCTAVE.........................................................................................58
PEDAL TO LOWER, PEDAL SUSTAIN................................................59
PATCH.........................................................................................................60
USER AND FACTORY....................................................................................60
PATCH...................................................................................................................60
FAVORITES ..........................................................................................................60

7
Introduction
PRESET KEYS ......................................................................................................60
NAME THE PRESENT SETTING..................................................................61
RECORD TO THE PATCH..............................................................................62
USING THE CONTROL PANEL..63
WHAT YOU CAN DO ON THE CONTROL PANEL...........................64
PLAY MODE..............................................................................................65
HOW TO READ THE DISPLAY....................................................................65
OPERATION IN THIS MODE.......................................................................65
MENU MODE...........................................................................................66
HOW TO READ THE DISPLAY....................................................................66
OPERATION IN THIS MODE.......................................................................66
MENU AND THE CONTENTS .....................................................................67
FUNCTION MODE..................................................................................68
HOW TO READ THE DISPLAY....................................................................68
OPERATION IN THESE MODES.................................................................68
SHORT CUT TO FUNCTION MODE ...................................................69
EXAMPLE OF OPERATION:.........................................................................69
REGISTER THE PAGES YOU FREQUENTLY USE..............................69
EXAMPLE OF OPERATION:.........................................................................69
PARAMETER OPERATION EXAMPLE:......................................................70
LOCKING THE DISPLAY ...............................................................................72
SETTING THE PARAMETERS ...73
DRAWBAR.................................................................................................74
LOWER & UPPER PARTS..................................................................................74
PEDAL PART .......................................................................................................75
PATCH.........................................................................................................76
PATCH NAME......................................................................................................76
PATCH LEVEL......................................................................................................76
PATCH LOAD ......................................................................................................76
PRESET KEYS ......................................................................................................77
FAVORITE TABLE................................................................................................77
CONTROL..................................................................................................78
FOOT CONTROLLER.........................................................................................78
EXPRESSION.......................................................................................................79
GLIDE....................................................................................................................79
DAMPER...............................................................................................................80
SUSTAIN...............................................................................................................80
DRAWBARS.........................................................................................................80
DISPLAY ...............................................................................................................81
Column: EXPRESSION, LESLIE MODE....................................................82
ACTIVATE EXPRESSION PEDAL ....................................................................82
TUNE ..........................................................................................................83
MASTER TUNE....................................................................................................83
PERCUSS (Percussion)..........................................................................84
VIB&CHO (Vibrato & Chorus).............................................................85
LESLIE.........................................................................................................86
CABINET NUMBER............................................................................................86
LESLIE PARAMETERS .......................................................................................86
EXTERNAL LESLIE SPEAKER ..........................................................................88
RECORD THE CUSTOM CABINET.............................................................88
CUST. TW (Custom Tone Wheels) .....................................................89
RECORD THE CUSTOM TONE WHEELS..................................................91
CONTACT..................................................................................................92
SELECT CONTACT.............................................................................................92
CONDITION ........................................................................................................92
PHYSICAL CONTACT........................................................................................93
RECORD THE CUSTOM CONTACTS.........................................................94
Column: CONTACTS OF THE B-3/C-3 AND VIRTUAL CONTACTS..95
PED. REG (Pedal Registration Sub Drawbars) ..............................96
RECORD THE SUB DRAWBARS.................................................................97
PIPE.............................................................................................................98
RECORD THE CUSTOM PIPES ................................................................100
AMP / EFF (Pre-Amplifier / Multi-Effects)................................... 102
OVERDRIVE...................................................................................................... 102
MULTI-EFFECTS..............................................................................................102
EQUALIZ (Equalizer)........................................................................... 110
PATCH EQUALIZER ........................................................................................ 110
PATCH EQUALIZER AND MASTER EQUALIZER..................................... 110
REVERB ................................................................................................... 111
DEFAULT................................................................................................. 112
SYSTEM................................................................................................... 113
POWER.............................................................................................................. 113
PERIPHERAL DEVICE..................................................................................... 113
SOFTWARE VERSION .................................................................................... 113
MIDI/USB ...............................115
MIDI/USB ............................................................................................... 116
WHAT IS “MIDI”?.........................................................................................116
WHAT IS “USB”?.......................................................................................... 116
MIDI/USB JACKS ON THIS KEYBOARD................................................116
WHAT THE MIDI CAN DO ON THIS KEYBOARD...............................116
WHAT THE USB CAN DO ON THIS KEYBOARD.................................116
MAIN MIDI MESSAGE...............................................................................117
CHANNEL MESSAGE..................................................................................... 117
SYSTEM MESSAGE.........................................................................................117
MIDI STRUCTURE ................................................................................ 118
KEYBOARD CHANNELS ............................................................................... 118
EXTERNAL ZONE CHANNELS.................................................................... 118
EXPANDED KEYBOARDS............................................................................. 118
USING AN EXTERNAL SEQUENCER............................................... 120
Recording a organ performance to an Sequencer/DAW................ 120
Sequencer playback.....................................................................................120
Recording a performance to an computer DAW over USB............ 121
Recording a performance with using XLKXPK-2505, 121 ..............121
USING A MIDI SYNTHESIZER........................................................... 122
BASIC HOOK UP......................................................................................... 122
RECORD AND PLAYBACK........................................................................123
Recording a performance to a sequencer/DAW................................ 123
Playback the performance ........................................................................123
Recording the performance including External Zones over USB 124
H-BUS...................................................................................................... 125
ZONES..................................................................................................... 126
WHAT IS DISPLAYED ON THE UPPER LEFT?.......................................... 126
INTERNAL ZONE ............................................................................................126
EXTERNAL ZONE............................................................................................126
SWITCH ON/OFF THE MESSAGES ............................................................ 127
PANIC FUNCTION AND PARAMETER RE-LOAD...................................127
MIDI......................................................................................................... 128
MIDI TEMPLATE.............................................................................................. 128
MASTER ............................................................................................................ 128
KEYBOARD CHANNEL..................................................................................129
SYSTEM EXCLUSIVE MESSAGE.................................................................. 129

  Owner’s Manual
8
SAVE THE SETUP ...................131
SAVE YOUR SETUP .............................................................................. 132
WHAT YOU CAN DO WITH THE USB FLASH DRIVE.........................132
ABOUT USB FLASH DRIVE......................................................................132
USABLE USB FLASH DRIVE......................................................................... 132
USB CONNECTOR.......................................................................................... 132
FOLDER STRUCTURE.................................................................................... 132
INITIALIZE THE USB FLASH DRIVE................................................. 133
A SETUP FILE ........................................................................................ 134
USB MASS STORAGE.......................................................................... 135
WHAT IS USB MASS-STORAGE?............................................................135
SWITCHING THE FUNCTION OF USB-TO-HOST JACK....................135
SAVE THE SETUP.................................................................................. 136
HOW TO READ THE DISPLAY.................................................................136
SAVE THE SETUP........................................................................................136
LOAD THE SETUP ................................................................................ 138
HOW TO READ THE DISPLAY.................................................................138
LOAD THE SETUP.......................................................................................138
DELETE THE SETUP............................................................................. 140
HOW TO READ THE DISPLAY.................................................................140
DELETE THE SETUP...................................................................................140
UPDATE .................................................................................................. 142
WORKING TIME AND SECURING THE POWER .................................142
THE UPDATOR DOES NOT FOUND.......................................................... 142
FREQUENTLY ASKED QUES-
TIONS.....................................145
TROUBLESHOOTING.......................................................................... 146
APPENDIX..............................147
MIDI TEMPLATE ................................................................................... 148
MIDI TEMPLATE..........................................................................................148
FACTORY PATCHES ............................................................................. 149
MIDI INFORMATION........................................................................... 150
MIDI IMPLEMENTATION..........................................................................150
CHANNEL VOICE MESSAGE ...................................................................... 150
CHANNEL MODE MESSAGE.......................................................................150
DRAWBARS DATA LIST 1 .........................................................................151
DRAWBAR DATA LIST 2............................................................................151
SYSTEM EXCLUSIVE MESSAGE..............................................................152
GLOBAL PARAMETERS.............................................................................153
FAVORITES ...................................................................................................153
PATCH PARAMETERS ................................................................................154
LESLIE PARAMETERS ................................................................................158
SYSTEM PARAMETERS .............................................................................158
TONE WHEEL PARAMETERS...................................................................159
PIPE PARAMETERS ....................................................................................159
PEDAL SUB DRAWBARS PARAMETERS ..............................................159
CONTACT PARAMETERS..........................................................................159
CUSTOM SETS LIST............................................................................. 161
CUSTOM TONE WHEELS..........................................................................161
CUSTOM CONTACT...................................................................................161
CUSTOM SUB DRAWBARS...................................................................... 161
CUSTOM CABINETS .................................................................................. 161
CUSTOM PIPES...........................................................................................161
MIDI IMPLEMENTATION CHART..................................................... 164
MIDI CHANNEL AND MESSAGE ..................................................... 165
SPECIFICATIONS.................................................................................. 166
SERVICE.................................................................................................. 169

9
Introduction
MAIN FEATURES
AUTHENTIC HAMMOND DRAWBAR ORGAN
e XK-5 is rst and foremost a genuine HAMMOND organ with Virtual Tone Wheels
to provide its traditional sound. Also available are the tones of vintage “combo” organs,
and a variety of pipe organ ranks to provide church and classical organ voices.
VIRTUAL MULTI-CONTACT KEYBOARD
e XK-5 is equipped with a Virtual Multi-Contact Keyboard to produce the comfort-
able feeling and quick response of the vintage models B-3/C-3. Enjoy a variety of types
of the Multi-Contact essence, from the delicate sound produced just before all the points
perfectly touch, to the changes of noises in accordance with the contact conditions.
5 SETS OF DRAWBARS & PRESET KEYS
5 sets of Drawbars and the Preset Keys same as on the B-3/C-3 are equipped to enable an
instant switching to the Drawbar settings prepared beforehand and dynamic tone changes
during performance.
DIGITAL LESLIE/VIBRATO
A digital and programmable Leslie is available for the Drawbar voices, as well as the tradi-
tional “Chorus-Vibrato” as used on the legendary B-3/C-3.
AMP SIMULATOR/EFFECTS
e tube circuits simulates the pre-amplier of the B-3/C-3 for providing warm distor-
tion. Also equipped are an Equalizer, Multi-Eects, and, in addition, a Master Equalizer
for adjusting the total tonal quality. is corresponds with the sporadic unexpected re-
quirements during performance.
MIDI MASTER KEYBOARD
External Zones are available to enable the XK-5 to be used as a master keyboard.
PATCHES AND FAVORITES
In the Preset Keys, in addition to the usual “Recall the Patches in the Numeral Order”
function, the Favorite function for “Recall the Desired Patches” to match the order of
music or the scene.
SYSTEM UP
Possible to upgrade to a 3 keyboard organ by adding the optional Lower Keyboard XLK-5
and the Pedal Keyboard XPK-250.
USB COMPATIBILITY
For saving the Set-up made on XK-5, a versatile USB Flash Memory is provided. Also the
“USB to Host” jack is equipped for enabling to transmit the MIDI or the audio by directly
connecting to the PC.

  Owner’s Manual
10
LESLIE
UPPER
SUSTAIN
PEDAL
LOWER
PEDAL TO SPLIT
TRANSPOSE
BYPASS
DOWN UP LOWER
BANK
LOWER
PRESET SELECTOR
RECORD
STOP FAST
OCTAVE
VOLUME
MASTER
VALUE
ENTER
UPPER
BANK KEY PATCH
PEDAL LOWER
C
DRAWBAR MENU/EXIT
CONTROL
UPPER LOWER
V-2 V- 1
C-2 C-3
V-3
C-1
UPPER BUPPER A
VIBRATO
CDDE F FGGA AB
PLAY
NAMES AND FUNCTIONS
TOP PANEL
UPPER LEFT
❶MASTER VOLUME knob
Controls the entire volume. (P. 26)
❷DRAWBAR button
Locates the DRAWBAR function page. (P. 43)
❸CONTROL button
Sets the various controllers such as foot switch or expression
pedal.(P. 78)
CONTROL PANEL
❹DISPLAY
Displays the various information.
❺PLAY button
Locates the PLAY mode, the basic mode. (P. 65)
❻MENU/EXIT button
Locates the MENU mode. Also, exit from various function
pages.(P. 66)
❼CURSOR buttons
Moves the cursor or locates other pages.
❽VALUE knob
Increases/Decreases Patch numbers(P. 27) while performing or
adjusts values(P. 68) during editing.
❾ENTER button
Conrms the current entry or procedure.
PRESETS
❿PRESET SELECTOR buttons
Allocates the Preset keys and [VALUE] knob which Upper or
Lower to select a Patch. (P. 28)
⓫BANK button
Selects 10’s digit of the Patch, or select the Bank of the Favor-
ites. (P. 28)
⓬RECORD button
Records a Patch, Favorite, or Leslie cabinets etc. (P. 38)
⓭PRESET KEYS
Recalls and Records the Patch or Favorites.
e [A] and [B] key recalls their exclusive Patch. It mates
the internal states and corresponding Drawbars and each eect
knob. (P. 28)
KEYBOARD CONTROL
⓮PEDAL SUSTAIN button
Switches the Pedal Sustain on. (P. 59)
⓯PEDAL TO LOWER button
Sounds the Pedal part which along with Lower part. (P. 59)
⓰SPLIT button
Split the manual keyboard, Upper and Lower parts. (P. 58)
⓱TRANSPOSE button
Transposes all the parts. (P. 57)
⓲OCTAVE buttons
[UP] and [DOWN] the pitch of the Upper part by an octave
step. (P. 58)
⓳OCTAVE LOWER button
Controls the octave of the Lower part which use with [UP] and
[DOWN] button together. (P. 58)
LESLIE
⓴BYPASS button
Bypasses the Leslie eect, and the sound is out from stationary
channel. e LED lights at bypassed. (P. 55)
󱢾STOP button
Selects “Stop” or “Slow” the rotor mode when the [FAST] but-
ton is in “O”. e LED lights at “Stop”. (P. 55)
󱢿FAST button
Select the “Fast” or not (slow or stop) the rotor mode. e LED
lights at “Fast”. (P. 55)
❶
❷
❸
❹
❺
❻❼
❽
❾
❿
⓫
⓬
⓭
⓲⓳
⓴󱢾
󱣀
󱢿
󱣁
󱣂
󱣃󱣄
⓮⓯⓰
⓱
󱣅
󱣖

11
Introduction
VIBRATO AND CHORUS
󱣀UPPER button
Switches the Vibrato & Chorus eect on the Upper part. (P. 53)
󱣁LOWER button
Switches the Vibrato & Chorus eect on the Lower part. (P. 53)
󱣂VIBRATO & CHORUS MODE knob
Selects the Vibrato & Chorus depth and switches the eect
which Vibrato or Chorus. (P. 53)
DRAWBARS
Drawbars adjusts the basic harmonics of the organ. e func-
tion of each drawbar is dierent depending on the type of Or-
gan (Tone Wheel / Transistor / Pipe). (P. 44)
󱣃UPPER ADRAWBARS
ese Drawbars for Upper part which enabled with the Preset
Select [UPPER] button is in “On” and the Preset key [A] is
selected.
󱣄UPPER B DRAWBARS
ese Drawbars for Upper part which enabled with the Preset
Select [UPPER] button is in “On” and the Preset key [B] is
selected.
󱣅PEDAL DRAWBARS
ese Drawbars for Pedal part.
󱣆LOWER ADRAWBARS
ese Drawbars for Upper part which enabled with the Preset
Select [LOWER] button is in “On” and the Preset key [A] is
selected.
󱣇LOWER B DRAWBARS
ese Drawbars for Upper part which enabled with the Preset
Select [LOWER] button is in “On” and the Preset key [B] is
selected.
PERCUSSION
󱣈ON button
Adds percussion (decay) to the UPPER part. (P. 52)
󱣉SOFT button
Switches the percussion volume. (P. 52)
󱣊FAST button
Switches the decay time of the percussion. (P. 52)
󱣋THIRD button
Switches the harmonic between second (4´) and third (2 ⅔´)
percussion (decay) to the UPPER part. (P. 52)
MASTER EQUALIZER
󱣌BASS knob
Adjusts the gain of the bass range. (P. 33)
󱣍MID FREQUENCY knob
Adjusts the frequency of the middle range. (P. 33)
󱣎MID GAIN knob
Adjusts the gain of the middle range. (P. 33)
󱣏TREBLE knob
Adjusts the gain of the treble range. (P. 33)
EFFECTS
󱣐OVERDRIVE ON button
Switches the Overdrive eect. (P. 54)
󱣑OVERDRIVE DEPTH
Adjusts the depth of the Overdrive eect. (P. 54)
󱣒EFFECT ON button
Switches the Multi-Eects. (P. 56)
󱣓EFFECT AMOUNT knob
Adjusts the amount of the Multi-Eects. (P. 56)
OVERDRIVE EFFECT REVERB
BASS FREQUENCY GAIN
SECOND
MID
TREBLE DEPTH AMOUNT DEPTH
PERCUSSION
LOWER BLOWER A
MASTER EQUALIZER
ON SOFT FAST THIRD
󱣆󱣇
󱣈󱣉󱣊󱣋
󱣌󱣍󱣎󱣏
󱣐
󱣑
󱣒
󱣓
󱣔
󱣕

  Owner’s Manual
12 NAMES AND FUNCTIONS - continued
ACCESSORIES
❶AC Cord Set
Supply the AC power.
❷Footage Label (4pcs)
ese labels displays the footages of the transistor and pipe or-
gan. Stick it on the roof or top panel as necessary.
󱣔REVERB ON button
Switches the Reverb eect. (P. 56)
󱣕REVERB DEPTH knob
Adjusts the depth of the Reverb eect. (P. 56)
KEYBOARD
󱣖KEYBOARD
61 notes of musical keys, 12 notes of Preset keys, water-fall
type, non-weighted, virtual multi-contact keyboard. (P. 95)
ANGLED RECESS
❶HEADPHONE jack
Connect stereo headphones here.
Connecting Headphones does NOT mute the Line or Leslie
Outputs.
❷CU-1 jack
Connect CU-1 Leslie mode switch.
❸KEYBOARD jack
Connect XLK-5 Lower keyboard or XPK-250 Pedalboard with
exclusive  cable.
KEYBOARDPHONES
HEAD CU-1
XLK-3R
USE
PK-25R
ONLY
❶
❷
❶❷ ❸

13
Introduction
POWER
❶AC inlet
Connect the attached AC cord.
❷POWER switch
Switches the power of this unit.
USB JACKS
❸USB TO HOST jack
Connects the (host) computer. (P. 116)
❹USB FLASH DRIVE jack
Connects the USB Flash drive. (P. 132)
MIDI JACKS
❺MIDI OUT jack
Sends performance information. (P. 116)
❻MIDI IN 1/PEDAL jack
Receives performance information. is jack receives with re-
garding specied MIDI channels. It can work only for Pedal
part regardless MIDI channels by MIDI IN mode function.
(P. 116)
❼MIDI IN 2/OTHER jack
Receives performance information. is jack receives with re-
garding specied MIDI channels. It can work only for Lower
or Upper part regardless MIDI channels by MIDI IN mode
function. (P. 116)
CONTROLLER JACKS
❽EXP. PEDAL jack
Connects the Expression pedal (separately purchased
EXP-100F) to controlling the volume while playing. (P. 17)
❾FOOT CONTROLLER 1 jack
❿FOOT CONTROLLER 2 jack
Connects the foot switch (separately purchased FS-9H) or, Ex-
pression pedal (separately purchased EXP-50/20). (P. 17)
Select the [POLARITY]switch as regarding foot controller.
HAMMOND
FS-9H, EXP-50, EXP-20, VFP1, V-20H, V-20R: NORM
KORG
EXP-2, XVP-10: REV
Roland
EV-5, EV-7: NORM
YAMAHA
FC4, FC5: NORM
FC3, FC7: REV
MIN MAX
Potentiometer
NORMAL
MIN MAX
Potentiometer
REVERSE
AUDIO OUTPUT JACKS
⓫LINE OUT R jack
⓬LINE OUT L/MONO jack
ese are audio output jacks. If the connected mixer or moni-
tor speaker is stereophonic, connect both L and R. If monaural,
connect only to the L/MONO terminal. (P. 16)
⓭LESLIE 11 PIN jack
Connects the Leslie speaker system. (P. 18)
REAR PANEL
L / MONO
LINE OUT
USB MIDI
RCTRL 1 CTRL 2
PEDAL
EXP.
ONLY
EXP-100F
NORM.
POLARITY
REV.
/OTHER
LOWER
FLASH DRIVE TO HOST
TO
PEDAL
IN 2IN 1OUT
LESLIE 11 PIN
FOOT CONTROLLER
NORM.
POLARITY
REV.
❶❷
❸❹ ❺❻❼❽❾ ❿ ⓫⓬ ⓭

  Owner’s Manual
14

15
HOOK-UP

  Owner’s Manual
16
Attach cables and accessories as illustrated.
ere is no on-board amplication or speaker system. An external amp/speaker is
required. When the stereo headphones are connected to the PHONES jack, you can
enjoy playing it or practising by yourself.
Switch this keyboard, and any external equipment OFF before connecting amps or
headphones.
L / MONO
LINE OUT
U
SB MIDI
RCTRL 1 CTRL 2
PEDAL
EXP.
ONLY
EXP-100F
NORM.
POLARITY
REV.
/OTHER
LOWER
TO
HOST PEDAL
IN 2IN 1OUT
FOOT CONTROLLER
NORM.
POLARITY
REV.
TO AC OUTLET
e Expression Pedal and Foot Switch parameters must be set
properly. For details see [CONTROL] (P. 78)
BASIC HOOK-UP
CAUTION
Do not place this unit in direct sun light, near heat
sources, or in a hot location.
Expression Pedal
EXP-50/20 (optional)
Foot Switch
FS-9H (optional)
Powered Speakers
(optional)

17
Hook-Up
CONNECTING THE LESLIE SWITCH CU-1
1. Insert the plug of the CU-1 to the “CU-1” jack of this key-
board.
It does not need any operation to enable it.
CONNECTING THE EXPRESSION PEDAL
USING EXP-100F
CONNECTING THE CONTROLLERS
USING EXP-50/20
L / MONO
LINE OUT
RCTRL 1 CTRL 2
PEDAL
EXP.
ONLY
EXP-100F
NORM.
POLARITY
REV.
LESLIE 11 PIN
FOOT CONTROLLER
NORM.
POLARITY
REV.
UPPER
BANK KEY PATCH
PEDAL LOWER
L / MONO
LINE OUT
RCTRL 1 CTRL 2
P
EDAL
EXP.
ONLY
X
P-100F
NORM.
POLARITY
REV.
LESLIE 11 PIN
FOOT CONTROLLER
NORM.
POLARITY
REV.
UPPER
BANK KEY PATCH
PEDAL LOWER UPPER
BANK KEY PATCH
PEDAL LOWER
1. Connect the EXP-100F to the “EXP. PEDAL” jack.
2. Set the CONTROL - EXP. SOURCE at “PEDAL” or
“BOTH” (P. 79 #4).
1. Make sure that the [POWER] of this keyboard is “O”.
2. Connect the EXP-50/20 to the FOOT CTRL 1/2 either.
3. Set the [POLARITY] at “NORM”.
4. Switch on this keyboard.
5. Set the CONTROL - FOOT CTL - CTRL 1/2 MODE at
“EXPRESSION” (P. 78 #1).
6. Set the CONTROL - EXP. SOURCE at “PEDAL” or
“BOTH” (P. 79 #4).
Attaching the CU-1 (separately
purchased)

  Owner’s Manual
18
An 11-pin type Leslie speaker can be directly connected to this keyboard.
Switch keyboard OFF before connecting the Leslie speaker.
CONNECTING THE 3 CHANNEL LESLIE SPEAKER
BASIC CONNECTION OF THE LESLIE SPEAKER
Connect the Leslie Speaker #2101/#2101mk2 and the Leslie 11-PIN jack on this key-
board with the exclusive 11-pin Leslie cable (not included).
1. Set the LESLIE - EXT. LESLIE CH at “3” (P. 87).
2. Make the setting of Tone Wheel organ.
3. Switch “ON” the [BYPASS] button, set the [STATIONARY VOLUME] of the
#2101/#2101mk2 at desired volume.
4. Repeat “ON/OFF” the [BYPASS] button with playing the keyboard, set the [RO-
TARY VOLUME] of the #2101/#2101mk2 at same volume which you can hear.
MIDI CONTROL OF THE LESLIE SPEAKER
To control the parameters of the Leslie Speaker #2101/#2101mk2 (ne adjustment of
the rotor speed or the rise time, etc.):
1. Connect the MIDI OUT of this unit with the MIDI IN of the Leslie speaker with a
MIDI cable.
2. Set the keyboard channel - UPPER and the Leslie MIDI channel to the same channel
(P. 128).
When this unit detects that the Leslie speaker is connected, the Leslie parameters sent
through MIDI from this unit are switched from the XK-5 original to those for the Leslie
speaker.
L / MONO
LINE OUT
USB MIDI
RCTRL 1 CTRL 2
PEDAL
EXP.
ONLY
EXP-100F
NORM.
POLARITY
REV.
/OTHER
LOWER
FLASH DRIVE TO HOST
TO
PEDAL
IN 2IN 1OUT
LESLIE 11 PIN
FOOT CONTROLLER
NORM.
POLARITY
REV.
UPPER
BANK KEY PATCH
PEDAL LOWER
CONNECTING THE LESLIE SPEAKER
LESLIE SPEAKERS TO BE CONNECTED
This keyboard is designed to connect with
3 channel Leslie speakers such as the model
#2101. However, it is also possible to connect
1 channel type Leslie speakers such as #3300
sending the stationary channels to the LINE
OUT jacks independently. (P. 87)
LESLIE CHANNEL
3 channel type Leslie speakers are equipped
with a stereo speaker system, independent of
the rotor, to provide direct organ sounds.
A traditional 1-channel Leslie, such as a #122
or #147 has no stationary speaker system, re-
quiring a separate amplier/speaker for the
direct organ sounds.
11-pin Leslie Cable
MIDI Cable (if needed)

19
Hook-Up
CONNECTING THE 1 CHANNEL LESLIE SPEAKER
BASIC CONNECTION OF THE LESLIE SPEAKER
Connect the Leslie Speaker #981/#3300/#122XB and the Leslie 11-PIN jack on this
keyboard with the exclusive 11-pin Leslie cable (not included).
1. Set the LESLIE - EXT. LESLIE CH at “1” (P. 87).
2. Make the setting of Tone Wheel organ.
3. Switch “OFF” the [BYPASS] button, set the [VOLUME] of the #981/#3300/#122XB
at desired volume.
USING WITH STATIONARY SPEAKERS
You can play as 3-channel type Leslie speaker system to use “dry” sound also with ad-
ditional stationary speakers which connected to the LINE OUT jacks.
Following step 1 to 3 above.
4. Repeat “ON/OFF” the [BYPASS] button with playing the keyboard, set the [VOL-
UME] of the stationary speakers at same volume which you can hear.
L / MONO
LINE OUT
RCTRL 2
NORM.
POLARITY
REV.
LESLIE 11 PIN
O
NTROLLER
UPPER
BANK KEY PATCH
PEDAL LOWER
STATIONARY SPEAKER
The word“Stationary Speaker”means ordinary
no rotating speaker. It is pair of words “Rotary
Speaker”.
This keyboard can use genuine stationary
speakers #2121, or some keyboard ampliers
which commercially available.

  Owner’s Manual
20
1. Hook-up as illustrated above.
NOTE: This illustration shows only the keyboard expansion See P. 16 for the basic hook up of the
power source, audio, etc.
2. Switch on this keyboard.
Refer to the operation manual of the XLK-5 and XPK-250, as required.
3 KEYBOARDS (USING XLK-5 AND XPK-250)
KEYBOARDPHONES
HEAD CU-1
XLK-3R
USE
PK-25R
ONLY
KEYBOARD
USB MIDI
/OTHER
LOWER
FLASH DRIVE TO HOST
TO
PEDAL
IN 2IN 1OUT
Regardless MIDI jack
or templates.
EXPAND THE KEYBOARD
is instrument can be upgraded to dual keyboards by connecting an external keyboard
and pedalboard.
XLK-5
XPK-250