JBL SDP-2 User manual

SDP-2 |
INSTALLATION/
TECHNICAL
MANUAL

Important Safety Instructions
Save these instructions for later use.
Follow all instructions and warnings marked on the unit.
Always
use
with
the
correct
line
voltage,
Refer
to
the
manufacturer's
‘operating
instructions
for
power
requirements.
Be
advised
that
different
Operating
voltages
may
require
the
use
of
a
different
line
cord
and/or
attachment
plug.
Do
not
install
the
unit
in
an
unventilated
rack,
or
directly
above
heat
producing
equipment
such
as
power
amplifiers.
Observe
the
maximum
ambient
operating
temperature
listed
in
the
product
specification.
Stots
and
opening
on
the
case
are
provided
for
ventilation;
to
ensure
reliable
operation
and
prevent
it
from
overheating,
these
openings
must
not
be
blocked
or
covered.
Never
push
objects
of
any
kind
through
any
of
the
ventilation
slots.
Never
spill
a
liquid
of
any
kind
on
the
unit.
Never attach audio power amplifier outputs directly to any of the unit's connectors.
To
prevent
shock
or
fire
hazard,
do
not
expose
the
unit
to
rain
or
moisture,
or
operate
it
where
it
will
be
exposed
to
water.
Do
not
attempt
to
operate
the
unit
if
it
has
been
dropped,
damaged,
exposed
to
liquids,
or
if it
exhibits
a
distinct
change
in
performance
indicating
the
need
for
service,
This
unit
should
only
be
opened
by
qualified
service
personnel.
Removing
covers
will
expose
you
to
hazardous
voltages.
This triangle, which appears on your component,
alerts you to the presence of uninsulated, dangerous
voltage inside the enclosure... voltage that may be
sufficient to constitute a risk of shock.
This triangle, which appears on your component,
alerts you to important operating and maintenance
inatructions in this accompanying literature.
Adhere to all warnings on the unit and in the operating instructions,
Take
precautions
not
to
defeat
the
grounding
or
polarization
of
the
unit's
power
cord.
Do
not
overload
wall
outlet,
extension
cords
or
integral
convenience
receptacles,
as
this
can
result
in
a
risk
of
fire
or
electrical
shock.
Route
power
supply
cords
so
that
they
are
not
likely
to
be
walked
on
or
pinched
by
items
placed
on
or
against
them,
paying
particutar
attention
to
cords
at
plugs,
conveneince
receptacles,
and
the
point
at
which
they
exit
from
the
unit.
The unit should be cleaned only as recommended by the manufacturer.
Communications Notice
This
equipment
generates
and
uses
radio
frequency
energy
and
if
not
installed
and
used
properly,
thatis,
in
strict
accordance
with
the
manufacturer's
instructions,
may
cause
interference
to
radio
and
television
reception.
Ithas
been
type
tested
and
found
to
comply
with
the
limits
fora
Class
B
computing
device
in
accordance
with
the
specifications
in
Subpart
J
of
Part
15
of
FCC
Rules,
which
are
designated
to
provide
reasonable
protection
against
such
interference
in
a
residential
installation.
However,
there
isno
guarantee
that
interference
will
not
occur
in
a
particular
installation.
Ifthis
equipment
does
cause
interference
to
radio
ortelevision
Feception,
which
can
be
determined
by
turing
the
equipment
OFF
and
ON,
the
useris
encouraged
to
try
to
correct
the
interference
by
one
or
more
of
the
following
measures:
Reorient the receiving antenna
Relocate the computer with respect to the receiver
Move the computer away from the receiver
Plug
the
computer
into
a
different
outlet
so
that
the
computer
and
receiver
are
on
different
branch
circuits.
If
necessary,
the
user
should
consult
the
dealer
or
an
experienced
radio/television
technician
for
additional
suggestions.
The
user
may
find
the
fotlowing
booklet
prepared
by
the
Federal
Communications
Commission
helpful:
"How
to
identify
and
Resolve
Radio/TV
Interference
Problems."
This
booklet
is
available
from
the
U.S.
Govemment
Printing
Office,
Washington,
DC
20402,
Stock
No.
004-000-00345-4.
Le
présent
appareil
numérique
n'émet
pas
de
bruits
radioélectriques
dépassant
les
limites
applicables
aux
appareils
numériques
de
la
class
B
prescrites
dans
le
Ragiement
sur
le
brouillage
radioélectrique
édicté
par
le
ministére
des
Communications
du
Canada.
we Outdoor Antenna Grounding
If
an
outside
antenna
is
connected
to
the
receiver,
be
sura
the
antenna
system
is
grounded
so
as
to
live
bee
provide
some
protection
against
voltage
surges
and
built-up
static
charges.
Section
810
of
the
Unit
(NEC
Section
National
Electrical
Code,
ANSI/NFPA
No.
70-1984,
provides
information
with
respect
to
proper
810-20)
grounding
of
the
mast
and
supporting
structure,
grounding
of
the
lead-in
wire
to
an
antenna-discharge
Grounding
Conductors‘
UNIt,
Size
of
grounding
conductors,
location
of
antenna-discharge
unit,
connection
to
grounding
(NEC
Section
810-21)
electrodes,
and
requirements
for
the
grounding
electrode.
See
figure
below.
fae.
Ground Clamps
¢———
Power
Service
Grounding
Power
Lines
An
outside
antenna
should
be
located
away
from
power
lines,
Electrode System
NEC— Nationa’ Electrical Code «(NEC Art 250, Part H)
Acknowledgements
The
SDP-2
is
manufactured
for
JBL
under
license
from
Dolby
Laboratories
Licensing
Corporation.
"Dolby",
"AC-3",
"Pro
Logic’,
and
the
double-D
symbol
are
trademarks
of
Dolby
Laboratories
Licensing
Corporation.
The
SOP-2
is
manufactured
for
JBL
under
license
from
Lucasfilm
Lid.
U.S.
patent
numbers
5,043,970; 5,189,703;
and
5,222,059.
Foreign
patents
pending.
Lucasfilm
and
THX
are
trademarks
of
Lucasfilm
Ltd.
“Auto-Azimuth"
and
"Logic
7”
are
trademarks
of
Lexicon,
Inc.
Lexicon
Patent:
U.S.
no.
4,
862, 502;
other
patents
pending.
"JBL"
is
a
trademark
of
JBL
Consumer
Products.
Copyright
©1997
JBL
JBL
Consumer
Products
*
80
Crossways
Park
West
*
Woodbury
NY
*
11797
USA
¢
Tel:
800-336-4JBL
070-11337
Printed
in
the
United
States
of
America

Dansk
Vigtig information om sikkerhed
Gem denne vejledning til senere brug.
Falg alle anvisninger og advarsler pa apparatet.
Apparatet skal altid titsluttes den korrekte spaending. Der henvises til
brugsanvisningen, der indeholder specifikationer for stramforsyning. Der
geres opmzerksom pa, at ved varierende driftsspsendinger kan det blive
ngdvendigt at bruge andre lednings- og/eller stiktyper.
Apparatet ma ikke monteres i et kabinet uden ventilation eller lige over
andet udstyr, der udvikler varme, f.eks. forsteerkere. Den maksimale
omgivelsestemperatur ved drift, der star opfort i specifikationerne, skal
overholdes.
Der er ventilationsabninger i kabinettet. For at sikre apparatets drift og
hindre overophedning ma disse abninger ikke blokeres eller tildaekkes. Stik
aldrig noget ind igennem ventilationsabningerne, og pas pa aldrig at spiide
nogen form for veeske pa apparatet.
Udgangsstik fra audioforstaarkera ma aldrig szettes direkte | apparatet.
Apparatet ma ikke udsasttes for ragn eller fugt-og ma ikke bruges i
nzerheden af vand for at undga risiko for elektrisk sted og brand.
Apparatet ma aldrig bruges, hvis det er blevet stadt, beskadiget eller vadt,
eller hvis zendringer i ydelsen tyder pa, at det treenger til eftersyn.
Dette apparat ma kun abnes af fagfolk. Hvis daekslet tages af, udszties
man for livstarlig hejspeending.
Denne maprkat pa komponenten advarer om vigtig drifts- og
vadligehoidsinformation i‘den tilherende litteratur:
aN Denne mearkat pa komponenten advarer om uisoleret, farligspasnding
i apparatet ... haj nok tit at give elektrisk sted.
Norsk
Viktig informasjon om sikkerhet
Ta vare pa denne veiledningen for senere bruk.
Falg alle anvisningene og advarsiene som er angitt pa apparatet.
Apparatet skal alltid anvendes med korrekt spenning. Produktbeskrivelsen
inneholder spesifikasjoner for stramkrav. Veer oppmerksom pa at det ved
ulike driftsspenninger kan vere nadvendig 4 bruke en annen ledning- og/
eller stapseltype.
Apparatet skal ikke monteres i skap uten ventilasjon, eller direkte over
varmeproduserende utstyr, som for eksempel kraftforsterkere. Den
maksimale romtemperaturen som star oppgitt i produktbeskrivelsen, skal
overholdes.
Apparatet er utstyrt med ventilasjonsapninger. For at apparatet skal veere
palitelig | bruk og ikke overopphetes, mA disse apningene ikke blokkeres
eller tildekkes. Stikk aldri noe inn i ventilasjonsapningene, og pass pa at det
aldri sales noen form for veeske pa apparatet.
Utgangsplugger fra audioforsterkere skal aldri koples direkte til apparatet.
Unnga brannfare og elektrisk stat ved 4 serge for at apparatet ikke utsettes
for regn elter fuktighet og ikke anvendes i naerheten av vann.
Apparatet skal ikke brukes hvis det har blitt utsatt for stot, er skadet eller blitt
vait, eller hvis endringer i ytelsen tyder pa at det trenger service.
Dette apparatet skal kun apnes av fagfolk. Hvis dekselet fiemes, uisettes
man for livsfarlig hayspenning.
til 4 utgiare en fare for elektrisk stot.
Komponenten er market med denne trekanten, som betyr at den
tilharende litteraturen inneholder viktige opplysninger om drift og
vedlixehold.
Komponenten er market med denne trekanten, som er en advarsel
om at det finnes uisolert, farlig spenning inne i kabinettet ... hay nok
Suomi
Tarkeita turvallisuusohjelta
Sailytd nama objeet tulevaa kaytt6a varten.
Seuraa kaikkia yksikkOon merkittyja ohjelta Ja varoituksia.
Kayta gina oikeaa verkkojannitetta. Tehovaatimukset selviavat valmistajan
kayttéohjeista. Huomaa, etta eri kayttdjannitteet saattavat vaatia
toisenlaisen verkkojohdon jaAai -pistokkeen kaytén.
Ala asenna yksikkéa telineeseen jossa ef ole tuuletusta, tai valittémasti
lampoa iuottavien laitteiden, esim. tehovahvistimien, ylapuolelle.
Ymparistén lampétila kaytéssa ei saa ylittaa tuotespesifikaation
maksimilamp6tilaa.
Kotelo on varustettu tuuletusreiillé ja -aukoilla. Luotettavan toiminnan
varmistamiseksi ja ylilampenemisen valttamiseksi nditaé aukkoja el saa
sulkea tai peittéd. Mitaan esineita ei saa tyontaa tuuletusaukkoihin. Mitaan
nesteita ei saa kaataa yksikk66n,
Ala kytke audiotehovahvistimen lahtéjé suoraan mihinkéan yksikén
liittimeen.
S&hkéiskun ja palovaaran dmiseksi yksikké ei saa olla sateessa tai
kosteassa, eika sita saa kayttaa marassa ymparistéssa.
Ala kayta yksikkéa jos se on pudonnut, vaurioitunut, kostunut, tai jos sen
suorituskyky on huomattavasti muuttunut, mika vaatii huoltoa.
Yksikén saa avata valn laltteeseen perehtynyt huoltohenkilé. Kansien
poisto altistaa sinut vaarallisille jannitteilte.
sahkéiskuvaaran.
Tama kolmio, joka esiintyy komponentissasi, kertoo sinulle, etta
tass4 tuotedekumentoinnissa esiintyy tarkeita kaytt6- ja yllapito-
Tama kolmio, joka eslintyy komponsntissasi, varoittaa sinua
eristémattéman vaarallisen jannitteen esiintymisesta yksik6n sisaila.
Tama jannite saattaa olla riittavan korkea aihauttamaan
Svenska
Viktiga sikerhetsféreskrifter
Spara dessa féreskrifter fér framtida bruk.
Flj alla anvisningar och vamingar som anges pa enheten.
Anvand alltid ratt nétspanning. Se tillverkarens bruksanvisningar f6r infor-
mation om effektkrav. Markval, att andra matningsspanningar eventuellt
kraver ait en annan typs natsiadd och/eller kontakt anvands.
Installera inte enheteni ett oventiierat stativ, eller direkt ovanfér utrustningar
som avger varme, tex effektiorstarkare. Se till att omgivningens temperatur
vid drift inte éverskrider det angivna vardet i produktspecifikationen.
Behallaren ar forsedd med hal och Oppningar fér ventilering. For att
garantera tillfrlitlig funktion och férhindra 6verhettning far dessa Gppningar
inte biockeras eller tackas. Inga f6remail far skuffas in genom ventilationshalen.
Inga vatskor far spillas pa enheten.
Anslut aidrig audioeffektférstarkarutgangar direkt till] nagon av enhetens
kontakter.
Fér att undvika elstét eller brandfara far enheten inte utsaitas far regn eller
fukt, eller anvandas pa stallen dar dan blir vat.
Anvand inte enheten om den har fallit i golvet, skadats, blivit vat, eller om
dass prestanda férandrats markbart, vilket kraver service.
Enheten far 6ppnas endast av behérig servicepersonal. Farliga spanningar
biir tillgangliga nar locken tas bort.
Denna triangel, som visas p& din komponent, varnar dig om en
cisolerad farlig spanning inne i enheten. Dennaspanning ar eventuelltt
s& hog att fara for elstét foreligger.
Denna triangel, som visas p& din komponent, anger att viktiga
braksanvisningar och serviceanvisningar ingar i dokumentationen i
fraga.

Deutsch
Wichtige Sicherheitsanweisungen
Heben
Sie
sich
diese
Sicherheitsanweisungen
auch
fiir
spater
auf.
Befolgen
Sie
alle
auf
der
Vorrichtung
stehenden
Anweisungen
und
Warnungen..
Immernutmitderrichtigen
Spannung
verwenden!
Die
Gebrauchsanweisungen|
des
Herstellers
informieren
Sie
Uber
die
elektrischen
Anforderungen.
Vergessen
Sie
nicht
daB
bei
verschiedenen
Betriebsspannungen
gof.
auch
vorschledene
Leitungskabet
und/oder
Verbindungsstecker
zu
verwenden
Sind.
Stellen
Sie
die
Vorrichtung
nicht
in
ein
unbeliftetes
Gestell
oder
unmittelbar
ber
warmeerzeugende
Gerate
wie
z.B.
Tonverstarker.
Halten
Sie
dia
in
den
Produktspezifixationen
angegebene
maximale
Umgebungstemperatur
bei
Betrieb
ein.
Schlitze
und
Offnungen
im
Gehause
dienen
der
Beldfung;
um
verlaGlichen
Beirieb
sicherzustellen
und
Uberheizen
zu
vermeiden
dirien
diese
Offnungen
nich
verstopft
oder
abgedeckt
werden.
Stecken
Sie
nie
irgend
einen
Gegenstand
durch
die
Beliftungsschlitze.
VergieBen
Sie
keine
FiUssigkelten
auf
den
Apparat.
SchlieGBen
Sie
nie
Tonverstarker
unmittelbar
an
einen
AnschluB
des
Apparates
an.
Um
elektrischen
Schlag
oder
Feuer
zu
vermeiden,
setzen
Sie
den
Apparat
weder
Regen
noch
Feuchtigkeit
aus
und
betreiben
Sie
ihn
nicht
dort
wo
Wasser
eindringen
kénnte.
Versuchen
Sie
nicht
den
Apparat
zu
betreiben
falls
er
fallen
gelassen,
beschadigt,
oder
Flissigkeiten
ausgesetzt
wurde,
oder
falls
sich
seine
Arbeitsweise
derart
andert
da
daraus
ein
Bedarfnach
RaparaturzuschlieBen
ist.
Dieser
Apparat
solite
nur
von
qualifiziarten
Fachleuten
gedfinet
werden.
Das’
Abnehmen
von
Abdeckungen
setzt
Sie
gefahriichen
Spannungen
aus.
Dieses
Dreieck
auf
Ihrem
Apparat
wamt
Sie
vor
nicht-isolierter,
gefahrliicher
Spannung
im
Gehause
...
stark
genug
um
eine
Berihrungsgefahr
darzustellen.
AN
A
Dieses
Dreieck
auf.|nrem
Apparat
bedeutet
da
wichtige
Betriebs-
und
Wartungsanweisungen
in
der
mitgelieferten
Dokumentation
zu
finden
sind.
Frangais
Instructions de Sdreté Importantes
Gardez ces instructions pour réference future.
Observez
toutes
les
instructions
et
tous
les
avertissements
marqués
sur
lappareil.
Branchez
uniquements
sur
un
réseau
de
tension
indiquée.
Consultez
le
manuel
d'instruction
du
fabriquant
pour
les
spécifications
de
courant.
N’oubliez
pas
que
différentes
tensions
peuvent
nécessiter
l'utilisation
de
cables
et/ou-de
fichas
de
connexion
différents.
Niinstallez
pas
l'appareil
en
un
compartiment
non-aéré
ou
directement
au-
dessus
d'équipements
générateurs
de
chaleur,
tels
qu'amplificateurs
de
cCourants,
etc.
Ne
dépassez
pas
la
température
ambiante
maximale
de
fonctionnement
indiquée
dans
les
spécifications
du
produit.
Des
fentes
et
ouvertures
sont
prévues
dans
le
boitier
pour
l'aération;
Pour
assurerle
bon
fonctionnementetpour
prévenirl’échauffement,
ces
ouvertures
ne
doivent
pas
tre
couvertes
ou
bloquées.
N’insérez
pas
d'objets
dans
les
fentes
d’aération.
Empéchez
tout
liquide
de
se
répandre
sur
l'appareil.
Ne
connectez
jamais
d'amplificateurs
audio
directement
aux
connecteurs
de
l'appareil.
Pour
empécher
les
chocs
électriques
etle
danger
d’incendie,
évitez
exposer
"apparel
a
la
pluie
ou
&
lhumidité,
et
ne
le
mettez
pas
en
marche
en
un
endroit
ou
il
serait
exposé
aux
éclaboussures
d'eau.
N’essayez
pas
de
faire
fonctionner
l'apparell
s'il
est
tombé
A
terre,
a
été
endommangé,
exposé
&
un
liquide,
ou
si
vous
observez
des
différences
nettes
dans
son
fonctionnement,
indiquant
la
nécessité
de
réparations.
Cet
appareil
ne
doit
étre
ouvert
que
par
un
personnel
de
service
qualifié.
En
entevant
les
couvercies
vous
vous
exposez
a
des
tensions
électriques
dangereuses.
h
Ce
triangle,
sur
votre
appareil
vous
avertit
de
la
présence
de
tension
dangereuse,
non-isolée
&
lintérieur
du
boitier...une
tension
suffisante
Pour
représenter
un
danger
d’électrocution.
Ce triangle sur sur votre appareil vous invite de sulvre importantes
instructions
d'utilisation
st
dentretien
dans
la
documentation
livrée
avec fe produit.
Espafiol
instrucciones importantes de seguridad
Guarde esta instrucciones para uso posterior.
Utilice
siempre
el
voltaje
correcto.
Dirljase
alas
instrucciones
de
Operacion
del
fabricante
para
obtener
las
especificaciones
de
potencia.
Esté
al
tanto
de
que
voltajes
de
operacién
distintos
requieren
el
uso
de
cables
y/o
enchufes
distintos.
Noinstale
esta
unidad
enun
estante
sin
ventilacion,
ni
fampocodirectamente
encima
de
equipos
que
generen
calor
tales
como
amplificadores
de
Potencia.
Fijese
en
las
temperaturas
ambientales
maximas
de
operacién
que
se
mencionan
en
las
especificaciones
del
producto.
Las
aperturas
y
ranuras
del
chasis
sirven
para
proveer
la
ventilacién
necesaria
para
operar
la
unidad
con
seguridad
y
para
Prevenir
sobrecalentamiento,
y
por
lo
tanto
no
pueden
ser
obstruidas
o
cubiertas.
No
introduzca
objetos
de
ningtin
tipo
a
través
de
las
ranuras
de
ventilacion,
y
nunca
deje
caer
ningun
Ifquido
sobre
ia
unidad.
Nunca
conecte
ningtin
tipo
de
salida
de
amplificadores
de
sonido
directamente
a
los
conectores
de
la
unidad.
Para
prevenir
descargas
eléctricas
oincendios,
mantengala
unidad
alejada
de
la
lluvia,
humedad
o
cualquier
lugar
en
el
que
pueda
entrar
en
contacto
con
agua.
Notrate
de
hacer
funcionar
la
unidad
si
se
ha
caido,
est
dafiada,
ha
entrado
en
contacto
con
liquidos,
o
si
nota
cualquier
cambio
brusco
en
su
funcionamiento
que
indique
ta
necesidad
de
hacerle
un
servicio
de
mantenimiento.
Esta
unidad
debera
ser
abierta
dnicamente
por
personal
calificado.
Si
usted
quita
las
coberturas
se
expondrd
a
voltajes
peligrosos.
AN
AN
Este
trigngulo
que
aparece
en
su
componente
la
advierte
sobre
la
existencia
dentro
del
chasis
de
voltajes
peligrosos
sin
aislantes
...
voltajas
que
son
lo
suficientemente
grandes
como
para
causar
electrocucién.
Este
trigngulo
que
aparece
en
su
componente
lo
alerta
sobre
las
instrucciones
de
operacién
y
manteniméento
importantes
que
estan
en
los
materiales
de
lectura
que
se
incluyen.
Italiano
Importanti norme di sicurezza
Conservare le presenti norme per !’utilizzo futuro.
Osservare tutte le istruzioni e le awertenze apposte sull’unita.
Utilizzare
esclusivamente
con
la
tensione
di
rete
corretta.
Consultare
le
istruzioni
operative
fornite
dal
fabbricante
per
i
dati
tiguardanti
ta
tensione
e
?assorbimento
di
corrente.
Potrebbe
essere
necessario
'uso
di
cavi
di
rete
e/o
di
spine
diverse
a
seconda
della
tensione
utilizzata.
Non
installare
'unita
in
uno
scaffale
privodl
ventilazione
oppure
direttamente
sopra
una
fonte
dicalore,
come,
ad
esempio,
un
amplificatore.
Non
superare
la
temperatura
ambientale
massima
di
funzionamento
riportata
nei
dati
tecnici
del
prodotto.
Le
fessure
e
le
altre
aperture
nella
scatola
servono
alla
ventilazione.
Per
un
funzionamento
affidabile,
e
per
evitare
un
eventuale
surriscaldamento,
queste
aperture
non
vanno
ostruite
ocoperte
in
nessun
modo.
Evitare
in
tutti
icasidiinserire
oggetti
di
qualsiasi
genere
attraversole
fessure
di
ventilazione.
Non
versare
mai
del
liquido
di
nessun
tipo
sull’unita.
Evitare
sempre
di
collegare
le
uscite
dell’amplificatore
audio
direttamente
ai
connettori
dell'unita.
Per
pravenire
il
pericolo
di
folgorazione
e
di
incendio
non
esporre
l'unita
alla
pioggia
oad
un’umidita
eccessiva;
evitare
di
adoperare
|'unita
dove
potrabbe
entrare
in
contatto
con
acqua.
Evitare
di
adoperare
Funita
se
la
stessa
é
stata
urtata
violentemente,
se
ha
subito
un
danno,
se
é
stata
esposta
ad
un
liquido
o
in
caso
di
un
evidente
cambiamento
delle
prestazioni
che
indichi
la
necessita
di
un
intervento
di
assistenza
tecnica.
Ogniintervento
sull'unita
va
eseguito
esclusivamente
da
personale
qualificato.
La
rimozione
della
copertura
comporta
l'esposizione
al
pericolo
di
folgorazione.
AX
AN
ll presente triangolo impresso sul componente awerte della presenza
Gi tensioni pericclose non isolate alinterno della copertura... tali
tensioni rappresentano un pericole di folgorazione
Il presente triangolo impresso sul componente awerte l'utente dalla
Presenza nella documentazione allegata diimportantiistruzioni relative
a! funzionamento ed alla manutenzione.

SDP-2
INSTALLATION/
TECHNICAL
MANUAL

SDP-2 Digital Surround Processor/Controller
Contents
1 Introduction to the SDP-2 ............:00 taeees
Introduction vo... cece
Unpacking and Inspection
Using the Documentation ....
System Overview .........
Glossary of Terms...
Remote Control ACCY Functions
COMNMECTION 0... cseeccsessssesssssesucaneceuseecesseuseneeuseadereseseenes
Wiring Considerations
Audio/Video Cables « Speaker Connections
Audio/Video Connections .........ssccsecessssssssseresesees
Connecting the SDP-2 as a. preamp.
Video Connections ......scessseseseseeseeesneneees a
Digital Audio Connections ............ccccccsessssseeseeees
RF Modulated Sources
Recording a Digital Source Using the SDP-2
D/A COnVOCMt6 lr... .eeeeeeecceecessecesneeceeecesessenenserasaes
Digital input Status Detection .
RECORD/ZONE 2 Operation ..........ccccccssscesessesetecees
Zone 2 Remote Control « Exclusive Zone 2 Control
System Configuration ...........ccccessssssssssssssessesseresssees 21
Display Adjustment............. 21
The Video On-Screen Display 1 22
SYStOM SOUP 0. cceeessesseeeeceseseceseesesssesteseeseseeseseeees 23
Input Configuration ¢ Input Gain * Input
Level Meters « Input Name « Restore Input
Name ¢ Input Effect Assignment « Digital
Audio Input Assignment e Video Input
Assignment * Record/Zone 2 Output
Blocking
Setting the Speaker Configuration ........ccccseeeee 27
Front L/R * Center « Sides * Rears
Subwoofer Output
Setting Output Levels ............ccessssessssesesesssserscerae 29
Subwoofer Peak Limiter * Mute Level
Power On Volume « Zone 2 Volume

Contents, cont'd.
Setting Listener Position ...........ccsseececeeteees 32
Surround Delay « Time Alignment « A/V Sync
Delay » Calibrate Panorama
CUSLOMIZALION 00... ee eects ce eeecte teense eteneaeeaeteetneneeteteeeeee
Locking Settings ve
Assign Custom Name |... eeeceeseeceeeeseereeneees 36
Audio Bit Setting 0... ec eecceeeeereeeeeeeeetieerseseaeenes 36
EQUALIZATION oe cece cece ce nese ceeseeeaseaeteeraetaetaaeasoneraees 37
Bass and Trebel Level « Tilt * Loudness
SDP-2 Effect .......c.::cssccececnessesersesseesnesessessesaenesseenees 39
Customizing Effects «2.2... ec ecesccseeecseceteteterseeeeeenneaes 39
Comparing a modified Effect to the factory
preset version ¢ Restoring the original
parameter values of an Effect * Naming your
custom Effect « Restoring the original Effect
Name « Listening to only the SDP-2 Effect
Remote Trigger Assignment
Music Surround ..0.....ceeeeseseceseeeeeceeeeeeeeeeeaecesreeesaeesens
Pro Logic ..........
THX Cinema... tee
LOGIC 7M ice ccecteeseecceseeeceeeeteseetasseeesneeeetenaesaeseeeteeeees
1301) (0) 5
Mono Enhance .. sens
t= LAL°) ¢- LA: ee
Jazz
Classical ....
Football
Cathedral oo... ce ese sseenereeceseseeseseeeeesenseeeneseesevareaee
Rock/Pop ....
Party sess
Two Channel ............
AC-3 Status Display .
5.1 Music .........00
5.1 Dolby ..........
5.1 Dolby/THX ...
5.1 Late Nite ..........
5.1 Two Channel ......
TrOUbleSHOOTING .....scccsssccsssecerscecenssesseecsrscessnscssessaess 63
SPeCiIFICALIONS ......cccssccssesecssceenseeeensceeenseeseneneeseeneeeenes 67
Installation Documentation

Introduction
to the SDP-2
Introduction
More than just a surround processor, the SDP-2 is a digital control center
with state-of-the-art performance and flexibility. A superb linelevel preamp,
the SDP-2 provides 8 audio, 5 video (3 S-VHS), and 4 digital (2 coaxial, 2
optical) inputs. The video and digital inputs can be assigned to any of the
audio inputs for custom configuration. The digital inputs are processed
through true 20-bit D/A converters, providing a level of performance not
found in most stand-alone converters. Built-in digital crossovers make it
possible to tailor the output to match any speakers in a system. There is also
a second set of pre-outs with independent volume and source selection to
accommodate music in a separate zone.
A great deal of effort went into designing an instrument which would be
flexible enough to satisfy the most critical listeners and yet be simple to
operate. The SDP-2 has been meticulously configured and tested to achieve
maximum out-of-the-box performance with all JBL Synthesis systems.
The JBL SDP-2 Digital Surround Processor/Controller has a single goal: to
draw you, the listener, more deeply into a musical performance or film. For
music the SDP-2 uses 5 or 7 channel digital processing to recreate the
original recording space, or true stereo synthesis to create a new one of your
choosing. For films, it offers an extremely accurate version of Dolby Digital®
and Lexicon’s proprietary Logic 7™ enhancements to Pro Logic surround
decoding, along with the enhancements of the LucasFilm Home THX®
Cinema system. The increase in impact of a musical performance or film
heard with the SDP-2 is incredible.
To recreate the experience of being at a live musical performance, the
SDP-2 draws on ongoing studies of concert hall acoustics, and applies this
research to home listening rooms. Our auditory sense is quite adept at
interpreting clues about our physical environment. Even with your eyes
closed, itis possible to get a good mental picture of the room or hall you are
in by listening to the ambience, or reflected sound energy, in the room. We
are not aware of our auditory perception of space in everyday life because
it confirms what our eyes readily see. When we listen to recorded music,
however, there are no visual clues and we rely completely on our sense of
hearing.
More than thirty years ago, the introduction of two-speaker stereo systems
brought dramatic improvement to high fidelity music reproduction. With
a carefully designed system, and good recording, it became possible to
producea sonic picture of the original event. But, like a photograph hanging
ona wall, conventional stereo is a two dimensional snapshot of the original
event. We can appreciate the likeness, but the picture stays in front of us
while we stay in our listening room. The SDP-2is designed to overcome this
fundamental limitation of two-speaker reproduction and bring us closer to
the ultimate goal of transporting ourselves to the original musical event.

Introduction
to.the SDP-2
JBL
The key to our perception of the acoustic space we inhabit lies in the lateral
sound field — the sound which moves from side to side in the room. The two
front speakers used in conventional two channel stereo do not adequately
excite these lateral fields in a playback room. The speakers are too far
forward, and the ambient information in the recording is often masked by
the music itself. The SDP-2 extracts or synthesizes the ambient information,
and uses additional speakers along the sides and rear of the room to create
a lateral field which closely emulates the original. If the system does not
have side or rear loudspeakers the SDP-2 can use panorama technology to
simulate them.
The object is to generate signals for the sides and rear speakers which
recreate the lateral sound missing in conventional stereo. The most basic
approach to this is to analyze the incoming material and extract from it the
information which should be reproduced from the sides and the rear. As
this is also the object of any standard matrix film decoder, one might think
the technology for doing this was well understood, but it is not so easy.
Matrix film decoders evolved from early Quad decoders and are limited to
four decoded channels: front left, front center, front right, and rear. When
the single rear channel is reproduced from multiple speakers in a small
playback room, the sound from the different speakers interferes with itself,
creating anon-enveloping soundfield with an unpleasant timbre. Although
there have been decoders in the past with the ability toseparate directionally
encoded effects into more than four directions, they have all suffered from
reduced separation of the rear channels during playback of music. The
SDP-2 solves this basic problem with a new idea: a 5 or 7 channel decoder
whichis completely compatible withastandard decoder for any directionally
encoded effect, but which maintains the maximum difference between the
left and right side/rear channels at all times.
This new technology is available in several effects. The basic effect for films
is Logic 7, and the basic effect for music is Music Surround. All the new 5
and 7 channel effects extract the spatial content hidden in two channel
recordings and spread it convincingly around the listener. All SDP-2 matrix
decoding algorithms also include proprietary correction circuits for balance
and azimuth errors in the original source material, which make these
decoders the most accurate in the industry. The difference between the new
5 or 7 channel technology and the older 4 channel technology (also present
in the SDP-2 as the Pro Logic effect and the standard THX Cinema effect) is
easily heard through the increase in envelopment with music or the envi-
ronmental sound of any film, and through the increased listener area and
spaciousness on a music CD.
Logic 7 technology also lets us reproduce directionally encoded effects with
left/right separation in the rear. Thus even with a conventional 4-2-4
matrix-encoded soundtrack (Dolby Surround, Ultra*Stereo, etc.) a sound
effect which pans from left to rear will decode in the SDP-2 first from the left
front speaker, then from the left side speaker, and finally from both rear
speakers. The results on a film with a good soundtrack are spectacular.

Introduction
to the SDP-2
SDP-2 Digital Surround Processor/Controller
The SDP-2 alsohas the ability to create an acoustic environment whichis not
present on the original recording. Using the Jazz, Classical, Football and
Cathedral effects, you can select the acoustics the digital processor will
simulate. Each of these effects has many adjustments to allow you to
generate just the right sound for a particular piece of music in your room.
In addition, the SDP-2 includes the Panorama effect, which cancels the
crosstalk between the listener’s ears, and spreads the sound from just two
loudspeakers into a wide arc. A listener in the right spot is completely
enveloped by the original sound field of the recording.
The SDP-2's Dolby Digital implementation opens a whole new world of
lateral sound. With AC-3 encoded source material the SDP-2 plays 5
discrete channels plus a low frequency effects (LFE) channel as the original
sound producer intended ~ from speakers all around the listener. 5.1 Late
Nite is a special effect designed to deliver clear dialog and as much impact
as possible at low volume levels. The enhancements to the AC-3 5.1
standard from LucasFilm are available in the 5.1 Dolby/THX effect, and
some of these are included as parameters in 5.1 Late Nite. The SDP-2 also
includes effects for optimally reproducing 5.1 channel encoded music, as
well as the original 5.1 Dolby effect. The 5.1 Two Channel effect makes it
possible to mix a 5.1 channel soundtrack down to two channels that can be
played back later through a surround effect such as Logic 7. The SDP-2 also
provides effects for expanding monaural film sound tracks (Mono En-
hance), general TV viewing (Television), background music (Party) and, of
course, Two Channel stereo playback.
About Dolby Digital AC-3 encoding
Because multichannel recordings are made up of so much information,new
ways of storing and transmitting it have had to be created. To this end,
Dolby Laboratories developed AC-3, a perceptual digital audio coding
technique on which the Dolby Digital surround format is based.
Ona typical compact disc, 16-bit samples are taken 44,100 times per second
for each channel, which allows as much as 74 minutes of 2 channel audio on.
asingle CD. However, if a digital recording consists of 6 channels up to two
hours in length, storage or transmission becomes impractical due to the
immense amount of data. Because of this, new forms of digital audio coding
(sometimes referred to as “perceptual” coding) have been developed to
allow the use of lower data rates with a minimum of perceived degradation
of sound quality.

Introduction
to
the
SDP-2
re
sd
rere
rer
Designed
specifically
to
handle
multichannel
audio,
AC-3
takes
advantage
of
a
psychoacoustic
phenomenon
known
as
auditory
masking.
It
divides
the
audio
spectrum
of
each
channel
into
narrow
frequency
bands
of
different
sizes
optimized
with
respect
to
the
frequency
selectivity
of
human
hearing.
This
makes
it
possible
to
sharply
filter
coding
noise
so
that
it
is
forced
to
stay
very
close
in
frequency
to
the
frequency
components
of
the
audio
signal
being
coded.
By
reducing
or
eliminating
coding
noise
wher-
ever
there
are
no
audio
signals
to
mask
it,
the
sound
quality
of
the
original
signal
can
be
subjectively
preserved.
The
result
is
multichannel
sound
that
is
subjectively
equal
to
2
channel
digital
recordings,
yet
can
be
stored
and
transmitted
efficiently.
AC-3
can
process
at
least
20-bit
dynamic
range
digital
audio
signals
over
a
frequency
range
from
20Hz
to
20kHz.
The
bass
effects
channel
covers
20
to
120Hz.
Data
rates
range
from
32kb
for
a
single
mono
channel
to
as
high
as
640
kb.
Dolby
Digital
source
material
is
available
in
several
formats.
Laser
discs,
while
able
to
deliver
two
channels
of
PCM
digital
audio,
are
not
capable
of
storing
an
additional
six
channels
of
digital
audio
information.
The
AC-3
bitstream
is,
therefore,
converted
into
a
frequency
modulated
signal
(re-
ferred
toas
the
AC-3
RF
signal)
and
stored
on
the
right
channel
analog
track
of
AC-3
encoded
laser
discs.
This
signal
must
be
demodulated,
or
turned
back
into
a
digital
signal,
before
it
can
be
decoded
by
the
SDP-2.
The
companion
JBL
Synthesis
SDP-RFD
is
designed
specifically
to
provide
external
AC-3
RF
demodulation
with
minimal
degradation
of
performance
due
to
RF
interference.
Other
media
formats,such
as
DVD,
output
AC-3
codeasa
digital
signal,and
do
not
require
demodulation.

SDP-2 Digital Surround Processor/Controller
Introduction
to the SDP-2
After unpacking the SDP-2, save all packing materials in case you ever need
to ship the unit. Thoroughly inspect the SDP-2 and packing materials for
signs of damage. Remove the adhesive protective film from the SDP-2 front-
panel lens and remote control. Report any shipment damage to the carrier
at once; report equipment malfunction to your dealer.
The Owner's Manualis designed toassist you in installing, calibrating and
operating the SDP-2. It should be used in conjunction with the remote
control when configuring the system to perform optimally in your
environment. This manual.was written with the underlying assumption
that the installer is familiar with audio/video system installation.
An Installation Worksheet is provided at the end of this manual for
documentation of the settings arrived at during the calibration procedure.
Unpacking and
Inspection
Using the
Documentation

Introduction
to. the SDP-2
JBL
System Overview
Glossary of Terms
Although the SDP-2 performs very complex signal processing, a great deal
of effort has gone into making the technology behind the effects as transpar-
ent as possible to the user. To understand the overall organization of the
unit, it is helpful to define those few terms which are unique to the SDP-2.
Effect An effect is a configuration that determines how the SDP-2-will
process an input signal. The unit contains 19 effects: Pro Logic, Television,
Mono Enhance, Panorama, Jazz, Classical, Football, Cathedral, Rock/Pop, Party,
Two Channel, Music Surround, THX Cinema, Logic 7, 5.1 Music, 5.1 Dolby,
5.1 Dolby/THX, 5.1 Late Nite and 5.1 Two Channel.
Parameter Each Effect has a set of parameters (controls) that uniquely
characterize it. The settings of the parameters can be changed to custom-
ize each Effect.
Effect Parameter values are stored/recalled with each Effect. Some ex-
amples are: Rolloff, Subwoofer Level, etc.
System parameter values are not associated with a particular Effect and
their values do not change when a new Effect is loaded. Examples are:
display contrast, volume, etc.
Presets The SDP-2 contains a set of Effects with factory-set parameters.
You can use these Effects as is, or make changes to the parameters to suit
your own needs. The factory parameter settings are permanently stored
in memory where they can be accessed for comparison with your own
versions, or restored.
Essentially, the SDP-2 can be thought of as a line level preamp D/A
converter with three audio-only, five audio/video, and four digital inputs.
It behaves as the master processor for your system, controlling system
volume, balance, source selections, output selections for audio and video,
and acoustical environments specifically designed for music and movies.
The remote control provided with the SDP-2 is designed for simple daily
use, as well as for use in configuring the SDP-2 to work optimally with your
system. Theremote gives you access to setup controls and parameter menus
for all of the SDP-2 Effects.
In many systems, a universal, or learning remote, may take the place of the
SDP-2 remote. If you are using one of these, we strongly suggest that the
types of operating controls we have provided be adapted into the universal
remote. We have found these controls enhance the listening /viewing
experience while keeping the technology transparent.

Introduction
to the SDP-2
SDP-2 Digital Surround Processor/Controller
SDP-2 Block Diagram
Stereo Analog Inputs (Left only) Analog Outputs
Zone 2 Out
LT >o Subwoofer
3} L Side
R Side
Output Level
Control
|
Discrete
Control
Digitat
Decoder
S/PDIF Digital Inputs
Coaxial 1
Coaxial 2 :
= Optical 1 ; eceter
pepOntical2
Front
Panel
Controls
§-Composite/3-S Video Inputs
Video Record Out

Installation and
Calibration
Controls and
Indicators
The Front Panel
MOS YN THE ST Se
‘SOP-2 figiel Suround Processor Conall
Qoieeur)
Siareal
TUNER
JBL SDP-2 V1.00
COPYRIGHT 1997 __
TAPE
1, ON/OFF
ON/OFF alternately puts the
SDP-2 into and out of
standby mode. Turning the
SDP-2 off with this button (or
with the remote) deactivates
the unit while leaving power
to the signal processing cir-
cuitry to keep it at optimum
operating temperature. Turn-
ing the SDP-2 on with this
button (or the remote) will re-
store the previous operating
state.
2. Input Selection
Pressing any of these but-
tons (VCR1, VCR2, V DISC,
TV, AUX, CD, TUNER, TAPE)
selects the input at the corre-
sponding rear panel connec-
tor as the current input selec-
tion and lights a green LED.
3. REC/ZONE 2
Selects and deselects the
current input source for the
RECORD and ZONE 2 out-
puts. When the REC/ZONE 2
function is engaged, the red
LEDs are lit on the REC/
ZONE 2 button and on the
selected source input button.
To change the REC/ZONE 2
source, press and hold down
REC/ZONE 2 while pressing
another input selector.
Some specific record sources
are disallowed because of the
potential for feedback loops.
By default these are TAPE
and VCR1. If a prohibited
source is selected, an error
message is displayed. The
prohibited REC/ZONE 2
source choices can be
changed in the Setup menu.
4. EFFECT
Displays the current effect,
then steps through ail avail-
able effects.
5. BYPASS
Toggles the selected effect
onandoff. The stereo analog
or digital inputs are fed un-
processed io the front left,
front right and subwoofer out-
puts while all other amplifier
outputs are muted. A front
panel LED will light yellow
and screen messages indi-
cate bypass is engaged.
6. MUTE
Attenuates all audio outputs
except for RECORD orZONE
2, lights a red LED, and dis-
plays a screen message to
indicate mute is engaged. The
attenuation level can be setin
the Setup menu.
7. IR Receiver and LED
The IR receiver has an asso-
ciated activity LED that lights
green when valid IR signals
are received, andanLED that
lights red to indicate an over-
toad condition at the inputs or
within the DSP path. An IR
input jack is available on the
rear panel for a remote
mounted IR receiver. The red
overload LED remains illumi-
nated when the unitis placed
in Standby.
8. Display
A 2x20 backlit amber LCD
displays the result of user
action and the current status.
9. VOLUME
A position independent ro-
tary encoder provides volume
adjustment of all outputs, ex-
cept for RECORD or ZONE2.
Screen displays show a vol-
ume bar and level in dB.

Installation and
Calibration
JBL
The Rear Panel
power switch on or off.
CAUTION: Never make or break any connections to the SDP-2 with
the rear-panel power ON. Make sure any associated amplifiers have
been turned off for at least one minute before turning this master
1. AUDIO INPUTS
Eight stereo analog audio in-
puts are switched with corre-
sponding video inputs and fed
tothe Monitor outputs. Inputs
are nominally labeled as origi-
nating from an audio tape
player, tuner, CD player, an
unspecified auxiliary source,
a TV tuner, a Laser or Video
Disc player, asecondary, and
a primary VCR.
2. ZONE2 and RECORD
Each pair of stereo audio
outputs supplies the same
signal according to the record
input selection, ZONE2 sig-
nal levels can be controlled
independently for use with a
second set of amplifiers and
speakers in another room.
ZONE2 can also be used as
asecond record output. When
the output for ZONE2 is setto
OdB (unity gain), it has the
same output level as
RECORD. RECORD can be
expanded to two outputs us-
ing standard Y-connectors.
Both outputs are muted in
standby.
3. MAIN OUTPUTS
Three stereo amplifier out-
puts are provided for front,
side and rear speakers.
Single monaural outputs are
provided for the center
speaker and the subwoofer.
The audio outputs are muted
in standby.
4. S/PDIF INPUTS
Two coaxial RCA connectors
and two optical connectors
are provided for digital audio
in S/PDIF format at 44.1 or
48kHz.
§. REMOTES:
IR IN, PWR CTL
The IR input is a miniature
phone jack connector for in-
put of modulated IR receiver
data from an externally
mounted IR LED receiver.
Data is retransmitted by an
{R LED mounted near the
front panel IR receiver.
1 = Ground
2 = Ground
3 = Power On
4 = Unused
5 = Trigger
The Power Controt port is a
5-Pin DIN connector, Pins 1
and 2 are ground, pin 3 is
high when unit is on, low in
standby or Off. High is indi-
cated by either +5VDC or
+12VDC, selectable via an
internal jumper. Pin 5 can be
enabled (high) or disabled
(low) for specific effect selec-
tions in the Custom menu.
See pinout diagram above.
6. VIDEO INPUTS
Five video input sources are
provided. VCR1, VCR2 and
V DISC, have both compos-
ite and S-video capabilities.
(S-video is selected in pref-
erence to the composite sig-
nal.) AUX and TV accept
composite only. Video inputs
are selected with their corre-
sponding audio inputs and
fed to the selected monitor
output jack. Record output
jacks can be selected inde-
pendently.
To prevent a feedback loop with the Record/Zone 2 outputs, the
inputs can be blocked from assignment as REC/ZONE 2 outputs.
Any input label and its default status can be changed in the Setup
menu.
7. VIDEO OUTPUTS
RCA (composite) and S-video
connectors are provided for
monitor and record. If an S-
video input is used, both S-
video and composite are
available at each output. If
the video input is composite,
only composite is available at
each output. The monitor
output incorporates the on-
screen video overlay. Unless
RECORD is enabled, the
record output follows the
monitor output selection with-
outthe on-screen display fea-
ture. Both outputs are blanked
in standby.
8. Power On/Off
Master power switch discon-
nects the AC Mains. This
switch is intended to be left
On during regularuse. When-
ever cables are connected or
disconnected, or when the
unitis not going to be used for
an extended period of time,
this switch should be set to
Off.
9. POWER
AC power connector: 3-wire,
10 Amp, IEC 320.
10

SDP-2 Digital Surround Sound Processor/Controller
Installation and
Calibration
1. OFF and ON*
Separate OFF and ON but-
tons are provided for earning
remotes, so that an auto-
mated key sequence does
not require information re-
garding the current on/off sta-
tus of the unit. OFF puts the
unit into standby with audio
muted, video blanked, the
LCD and all LEDs, except for
overload, tumedoff. The over-
load LED remains illuminated
and the IR receiver remains
active. The selected input,
record status, current effect,
volumeand balance settings,
and bypass state are saved.
2. EFFECT Up* and Down*
Display the current effect,
then step through all avail-
able effects.
3. BYPASS*
Puts the front left/right and
subwoofer outputs into ste-
reo bypass. The stereo ana-
log or digital inputs are fed
unprocessed to the front left/
right and subwoofer amplifier
outputs while all other ampii-
tier outputs are muted. A front
pane! LED will light yellow
and screen messages indi-
cate bypass is engaged.
4, MUTE*
Attenuates all audio outputs
except for RECORD/ZONE
2, lights aredfrontpanel LED,
and displays a screen mes-
sage. Attenuation level can
be set in the Setup menu.
5. VOLUME Up* and Down*
Display the current volume
setting, then adjust all out-
puts, except RECORD and
ZONE 2. Screen displays
show a volume bar and level
in dB.
(Sry
THESIS
The Remote Control
[on
VOLUME
TAPE
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2 ©
6. BALANCE Front*/Rear*
and Left*/Right*
Display, then adjustthe Front/
Rear and Left/Right level bal-
ances. Front and Rear con-
trols change the level bal-
ance between the front (Left,
Center, Right) and rear (L&R
Side, L&R Rear) outputs.
Left and Right controls
change the level balance be-
iween the left and right Front,
Side and Rear outputs.
7. Input Selection*
Individuat buttons selectfrom
8 inputs and activate a corre-
sponding green LED on the
front panel. Depending onthe
Setup configuration, selection
may also load a new effect.
*In standby, pressing turns the unit on and puts it into its last known state.
8. RECORD/ZONE 2
Selects and deselects the
current input source for
RECORD and ZONE 2 out-
puts, When the REC/ZONE 2
function is engaged, red LEDs
are lit at the front panel REC/
ZONE 2 button and at the
selected source input button.
To modify the ZONE 2 output
without affecting other output
levels, press and hold
RECORD/ZONE 2, then ad-
just VOLUME.
Press MUTE while holding
down RECORD/ZONE 2 to
fully attenuate the ZONE 2
outputs. The ZONE 2 mute
status will be indicated by a
screen message. The attenu-
ation level of the ZONE 2
output mute is not user ad-
justable. Repeat to cancel
MUTE.
9. MENU*
SELECT, &, V and DONE
Allow access to and adjust-
ment of all displayed menu
items. (Volume, Bypass, Bal-
ance and Mute functions re-
main active in menu mode.)
MENU & and ¥ step a dis-
play cursor through listed
menu items. SELECT dis-
plays submenus, or chooses
a menu item for adjustment.
The & and ¥ butions alter
the settings of selected pa-
rameters. DONE saves the
current changes.
Press one of the EFFECT
buttons, any Input Selector,
RECORD/ZONE 2, or any
BALANCE button to exit.
Press OFF to exit the menu
and enter standby.
10. ACCY
Provides accessory functions
when pressed in conjunction
with other remote buttons.
(See following page.)
I

Installation and
Calibration
JBL
Remote Control
: Press and hold ACCY, then press DONE to activate a "You Are Here" mode which:
ACCY Functions
e Sets Bass, Treble and Tilt to FLAT
© Sets volume to -10dB
Leaves Loudness at its current setting
Loads 5.1 THX or THX Cinema if no AC-3 is available
Selects the V-DISC input
oe
Default Input Effect Assignments
TELEVISION
5.1 LATE NITE
5.1 DOLBY/THX
THX CINEMA
ROCK/POP
JAZZ
CLASSICAL
MUSIC SURROUND
On-Screen
Display OFF
Bass Adjust
Clear Assigned Effect*
Assignable
Effects (8)
Activate Zone 2 Control
Activate "You Are Here*
mode; Lock in
LOCK SETTINGS menu.
Hold down to access
hidden functions.
-5dB Volume Step
Deactivates Zone 2 IR Control mode
THESIS
} saance CE ——
L<2)
On-Screen
Display ON
Trabie Adjust
Full Mute
Subwoofer Level (Up)
Deactivate Zone 2 Control
and restore normal operation
Subwoofer Level (Down)
+1dB Volume Step
+5d0B Volume Step
—1dB Volume Step
To assign different effects to the input buttons, the original assignment
must be cleared with the following procedure. Press and hold ACCY, then
press BYPASS. Press and hold ACCY again and press the input button. The
display should show EFFECT ASSIGNMENT CLEARED.
Assign the effect to the input button by selecting the desired effect and press
and hold ACCY, then press the input button.

Installation and
Calibration .
SDP-2 Digital Surround Sound Processor/Controller
Connection
The SDP-2 is a highly specialized signal processing computer and requires Location :
special care during installation to ensure optimum performance. Considerations
The SDP-2 may be installed ona shelf or in a standard 19" equipment rack,
using the rack-mounting hardware provided. Observe the following pre-
cautions:
* Selecta dry, well-ventilated location out of direct sunlight.
¢ Donot stack the SDP-2 directly above heat-producing equipment such
as power amplifiers.
¢ Avoid placing the SDP-2 near unshielded TV or FM antennas, cable TV
decoders, or other receivers. The SDP-2 may interfere with some FM
tuners if itis placed immediately above or below them. Some products,
particularly power amplifiers, may cause hum in the SDP-2 if they arein
close proximity.
* Make sure the SDP-2 front panel IR receiver window is unobstructed.
The remote control must be in line-of-sight to this receiver for proper
operation. If line-of-sight is impractical, an infrared remote repeater can
be used with the rear panel IR connector. The SDP-2 may be placed ina
glass-doored cabinet but smoked glass will make the front panel Liquid
Crystal Display (LCD) difficult to read and will reduce the sensitivity of
the IR receiver.
The SDP-2 is designed to be connected to an uninterrupted AC powerline AC Connections
in the same manner as a VCR or a television. We recommend the use of an
AC line filter to protect against line surges, or the installation of a line
conditioner to protect against under voltage (brownouts) as well as over-
voltage conditions.
The SDP-2 has a master power switch on the rear panel above the IEC
standard AC power receptacle. This switch may be left ON continuously
when the unit is in regular use. When the SDP-2 will not be used for an
extended period of time, or whenever you are connecting or disconnecting
any cables to the unit, this switch should be turned OFF.
Connect the power cable to the SDP-2, then plug the power cord into a wall
outlet or into an unswitched outlet on a surge protector. Be sure that the
power cord is firmly seated in the connector on the rear panel of the
SDP-2.

Installation and
Calibration
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Wiring Considerations
Audio/Video Cables
Speaker Connections
Audio/Video
Connections
For
optimum
performance,
use
the
Straight
Wire
interconnects
provided
with
the
JBL
Synthesis
sound
system.
Note
that
the
use
of
standard
audio
cables
for
video
or
digital
audio
applications
may
cause
signal
degradation,
and
is
not
recommended.
For
these
connections,
please
use
only
cables
that
are
designed
for
the
applica-
tion—
these
have
different
impedance
characteristics
than
cables
approved
for
analog
audio
applications.
Both audio and video cables should be kept as short as possible.
In
general,
speaker
cables
should
be
kept
short,
and
low-impedance
wire
should
be
used
throughout
to
assure
efficient
power
transmission
and
avoid
audible
distortion.
Recommended
wire
lengths
are
given
in
the
table
below.
Although
these
examples
can
be
used
as
a
general
guide,
your
system
manuals
should
provide
detailed
information
specific
to
your
components.
Wire Lengths
Length AWG Size
up to 25 feet 16 gauge
up to 50 feet 14 gauge
up to 100 feet 12 gauge
Before
making
any
connections,
turn
off
ALL
audio
and
video
components,
including
individual
power
amplifiers.
(Unplug
any
preamps
and
power
amps
that
don’t
have
power
switches.)
The
SDP-2
is
designed
to
function
as
the
control
center
of
the
system,
selecting
inputs
and
controlling
the
volume
of
all
speakers
in
the
system.
There
are
several
ways
to
integrate
the
SDP-2
into
the
system,
but
they
basically
fall
into
two
categories:
those
where
the
SDP-2
is
connected
directly
to
all
of
the
amplifiers
in
the
room,
and
those
where
the
SDP-2
is
connected
into
a
tape
or
signal
processor
loop
of
a
preamp
or
receiver.