manuals.online logo
Brands
  1. Home
  2. •
  3. Brands
  4. •
  5. Laney
  6. •
  7. Musical Instrument Amplifier
  8. •
  9. Laney EA120 User manual

Laney EA120 User manual

Laney
User Manual
EA65 & EA120
Congratulations on your decision to purchase a Laney amplifier; you have bought yourself something truly
unique. Typically amps that are developed with the 'acoustic' player in mind tend to sound sterile when used with
an electric guitar; they do not perform well when smooth, solid distortion is desired. Conversely, amps that are
developed with the 'electric' guitarist in mind tend not to perform well when used with electrified acoustic guitars.
Consequently, where it is desirable to play both amplified-acoustic and electric guitars during a performance, two
separate amplifiers were required to satisfactorily play the gig...until now.
The EA series start out their life as electric combo amps and are then fitted with a clean acoustic channel complete
with specially tuned acoustic EQ's and dual inputs. Each pre-amp has a LO input for acoustic guitars with active
electronics or EQ's and a HI input for acoustic electric guitars with passive high-impedance pickups with no
electronics. Amongst the amp's other features are a switchable High-Frequency Driver and a switch that allows the
electric channel to be permanently engaged, allowing both channels to be used simultaneously. This feature is
extremely useful to the acoustic-only player who is using the amp as a stand-alone for both guitar and microphone,
desiring independent control of each. To fully realise the potential of this remarkable amplifier, we recommend
you purchase the dedicated Laney footswitch.
Laney products are designed with ease of operation as a primary objective, however to ensure you derive the best
from your new amplifier, it is important you take time to read this user manual and to familiarise yourself with the
INTRODUCTION
After unpacking your amplifier check that it is factory-fitted with a three-pin 'grounded' (or earthed) plug. Before
plugging into the power-supply ensure you are connecting to a grounded earth outlet.
If you should wish to change the factory-fitted plug yourself, ensure that the wiring convention applicable to the
country where the amplifier is to be used is strictly conformed to. As an example in the United Kingdom the cable
colour-code for connections are as follows.
EARTH OR GROUND - GREEN/YELLOW
NEUTRAL - BLUE
LIVE - BROWN
BEFORE
SWITCHING ON
This manual has been written for easy access of information. The front and rear panels of each unit are graphically
illustrated, with each control and feature numbered. For a description of the function of each control feature,
simply check the number with the explanations adjacent to each panel.
Care of your Laney amplifier will prolong it's life...and yours! If you follow these guidelines your equipment
will give you years of playing pleasure.
When you first receive your Laney amplifier, follow these simple procedures:
(I) Ensure that the amplifier is set at the correct voltage for the country it is to be used in.
(ii) Ensure that the speaker is connected to the appropriate socket.
(iii) Connect your instrument with a high quality shielded instrument cable. Use of cheap cables will compromise
the sound of your instrument and your amplifier.
If there is a problem with your Laney amplifier
DON'T DO
PHONE YOUR DEALER!
Laney
11
Laney
22
15 16 17 18
19
1a 2 11 12 13
63 4 5 107 8 9a 14
GAINGAIN DRIVEDRIVE LEVELLEVEL BASSBASS MIDDLEMIDDLE TREBLETREBLE REVERBREVERB
NORMALNORMAL OVERDRIVEOVERDRIVEFEEDBACK FILTERFEEDBACK FILTER
ACOUSTICACOUSTIC
5
0
2
46
7
8
9
10
5
0
2
46
7
8
9
10
GAINGAIN BASSBASS MIDDLEMIDDLE TREBLETREBLE FREQUENCYFREQUENCY DEPTHDEPTH REVERBREVERB
ELECTROELECTRO
PULL DRIVEPULL DRIVE
HI
LO
INPUTINPUT
HI
LO
INPUTINPUT
HF DRIVERHF DRIVER
REVREV CHANCHAN
VOLUMEVOLUME
EA 65EA 65
1
3
1
3
5
0
2
46
7
8
9
10
5
0
2
46
7
8
9
10
1
3
1
3
5
0
2
46
7
8
9
10
5
0
2
46
7
8
9
10
1
3
1
3
5
0
2
46
7
8
9
10
5
0
2
46
7
8
9
10
1
3
1
3
5
0
2
46
7
8
9
10
5
0
2
46
7
8
9
10
1
3
1
3
5
0
2
46
7
8
9
10
5
0
2
46
7
8
9
10
1
3
1
3
5
0
2
46
7
8
9
10
5
0
2
46
7
8
9
10
1
3
1
3
5
0
2
46
7
8
9
10
5
0
2
46
7
8
9
10
1
3
1
3
5
0
2
46
7
8
9
10
5
0
2
46
7
8
9
10
1
3
1
3
5
0
2
46
7
8
9
10
5
0
2
46
7
8
9
10
1
3
1
3
5
0
2
46
7
8
9
10
5
0
2
46
7
8
9
10
1
3
1
3
5
0
2
46
7
8
9
10
5
0
2
46
7
8
9
10
1
3
1
3
5
0
2
46
7
8
9
10
5
0
2
46
7
8
9
10
1
3
1
3
5
0
2
46
7
8
9
10
5
0
2
46
7
8
9
10
1
3
1
3
5
0
2
46
7
8
9
10
5
0
2
46
7
8
9
10
1
3
1
3
5
0
2
46
7
8
9
10
5
0
2
46
7
8
9
10
1
3
1
3
5
0
2
46
7
8
9
10
5
0
2
46
7
8
9
10
1
3
1
3
20
9b1b 2122
HI INPUT: This high-gain, high-impedance input should be used with guitars that have a passive pickup only and
have no 'on-board' active electronics; this includes pre-amps and or active EQ's.
LO INPUT: This low-gain, low-impedance input should be used with guitars with active pickups and/or active
electronics.
GAIN: Controls the input-level of the pre-amplifier.
BASS: Controls the low-frequency response of the pre-amplifier.
MIDDLE: Controls the mid-frequency EQ in the pre-amplifier.
TREBLE: Controls the high-frequency EQ in the pre-amplifier.
FREQUENCY: This control is a notch filter that sweeps between 200hZ and 1.5K. Most feedback from an
acoustic guitar occurs in the mid-frequency. This control allows the user to choose the frequency that is causing
your guitar to feedback, and in association with the adjacent depth control, filter it out.
DEPTH: This control sweeps between 12dB cut and 0dB. When used in association with the FREQUENCY
control, the DEPTH control allows the frequency chosen to be cut and the problem frequency to be removed.
REVERB: Controls the level of reverb applied to the channel.
HI INPUT: This high-gain, high-impedance input should be used with guitars that have a passive pickup only and
have no 'on-board' active electronics; this includes pre-amps and or active EQ's.
LO INPUT: This low-gain, low-impedance input should be used with guitars with active pickups and/or active
electronics.
GAIN: Controls the input-level of the pre-amplifier.
DRIVE: Allows the input-level of the pre-amplifier to be increased. When used in association with the LEVEL
control it causes pre-amplifier saturation and smooth, controlled distortion.
LEVEL: The DRIVE indicator illuminates when the overdrive is engaged. The LEVEL control, when pulled-on,
is then used to set the output-level of the pre-amplifier. When used with the DRIVE control, the overall volume of
the overdrive channel may be adjusted.
BASS: Controls the low-frequency response of the pre-amplifier.
MIDDLE: Controls the mid-frequency EQ in the pre-amplifier.
Explanation of terms
1a
11
12
13
2
6
3
4
5
10
7
8
14
1b
9a
9b
Model: EA65Model: EA65
Laney
3
23
5
0
2
46
7
8
9
10
5
0
2
46
7
8
9
10
1
3
1
3
5
0
2
46
7
8
9
10
5
0
2
46
7
8
9
10
1
3
1
3
HI
LO
INPUTINPUT
GAINGAIN DRIVEDRIVE LEVELLEVEL BASSBASS MIDDLEMIDDLE TREBLETREBLE REVERBREVERB
NORMALNORMAL OVERDRIVEOVERDRIVE
PULL DRIVEPULL DRIVE
HI
LO
INPUTINPUT
HF DRIVERHF DRIVER
REVREV CHANCHAN
VOLUMEVOLUME
EA 120EA 120
5
0
2
46
7
8
9
10
5
0
2
46
7
8
9
10
1
3
1
3
5
0
2
46
7
8
9
10
5
0
2
46
7
8
9
10
1
3
1
3
5
0
2
46
7
8
9
10
5
0
2
46
7
8
9
10
1
3
1
3
5
0
2
46
7
8
9
10
5
0
2
46
7
8
9
10
1
3
1
3
5
0
2
46
7
8
9
10
5
0
2
46
7
8
9
10
1
3
1
3
5
0
2
46
7
8
9
10
5
0
2
46
7
8
9
10
1
3
1
3
5
0
2
46
7
8
9
10
5
0
2
46
7
8
9
10
1
3
1
3
5
0
2
46
7
8
9
10
5
0
2
46
7
8
9
10
1
3
1
3
BASSBASS
GAINGAIN
TREBLETREBLE FREQUENCYFREQUENCY DEPTHDEPTH REVERBREVERB
55 5555
FEEDBACK FILTERFEEDBACK FILTER
200Hz200Hz 400Hz400Hz 800Hz800Hz 1k6Hz1k6Hz 3kHz3kHz 6kHz6kHz
5
0
2
46
7
8
9
10
5
0
2
46
7
8
9
10
1
3
1
3
5
46
5
46
5
0
2
46
7
8
9
10
5
0
2
46
7
8
9
10
1
3
1
3
46
46
5
0
2
46
7
8
9
10
0
2
46
7
8
9
10
1
3
1
3
5
46
5
46
5
0
2
46
7
8
9
10
5
0
2
46
7
8
9
10
1
3
1
3
5
46
5
46
5
0
2
46
7
8
9
10
5
0
2
46
7
8
9
10
1
3
1
3
ELECTROELECTROACOUSTICACOUSTIC
17 18
19
GAINGAIN DRIVEDRIVE LEVELLEVEL BASSBASS MIDDLEMIDDLE TREBLETREBLE REVERBREVERB
NORMALNORMAL OVERDRIVEOVERDRIVEFEEDBACK FILTERFEEDBACK FILTER
ACOUSTICACOUSTIC
5
0
2
46
7
8
9
10
5
0
2
46
7
8
9
10
GAINGAIN BASSBASS MIDDLEMIDDLE TREBLETREBLE FREQUENCYFREQUENCY DEPTHDEPTH REVERBREVERB
ELECTROELECTRO
PULL DRIVEPULL DRIVE
HI
LO
INPUTINPUT
HI
LO
INPUTINPUT
HF DRIVERHF DRIVER
REVREV CHANCHAN
VOLUMEVOLUME
EA 65EA 65
1
3
1
3
5
0
2
46
7
8
9
10
5
0
2
46
7
8
9
10
1
3
1
3
5
0
2
46
7
8
9
10
5
0
2
46
7
8
9
10
1
3
1
3
5
0
2
46
7
8
9
10
5
0
2
46
7
8
9
10
1
3
1
3
5
0
2
46
7
8
9
10
5
0
2
46
7
8
9
10
1
3
1
3
5
0
2
46
7
8
9
10
5
0
2
46
7
8
9
10
1
3
1
3
5
0
2
46
7
8
9
10
5
0
2
46
7
8
9
10
1
3
1
3
5
0
2
46
7
8
9
10
5
0
2
46
7
8
9
10
1
3
1
3
5
0
2
46
7
8
9
10
5
0
2
46
7
8
9
10
1
3
1
3
5
0
2
46
7
8
9
10
5
0
2
46
7
8
9
10
1
3
1
3
5
0
2
46
7
8
9
10
5
0
2
46
7
8
9
10
1
3
1
3
5
0
2
46
7
8
9
10
5
0
2
46
7
8
9
10
1
3
1
3
5
0
2
46
7
8
9
10
5
0
2
46
7
8
9
10
1
3
1
3
5
0
2
46
7
8
9
10
5
0
2
46
7
8
9
10
1
3
1
3
5
0
2
46
7
8
9
10
5
0
2
46
7
8
9
10
1
3
1
3
5
0
2
46
7
8
9
10
5
0
2
46
7
8
9
10
1
3
1
3
5
0
2
46
7
8
9
10
5
0
2
46
7
8
9
10
1
3
1
3
20
2122
15 16
TREBLE: Controls the high-frequency EQ in the pre-amplifier.
REVERB: Controls the level of reverb applied to the channel.
VOLUME: Controls the overall output-level of the amplifier.
HF DRIVER: On/off switch for on-board HF driver.
CHANNEL: On-board switch for channel-changes.
REVERB: On-board switch for reverb on/off.
CHANNEL INDICATOR: Illuminates when the ELECTRO channel is in use.
CHANNEL INDICATOR: Illuminates when the ACOUSTIC channel is in use.
GRAPHIC: This 6-band slider EQ-circuit allows frequencies between 200Hz and 3.5kHz to be independently cut
or boosted.
Explanation of terms
17
18
22
19
20
21
15
16
Rear Panel Features
23
24
HEADPHONESHEADPHONES
SUPPLY VOLTAGE - 115V
& FUSE RATING - 230V
SUPPLY VOLTAGE - 115V
& FUSE RATING - 230V
- T2A
- T1A
- T2A
- T1A
MAXIMUM POWER CONSUMPTIONMAXIMUM POWER CONSUMPTION
150 WATTS 50/60 Hz150 WATTS 50/60 Hz POWERPOWER
11
00
CECE CAUTION
TO REDUCE THE RISK OF ELECTRIC
SHOCK DO NOT REMOVE COVER.
NO USER SERVICEABLE PARTS
INSIDE. REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL
CAUTION
TO REDUCE THE RISK OF ELECTRIC
SHOCK DO NOT REMOVE COVER.
NO USER SERVICEABLE PARTS
INSIDE. REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL
WARNING
TO REDUCE THE RISK OF FIRE
OR ELECTRIC SHOCK DO NOT
EXPOSE THIS APPLIANCE
TO RAIN OR MOISTURE
WARNING
TO REDUCE THE RISK OF FIRE
OR ELECTRIC SHOCK DO NOT
EXPOSE THIS APPLIANCE
TO RAIN OR MOISTURE
(4 OHM MIN.)(4 OHM MIN.)
SPEAKERSSPEAKERSSPEAKERSSPEAKERS
SERIAL NO.SERIAL NO.
WARNING
THIS APPARATUS
MUST BE EARTHED
WARNING
THIS APPARATUS
MUST BE EARTHED
MADE IN THE UNITED KINGDOM BY BLT INDUSTRIES LTDMADE IN THE UNITED KINGDOM BY BLT INDUSTRIES LTD
CAUTION
TO REDUCE THE RISK OF
FIRE REPLACE ONLY WITH
SAME TYPE AND RATING
CAUTION
TO REDUCE THE RISK OF
FIRE REPLACE ONLY WITH
SAME TYPE AND RATING
DI/LINEDI/LINE RETURNRETURN SENDSEND
EFFECTS LOOPEFFECTS LOOP
CHANNELCHANNEL
SINGLE
CHANNEL
SINGLE
CHANNEL
DUAL
CHANNEL
DUAL
CHANNEL
REMOTEREMOTE
DRIVEDRIVE
REVERBREVERB
TipTip
RingRing
25 26 27
33 32 31 30 29 28
Model: EA65
Model: EA65/EA120Model: EA65/EA120
Laney
44
24
25
MAINS: Mains-power input socket.
POWER SWITCH: Used for engaging or disengaging mains power.
SPEAKER SOCKET: Speaker output; this may be disconnected if it is required to connect a larger enclosure.
HEADPHONES SOCKET: Headphone output for silent practicing or tuning-up.
DUAL/SINGLE CHANNEL SWITCH: Used to select either dual or single channel operation. Dual channel
mode might be used if a second guitarist were to be added to your set-up. In this mode one player could play
with an acoustic guitar, whilst the other could simultaneously play an electric.
CHANNEL REMOTE SOCKET: When used with the dedicated LANEY footswitch, this sockets facilitates
remote channel-changing.
DRIVE/REVERB SOCKET: When used with the dedicated LANEY footswitch, this socket facilitates
remote-switching of both the REVERB and the DRIVE settings.
EFFECTS SEND SOCKET: Sends the pre-amplifier signal to an external effects-processor (signal-level
nominal -6dB).
EFFECTS RETURN SOCKET: Accepts the output from an external effects-processor (signal-level nominal
-6dB).
DI/LINE SOCKET: Direct-injection or line-level 1/4" mono jack-socket. This provides a low-impedance
output signal for connecting to a mixing-desk or power-amplifier.
EFFECTS LOOP (MASTER): This is a global effects-loop that affects the whole amplifier. For a
description of how the SEND and RETURN sockets operate refer to (31) and (32).
EFFECTS LOOP (ACOUSTIC CHANNEL): This is a channel-specific effects-loop that affects only the
ACOUSTIC channel. For a description of how the SEND and RETURN sockets operate refer to (31) and (32).
EFFECTS LOOP (ELECTRO CHANNEL): This is a channel-specific effects-loop that affects only the
ELECTRO channel. For a description of how the SEND and RETURN sockets operate refer to (31) and (32).
26
27
28
31
29
30
32
33
REMOTEREMOTE
DRIVE DRIVE TipTip
REVERBREVERB RingRing
ELECTRO CHANNELELECTRO CHANNEL
CHANNELCHANNEL DUALDUAL
CHANNELCHANNEL
SENDSEND RETURNRETURN
EFFECTS LOOPEFFECTS LOOP
SINGLE SINGLE
CHANNELCHANNEL
SENDSEND RETURNRETURN
EFFECTS LOOPEFFECTS LOOP
ACOUSTIC CHANNELACOUSTIC CHANNEL
SENDSEND RETURNRETURN
EFFECTS LOOPEFFECTS LOOP
MASTERMASTER
(4 OHM MIN.)(4 OHM MIN.)
SPEAKERSSPEAKERS DI/LINEDI/LINE HEADPHONESHEADPHONES
MADE IN THE UNITED KINGDOM BY BLT INDUSTRIES LTDMADE IN THE UNITED KINGDOM BY BLT INDUSTRIES LTD
CAUTION
TO REDUCE THE RISK OF ELECTRIC
SHOCK DO NOT REMOVE COVER.
NO USER SERVICEABLE PARTS
INSIDE. REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL
CAUTION
TO REDUCE THE RISK OF ELECTRIC
SHOCK DO NOT REMOVE COVER.
NO USER SERVICEABLE PARTS
INSIDE. REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL
WARNING
THIS APPARATUS MUST BE EARTHED
WARNING
TO REDUCE THE RISK OF FIRE
OR ELECTRIC SHOCK DO NOT
EXPOSE THIS APPLIANCE
TO RAIN OR MOISTURE
WARNING
THIS APPARATUS MUST BE EARTHED
WARNING
TO REDUCE THE RISK OF FIRE
OR ELECTRIC SHOCK DO NOT
EXPOSE THIS APPLIANCE
TO RAIN OR MOISTURE
SERIAL NO.SERIAL NO.
CECE
CAUTION
TO REDUCE THE RISK OF
FIRE REPLACE ONLY WITH
SAME TYPE AND RATING
CAUTION
TO REDUCE THE RISK OF
FIRE REPLACE ONLY WITH
SAME TYPE AND RATING
POWERPOWER
11
00
SUPPLY VOLTAGE - 115V
& FUSE RATING - 230V
SUPPLY VOLTAGE - 115V
& FUSE RATING - 230V
- T2A
- T1A
- T2A
- T1A
MAXIMUM POWER CONSUMPTIONMAXIMUM POWER CONSUMPTION
150 WATTS 50/60 Hz150 WATTS 50/60 Hz
3535
3636 3434
34
35
36
Model: EA120
Explanation of terms
1.
In the interest of continuing product development BLT Industries reserves the right to change specification without prior notice.
BLT Industries LTD.,
Newlyn Road
Cradley Heath
West Midlands
B64 6BE
Tel: (00 44) (0)1384 633821
Fax: (00 44) (0)1384 639186
Web Site http:/www.laney.co.uk

This manual suits for next models

1

Other Laney Musical Instrument Amplifier manuals

Laney LX10B User manual

Laney

Laney LX10B User manual

Laney GS412LA User manual

Laney

Laney GS412LA User manual

Laney LION HEART L20H User manual

Laney

Laney LION HEART L20H User manual

Laney IRT-X User manual

Laney

Laney IRT-X User manual

Laney Richer Bass RB1 User manual

Laney

Laney Richer Bass RB1 User manual

Laney AudioHub AH40 User manual

Laney

Laney AudioHub AH40 User manual

Laney PB 150 HEAD User manual

Laney

Laney PB 150 HEAD User manual

Laney L20T-112 User manual

Laney

Laney L20T-112 User manual

Laney BC Series User manual

Laney

Laney BC Series User manual

Laney LX15B User manual

Laney

Laney LX15B User manual

Laney LA12C User manual

Laney

Laney LA12C User manual

Laney Iommi TI15-112 User manual

Laney

Laney Iommi TI15-112 User manual

Laney LC50-112 User manual

Laney

Laney LC50-112 User manual

Laney DP300 User manual

Laney

Laney DP300 User manual

Laney Alliance VH100R User manual

Laney

Laney Alliance VH100R User manual

Laney Prism P20 User manual

Laney

Laney Prism P20 User manual

Laney LC15-110 User manual

Laney

Laney LC15-110 User manual

Laney BC30 User manual

Laney

Laney BC30 User manual

Laney LR20 User manual

Laney

Laney LR20 User manual

Laney LA30C User manual

Laney

Laney LA30C User manual

Laney LX120RTWIN User manual

Laney

Laney LX120RTWIN User manual

Laney LX 10 User manual

Laney

Laney LX 10 User manual

Laney Iommi TI100 User manual

Laney

Laney Iommi TI100 User manual

Laney LV100 User manual

Laney

Laney LV100 User manual

Popular Musical Instrument Amplifier manuals by other brands

Ibanez TA225 parts list

Ibanez

Ibanez TA225 parts list

Dimavery TGA-50 manual

Dimavery

Dimavery TGA-50 manual

Crate BV300H Operation guide

Crate

Crate BV300H Operation guide

Marshall Amplification 1987X quick start guide

Marshall Amplification

Marshall Amplification 1987X quick start guide

REVV 7-40w MKII owner's manual

REVV

REVV 7-40w MKII owner's manual

Peavey TKO 65 operating guide

Peavey

Peavey TKO 65 operating guide

Fender BRONCO 40 quick start guide

Fender

Fender BRONCO 40 quick start guide

Genz Benz Shuttle Max 9.2 owner's manual

Genz Benz

Genz Benz Shuttle Max 9.2 owner's manual

TC Electronic Blacksmith user manual

TC Electronic

TC Electronic Blacksmith user manual

Marshall Amplification MG215RCD instructions

Marshall Amplification

Marshall Amplification MG215RCD instructions

Fender Bullet Amp PR 241 owner's manual

Fender

Fender Bullet Amp PR 241 owner's manual

Crate GFX-120/212 owner's manual

Crate

Crate GFX-120/212 owner's manual

YORKVILLE Acoustic Master Standard YS1081 Service manual

YORKVILLE

YORKVILLE Acoustic Master Standard YS1081 Service manual

Ceriatone Tweedle Delight user manual

Ceriatone

Ceriatone Tweedle Delight user manual

Roland Super Cube SCL-40 owner's manual

Roland

Roland Super Cube SCL-40 owner's manual

Evh 5150-III owner's manual

Evh

Evh 5150-III owner's manual

Victory VX100 user guide

Victory

Victory VX100 user guide

Masotti X100M user manual

Masotti

Masotti X100M user manual

manuals.online logo
manuals.online logoBrands
  • About & Mission
  • Contact us
  • Privacy Policy
  • Terms and Conditions

Copyright 2025 Manuals.Online. All Rights Reserved.