Legacy Studio hd User manual

Owners

M

a

nu

a

l

For

T

h

e

Cinema

H

D

L

o

u

d

s

p

ea

k

e

r

S

y

s

t

e

m

2

Table

of C

o

n

t

e

n

t

s

R

e

g

i

s

t

r

a

t

i

o

n

P

a

g

e

Owners Record

3

The

C

a

b

i

n

e

t

r

y

/

Our

C

omm

i

t

m

e

n

t

4

Warranty

5

S

e

t

up

U

np

a

c

k

i

ng

Y

o

u

r

Speakers 6

Speaker

P

l

a

c

e

m

e

n

t

7

H

oo

k

i

ng

Up

C

a

b

l

e

s

8-9

A

m

p

li

f

i

c

a

t

i

o

n

10-12

Speaker

C

o

nn

e

c

t

i

o

n

s

13

F

i

n

e

T

un

i

ng

14

T

e

c

hn

o

l

o

g

y

S

p

e

c

i

f

i

c

a

t

i

o

n

s

15

3

Owners

R

e

c

o

r

d

The

s

e

r

i

a

l

number

i

s

l

o

c

a

t

e

d

on the rear of the

un

i

t.

Record

t

h

i

s

number

i

n

the space

p

ro

v

i

d

e

d

b

e

l

o

w

.

Refer to

t

h

i

s

when

c

a

lli

ng

y

o

u

r

d

e

a

l

e

r

e

g

a

r

d

i

ng

t

h

i

s

p

ro

du

c

t.

M

od

e

l

:

Cinema HD

S

e

r

i

a

l

N

o

:

D

a

t

e

o

f

p

u

r

c

h

a

s

e

:

Thank you for

s

e

l

e

c

t

i

ng

a

L

e

g

a

c

y

L

o

ud

s

p

e

a

k

e

r

System.

These

h

a

nd

-

crafted

i

n

s

t

r

u

m

e

n

t

s

will

p

ro

v

i

d

e

you

w

i

t

h

many years of

li

s

t

e

n

i

ng

e

n

-

j

o

y

m

e

n

t.

4

The C

a

b

i

n

e

t

r

y

/

Our C

omm

i

t

m

e

n

t

Handcrafted

Beneath the surface of Cinema HD’s elegant exterior lies rigid MDF

construction. Interlocking joinery maximizes the strength of the cabinet parts.

Polyester fiberfill is selected for internal damping. A sharp rap on the

enclosure will leave you with little more than bruised knuckles.

Each cabinet is impeccably finished on all exposed surfaces with select

veneers. The exquisite finish is hand-rubbed several times to assure a patina

at home with the most elegant decor.

Our C

o

mm

i

t

m

e

n

t

A

great

d

ea

l

of

forethought,

l

o

v

e

and

s

a

t

i

s

f

a

c

t

i

o

n

i

s

i

n

s

t

ill

e

d

i

n

each

p

i

e

c

e

of

L

e

g

a

c

y

w

or

k

m

a

n

s

h

i

p

.

We take

p

r

i

d

e

i

n

g

e

tt

i

ng

to know many of

o

u

r

customers

on a

f

i

r

s

t

name

b

a

s

i

s

.

Y

o

u

r

purchase

of

t

h

i

s

product

i

s

backed by the

renowned

“

L

e

g

a

c

y

S

a

t

i

s

f

a

c

t

i

o

n

G

u

a

r

a

n

t

ee

”

.

5

W

a

rr

a

n

t

y

L

e

g

a

c

y

Audio

supports

i

t

s

customers

and

products

w

i

t

h

p

r

i

d

e

.

We

c

h

ee

r

f

u

ll

y

warrant

our

l

o

u

d-

speaker products

we

manufacture

from

defects

i

n

m

a

t

e

r

i

a

l

s

and

w

o

r

k

m

a

n

s

h

i

p

for a

p

e

r

i

od

of

s

e

v

e

n

(7)

years.

E

l

e

c

t

r

o

n

i

c

components

such as

i

n

t

e

r

n

a

l

a

m

p

li

f

i

e

r

s

and

d

i

g

i

t

a

l

processors

are

covered

f

o

r

three (3)years.

P

l

ea

s

e

r

e

g

i

s

t

e

r

your

product

w

i

t

h

L

e

g

a

c

y

A

u

d

i

o

.

S

h

o

u

l

d

you

r

e

q

u

i

r

e

s

e

r

v

i

c

e

L

e

g

a

c

y

will

r

e

q

u

i

r

e

a proof of

purchase

i

n

order to honor the

warranty

- so

p

l

ea

s

e

keep your

r

e

c

e

i

p

t.

•

The

warranty

a

pp

li

e

s

to the

or

i

g

i

n

a

l

owner and

i

s

not

t

r

a

n

s

f

e

r

a

b

l

e

.

•

The

warranty

a

pp

li

e

s

to

products purchased

from an

“

A

u

t

h

or

i

z

e

d

L

e

g

a

c

y

D

ea

l

e

r

”

.

•

The

warranty

on

a

c

t

i

v

e

components

such as

d

i

g

i

t

a

l

processors

or

i

n

t

e

r

n

a

l

a

m

p

li

f

i

e

r

s

i

s

li

m

i

t

e

d

to

t

h

r

ee

(3) years of

c

o

v

e

r

a

g

e

.

•

The

warranty

on

d

ea

l

e

r

stock

will

extend

for a

m

a

x

i

m

u

m

of two years from

i

n

v

o

i

c

e

.

The

warranty

does not cover

t

r

a

n

s

po

r

t

a

t

i

o

n

costs of

product

to or from the

customer, d

i

s

t

r

i

b

u

t

o

r

o

r

d

ea

l

e

r

,

or

r

e

l

a

t

e

d

s

h

i

pp

i

n

g

d

a

m

a

g

e

.

Exclusions from

W

a

rr

a

n

t

y

The

f

o

ll

o

w

i

ng

s

i

t

u

a

t

i

o

n

s

or

c

o

nd

i

t

i

o

n

s

are not covered by the

L

e

g

a

c

y

Audio

w

a

rr

a

n

t

y

:

•

A

cc

i

d

e

n

t

a

l

damage,

e

l

e

c

t

r

i

c

a

l

abuse

or

a

ss

o

c

i

a

t

e

d

e

qu

i

p

m

e

n

t

f

a

il

u

r

e

.

•

Use

i

n

c

o

n

s

i

s

t

e

n

t

w

i

t

h

recommended

o

p

e

r

a

t

i

ng

i

n

s

t

r

u

c

t

i

o

n

s

and

s

p

e

c

i

f

i

c

a

t

i

o

n

s

•

Damage caused

by

mo

d

i

f

i

c

a

t

i

o

n

or

un

a

u

t

h

or

i

z

e

d

s

e

r

v

i

c

e

•

Costs

a

ss

o

c

i

a

t

e

d

w

i

t

h

the

r

e

mo

v

a

l

and

r

e

i

n

s

t

a

ll

a

t

i

o

n

of

d

e

f

e

c

t

i

v

e

products.

C

o

n

s

e

qu

e

n

t

i

a

l

damage

t

o

other

p

ro

du

c

t

s

.

•

N

orm

a

l

wear such as

f

a

d

i

ng

of

f

i

n

i

s

h

e

s

due to

s

un

li

gh

t.

6

Unpacking

Y

o

u

r

S

p

e

a

ke

r

s

Y

o

u

r

new

speaker system

has been very

c

a

r

e

f

u

ll

y

packaged

to

i

n

s

u

r

e

that

i

t

r

a

v

e

l

s

to you

s

a

f

e

l

y

.

Each

speaker

i

s

protected

by a

d

o

ub

l

e

-

w

a

ll

outer carton

w

i

t

h

heavy

V

-

b

o

a

r

d

corner

protectors.

M

o

l

d

e

d

f

o

a

m

end caps are used to

protect

the

e

l

e

g

a

n

t

c

a

b

i

n

e

t

r

y

,

and a

p

l

a

s

t

i

c

li

n

e

r

i

s

p

ro

v

i

d

e

d

as

w

a

t

e

r

p

roo

f

i

ng

.

P

l

e

a

s

e

save

t

h

i

s

p

a

c

k

i

ng

for

f

u

t

u

r

e

t

r

a

n

s

p

or

t

a

t

i

o

n

.

If

cartons become damaged

or

m

i

s

p

l

a

c

e

d

,

new

o

n

e

s

can be

purchased

from

L

e

g

a

c

y

A

ud

i

o

.

7

Speaker

P

l

a

c

e

m

e

n

t

To

a

ll

o

w

more

flexibility

i

n

s

ea

t

i

ng

arrangements,

your

L

e

g

a

c

y

l

o

ud

s

p

ea

k

e

r

i

s

d

e

s

i

gn

e

d

for broad

l

a

t

e

r

a

l

coverage.

O

p

t

i

m

a

l

li

s

t

e

n

e

r

p

o

s

i

t

i

o

n

i

s

a

c

t

u

a

ll

y

about 5

t

o

15

degrees

off of the

a

x

i

s

n

orm

a

l

to the

l

o

ud

s

p

ea

k

e

r

b

a

ff

l

e

(

a

pp

ro

x

i

m

a

t

e

l

y

4-5

’

o

ff

the

f

l

oor

)

.

Y

o

u

r

L

e

g

a

c

y

speaker

i

s

o

p

t

i

m

i

z

e

d

for a

f

l

a

t

response

i

n

the far

f

i

e

l

d

.

P

l

a

c

i

ng

the

l

o

ud

s

p

ea

k

e

r

or the

li

s

t

e

n

e

r

near a room

boundary

will

g

e

n

e

r

a

ll

y

i

n

c

r

ea

s

e

l

o

w

frequency

i

m

p

a

c

t

.

Y

o

u

may

a

l

s

o

w

i

s

h

to

reduce

l

o

w

frequency output

w

i

t

h

y

o

u

r

preamp's

bass tone

c

o

n

t

ro

l

.

8

12

g

a

.

0

.

0033

24

0

.

21

14

g

a

.

0

.

0048

17

0

.

13

16

g

a

.

0

.

0079

16

0

.

18

g

a

.

0

.

0128

28

0

.

21

Hooking Up C

a

b

l

e

s

The

i

d

ea

l

conductor

w

o

u

l

d

have

n

e

g

li

g

i

b

l

e

r

e

s

i

s

t

a

n

c

e

,

i

ndu

c

t

a

n

c

e

and

c

a

p

a

c

i

t

a

n

c

e

.

The

t

a

b

l

e

b

e

l

o

w

shows how a few

a

c

t

u

a

l

s

p

ea

k

e

r

c

a

b

l

e

s

measure

up

.

C

a

b

l

e

Ω

s

/

f

t

p

F

/

f

t

µ

H

/

f

t

C

a

p

a

c

i

t

a

n

c

e

i

s

c

o

n

s

i

d

e

r

e

d

i

n

s

i

gn

i

f

i

c

a

n

t

i

n

each

c

a

b

l

e

because

i

t

s

e

f

-

fect

i

s

w

e

ll

out of the

a

ud

i

o

b

a

nd

w

i

d

t

h

;

i

ndu

c

t

a

n

c

e

can be

d

e

-

creased

(at the

expense

of

i

n

c

r

ea

s

e

d

c

a

p

a

c

i

t

a

n

c

e

)

by k

ee

p

i

ng

t

h

e

conductor

p

a

i

r

c

l

o

s

e

l

y

s

p

a

c

e

d

.

How

l

o

ng

w

o

u

l

d

a

c

a

b

l

e

have to be before

i

ndu

c

t

a

n

c

e

effects

w

o

u

l

d

i

m

p

i

ng

e

on the

a

ud

i

o

spectrum?

A

pp

r

o

x

i

m

a

t

e

l

y 300 feet of 12

g

a

ug

e

w

o

u

l

d

be

r

e

qu

i

r

e

d

to

e

s

t

a

b

li

s

h

a corner

frequency

of 20 kHz

w

i

t

h

a

n

8 Ohm

l

o

ud

s

p

ea

k

e

r

.

As

you see,

i

ndu

c

t

a

n

c

e

i

s

not a

p

r

o

b

l

e

m

f

o

r

most of

u

s

.

9

Hooking Up C

a

b

l

e

s

What about

phase s

h

i

f

t

due to

frequency dependent

t

r

a

v

e

l

t

i

m

e

s

down the

s

p

ea

k

e

r

c

a

b

l

e

?

M

ea

s

u

r

e

m

e

n

t

s

show that 100 Hz waves

will

be

d

e

l

a

y

e

d

about 20

b

illi

o

n

t

h

s

of

a

second

b

e

h

i

nd

10 kHz waves when

t

r

a

v

e

li

ng

to the end of a 10 foot

speaker

c

a

b

l

e

.

S

i

n

c

e

the

cilia

of the ear

r

e

qu

i

r

e

s

25,000

t

i

m

e

s

l

o

ng

e

r

than

t

h

i

s

just to

t

r

a

n

s

m

i

t

phase

i

n

f

orm

a

t

i

o

n

,

phase s

h

i

f

t

i

ng

i

s

o

b

v

i

o

u

s

l

y

not the

p

r

i

m

a

r

y

concern when

c

o

n

s

i

d

e

r

i

ng

speaker

c

a

b

l

e

s

.

What about

r

e

s

i

s

t

a

n

c

e

?

Finally

we are

g

e

tt

i

ng

somewhere.

R

e

s

i

s

t

a

n

c

e

i

s

the

c

o

n

t

ro

l

-

li

ng

factor of the

a

m

p

li

f

i

e

r

/

l

o

ud

s

p

ea

k

e

r

i

n

t

e

r

f

a

c

e

.

E

x

c

e

ss

i

v

e

r

e

s

i

s

t

a

n

c

e

can cause

m

a

-

jor

s

h

i

f

t

s

of

speaker crossover

f

r

e

qu

e

n

c

i

e

s

.

The

l

o

w

e

r

the

i

m

p

e

d

a

n

c

e

of the

l

o

ud

-

speaker,

the

greater

the effects of

s

e

r

i

e

s

r

e

s

i

s

t

a

n

c

e

.

A

20 foot run of 18

gauge

c

a

b

l

e

can cause up to 10%

d

e

v

i

a

t

i

o

n

s

of

crossover center

f

r

e

qu

e

n

c

i

e

s

.

That same 20

f

ee

t

can

un-damp

your

d

a

m

p

i

ng

factor and

reduce

your

s

y

s

t

e

m

s

’

output

by one

h

a

l

f

d

e

c

i

-

b

e

l

.

In

summary,

there are no perfect

c

a

b

l

e

s

.

The best way to

a

pp

ro

x

i

m

a

t

e

the

i

d

ea

l

w

o

u

l

d

be to keep

l

o

ud

s

p

ea

k

e

r

l

ea

d

s

as short as

i

s

p

r

a

c

t

i

c

a

l

.

10

A

m

p

li

f

i

c

a

t

i

o

n

I

d

ea

ll

y

the

l

o

ud

s

p

ea

k

e

r

w

ou

l

d

be among the

f

i

r

s

t

components

s

e

l

e

c

t

e

d

when

a

ss

e

m

b

li

ng

a

p

l

a

y

-

back

system.

T

h

i

s

w

ou

l

d

a

ll

ow

the user to choose an

a

m

p

li

f

i

e

r

c

a

p

a

b

l

e

of

d

e

li

v

e

r

i

ng

a

d

e

qu

a

t

e

amounts

of

current

i

n

t

o

the

frequency dependent

l

oa

d

presented

by the

l

oud

s

p

ea

k

e

r

.

H

ow

e

v

e

r

,

when

upg

r

a

d

i

ng

a

system,

a

ud

i

op

h

il

e

s

may

f

i

nd

t

h

e

m

s

e

l

v

e

s

m

a

t

c

h

i

ng

t

h

e

i

r

new

l

oud

s

p

ea

k

e

r

s

t

o

t

h

e

i

r

e

x

i

s

t

i

ng

a

m

p

li

f

i

c

a

t

i

o

n

.

For

t

h

i

s

reason,

e

x

t

e

n

s

i

v

e

measures

have been taken to

ensure

t

h

a

t

each

L

e

g

a

c

y

speaker system represents

a

smooth, n

o

n

-r

ea

c

t

i

v

e

l

o

a

d

to

v

i

r

t

u

a

ll

y

any

a

m

p

li

f

i

e

r

.

Often

there

i

s

much

c

on

f

u

s

i

on

r

e

g

a

r

d

i

ng

a

m

p

li

f

i

c

a

t

i

o

n

and

l

oudn

e

ss

l

e

v

e

l

s

.

It

s

h

o

u

l

d

be

und

e

r-

stood that the role of the

a

m

p

li

f

i

e

r

goes beyond that of

d

r

i

v

i

ng

l

o

ud

s

p

ea

k

e

r

s

to a

g

i

v

e

n

s

o

und

pressure

l

e

v

e

l

.

The

a

m

p

li

f

i

e

r

s

h

o

u

l

d

be

a

b

l

e

to

CONTROL

the

l

oud

s

p

ea

k

e

r

s

across the

e

n

t

i

r

e

m

u

-

s

i

c

spectrum.

T

h

i

s

means

that

parameters

such as

d

a

m

p

i

ng

factor

(

v

a

l

u

e

s

greater

than 60

a

r

e

a

cc

e

p

t

a

b

l

e

)

and

d

y

n

a

m

i

c

headroom

s

hou

l

d

not be

o

v

e

r

l

ook

e

d

when

c

om

p

a

r

i

ng

a

m

p

li

f

i

e

r

s

.

11

A

m

p

li

f

i

c

a

t

i

o

n

How much power

will

your new

speakers need?

That

u

l

t

i

m

a

t

e

l

y

depends

o

n

your

li

s

t

e

n

i

ng

e

n

v

i

ro

n

m

e

n

t

and

m

u

s

i

c

a

l

tastes.

As

li

tt

l

e

as

f

i

v

e

watts

p

e

r

c

h

a

nn

e

l

s

h

o

u

l

d

r

i

v

e

them to a

l

e

v

e

l

s

a

t

i

s

f

a

c

t

or

y

for

background m

u

s

i

c

.

A

t

y

p

i

c

a

l

45 watt per

c

h

a

nn

e

l

r

e

c

e

i

v

e

r

may

fill

a room

w

i

t

h

the

c

om

p

r

e

ss

e

d

m

i

d

-

b

a

nd

energy of “heavy

m

e

t

a

l

,

”

but seem to

l

a

c

k

w

e

i

gh

t

or

c

o

n

t

ro

l

w

i

t

h

c

l

a

ss

i

c

a

l

r

e

c

or

d

i

ng

s

.

Some

a

ud

i

o

ph

il

e

s

f

ee

l

that 200 watts per

c

h

a

nn

e

l

i

s

t

h

e

bare

m

i

n

i

m

u

m

to

a

v

o

i

d

a

ud

i

b

l

e

c

li

pp

i

ng

d

i

s

t

or

t

i

o

n

when

r

e

p

ro

du

c

i

ng

m

u

s

i

c

a

t

“

li

v

e

”

p

l

a

y

b

a

c

k

l

e

v

e

l

s

.

Y

o

u

r

L

e

g

a

c

y

speakers

are

d

e

s

i

gn

e

d

to take

a

d

v

a

n

-

tage of

“

h

i

gh

-

p

o

w

e

r

e

d

”

a

m

p

li

f

i

e

r

s

,

so

d

o

n

’

t

be

a

f

r

a

i

d

to put them

t

h

ro

ugh

t

h

e

i

r

p

a

c

e

s

.

How much

i

s

too much power?

R

a

r

e

l

y

i

s

a

d

r

i

v

e

un

i

t

damaged

by

l

a

r

g

e

doses

of

m

u

s

i

c

power. More often than not the

villain

i

s

a

m

p

li

f

i

e

r

c

li

pp

i

ng

d

i

s

t

or

t

i

o

n

.

Even

through decades

of

r

e

f

i

n

e

m

e

n

t,

l

o

ud

s

p

e

a

k

e

r

s

are

still

n

o

t

o

-

r

i

o

u

s

l

y

i

n

e

ff

i

c

i

e

n

t

transducers,

r

e

qu

i

r

i

ng

huge

amounts

of power to

r

e

c

r

e

a

t

e

the

i

m

p

a

c

t

of the

live

performance.

Typically

l

e

ss

that 1% of

e

l

e

c

t

r

i

c

a

l

power

i

s

converted

i

n

t

o

a

c

o

u

s

t

i

c

output.

(For

e

x

a

m

p

l

e

,

an

om

n

i

d

i

r

e

c

t

i

o

n

a

l

transducer

w

i

t

h

an

a

n

e

c

h

o

i

c

s

e

n

s

i

t

i

v

i

t

y

of 90 dB @

1

w

/

1

m

has a

full

s

p

a

c

e

ff

i

c

i

e

n

c

y

of

o

n

l

y

0

.

63

%

)

12

A

m

p

li

f

i

c

a

t

i

o

n

When an

a

m

p

li

f

i

e

r

i

s

un

a

b

l

e

to

fulfill

your

l

o

ud

s

p

ea

k

e

r

s

demands,

a

d

a

m

a

g

i

ng

h

a

rmo

n

i

c

s

p

i

k

e

may be

l

ea

k

e

d

to the

h

i

gh

frequency

d

r

i

v

e

r

s

.

A

n

o

t

h

e

r

i

m

p

or

t

a

n

t

p

o

i

n

t

r

e

g

a

r

d

i

ng

l

o

udn

e

ss

i

s

that the dB

s

c

a

l

e

i

s

a

l

o

g

a

r

i

t

h

m

i

c

one.

T

h

i

s

means

that a 150 Watt

a

m

p

li

f

i

e

r

will

p

o

t

e

n

t

i

a

ll

y

s

o

und

o

n

l

y

t

w

i

c

e

as

l

o

ud

as a 15 Watt

a

m

p

li

f

i

e

r

.

If

all

of

t

h

i

s

d

i

s

c

u

ss

i

o

n

of

p

o

w

e

r

and

l

o

udn

e

ss

seems

a

b

i

t

abstract,

c

o

n

s

i

d

e

r

the

e

x

a

m

p

l

e

b

e

l

o

w

.

The average

a

c

o

u

s

t

i

c

a

l

power

d

e

v

e

l

o

p

e

d

by a person

s

p

e

a

k

i

n

g

i

n

a

c

o

n

v

e

r

s

a

t

i

o

n

a

l

tone

corresponds

to a mere 0.00001 Watts. The power

t

h

a

t

w

o

u

l

d

be

d

e

v

e

l

o

p

e

d

by the

e

n

t

i

r

e

p

o

p

u

l

a

t

i

o

n

of the c

i

t

y

of New

Y

or

k

s

p

e

a

k

i

n

g

at once

w

o

u

l

d

b

a

r

e

l

y

ill

u

m

i

n

a

t

e

a

s

i

n

g

l

e

100 Watt

li

g

h

t

b

u

l

b

.

13

Speaker C

o

nn

e

c

t

i

o

n

s

The T

e

r

m

i

n

a

l

P

l

a

t

e

A

t

the rear of your

l

o

ud

s

p

ea

k

e

r

you

will

f

i

nd

a

t

e

rm

i

n

a

l

p

l

a

t

e

h

o

u

s

i

ng

two

rows of

jumpered b

i

nd

i

ng

posts.

The upper row

i

s

the

i

npu

t

o

the

"

s

a

t

e

lli

t

e

"

p

or

t

i

o

n

of the

speaker.

The

l

o

w

e

r

row

i

s

the

i

npu

t

to

t

h

e

"subwoofer"

p

or

t

i

o

n

of the

speaker.

When

l

e

f

t

i

n

p

l

a

c

e

,

the factory

i

n

s

t

a

ll

e

d

jumper bars

a

ll

o

w

the

speaker

to be

d

r

i

v

e

n

w

i

t

h

a

s

i

ng

l

e

c

h

a

nn

e

l

of

a

m

p

li

f

i

c

a

t

i

o

n

.

(If

b

i

a

m

p

i

ng

,

or

b

i

w

i

r

i

ng

,

be sure to remove the j

u

m

p

e

r

b

a

r

s

.

)

Connect each

c

h

a

nn

e

l

of your

a

m

p

li

f

i

e

r

to a

l

o

ud

s

p

ea

k

e

r

v

i

a

the

f

i

v

e

-

w

a

y

g

o

l

d

b

i

nd

i

ng

posts

p

ro

v

i

d

e

d

.

D

u

a

l

banana

p

l

ug

s

or

g

o

l

d

p

l

a

t

e

d

spade

l

ug

s

are

recommended means

of

t

e

rm

i

n

a

t

i

o

n

.

Be sure that you

observe p

o

l

a

r

i

t

y

when

m

a

k

i

ng

the

c

o

nn

e

c

t

i

o

n

s

.

The

p

o

s

i

t

i

v

e

(+) t

e

rm

i

n

a

l

of the

a

m

p

li

f

i

e

r

s

h

o

u

l

d

be

connected

to the

p

o

s

i

t

i

v

e

t

e

rm

i

n

a

l

of the

l

o

ud

s

p

ea

k

e

r

.

T

h

e

n

e

g

a

t

i

v

e

(-)

t

e

rm

i

n

a

l

of the

a

m

p

li

f

i

e

r

s

h

o

u

l

d

be

connected

to the

n

e

g

a

t

i

v

e

t

e

rm

i

n

a

l

of the

l

o

ud

s

p

ea

k

e

r

.

14

Fine T

un

i

n

g

To

f

a

c

ili

t

a

t

e

proper

set-up

of your

speakers

i

n

a

v

a

r

i

e

t

y

of room

s

i

t

u

a

t

i

o

n

s

,

we have

i

n

c

l

ud

e

d

s

e

v

e

r

a

l

heavy duty

t

o

gg

l

e

s

w

i

t

c

h

e

s

on the

t

e

rm

i

n

a

l

p

l

a

t

e

,

l

o

c

a

t

e

d

on the back of the

l

o

ud

s

p

ea

k

e

r

.

All

s

w

i

t

c

h

e

s

i

n

the “up”

p

o

s

i

t

i

o

n

represent

the

“

a

n

e

c

h

o

i

c

f

l

a

t

”

p

o

s

i

t

i

o

n

.

TREBLE Trim: - Nominally flat in the up position

- Negative 2dB at 10 kHz in the down position

(shelving for brighter rooms)

BASS Trim: - Nominally flat in the up position

- Negative 2dB at 60 Hz in the down position

(also raises impedance for budget receivers)

15

S

p

e

c

i

f

i

c

a

t

i

o

n

s

System Type:

3 driver, 2 way

Tweeter:

(1) 1” Neo Spiral Ribbon

Midwoofer:

(2) 5.25” Silver Graphite, cast frame

Low Frequency Alignment:

B5 Reflex

Frequency Response:

59 Hz –25 kHz

Impedance:

4 Ohm

Recommended Amplification:

15 –150 Watts

Sensitivity:

90 dB

Crossover Frequency:

3K

Binding Post:

1 Pair

Dimensions (H x W x D):

6.5” X 18” X 8.5”

Weight:

18 lbs

N

o

t

e

s

:

16

L

e

g

a

c

y

A

ud

i

o

3023 E

Sangamon

A

v

e

.

S

p

r

i

ng

f

i

e

l

d

,

IL

62702

Phone:

800-283-4644

Fax:

217-544-1483

17

Legacy Studio HD User manual

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