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Leslie 22H User manual

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LESLIE
ORGAN SPEAKER
PIPE VOICE OF THE ELECTRIC ORGAN
ODEL 22H
ODEL 22R
HAMMOND
ORGAN
OWNER'S MANUAL
INSTRUCTIONS, SERVICE INFORMATION
AND PARTS LIST
ELECTRO
PASADENA (BJ <
MUSIC
CALIFORNIA
1VJH 5
CONTENTS
Amplifier, servicing information -16
Bass speaker 17
Bass speaker, removal and replacement 19
Bass rotor removal and replacement 19
Bearings replacement 19
Belt replacement, upper and lower 18
Belt tension adjustment 18
Brilliance of sound 16
Broadcasting with the Leslie Speaker 7
Cables, connecting 6
Cables, connecting, multiple installations 9
DIAGRAMS AND SCHEMATICS
A- 100 installation 3
Amplifier _15,23
Connecting cables 6
Large models installation 4
L-100 installation 2
M-l installation 2
M-2 installation 2
M-3 installation 2
M-100 installation .2
Multiple speaker installations 11, 12, 13
Multiple speaker installations guide 14
Parts identification 20
Power relay, 5A 9
Tremolo control, 428 15
Type 2adapter 15
3H echo control 15
3M echo control 15
Distortion 16
EARLY LESLIE SPEAKERS
Modification of 10
Operation 9
Tremolo control (228) 10
Echo (speaker selector) controls 10
ECHO CONTROL INSTALLATIONS
3H, for large models without built-in speakers 11
3H, for the A-100 model 3
3M, for Models M-l, M-2, M-3 1,
2
Electric brake 17
Electrolytic condensers 17
Fuse 16
Hammond tone cabinets, use of 8, 10, 11, 12, 14
High fidelity use of the Leslie Speaker 7
Horn reflector replacements 19
Idler pulley 19
INSTALLATIONS
A-100 3
Large models (without built-in speaker systems )4
Models M-l, M-2, M-3 1,2
Multiple speaker installations 8
Single speaker installations 1
Line voltage 17
Loudspeaker system and dividing network 17
Maintenance, periodic 6
MOTORS
Disassembly and cleaning 18
Removal and replacement 18
Oiling -.- 6
Other (non-organ )usage of the Leslie Speaker 7
Parts list 21
Phasing, multiple speaker installations 9
Power requirements 9
Preparing the speaker for use 1
Recording with the Leslie Speaker 7
Reflector replacements, horn 19
Replacement parts 16
Reverberation unit installation 7, 8
Screen voltage regulation 16
Servicing and technical information 16
Shipping 7
Speaker selector (echo) controls 10
Specifications 1
Transformer replacement 17
TREMOLO
Control, operation of 5, 16
Control in multiple installations 13
Control voltage, special handling 12
Effects, special 5
Rotor cycling 5
Rotor removal and replacement, bass 19
Rotor removal and replacement, treble 19
Speed adjustment 1
Tubes 6, 17
Voltage readings 17
Volume control setting, multiple speakers 9
Volume control setting, single speaker 5
THE LESLIE SPEAKER
Models 22H &22
R
The Models 22H and 22R Leslie Speakers are
expressly designed for use with the Hammond Organ.
Functionally the two cabinets, as shipped from the
Electro Music factory, are identical. However, the
22R has been prepared for easy installation of the
spinet-type Hammond reverberation kit. Procedures
for connecting the Leslie Speaker will vary according
to the model Hammond Organ which is involved. De-
tailed installation information is contained in this
manual.
The Leslie Speaker is highly efficient since it has
been created exclusively for organ usage. Broad
frequency response is obtained as the result of the
separate handling which is given to upper and lower
frequencies. The unique tremulant produced by the
Leslie Speaker is the result of moving elements, which,
by creating afully realistic tremulant, bring to the
organ atype of sound which is truly characteristic of
the pipe organ. Tremulant is controlled in the Leslie
Speaker simply by turning these moving elements on
or off.
The Leslie Speaker may be used on Hammond
two-manual models which are equipped with built-in
speaker systems, as well as on models without built-
in speaker systems. With the former models aspeaker
selector switch ("Echo") is used to enable the organist
to use the Leslie Speaker and the organ's built-in
speaker system either separately or together. An Echo
switch is also used with the larger Hammond consoles
—those without built-in speaker systems —in instal-
lations employing two or more speaker units.
Complete instructions, for avariety of Leslie Speaker
installations, and for all two-manual Hammond Organ
models, arc given in detail in this owners manual.
SPECIFICATIONS
Cabinet: Selected hardwood veneers with quality lac-
quer finish to blend with consoles.
Dimensions: 29" wide, 20y
2"deep, 41" high.
Speakers: Treble?—compression-type driver, permanent
magnet, 16 ohms impedance,
Bass —15-inch heavy duty, permanent mag-
net, 16 ohms impedance.
Amplifier: 40 watts output.
Power Supply: 117 Volt, 60 Cycle.
Power Consumption: 2.1 Amps, 190 Watts.
Weight—22H: 135 pounds net
152 pounds, boxed for shipment
22R: 138 pounds net
155 pounds, boxed for shipment
PREPARING THE SPEAKER FOR USE
After unboxing the Leslie Speaker:
1. Remove the upper and lower compartment back
covers; take out the box in the upper compartment
containing the 428 Tremolo Control, the B-f
Adapter, and the lubricating oil. If cabinet is a
22R, also remove the kit of materials for installing
reverberation unit.
2. Remove the wood shipping blocks from the upper
and lower motors and from the amplifier, so that
these units may float freely on their rubber mount-
ings. Save the wood blocks for possible future use
in shipping the cabinet. Also remove the rubber
bands, and in the case of the 22R, the tape used
to hold the upper rotor in position during ship-
ment.
3. Make sure the upper belt is in place on the rotor,
idler, and motor pulleys.
4. Select the groove on the upper motor pulley which
provides the desired tremolo speed. The center
groove is the one used most often; faster or slower
speeds may be obtained by use of the other pulley
grooves.
5. Replace the upper and lower compartment back
covers.
6. Remove shipping skid and place the cabinet so it
rests solidly on the floor. If floor is uneven use
snug-fitting wedges to keep cabinet from rocking.
7. Plug the speaker connecting cable into the Leslie
amplifier. This may be either the 5-conductor cable
(with 6-pole plug) as supplied by Hammond, or
the 6-conductor cable which is obtainable as an
accessory from Electro Music.
Note: Complete preparation of the 22R Leslie Speaker
may involve installation of the reverberation kit.
To make this installation, follow the instructions
given on page 7.
INSTALLATIONS
USING ASINGLE LESLIE SPEAKER
Those installations using asingle Leslie Speaker are
the most common, hence will be discussed first in this
manual. Installations using several Leslies, or com-
binations of Leslie Speakers and Hammond tone
cabinets will be explained in subsequent pages. The
method for connecting asingle Leslie Speaker will
vary according to the model Hammond Organ which
is being used. Complete details will be found in the
following several sections of this manual.
Connecting the Model 22H or 22Rto the Hammond
Spinet, Models L-100, M-l, M-2, M-3, or M-100
When the Leslie Speaker is to be connected to any
of the Hammond Spinet model organs, the Leslie 3-M
Echo Control Kit should be used. This kit contains
the needed connecting cable —in this case a30-foot
length of cable with appropriate connectors installed
at both ends. Also included in the kit is the switch
with associated equipment for the Echo Control, a
device that permits the organist to use either the
Leslie or the console speaker, or to use both speakers
at the same time. A428 Tremolo Control, furnished
with the speaker, provides the means for turning the
Leslie tremolo on and off.
Installation should be made as follows;
1. Attach the tremolo and echo control cases to the
wood rail directly in front of the lower manual
by choosing the two mounting holes in each con-
trol case which best center the wood screws in the
rail. Use the screws which are provided. Controls
may be located together at either end, or with one
at each end of the rail.
2. Pass the control cables into the interior of the con-
sole in one of the following ways
:
a. Push the cables through the felt dust seal found
underneath the manuals just above the knee
panel. (Use asmall screwdriver to push the felt
down to create an opening near the left end of
this seal.) Push the cables through this opening.
b. Run the cables down along the corner where
the knee panel and the end of the console join,
then underneath to the back of the console.
Bring the cables into the console from the rear.
3. Mount the tremolo and echo terminal boxes inside
the console at aconvenient point, making sure that
the connecting and control cables will reach.
Fasten the boxes in place using the wood screws
which are provided.
1
4. Connect the wiring exactly as shown in the follow-
ing diagrams. NOTE: In using the wire nuts be
sure to hold the wire ends parallel and together,
but do not twist them. Insert these ends into the
opening of the nut, pushing firmly and turning nut
in aclockwise direction until the connection is
made secure.
5. Secure the external speaker cable at the lower right
(treble) corner of the console, using the clamp
which is supplied. When all the indicated con-
nections have been made, the installation is com-
plete except for possible regulation of the volume
setting. This should be done, as needed, according
to the instruction given on page 5.
MODELS M-1, M-2, M-100, L-100 CONSOLE INSTALLATION
ECHO
CONTROL
CONNECT THIS BLACK WIRE TO
AMPLIFIER GROUND SCREW ON:
MCONSOLES WITH StRIAL
NUMBERS 8EL0W 3000
LEAVE THIS BLACK WIRE
DISCONNECTED AINSULATE
IT WITH TAPE ON:
M&U-2 C0NS0LL5 WITH
SERIAL NUMBERS ABOVE
3GGG
L-1CG CONSOLES
M-100 CONSOLES
BE SURE TO USE ALL
INSULATING SLEEVES
0R& WIRES FROM
VOICE COIL* TERMS
TREMOLO
CONTROL
MODEL M-3 CONSOLE INSTALLATION
IF TREMOLO CONTROL IS NOT
TO BE INSTALLED, CONNECT THESE
RED AND BLACK WIRES DIRECTLY TO
SCREW TERMINALS ON ECHO BOX.
CABLE AND CONNECTOR (6 POLE)
FOR EXTERNAL SPEAKER
2Z
2
CONNECT UNDER CONVENIENT LESUE ^ADAPTER
6M0. SCREW ON AMR IPLUG INTO AMP.
N^W, socket
L3f
BROWN WIRE NOT USED
CUT SPADE LUGS ON GRY4BLU
WIRES AND SOLDER AS SHOWN
CONSOLE
PREAMP
REI fiLK
®®
ECHO MATCH
COLORS
BRWW
CONNECT THIS BLACK VI RE
TO AMPLIFIER GROUND
SCREV OH
:
M-3 CONSOLES BELOW 107700
WITH AMPLIFIER CODED G,H,
or I
LEAVE THIS BLACK WIRE
DISCONNECTED AINSULATE
WITH TAPE ONi
M-3 CONS0UES SERIAL 4B000
hABOVE WITH AMPLIFIERS
CODED A^C.D.E, &F. (UN-
CODED AMP. DENOTES CODE A
'
M-3 CONSOLES SERIAL 107700
&ABOVE WITH AMPLIFIERS
COOED JAABOVE
ORGAN
CONSOLE
SPEAKER
3M-2 ADAPTER
INCLUDED IN KIT
BE SUftE TO USE
ALL INSULATING SLEEVES
TO SPEAKER SOCKET
ON AMPLIFIER
2
Connecting the Model 22H or 22R Leslie Speaker
to the Hammond Model A-100 Organ
When the Leslie Speaker is to be connected to the
Hammond Model A-100 Organ, the Leslie A-100 Echo
Control Kit should be used. The kit contains the re-
quired connecting cable assembly as well as the 3H
Echo Control. This control enables the organist to
channel the organ's output to the Leslie Speaker, to
the console speaker, or to both speaker systems at the
same time. A428 Tremolo Control, furnished with
the speaker, provides the means for turning the Leslie
tremolo on and off.
The Leslie Speaker is connected to the Hammond
Model A-100 Organ by following the steps described
below:
1. Attach the tremolo and echo control cases to the
wood rail directly in front of the lower manual
by choosing the two mounting holes in each con-
trol case which best center the wood screws in
the rail. Use the screws which are provided.
Controls may be located together at either end, or
with one at each end of the rail,
2. Pass the control cables into the interior of the
console in one of the following ways:
a. Push the cables through the felt dust seal
found underneath the manuals just above the
knee panel, (Use asmall screwdriver to push
the felt down to create an opening near the
left end of this seal.) Push the cables through
this opening into the generator compartment,
then reach behind the starting motor and pull
the cables through.
b. Kun the cables down along the corner where
the knee panel and the end of the console are
joined, then underneath toward the back of
the console. Remove the back of the console
and cut asmall notch in the bottom shelf to
provide access for the cables to the interior of
the console.
3. Mount the tremolo and echo terminal boxes inside
the console at aconvenient point, making sure
that the connecting and control cables will reach.
Fasten the boxes in place using the wood screws
which are provided.
4. Remove the jumper wires between the gray and
black terminals and between the blue and red
terminals on the console amplifier. These jumper
wires arc inside the amplifier, as indicated in the
schematic diagram.
a.
6.
7.
8.
9,
10,
11
12.
Remove the red and black wires from the console
pre-amplifier "G-G" terminals which are located
near the tone control. Attach these two wires to
the "Main" terminals on the 3H Echo terminal
box, using the spade lugs which are provided.
Attach the red and black wires from the 3H Echo
terminal box to the "G-G" terminals just vacated.
Attach the 4-wire echo control cable to the 4-wirc
cable from the 3H Echo terminal box, matching
all the colors, and using the wire nuts which arc
provided. NOTE: In using the wire nuts, be sure
to hold the wire ends parallel and together, but do
not twist them. Insert these ends into the opening
of the nut, pushing firmly and turning nut in a
clockwise direction until the connection is made
secure.
Attach the wires from the 428 Tremolo terminal
box:
Red and Black wires to the "echo" terminals on
the 3H Echo terminal box.
Brown wire to the brown wire on the octal tube
adapter, using the spade lug connection, and
pushing the insulating sleeve over the terminal
after the connection has been made.
Yellow wire to aconvenient ground connection.
Remove the 5U4-GB tube from the console ampli-
fier, then insert the octal tube adapter into the
vacated socket. Finally, insert the 5U4-GB tube
into the adapter.
Using the blue and gray wires which are furn-
ished, make aconnection between the terminals of
the 428 Tremolo terminal box, and the blue and
gray terminals on the console amplifier.
Attach the 2-wirc tremolo cable to the 2-wire
cable from the 428 Tremolo terminal box, using
the wire nuts which arc provided. Be sure to
follow the previously explained procedure in using
the wire nuts.
Insert the plug of the 727-5 Adapter into the extra
speaker socket on the A-100 Amplifier, then insert
the connecting cable plug into the adapter. The
receptacle at the opposite end of the cable is to
be connected to the amplifier in the Leslie
Speaker. The installation is now complete except
for the regulation of the volume, as may be re-
quired. The volume control should be set accord-
ing to detailed instructions on page 5.
OCTAL TUBE
ADAPTER
TREMOLO
CONTROL
WIRE MJTS
HOLD WIRE ENDS PARALLEL AND
TOGETHER 9UT 00 NOT TWIST.
WHILE PUSHING WIRES FIRMLY
IfMTO MOUTH OF NUT, SCREW ON
WIRE NUT.
o
u
FURNISHED WITH LESLIE
A- 100 KIT —
-
A
INSULATING
SLEEVE
MATCH
COLORS
A-100 PREAMPLIFIER (UPSIDE D0WM)
RED
O
o
GO
o
CD
GO
BLACK GROUND
BLACK
1
khov
K0RIG1IMAL WIRES TO PREAMPLIFIER G-G
428 TREMOLO TERMINAL 60/ o-H ECHO TERMINAL BOX
TO
LESLIE
CABINET 727 CABLE
D-
-
6
o
(JJ
NPUT SPEAKER
A-100 POWER AMPLIFIER
3
Connecting the Model 22H or 22R
Leslie Speaker to Hammond Models
Without Self-contained Speakers
For Hammond Models A, B, C, D, E, BV, CV, B-2,
C-2, RT-2, B-3, C-3, RT-3, the connection is made
between the organ console and the Leslie Speaker by
means of the regular connecting cable which is furn-
ished with the Hammond console. A428 Tremolo
Control, furnished with the speaker, provides the
means for turning the Leslie tremolo on and off.
The Leslie Speaker is connected to any of the above-
named Hammond models by use of the following pro-
cedures :
1. Attach the tremolo control case to the wood rail
in front of the lower manual, choosing the two
mounting holes in the case which best center the
wood screws in the rail. Use the screws which are
provided. The Tremolo Control may be located at
either end, although the location at the left end,
directly in front of the pre-set keys, is generally
preferred.
2. Pass the control cable into the interior of the con-
sole in one of the following ways
:
a. Push the cable through the felt dust seal found
underneath the manuals just above the knee
panel. (Use asmall screwdriver to push the felt
down in order to create an opening near the left
end of this seal.) Push the cable through this
opening into the generator compartment, then
reach behind the starting motor and pull the
cable through.
b. Run the cable down along the corner where the
knee panel and the end of the console are
joined, then underneath toward the back of the
console. Remove the back of the console, and
cut asmall notch in the bottom shelf to provide
access for the cable to the interior of the con-
sole.
3. Mount the tremolo terminal box inside the organ
console at aconvenient point, making sure that the
connecting and control cables will reach. Fasten
the box in place using the wood screws which are
provided.
4. Connect the two-wire cable from the tremolo con-
trol to the two-wire cable from the tremolo terminal
box, using the wire nuts which are provided.
IMPORTANT: When using wire nuts be sure to
hold the wire ends parallel and together but do not
twist them. Insert these ends into the opening of
the nut, pushing firmly and turning nut in aclock-
wise direction until the connection is securely
made.
5. Remove the wires from the "G-G" terminals on the
pre-amplifier, and connect them to the screw term-
inals of the terminal box. NOTE: In the case of
Hammond models B-3, C-3, and RT-3 all con-
nections at the pre-amplifier are solder-type con-
nections.
6. Attach the red and black wires from the terminal
box to the "G-G" terminals on the pre-amplifier
which were vacated in step 5.
7. Attach the yellow wire from the terminal box to
any convenient ground screw.
8. The brown ivire from the terminal box is to be con-
nected on the basis of the Hammond model in-
volved:
Models A, B, C, D, E, BV, and CV only:
Attach to the pre-amplifier B-j- terminal along
with the wire (to the cable outlet box) already
connected there.
Models B-2, C-2, and B.T-2 only:
Attach to the brown wire on the Octal Tube
Adapter (Part No. 428-9) which is furnished as a
part of the 428 kit. Once the connection is made
push the plastic insulating sleeve over the terminal.
Remove the 6X5 tube from its socket on the pre-
amplifier chassis, plug the adapter into this socket,
and the 6X5 tube into the socket on the adapter.
Models B-3, C-3, and RT-3:
Attach to the brown wire on the 7-pin adapter
(Part No. 428-8) which is furnished as apart of
the 428 kit. Once the connection is made push the
plastic insulating sleeve over the terminal. Remove
the 6X4 tube from its socket on the pre-amplifier
chassis, plug the adapter into this socket, and the
6X4 tube into the socket on the adapter.
9. Complete the installation by connecting console
and Leslie Speaker, using the cable which is sup-
plied with the Hammond console. The plug at one
end of the cable is to be connected to the socket on
the outlet box in the console; the receptacle at the
other end of the cable plugs into the amplifier on
the Leslie Speaker. The installation is now com-
plete except for the regulation of the volume, as
may be required. The volume control should be
set according to detailed instructions on page 5.
TREMOLD
CONTROL
ATERMINAL
BOX
MOLD WIRE: ENDS
PARALLEL AMD
TOGETHER BUT DO
NOT TWIST. WHILE
PUSHING WIRE
FIRMLY INTO MOUTH
OF NUT, SCREW ON
WIRE NUT.
TYPE 2TREMOLO CONTROL
INSTALLATION IN CONSOLE
Y7
ORIS, WlttS
FROM GS
PREAMP
TERMINALS
UJ
O
o
o
o
5
cr
LESLIE 6* ADAPTER TO BE INSERTED BETWEEN
INDICATED TUBE AND ITS AMPLIFIER SOCKET
6X5
6PIN
B2,C2, RT2
EH
63 C3
RT3
ON MODELS B3. C3. RT3
LESLIE EQUIPMENT WIRES ARE
SOLDERED TO PREAMP TERMINALS.
OTHER MODELS USE LUG CONNECTORS
UNDER SCREW TERMINALS-
A. BX. D.E, BV. CV
%~1
GCKSOLE PREAMP.
AC &* GND G6
REMOVE ONIT WIRES FROM C- TERMS. OH PREAMP,
BROWN 4
VOLUME CONTROL SETTING
The Leslie amplifier is designed purposely to have
more gain than is normally required. Thus, abroad
volume range is available. Volume should be adjusted
on the basis of the console signal output as well as
for the particular acoustic environment.
The volume level should be set on the basis of
maximum demand, avoiding distortion or overload:
1. Using afull registration, that is, with one set of
manual drawbars and both pedal drawbars pulled
out to position eight, play apedal note and afull
chord, with the Swell Pedal fully "open".
2. Advance the volume control on the Leslie amplifier
from aminimum position up to apoint where
some distortion can be heard.
3. Back off the volume control setting just far enough
to eliminate all the distortion. This then is the
correct setting for maximum undistorted loudness,
and no further adjustment will have to be made.
CAUTION:Distortion, if continuous, can ser-
iously damage speaker components.
THE LESLIE TREMOLO
One of the unique aspects of Leslie Speaker design
is the method for producing tremolo, or tremulant.
Two rotary elements within the Leslie cabinet project
the sound afull 360 degrees in amanner which results
in arealistic acoustic tremolo. This patented system
adds important musical values to the tone of the
Hammond Organ, greatly enhancing its performance.
Tremolo Control
Tremolo in the Leslie Speaker is controlled by turn-
ing the power for the tremolo driving motors on and
off. This is accomplished by means of arelay which is
built into the Leslie amplifier. The two motors plug
into AC outlets located on the amplifier.
It will be noted that there are actually three AC
outlets, located together on the amplifier. However,
only two of the outlets are under on/off control.
The third outlet, located nearest to the volume control,
is not affected by the relay, but instead supplies power
whenever the organ and speaker are turned on. (Use
of this outlet will be explained in the section on
special tremolo effects.) The Leslie Speaker, as it is
shipped from the factory, has the two motors plugged
into the two controlled outlets.
Tremolo Rotor Cycling
When the Leslie speaker is first turned on, the
rotors which are plugged into the controlled sockets
will rotate for approximately 10 seconds and then will
stop. If the Leslie tremolo switch is "on" the rotors
will immediately start again, and will rotate con-
tinuously, so long as the switch remains "on".
This initial rotor cycling is completely normal and
occurs only during the warm-up period. After this
warm-up completely normal on-off control will be in
effect.
Special Tremolo Effects
Some intriguing musical possibilities result from
having the Leslie tremolo under only partial on/off
control. In this alternative arrangement the lower
(bass) rotor is kept constantly in motion, while the
upper (treble) rotor is controlled independently by
the Leslie tremolo on/off switch. To accomplish this
the power plug from the lower driving motor is
plugged into the third AC outlet previously mentioned.
This outlet, located nearest to the volume control, is
not affected by the Tremolo switch. It supplies power
to the driving motor continuously while the organ is in
operation.
The uncontrolled outlet in the 22R cabinet will be
used whenever this cabinet is equipped with Rever-
beration kit. Thus, when the lower rotor is to be
kept constantly in motion, this outlet should be
supplied with acube tap in order to accommodate
plugs from both the reverberation amplifier and the
lower tremulant rotor.
The unusual effects that can be obtained from this
partial tremolo control arrangement become apparent
when the Leslie tremolo switch is in "off" position.
The upper tremolo rotor (treble) will remain station-
ary while the lower (bass) rotor will continue to turn.
Through choice of registration and playing range,
some effects of considerable contrast may be obtained.
For example, notes played in the top two octaves
of the keyboard, using abrilliant registration such as
Strings, will be channeled mainly through the treble
rotor. With the tremolo "off" this rotor will not be
in motion, hence these notes will have practically no
tremolo. If at the same time (still with tremolo "off")
notes are played in the lowest three octaves of the
other manual, and using abland registration such as
"Tibia", the sound will be heard mainly through the
bass rotor which is revolving and which will thus pro-
duce afull tremulant. The "solo" part may be played
on cither keyboard, with the "accompaniment" on the
other. Due to the contrasting tremolo treatment
which is given to the two individual playing ranges,
with tremolo "off", the tonal difference between
"solo" and "accompaniment" parts is quite substantial.
Utilization of these special tremolo possibilities will
further be influenced by the vibrato system of the
particular console. Where the instrument is equipped
with electronic vibrato, the vibrato control knob
should be set at Number 1. If the vibrato is controlled
separately for the two manuals many combinations of
acoustical tremulant and electronic vibrato become
possible. Areasonable amount of experimentation
here will reveal many interesting musical possibilities.
Early model consoles were equipped with an ampli-
tude-type tremulant, and in many cases with achorus
generator as well. Both these devices alter the organ s
signal in such away as to make it incompatible with
the Leslie tremulant. Hence, on these early Hammond
consoles neither the tremulant nor the chorus gen-
erator system should be operated at the same time
that the Leslie tremulant is being used.
On Series 3consoles which are equipped with the
Hammond Percussion, the Leslie Speaker makes pos-
sible many interesting tonal combinations. Since the
electronic vibrato is not applied to the percussion out-
put, the only tremulant will be supplied by the Leslie.
The Leslie tremulant may be turned off for those
effects that are best without tremulant, or it may be
used to provide tremulant for such interesting effects
as the "Vibra-harp". Again, reasonable experimenta-
tion with the combination of percussion and Leslie
will result in the discovery of agreat many usable
new sounds.
5
CONNECTING CABLES
The "standard" type speaker-connecting cable, as
supplied bv Electro Music, contains six conductors.
Current models of lx>th the Hammond Orgsm and the
Ix^Iic Speaker actually use only five of the six con-
ductors in this cable/ However, all six conductors
are used with early consoles and speakers. Since these
units continue to be used in installations it seemed
advisable to standardize on cable which would Ik*
adequate for all installation requirements. Adaptation
to the individual speaker and/or organ model is then
amatter of selecting the proper terminal connectors,
as explained in the chart.
The ^conductor connecting cable is supplied in
standard 30-foot lengths complete with plugs and/or
connector terminals.
The cable with 6-pole connectors at both ends b
Leslie Ptart No. 727.
The cable with aplug at one end and "spade-lug*
connector terminals at the other end is I-eslte Part
No.3M-l«
To span distances between console and speaker of
more than 30 feet, the cable from the console may be
supplemented bv one or more 727 cable assemblie s
connected together in series, used as extensions.
In certain installation* ;i specific length of cable
other than 30 feet is required. In such cases bulk
cable should be ordered, along with the necessary
connectors, as Specified in the rents list. (Note: The
spade lugs should Ik? obtained from alocal radio parts
supplier.) lit attaching tin* cable tn the connectors or
to the "spade-lug" connector terminals be sure to
follow the color coding as shown in the cable chart
below. Special care should he given to the handling
of all connections involving AC.
DESCRIPTION
727 CABLE ,COVPtfTC
(INCLUDED IH A-100 KIT)
3W-I CABLE,- COMPLETE
(INCLUDED IN 3U KIT)
721-1 WU CABU tSPCCIFY LEKCTKJ
727*3 SOClCtT (e-CONUCT) AND C4f
727-4 PLUS (5-POU) AND CAP
727-1 BUU CABLE tSPCCIFY LERGTH)
MECHO CONTROL KIT INCLUDES:
727-3 SOCKET AMD CAP
SPADE LUGS
ASSEMBLY DETAIL USAGE
EARLY CONSOLE TO SPEAKER
EXTENSION -rROy CONSOLE
CABLE TO SPEAJCER
EXTENSION •fROM SPCACER
CABU TO ANOTHER SPEAKER
CURRENT HAifttiNO CONSOLE TO
CURRENT LESLIE SPEAKER
CURRENT CONSOLE TO
ICAIM SPEAKER
CURRENT CONSOLE TO
ECHO SPEAKER
SPEAKER TO SPEAKER
CONSOLE TO ECHO SPEAKER
RECOMMENDED
PERIODIC MAINTENANCE
The Leslie Speaker is carefully engineered for
durahilitv and minimum service. Periodic lubrication
and atew simple checks will result in efficient
operation.
Oiling
Oil the two tremulant motors bv placing 20 to 30
drops of the oil which is furnished (or sewing machine
oil) in each of the oil tubes at the back of tlie cabinet.
The motors should be oiled every six months for
normal usage, every three months for commercial
upper tremulant rotor should be oiled every
year under normal operating conditions, every six
months if in commercial usage. The oil hole is found
at the center of the hakelite tremulant assembly, and
is clearly marked. Place about five drops of oil in the
hole, allowing it to drop slowly so as to avoid over-
flow at the opening. Be very careful to prevent oil
from getting onto pulley grooves or driving belt.
Belts
For average service belts usually last several years.
However, since frayed or badly worn belts can cause
noise, tliey should be examined periodically, and re-
placed as necwary.
Tubes
Check periodically to see that all the tubes on th
amplifier are illuminated, and are functioning properly.
The weakening of tubes with long use is such agradual
process that the resulting sub-standard performance
may not at first be noticed. New tubes, if carefully
checked* will restore the speaker to its original oper-
ating efficiency. For best results it (s recommended
that the tubes be replaced before appreciable de-
terioration has occurred.
6
SPECIAL USES OF THE LESLIE SPEAKER
Broadcasting and Recording
To obtain full rich pipe-organ effects, the organ
should be played at afairly high volume, using alive
studio. The microphone should be placed ten to
fifteen feet away from the Leslie. For asmooth
tremulant, adjust the microphone height so that it is
either above or below the upper speaker louvres in the
cabinet,
Non-Organ Use of the Leslie Speaker
The Leslie Speaker is aproduct of superb quality,
designed solely and expressly for use with electric
organs. It does not function satisfactorily in other
applications. The unique musical characteristic of
the speaker is the result of electrical and acoustical
properties totally different from those found in "high-
fidelity" sound equipment. This specialized concept
upon which the Leslie Speaker is based restricts its
recommended usage to the electric organ.
SHIPPING
The Leslie Speaker may be moved or carried in any
position without special preparation. However, if it
is to be shipped, the cabinet should be in an upright
position, with shipping blocks in place to protect the
motor, rotor, and the power amplifier.
In the case of the 22R, tape should also be used to
hold the upper rotor down securely on its base. The
reverberation unit also should be "locked".
INSTALLATION OF REVERBERATION UNIT
IN THE MODEL 22R LESLIE SPEAKER
The Model 22R Leslie Speaker is functionally the
same as the Model 22H; as shipped from the factory
the 22R may be used in exactly the same way as the
22H. The 22R, however, is designed to receive the
Hammond Reverberation Kit. All mounting holes are
pre-drilled, and are properly located for easy in-
stallation of the major assemblies of the reverberation
device. While it is preferable to install the 6X9 rever-
beration speaker on the right side of the Leslie cabinet
(as viewed from the back), it may be that in the
placement of the Leslie, this side of the cabinet is so
close to the wall as to prevent the sound from radiating
properly. In such cases the 6X9 reverberation speaker
may be mounted in the left side of the cabinet, which
is also supplied with louvres and pre-drilled holes.
Complete installation details are provided for use of
both speaker locations.
The Hammond spinet-type Reverberation Kit, with
console-type speaker, includes all major assemblies as
well as some of the small parts for the installation.
The remainder of the parts are either contained in the
kit of materials supplied with the 22R speaker, or will
be found already in the cabinet. The following parts,
included in the Hammond kit, are to be used in the
installation —other parts may be discarded:
Reverberation amplifier with blue and black line cord
attached.
Reverberation unit with blue and black wires attached.
Reverberation unit guide bracket.
Console-type 6X9 speaker with volume control and
green and black wires attached. (Remove speaker
from the wooden console speaker box.
)
Amplifier shield base (aluminum foil.
)
Two #4 xsheet-metal type screws for guide
bracket.
Six #8 xsheet-metal type screws, for reverberation
unit (2) and for speaker mounting (4).
NOTE: In addition to the usual service tools, the
reverberation installation will also require use
of "stubby" screwdrivers for the regular
slotted-head screws and for the Phillips head
screws.
Installation of the Hammond Reverberation device
is to be made as described below. It is necessary that
all three back panels be removed in order to provide
unrestricted access to the interior of the cabinet.
Specific directions (left, right) will be oriented on the
basis of viewing the cabinet from the back.
1. Remove the four 10/24 x7
/8"machine screws from
the amplifier mounting holes in the left-hand side
of the upper shelf. Place the aluminum foil shield
on this shelf, aligning the holes in the shield with
the mounting holes in the shelf. Place the two
felt strips at the ends of the shield, again aligning
the holes in the felt with the mounting holes in
the shelf. Mount the reverberation amplifier over
the shield and the felts, with the terminal strip
facing the horn assembly. Fasten the amplifier in
place using the previously removed machine
screws. Fasten at three points, but not at the
right rear corner of the amplifier chassis. The
bracket for the volume control is to be installed
there, as will be explained in step number 8.
2. Take out right-hand wood speaker-cover box by
removing the wing nut and angle bracket which
hold it in place.
3. Mount the reverberation unit guide bracket as-
sembly on the shelf to the right of the bass
speaker, using the pre-drilled mounting holes.
Be sure that the springs in the assembly face away
from the side of the cabinet. Fasten the assembly
in place with two of the #4 x%" screws.
4. Insert two of the #8 x%" screws into the pre-
drilled holes midway in the right side panel of
the cabinet, and tighten them down to approxi-
mately 3/32" from the surface.
5. Insert the vertical channel of the reverberation
unit between the springs of the guide bracket,
then hang unit on the screws which were installed
in step 4. Check to be sure that mounting slots of
the reverberation unit are properly seated over the
mounting screws and that the vertical channel is
still in place between the springs of the guide
bracket. Finally, tighten the mounting screws.
6. After the 6x9 speaker has been removed from the
wooden console speaker box, it should be pre-
pared as follows for installation in the Leslie
cabinet
:
a. Cut the green and black wires leading to the
speaker volume control about 2l
/
zinches from
the speaker. Strip about l
/2inch of insulation
from the ends of the two wires leading to the
speaker.
7
n
i.
8.
9,
10,
11
b. Using wire nuts, connect the green and black
jumper wires (furnished in the Leslie kit) to
the two wires from the speaker. Speaker is
now ready for mounting, (The volume control
assembly previously cut off will be used later
in the installation.) IMPORTANT: When
using wire nuts be sure to hold the wire ends
parallel and together but do not twist them.
Insert these ends into the opening of the nut,
pushing firmly and turning nut in aclockwise
direction until the connection is securely made.
To mount the 6x9 reverberation speaker on the
RIGHT-HAND side, simply locate it properly
over the pre-drilled mounting holes behind the
louvres on the right-hand side. Fasten in place
using four of the #8 x%" screws. Replace the
wood speaker-cover box, threading the green and
black speaker wires out through the slot in the
box. Secure box in place, using the mounting
bracket and wing nut removed previously. Should
it be desirable to mount the reverberation speaker
on the LEFT-HAND side, these steps should be
followed:
a. Remove the bracket and the long screw which
are used to secure the speaker-cover box in
position, and remount these in the left side of
the cabinet, using the pre-drilled holes.
b. Remove the wood cover behind the louvres in
the left side of the cabinet, and install on the
right side,
c. Remove the other cover from the left-side
panel and place it over the two holes in the
right side of the upper shelf, aligning the cover
with the pre-drilled holes in the shelf. Fasten
the cover in place with screws.
d. Mount the 6x9 speaker behind louvres on left
side of cabinet, using pre-drilled holes and
fastening in place with four of the #8 x%"
screws.
e. Replace the wood speaker-cover box, thread-
ing the green and black speaker wires out
through the slot in the box. Secure box in
place using the mounting bracket and wing
nut previously removed.
Mount the speaker volume control and wire as-
sembly (removed in step 6) on the metal bracket
which is furnished. Locate the control and
bracket assembly at right rear corner of rever-
beration amplifier, placing bracket base between
felt and foil. Use 10/24 x%" screw to secure both
the amplifier and the bracket.
Using wire nuts, connect the green and black
wires from the volume control to the green and
black (jumper) wires from the 6x9 speaker.
Attach the green and black wires (from the
volume control, and equipped with spade lugs)
to the "speaker" terminals on the reverberation
amplifier.
Connect the spade lugs on the ends of the black
and blue jumper assembly (furnished in Leslie
kit) to the driver terminals on the reverberation
amplifier. Connect the opposite ends of these
jumper wires to the black and blue input wires of
the reverberation unit, covering these connections
with the plastic sleeving which is also furnished.
12. Connect the shielded extension cable (from Leslie
kit) between the output wires of the reverberation
unit and the reverberation amplifier,
13. Connect the short brown wire (from Leslie kit)
across the "Switch" terminals on the reverberation
amplifier.
14. Remove the insulation covering the spade lugs at
ends of the red and black Leslie amplifier output
wires. (These wires come from the 2-polc con-
nector assembly located on the left side of the
bass speaker shelf. )Connect these wires, using
the spade lugs, to the "Signal Input" terminals on
the reverberation amplifier.
15. Attach the AC plug (from Leslie kit) to the blue
and black wires from the reverberation amplifier.
Plug into an AC socket on the Leslie amplifier,
using the socket which is nearest to the volume
control knob.
16. Dress all jumper wires together near the left side
of the bass speaker shelf. Snap the plastic cable
clip (from Leslie kit) around these wires and
fasten to the left side of the cabinet, using the
#8 xYi" screw. Thus secured, the wires cannot
vibrate and create noise.
17. Replace all three backs on the Leslie cabinet.
Unlock the reverberation unit by turning the lock
rod which is accessible under the metal cover
found near the right side of the center back cover
panel of the Leslie. To UNLOCK, turn the rod
Kturn to the right, bringing the slot of the rod
to avertical position. (To LOCK the reverber-
ation unit, the rod is to be rotated ^turn to the
left, so that the slot is horizontal. The unit
should always be LOCKED whenever the speaker
is being moved.)
18. Set the volume control for the 6x9 speaker so as
to provide the desired amount of reverberated
sound. The installation is now complete.
MULTIPLE SPEAKER INSTALLATIONS
When aparticular installation requires greater
volume than can be obtained without distortion from
asingle Leslie Speaker, additional units may be added.
Additional speakers bring an improvement in the
musical quality as well as an increase in the overall
volume. Adding speakers is like adding chests of
pipes in apipe organ: the sound is distributed over a
broad area. This effect of "bigness" is most pro-
nounced when the speakers in amultiple installation
are separated from each other by fifteen to twenty
feet. Also, the selection of adifferent pulley groove
(upper motor) for each speaker provides contrasting
tremolo effects, further enhancing the pipe organ
effect.
Amultiple speaker installation may include any
type of Hammond tone cabinet, and early model Leslie
Speakers along with the current Leslie models. Where
reverberation is involved special handling is required.
Although it is technically possible to pass the reverber-
ated Hammond signal through the Leslie Speaker, it is
not always the desirable course; in addition, the in-
stallation becomes extremely complicated. The prefer-
able course, where reverberation is desired, is to use
the Leslie Model 22R Speaker.
8