Monitor Audio Silver RS User manual

1
© Monitor Audio 2005 RS Rev 5
Contents Page
Introduction 2
Safety Instructions 3
SilverRS1 4
SilverRS5 5
SilverRS6 6
SilverRS8 7
SilverRS LCR 8
SilverRS FX 9
ConnectingYourRSFX 10
FixingYourRS FX to the Wall 11
Plinth& SpikeFixing (RS5, RS6 & RS8 only) 12
ConnectingYourLoudspeakers 13
Positioning 15
GuaranteeandService 16
Claims under this guarantee 16
Data Protection 17
OwnerInformation 17
Warranty Card –Foldout section in back cover

2
© Monitor Audio 2005 RS Rev 5
Introduction
Thank you for purchasing Monitor Audio Silver RS loudspeakers, which have
been designed and constructed using quality systems and materials to provide
years of enjoyment,reliability and prideof ownership.
Our speakers are hand crafted from top to bottom using traditional
woodworking skills for our sumptuous cabinets, married with the state of the
art technology of our renowneddrive units.
Music is and should be a natural enhancement of life. It stimulates the
imagination, changes your mood, helps you relax, and provides endless hours
of entertainment.
At Monitor Audio we pride ourselves in attempting to make the listening
experience as close as possible to the original ‘music’ production, or as we say
at MonitorAudio our aim is to make the music experience “As closeas itgets”.
Please read through this manual to familiarize yourself with any safety advice
and how best to set up your speakers to achieve the very best listening
experience.
Your Silver RS loudspeakers come complete with grilles (all products), plinths
and spikes (RS5, RS6 and RS8 only). In with the RS LCR, you will find four self
adhesive rubber pads thatcan be placed on the bottom of the cabinet toprotect
it against scratches and also to prevent vibrations moving it. There are also
foam port bungs with each speaker. Suggestions on use can be found below.
The RS FX comes with a wall fixing kit including all of the parts to securethem to
a wall.
TheRS1, RS5 and RSLCR arerear ported cabinet designs. Because of this
design, we recommend that when fixing the loudspeakers toa wall that the port
bungs areused. This may alsoapply whenthey arepositionedvery close to a
rear/sidewall.
The RS6 and RS8 are both designed using two port tubes (per loudspeaker).
One is on the front of the cabinet; the other is on the rear. These ports should
not need to be blocked if you are using your loudspeaker in a room greater than
about 9m2. However, if you cannot implement the ideal speaker positioning,
then experiment using the port bungs. First start by fitting them in the rear
port, then the front, and then both to see which configuration is best suited to
your personal tastes and room constraints.
The portbungs are another way of fine-tuning theloudspeaker to fit in sonically
in your home environment.
WARNING: Care must be taken not to insert the port bungs too far into the port
as this may result in the foam bung being lost inside the cabinet.

3
© Monitor Audio 2005 RS Rev 5
Safety Instructions
1. Read Instructions
Please read and follow all of the instructions in this manual before
enjoyingyou loudspeakers.
Any instructions proceeded by this warning triangle MUST be followed.
Failure todo so may cause personal injury or damagethe speakers
2. Water & Moisture
The loudspeakers should not be used near water - for example,
bathtub, washbowl, kitchen sink, washing machine, in a wet basement
or near a swimming pool. Under no circumstance should plants or fish
bowls beplaced on the products.
3. Heat
The speaker/s should not be placed near any heat source such as
radiators, open fires, stoves, direct sunlight and any other appliance
that produces heat.
These speakers are designed for use within the home environment.
Exposure to extreme temperatures & humidity when placed on patios
oropen conditions could adversely affectthewooden cabinet.
4. Cleaning
Great care and attention has gone into the materials chosen to produce
the Silver RS loudspeakers. It is our intention that they should provide
a lifetime of musical pleasure. A gentle wipe with a dry, clean cloth is
all that is required to remove any dust. Treat them as you would a fine
pieceof furniture because thatis how they have been designed.
Avoid touching the loudspeaker’s drive units whilst cleaning, as any
damage will impair their performance.
5. Re-cycling
When it is time to replace this product please help us protect the
environment by disposing of it in an appropriate and responsible
manner.
Furtherdetails are available from www.monitoraudio.co.uk
6. Natural wood veneers.
Monitor Audiotakes great pride in providinga high quality product.
We use only hand selected natural wood veneers, which are carefully
matched and hand finished to the highest standard possible. The
unique nature of each veneer may result in natural colour variation and
grain from samples you may have seen in photos or at the dealer’s
show room. This is what makes the producta special piece of furniture.
If your speaker is finished in a Cherry veneer please be aware that it
will naturally darken withage more so than other types of wood veneer.
Please retain this manual for futurereference.

4
© Monitor Audio 2005 RS Rev 5
Your Silver RS1
Don't be fooled by the size. The most compact loudspeaker of the Silver RS
range delivers a sound that's anything but small, rivalling far more costly
'compact monitors' for bass extension, mid-range resolution and precise
imaging within a stunningly open soundstage. Allied with ‘figure 8’ cross-
bracing to reduce cabinet resonance an excellent standmount loudspeaker has
been created.
Because the RS1 offers great performance from a small speaker, it lends itself
to a wide range of positioning options. The RS1 will perform equally well no
matterhow itis positioned. The RS1 can beplaced on a stand, ora bookshelf.
To remove the grille, carefully prise it away from each cabinet section at a time.
There are two sets of fixing points on this product. One above the drive unit,
the other below it. Refitting is the opposite of removing. Ensure it is correctly
orientated.
For information on wiring and system configurations, please refer to pages 13,
14 and 15.
Frequency
Response
(Crossover
Frequency)
Sensitivity
(1W@1m) Nominal Impedance (Ohms)
Power
Handling RMS
(W)
Recommended
Amplifier power
output.
(W)RMS
43Hz –30KHz)
(3.3KHz) 90dB 6 80 25– 100
Drive Unit
Complement Cabinet Design
Product External
Dimensions Inc Grille
and Terminals.
cm(inch)
Weight
Kg (lb) Finishes
1 x 6" C-CAM®Bass
mid-range. 1 x 25mm
Gold Dome C-CAM®
tweeter.
Rear ported,
bass reflex
31H x 18.5W x 28D
(12 3/16" x 7 1/4"
x 11")
6
(13.2)
Black Oak,
Rosenut,Walnut,
Natural Oak or
Cherry real wood
veneer. All fitted
withBlack Grille

5
© Monitor Audio 2005 RS Rev 5
Your Silver RS5
The new Silver RS5 is the smallest floor stander in the new Silver RS Series, and
the classically simple two-way layout ensures a beautifully clean appearance.
It’s slim cabinet design and resulting small footprint ensue versatility for any
environment. The RS5 fuses elegant, space efficient design with a powerful
sonic performance.
To remove the grille, carefully prise it away from each cabinet section at a time.
There are two sets of fixing points on this product; one above the drive unit, the
other below it. Refitting is the opposite of removing. Ensure it is correctly
orientated.
Tosafely fit the plinth and spikes please refer to pages 12 and 13.
For information on wiring and system configurations, please refer to pages 13,
14 and 15.
Frequency
Response
(Cross over
Frequency)
Sensitivity
(1W@1m) Nominal Impedance (Ohms) Power Handling (W) RMS
Recommended
Amplifier power
output.
(W)RMS
40Hz –30KHz
(3.3KHz) 90dB 6 100 40 – 100
Drive Unit
Complement Cabinet Design
Product External
Dimensions.
cm(inch)
Plinth
Dimensions
(foot print)
cm(inch)
Weight
Kg (lb) Finishes
1 x 6" C-CAM®
Bass/ mid-
range.
1 x 25mm Gold
Dome C-CAM®
tweeter.
Rear ported,
bass reflex
80H x 18.5W x 22D
(31 ½ " x 7 ¼ "
x 8 11/16")
2.5H x 25.5W x
27D
(1" x 10" x 10
5/8")
11.7Kg
(25.7lb)
Black Oak,
Rosenut,Walnut,
Natural Oak or
Cherry real wood
veneer. All fitted
withBlack Grille

6
© Monitor Audio 2005 RS Rev 5
Your Silver RS6
A svelte 2 ½ way floor-stander, the RS6 builds on the considerable musical
strengths of the RS1 and RS5 by providing greater bass extension and weight.
Rigid construction is again key to achieving the clean, un-boxy sound. The RS6
employs multiple bracing positioned at critical resonancenodes. The two 6 inch
C-CAM®drivers have been designed specifically for the RS6. The lower unit
handles bass only, the other provides punchy upper bass and a clear, natural
mid-band right up to the crossover point with the tweeter at 3KHz. The RS6 has
a reflex port at the rear as well as the front. This is to provide maximum airflow
at low frequencies and reduces air pressure that can lead to bass compression
effects.
To remove the grille, carefully prise it away from the cabinet sections at a time.
There are three sets of fixing points on this product. One above the mid-bass
drive unit, one below it and the third below the bass drive unit. Refitting is the
opposite of removing. Ensure itis correctly orientated.
Tosafely fit the plinth and spikes please refer to pages 12 and 13.
For information on wiring and system configurations, please refer to pages 13,
14 and 15.
Frequency
Response
(Cross over
Frequency)
Sensitivity
(1W@1m) Nominal Impedance (Ohms) Power Handling (W) RMS
Recommended
Amplifier power
output.
(W)RMS
38Hz –30KHz
(3KHz) 91dB 6 120 40 – 120
Drive Unit
Complement Cabinet Design
Product External
Dimensions.
cm(inch)
Plinth
Dimensions
(foot print)
cm(inch)
Weight
Kg (lb) Finishes
1 x 6" C-CAM®
Bass, 1 x 6" C-
CAM®Bass/ mid-
range. 1 x 25mm
Gold Dome C-
CAM®tweeter.
Front & rear
ported, bass
reflex
85H x 18.5W x 25D
(33 7/16" x 7 ¼ "
x 9 13/16")
2.5H x 25.5W x
30.5D
(1" x 10" x 12")
18Kg
(40)
Black Oak,
Rosenut,Walnut,
Natural Oak or
Cherry real wood
veneer. All fitted
withBlack Grille

7
© Monitor Audio 2005 RS Rev 5
Your Silver RS8
Silver RS8 is the new 2 ½ way floor-standing flagship model of the range and
builds on the considerable musical strengths of the smaller Silver RS6 by
providing a still wider bandwidth, high power handling, greater efficiency and
moreeffortlessly realised dynamics.
Rigid construction achieves a clean, un-boxy sound. The RS8 employs multiple
bracing positioned at critical resonance nodes. Its slim proportions and
detailing positively contribute to sound quality by reducingdiffraction effects.
The Silver RS8 utilises three 6 inch C-CAM®drivers. The lower two units handle
bass only, the upper unit provides punchy upper bass and a clear, natural mid-
band rightup to thecrossover pointwith the tweeter at3KHz.
To remove the grille, carefully prise it away from the cabinet sections at a time.
There are four sets of fixing points on this product. One above the mid-bass
drive unit, one below it, the third is above the bass drive unit, with the fourth
being below it. Refitting is the opposite of removing. Ensure it is correctly
orientated.
Tosafely fit the plinth and spikes please refer to pages 12 and 13.
For information on wiring and system configurations, please refer to pages 13,
14 and 15.
Frequency
Response
(cross over
Frequency)
Sensitivity
(1W@1m)
Nominal
Impedance
(Ohms) Power Handling RMS (W)
Recommended
Amplifier power
output.
(W) RMS
33Hz – 30KHz
(3 KHz) 91dB 6 175 40 - 175
Drive Unit
Complement Cabinet Design
Product External
Dimensions.
cm(inch)
Plinth
Dimensions
(foot print)
cm(inch)
Weight
Kg (lb) Finishes
2 x 6" C-CAM®
Bass Drivers, 1x 6"
C-CAM®Mid-range
Driver. 1 x 25mm C-
CAM®Gold Dome
tweeter.
Balancedvelocity
twin reflex ported.
90H x 18.5W x
27D
(35 7/16" x 7 ¼"
x 10 5/8")
2.5H x 25.5W x
32.5D
(1" x 10" x
12 13/16")
21
(46.2)
Black Oak, Rosenut,
Walnut,Natural Oak
or Cherry real wood
veneer. All fitted with
Black Grille

8
© Monitor Audio 2005 RS Rev 5
Your Silver RS LCR
The Silver RS LCR is the vital aesthetic and sonic link in any Silver RS home
cinema or multi-channel music system, bringing extra solidity, depth and
realism to the front soundstage, especially with dialogue. It can be used as a
centrespeakeror as a traditional leftorrightspeaker whenplacedupright. Due
to the design of the crossover, if using your RS LCR as a left or right main
speaker, we would recommend orientating itso that the port tube is upper most
on the crossover panel. This ensures that the lower bass unit handles all of the
bass, and the upper bass unit handles the mid-bass. For information on wiring
and system configurations, please refer topages 13, 14 and 15.
Recognising that the centre is often the hardest working speaker in an A/V
system, it needs to handle every kind of situation within a movie soundtrack,
from a big explosion, to a detailed piece of vocals. With this in mind, the new
Silver RS LCR has been designed with two 6inch C-CAM®bass/mid drivers that
hand over to the C-CAM®tweeter at 2.9 KHz.
A special crossover network ensures an excellent vertical and horizontal off axis
frequency response, eliminating the need for a 'hot seat' listening position and
integrating smoothly with the rest of the Silver RS range in a home theatre set-
up.
To remove the grille, carefully prise it away from the cabinet sections at a time.
There are two sets of fixing points on this product. One at each end of the
cabinet. Refitting is the opposite of removing.
Frequency
Response
(Crossover
Frequency)
Sensitivity
(1W@1m) Nominal Impedance (Ohms)
Power
Handling RMS
(W)
Recommended
Amplifier power
output.
(W)RMS
45Hz-30KHz
(2.9KHz) 91dB 6 120 40-120
Drive Unit
Complement Cabinet Design
Product External
Dimensions Inc Grille
and Terminals.
cm(inch)
Weight
(packed)
Kg (lb) Finishes
2 x 6" C-CAM®
Bass mid-range,
1 x 25mm Gold
Dome C-CAM®
tweeter.
Reflex Ported 18.5H x 50W x 24D (7 9/32" x 19 11/16" x
97/16") 8.5(18.7)
Black Oak,
Rosenut,Walnut,
Natural Oak or
Cherry real wood
veneer, also video
silver. All fitted
withBlack Grille

9
© Monitor Audio 2005 RS Rev 5
Your Silver RS FX
Designed as part of the Silver RS home theatre system, the RS FX surround
speaker combines amazing performance with modern, discreet design that can
be flush mounted on a wall using the enclosed wall brackets. The attractive
curved grille and end caps conceal a rigid angular cabinet construction along
with Monitor Audio’s renowned and highly acclaimedC-CAM®driver technology
and C-CAM®tweeters.
By using low slope linear phase crossover design, Monitor Audio has
engineered the Silver RS FX to have seamless integration and almost perfect
180-degree dispersion characteristics. Whilst thebass driveralways operates in
phase, the tweeter section can be configured to operate as a bi-pole or di-pole,
which means the Silver RS FX, can just as easily be used on sidewalls in a more
advanced 7.1 system.
Please note, if used in a 7.1 channel system, the RS FX’s are left and right
handed. This is indicatedon the terminal panelon the back of the product.
To remove the grille, carefully slide it around the cabinet. Refitting is the
opposite of removal. The grille cannot be removed with the cabinet secured to
thewall.
Frequency
Response
(Crossover
Frequency)
Sensitivity
(1W@1m) Nominal Impedance (Ohms) Power Handling RMS (W)
Recommended
Amplifier power
output.
60 Hz-30 KHz
(2.2KHz) 89 dB 6 100 10-100W
Drive Unit
Complement Cabinet Design
Product External
Dimensions Inc Grille
and Terminals.
cm(inch)
Weight
Kg (lb) Finishes
1 x 6" C-CAM®
bass/midrange
driver, 2 x 25mm
Gold dome C-CAM®
tweeters.
Sealed
Cabinet
28.5Hx 29W x 13D
(11 1/4" x 11 7/16" x
57/32") 4 (8.8)
Black Oak,
Rosenut,Walnut,
Natural Oak or
Cherry real wood
veneer, end caps.
All fitted with
Black Grille

10
© Monitor Audio 2005 RS Rev 5
Connecting your Silver RS FX
The Silver RS FX’s are supplied as right hand or left hand units and both can be
configured to either bi-pole or di-pole. The factory setting is bi-pole as
illustrated in fig. 1 below.
In bi-pole mode, all speaker units (mid/bass unit and tweeters) are in phase.
This feature is for when the RS FX is set up as a rear/surround speaker in a
typical 5.1 channel system. In di-pole mode, one of the HF units (tweeter) is out
of phase with the other tweeter and mid/bass unit. It is best to implement this
configuration when using the RS FX as part of a 7.1 channel system, with the RS
FX’s taking up positions on the sidewalls. Please note that the RS FX’s are left
and right handed. This is not an issue when used in bi-pole mode as a rear
surround speaker. It is essential that they are positioned correctly if used in a
7.1 channel system. Please refer to the positioning section on page 15, or go to
our web site at www.monitoraudio.co.uk. Alternative suggestions may also be
found in your AV amplifier/receiver manual.
Before changing your RS FX’s from bi-pole mode to di-pole mode, please ensure
that the speaker wires are disconnected from your loudspeakers. This helps to
protectyouramplifier.
To change from bi-pole, to di-pole mode, the toggle switch on the crossover
panel needs to be moved from its factory set position (fig. 1) to the di-pole
position (fig. 2).
Please note that it is not possible to connect these speakers
independently by bi-amping.
Di
-
Pole Mode
Bi
-
Pole Mode
Fig. 1
Fig. 2
Bi-Pole
Di-Pole
Bi-Pole
Di-Pole

11
© Monitor Audio 2005 RS Rev 5
Fixing Your RS FX to a Wall
CAUTION: You will need to determine where the RS FX will be fixed and the
structure of the wall. For safety reasons, if you are unsure of your ability to
provide a secure and safe fixing, do not attempt to fix these speakers to your
wall, please obtain the services of a competent qualified tradesperson.
CAUTION: Ensure that there are no water pipes or electricity cables running
behind where the wall brackets are going to be secured. Work from secure
steps and avoid trailing wires.
Tofix your RSFX’s to the wall, follow these simpleinstructions. We would
recommend using the wall fixing template enclosed within the packaging
carton:
1. When you are sure of the location of your RS FX, mark on the wall the
centres of the securing screws. These should be 220mm (8 11/16")apart.
2a. For fixing to plasterboard (sheet-rock) or a solid wall use a suitable
6.5mm (1/4") drill bit. Drill the two positions (each speaker) deep enough
to accept the enclosed wall plugs. This should be 30mm (1 3/16"). Insert
the wall plugs and screw the provided 33mm (1 5/16") screws into the wall.
Remember to leave the screws protruding approximately 1mm (1/32")
(excluding the head of the screw) to hang the RS FX on.
2b. For fixing to a timber wall, drill a pilot hole (approx 2mm or 1/16") and
screw the 33mm (1 5/16") screws into the pilot hole. Remember to leave
the screws protruding approximately 1mm (1/32") (excluding the head of
thescrew) to hang the RSFX on.
Both the key-hole bracket and the rubber
adhesive pads can be seen in the
photograph to the right.
3. Hang your RS FX on to the screws and sit
backandenjoy.
For recommendations on where to hang your RS
FX please refer to the FAQ’s on our web site:
www.monitoraudio.co.uk
Key holebrackets
AdhesiveRubberPads

12
© Monitor Audio 2005 RS Rev 5
Plinth Fixing (Silver RS5, RS6 & RS8 only)
The Silver RS5, RS6 & RS8’s have been fitted with M10 threaded inserts in the
bottom of the cabinet. These will accept the enclosed cabinet specific plinths.
They can be fittedusing the enclosed M10 bolts.
Before you fit the plinth ensure the floor area is clear of any hard/sharp objects.
To fit the plinth all you need to do is turn the cabinet over so that the bottom is
facing up. Then, place your plinth onto the cabinet ensuring that plinth is
orientated correctly and line up the bolt holes in the plinth with the inserts in
the cabinet. Then take your M10 bolts and secure the plinth to the cabinet.
Tighten them up gradually and ensure the plinth is fitted securely to the
cabinet. Fit the feet to the cabinet before turning the loudspeaker back over.
Please read the instructions below. The spikes are used to improve sound
quality andbass performance
Spiked Foot Fixing For Carpeted Floors
(Silver RS5, RS6 & RS8 only)
The amazingly engineered composite Silver RS spiked foot encorporates a spike
for use on carpeted floors and also, a soft polymer pad (for use on wooden or
tiledfloors).
Please ensure there are no hidden
wires under the carpet that could
bedamaged by the spikes.
The foot comes fully assembled for use on
carpeted floors. Allthat is required is fixing
into the plinth. This is achieved by simply
screwing the feet fully into the 4-threaded
insert in the underside of the plinth. If your
carpet has a very thick pile, remove the soft
polymer pad from the foot to ensure the
spike goes right through the carpet into the
floor. With great care turn your cabinet the
right way up. Place the cabinet in your
desired location, and check that it is level
on all sides. If it is slightly off level,
unscrew the spike at the lowest point and
check again. Continue this process until
the cabinet is fully level. Use the locking
nut on the foot to fix the foot in place and to
stopany unwantedvibrations.
Locking Nut
Main Threaded
Assembly
Soft Polymer
Pad
Spike

13
© Monitor Audio 2005 RS Rev 5
Spiked Foot Fixing For Wooden/Hard Floors
(Silver RS5, RS6 & RS8 only)
For use on solid floors or where spikes are
inappropriate, it is possible to use the foot
without the spike insert. To use the foot in
this manner carefully grip the knurled
portion of the spike and rotate anti
clockwisetounscrewthe spikefully.
You may find it easier to first remove the
polymer pad so as to gain more purchase
on thespike.
Thepad shouldbe replacedbefore carrying
out the levelling operation previously
described.
Connecting Your Silver RS Loudspeakers
You will notice that when you unpack your loudspeakers, there are plastic
terminal caps in the terminals where the speaker cable connectors should go.
Thesecan besimply removed by placing a thin, flat object underneaththemand
carefully leveringthemfree.
All of the Silver RS Series loudspeakers (except the RS FX, see page 9) can be
either single or bi-wired/bi-amp. Monitor Audio always recommends bi-wiring
your loudspeakers for improved sound quality. You will also need to run your
speakers in for approximately 60 hours before they perform at their optimum
capability.
If you are going to be connecting your speakers in a bi-wire, or bi amp format,
please remove the terminal links. Do this by unscrewing the red and black
terminals slightly and removing the link. Connect the speaker as in the
illustrations on page14.
You can also bi-amp your loudspeakers. This is carried out in the same way as
bi-wiring except instead of using one amplifier to power all of the drive
units/tweeter in the speaker; you are using one amplifier to drive the treble
(tweeter) and the other amplifier to drive the mid/bass sections. If you are
intending to do this, please consult your local hi-fi dealer for their
recommendations for amplifier rating.
We recommend the use of our Pureflow®loudspeaker cable to get the best from
your speakers. Further information can be foundat www.monitoraudio.co.uk

14
© Monitor Audio 2005 RS Rev 5

15
© Monitor Audio 2005 RS Rev 5
Positioning
The positioning of your loudspeakers for a two channel, stereo system very
much depends on your listening environment. Ideally you would place your
speakers 2 – 3m (6 – 10 ft) apart in the middle of your back wall and you would
sit approximately 2m away. However if this is not possible there are some other
simple recommendations that we would suggest.
Start by playing some different pieces of music that are familiar to you. If you
have a rear ported speaker (RS1/6/8 & LCR) try not to place them too close to
the wall. If they are too close you will find that the bass is very prominent.
Start by placing them about 20cm (8") from the wall. If you find there is too
much bass place them further away from the wall. If, on the other hand, you
find there isn’t enough bass for your liking, place them slightly closer to the
wall. The same applies with placing you loudspeakers next to a side-wall. If
possible do not place your loudspeakers any closer than 50cm (20") to your
side-wall.
Try varying the distance that your loudspeakers are apart from each other. If
they are placed too close together, this will result in poor stereo imaging. This
is when sound moves from left to right or right to left. For example a car in a
movie sound track. Equally, if they are placed too far apart, there may be a
large gap in the sound reproduction/stereo imaging. When listening to music
through your speakers, if you have them set up correctly, you shouldn’t notice
that the speakers are even there, the music should sound as if it is comingfrom
the centre of the two speakers.
Forthe positioning of a multi channel homecinema system, please referto your
AV amplifier/receiver manual.
RS LCR
RS 6/8
RS LCR
RS1+ Stand *
RS FX
RS 6/8
RS LCR
RS1+ Stand *
Note to scale* Not supplied
Subwoofer. Please refer to
subwooferowners ma
nual.

16
© Monitor Audio 2005 RS Rev 5
Guarantee and Service
Valid upon completion of the incorporated warranty card and its return within
30 days of purchase.
This equipment has been fully tested prior to dispatch from the factory. Both
the craftsmanship and the performance of this product is guaranteed against
manufacturing defects for the period of three years from the date of purchase
(see conditions below), provided that the product was supplied by an
authorised Monitor Audio retailer under the consumer sale agreement. (The
words ‘consumer sale’ shall be construed in accordance with section 15 of the
supply of goods act 1973). Monitor Audio accepts no responsibility for defects
arising from accident, misuse, abuse, wear and tear, modification or operation
outside of that specified within this instruction manual. Neither will
responsibility beacceptedfor damage or loss occurringduring transit toor from
the parties claiming underthis guarantee.
This guarantee covers both labour and parts. The liability of Monitor Audio is
limited to the cost of repair or replacement of the defective parts (at the
discretion of Monitor Audio) and under no circumstances extends to
consequential losses or damage.
Claims under this Guarantee
The equipment should be returned in its original packaging to the original
supplier where possible, or to any other authorised Monitor Audio dealer. If it is
not possible to return the equipment by hand, then it should be sent carriage
prepaid via a reputable carrier. If the original packing is not available
replacement packaging can be purchased from Monitor Audio. If you have any
difficulties complying with these requirements please contact us at the
followingaddress:
CustomerService Tel: [phone]
MonitorAudioLtd. Fax: [phone]
Unit 2, 24 Brook Road Internet: www.monitoraudio.co.uk
Rayleigh Email: [e-mail]
Essex
SS6 7XL
England
This guarantee does not affect the statutory rights of the consumer under UK
law.

17
© Monitor Audio 2005 RS Rev 5
Data Protection
We at Monitor Audioare committed to respecting the wishes and privacy of our
customers. Any information you provide will be held in the strictest confidence
and only used within the MonitorAudio organisation fortheprovision of
services such as warranty claims orspare parts.
We may wish to contact you in the future to ensure you are happy with the
products and standards of service we provide and to keep you up-to-date with
the latest products and promotions we have to offer.
Should you wish not to be contacted by us either by post, e-mail or phone,
please tick the box on the warranty card. Alternatively you can request not to
be contacted in future by writing to Customer Service, at the address on the
previous page.
Owner Information
Product Details
Model ………………………………………………………….. Serial No ……………………………
Date of Purchase …………………………………………..
Dealer Details
DealerName ……………………………………………………………………………………………….
Address ………………………………………………………………………………………………………
Town, Post code, Country …………………………………………………………………………….
e-mail address ……………………………………………………………………………………………
MonitorAudio reservesthe rightto alter specificationswithoutnotice.